Roop Lor Mae Chee Bun Ruean 2521 BE Dtok Code Niyom With Casing Blessed by Luang Phu To at Wat Awut
An extremely rare limited edition Pim Niyom amulet that is seldomly seen, the Sacred Roop Lor Loi Ongk Statuette in Nuea Rae Maekasit alchemical meta alloy, with the image of the Great Thai Buddhist Nun, Mae Chee Bun Ruean, of Wat Awut and Wat Sarnath.
Mae Chee Bun Ruean was famous for her ‘Pra Putto Noi’ amulet, Thung Khiaw Hniaw Sap treasure pouches, and Khaw Dtok Pra Ruang Sacred Elements. Her amulets and those in her image enjoy immense reverence with Buddhist Folk of every Province in Thailand, for her great healing powers and her Merits made for Buddism, and her meditative prowess and teachings.
The Roop Lor is made from Nuea Maekasit, a special magical alloy forged using metallurgy and alchemy, and was blessed in 2521 BE at Wat Awut, with the Great Luang Phu To of Wat Pradoo Chimplee presiding over the Blessing ceremony and empowerment.
It is worthy for students of amulets to note, than a later edition of the Roop Lor Mae Chee Bun Ruean was also famously released in the year 2532 BE with Luang Phu Buddha Thanawaro performing blessings. the 2521 BE and 2532 BE editions asre noticeably different by the fact that the later 2532 BE edition had Muan Sarn Sacred Powders filling in the base of the Loi Ongk Statuette.
Nuea Maekasit is obtained by Alchemically smelting Iron Artifacts, with Mercury as the main base Magical ingredient, and performing Elemental Invocations until the structure of the metal changes, and becomes a sacred Metal of Alchemical Nature. Alchemy and Metallurgy are combined here as one facet of the various aspects of empowerment of the amulet. The Maekasit and Maekapat Sacred Alchemical Metals are not only especially apt for channelling Magical Forces.
This is only possible with metals which will usually not smelt, by the use of Incantation and Meditative Prowess, as well as Metallurgical expertise and experience in this Wicha, because the turning point must be held at a precise temperature, along with the proper incantations, which must be performed simultaneously as the separate substances melt and are forged into one substance. The resulting alchemical alloy may take on any of a number of colour tones, depending on the formula of Kaya Siddhi substances used, and the nature of the Magic. Colours can range from matt black, silvered, rusty red, to bluebottle blue and greenbottle green, silver, and even golden and purple, much like Lek Lai Kaya Siddhi Adamantine Substance.
Mae Chee Bun Ruean is perhaps the most famous of Thai Buddhist Nuns, which is underlined by the fact that a Buddhist Nun made such great impression and influence in the Thai Buddhist religion is a statement in itself of her great merits to propagate and preserve the Buddha’s teachings, and to lead her devotees towards the true path of practice.
The Roop lor is made from cast alchemical iron alloy with blackened finish, with series edition code stamp on the rear side of the image, and is hence a preferred pim, which devotees prefer above those versions with no code stamp.
Who was Mae Chee Bun Ruean?
Kun Mae Chee Bun Ruean was a Buddhist Nun whose purity of practice was so exemplary that she became a Buddhist master in her own right in Thailands Theravada tradition, which is highly unusual and a difficult task to acheive, in a Tradition where women are not permitted to ordain as a Bhikkhuni, and must remain in white as a Karavasa Holder of Precepts.
Despite these disadvantages, her great practice, Metta (Compassion) and her teachings, and Charitable Works for Buddhism, brought her to become the most highly beloved Buddhist Nun in the History of Thai Buddhism. She was known to practice and listen to the Dhamma mostly at Wat Sampant Wongs in Bangkok.
Her most famous amulet is of course the ‘Pra Putto Noi’ amulet, which was made in various kinds of sacred powder clay. The most popular model being the ‘Pim Jumbo’ large size model, in its white powder version.
The Pra Putto Noi was created in the year 2494 BE, with the Mae Chee Bun Ruean as the Organiser of the raising of the funds for their making and the Charitable Acts which were planned from the funds. The Pra Putto Noi amulet in its Pim Niyom model, if in pristine state, can fetch tens of thousands of dollars in the high end auction rooms of the Sian Pra Niyom.
Luckily there were many models, and some are still affordable in this time, but they are very far and few to discover for collection. The devotees who wear her amulets walk confidently in faith of the Metta Maha Niyom and Serm Duang Klaew Klaad Powers, and healing effects of the amulets of Kun mae Chee Bun Ruean. Devotees would rub the powders ointment onto giant centipede and snake bites and infected wounds, to heal them.
Her amulets are said to heal illnesses and to improve Karma. They are believed to be full of Puttakun Power to bring auspicious blessings and prosperity, because of Mae Chee Bun Ruean’s life of charitable acts, and her practice of great generosity. They are full of Metta Maha Niyom from Mae Chee Bun Ruean’s Equal treatment and Loving Compassion for all of her devotees regardless of their social or financial status. All were treated with the same Metta.
Her purity is believed to have made the amulets she created to be so powerful, and caused her Pra Putto Noi and other amulets to be extremely sought after amulets. She blessed the amulets in 2494 BE, with a ceremonial prayer for the Welfare of the Temple of Wat Awut, in Thonburi. The aim of the funds raised from the edition was to construct the Pra Putto Paas Chinarat Jom Muni, as the ‘Pra Pratan’ Main presiding Buddha Image of the Uposatha Shrineroom at Wat Sarnath Dhammaram temple, in Rayong.
She bestowed permission to Pra Ajarn Sanguan Kosago, the Abbot of Wat Awut Wikasitaram, who had already collaborated in the making of the Pra Putto Noi Amulets which were previously distributed during the Tord Pha Pha robe donation ceremony. Ma Chee Bun ruean also made extra batches to donate to the Monks at Wat Sampant Wongs, for them to give to their devotees who came to make merits.
Apart from the Pra Putto Noi amulet, Kun Mae Chee Bun Ruean made various other amulets which are also in extremely high regard for their Sacredness, such as the Pra Chaiyawat Putto Brass Votive Tablet of 2499 BE, and the Rian Pra Putto Jom Muni coin of the Pra Putto Yai Statue Installation Ceremony of 2499 BE.
Another very popular ‘Krueang Rang’ Talismanic Charm of Mae Chee Bun Ruean was the ‘Thung Hniaw Sap” treasure glue purse (lucky purse to attract treasures and money like glue sticks to paper), made in 2497 BE. The treasure purse was made in various colours; white, blue, yellow, pink, red, black, and with various styles and designs. Som were made from sack cloth, others from fine cloths, some were large others small purses. The closures of the purses were also varied, ranging from zip to string closures.
Mae Chee Bun Ruean empowered the Thung Khiaw Hniaw Sap treasure attractor purses at the temple of the Buddha Footprint at Wat Pra Puttabat, in Sra Buri, where they were blessed in a large Buddha Abhiseka ceremony and released in early 2488 BE. Some purses actually had something inside of them, and others didn’t. The purses are reputed for their Maha Pokasap power to increase wealth and professional success, but have also gained a reputation for powerful healing and protection powers too.
Na Chā Lī Dti Chimpalī Ja Mahā Thērō Suwana Mā Mā Pō Chana Mā Mā Pōka Mā Mā Mahā Lāpō Mā Mā Sappē Chanā Pahū Chanā Pawandtumē
The Kata is said to have been transmitted to Mae Chee Bun Ruean in Meditation from the God Indra, to pay reverence to the Chimplee Arahant (Pra Sivali), in order to bring Maha Lap Lucky Fortunes, Maha Choke, Lucky Windfalls, and Maha Pokasap Treasures.
For Auspicious Blessings, the Kata should be chanted on any Sunday that falls on the 6th day of the month, any Monday falling on the 15th of any Month, Tuesdays which fall on the 8th day of any Month, Wednesdays which fall on the 17th of any Month, Thursdays which fall on the 19th of any Month, Fridays which fall on the 12th day of any Month , and Saturdays which fall on the 10th day of any Month.
Khun Phaen Prai Kumarn 2515 BE Pim Sao Mee Sen Niyom Block 2 Nuea Khaw Hniaw Sukh Wan Thao Hlong Takrut Koo 3rd Prize Certificate Luang Phu Tim
Presenting a Pristinely kept certificated Third Prize winning competition exhibit of the Pra Khun Phaen Prai Kumarn 'Pim Sao Mee Sen' (line by the side of the pillar) Niyom Preferred class amulet of Luang Phu Tim; Pra Khun Phaen Pong Prai Kumarn 2515 BE - Pim Yai Nuea Khaw Hniaw Sukh Pasom
Pong Prai Kumarn Ta Ya Wan See Fa, Block Tong Hlueang (Block 2), coated
with Blue Herbal Tint. 'Fang Takrut Sariga Nuea Tong Daeng' (copper
Takrut inserted in rear face). This exhibit is in excellent condition
and has been very well preserved with highy refined details and
features. The amulet is in blue-tinted Prai Kumarn powders with blessed sticky rice, and has been treated with blue
herbal tincture and treated with Sai Rae Tong Kam Gold Powders
an all time Pra Niyom Master Class Amulet of the High End Category, and a very rare blue version of the legendary Pra Khun Phaen Pong Prai Kumarn Pim Yai amulet of Luang Phu Tim, of Wat Laharn Rai. This exhibit is a third prizewinner at the Competition of the Luead Ban Kaay LP Tim Amulet Association of Rayong, and is hence a Supreme Champion Class Amulet.
Below; Certificate with third prize ribbon and Thai number 3 on the complimentary box from the 2018 entry to the Luead Ban Kaay Luang Phu Tim Amulet Society which we send to you with the amulet
Free EMS Shipping Worldwide is Included, as well as the option to take Free solid silver casing included in the price.
The all-time classic Original Wat Laharn Rai Release of the Sacred Pra Khun Phaen Pong Prai Kumarn of the Great Luang Phu Tim of Wat Laharn Rai is one of the most famous amulets of all time, and highly renowned for its true power to bring prosperity and good business, power of attraction and mercy charm to the wearer. We guarantee authenticity with this item, as we do with all amulets in our showroom.
The reason this amulet became so world famous and popular, even in the time when Luang PhuTim was still alive, is because everybody who owned one, recounted that business and personal success and prosperity had increased constantly and steadily since wearing the amulet.
This particular exhibit has blue herbal tincture, one of various colored herbal tinctures which were applied in the 2515 BE edition, which only recently came to light and authenticated by true 'Looksit Aek Korb Kroo' first hand initiates of Luang Phu Tim, those whose names are found in every encyclopedic work and publication of the Tamniap of the amulets of Luang Phu Tim. Being certificated and later gaining first and second prizewinner status and a champ of show trophy in two consecutive competitions has given this amulet the status of a true Pra Niyom Master Class amulet of the highest esteem, confirming its immense beauty in the eyes of all aficionados.
The amulet is easily identifiable for its classic appearance, and its Muan sarn made from Nuea Khaw Hniaw Sukh with Pong Prai Kumarn.
The Pim is 'Madtathaan' (standard classic features), with no visual discrepancies, and the evident presence of authentic Pong Prai Kumarn Luang Phu Tim, which is visibly present within the sacred powders. This Pim belongs to the 'The Block Tong Hlueang' brass mold, which was created after the previous block press mold broke, the 'Block Hin Meed Gone', which was carved from the sharpening stones used by monks to sharpen their razor blades to shave their heads.
Below; Certificate of authenticity of the Luead Ban Kaay Luang Phu Tim Amulet Association
Block Tong Hlueang is preferred over the Block Hin Meed Gone, and carries a slightly higher price-tag and eminent status to the Block Hin Meed Gone with the Wongarn Pra Niyom Collector Circles. The Block Tong Hlueang Brass mold press was also known as 'Block Sorng' (Block 2). It was later further refined, and used to press a further series, and the block press was given its final name of 'Block Hneung (Block One)
Below; Pra Khun Phaen Pong Prai Kumarn Block Tong Hlueang (one of various variations, called 'Block Sorng Pim Sum Khad') - a rare Pim of the pantheon. Since recent years, some of the aged looksit of Luang Phu Tim have revealed many unheard of facts about the Pra Khun Phaen Pong Prai Kumarn of Luang Phu Tim, making public knowledge of the many different Pim and Block presses more widespread, and breaking the tight grip monopoly of the 'Sian Pra Niyom' Experts, and opening up the truth which has been (possibly deliberately) hidden, until recently, by a few powerful monopolists who have controlled the information available about all the many models which were actually made by Luang Phu Tim.
This amulet has since also won a second prize in the February 2018 Luead Ban Kaay Khun Phaen Luang Phu Tim Amulet Competition, which is still waiting for arrival of its certificate. The amulet also wont Champ of Show Trophy in its Category in the Siam Amulet Original Society Competition, which we will send to you along with all certificates prizewinner boxes and the amulet, per free EMS Shipping.
Below, rear face features of a Pra Khun Phaen Pong Prai Kumarn Pim Sum Khad
In the modern days of internet however, the truth has eventually come out about the Pi 15 and other editions which Luang Phu made and blessed, to the point where now we see famous magazines, and experts such as the Amata Siam Group, and the Badtiharn publication fill their pages with the Pra Khun Phaen Pi 15 amulet, sealing the faith and public acceptance of this now classic amulet.
Below; Pages of the Amata Siam Cataologe of Master Class amulets published in September 2560 BE (2017) - showing multiple exhibits of the Pra Khun Phaen 15 for auction.
Since the confirmation of the reality of the Block 2 Khun Phaen Luang Phu Tim of 2515 BE, this edition has become one of the hottest prospects of the decade. Now is the time to study and collect, for the near and far future will make the Block 2 Edition as unaffordable as the Block Raek has become in the present day.
Below; the Khun Phaen Song Pol Yai Nak Glam 2510 BE, Pim Dara Boran, and Khun Phaen 15 amulets featured in badtiharn Magazine
This and many other conclusive evidence has served to open up the truth and reveal this edition, which has been deliberately, or through oversight hidden by a few powerful monopolists for many decades. The edition has stayed with the local folk, and did not fall into the hands of the speculators, who have controlled the information available about all the many models which were actually made by Luang Phu Tim. That era is now over, and the Khun Phaen Pi 15 has taken its rightful position amongst the ranks of Pra Niyom amulets of the Tamniab Official Pantheon of Luang Phu Tim.
Below; the thiin line ridge to the edge of the triple lotus petal pillarhead of the arch of the amulet reveals this not only to be a Pim Yai Niyom, but also an especially preferred and extremely sought after 'Pim Sao Mee Sen' (line by the side of the pillar) modfel.
below; Ajarn Pisek of the Glum Anuraks Pra Krueang Luang Phu Tim speaks on National TV to break the News and destroy the Myths about the Pra Khun Phaen Prai Kumarn of Luang Phu Tim (created by Monopolists who only managed to get the 2517 BE edition in their possession, and 1. were unaware of the truth, as well as jealously blocking any editions they did not control, out of greed and prejudice). Luang Phu made other editions throughout the years between 2505 to his passing, with the 2515 BE edition now becoming the most preferred of all, overtaking the 2517 BE 'Block Raek' series.
Part 1 ( Currently being translated into English version for readers to understand fully). Dr. Ajarn Phisek explains on Thai TV (Thai Language) the truth about the Khun Phaen and other amulets of Luang Phu Tim Issarigo, of Wat Laharn Rai
Part 2 (to be translated with subtitles and narrative in English on Ajarn Spencer's Youtube Channel
Part three of the preceding two videos in Thai, which explain and reveal the truth about the amulets of LP Tim
Ajarn Pisek has broken these myths, by revealing that Luang Phu Tim began to make and distribute Pra Khun Phaen in the year 2493 (Year of the Tiger). He then made his second edition in the year 2505 BE, and continuously distributed them throughout until his passing. But that in truth, the old devotees who grew up around Wat Laharn Rai (including Ajarn Pisek), did not wear the 2517 BE so called Pim Niyom edition, rather, that the true preferred edition of the local devotees who we close to Luang Phu, wear and collect the 2515 BE edition as the most preferred edition.
Below; Ajarn Pisek presents a Khun Phaen Luang Phu Tim Pi 15 amulet to her Majesty Princess Maha Chakri Sirindhorn Prataep Radtana Rachasuda Siam Boroma Rachakumaree
The Block Tong Hlueang was used to press Pra Khun Phaen Pong Prai Kumarn before the block press was given fine tuning, and then also again after having been filed down and carved to a more detailed and subtly styled detail, with the first pressings being known as 'Long Pim Block Tong Hlueang Gon Dtok Dtaeng'. The more refined version was then given the name 'Block Tong Hlueang Hlang Dtok Dtaeng (Niyom)'. The Block Tong Hlueang press is also known by local devotees of the Era as 'Pim Sum Khad' or 'Pim Sao Khad', and also other names. All of the different names refer to the very same Pim.
The Block Tong Hlueang has two officially recognised versions. The first was called 'Gorn Dtok Dtaeng' (still not recarved with increased details). The first mold was used to press Pra Khun Phaen Pong Prai Kumarn before the block press was given fine tuning, and then given a more highly refined reworking, and used again after having been filed down and carved to a more detailed and subtly styled detail, with the first pressings being known as 'Long Pim Block Tong Hlueang Gorn Dtok Dtaeng'.
The second pressing was given the name 'Hlang Dtok Dtaeng'. The Block Tong Hlueang press is also known by local devotees of the Era as 'Pim Sum Khad' or 'Pim Sao Khad', and also other names. All of the different names refer to the very same Pim, and is a mere variation of preferred terminology used by devotees of different groups.
The Pra Khun Phaen Pong Prai Kumarn is a preferred choice of both the wise investor and devotee, as well as the perfect choice for those Devotees who seek the immense power of Luang Phu Tim's now Legendary Pra Khun Phaen Pong Prai Kumarn Pi 15. Since the confirmation of the reality of various previously undiscovered editions of Khun Phaen Luang Phu Tim, and 'coming out' of various Looksit Aek.
'Looksit Aek, were (direct initiates of LP Tim who were involved in the making of the Khun Phaen Prai Kumarn amulets between the years 2505 BE and 2515 BE, the amulet world has been taken by storm, and turned upon its head. Below; Luang Phu Tim is seen with Ajarn Piarn Wit (left), thirtheenth direct initiate of Luang Phu Tim, during the time around 2514 BE when he was helping Luang Phu as a lay practitioner. Ajarn Piarn Wit and various other direct devotees and initiates of Luang Phu have now come out into Public to reveal the facts, for documentation and confirmation.
Below' Ajarn Piarn Wit as a young man seen in the left side of photo, at Luang Phu Tim's side.
The 2515 BE Block 2 series was the first edition to come to light in this revolution, that was undiscovered by the Samakom Pra and the 'Chang Ga Buay Puttapanich' commercial monopolists (self claimed 'experts'), who forced acceptance of only the 2517 BE edition, and demanded the amulet world should only accept the amulets which they themselves possessed to be classified. One big mistake the Chang Ga Buay Puttapanich and Samakom Pra had made, was to put the name of Ajarn Piarn Wit and Ajarn Sukhothai and other Ajarns such as Ajarn Maeng, into their catalogues and encyclopaedic publications, as being the Ajarns involved in the making of the Khun Phaen Pong Prai Kumarn amulets of Luang Phu Tim. because after the denial of the 2515 BE edition, and statements that Ajarn Piarn Wit was the maker of a later edition in 2517 BE which Luang Phu did not bless were made.
Below; Ajarn Piarn Wit watches Luang Phu Tim perform a blessing on the car of a devotee circa 2514 BE
But then suddenly, Ajarn Piarn Wit came out to speak thorugh this provocation, and provided photographic evidence and official confirmations to show that firstly, Ajarn Piarn Wit was ordained and initiated by Luang Phu Tim in 2514 BE, and assisted in the ,making of the 2515 BE 'Sao Khad Block 2' edition with Luang Phu. he provided many pieces of evidence, and the fact that he was already stated to be the 13th direct initiate of Luang Phu Tim and directly involved in the making of the Khun Phaen Pong Prai Kumarn.
Above; Video interview conducted by Mor Grit Confirms, famous collector of Amulets of Luang Phu Tim, and Talkshow host whose fame is for confirming the facts about things, inquires with Ajarn Piarn Wit, the 13th direct Initiate of Luang Phu Tim, who ordained with Luang Phu and was one of his close assistants, about the truth of the 2515 BE and earlier editions of Pra Khun Phae, and receives direct confirmation of the facts, authenticating these editions. The beginning of the video shows photographic evidence of Ajarn Piarn Wit as a young man ordained with Luang Phu, as well as serving him as a Lay Practitioner over the years, helping Luang Phu to make amulets, and serving his needs.
Below Picture; Ajarn Piarn Wit as he was Ordained in his early years, at the side of Luang Phu Tim.
The Samakom Pra were dumbfounded when he came out to confirm the edition which is as good as 'from the horses mouth'. In video interview with a famous expert and collector and TV star, he called Ajarn Sukhothai, the official expert who first catalogued all the officially accepted Khun Phaen into their respective series block presses, and named them. In the telephone conversation with Ajarn Sukhothai (who can be considered to be amongst the top 3 officially accepted people in the Know), Ajarn Sukhothai confirmed the existence and authenticity of the 2515 edition, and the previous editions which were made between 2505 BE and 2515 BE.
Below. examples of Pra Khun Phaen Pong Prai Kumarn from the previous 'Hin Meed Gone' razor sharpening stone block press, which after breaking, was superceded by the Block Tong Hlueang Brass Block Press.
Below; Ajarn Piarn Wit once more walking beside Luang Phu Tim, holding his betel nut and areca tray (Chan Hmak)
Below; Ajarn Piarn Wit reveals the truth of the pressing of the 2515 BE Khun Phaen 15, and that Luang Phu blessed them. He explains to 'Mor Grit Confirms', that the till now preferred 'Block Raek supposed 'first block' was actually the third block press development, and that the Block Sorng (2nd Block Press), preceded it. Ajarn Piarn Wit confirms the reality of the Khun Phaen 2515 BE, with great sincerity, and authenticates the edition, which is presented in the book seen in the video.
Below; a Recent Encyclopaedic Work released of the pantheon of Pi 15 Block Tong Hlueang (Block Sorng Hlang Dtok Dtaeng) amulet series, otherwise known as 'Sum Khard' or 'Sao Khard'
Below; Ajarn Piarn Wit Seated once more at the side of Luang Phu Tim, as one of his close 'Looksit Aek' direct initiate apprentices.
Below; some more examples of the Pra Khun Phaen Pong Prai Kumarn - these belonging to the Block Hin Meed Gone amulet, in a Samakom Pra amulet appreciation society encyclopedia.
Below; Mr Chui, direct grandson and initiate of Luang Phu Tim, confirms the reality of the Block 2 Sereies, blessed by Luang Phu Tim. The beginning of the video shows Mr Chui as a Samanera Monk at the side of Luang Phu Tim's corpse at the time of his death. Mr. Chui was at the temple at the time of the making of the Pi 15 series, and assisted with Ajarn Piarn Wit and other Looksit, to press the amulets before Luang Phu Tim Blessed them.
The Muan Sarn Sacred Powders of the Khun Phaen Pong Prai Kumarn Luang Phu Tim, are renowned for their power, made from the skullbone of a Hoeng Prai. Luang Phu Tim's Pra Khun Phaen Pong Prai Kumarn, Pim Yai, and Pim Lek amulets are amongst the rarest and most highly sought after amulets in Thailand, and are very difficult to encounter, due to having been made in small number editions, which is nowhere near enough to provide for the masses of devotees around the world who seek such an amulet as this.
One can see a very fluffy and rich texture to the Muan Sarn on the surface of the amulet, in reaction with the Muan Sarn Sacred Powders. It is a part of the amulet appreciation society expert's method of authentication to examine and study the appearance of how Khaw Hniaw Sukh develops in surface texture, tonality and porosity of the surface, as well as the appearance of Luang Phu Tim's famous Pong Prai Kumarn which rises up and through the fine golden painted surface. In the cases of Sai Rae Tong Kam/Bronze Wanich golden coated amulets, the same priority is taken in perusal of the fluffiness of texture.
We ourselves feel that all of Luang Phu Tim's amulets are equally Sacred and Powerful in their own way, regardless of which edition or which temple he blessed them at, but we do, as do all Amulet Appreciation Fanatics, recognise the categories of preference within the heirarchies of different editions, which is for us one of the more subtle and fascinating parts of the study of high end amulets within the collector scene, and part of the fine art of learning how to recognize and value Sacred Amulets of High Preference and Rarity.
The Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim amulet, has has been one of the most popular amulets in the whole Pantheon of Thai Buddhist Amulets of the last century, and of all time, and is now almost impossible to encounter commonly anywhere in any amulet emporium, except for the most elite showrooms, and at elevated prices.
The Sacredness of the Pra Khun Phaen Pong Prai Kumarn is legendary and unquestioned in Thailand, and its magical power is commonly accepted by all. The Muan Sarn Sacred Powders of the Pra Khun Phaen Pong Prai Kumarn are considered to be amongst the most powerful powders to empower amulets in existence. This amulet is a wonderful opportunity for devotees who seek the true power of a world class amulet from a world class edition, and also a wonderful Ongk Kroo reference study exhibit to peruse under the eye loupe.
The amulet is a perfect and authentic study material, to train the eyes as to the appearance of the Muan Sarn and Surface textures of the Classic amulets of Luang Phu Tim Hence, the amulet is also a perfect 'Ongk Kroo' reference study material for students of the Pantheon, and will increase our chances of spotting an essential rarity at the right price, and without danger of risking a fakery.
We highly recommend this amulet as a sound investment and an extremely rare opportunity to obtain and be the proud owner of an authentic Wat Laharn Rai release model of the Eternal Classic Pra Khun Phaen Pong Prai Kumarn 2515 BE, of Luang Phu Tim. Below is an example of a Block 2 Pim Yai from a famous Amulet Auctioneer Magazine in Nuea Chompoo from some years ago now, which auctioned for 65,000 Thai baht (Roughly 1950$ US) - the Pi 15 amulets have already quadrupled the below price in various auction rooms and shows.
You can see from the below screenshot of a Thailand Amulet Association Showroom store prices, that we at Ancient Amulet do not yet charge what the major showrooms in Thailand are charging for this edition, but we cannot promise for how long we can keep our prices down on this edition, as the Khun Phaen Pi 15 is now perhaps one of the hottest properties currently in the forefront of the amulet world. Its rise to fame and preference is now no longer in question, rather, it is only a matter of time before they begin to deplete, and they enter the annals of unattainable acquisitions which are only seen around the necks of the truly wealthy.
Below; example of current prices in 2017 in Thailand in the most famous showrooms, charging between 60,000 - 200,000 Thai Baht ($1800 - $7000) for a Khun Phaen 15 Luang Phu Tim (without casing);
A highly attractive and rare Sacred Amulet, that is truly Powerful and stands as the Master Class Amulet of its Category, and is considered a Most Highly Prized addition to any Master Class Collector's Showcase, and more importantly, is a most powerful amulet to possess for Bucha, and receive its Blessings, which History has proved time and time again to be one of the most powerful and famous amulets in Thai Amulet History.
The making of the Muan Sarn Sacred Pong Prai Kumarn powders Luang Phu Tim, came from the Wicha which Luang Phu had inherited through apprenticeship form one of his high Kroo Ba Ajarn, Kroo Ba Sangkh Tao, who was also his true Uncle. Part of the formula included Pong Prai Maha Phuudt, which was made from the Skull of a male Kumarn who died in the Womb, and who died on a Saturday and was cremated on a Tuesday. This is part of the ancient Khmer Necromantic Formula for Authentic Powerful Prai Occult Magic, as practiced in Ancient Times. It is said that Pra Kroo Sangkh Tao's Wicha Akom was so powerful that when he spat on the floor, the floor would crack where his spit would fall.
Due to the fact that Monks are not allowed to seek and find this Sacred and Extremely Powerful Necromantic Substance, Luang Phu would perform Korb Kroo Initiation for protection against Black Magic and the Phuudtaa Spirit Phantoms, so they could go forth to seek and find the substances to donate to him for the making of the Pong Prai Kumarn.
The Initiated Lay Devotees and Apprentices to his sorcery, would then wait for the news of the right circumstances of death of Kumarn Ghosts, and go out to collect the substances and prepare them as instructed with the Wicha. They would seek the permission of the relatives of the dead, to obtain the substances to enable the ghosts of the deceased to receive merits to free them from their Karmic residues by donation of their mortal remains to be made into amulets.
Below; A Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim Pim Yai Niyom Block Raek 1st Block Press Model in Nuea Khaw Hniaw Sukh Ta Bronze
They would receive the ceremonial ritual liberation of their souls from Luang Phu Tim, who would speak with the spirits of the dead to receive their acknowledgement for the process of transformation through the Nibbana Sutra, and the Muan Sarn would then be prepared according to the Dtamra Saiyasart of Necromancy, to make the Pong Prai Kumarn.
Luang Phu instructed his apprentices and the relatives of the Funerals to take care not to incinerate the whole skeleton, but to keep the skulls to bring to Luang Phu to use them for the making of the Pong Prai Kumarn. This is one of the reasons why his Pong Prai Kumarn is so powerful, because it does not contain the skeleton bone powders, rather, only those of the skulls.
As a result, Luang Phu Tim's Pong Prai Kumarn has been recorded by experience of devotees to posses the highest Maha Pokasap Power of all Pong Prai Kumarn ever made, with Immense Metta Maha Niyom and Klaew Klaad Power, to induce Mercy Charm, Attract Lucky Fortunes (e.g. Lottery Winnings), and to Protect from Deadly Accidents and Disasters.
The Pra Khun Phaen Pong Prai Kumarn is a preferred choice of both the wise investor and devotee, as well as the perfect choice for those Devotees who seek the immense power of Luang Phu Tim's Legendary Pra Khun Phaen Pong Prai Kumarn
Luang Phu Tim Isarago, is of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders. Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Khun Phaen Pong Prai Kumarn, and Look Om powder balls. As to the classic 'Rian' type coin image amulets which have become all time favourites, and eternally, world famous classic amulets of the high end variety. His rian Jaroen Porn, and Rian Nakprok Paed Rorp are amongst the most highly sought after coin amulets of all
Since his passing, his devotees and apprenticed monks, have now become the world's top living masters for the making of Pra Khun Phaen Pong Pra Kumarn, and literally dozens of encyclopaedic books, have been printed, documenting both this great master monk, and his classic amulets of high esteem.
Buddhist monk coins with his image and others with Buddha images and other deities and imagery are amongst the most highly collected amulets and most expensive of all of the great Luang Phu Tim. He has various direct lineage apprentices, Who are continuing to progress and spread his most powerful and world-famous Wicha.
Of all of these masters, perhaps the most famous, preferred, was Luang Por Sakorn, of Wat Nong Grub, who is also now deceased, and whose amulets are fast becoming just as highly sought after. In second place one could possibly estimate the great Luang Phu Sin, of Wat Laharn Yai, and in third place, possibly, Pra Ajarn Somkid, of Wat Beung Tata (Rayong). However, Luang Phu had many other 'Sahaay Tam' (Dhamma Companions, such as Luang Phu Gaew (Wat Laharn Rai) whose Pra Khun Phaen Pong Prai Kumarn in miniature form and other amulets were in fact part of Luang Phu Tim's bestowed Wicha, and it was Luang Phu Gaew
Kata Pra Khun Phaen Prai Kumarn Luang Por Tim
Puttang Ārātanānang Tammang Ārātanānang Sangkang Ārātanānang
Na Maedtaa Ja Mahaa Raachaa Taewiraacha Budtra Dtraa Budtra Dtrii Sa Ma Na Praahm Chiitaasaa Taasii Grasadtrii Paab Raacha Idthii Naarii Sappa Aehi Much-Chi Sappang Sappa Grotang Winaasandti Bpiyo Taewa Manussaanang Bpiyo Prahmma Namudt-dtamo Bpiyo Naaka Subannaanang Bpinintriyang Namaa Mihang Wikring Karae
Below you can see an authentic exhibit of one of Luang Phu Tim's Look om Pong Prai Kumarn (small pim lek) in HD video, for comparison of the features and aspects of the Muan Sarn Sacred Pong Prai Kumarn Powders.
The Truth about the Amulet Society Moguls;
Luang Phu Tim made a very large number of Pra Khun Phaen Pong Prai Kumarn which he distributed over the years between 2508 and 2515 BE, many of which slipped the grasp of the 'Sian Pra' high end collectors and powerful monopolists of the scene, for they were given to the local devotees of Rayong and Chonburi province who were devotees of Luang Phu Tim, before the monopolists could get their hands on them. Up until recent years, the Wongarn Sian Pra Niyom tried to prevent knowledge of such editions becoming public knowledge, to preserve their own commercial interests.
But as the era of Internet came some 20 years ago, and especially during the last decade, the many individual devotees of old age who had amulets of Luang Phu Tim oin their possession, were able to communicate and gather, and the new age of amulet aficionados were able to find and come into contact with the 'old school devotees'. This has resulted in the deadlock which was maintained by the greedy monopolists to be broken, and the news and proof came out, with highly respectable older generation Looksit of Luang Phu coming out on TV and even Youtube channels to be interviewed and present their photographic evidence and historical facts. Hence, the Pantheon of amulets of Luang Phu Tim has not been forced into acceptance by all amulet collector cisrcles, and publications of the new encyclopaedias of the 'Tamniap' amulet pantheon of Luang Phu Tim has finally grown in its official capacity, to revere and accept the many wonderful amulets he made and released before the monopolists 'closed the doors' on the amulets they did not have in their own possession.
Below you can see a video interview with Ajarn Piarn Wit Jarusathidti, one of Luang Phu Tim's closest first Looksit apprentice devotees, who has come out along with some of the other more important and authenticated direct first Looksit Ek of Luang Phu Tim, to reveal and confirm the truth about the many wonderful editions of Pra Khun Phaen Pong Prai Kumarn and other amulets which Luang Phu tim made before he came into the eye and interest of the monopolists of the amulet scene. The video is currently in process of transcribing into English Subtitles by Ajarn Spencer Littlewood, and we will replace the below video with the English Subtitle version as soon as it is complete, so you can read and understand the facts he reveals.
We at ancient amulet have never followed the lead of the monopolists, knowing the game they play, which is based in self interest and has never benefitted the amulet scene at all, except those who were manipulating the information for their own interests (e.g. 'the ones our group have in our possession for sale are valid, but the ones we dont have, we don't accept). The truth is the truth, and all amulets of Luang Phu Tim should be properly recognised and documented for the good of all. Thankfully, the Khun Phaen Pi 15 has now taken its rightful place in the Tamniab Wadthumongkol of Luang Phu Tim, and all that remains is for the Legend to Continue..