Lucky Goat Pae Maha Lap Luang Por Am

When speaking of the Pae Maha Lap lucky goat amulet, there is one name which stands above all others, and that is the name of Luang Por Am, of Wat Nong Grabork, in Ban Kaay Rayong. Luang Por Am was, along with Masters like Luang Por Horm of Wat Sak Hmak, Luang Por Rerm of Wat Juk Gacher, and Luang Por Chaem, considered among the top Masters of the Province, long before even the Great Luang Phu Tim of Wat Laharn Rai acheived his fame. Luang Por Am was the Kroo Ba Ajarn of the Great Luang Por Lat (Wat Nong Grabork), who is famed in his own right for his powerful Pae Maha Lap Hand Carved Goat Amuletsม which he of course mastered under the tutelage of Luang Por Am.

Pae Maha Lap Lucky Goat amulets of LP Am

Pae Maha LapLucky Goat and other carved amulets of LP Am

The male Goat is known for the fact that it is able to keep a whole herd of dozens of females under his ownership, through merciful and protective influence. It is thus believed that who wears the Pae Maha Lap Khao Kwai Gae Sacred buffalo horn Goat amulets of Luang Por Am, will be an owner and controller of great possessions and wealth, with grand entourage.

Below; Luang Por Am, of  Wat Nong Grabork

Luang Por Am

Luang Por Am, or ‘Pra Kroo Taep Sittaa, was one of the Great Masters of the Central-Eastern Provinces during His Era, and the ex abbot of Wat Nong Grabork from 2431 – 2490 BE. He was rrespected and revered all around the Province, and had Great fame around the Nation for his Powerful Wicha. During his lifetime he became known as the top Master for carved Lucky Goat amulets. What is less known, and is of immense interest to investigate the lineage Wicha of the Pae Maha Lap, is the fact that Luang Por Am himself received this Wicha from Luang Por Dtaeng of Wat Ang Sila.

Luang Por Am was abbot of Wat Nong Grabork between the years 2431 to 2490 BE, being a Gaeji Ajarn of around 150 years ago, and was the Kroo Ba Ajarn teacher of many other great names of the time, such as Luang por Rerm of Wat Juk Gacher, and Luang Por Lat of Wat Nong Grabork (his successor and apprentice in magick). The Pae Maha Lap Nuea Khao Kwai Gae of Luang Por Am, is believed to possess the power to absorb Black Magick and protect the wearer/devotee from being affected.

It can be said that the Pae Maha Lap of Luang Por Am, Luang Por Lat, and now Pra Atigarn Surasit Akkawaro, the current abbot (written 2562 BE), are considered the ‘cream of the crop’, by serious devotees of the Pae Maha Lap, along with those other Great Chonburi Masters whose names carry fame for this Wicha such as Luang Phu Tim, uang Por Sakorn, Luang Phu Sin.

The Pae Maha Lap of Luang Por Am, was almost always made by carving a goat from ‘Khao Kwai Fa Pha Dtaay’, which is the horn of a buffalo which died struck by lightning in a field. It is an ancient magical belief that the horn of a lightning-struck bull or buffalo has the power of angelic beings in it, for indeed, the angelic beings of the elemental realms who control the weather, are who control these divine forces of Nature.

After the carving of the shape of the goat, Luang Por Am would then empower the Goats with incantations, and invocations of elemental powers and angelic beings, with Buddhist Blessings on top. Sometimes he would immerse them in aromatic sacred oils to consecrate them, mixed with herbal oils made from herbs and vines and flowers of the forest, with magical, healing, protective, and attraction powers. He would rebless them again and again until he felt the amulets were completely stuffed as full with magic as possible, and unable to insert any more. The magic within the amulets was hence always filled to the brim before distribution.

Locket Roop Khai Chak Khaw (White Face) Ud See Pheung Fang Chanuan - LP To - Wat Pradoo Chimplee

SKU 03051
$499 U.S.
Out of stock
Product Details

This early edition 'Chak Khaw Dtem Ongk' locket (white locket face with See Pheung Balm Potion filled into the rear face of the locket) of LP To is an Absolute rarity, and extremely sought after spiritual item.The perfect choice for the undisputed Klaew Klaad Kong Grapan protection, Metta Mahaniyom and Maha Lap aspects, as well as its aesthetic beauty, spiritual value, and power to increase Prosperity.

This amulet is a top choice for the Serious Devotee and Collector. Released sometime between 2519 BE 2521 BE, after first edition was depleted a few times consecutively, given 'serm hlang' (repletion), with 3 renewed series released every time the edition depleted.

The front face features the image of Luang Phu To of Wat Pradoo Chimplee, in 'Dtem Ongk' full figure, seated in meditative posture. The sacred Na and signature of Luang Phu To is emblazoned on the surface of the front face of the loval 'Roop Khai' shaped locket.

The rear face of the locket is filled with powerful see pheung metta balm, with a piece of sacred chanuan inserted. The locket was empowered from Luang Phu To. Hair from Luang Phu was mixed into the sacred See Pheung mixture, as was the case with all Muan Sarn Sacred susbstances of the great Luang Phu To.

Only very few lockets were made through empowerment with the use of see pheung metta balm, mostly being filled with sacred powders, making this a rare and highly collectible sacred amulet from one of Thai Amulet History's all time great Guru Master Monks, Luang Phu To. Less than one thousand Lockets were made, counting both first and second editions together, making this locket an Ultimate Essential Rarity and a Grand Masterpiece Amulet.

The rear face has the authentic Yant Na with the letter Ta,and the Dork Jantr code of the first edition trademark. This is a classic rare amulet and yet another priceless classic that one sees gracing the covers of magazines, and, unfortunately, out of reach of the pockets of the average collector.

Below; Luang Phu To - Wat Pradoo Chimplee

Below; Some First edition 'Roop Taay' Photo Lockets by LP To Thai Buddhist Amulets by LP To First edition lockets

You may notice the bottom row is the second edition, which has writing around the bottom edge. This is not present on the first edition, which are seen in the examples above the bottom row. The oval Roop Khai version of the first edition was made in white and blue faces (Chak Khaw and Chak Fa).

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