Lucky Goat Pae Maha Lap Luang Por Am

When speaking of the Pae Maha Lap lucky goat amulet, there is one name which stands above all others, and that is the name of Luang Por Am, of Wat Nong Grabork, in Ban Kaay Rayong. Luang Por Am was, along with Masters like Luang Por Horm of Wat Sak Hmak, Luang Por Rerm of Wat Juk Gacher, and Luang Por Chaem, considered among the top Masters of the Province, long before even the Great Luang Phu Tim of Wat Laharn Rai acheived his fame. Luang Por Am was the Kroo Ba Ajarn of the Great Luang Por Lat (Wat Nong Grabork), who is famed in his own right for his powerful Pae Maha Lap Hand Carved Goat Amuletsม which he of course mastered under the tutelage of Luang Por Am.

Pae Maha Lap Lucky Goat amulets of LP Am

Pae Maha LapLucky Goat and other carved amulets of LP Am

The male Goat is known for the fact that it is able to keep a whole herd of dozens of females under his ownership, through merciful and protective influence. It is thus believed that who wears the Pae Maha Lap Khao Kwai Gae Sacred buffalo horn Goat amulets of Luang Por Am, will be an owner and controller of great possessions and wealth, with grand entourage.

Below; Luang Por Am, of  Wat Nong Grabork

Luang Por Am

Luang Por Am, or ‘Pra Kroo Taep Sittaa, was one of the Great Masters of the Central-Eastern Provinces during His Era, and the ex abbot of Wat Nong Grabork from 2431 – 2490 BE. He was rrespected and revered all around the Province, and had Great fame around the Nation for his Powerful Wicha. During his lifetime he became known as the top Master for carved Lucky Goat amulets. What is less known, and is of immense interest to investigate the lineage Wicha of the Pae Maha Lap, is the fact that Luang Por Am himself received this Wicha from Luang Por Dtaeng of Wat Ang Sila.

Luang Por Am was abbot of Wat Nong Grabork between the years 2431 to 2490 BE, being a Gaeji Ajarn of around 150 years ago, and was the Kroo Ba Ajarn teacher of many other great names of the time, such as Luang por Rerm of Wat Juk Gacher, and Luang Por Lat of Wat Nong Grabork (his successor and apprentice in magick). The Pae Maha Lap Nuea Khao Kwai Gae of Luang Por Am, is believed to possess the power to absorb Black Magick and protect the wearer/devotee from being affected.

It can be said that the Pae Maha Lap of Luang Por Am, Luang Por Lat, and now Pra Atigarn Surasit Akkawaro, the current abbot (written 2562 BE), are considered the ‘cream of the crop’, by serious devotees of the Pae Maha Lap, along with those other Great Chonburi Masters whose names carry fame for this Wicha such as Luang Phu Tim, uang Por Sakorn, Luang Phu Sin.

The Pae Maha Lap of Luang Por Am, was almost always made by carving a goat from ‘Khao Kwai Fa Pha Dtaay’, which is the horn of a buffalo which died struck by lightning in a field. It is an ancient magical belief that the horn of a lightning-struck bull or buffalo has the power of angelic beings in it, for indeed, the angelic beings of the elemental realms who control the weather, are who control these divine forces of Nature.

After the carving of the shape of the goat, Luang Por Am would then empower the Goats with incantations, and invocations of elemental powers and angelic beings, with Buddhist Blessings on top. Sometimes he would immerse them in aromatic sacred oils to consecrate them, mixed with herbal oils made from herbs and vines and flowers of the forest, with magical, healing, protective, and attraction powers. He would rebless them again and again until he felt the amulets were completely stuffed as full with magic as possible, and unable to insert any more. The magic within the amulets was hence always filled to the brim before distribution.

Pha Yant Ok Lao Pra Putta Chinarat 2520 BE 21 x 9 Inches Wat Pra Sri Radtana Mahatat

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$55 U.S.
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Pha Yant Ok Lao Pra Putta Chinarach Pitsanuloke, made in 2519 BE, and released in 2520 BE after 2 Great Blessing Ceremonies, with the great LP To of Wat Pradoo Chimplee, LP Pae of Wat Pikul Tong, & Other great Masters, to empower the amulets in Buddha Abhiseka at the temple of Wat Pra Sri Radtana Mahatat (Wat Pra Putta Chinarat).

It is believed that the Pha Yant Ok Lao has fire prevention magic to protect the household and its inhabitants from danger of fires, because during the great fire of 2500 BE in Pitsanuloke, so many houses which survived the fires, turned out to be houses with the Pha Yant Ok Lao within them.

The Ok Lao, is a Rhombus shaped decorative placard found in the middle of the doors to the Uposatha Shrineroom of a temple, especially known for their presence in the doors at Wat Pra Putta Chinarat (Wat Pra Sri Radtana Maha Tat),Which is a Yantra spell sealing the doors, and for the devotees to press to pass through.

Below; The Ok Lao of the 'Bpaan Pratu' doors of the Uposatha of Wat Pra Sri Radtana Mahatat

The Ok Lao is embedded into mother of pearl decorated doors, which were installed by his Majesty Pra Jao Boroma Gosa, who was a ruler of Ayuttaya Kingdom. They have the image of Hanuman lifting a celestial dais, containing an Unalome, which means the Unalome between the eyebrows of the Buddha. Below the Unalome is the Moon and Sun and the Khom Aghara "U".

The Pha Yant Ok Sao Mala Biang Edition was comissioned and created by Pra Racha Radtanamuni, then Arch-Bishop of Pitsanuloke, in conjunction with the abbot of Wat Pra Sri Radtana Mahatat, and with monetary sponsorship of the Police and Military, and Local Devotees of the temple, in order to raise funds to cast a 29 inch wide statue of Pra Putta Chinarat for donation to 120 different smaller temples in dire need of main Buddha Images for their shrine-rooms.

Pha Yant Ok Lao

The first ceremony was performed in 2519 BE with pra Tamma Rachanuwadt of Wat Suwannaram presiding over the ceremony. Luang Por Jem Dtalamai of Wat Arinyigaram conducted the leading of the ritual chants, and Pra Kroo Prapha Sutammaporn assisted in performing the ritual.

The empowerment of the edition was made with the assistance of some of the Great Monks of the Era, including Luang Por Uttama of Wat Wang Wiwekaram, Kroo Ba Sai Tong of Wat Ta Mai Daeng, Luang Por Bprueang, abbot of Wat Bang Klan (maker of the famous LP Ngern Loi Ongk Statuettes), Luang Por Gaet, of Wat Sri Mueang in Sukhothai, and Luang Por Yong Yut, of Wat Khao Mai Daeng.

This first ceremony was the 'Piti Te Tong' casting ceremony of the Buddha Images, and the second ceremony was performed on the 25th January 2520 BE, in the shrine-room of the Chinarat Buddha at Wat Pra Sri Radtana Mahatat.

In the second ceremony, a total of 125 Master Monks were present to assist in the blessing and empowerment, including LP To, LP Pae, LP Juan (Wat Nong Sum), LP Thin (Wat Pha Lelai), LP Pring (Wat Bote Goeng Tanu), Luang Por Tong Yoo, of Wat Nong Mai Pa-Ong,, Luang Por Sud (Wat Ga Hlong), LP Wat Gedtum, Luang Por Nueang, of Wat Jula Mani, and many others.

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