Ancient Amulet Store – Purveyors of preferred Classic Thai Buddhist Amulets for the True Devotee and Distinguished Collector
Discover the immensely deep and fascinating world of Vintage Thai Buddhist Amulets. Ancient Amulet is a long term established and internationally recognized Vintage Amulet Shop, and A Trusted Source for Classic Thai Buddhist Amulets for Devotees and Discerning Collectors, and is one of the many sub projects of informational sources created by Thai Amulet, Buddhism and Thai Occult Expert, Ajarn Spencer Littlewood . as part of his ‘Buddha Magic Project‘
Ancient Amulet provides authentic Antique and Rare Thai Amulets of the Pre and Early Post-Modern Era, of high esteem and Sacred Value, to revere, study and collect. Our Ancient Thai Buddhist Amulets are selected from the finest exhibits we can discover, and given diligent study and authentication processes. Our collection showcases time-honored amulets crafted by ancient masters, boasting captivating qualities and representing the esteemed Pra Niyom class. We offer authentic, highly valued ancient Thai Buddhist amulets from the pre and early post-modern eras, carefully selected from the finest exhibits and thoroughly examined. We invite you to study, revere, and collect these classic amulets from ancient masters, and to learn about their magical aspects and the art of amulet evaluation
Paya Krut Maha Amnaj Nuea Gna Gae Carved Ivory Garuda Master Class Amulet 2480 BE Luang Por Derm Wat Nong Po FREE Express shipping
Paya Krut Nga Gae, Sacred hand carved ivory Garuda Bird Deity with hand inscriptions of the Sacred Kata Pra Chimplee; 'NA CHAA LEE DTI' For Serm Duang, Maha Lap and Metta inscribed on rear face. Hand carved from one of Luang Por Derm's more highly accomplished artisans, the Garuda carving has clear cut details and extremely filigrain detail to its relief. The Paya Krut Nga Gae is an extremely rare to find, but well known of and documented Master-Class hand Carved Amulet of LP Derm. The carving is made from Nuea Nga Ancient Ivory, hand inscribed with Sacred Khom Agkhara spells, empowered and Blessed by the Great Luang Por Derm of Wat Nong Po, in Nakorn Sawan.
Paya Krut (Garuda) is a Hindu god and divine creature mentioned in Hindu, Buddhist and Jain faith. He is variously the mount (vahana) of the Hindu god Vishnu. Garuda is also half brother of Devas, Daityas, Danavas and Yakshas. He is son of sage Kashyap and Vinata. He is younger brother of Aruna, the charioteer of Sun. He is more powerful than his half brothers. Garuda is mentioned in several other texts such as Puranas and Vedas. Garuda is described as the king of birds and a kite-like figure.
He is shown either in zoomorphic form (giant bird with partially open wings) or an anthropomorphic form (man with wings and some bird features). Garuda is generally a protector with the power to swiftly go anywhere, ever watchful and an enemy of the serpent.[1][6][7] He is also known as Tarkshya and Vainateya. Garuda is a part of state insignia in India, Indonesia and Thailand. The Garuda is the National Protective Deity of Thailand, and the national mascot of State Entities and Revered by all State Officials, and those in Professions where Promotion and Status exist as part of the line of career trajectory. The Garuda Deity endows the werer with Maha AmnajCommanding Imposing Power, and Serm Yos Raising of Status and Promotion of Position in both Career and Social Status.
Garuda as a Deity in itself, is represented in Thai Buddhism, and HInduim, as the steed of Pra Narai Vishnu Avatar, and is depicted as a Guardian of heaven in Buddhist Cosmogeny. Garuda is reputed to have fought and beaten the Naga Serpent Deity (In Hindu Myth the many headed serpent Kaliya), who is the most powerful and invincible deity, but who is only scared of and underdog to the Garuda. This is related to garuda's dislike for serpents, due to his mother's co-wife the Goddess Kadru had an argument with them. Garuda is also known to eat evil humans as recounted in a Brahman legend, but was enchanted by a Brahman Priest who caused garudas throat to burn and spit out the man and woman he had swallowed.
Luang Por Derm was Born on Wednesday 6 February 2403 BE and Died on Tuesday 22 June 2494 BE. He was one of the Greatest Masters of Thai Buddhist History, whose amulets, and famous 'Mitmor' ritual spirit knives are legendary around the whole wide world, for their authentic power, and Master Class Status. The Wicha of Luang Por Derm is continued to this day through his Looksit of the various Master Lineages.
Free registered airmail shipping worldwide is included with this item. HIs carved ivory, Horn, and wooden amulets are rare items, for they were made by individual Artisans who were Initiated and had received the Wicha, and 'Korb Kroo' Ritual Empowerment as permission from Luang Por Derm himself. Only such Lineage Master Initiates were allowed to perform carving or knife forging for Luang Por Derm, and even to this day after his passing, all the Posthumous Editions of amulets which derive from Masters who are Initiates of Luang Por Derm, must use only amulets and Artisanry which has been made by an Initiated Artisan.
The Pantheon of amulets of Luang Por Derm can be placed into two main categories, namely those which were made as official edition at the temple, and those which were made by artisan devotees, who brought them to Luang Por Derm to bless. For this reason, we see so many hand carved pieces of fine miniature Buddhist imagery within the grand pantheon of amulets of Luang Por Derm, made from various sacred substances, ranging from Ivory, Metal, Bone, and Carved Sacred Wood.
This great Master and Abbot of Wat Nong Po, is believed to have chosen to be born on Earth in the village of Nong Po, to lighten the sufferings of Buddhist People, and to bestow them with Blessings to lead them on their way towards Happiness, and Alleviate their Sufferings, and Poverty.
Legend tells that Luang Por Derm is believed to have been born once before with the same parents in Nong Po Village, but he died at an early age. The mother and father were so sad, and at the burial, it is said that they took a ritual knife, and made some marks on the feet of the corpse of the child.
The mother and father then prayed for him to be reborn with them, and that if this miracle would truly happen, that the newborn return of the child, would be marked on the feet with these marks. It is said that when Luang Por Derm was born, that he had the very same lines marking his feet, exactly where his parents had made marks on the feet of their deceased son. It is hence believed that this was the first Miracle of Luang Por Derm.
Luang Por Derm did not study much at school during his childhood, but after he ordained into the Sangha as a Buddhist Monk, he gave intense efforts and great interest to learn Bariyatti Dhamma (Theoretical Dhamma) with Luang Por Chom the then Abbot of Wat Nong Po at that time. He never stopped practicing and studying the various aspects of Dhamma Practice, Vinaya, Wicha Akom (Sorcery) and Laekh Yant Agkhara Khom, which He studied with Nai Pan Choo Pan, who was an Adept Sorceror who was resident within the enclave of Wat Nong Po Temple. Nai Pan was a direct looksit of Luang Por Tao of Wat Nong Po who was an ancient Master Sorceror and Abbot of Wat Nong Po.
He studied for seven years with this Master Sorceror, until his passing.. When his teacher Nai Pan passed away, Luang Por Derm then continued to practice and study Wicha with Luang Por Mee at Wat Bang Bon, another temple of the district in Nakorn Sawan, where he remained for a period of 2 Years. He also learned Tripitaka with Luang Por Num of Wat Khao Tong.
He also learned with Ajarn Yaem (a Lay Master who was Genius at both Dhamma Sermon Giving, and Wicha Akom). Luang Por Derm learned how to Preach Dharma, until he became an expert Preacher of Dhamma, and became recognised for his Immense Ability to interpret the difficult Dhamma Lessons and simplify them to explain to the Local Folk. Devotees would beseech him from all around the Province to come and Preach Dhamma to them.
Luang Por spent many years performing Preaching. until one day he stopped, and said that every time he would go to tell others how to practice, and they would give donations, that he thought it would be better to stop, and focus on teaching himself. he would send his apprentices who had learned well from him in his stead.
Luang Por Derm then retired from Sermon (Tamma Tesana) practice, sometime around his eleventh year of ordination. he then focused on developing Vipassana Kammathana methods of self transformation, and dedicated himself extrememly diligently to develop the causes of enlightenment (Arahantship). he became famous for his ability to sit erect for many many hours, beyond the ability of other Masters.
It was here that Luang Por's ability in Wicha Akom began to ascend to a very high level, and his magical abilities began to take form and become extremely powerful.The fruits of his practice and studies which began with Nai Pan, and the many Kroo Ba Ajarn who had passed Wicha on to him flourished.
Luang Por still continued throughout this time to study with many other Masters, most of whose names are not known, for Luang Por Derm never really told others about his secret Masters, nor did he brag about the things he had learned and the places he went too leanr them. It is however known that Luang Por did learn intensive Wicha Akom Saiyawaet with Luang Por Saban and Luang Por Taes of Wat Sap Tale, and Luang Por Wat Khao Nor.
Luang Por's powers became famous for his ability to empower amulets with Metta Maha Niyom, Maha Lap, Kong Grapan Chadtri and Klaew Klaad effects. His powers were famous for their ability to banish demons and evil forces, and that his amulets were able to invoke Miracles of many kinds.
His Wicha was so powerful that its' superiority over that of other Great Masters of the time, became so famous that Devotees from around the whole region flocked to Wat Nong Po, to beseech all kinds of Blessings and amulets. The vast number of different kinds of Wicha and amulets which people would ask for, is indeed a mark of his great abilities, which seemed to know no boundaries. Some would ask for images or statuettes, other would ask for a Photo with a Yant inscription, others would ask for See Pheung or Metta Oil.
They would ask for Paeng Talk empowered by him, Pha Yant, Takrut, or Holy Water. One of the most desired and requested amulets requested would be the Whaen Ngern Long Yant, which was a ring with Yantra and the image of Luang Por Derm sat meditating on the head of the ring. As the Burapha Asia war time began, many more devotees began to appear, filling the temple, in immense numbers. In this time it became popular for devotees to bring a 12 inch piece of Prajiad Cloth with them, and ask Luang Por Derm to imprint his footprints in ink on the cloth, to be used for Bucha and Protection.
Some people would ask for a single footprint, others would ask for both feet. This is why some Pha Yant have one foot print, and others have two. Luang Por Derm's feet became permanently stained with the prolonged practice of inking the Cloths. Some devotees would even ask Luang Por to spit on their heads. Many students of Magic then began to approach Luang Por Derm to beseech bestowal of Wicha, which Luang Por would agree to when he saw the student to be worthy. he wold always warn the students though, that once they had learned to empower things properly, that they would no longer be able to think of themself and their own pleasure.
What he meant by this, was that once they became powerful Masters themselves, they would recieve no peace from the villagers, and become as pestered by devotees as Luang Por derm himself had been throughout his life. He meant by this, that the successful manifestation of magical power, is not something that is desirable for ones own self, and that great renunciation is necessary to perfect this practice.
Use the Traditional Thai Buddhist Method for Bucha;
1. Chant Maha Namasakara (3 Times)
2. Chant the Trai Soranakom (3 Times)
3. Chant Kata Aaraatanaa Pra Krueang (3 Times)
Kata Maha Namasakara
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Trai Soranakom
Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Kata Aaraatana Pra Krueang
Puttang Aaraatanaanang
Tammang Aaraatanaanang
Sangkang Aaraatanaanang
Puttang Prasittimae
Tammang Prasittimae
Sangkang Prasittimae
Making Bucha, and chanting the Kata to Paya Krut (Garuda), is believed by Thai Buddhists to bring riches, gold, possessions, and Metta (Popularity and preference from others), as well as cleaning out any black magic or bad Karmic influence, &negative energies from your psyche, and in the household.