The Pra Somdej Mongkol Maha Lap amulet series of 2499 BE, was released at Wat Sarnath, in Rayong, to fund the creation and installment of the Pra Putto Pas Chinarat Jom Muni Buddha statue, which was made at Wat Sapmant Wongs, in Bangkok, and donated to be installed at Wat Sarnath, as the Pra Pratan main Central Buddha image within the Uposatha shrine room.
Below; a rare version of Pra Somdej Nakprok Mongkol Maha Lap Nuea Pong Maha Solos Daeng 2499 BE Mae Chee Bun Ruean Wat Awut
in Nuea Daeng
The amulets were made in various powders, white nuea solos, brown nuea wan, and red nuea wan sabu luead, as well as nuea bailan and other admixtures. Some received the inscription of the Yant Putto, or the Yant Dto Rasamee, of Mae Chee Bun Ruean, and others were left with ‘Hlang Riab’ ‘smooth faced’ rear sides. All versions contain the famous pong Maha Solos Maha Lap (Pong Guubose), which is legendary for its powers
This amulet comes with the existing Stainless Steel Casing – The alternative of Free Waterproof Casing is also an Optional Offer with this Amulet, if you wish to encase with Waterproof Casing at no extra cost. Free Registered Airmail Shipping Worldwide is offered included with this amulet, as is the case with all amulets in Ancient Amulet Store.
There was never a ceremony to invite the Devas so majestic as the ceremony performed by Mae Chee Bun Ruean, which included not only the ubiquitous incenses, puffed rice, flower garlands in 7 different colors, but also a total of 375 Kinds of Food Offerings! The Benja and 9 Saewadta Chadtras offered, 5 sork high (‘sork’being a Thai form of measurement, meaning ‘5 elbows’, slightly over 2 Feet per ‘sork’). Five Golden and Silver Bai Sri were place in offering, also 5 sork high in stature.
The chanting ceremonyn to bless the holy water with the assistance of the attendiing Devas, was then mixed with the sacred powders used for the muan sarn clays of the amulets. Many great and psychically attained monks were invited to empower and bless the sacred ingredients for the amulets, and the amulets themself after their pressing;
1. Pra Prohm Muni (LP Phin Suwajo), of Wat Bovornives Vora Viharn, 2. Pra Worawaet Kunajarn (LP MIan Bpappasaro), of Wat Pra Chetupon Wimon Manghalaram, 3. Pra Maha Racha Manghalajarn, 4. Pra Kroo Winaiton (LP Fueang Yana Bpaheebpo), 5. Pra Sa-Ard Apiwattano, of Wat Sampant Wongs, 6. Pra Kroo Nor, of Wat Klang Ta Ruea, in Ayuttaya, 7. Pra Ajarn Bung, of Wat Mai Nong Sen, and 8. Pra Luang Por Chorp Sammajaree, of Wat Awut Wigasitaram in Thonburi, as well as the prior and later blessings and empowerments made by Mae Chee Bun Ruean Herself.
In Addition, during the Deva Abhiseka, the Ruesi Yogi Ajarn Rerb (Ajarn Chern Jantr Paetch), who was a very powerful and famous Ruesi of the Era, assisted in empowering the amulets.
Then a second empowerment session was performed, with the amulets pressed and placed covered with 7 layers of 7 green and 7 white cloths covering them, placed upon an altar in the center of the shrine room.
Many people in the amulet world have been interested in knowing what was used in the making of the sacred powder admixtures, and so we find it impportant to document and list them in this article, for posterity and study;
1. Sacred Powders from a Host of Great Masters of that Era and Previous Eras, through the lineage of each Master who donated and empowered the powders.
2. Powders from Wat Chetupon, Wat Sri Totsataep, Wat Sampant Wongs(Wat Sampantawongs).
3. Broken powdered pieces of ancient sacred amulets.
4. Powdered up herbal ingredients with magical properties, ground up to make a brownish herbal powder.
5. Earths from 7 Prosperous Ports, and the banks of 7 Sacred Lakes. 6. Powders made from taking ancient Kampir Grimoires of Sorcery (Sacred in themself), of both the Bailan Beige Parchmnent variety, and the Samut Khoi black Parchment variety of Grimoire, and burn them and grind into powders, with 5 repetitions of admixture, adding powders from previous editions of amulets.
6. Earths from sacred Pilgrimage Places of the Life of the Buddha in India, brought back to be used for the admixture, to bring Sacred Buddhakhun Power to the amulets, with earths from the important places of the Buddha’s Life, such as the Buddha’s birth, earths from around the Bodhi Tree where the Buddha’s Enlightenment occurred, the place where he gave his first sermon in Varanasi (the Dhamma Chakra), and earths from the place of the Buddha’s Passing into Nibbana.
7. Earths from important places where the Buddha performed great Sermon, or Important Events in his Life occurred, and which are to this day, all sacred places and shrines to the Buddha.
8. Pong Poon Khaw Hin Rachaburi powders.
9. Sacred Talcs invoked with Negative Space inscribed Yantra Spells.
10. Nam Oy Sugarcane Juice.
The amulets are made from a Muan Sarn Sacred Powders composed of a large variety of sacred clay earths, herbal pollens and powders, and Puttakun powder. Herbs and Sacred ingredients with all sorts of different blessings and powers were added to give a complete range of blessings.
All these Muan Sarn ingredients were ground into fine powders, and separated into different admixtures, and mixed with holy water from the first Buddha Abhiseka and Deva Abhiseka Blessing Ceremony. The amulets were pressed as the Pra Somdej Pra Putta Mongkol Maha Lap (Buddha Manghala), Pra Nakprok, Pra Putto, and other forms such as various kinds of Pra Somdej, Nang Kwak, and other amulets.
Above and beyond this, the amulet is a Sacred Artifact of Buddhanussati, an authentic Sacred Buddha Image Votive Tablet, blessed and made in 2499 by Kun Mae Chee Bun Ruean, in two ceremonies held at Wat Sampantwongs and Wat Sarnath, both Mae Chee Bun Ruean Lineage Temples.
The amulets were handed out to devotees during a later ceremony who came to donate and support the installation of the Putta Sima temple boundary of Wat Sarnath, and many of the amulets were of course held for burial within shrine rooms and Chedi Stupas of choice, for later distribution, or accidental rediscovery long into the future.
This is a common practice with amulets, where they are placed in a hiding place chamber (Kru), or buried under the ground or under the floor of sacred places, as a way of preserving the fact that there was once a Buddha who walked upon this earth. Hiding Place amulets are also stored in Kru Chambers as a repository to use for fundraising by removing a number and distributing them to devotees who donate to the temple (Note; The placement and removal of amulets from Kru for providing a method of creating fundraisers only became a practice during the last century, after Buddhist amulets became a source of fundraising).
According to the written documentation of Luang Phu Tet Nitesago, the Pong Solos powders made by Mae Chee Bun Ruean to make the amulets, were made using the Wicha Prohmasat (Brahma Sastra), which invokes High Brahmas and Ariya Sangha (Enlughtened Beings), of the Sutawas celestial level, to empower the powders. They were made to distribute to devotees, and fund the installation of the Pra Putto Chinarach Jom Muni Buddha statue of Wat Sarnath.
The amulets have become very famed for their miraculous powers, due to many stories of miraculous events connected with devotees and the amulets. Mae Chee Bun Ruean invoked the spiritual Connections of the angelic beings of the Buddhist, Christian and Islamic Faiths to imbue their blessings, to protect people of all religions, who keep the precepts of goodness and abstention from evil acts. The real name of the powders is ‘Pong Maha Prohm Ariya Bodhisattva Phuu Bpen Jao’ (Powders of the Enlightened Brahmas who are Lords of their Existence’).
This was because of Ajarn Seng, who taught and revealed that all three religions, speak of the same one Super-consciousness or ‘God’ (Buddha-hood for Buddhists), but which different cultures over time split and adapted into their own social structures, and changed them according to their needs, but that all three are derived from the same fact that enlightened beings gave teachings to unenlightened humans, and were worshiped for it as messiahs, prophets, or gods, and became founders of these religions.
The great Luang Por Lee is said to have found the 2499 BE Somdej Mongkol Maha Lap so powerful that he basked for some of the broken ones to be given to him to mix into the sacred clay of his famous sacred Pra Bai Po Jak amulets of the 2500 BE 25 Centuries of Buddhism Mega Nationwide Amulet Ceremony.
According to the Pra Tamma Khant, all Somdej amulets must be made in numbers of 84,000, but it is rumored that the Pra Putta Mongkol maha lap amulets were made in much less numbers, which is an unconfirmed rumor, and would be dubious considering Mae Chee Bun Ruean’s tendency to be a stickler for proper ritual and adhere to the dtamrta of the Wicha.
The Pra Putta Mongkol Maha Lap amulet is often used as a substitute for the Pra Pong Solos of Luang Phu Tim (much more difficult to find and much more expensive). Luang Phu Tim himself was also invited to perform Nang Prok meditative empowerment on thje amulets, as he was 70 years old. Considered one of the best amulets of the 2500 BE Era of Thai Buddhist Amulets.
In Ma Saep Nang Pim Klang Roop Sum Pid Tong Lanna Animist Seduction Charm Early Era Kroo Ba Wang Wat Ban Den
Noticeably early era from Kroo Ba Wang, from the visibly ancient aspects of the Muan Sarn clay, which reveals us to be beholding an Extremely Rare Early Era hand molded arched shaped version of the In Ma Saep Nang of Kroo Ba Wang (Wat Ban Den)
This model is a hand molded arched shape Pim Klang Roop Sum,Lady-Horse Prai Deity,with hand inscribed Agkhara Spells in Nuea Daeng. Empowered with the Ancient Northern Lanna Tradition Wicha, and Magical Incantations inscribed upon the surface. A truly rare and world-famous classic amulet, from Olden Days Master Kroo Ba Wang, of Wat Ban Den.
Free registered air parcel shipping worldwide is offered included with this amulet. The Ma Saep Nang measures 4 x 3 Cm, and is made from Red Sacred Muan Sarn Sacred Powders, with a gold covered surface, and golden painted on the Mae Saep Nang on the front face. Empowered with the invocation of the Prai Ma Saep Nang Deva and is imbued with Lanna Maha Sanaeh magic for Seductive Influence, Metta Maha Niyom Mercy Charm and Maha Lap Wealth Increase (through attracting admirers, good customers, and, promotion from bosses, and helpful friends).
Luang Phu Kroo Ba Wang is Legendary for his Maha Sanaeh Magic, was one of the most famous of the Northern Lanna Guru Masters of the Olden Days. Highly preferred for his In Koo and In Ma Saep Nang amulets, as well as his famous Takrut scroll, Pra Rahu, and Pha Yant Sacred Geometry Yantra Cloth Spells. Of the Pha Yant he was especially renowned for his Pha Yant Ma Saep Nang Lady-Horse images.
Luang Phu was born in 2434 BE, in the country into a family of famers and market traders, In those days, the only way to get any schooling in the countryside was to stay in a temple and learn with the Monks. And so, at the age of nearly 9 years old, his father took him to live at the nearby temple, to learn to read and write. After about 3 years. Luang Phu could read and write fluently enough, and so he was able to ordain into the Sangha as a Samanera Novice Monk.
Luang Phu was born in 2434 BE, in the country into a family of farmers and market traders, In those days, the only way to get any schooling in the countryside was to stay in a temple and learn with the Monks, and so, at the age of nearly 9 years old, his father took him to live at the nearby temple, to learn to read and write. After about 3 years. Luang Phu could read and write fluently enough, and so he was able to ordain into the Sangha as a Samanera Novice Monk in the year 2445 BE. Luang Phu then began to practice Khom Sanskrit Agkhara and Wicha, and within a very short period of time became so adept that he could chant every single line of Agkhara from memory with great aptitude.
Pra Kroo Gantiya was his Upachaya Ordaining Officer, and Pra Ajarn Bpan was his Pra Gammawājājarn (Prompter). Pra Atigarn Bpum was his Pra Anusawanājarn (Witness). Luang Phu was given the Chāyā (official Monks Name) of Prohma Sēno. Luang Phu Kroo Ba Wang then stayed on at Wat Ban Baen in Lampoon for a period of 2 years more.
After this Luang Phu Kroo Ba Wang then moved to stay at Wat Ban Hmueang Jee, which was in his home area where he was born. Luang Phu then continued to study and practice Wicha Akom and Khom Agkhara for a further three years, until he became inspired to take up the practice of Tudong Solitary Forest wandering.
Luang Phu then travelled through the thick forest area of Pha Teub, on is way towards Chiang Saen, and stopped in the forest to practice for 6 months. Once he reached Chiang Saen, he stayed around the area practicing for some years, until he decided to travel towards Prae Province, where he finally arrived and stayed at the temple of Wat Den Chai. He stayed at this temple to master the various Sorcery Methods of the Region, so that he would be able to perform Powerful Incantations enabling him to cast spells and blessings to offer protection, happiness and prosperirty to the fold, and to send metta and merits to the Nature Spirits of the Nether Worlds, with Compassionate Mercy Magic.
Once he had mastered this Wicha, he then set forth once more, and practiced Tudong, until he came to rest at a very peaceful place in the forest called 'Pha Den Gradtay', which was very auspicious in energy. There was a small village nearby which was impoverished, and Luang Phu then decided to build a temple with the help of the locals. But Luang Phu was first called back by locals of the temple at Wat Dton Tong, so he agreed and went backl to assist the with their needs.
After one year helping them, he was able to return to Pha Den Gradtay, and built three Kuti Huts and invited some other monks to come and stay, and assist in developing the temple.
Then in the yeat 2508 Luang Phu Kroo Ba Wang began to build the Uposadha Shrine Room and the locals of the surrounding areas began to hear of his merits, and flock to the temple to make donations and assist.
The Uposadha was then finished in the the year 2510 BE. Luang Phu became famous for both is great ability to finish the temple of Wat ban den in Miraclulously short timespan, and also for his many Wicha, including Horasart (Astrology), Amulet making, Maha Sanaeh and Metta Maha Niyom Maha Lap Magic, and his ability to use Candle Magic to eliminate Bad Karma.
In the year 2513, time caught up with Luang Phu and he became ill, and began to weaken with age, and became unable to travel, and stayed for the rest of his life performing meritorious acts for the temple and the devotees, until his final passing at Wat Ban Den, in the year 2516 BE.
About In Ma Saep Nang Deva
There is a Fable that there was once a family who had a very beautiful daughter. This family reared horses for a living, and their horses were famous for their incredible beauty. The daughter took care of the horses every day until one day she felt intense desire for the horse she had become attached to, and consummated her desires with the horse (had sex with it). When the family found out about the event, they were incredibly offended and angry, and they killed the horse which the daughter had been caring for and had sex with. The daughter heard of this, and became so sad, that she died of a broken heart, from sorrow for loss of her horse and lover.
The ancient Kroo Ba Ajarns of Old believed that this particular horse had an incredible power of Maha Sanaeh (charm and attraction). So strong indeed, that even a Human Woman could fall in love with it and allow it to have sexual contact.
For this reason the In Ma Saep Nang is an extremely powerful love charm, and that whoever carries it will certainly have the charming effect on others around him or her.
Kata In Ma Yern Saep Nang
Na Mo Puttaaya Na Ma Pa Ta Ma A U Idtipiso Pakawaa Arahang Samma Samputto Na Mo Puttaaya Na Cha Na Ka (3 times)
Dtae Dtii Dtu Dta Nia Mia Pia Tia