The Pra Somdej Mongkol Maha Lap amulet series of 2499 BE, was released at Wat Sarnath, in Rayong, to fund the creation and installment of the Pra Putto Pas Chinarat Jom Muni Buddha statue, which was made at Wat Sapmant Wongs, in Bangkok, and donated to be installed at Wat Sarnath, as the Pra Pratan main Central Buddha image within the Uposatha shrine room.
Below; a rare version of Pra Somdej Nakprok Mongkol Maha Lap Nuea Pong Maha Solos Daeng 2499 BE Mae Chee Bun Ruean Wat Awut
in Nuea Daeng
The amulets were made in various powders, white nuea solos, brown nuea wan, and red nuea wan sabu luead, as well as nuea bailan and other admixtures. Some received the inscription of the Yant Putto, or the Yant Dto Rasamee, of Mae Chee Bun Ruean, and others were left with ‘Hlang Riab’ ‘smooth faced’ rear sides. All versions contain the famous pong Maha Solos Maha Lap (Pong Guubose), which is legendary for its powers
This amulet comes with the existing Stainless Steel Casing – The alternative of Free Waterproof Casing is also an Optional Offer with this Amulet, if you wish to encase with Waterproof Casing at no extra cost. Free Registered Airmail Shipping Worldwide is offered included with this amulet, as is the case with all amulets in Ancient Amulet Store.
There was never a ceremony to invite the Devas so majestic as the ceremony performed by Mae Chee Bun Ruean, which included not only the ubiquitous incenses, puffed rice, flower garlands in 7 different colors, but also a total of 375 Kinds of Food Offerings! The Benja and 9 Saewadta Chadtras offered, 5 sork high (‘sork’being a Thai form of measurement, meaning ‘5 elbows’, slightly over 2 Feet per ‘sork’). Five Golden and Silver Bai Sri were place in offering, also 5 sork high in stature.
The chanting ceremonyn to bless the holy water with the assistance of the attendiing Devas, was then mixed with the sacred powders used for the muan sarn clays of the amulets. Many great and psychically attained monks were invited to empower and bless the sacred ingredients for the amulets, and the amulets themself after their pressing;
1. Pra Prohm Muni (LP Phin Suwajo), of Wat Bovornives Vora Viharn, 2. Pra Worawaet Kunajarn (LP MIan Bpappasaro), of Wat Pra Chetupon Wimon Manghalaram, 3. Pra Maha Racha Manghalajarn, 4. Pra Kroo Winaiton (LP Fueang Yana Bpaheebpo), 5. Pra Sa-Ard Apiwattano, of Wat Sampant Wongs, 6. Pra Kroo Nor, of Wat Klang Ta Ruea, in Ayuttaya, 7. Pra Ajarn Bung, of Wat Mai Nong Sen, and 8. Pra Luang Por Chorp Sammajaree, of Wat Awut Wigasitaram in Thonburi, as well as the prior and later blessings and empowerments made by Mae Chee Bun Ruean Herself.
In Addition, during the Deva Abhiseka, the Ruesi Yogi Ajarn Rerb (Ajarn Chern Jantr Paetch), who was a very powerful and famous Ruesi of the Era, assisted in empowering the amulets.
Then a second empowerment session was performed, with the amulets pressed and placed covered with 7 layers of 7 green and 7 white cloths covering them, placed upon an altar in the center of the shrine room.
Many people in the amulet world have been interested in knowing what was used in the making of the sacred powder admixtures, and so we find it impportant to document and list them in this article, for posterity and study;
1. Sacred Powders from a Host of Great Masters of that Era and Previous Eras, through the lineage of each Master who donated and empowered the powders.
2. Powders from Wat Chetupon, Wat Sri Totsataep, Wat Sampant Wongs(Wat Sampantawongs).
3. Broken powdered pieces of ancient sacred amulets.
4. Powdered up herbal ingredients with magical properties, ground up to make a brownish herbal powder.
5. Earths from 7 Prosperous Ports, and the banks of 7 Sacred Lakes. 6. Powders made from taking ancient Kampir Grimoires of Sorcery (Sacred in themself), of both the Bailan Beige Parchmnent variety, and the Samut Khoi black Parchment variety of Grimoire, and burn them and grind into powders, with 5 repetitions of admixture, adding powders from previous editions of amulets.
6. Earths from sacred Pilgrimage Places of the Life of the Buddha in India, brought back to be used for the admixture, to bring Sacred Buddhakhun Power to the amulets, with earths from the important places of the Buddha’s Life, such as the Buddha’s birth, earths from around the Bodhi Tree where the Buddha’s Enlightenment occurred, the place where he gave his first sermon in Varanasi (the Dhamma Chakra), and earths from the place of the Buddha’s Passing into Nibbana.
7. Earths from important places where the Buddha performed great Sermon, or Important Events in his Life occurred, and which are to this day, all sacred places and shrines to the Buddha.
8. Pong Poon Khaw Hin Rachaburi powders.
9. Sacred Talcs invoked with Negative Space inscribed Yantra Spells.
10. Nam Oy Sugarcane Juice.
The amulets are made from a Muan Sarn Sacred Powders composed of a large variety of sacred clay earths, herbal pollens and powders, and Puttakun powder. Herbs and Sacred ingredients with all sorts of different blessings and powers were added to give a complete range of blessings.
All these Muan Sarn ingredients were ground into fine powders, and separated into different admixtures, and mixed with holy water from the first Buddha Abhiseka and Deva Abhiseka Blessing Ceremony. The amulets were pressed as the Pra Somdej Pra Putta Mongkol Maha Lap (Buddha Manghala), Pra Nakprok, Pra Putto, and other forms such as various kinds of Pra Somdej, Nang Kwak, and other amulets.
Above and beyond this, the amulet is a Sacred Artifact of Buddhanussati, an authentic Sacred Buddha Image Votive Tablet, blessed and made in 2499 by Kun Mae Chee Bun Ruean, in two ceremonies held at Wat Sampantwongs and Wat Sarnath, both Mae Chee Bun Ruean Lineage Temples.
The amulets were handed out to devotees during a later ceremony who came to donate and support the installation of the Putta Sima temple boundary of Wat Sarnath, and many of the amulets were of course held for burial within shrine rooms and Chedi Stupas of choice, for later distribution, or accidental rediscovery long into the future.
This is a common practice with amulets, where they are placed in a hiding place chamber (Kru), or buried under the ground or under the floor of sacred places, as a way of preserving the fact that there was once a Buddha who walked upon this earth. Hiding Place amulets are also stored in Kru Chambers as a repository to use for fundraising by removing a number and distributing them to devotees who donate to the temple (Note; The placement and removal of amulets from Kru for providing a method of creating fundraisers only became a practice during the last century, after Buddhist amulets became a source of fundraising).
According to the written documentation of Luang Phu Tet Nitesago, the Pong Solos powders made by Mae Chee Bun Ruean to make the amulets, were made using the Wicha Prohmasat (Brahma Sastra), which invokes High Brahmas and Ariya Sangha (Enlughtened Beings), of the Sutawas celestial level, to empower the powders. They were made to distribute to devotees, and fund the installation of the Pra Putto Chinarach Jom Muni Buddha statue of Wat Sarnath.
The amulets have become very famed for their miraculous powers, due to many stories of miraculous events connected with devotees and the amulets. Mae Chee Bun Ruean invoked the spiritual Connections of the angelic beings of the Buddhist, Christian and Islamic Faiths to imbue their blessings, to protect people of all religions, who keep the precepts of goodness and abstention from evil acts. The real name of the powders is ‘Pong Maha Prohm Ariya Bodhisattva Phuu Bpen Jao’ (Powders of the Enlightened Brahmas who are Lords of their Existence’).
This was because of Ajarn Seng, who taught and revealed that all three religions, speak of the same one Super-consciousness or ‘God’ (Buddha-hood for Buddhists), but which different cultures over time split and adapted into their own social structures, and changed them according to their needs, but that all three are derived from the same fact that enlightened beings gave teachings to unenlightened humans, and were worshiped for it as messiahs, prophets, or gods, and became founders of these religions.
The great Luang Por Lee is said to have found the 2499 BE Somdej Mongkol Maha Lap so powerful that he basked for some of the broken ones to be given to him to mix into the sacred clay of his famous sacred Pra Bai Po Jak amulets of the 2500 BE 25 Centuries of Buddhism Mega Nationwide Amulet Ceremony.
According to the Pra Tamma Khant, all Somdej amulets must be made in numbers of 84,000, but it is rumored that the Pra Putta Mongkol maha lap amulets were made in much less numbers, which is an unconfirmed rumor, and would be dubious considering Mae Chee Bun Ruean’s tendency to be a stickler for proper ritual and adhere to the dtamrta of the Wicha.
The Pra Putta Mongkol Maha Lap amulet is often used as a substitute for the Pra Pong Solos of Luang Phu Tim (much more difficult to find and much more expensive). Luang Phu Tim himself was also invited to perform Nang Prok meditative empowerment on thje amulets, as he was 70 years old. Considered one of the best amulets of the 2500 BE Era of Thai Buddhist Amulets.
Praput Chin Dtakua Fang Khiaw Hmaa Pha 2460 BE Leaden Buddha Amulet with Wolf Tooth Insert Luang Por Dam Wat Kuti
A seldom seen Large Pim Yai version (3 x 2 Cm) of Luang Por Dam's Extremely Rare and Highly Prized Khmer Alchemical amulet, the Pra Pim Pra Put Nuea Chin Dtakua Fang Khiaw Hmaa Pha, Leaden Buddha Amulet with Magic Spell and Visible Wolf's Tooth Insert.
Free Registered Airmail Shipping Worldwide is included with this amulet. The Pra Pim Pra Put Dtakua Fang Khiaw Hmaa Pha, was one of a variety of different Pim (models), which Luang Por Dam created by taking already pre-existing designs from other great temples and masters, and using them to make these amulets. Created by forging them with alchemical metallurgy into leaden statuettes, which the filled with the insertion of a magic spell in Sacred Khom Agkhara on a piece of parchment paper, and wolf's canine tooth.
Luang Por Dam was an olden days Khmer Sorceror Monk who stayed at Wat Kuti in the Pre Modern Era. He is said to have been of the same Generation and approximate age of the Great Luang Phu Suk of Wat Pak Klong Makham Tao, and lived long ago. Nobody has ever been able to compile a full biography of this monk, whose Khmer past is obscured from history.
Luang Por Dam made his amulets in his own inimitable way with his own particular metho, which came from his Khmer Sorcery Wicha. He was able to manipulate alchemical metals and to 'riak parort', which means 'to call alchemical mercury'.
He would make the amulets by bthe alchemical method of using Incantations and meditative prowess to call the mercury to flow to him and guide them into the casting molds with magical spell-casting.
Apart from being famous for Kong Grapan Chadtri Klaew Klaad and 'Gan Sadtw Pit Raay' (protect against poisonous beasts), the amulets of Luang Por Dam are known for their power to erase Black Magick. It is said that if a house is cursed, or there are any sorcerous magical spells influencing the house, to walk in with one of Luang Por Dam's amulets will dispel the curse or Black Magick Immediately, dispersing it and banishing it.
In those olden times, as Luang Por Dam would make amulets for the devotees at the temple, he became famous from many stories of miraculous lifesaving events connected with his amulets. Ranging from people being attacked by bandits and shot at at point blank range, but the guns would not fire, to surviving deadly accidents in the face of certain death.
But his amulets also then became famous outside of his locality and to spread around the provinces, because of Rice!
Luang Por Dam's temple needed rice, and Luang Por Dam would also have to go to Sara Buri township often to get rice for the temple, and would take his amulets to exchange with the market farmers for rice.
In the beginning, not many people took much notice, but he would exchange one amulet for a cart of rice with some traders. But after some time, there were some devotees who payed reverence and gave alms to Luang Por Dam, and received an amulet as a gift from him for their kindness.
The devotees took the amulet and hung it up against a tree to test it with a revolver, by shooting at it, but however they tried, the gun would not shoot when pointed at the amulet.
The amulets of Luang Por Dam of Wat Kuti are now extremely rare to encounter, and are highly renowned for their powerful Kong Grapan Chadtri, Maha Ud, Klaew Klaad and Gan Sadtw Pit Raay Powers.
His first edition came to be, because of the Thai devotees of the area hearing of Luang Por Dam being from the Khmer side of the border, and that he was a Tudong Forest Monk, so they came to ask him for a way to prevent the Black Magick spells which were being placed on them using Khmer Necromancy and Black Magick.
Luang Por Dam then made his first edition, using the wolf's teeth inserts, which are now so rare and famousl powerful, with Anti Black Magick and Kong Grapan Chadtri Maha Ud klk Protective Sorcery to keep his devotees safe and banish any evil curses they may have had afflicting them.
The wolfs teeth were obtained by Luang Por Dam, as he was wandering through the forests of the Khao Gaew Jungle, and he came upon the scene of a pile of skeletons of wolves, and a couple of tiger skeletons, all in one area.
He concluded that the wolves must have died in their struggle with the tigers, but that the wolves, despite being much smaller, were as brave and fearless and just as much a fierce hunter as the much larger tiger himself.
He took the teeth and empowered them throughout his Tudong wandering times with Maha Amnaj, Maha Ud, Klaew Klaad and Kong Grapan Chadtri Magic, for later use, in these amulets. He made the amulets in various models, including the Pra Put Buddha image, the Pra Pid Ta Pra Pim Pak Pao (single Pidta) up to the Pra Pid Ta Pim Haa Gler (5 sided Pidta), which is known in the present day as 'Pid Ta Piang Chompoo Haa Gler'.
Use the Traditional Thai Buddhist Method for Bucha;
1. Chant Maha Namasakara (3 Times)
2. Chant the Trai Soranakom (3 Times)
3. Chant Kata Aaraatanaa Pra Krueang (3 Times)
Kata Maha Namasakara
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Kata Aaraatana Pra Krueang