Pra Putta Mongkol Maha Lap Amulets Mae

The Pra Somdej Mongkol Maha Lap amulet series of 2499 BE, was released at Wat Sarnath, in Rayong, to fund the creation and installment of the Pra Putto Pas Chinarat Jom Muni Buddha statue, which was made at Wat Sapmant Wongs, in Bangkok, and donated to be installed at Wat Sarnath, as the Pra Pratan main Central Buddha image within the Uposatha shrine room.

Below; a rare version of Pra Somdej Nakprok Mongkol Maha Lap Nuea Pong Maha Solos Daeng 2499 BE Mae Chee Bun Ruean Wat Awut
in Nuea Daeng

Somdej Mongkol Maha Lap Pim Prok Po Mae Chee Bun Ruean

Somdej Mongkol Maha Lap Pim Prok Po Mae Chee Bun Ruean Wat Awut.

The amulets were made in various powders, white nuea solos, brown nuea wan, and red nuea wan sabu luead, as well as nuea bailan and other admixtures. Some received the inscription of the Yant Putto, or the Yant Dto Rasamee, of Mae Chee Bun Ruean, and others were left with ‘Hlang Riab’ ‘smooth faced’ rear sides. All versions contain the famous pong Maha Solos Maha Lap (Pong Guubose), which is legendary for its powers

This amulet comes with the existing Stainless Steel Casing – The alternative of Free Waterproof Casing is also an Optional Offer with this Amulet, if you wish to encase with Waterproof Casing at no extra cost. Free Registered Airmail Shipping Worldwide is offered included with this amulet, as is the case with all amulets in Ancient Amulet Store.


There was never a ceremony to invite the Devas so majestic as the ceremony performed by Mae Chee Bun Ruean, which included not only the ubiquitous incenses, puffed rice, flower garlands in 7 different colors, but also a total of 375 Kinds of Food Offerings! The Benja and 9 Saewadta Chadtras offered, 5 sork high (‘sork’being a Thai form of measurement, meaning ‘5 elbows’, slightly over 2 Feet per ‘sork’). Five Golden and Silver Bai Sri were place in offering, also 5 sork high in stature.

The chanting ceremonyn to bless the holy water with the assistance of the attendiing Devas, was then mixed with the sacred powders used for the muan sarn clays of the amulets. Many great and psychically attained monks were invited to empower and bless the sacred ingredients for the amulets, and the amulets themself after their pressing;

1. Pra Prohm Muni (LP Phin Suwajo), of Wat Bovornives Vora Viharn, 2. Pra Worawaet Kunajarn (LP MIan Bpappasaro), of Wat Pra Chetupon Wimon Manghalaram, 3. Pra Maha Racha Manghalajarn, 4. Pra Kroo Winaiton (LP Fueang Yana Bpaheebpo), 5. Pra Sa-Ard Apiwattano, of Wat Sampant Wongs, 6. Pra Kroo Nor, of Wat Klang Ta Ruea, in Ayuttaya, 7. Pra Ajarn Bung, of Wat Mai Nong Sen, and 8. Pra Luang Por Chorp Sammajaree, of Wat Awut Wigasitaram in Thonburi, as well as the prior and later blessings and empowerments made by Mae Chee Bun Ruean Herself.
In Addition, during the Deva Abhiseka, the Ruesi Yogi Ajarn Rerb (Ajarn Chern Jantr Paetch), who was a very powerful and famous Ruesi of the Era, assisted in empowering the amulets.

Then a second empowerment session was performed, with the amulets pressed and placed covered with 7 layers of 7 green and 7 white cloths covering them, placed upon an altar in the center of the shrine room.

Many people in the amulet world have been interested in knowing what was used in the making of the sacred powder admixtures, and so we find it impportant to document and list them in this article, for posterity and study;
1. Sacred Powders from a Host of Great Masters of that Era and Previous Eras, through the lineage of each Master who donated and empowered the powders.

2. Powders from Wat Chetupon, Wat Sri Totsataep, Wat Sampant Wongs(Wat Sampantawongs).

3. Broken powdered pieces of ancient sacred amulets.

4. Powdered up herbal ingredients with magical properties, ground up to make a brownish herbal powder.

5. Earths from 7 Prosperous Ports, and the banks of 7 Sacred Lakes. 6. Powders made from taking ancient Kampir Grimoires of Sorcery (Sacred in themself), of both the Bailan Beige Parchmnent variety, and the Samut Khoi black Parchment variety of Grimoire, and burn them and grind into powders, with 5 repetitions of admixture, adding powders from previous editions of amulets.

6. Earths from sacred Pilgrimage Places of the Life of the Buddha in India, brought back to be used for the admixture, to bring Sacred Buddhakhun Power to the amulets, with earths from the important places of the Buddha’s Life, such as the Buddha’s birth, earths from around the Bodhi Tree where the Buddha’s Enlightenment occurred, the place where he gave his first sermon in Varanasi (the Dhamma Chakra), and earths from the place of the Buddha’s Passing into Nibbana.

7. Earths from important places where the Buddha performed great Sermon, or Important Events in his Life occurred, and which are to this day, all sacred places and shrines to the Buddha.

8. Pong Poon Khaw Hin Rachaburi powders.

9. Sacred Talcs invoked with Negative Space inscribed Yantra Spells.

10. Nam Oy Sugarcane Juice.

The amulets are made from a Muan Sarn Sacred Powders composed of a large variety of sacred clay earths, herbal pollens and powders, and Puttakun powder. Herbs and Sacred ingredients with all sorts of different blessings and powers were added to give a complete range of blessings.

All these Muan Sarn ingredients were ground into fine powders, and separated into different admixtures, and mixed with holy water from the first Buddha Abhiseka and Deva Abhiseka Blessing Ceremony. The amulets were pressed as the Pra Somdej Pra Putta Mongkol Maha Lap (Buddha Manghala), Pra Nakprok, Pra Putto, and other forms such as various kinds of Pra Somdej, Nang Kwak, and other amulets.

Above and beyond this, the amulet is a Sacred Artifact of Buddhanussati, an authentic Sacred Buddha Image Votive Tablet, blessed and made in 2499 by Kun Mae Chee Bun Ruean, in two ceremonies held at Wat Sampantwongs and Wat Sarnath, both Mae Chee Bun Ruean Lineage Temples.

The amulets were handed out to devotees during a later ceremony who came to donate and support the installation of the Putta Sima temple boundary of Wat Sarnath, and many of the amulets were of course held for burial within shrine rooms and Chedi Stupas of choice, for later distribution, or accidental rediscovery long into the future.

This is a common practice with amulets, where they are placed in a hiding place chamber (Kru), or buried under the ground or under the floor of sacred places, as a way of preserving the fact that there was once a Buddha who walked upon this earth. Hiding Place amulets are also stored in Kru Chambers as a repository to use for fundraising by removing a number and distributing them to devotees who donate to the temple (Note; The placement and removal of amulets from Kru for providing a method of creating fundraisers only became a practice during the last century, after Buddhist amulets became a source of fundraising).

According to the written documentation of Luang Phu Tet Nitesago, the Pong Solos powders made by Mae Chee Bun Ruean to make the amulets, were made using the Wicha Prohmasat (Brahma Sastra), which invokes High Brahmas and Ariya Sangha (Enlughtened Beings), of the Sutawas celestial level, to empower the powders. They were made to distribute to devotees, and fund the installation of the Pra Putto Chinarach Jom Muni Buddha statue of Wat Sarnath.

The amulets have become very famed for their miraculous powers, due to many stories of miraculous events connected with devotees and the amulets. Mae Chee Bun Ruean invoked the spiritual Connections of the angelic beings of the Buddhist, Christian and Islamic Faiths to imbue their blessings, to protect people of all religions, who keep the precepts of goodness and abstention from evil acts. The real name of the powders is ‘Pong Maha Prohm Ariya Bodhisattva Phuu Bpen Jao’ (Powders of the Enlightened Brahmas who are Lords of their Existence’).

This was because of Ajarn Seng, who taught and revealed that all three religions, speak of the same one Super-consciousness or ‘God’ (Buddha-hood for Buddhists), but which different cultures over time split and adapted into their own social structures, and changed them according to their needs, but that all three are derived from the same fact that enlightened beings gave teachings to unenlightened humans, and were worshiped for it as messiahs, prophets, or gods, and became founders of these religions.

The great Luang Por Lee is said to have found the 2499 BE Somdej Mongkol Maha Lap so powerful that he basked for some of the broken ones to be given to him to mix into the sacred clay of his famous sacred Pra Bai Po Jak amulets of the 2500 BE 25 Centuries of Buddhism Mega Nationwide Amulet Ceremony.

Pra Bai Po Jakr LP Lee Wat Asokaram

Pra Bai Po Jakr LP Lee Wat Asokaram

According to the Pra Tamma Khant, all Somdej amulets must be made in numbers of 84,000, but it is rumored that the Pra Putta Mongkol maha lap amulets were made in much less numbers, which is an unconfirmed rumor, and would be dubious considering Mae Chee Bun Ruean’s tendency to be a stickler for proper ritual and adhere to the dtamrta of the Wicha.

The Pra Putta Mongkol Maha Lap amulet is often used as a substitute for the Pra Pong Solos of Luang Phu Tim (much more difficult to find and much more expensive). Luang Phu Tim himself was also invited to perform Nang Prok meditative empowerment on thje amulets, as he was 70 years old. Considered one of the best amulets of the 2500 BE Era of Thai Buddhist Amulets.

Pra Somdej Putta Mongkol Maha Lap various sizes in white Pong Solos Powders.

Pra Somdej Putta Mongkol Maha Lap various sizes in white Pong Solos Powders.

Anothjer version of the Pra Somdej Putta Mongkol Maha Lap Nuea Solos

Another version of the Pra Somdej Putta Mongkol Maha Lap Nuea Solos


Taw Waes Suwan Asura Deva Carved Elephant Bone Yaksa King of Wealth Commander of Demons - Luang Por Lae Wat Khao Song

SKU 03076
$250 U.S.
Out of stock
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Product Details

An extremely rare example of an early era Taw Waes Suwan Asura Deva Graduk Chang Gae - carved elephant bone amulet from Olden Days Sak Yant Thai Temple Tattoos Master, Luang Por Lae, of Wat Khao Song, in Petchburi.

The statuette measures 6 Cm High, and is carved from Elephant bone, into the form of Taw Waes Suwan, the Millionaire Asura King of the Jadtu Maha Rachiga Kingdom of the Celestial Heavens, who commands all the denizens of Yaksa and Demonic Beings and Monsters with his Adamantine Crystal Club, a Cosmic Weapon able to smite the Demons and Bhuutaa.


Taw Waes Suwann is a powerful protector of wealth, and Business Advancement, and protects against Black Magic, Demons and Bacterial Illnesses. Taw waes Suwan should also be revered by businessmen and financiers, and anyone who wishes to increase his financial and material wealth. Also in times of hardship and poverty, one should revere Taw Waes Suwann, which will enable you to have enough money to pay your bills and the cost of living with without any difficulty.



In both Bhuddhist and Brahmin Cosmological Pantheon, the four directional points of the compass have a Deity allocated to each direction. The deity allocated as the Lord of the North is “Taw Guwern” (Guberan), or more commonly known as “Taw Waes Suwann” (the word “Taw” meaning “Lord”). In Bhuddhist tales and Fables he is known by his Pali name Waes Suwann, or Waisarawan (Sanskrit).In both Thailand’s “Ramayana” and the original Hindu Brahmin Epic “Ramayana”, the name of this Being is “Lord Guberan” (Taw Guberan). Apart from this, The Lord of all Rich Fortunes and the Northern directions has other names, such as Tanesworn, Waisarawan, Yanksaraja, Raaksentorn, Ratanakan, and Aitawita (son of Itawata).

Luang Por Lae with Monkeys at Wat Khao Song


Luang Por Lae Tidtappo of Wat Pra Song in Petchburi, was a direct Looksit apprenticed in Dhamma and Sorcery to two of the Greatest Masters of Olden Days, the legendary Luang Por Tong Sukh of Wat Tanode Luang, and Luang Por Plern of Wat Nong Mai Luang. Luang Por Lae was born in the year 2459 on the 19th June, in Tambon Rai Makham in Ban Lard, Petchburi Province. He was ordained into the Buddhist Sangha at the age of almost 20 Years old on the 24th of May 2499.

Luang Por Lae studied Sorcery with a total of 14 different Masters; LP Plern (Wat Nong Mai Lueang), LP Tong Sukh (Wat Tanode Luang), LP Chit (Wat Maha Tat Petchburi), LP Soke (Wat Pak Klong), LP Pan, LP Te, LP Chaem, LP Bun, LP Rod (Wat Nai Roeng), LP Rod (Wat Bang Nam Won), LP Rung Wat Ta Graber, LP Jong (Wat Na Tang Nork), LP Derm (Wat Nong Po), and Luang Por Ee (Wat Sattaheeb)

The Great Luang Por Plern of Wat Nong Mai Luang, Famous for Wicha Hwaen Pirod, and Kong Grapan Magic passed on his magical secrets to Luang Por Lae. Luang Por Tong Sukh, Wat Tanode Luang, who taught him to perform Wicha Sak Yant Kroo, which was the most powerful Yant in his particular Magical Dtamra, namely the Yant Hua Jai Pra Ram (Heart of Rama Yantra), which controls the powers of all other Yant which are tattooed thereafter on the devotee, including the Ling Lom Vanora, Hanuman, & Gold and Silver Hongsa Swans.

Luang Por Chit of Wat Mahatat, taught him the adept levels of Wicha Horasart (Astrology and Fortune Telling), and it is said that Luang Por Lae attained the 6th sense in this Wicha, and was able to foresee future events. Luang Por Soke of Wat Pak Klong in Ban Laem taught Luang Por Lae the Wicha Pra Khan (Sceptre, Ritual Dagger and Wands Magic). Luang Por Pan of Wat Mahatat Voravihanr taught Luang Por Lae the Wicha of Takrut Tone and Takrut Faed amulets.

He was taught the Wicha Sak Yant Maha Maekh from Luang Por Dtor and Kun Por Jantr of Wat Khao Wang in Petchburi, and after their passing, for a long time, Luang Por Lae remained the only Monk able to perform this Wicha.

In the year 2489, an event happened that caused Luang Por Lae to recieve a shock, as he was staying at Wat Maha Tat, where some terrible news about his family home had been broken into by marauders, who killed his mother and siblings (his father had already passed away beforehand). The only thing left in the home was a piece of gold weighing 100 Grams which the thieves had dropped as they fled the house, which Luang Por Lae had to use to cash in to pay for the funerals of his mother and siblings.


Because of this sad event, Luang Por Lae decided to go and practice Tudong solitary forest wandering on foot, throughout the land. He decided to do this in order to master powerful Wicha, in order to be able to help people in future to prevent such terrible events from happening, and to be able to perform magical miracles to protect people from being harmed, as his own family had been.

He wandered through the then still wild and undeveloped areas between Petchburi and reached as far as Nakorn Pathom province on foot, and met with and practiced many forms of Wicha with various great Masters of that time, in particular, the Wicha Kala ta Diaw Rahu Om Jantr (one eyed coconut Pra Rahu Maha Ud Gunstopper spell), and the Wicha Serm Duang Karma Improver spell of Luang Por Chaem, of Wat Ta Gong.

He then Mastered the Wicha Na Hnaa Tong Golden faced Lakshman gold leaf forehead blessing from the Great Luang Por Te of Wat Sam Ngam, the Wicha Pong Jinda manee, and Wicha Bia Gae Cowrie Shell amulet making spell from Luang Por Bun of Wat Klang Bang Gaew.

After this, he travelled onwards to Samutr Sakorn, and Mastered further Wicha; Wicha Choo Chok with Luang Phu Rod of Wat Bang Nam Won, and the Wicha Takrut Mai Phai (bamboo Takrut). As Luang Por Lae approached Bangkok, he passed by Tonburi, and furthered his Wicha Bia Gae with Luang Phu Rod of Wat Nai Rong, in Taling Chan Municipality.

Then he travelled even further into the Province of Ayuttaya, and learned the Wicha Takrut Puang, and the Wicha of the Yant Hua Jai Pla Tapian Maha Lap from the Great Luang Por Jong of Wat Na Tang Nork. And even further on he travelled Northwards to Nakorn Sawan, to Master the Wicha Sastra Mitmor Ritual Knife making, with the Legendary Luang Por Derm, of Wat Nong Po.

Then he travelled back Eastwards, to learn the Wicha Palad Khik with his Kroo Ba Ajarn Luang Por Ee, of Wat Sattaheeb. Luang Por Lae then went back to Petchburi and used his Wicha to help the Local Devotees, and later became Abbot of Wat Pra Song.

Luang Por Lae passed away in the Year 2551 BE on the 10th March, at the age of 92 years old.

Wicha Sak yant LP Lae

Luang Por Lae was famous for his Sak Yant tattoos with his special formula of Nine types of Hanuman/Vanora. However, it is said that after the occasion of having tattooed a 'very important person' he desisted from tattooing the 9th Hanuman and Hanuman number 10, and only would tattoo up to 8 of them on any one person. His amulets are a cult niche collectors material, and are always difficult to find,for it is indeed true, that his Devotees in Petchburi and surrounding province, are so possessive and non commercial with them that only few amulets from this master ever get to leave the locality, and have mostly been kept within the fold of his parishioners.

He is of course an especially revered master to those who are devotees of sak yant tattooing, and of those who have become enchanted with the many forsm of amulet he made during his lifetime, such as a large array of Hanuman amulets, Ganesha, Taw Waes Suwan, and Por Gae Lersi amulets which were made frm hand carved ivory. He has one of the more attractive pantheons of amuet designs within his magical trajectory, and many of his amulets are considered to be pieces of fine miniature Buddhist art in their own right.

He is also a highly regarded historically famous master, due to the fact that he learned underr tutelage in Sorcery and Dhamma, from the incredible number of 14 other great Guru Master Ajarn, who bestowed him with their Wicha.


Kata Taw Waes Suwan

The real name of the Kata is Aadtaanathiya Paritta - It is the Kata used for a Major Portion of the Suad Pan Yaks Thai Brahman/Buddhist/Occult ceremony to speak with the Asura Kings of the Jadtumaha Rachiga Realm, and request protection and auspicious blessings.

Aadtaanaadtiya Paritta

Wibpassisa Na Madt-thu Jagkhumandtassa Siree Madto

May i offer reverence and Bucha to Pra Wipassee Putta Jao who has divine eyes

Sikhissabpi Namadt-thu Sappaphudtaanugambpino

May i offer reverence and Bucha to Pra Sikhee Putta Jao who watches over and protects all beings of the three worlds

Waessa Phussa Namadt-thu Nahaadtagassa Dtabpassino

May i offer reverence and Bucha to Pra Waessa Putta jao who has removed all defilement from his heart through his great merits and efforts

Na Madt-thu Gagusandtassa Maarasenabp-bpamattino

May i offer reverence and Bucha to Pra Gagusanta Putta Jao who has beaten and devastaded the Maras and the armies of Mara

Gonaakamanassa Namadt-thu Praahmanassa Wuseemadto

May i offer reverence and Bucha to Pra Gonaakomana Putta Jao, who has risen above all defilement, and who resides in the Brahmacaryas

Gassabpassa Namadt-thu Wibp-bpamudt-dtassa Sappati

May i offer reverence and Bucha to Pra Gassapa Putta Jao who has ascended above suffering and is a skilled Adept in all Dhammas

Ankeerasassa Namadt-thu Sakya Bpudtassa Siree Madto

May i offer reverence and Bucha to Pra Angkeerasa Putta Jao, the Splendrous Son of the Sakya tribe, who relvealed the Dhamma to the world which is the ultimate tool for the removal of all suffering

Yo Imang Tamma Mataesaesi Sappa Tugkhaabanudhanang

The Self Enlightened one uncovered and taught the Dhamma, which is the greatest tool for the removal of suffering

Yae Jaabi Nippudtaa Logae Yathaa Pudtang Wibpassisung

Who are the ones who have anihillated all defilement and see the truth of the world which lies behind all veils of illusion

Dtae Chanaa Abpisunaa Mahandtaa Weedtasaarataa

These Buddhas are without any malice and are great ones who are free from falterings and instabilities

Hidtang Taewamanussanang Yang Namassandti Kodtamang

The Angels and Humans may revere and Bucha these Buddhas who asre endowed with great Metta which they send to release the Devas and Humans in heaven and on the Earth from suffering.

Wichaa Jaranasambpannang Mahandtang Weedtasaaratang

They are full of Wisdom and Knowledge of the World, those Great ones who are free from instabilities

Wichaa Jaranasambpannang Puttang Wantaama Kodtamandti

May i offer reverence and Bucha to Pra Putta Jao Kodtama Kodtara, who is Adept with Knowledge Wisdom and Grace.

Full Chanting Ceremony;

Taw Waes Suwan hand carved elephant bone amulet Luang Por Lae

Some Extra Information about Taw Waes Suwan is found in the below Podcast from Ajarn Spencer

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