Lucky Goat Pae Maha Lap Luang Por Am

When speaking of the Pae Maha Lap lucky goat amulet, there is one name which stands above all others, and that is the name of Luang Por Am, of Wat Nong Grabork, in Ban Kaay Rayong. Luang Por Am was, along with Masters like Luang Por Horm of Wat Sak Hmak, Luang Por Rerm of Wat Juk Gacher, and Luang Por Chaem, considered among the top Masters of the Province, long before even the Great Luang Phu Tim of Wat Laharn Rai acheived his fame. Luang Por Am was the Kroo Ba Ajarn of the Great Luang Por Lat (Wat Nong Grabork), who is famed in his own right for his powerful Pae Maha Lap Hand Carved Goat Amuletsม which he of course mastered under the tutelage of Luang Por Am.

Pae Maha Lap Lucky Goat amulets of LP Am

Pae Maha LapLucky Goat and other carved amulets of LP Am

The male Goat is known for the fact that it is able to keep a whole herd of dozens of females under his ownership, through merciful and protective influence. It is thus believed that who wears the Pae Maha Lap Khao Kwai Gae Sacred buffalo horn Goat amulets of Luang Por Am, will be an owner and controller of great possessions and wealth, with grand entourage.

Below; Luang Por Am, of  Wat Nong Grabork

Luang Por Am

Luang Por Am, or ‘Pra Kroo Taep Sittaa, was one of the Great Masters of the Central-Eastern Provinces during His Era, and the ex abbot of Wat Nong Grabork from 2431 – 2490 BE. He was rrespected and revered all around the Province, and had Great fame around the Nation for his Powerful Wicha. During his lifetime he became known as the top Master for carved Lucky Goat amulets. What is less known, and is of immense interest to investigate the lineage Wicha of the Pae Maha Lap, is the fact that Luang Por Am himself received this Wicha from Luang Por Dtaeng of Wat Ang Sila.

Luang Por Am was abbot of Wat Nong Grabork between the years 2431 to 2490 BE, being a Gaeji Ajarn of around 150 years ago, and was the Kroo Ba Ajarn teacher of many other great names of the time, such as Luang por Rerm of Wat Juk Gacher, and Luang Por Lat of Wat Nong Grabork (his successor and apprentice in magick). The Pae Maha Lap Nuea Khao Kwai Gae of Luang Por Am, is believed to possess the power to absorb Black Magick and protect the wearer/devotee from being affected.

It can be said that the Pae Maha Lap of Luang Por Am, Luang Por Lat, and now Pra Atigarn Surasit Akkawaro, the current abbot (written 2562 BE), are considered the ‘cream of the crop’, by serious devotees of the Pae Maha Lap, along with those other Great Chonburi Masters whose names carry fame for this Wicha such as Luang Phu Tim, uang Por Sakorn, Luang Phu Sin.

The Pae Maha Lap of Luang Por Am, was almost always made by carving a goat from ‘Khao Kwai Fa Pha Dtaay’, which is the horn of a buffalo which died struck by lightning in a field. It is an ancient magical belief that the horn of a lightning-struck bull or buffalo has the power of angelic beings in it, for indeed, the angelic beings of the elemental realms who control the weather, are who control these divine forces of Nature.

After the carving of the shape of the goat, Luang Por Am would then empower the Goats with incantations, and invocations of elemental powers and angelic beings, with Buddhist Blessings on top. Sometimes he would immerse them in aromatic sacred oils to consecrate them, mixed with herbal oils made from herbs and vines and flowers of the forest, with magical, healing, protective, and attraction powers. He would rebless them again and again until he felt the amulets were completely stuffed as full with magic as possible, and unable to insert any more. The magic within the amulets was hence always filled to the brim before distribution.

Pra Putta Chinarat Pim Yai 2475 BE Nuea Din Phao - Sacred Clay Ancient Amulet of Master Class - Luang Phu Yim - Wat Jao Jet Nai

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$149 U.S.
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Pra Kru Pra Putta Chinarat Sacred Clay Ancient Amulet with gold leaf covering from the Great Luang Phu Yim, of Wat Jao Jet Nai, in Ayuttaya. Pim Yai (large model), the amulet is famously renowned for its Kong Grapan Chadtri and Klaew Klaad Protective Power.

Master Gaeji Ajarn of Pra Nakorn Sri Ayuttaya of the second world war Era, and the Indojin War. LP Yim was befriended on best friends basis with the Great Master Luang Phu Jong of Wat Na Tang Nork (Ayuttaya), who was slightly older than him by three years.

This beautiful Pra Putta Chinarat Buddha image was made sometime after Luang Phu Yim began to release amulets in the year 2475 BE, making it almost a Century old. Extremely rare, this Pra Kru Master-Class amulet is one of the classics of Luang Phu Yim, and a highly esteemed amulet of the amulet appreciation societies.

Many of Luang Phu Yim's amulets were made from red coloured earthen sacred clay, and also other coloured powders including creamy white, gray-green, brown and black powders.

He made amulets in many different forms, including this Putta Chinarat, pra Ngop Nam Oy, Pra Gleep Bua, Pra Khun Phaen, Pra Khone Samor, Pra Somdej Prok Po, Hanuman, Pra Pim Hyod Nam Luang Por Dto, Pra Put Song Hanuman (3 versions; gazing left, right, and with large head), Pra Somdej Rasamee, Pra Ruang Yern, and other amulets.

Luang Phu Yim always followed the ancient methods of having the block press molds made from stone, using the finest artisans to carve the designs. he would always make his editions according to the Buddhist method of pressing the same number of amulets as the number of sermons in the Tripitaka (84,000).

Made from Nuea Din Phao (baked clay) Another intimate friend and colleague in practiuce was Luang Por Parn of Wat Bang Nom Kho, who was exactly the same age as Luang Phu Yim. All three of these Masters would constantly visit each other at their respective temples, and swop and share the various magical Wicha of Buddha magic they had learned in the time they had not seen each other.

It began to be spoken, that all three of these Monks and their amulets had special power. They were said to be full of Puttakun and Metta Mahaniyom power, and strong with Kong Grapan Chadtri invincibility.

Luang Phu Yim

When any of these Masters would make amulets, the other two friends would always be present to help perform the Puttapisek Empowerment ceremony at each of the three temples. The rest of course, is History and common knowledge in Thailand.

All three of these Masters are of the most revered Masters for amulets in Thai Amulet history, especially Luang Por Parn with his Bang Nom Kho amulets (Pra Putta Jao Pratap Sathw - Buddha image riding on animal figures).

Apart from sacredness and certainty of power in this amulet, it is a wonderful example of old style clay 'Kru' amulet and was made at the same time with and in the same manner as Luang Por Parns amulets.

The amulet is thus interesting not only for having been blessed by Lp Yim, LP Parn and LP Jong together, but also for students of authenticity of Luang Por Parn Wat Bang Nom Kho amulets, who wish to study the Muan Sarn sacred powder and its aging process in order to fine tune their abilities of recognition.

This is a popular amulet to rent for the purpose of study, because it was made in the same way, from same substance same blessings and same method of Kru as the classig Wat Bang Nom Kho amulets themself.

Below: Luang Phu Yim and some of his famous Pra Ngop Nam Oy clay amulets

As to sacredness, this goes without questioning, and it can be concluded easily that this amulet is a perfect and much cheaper alternative to a Wat Bang Nom Kho amulet from Luang Por Parn.

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