This list of Buddhist Guru Master monks will auto-update each time we add a new Master. Click each link in the list to view the amulets and read about each Guru Monk
- Ajarn Nong Wat Sai Khaw
- Luang Por Daeng Wat Khao Bandai It
- Luang Por Guay Chudtintaro Wat Kositaram
- Por Tan Nam Puttasaro Wat Don Sala
- Luang Por Phaew – Wat Tanode Luang
- Luang Por Chuea Sugawanno (Wat Mai Bampen Bun)
- Luang Phu Nai – Wat Ban Jaeng (Ayuttaya)
- Luang Phu Rod (Wat Bang Nam Won)
- Luang Por Suang Apayo (Wat Chee Ba Khaw)
- Luang Por Nok (Wat Sangkasi)
- Luang Por Lae Tidtappo (Wat Khao Song)
- Luang Por Hyord (Wat Gaew Jaroen)
Hanuman Song Rit Vanora God with Trisul Early Era Amulet of Luang Por Guay Wat Kositaram
Hanuman Song Rit (Hanuman in Frenzy) is one of the rarer Pim (models) of the pantheon of amulets of the Great Luang Por Guay of Wat Kositaram. This particular exhibit is made from Nuea Pong - Sacred Herbal and Flower Pollens with Ittijae Yantra powders
This amulet is 'Nuea Jad, and has dry coarse Muan Sarn Sacred Powder, which lends a very matt texture to the surface of the amulet. Hanuman is the symbol of Loyalty, for his unwavering dedication and selfless service to Prince Rama as told in the Ramayana.
He is charming, super strong, invincible, cannot die, wily and clever, and is the commander of all the Vanora Devas as their General. Hanuman can not only protect from dangers, black magic and ill fate, he can also bring winners luck to gambling tables, is an able seducer of maidens and nymphs, and is more or less a winner in every walk of life.
His strength is immense and second to no God, for which reason he is the mascot and revered Deity of Muay Thai Warriors, who call upon the power of Hanuman to defeat their contestants and opponents in battle in the ring. The Winning Power of Hanuman, will clear the way of difficulties, whilst making all ventures successful.
This exhibit is an extremely well preserved and beautiful example, that is of the highest sacred Value for devotees of Luang or Guay, and for collectors for preservation and study, as well as most certainly worthy of entering into competition for prizewinning. We feel this amulet is most capable of first prize status.
Luang Por Guay's amulets have reached the highest level of respect and collectorship in their history now, and are considered to have noticeable effects that are felt be everybody who owns and wears one of his amulets. The stories of confirmation of their power are more than can be counted, and his great Patipata and Exceedingly Powerful applied methods of Sorcery are a large part of what attributes to their power.
His amulets are now extremely rare to find because those who already own any will never wish to part with them again, and they are hence becoming one of the rarest kind of amulets to find these days.
Usuallly this happens because of specualtion by the collector scene, but in the case of Luang Por Guays amulets, it has happened primarily for their Sacred Value, much much more than for their collectorship and artistic value, which is of course also extremely high.
Luang Por Guay was famous for his immensely diligent and complex manner of empowering (Pluk Sek) amulets, which involved daily empowerments at various times of day namely at dawn, morning, midday, afternoon, evening and midnight
tIn addition, he would perform empowerments during the various 'Reuks' (Astrological Influential moments), to bring total coverage of protection and fortuitous blessings to all who might wear and Bucha his amulets.
His method involved the choosing of the 'Reuks Mongkol' Buddhist Auspicious alignments, the 'Reuks Jone' (Gangster Alignments) Inauspicious Alignments, and the 'Reuks Bun Paya Marn' Demonic Influential Alignments. This means that it did not matter who wore his amulets, Good people would wear them, Gangsters would wear them, anybody could wear them without loss of magical effect.
Luang Por Guay was an Ajarn Sak who was very dedicated to the creation of authentic amulets using the ancient traditional Wicha. His Sak Yant did not have much Khom Agkhara lettering embellishing it at all, and were usually one single Yant. Sometimes small, or sometimes large enough to fill the whole back. Most Looksit would only come and get get Sak Yant once, or twice. At the most, three times would be the maximum that a Looksit would come to add.
His compendium would begin the composition as follows; the first Yant would be a Yant in the middle of the chest, and one more Yant on the back. If anyone wished for extra they could return and get more. If he laid more on, he would place Hanuman on the flank. If that wasn’t enough for them, he would add a tiger. But there were very few Looksit who ever got the tiger.
There are a multitude of different specialized Kata for chanting to the Hanuman Deity in Thai Buddha Magic. Each Kata can be used for your different needs or time available.
Na Ma Pa Ta Hanumaana Waa To No A Ma Ma Wa
Kata Hua Jai Hanuman (heart Mantra)
Ha Nu Maa Na (3 times)
Above; A Close-Up Macro Image of the Muan Sarn Sacred Powders of rear face of amulet
Longer Alternative Incantation
Sappo Bulo Su Sang A Wisang A A Gusalaa Tammaa Abpayaa Kadtaa Tammaa A Sang Wi Su Lo Bu Sa Pu PaPa Pa Su Bu Lo Bu Na Ma Pa Ta Hanumaana Wa To No A Ma Ma Waa Na Mo Put Taa Ya Ja Pa Ga Sa Na Ma A U
Kata Pluk Hanuman
Na Mang Pae Ling Mo Mang Bpaag Grabork Ya Mi Hai Ork Udtang To Ud Tang Ad Asang Wisulo Busapupa Ma A U Om Ya Puttaa Tayo Sadtrii Nisangho
Kata Sri Hanuman (Brahman)
Maruta Nandana Namo Namaha Kashta Bhanjana Namo Namaha Asura Nikandana Namo Namaha Shri Rama Dhuutang Namo Namaha