The Most Sacred and Potent Dao Nai Pan Nai Pon Lucky Star Amulet, crafted by the revered Luang Por Pina – a Sacred Charm of Karma Improvement, and a Fortunate Star of Protection, Wealth, Elevated Status, Advancement, and Propitious Destiny. This specimen is of medium size, referred to as Pim Klang, measuring 3.2 x 2 cm. The face of the five-pointed star is painted a radiant red, while the back of the eight-pointed star gleams in silver, a common trait of this particular model. This is the two-faced amulet featuring both a five and eight-pointed pentacle, coated with lustrous silver-orange hued Muan Sarn Sacred Powders. This particular piece is imbued with extra potency, as it contains Mai Gon Fa Pha – the essence of lightning-struck treewood – within its base.
The Dao Nai Pan is a unique amulet, featuring two distinct stars, each with its own significance. On one side lies a five-pointed star, reminiscent of the Military Star, while the other boasts an eight-pointed pentacle, reminiscent of the Police Force emblem. Though these symbols hold great meaning within the context of the military and police force, the true spiritual significance imbued within each star design runs much deeper.
This amulet is often revered for its abilities to enhance wealth through its potent Maha Lap Magick. Yet, it contains within its confines a vast collection of hallowed Buddhist blessings, exerting powerful and propitious effects on the forces of karma. It is tradition to wear the amulet with the pendant ring inclined, as prescribed by the original edition of the Mae Nuea Horm Lucky Star (which was larger in size and featured a crescent moon below the star).
The Phra Pidta of LP Nak is a highly revered amulet created by the late great Thai monk Luang Phor Nak of Wat Huay Jorake temple in Nakhon Pathom, Thailand. The Phra Pidta, also known as “the closed-eye Buddha,” is a representation of the Lord Buddha in deep meditation, entering the state of Nirodha, and is believed to bring blessings of protection, good luck, and wealth to the wearer.
The Phra Pidta amulet created by LP Nak was made usually in Nuea Mekasit alcemical metal, but also in sacred loha chanuan bronze and other brazen metal mixtures (less often seen). I is said that LP Nak himself was an adept master of alchemical metallurgy, and the Wicha Pra Pidta. It found in medium and small sizes (Pim Lek & Pim Yai) and has various models sch as the Pra Pid Ta Hoo Gradtay ‘Rabbit Ears’ model. It is believed that the Phra Pidta amulet of LP Nak has the power to protect its wearer from harm, bring good luck, and attract wealth and prosperity. Some of the Pra Pid Ta of Luang Pu Nak possess hand inscriptions scratched onto the surface of the metal, with Khom Agkhara and Sacred Yant.
Phra Pidta amulet represents a meditating Buddha entering into the state of Nirodha. Nirodha is the third of the Buddha’s Four Noble Truths and refers to the attainment of the cessation of suffering. The image of a meditating Buddha is representative of the amulet’s ability to bring peace and block out all forms of inauspicious events and bad luck, protect against all dangers and black magic. The amulet is believed to have the power to block out negative energy and to protect the wearer from harm due to the reputation of the creator and his spiritual energy.
Luang Pu Nak was a well-known Thai Buddhist monk and the abbot of Wat Huay Jorake temple in Nakhon Pathom, Thailand. He was well-known for his spiritual teachings and wisdom, as well as his ability to craft powerful amulets. His reputation as a powerful spiritual leader, combined with his ability to craft powerful amulets, ensures that his legacy lives on, and his amulets are highly sought after. He died in 1959, but his teachings and amulets are still revered and respected by many Thais and people all over the world.
Many people in Thailand and around the world believe that the Phra Pidta amulet of LP Nak is particularly powerful for Kong Grapan/Klaew Klaad Protection Magic, due to the reputation his Pidta developed over the years as many stories of lifesaving miracles were recounted by devotees who wore the Pidta of LP Nak. LP Nak was known for his deeply spiritual teachings, and his ability to create very powerful amulets, and many people believe that his amulets possess his spiritual mind energy even after his passing. The Phra Pidta amulet of LP Nak is also highly sought after by collectors and those interested in Thai Buddhism and culture. Many people consider it a valuable possession and it is often passed down from generation to generation as a family heirloom amulet.
The Phra Pidta amulet of LP Nak is a highly revered and powerful amulet created by the late Thai monk Luang Phor Nak of Wat Huay Jorake temple in Nakhon Pathom, Thailand. It is believed to bring blessings of protection, good luck, and wealth to the wearer, and is highly sought after by collectors and those interested in Thai Buddhism and culture. The reputation of LP Nak as a powerful spiritual leader, and his ability to create powerful amulets, makes this amulet particularly valuable and powerful.
Luang Pu Nak, was a Thai Buddhist monk who lived in the 19th- 20th century. He was the abbot of Wat Huay Jorake temple in Nakhon Pathom, Thailand. He was born in 2358 BE (1884) and passed away in 2452 BE (1972). Luang Pu Nak was known for his great compassion and spiritual wisdom, and was a great giver of spiritual teachings, as well as his skill in creating powerful amulets. He was highly respected by the local community and by other monks in Thailand. He was also known for his generosity and mercy, and his dedication to helping others.
During his tenure as abbot, he worked to strengthen the spiritual community at Wat Huay Jorake and to provide guidance and support to the local population. In addition to his work as an abbot, Luang Pu Nak was known for his skill in creating powerful amulets. He was able to create amulets using various materials, including clay, metal, and even human bone. His amulets were believed to possess spiritual power and provide protection to the wearer. They were often inscribed with sacred texts or mantras, and were highly sought after by the local population and by collectors. Luang Pu Nak’s amulets are very highly valued in the present day, and many people in Thailand and around the world believe that they possess spiritual power. His amulets are often passed down from generation to generation as a family heirloom, and are considered a valuable possession.
Luang Pu Nak may have passed away long ago, but his legacy continues to be felt in Thailand and around the world. He is remembered as a wise and compassionate spiritual leader, and his amulets are still highly sought after by aficionados, faithful devotees, collectors, and those interested in Thai Buddhism and Thai culture. To this very day, the lineage of abbots of Wat Huay Jorake still make and release Phra Pidta amulets of the Wicha passed down to them through a constant succession in the magical lineage of Luang Pu Nak. The Phra Pidta amulet of LP Nak, is believed to be particularly powerful because it is believed to possess the magical energy of the monk who created it. As Luang Pu Nak is considered a highly respected and powerful spiritual leader, it is believed that his Pidta amulets will always possess his spiritual energy even after his passing, without ever fading. Thew Pidta Mekasit amulet, is considered the most famous and powerful amulet created by Luang Pu Nak.
Background Info on Phra Pidta
Since very early times in Thailand, Pra Pid Ta amulets, as well as Pra Pid Ta in the shape of Pha Yant and Bucha sculptures, have been made as objects of adoration and protection. Using the Buddhist sculpture and art that was accessible at the time, the artisans of that era developed a variety of styles and interpretations. Various Buddhas, Bodhisattvas, or Deities are fashioned into the posture of Pra Pid ta, or Pid Tawarn (meaning “closing the orifices”), to create the Pid ta posture (‘Pid Ta’ means “covering the eyes”). Pid Tawarn can seal 7, or 9 orifices (the number 7 is referred to as Pra Pid Sadtatawarn, while the number 9 is known as Pra Pid Navatawarn). The Phra Pidta amulet, also known as “the closed-eye Buddha,” is believed to bring blessings of protection, good luck, and wealth to the wearer.
The Phra Pidta amulet, represents a meditating monk entering into the state of Nirodha. Nirodha is the third of the Buddha’s Four Noble Truths and it refers to the attainment of the cessation of suffering. In Buddhist teachings, Nirodha is understood as the state of being where all mental defilements, such as ignorance, greed, and hatred, have been completely eliminated. This state is reached through the practice of meditation and the cultivation of wisdom, and it is considered the ultimate goal of Buddhism.
The third of the four noble truths according to Buddhist tradition is defined as Nirodha Sacca (also spelt Nirodha Sacca in Pali; Nirodha Satya in Sanskrit). Sacca denotes “truth” or “reality,” whereas Nirodha means cessation or extinction. Therefore, the translation of nirodha sacca is generally “truth of cessation” or “truth of the cessation of suffering.” It explicitly refers to the cessation of Dukkha (suffering) and its causes; the resultant experience is defined as nirvana. Nirodha can indicate a variety of things, such as release, cessation, extinction, the end of dukkha, and “control or restraint.” The cessation of all unsatisfactory experiences and their causes in a way that prevents them from occurring again is what Nirodha Sacca means. It is their elimination, complete absence, cessation, and ceasing from existing.
The image of a meditating Buddha entering Nirodha, is representative of the amulet’s ability to bring peace and block out all forms of inauspicious events and bad luck. It is believed that by wearing the Phra Pidta amulet, the wearer will be protected against all dangers and black magic. The amulet is believed to have the power to block out negative energy and to protect the wearer from harm. Famouls for their Kong Grapan, Metta, Klaew Klaad, and Maha Lap Magic.
Kata Pra Pid Ta
Namo Puttassa Kawambadtissa Namo Tammassa Kawambadtissa Namo Sangkassa Kawambadtissa Sukha Sukha Warang Na Mo Puttaaya Ma A U Tugkhang Anijjang Anatta Jewa
A Documentation of the Dtamra, behind the The Miraculous Pong Solos Maha Prohm Sacred Muan Sarn Powders of LP Tim Issarigo, of Wat Laharn Rai
Amulets made from the legendary Nuea Pong Solos Maha Prohm Sacred Powders of Luang Phu Tim Issarigo, are renowned for their sacredness, with all models being extremely rare, and highly favored by high-end collectors of sacred amulets. The Muan Sarn Sacred Ingredients used for these immensely rare amulets, was gathered and donated to Luang Phu Tim, by Ajarn Pathom Aaj Sakorn, of the Baan Kaay Co-Operative. The powders were empowered by Luang Phu Tim, using the Wicha Solos Maha Prohm, which is an extremely complex and difficult Magical Wicha to accomplish and Master, resulting in only a few Masters over the ages having managed to successfully manifest this kind of Magical Empowerment.
The Wicha Solos Maha Prohm is composed in part by the inscription of spells using Agkgara Tamma Khom-Lao (Khmer-Lao Magical Sanskrit), within a Sacred Geometrical Design, using the powders as ‘Pong Lob’, to inscribe hundreds of spells within the pile of powder, laid on a blackboard (written by erasure). The Wicha Maha Solos Maha Prohm, invokes the 16 Angelic Beings of the Heavenly Realms, the 15 Kinds of Earthbound Sacred Spirits, the 14 Deities of the Bodhala Underworlds, and the Deities of 21 Brahma Dimensions, where the Bhagava and Sudhavasa Brahmas dwell, to endow the amulets with Blessings.
The Muan Sarn ingredients used for Pong Maha Solos Maha Prohm include;
Pong Solos Maha Prohm of Luang Phu Sri Tat of Wat Dork Gaew in Nakorn Phanom, Solos Maha Prohm Powders from Yogi Hareb (Ajarn Cheun Jantra Paetch), from India, the Legendary Pong Nava Lokuttara (9 Unworldly Powder) of the Great Luang Phu Sonti of Wat Ta Dork Gaew in Nakorn Phanom, Pong Solos Mongkol Pitsadarn of Luang Phu Hiang of Wat Aranyikawas in Chonburi, Pong Na Bad Talord Dtai Gradan of Luang Phu Bun Mee, of Wat Po Sampant (Famous for its Classic Edition blessed by LP Tim and LP To (Wat Pradoo Chimplee), Pong Radtana Mala from Ruesi Sandtajidt (‘Tan Chao Prakhun Pra Ariya Kunasarn’ otherwise knwn as Luang Por Seng Bpusso), of Wat Khaio Suan Kwang, in Khon Khaen.
Pong Jet Jantr Paen, and Pong Prohma Lok (Brahma World Powders) of Pra Ajarn Wang Thidtasaro, of Phu Langka, Pong Samputta Hongsa of Pra Ajarn Fan Ajaro (Sakon Nakorn), Pong Sandta Nakae (7 Naga King Head Powders), which is a powerfully prepared Yantra Powders using Numerology and Gematria found within the Kampir Wicha Trinisinghae, using Pong Lob Yantra Powder Inverted Inscriptions according to the formula of Jet Koon Jet Harn (Multiply 7 Times and dissolve 7 Times = 7 by 7 repetitions, and divisions/encryptions of the Magic Spell). This spell seals the Magic of the Ongkanakae 7 Naga Kings’ powers within the Muan Sarn, through invocation of the Kata Chant ‘Bot Puchong Boripadtra’.
Additional ingredients included; Pong Bailan Sacred Grimoire Parchment Soot, from 108 Ancient Sorcery and Buddha-Magic Tomes in various Magical scripts such as Agkhara Khom, Mong, Pali, Sanskrit (Devanagari), and in Aksorn Tam Isan. The powders were made by burning the Grimoires in a fire, and performing recitations of the Dhamma in Buddhist Chanting. The soot is then collected and used as a sacred Powder.
Din Khuy Pu 108 Ruu Pu (sacredly empowered sand from the holes of 108 beach crabs, considered a powerful type of substance).
Earths from the tops of mountains where no foot has ever been set before, collected by Monks and Ruesi on Tudong Wilderness Wandering Practice.
Funereal and Cemetery Earths from 4 Spirit Dwelling Monastery Graveyards.
Sacred Black Rice from Ancient Kru Hiding Chambers, discovered in Buddhist Relic Stupas.
Rang Hmaa Raa Bpid Bpid Pragan (Magical Mimic Hoverfly/Ceriana wasp Earthen Nest Powders)
Klai Sema Paed Tidt Temple Boundary Wall Residue from 8 directional points around the temple.
Gabin Wan Bod La-Iad (108 finely ground Herbal Substances).
Pong Bpathamang, Puttakun, Ittijae, Dtrinisinghae 5 Sacred Yantra Powders, mixed with Pong Tat Tang See 4 Elements Powders, using Herbal Lacquers.
Luang Phu Tim Issarigo, of Wat Laharn Rai, was one of the Top Masters of the Twentieth Century, world famed for his powerful Sacred Powders, especially the Pra Khun Phaen Pong Prai Kumarn, Look Om Prai Kumarn, and other Pong Prai Kumarn Amulets, Takrut, Carved Images & Talismanic Charms. Recent times have seen the uncovering of more documentation about the grand pantheon of his amulets, till yet unheard of except by the older locals of Ban Kaay, and devotees of Luang Phu Tim. This has caused a grand resurgence of interest with devotees, curators, and high end Thai amulet collectors. Luang Phu Tim’s amulets are extremely favord and sought after for their Metta Maha Niyom, Maha Sanaeh, and Maha Lap Maha Pokasap Magical properties.
Pra Kroo Pawanapirat, or, commonly known as Luang Phor Tim Issarigo, was born on the 16th May in the year 2422 Buddhist Era, This was during the time of His Majesty King Rama 5. Luang Phor Tim was born in Ban Hua Tung Ta Budtr in Tambon Lahan, in Ban Kaay Municipality of the Province of Rayong. LP Tim lived to the age of 96 years old, when he passed away on the 16th October in the year 2518 BE, with 69 years of ordained life behind him.
Pra Khun Phaen Pong Prai Kumarn Nuea Wan Plai Dam Pim Bai Sema Amulet – Luang Phu Tim Issarigo, Wat Laharn Rai (Rayong)
This amulet, is a classic original Khun Phaen Bai Sema early era design, which is extremely rare, and known only to those who have studied the amulets of Luang Phu Tim with great fervor, and to those older devotees of the area around Wat Laharn Rai. This amulet comes with Certificate series No 1449 of the 11th August 2562 BE Luead Ban Kaay Luang Phu Tim Amulet Conservation Association Meeting. The amulet was entered for certification, but not competition, due to lack of other competitors with the same amulet (This was the only one in the whole show).
This exhibit allows viewing of all the fine details of the design, and is visibly authentic to the naked eye. The Muan Sarn Sacred Powder Clay is Highly Attractive to the Eye. An amulet of great beauty, and rarity, and in the highly preferred, and rare to find black Plai Dam powders, for serious collectors/devotees of the amulets of Luang Phu Tim. Perhaps a once in a lifetime chance to find this extremely rare Pim Bai Sema.
This exhibit is in excellent condition and well kept, with highly refined details and features, and most certainly worthy of show in the allocated competitions of its genre. The surface texture of the Muan Sarn Sacred Powders has developed the classic fluffy appearance that reveals high Pong Prai Kumarn content within the black Pong Wan Plai Dam Sacred clay.
Our proprietor Ajarn Spencer, states that this is the first and only exhibit he ever managed to find, during his years collecting and studying in the Chonburi-Rayong area around Wat Laharn Rai, and that he considers it perhaps the rarest one he has had to seek out. This Pim is a very well preserved exhibit, of a highly sought after Pra Niyom Master Class Amulet, that is now extremely rare to find, since the massive revival in interest in Luang Phu Tim’s amulets, after the truth of his early amulet editions, and the now famous Pra Khun Phaen Pong Prai Kumarn 2515 BE Edition ‘forbidden history’ amulets were revealed to the Public.
Most of the amulets of Luang Phu Tim which were previously untalked of, and unheard of, due to lack of documentation till recently, have been snapped up during recent years, since their dramatic discovery and appearance in the international public eye.
It is very rare to find Luang Phu Tim’s Nuea Wan Plai Dam black powder Khun Phaen amulets, because many people take a great preference to the appearance of the Khun Phaen in black color, and more so, because of the famously powerful magic found within Pong Plai Dam Black Sacred Magical Earths, which is also mysteriously magnetic. Nuea Wan Plai Dam is known for both power of attraction, and Kong Grapan invincibility magic.
This all-time classic Pra Khun Phaen Pong Prai Kumarn of the Great Luang Phu Tim, of Wat Laharn Rai, is one of the most famous amulets of all time, and highly renowned for its true power to bring prosperity, good business, power of attraction, and mercy charm to the wearer. The reason this amulet became so world famous and popular, even in the time when Luang PhuTim was still alive, is because everybody who owned one, recounted that business and personal success and prosperity had increased constantly and steadily since wearing the amulet.
Luang Phu made other editions throughout the years, and most definitely made between 2505 BE, right up to his passing in 2518 BE. The early era and especially the 2515 BE Pra Khun Phaen Pong Prai Kumarn edition, are now the most preferred of all, overtaking the 2517 BE ‘Block Raek’ series, which is now considered by most to have been made by conmen. We must however add, that the official document of permission signed by Luang Phu Tim for the Bangkokian Association Owners, did list all the famous amulets we know from this edition, but that the Pra Khun Phaen was not on the list, and omitted. This means that Luang Phu gave permission for them to make (and take most back to Bangkok with them to monopolize).
We believe that Luang Phu Tim began making amulets at least 35 years before he passed away (which would be around 2483-2485 BE), as most Master Monks begin distributing their amulets around age 50 if not long before (usually long before), and it is not credible to believe the Bangkokian Monopolists, that Luang Phu Tim only made Pra Khun Phaen amulets in 2517, the final year before he passed away (Impossible!). This is underlined by the fact that there is photographic evidence that Luang Phu Tim was already a notionally acclaimed Master, invited as one of the 245 top masters to bless amulets in the Wat Prasat 2506 BE 4th biggest blessing ceremony in the history of Thai Buddhism, and many other important ceremonies in the years from 2500 BE onwards.
It is hence impossible that if Luang Phu Tim was already being asked to assist with other Great Masters ike Luang Phu To Wat Pradoo Chimplee, Luang Por Jong, Por Tan Klai, Luang Por Ngern Wat Don Yai Horm, and the like, that he would not already have attained fame for empowerment with his own amulets beforehand. It is merely that the bangkokian Monopokist showroom owners and book publishers, only first ever heard news and traveled to Wat Laharn Rai when it was already almost too late, in the final year of Luang Phu’s life. This is also proved by the fact that these Bangkokian 2518 BE-Only monopolists publish books showing Luang Phu Tim’s first edition Samanasak Monk Coin, from 2510 BE, as he was given a Royally Decreed Title of Pra Kroo, which is an act of State Recognition of his merits and a raising of status to be a Royally Accepted and Decreed Monk.
Hence, if Luang Phu Tim was elevated to a Royal Decree status in 2510 BE, and count were made to celebrate the occasion, how can the Bangkokian Monopolists dare to claim that Luang Phu Tim only ever made amulets in 251`7, and that the only Pra Khun Phaen he made were in 2517, the last year of his life. This makes no sense, considering, the reason the Bangkokians sponsored the 2517 BE edition, was because Luang Phu’s fame for his mastery of Wicha Pra Khun Phaen Pong Prai Kumarn had reached their ears.
For it to reach their ears sitting on their butts in Bangkok, it seems to have taken at least 17 to 35 years at least for them to actually get the wax out of their ears. Lazy traders in lazy seats in lazy Bangkok showrooms. They do not travel all the time, and they were not at the temple of Wat Laharn Rai through all the years Luang Phu was there. These Bangkokains merely turned up in Luang Phu’s final year and sponsored an edition, and used book publishing to suppress knowledge of the previous editions they never got to monopolize (by buying them all and waiting till they get rare, sitting on them to speculate).
The Pra Khun Phaen Pong Prai Kumarn is a preferred choice of both the wise investor and devotee, as well as the perfect choice for those Devotees who seek the immense power of Luang Phu Tim’s now Legendary amulets. The Muan Sarn Sacred Powders of the Khun Phaen Pong Prai Kumarn Luang Phu Tim, are renowned for their power, made from the skullbone of a Hoeng Prai. Luang Phu Tim’s Pra Khun Phaen Pong Prai Kumarn, Pim Yai, and Pim Lek amulets are amongst the rarest and most highly sought after amulets in Thailand, and are very difficult to encounter, due to having been made in small number editions, which is nowhere near enough to provide for the masses of devotees around the world who seek such an amulet as this.
One can see a very fluffy and rich texture of the clay visibly on the surface of the amulet, in reaction with the Muan Sarn Sacred Powders. It is a part of the amulet appreciation society expert’s method of authentication to examine and study the appearance of how the Muan Sarn Sacred Powder develops in surface texture, tonality and porosity of the surface, as well as the appearance of Luang Phu Tim’s famous Pong Prai Kumarn which rises up and through the surface.
We ourselves feel that all of Luang Phu Tim’s amulets are equally Sacred and Powerful in their own way, regardless of which edition or which temple he blessed them at, but we do, as do all Amulet Appreciation Fanatics, recognise the categories of preference within the hierarchies of different editions, which is for us one of the more subtle and fascinating parts of the study of high end amulets within the collector scene, and part of the fine art of learning how to recognise and value Sacred Amulets of High Preference and Rarity.
The Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim amulet, has has been one of the most popular amulets in the whole Pantheon of Thai Buddhist Amulets of the last century, and of all time, and is now almost impossible to encounter commonly anywhere in any amulet emporium, except for the most elite showrooms, and at elevated prices. This Pra Pra Khun Phaen Pong Prai Kumarn Pim Bai Sema, is even rarer than the Pra Khun Phaen 15, and a highly desirable exhibit, that is among the rarest amulets in the pantheon of this master.
The Sacredness of the Pra Khun Phaen Pong Prai Kumarn is legendary and unquestioned in Thailand, and its magical power is commonly accepted by all. The Muan Sarn Sacred Powders of the Pra Khun Phaen Pong Prai Kumarn are considered to be amongst the most powerful powders to empower amulets in existence. This amulet is a wonderful opportunity for devotees who seek the true power of a world class amulet from a world class Master-Monk, and a wonderful Ongk Kroo reference study exhibit to peruse under the eye loupe. The amulet is a perfect and authentic study material, to train the eyes as to the appearance of the Muan Sarn and Surface textures of the Classic amulets of Luang Phu Tim Hence, the amulet is also a perfect ‘Ongk Kroo’ reference study material for students of the Pantheon, and will increase your chances of spotting an essential rarity at the right price, and without danger of risking a fakery.
The making of the Muan Sarn Sacred Pong Prai Kumarn powders Luang Phu Tim, came from the Wicha which Luang Phu had inherited through apprenticeship form one of his high Kroo Ba Ajarn, Kroo Ba Sangkh Tao, who was also his true Uncle. Part of the formula included Pong Prai Maha Phuudt, which was made from the Skull of a male Kumarn who died in the Womb, and who died on a Saturday and was cremated on a Tuesday. This is part of the ancient Khmer Necromantic Formula for Authentic Powerful Prai Occult Magic, as practiced in Ancient Times. It is said that Pra Kroo Sangkh Tao’s Wicha Akom was so powerful that when he spat on the floor, the floor would crack where his spit would fall.
Due to the fact that Monks are not allowed to seek and find this Sacred and Extremely Powerful Necromantic Substance, Luang Phu would perform Korb Kroo Initiation for protection against Black Magic and the Phuudtaa Spirit Phantoms, so they could go forth to seek and find the substances to donate to him for the making of the Pong Prai Kumarn. The Initiated Lay Devotees and Apprentices to his sorcery, would then wait for the news of the right circumstances of death of Kumarn Ghosts, and go out to collect the substances and prepare them as instructed with the Wicha. They would seek the permission of the relatives of the dead, to obtain the substances to enable the ghosts of the deceased to receive merits to free them from their Karmic residues by donation of their mortal remains to be made into amulets.
They would receive the ceremonial ritual liberation of their souls from Luang Phu Tim, who would speak with the spirits of the dead to receive their acknowledgement for the process of transformation through the Nibbana Sutra, and the Muan Sarn would then be prepared according to the Dtamra Saiyasart of Necromancy, to make the Pong Prai Kumarn.
Luang Phu instructed his apprentices and the relatives of the Funerals to take care not to incinerate the whole skeleton, but to keep the skulls to bring to Luang Phu to use them for the making of the Pong Prai Kumarn. This is one of the reasons why his Pong Prai Kumarn is so powerful, because it does not contain the skeleton bone powders, rather, only those of the skulls. As a result, Luang Phu Tim’s Pong Prai Kumarn has been recorded by experience of devotees to posses the highest Maha Pokasap Power of all Pong Prai Kumarn ever made, with Immense Metta Maha Niyom and Klaew Klaad Power, to induce Mercy Charm, Attract Lucky Fortunes (e.g. Lottery Winnings), and to Protect from Deadly Accidents and Disasters.
Luang Phu Tim Issarigo, is of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders. Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Khun Phaen Pong Prai Kumarn, and Look Om powder balls. As to the classic ‘Rian’ type coin image amulets which have become all time favorites, and eternally, world famous classic amulets of the high end variety. His Rian Jaroen Porn, and Rian Nakprok Paed Rorp are among the most highly sought after coin amulets of all.
Since his passing, his devotees and apprenticed monks, have now become the world’s top living masters for the making of Pra Khun Phaen Pong Pra Kumarn, and literally dozens of encyclopedic books, have been printed, documenting both this great master monk, and his classic amulets of high esteem. Buddhist monk coins with his image and others with Buddha images and other deities and imagery are amongst the most highly collected amulets and most expensive of all of the great Luang Phu Tim. He has various direct lineage apprentices, Who are continuing to progress and spread his most powerful and world-famous Wicha.
Of all of these masters, certainly the most famous, preferred and highly respected Looksit, was Luang Por Sakorn, of Wat Nong Grub, who is also now deceased, and whose amulets are fast becoming just as highly sought after. Following this Master one could possibly estimate the great Luang Phu Sin, of Wat Laharn Yai, Luang Por Rat of Wat Pha Hwaay, Luang Por Foo of Wat Bang Samak, and Pra Ajarn Somkid, of Wat Beung Tata (Rayong).
Presenting a rarely-seen Master-Class Amulet of the Great Luang Phu Hmun; the Muan Sarn Sacred Powders Variety, the Pra Sivali Ruay Tan Jai Pim See Liam Hlang Yant – Nuea Pong Puttakun Pasom Wan 2543 BE. Only about 3000 amulets were made in this series, which considering the popularity of Luang Phu Hmun’s amulets and the passage of time since their release, means that almost all of them already reside with devotees who refuse to part with them.
This is hence, a rare chance to admire the highly prized limited edition Pra Sivali Hlang Yant amulet. of LP Hmun Tidtasilo (Wat Ban Jan), in Nuea Pong Pasom Wan. This is a very perfectly well preserved exhibit, which was released during the famous 2543 BE ‘Ruay Tan Jai’ (Rich as Your Heart Desires) edition, at Wat Pha Nong Lom.
The front face of the amulet depicts Pra Sivali (also called ‘Pra Chimplee’ in Thai Buddhist Etymology), carrying a Glod Umbrella and Alms-Bowl, on Tudong, wandering through the forest.
Pra Sivali LP Hmun 2543
The Rear Face of the amulet has a Sacred Yant embossed upon it, with the Sacred Kata Hua Jai Heart Mantra of Pra Sivali, in Ancient Khmer Sanskrit (Khom); ‘NA CHAA LEE DTI’. Below the Yant, are the four elements invoked, with the syllables ‘NA MA PA TA’
Yant on Rear Pra Sivali LP Hmun 2543
Luang Phu Hmun was born in the year 2437 BE, and was ordained as a young boy aged 14 into the Sangha, as a Samanera Novice. He was later then ordained as a fully fledged Bhikkhu, when he came of age, in the year 2460 BE. He remained Ordained throughout his life.
Luang Phu Hmun was a Maha Thaera Guru Monk of great age and who received Great reverence and Respect from the people of Tambon Ban Jan for his Diligence and Purity in practicing the Vinaya as a Buddhist Monk.
His predictions and instructions for ceremonial empowerment of amulets after his physical death, have been followed to the letter since his passing, for he gave special instructions to inform as to when and how he would return with his spiritual presence to empower amulets posthumously.
His Miracle Powers are Legendary, with so many stories of Miraculous events related to this Monk, who has seen the Reign of Five Kings in his Lifetime. For this reason he is known as the ‘Pra Maha Thaera Ha Phaen Din’ (Great Senior Master-Monk of 5 Kingdoms)
Luang Phu passed away. on the 11th March of the year 2546 BE, at the age of 109 Years old, after 87 years in the Sangha, serving Buddhism throughout almost his complete lifetime.
It is said, that just before the moment of his passing, LP Hmun was heard to recite these words;
“Whoever wears my amulets, and has an ethical life andf profession, will see their assets increase steadily, have luck and good fortunes in Busines. Gain fame and respect in the profession, and high likeability socially. The Devas will smile kindly upon you and protect you, and point the way forward to success and happiness.
But these blessings will only come to those who do good, think good, and have good intention, and respect the Buddhist Precepts”.
The word ‘Hmun’ means to turn and increase (revolve). Luang Phu Hmun always foretold that those who Bucha his amulets, would turn their luck and fortunes around, and increase their Business Success.
Luang Phu is known to have foretold. that those who Bucha his amulets will be protected from ‘Dtaay Hoeng (premature deadly accidents), and that the Devas will Protect the wearer of his amulets.
Bucha to Luang Phu Hmun. should be performed on a Thursday, and should include offerings of;
16 Incense stick, 2 candles (lit), white flowers, or one puang malai garland.
Hmak Plū Betel-Areca Nut with chewing paste (5 or 16 portions).
A glass of sweet drink such as fizzy drinks,
One roasted catfish, some rice or sticky rice, or fermented rice, or even steamed rice pudding.
Kam Ārātanā Buchā Luang Phu Hmun Tidtasīlō
Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa
Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa
Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa
Luang Phu Hmun Tidtasīlō Ma A U Luang Phu Hmun Tidtasīlō U A Ma
Kata Bucha Luang Phu Hmun
Dtua Gū Lūk Pra Putta Ongk Krū Sit Tudong Ong Āj Mai Bpramāt Krū Pob Roi Gom Dū Jer Krū Grāb Hwai
Presenting an extremely well preserved, finely detailed, and immensely Rare amulet of the Great Luang Por Jong of Wat Na Tang Nok; Pra Nang Kwak Loi Ongk statuette, for powerful ‘Kaa Khaay’ Business Success, ‘Maha Sanaeh’ magic to Attract Customers, ‘Maha Lap’ Lucky Fortunes, and ‘Metta Mahaniyom’ Mercy Charm. The amulet is cast from Sacred Bronze (Samrit), and is styled in ancient fashion, forged using ancient alchemy.
The Nang Kwak amulet of Luang Por Jong, is an immensely rare acquisition for the true Devotee of Luang Por Jong, and an irresistible exhibit for any truly avid collector of this Master, and for those who seek the perfect amulet to increase their business earnings and customers, and improve their charm, business and social skills.
Luang Por Jong made amulets between the years 2483, to 2507 BE, after which Luang Por passed away in the year 2508 BE. Luang Por Jong, was one of the previous generation of attained Masters, of National and International Fame. The Mae Nang Kwak amulets of lp Jong are considered amongst the top 5 Mae nang kwak amulets of all Masters, along with Luang Phu Bun (Wat Klang Bang Gaew), Kroo ba Chum (Wat Wang Mui), Luang Por Te (Wat Sam Ngam), and Luang Por Im (Wat Hua Khao)
Known for his Kong Grapan Chadtri Klaew Klaad protective amulets handed out to soldiers during the Indochina Wars. His Pla Tapian Maha Lap Kaa Khaay amulets are also renowned for their ability to instigate good commerce and prolific sales quotas with sales persons.
Luang Por Jong was one of the Great Guru Masters of the Ayuttaya Province, whose powers of Kong Grapan Chadtri, Klaew Klaad, and Maha Amnaj Serm Yos Magic was highly favored with high ranking officers and successful leaders of Adminstrative Professions. He was famous for many different amulets, and released many, including the Takrut Hnaa Phaag Suea (Tiger Forehead Skin Yantra Scroll), the Pla Tapian Koo, and his Many Sacred Powder Amulets, such as this Pra Somdej Bailan from the Indo-China War Era.
His Guru Monk Coin amulets are highly sought after and revered, and have a well documented ‘Dtamra’ (Catalogue of the Pantheon), allowing for collectors to easily authenticate and research the origins of these amulets. His Magic Ring Amulets, Pra Somdej and other Sacred Powder Votive Tablets, and Powerful Takrut are famous as they are rare to find. Luang Por Jong’s Pla Tapian Maha Pokasap Lap Kaa Khaay Gold-Silver Fish amulets, are also renowned worldwide, for their ability to instigate good commerce and prolific sales quotas with sales persons.
The Legend of the Ghost Soldiers
Thailand sent nearly 40,000 volunteer soldiers to South Vietnam to serve alongside the Free World Forces in the conflict, but unlike the other foreign participants, the Thais came armed with historical and cultural knowledge of the region. Blending the methodologies of cultural and military history, as well as their mysterious Buddha-Magic, as was seen by the foreign soldiers who saw the Thai Military wearing amulets, who were shot down, and who stood up again unscratched, and continued fighting as if they were bulletproof. This caused the alliedf forces to give the Thai Soldiers the name ‘Taharn Phii’ meaning ‘Ghost Soldiers’. This legend became well known and talked about with the western allies, amny of whome beseeched their Thai allies to bring them to a master monk for protective amulets for themselves.
Luang Por Jong is counted along with the other Great Masters Luang Por Jong (Wat Bang Grabao), Luang Por Chaeng (Wat Bang Pang), Luang Por Opasi (Asrom Bang Mot), Luang Por Kong and Ajarn Chum Chai Kiree, as well as the temple of Wat Sutat, to have provided the most powerful miraculous amulets to the Thai Military to protect them from danger and death during battle. The Thai volunteers in their wartime encounters with American allies, were often seen to be hit by bullets, and stand up again unhurt, which caused the Thai soldiers to earn the nickname ‘Taharn Phii’, meaning ‘Ghost Soldiers’.
Luang Por Jong of Wat Na Tang Nok was one of the great Guru Masters of the Ayuttaya Province, in line with the Great Luang Por Parn of Wat Bang Nom Kho, and is one of the Great Masters who assisted the Thai Military with powerful Kong Grapan Chadtri and Klaew Klaad amulets during the Indochina Wars. Luang Por Jong was a Highly Attained Master in both Worldly Deeds of Goodness and Self Renunciation, as well as in the Dhamma Path. His Great Fame and Honorable Status has survived more than half a century, and who is remembered as one of the Greatest Masters of His Time, and as one of the Greatest Masters of the Ayuttaya Lineage.
Luang Por Jong was born with the name ‘Jong’ into a farmer family in the village of Na Mai, in Bang Sai Municipality, of the Province of Ayuttaya. HIs Father was called my Yord, and his Mother was called Mrs. Khlip. Luang Por Jong had two younger siblings (one brother and one sister). His younger brother was called Nil, and his little sister was called Bplik, who was the youngest of the three. It is not known exactly which date Luang Por Jong was born, for there is no official documentation of his birth. But it is stated in his family lineage, that he was born during the time that King Rama 5 was ruling Siam, on a Thursday of the year of the monkey on the 8th Lunar Phase. This, when calculated from knowing the Year of Monkey during the Reign of King Rama 5, within Luang Por Jongs childhood, would mean he would have been born on the 6th of March 2415 BE. During his childhood he displayed strong leanings to remain in solitary, and even when his parents would take him to the local Lige theatre shows, he would distance himself from the crowd of spectators and watch from a distance. He was never one to socialise or look for attention. Luang Por Jong was ordained in 2435 BE at Wat Na Tang Nork temple in Ayuttaya, and was given the ordained name of Jong Puttassaro with the Abbot of Wat Na Tang Nork as his Pra Anusawanajarn (Luang Por Po). Luang Por Po noticed that Luang Por Jong, despite being weak of body and prone to illness, was excellent in his mental capacity and learned the Khom Agkhara Sanskrit perfectly in a very short time. It became noticed by the local devotess and by Ajarn Po himself that Luang Por Jong was showing wisdom and ability in Wicha Akom Sorcery that was far beyond his age.
In no time at all, Luang Por Jong was given every single facet of the Wicha from his Kroo Ba Ajarn Luang Por Po, and became a Master Sorceror in his own right, and a great Dhamma Practitioner and Teacher to the local Folk. His trajectory followed on from that, and he never stopped advancing, becoming one of the Greatest Sorceror Monks of his Era, until his passing in the year 2508 BE. Luang Por Jong remains one of the most famous Masters of Indochina Wartime Era for his Powerful Kong Grapan Chadtri, Klaew Klaad, Maha Lap, Kaa Khaay and Metta Maha Niyom Magic.
Thai Version of Nang Kwak
There is also the Thai Occult Legend of Nang Kwak, which gives a different account of the origins of Lady Nang Kwak, which goes like this;
Nang Kwak is the daughter of ‘Phu Jao Khao Khiaw’ (meaning ‘Grandfather Lord of the Green Mountain – Khao Khiaw could also mean ‘Green Horns’). Phu Jao Khao Khiaw was a Lord of the Jadtu Mahaa Raachiga realm (one of the lower levels of Heaven – an Asura realm of giants and monster beings). His other name is ‘Pra Panasabodee’, and he is the Lord of the forest and places where wild plants grow. In that time, there was an Asura demon called Taw Gog Khanag (otherwise known as ‘Taw Anurach’). Taw Gog Khanag was a good friend of Phu Jao Khao Khiaw, who had been attacked by ‘Pra Ram’ (the name of Rama in the Thai Ramakian – adapted from the Indian Ramayana Epic), who had thrown a Gog tree at him which pierced his chest and carried him through space to be pinned to the side of ‘Pra Sumen’ (Mount Meru). In addition, Pra Ram cursed him with the following magic spell; ‘Until your descendants weave a Civara monks robe from lotus petals, and offer it to Pra Sri Ariya Maedtrai (Maitreya – the future Buddha), your curse will not be lifted’.
After this, Nang Prajant, the daughter of Lord Gog Khanag (Taw Anurach) had to serve her father, spending the days and nights trying to weave a Civara robe from lotus petals, in order to have it ready for offering to Pra Sri Ariya Maedtrai, who will descend to become enlightened in a future age from now.
Because Lord Gog Khanag had to remain cursed and pinned to Pra Sumen, his daughter was in a pretty dire state without her father to help run things.
Because she had to spend all her time weaving the Civara, she had no time to go sell things or make money, nor time to run a shop. When Jao Khao Khiaw heard the news of this, he felt compassion, and sent his daughter Nang Kwak to go stay with her as a companion. Because of the ‘Bunyarit’ (power of her great merit), Nang Kwak caused merchants and rich nobles from around the area to flock to Nang Prajants home and bestow gifts of gold, silver and money on them. Nang Prajant became wealthy and led a comfortable life.
Nang Kwak statues are a very sacred and ancient tradition of Deva worship which Thai Buddhists adopted from Brahmins as they immigrated and came to stay in Siam, long before Buddhism had got a foothold. Due to this, Ajarns of Ancient Times created ‘Kreuang Rang’ (magical effigies) in the likeness of a lady with a shoulder mantle, sitting and beckoning with her waving right hand, inviting you to come and buy her wares. The statues were dressed in the traditional costume, and the Masters would make offerings and chant in meditation, until the statues hand began to wave back and forth, which was the signal that the ritual was successful and complete. Nang Kwak is seen to be prayed to (Bucha), as an altar statue, and also as an amulet, and Pha Yant (Yantra Cloth), and sometimes as powder amulets, and lockets.
A Rare Loi Ongk Pra Pid Ta Thaan Sung (high Dais) Buddha Image Statuette amulet, in Nuea Pong Kluk Rak, with hand inscribed Yant Putto, and Khom Inscriptions, from the Great Luang Por Dam, of Wat Mai Nopparam, in Naratiwat Province, in the deep South of Thailand on the Malay border. Luang Por Dam was the first apprentice in the Wicha of Pra Pid Ta Magic, to the Great Luang Por Kron, of Wat Bang Sae. This exhibit differs from many, in the fact that it has had red Rak Chart Jeen Boran coated on the base.
The Pid Ta is made using the very same Muan Sarn Sacred Powders admixture, empowerment, and inscriptions, as those of the Great Luang Por Kron, and the Pra Pid Ta of Luang Por Dam himself, have now become legendary in their own right, and stand alone on their own merits as Pra Niyom master Class Category amulets.
Highly revered and collected by Looksit (Devotees) of his Mentor Luang Por Kron, a Buddhist Master Monk from Malaysia. Luang Por Kron was Abbot of Wat Bang Sae in the province of Kalantan.
He made many Pid Ta amulets which were so very preferred (‘Niyom’). It is said in Thai Amulet circles that, in the same way that we prefer the Pra Somdej Wat Rakang as a Niyom amulet, so, in Malaysia and even Singapore, the Pra Pid Ta of Luang Por Dam, and his Mentor Luang Por Kron, became just as sought after and beloved. Malaysians know Luang Por Dam very well, for his temple is very close to the Malaysian border in Naratiwat, which is one of the reasons LP Dam was able to be a close accomplice of LP Kron, and receive and continue his Wicha.
The Pra Pid Ta amulets of Luang Por Dam of Wat Mai Nopparam, have become ever more comparable and popular to those of his Mentor and Wicha Inheritance Kroo Ba Ajarn Luang Por Kron, for the fact that Luang Por Kron’s amulets are almost impossible to find anymore these days, and the Pra Pid Ta of Luang Por Dam have hence become the favored alternative, for they are considered to possess the magic of both Masters.
Below; Luang Por Kron – Wat Uttamaram (Kalimantan Malaysia)
As to Luang Por Dam’s Mentor, LP Kron, Malaysian Buddhists do not often call him Luang Por Kron as Thai people do, rather ‘Tok Racha‘, which means something similar to Thailand’s top Royal Monk always being called ‘Pra Sangkaracha’.
It is said that despite the fact that most of the surrounding households in the vicinity of Luang Por Krons temple were Muslim, that he earned their respect, and was an honored person. He was not called Luang Por Kronby Malays, as we call him in Thailand, rather, was named ‘Tok Raja’, which means ‘ as equal to the Sangha Raja’ .
The reason for this comes from a legend that the daughter of a powerful Sultan of Kalantan was cursed with a black magic spell, which caused his mind to become strangely affected, and even doctors and psychologists could not help to cure him, and even the Muslim witch doctors could not break the spell with their magic.
But Luang Por Kron was able to heal her, and return her to sanity. This caused LP Kron to recieve great respect from the Sultan who then gave him the honorary name of Tok Raja. His most preferred amulets are the Pra Pid Ta, which were mostly hand made molds, in Muan Sarn Sacred Powders with Lacquer (Nuea Pong Kluk Rak), some very few in carved wood, and a very few are sometimes seen in carved ivory.
Luang Por Kron began making Pra Pid Ta amulets sometime around the year 2480 BE onwards, mostly making hand molded clay models, resulting in each one having a very original appearance, some with very wide legs, others less so. Most were made in Nuea Pong Kluk Rak herbal powders with lacquer mixed into the clay, and hand molded, to form an inimitable effect that has made his Pra Pid Ta amulets so original in design.
Many of his hand molded Pid Ta do not have a dais and have very wide legs, whereas others have a more standard form with inscription, and less wide legs, and usually with inscriptions of Unalome and Yant on the surface of the image. His other highly preferred amulets among devotees, are the Rian Roop Dork Jik 1st edition coin of 2500 BE, and the second edition coin, the Rian Roop Khai of 2505 BE.
A Top Master-Class amulet, from LP Dam, first apprentice of Malaysia’s Greatest Master of the Wicha Pra Pid Ta
The Pid Ta can be used as a Loi Ongk Statuette on the altar for Bucha, or be worn as an amulet encased. This exhibit is highly recommended to use for altar worship, as it has a wide sturdy base, and is fitting for placement on flat surfaces.
The Commonly called “Palad Khik carved wooden phallic amulet in Nuea Mai Paya Ngiw Dam, is extremely aged, from the mid-late era of the great Luang Por Ee, of Wat Sattahip, is one of the rarest and most highly valued Palad Khik Worldwide, and a Top Preferred Masterclass Talismanic amulet (Circa 2480). Luang Por Ee amulets are now nearly impossible to come by. He is well-known for his Monk Coins (posthumous editions) 2473, 2485 (still alive), and 2504, 2511, and 2515, but also his Palad Khik amulets, Hmak Tui, Takrut, and Pid Tawarn amulets. His Palad Khik and Pidta, as well as his Magical Wicha, are used to create carved wooden, natural substance-based, and Alchemical metal amulets.
Many people believe his amulets are among the most powerful of all Palad Khik. This Palad Khik is a perfectly preserved exhibit from LP Ee’s mid-late era, powerfully blessed amulet in sacred black Ngiw tree-wood, from one of the Greatest Masters in Thai Amulet History, that can only be described as an Ultra-Powerful, and highly desirable ancient amulet of LP Ee.
Luang Por Ee was a Chonburi Region Gaeji Ajarn Guru Monk and one of the Great Olden Days Masters of Thai Buddhist History. His amulets are both rare and popular among Thai Buddhists, particularly in Central Thailand.
Wat Sattahip is the temple that Luang Por Ee built with his own hands in the year 2442 BE, which is now well over a Century ago, and Luang Por Ee was the temple’s first Abbot when it was built. Luang Por Ee was well-known for his abilities in Samatha meditation and Vipassana mindfulness practices. He could enter, continue to remain in, and leave the Kasina and Jhanic mind states at will, as well as change his inner state of consciousness, to dwell in whichever state was appropriate for the practice.
Palad Khik LP Ee Wat Sattahip
He stood out for his skill, which was noticeably superior to that of his Sangha peers, and for his impeccable behavior. This was due to his ability to elevate his mind above the vedhana (emotions) and not allow them to flood his mind with anger, sadness, stress, suspicions, and all the other manifestations of emotional and mental impediments and hindrances that arise within the psyche of an ordinary unpracticed human being. He was able to extinguish negative emotions or afflictive emotions due to cold, heat, hunger, thirst, aches and pains, and self-created mental worries. Luang Por Ee is known to have never complained about anything or expressed dissatisfaction with anything. Even while he was sick, he never complained, moaned, or groaned, or even told anybody. He would always remain in the same peaceful, state of balance. Luang Por Ee acknowledged the value of a good education and built the Rong Rian Ban Na Sattaheeb public school for the citizens of Sattaheeb.
Throughout his vocation, Luang Por Ee produced numerous amulets and occult talismanic charms, including his legendary Palad Khik, which is considered co-leader of the status of top Palad Khik of all time, along with the Palad Khik of Luang Por Hluea. His Takrut, along with his Suea Yant (Yantra Shirts), Rian Kanajarn Monk Coins, Pra Pid Ta, ‘Pra Sam’ (Pra Tri Gaay), and ‘Pra Prohm See Hnaa’, are among the rarest and most pursued talismans (4 Buddhas in one votive tablet).
Pra Pikanes Haeng Kwam Samrej Pim Yod Nam 2543 BE Edition Thai Sacred Amulet, for success prosperity, and removal of obstacles, form the great Luang Phu Hmun (Often also spelled Luang Pu Moon), of Wat Ban Jan, in Nuea Pong Gon Krok multicolored gold embellished Gammagarn model, in teardrop shape.
This series of amulets were made in 2542 BE, from extremely powerful admixture of Muan Sarn powders, with long empowerment sessions performed over a whole year by LP Hmun, in preparation for later release at the temple of Wat Sap Lam Yai in Lopburi. This model with Jivara Monk’s Robe attached and gold coating, can be considered to be an excellent acquisition that is almost impossible to find these days in its gammagarn special version.
The Pra Pkanes was released with many other models of amulets, which were made for different goals, but passed through the same ceremonies. A very large Putta Pisek (Buddha Abhisekha) Blessing Ceremony was performed during the release at Wat Sap lam Yai in 2543 BE. Luang Phu Hmun himself was particularly fond of the Pikanes Yod Nam amulet, and was heard to have said that he found it to be very beautiful, and that it had very powerful Muan Sarn Powders within the Sacred Clay, and would ave power for a very long period of time, for lucky fortunes, success in one’s endeavors, prosperous business and professional advancement through removal of obstacles.
The amulets of this edition were made using Chanuan Metals and Muan Sarn Sacred Ingredients from a large number of over 350 Great Buddhist Master Monks which Luang Phu had collected over the decades, and which the first apprentice Looksit Aek of LP Hmun (Pra Ajatn Dtua) has kept safely stored during Luang Phu’s Tudong Travels, and mixed by Ajarn Dtua. The edition was released to assist Wat Sap Lam Yai construct a Sala Hall, and a large statue of Luang Phu Hmun was also made and installed in the temple in his honor, as a great sponsor, curator, and guardian of temples like Wat Sap lam Yai,
LP Hmun was also famous for helping Wat Pha Nong Lom, and many other temples he helped to build and restore using his great fame and powerful amulets to raise funds. Ganesha or, as we say in Thai ‘Pra Pikanes’ is the Deity for removal of obstacles and attainment of success. Pra Pikanes has many different forms, with different meanings. he may have four, six, eight, twelve or even fourteen arms in Idia, but is often depicted in Thailand with only two or four arms.
Pra Pikanes may carry any of a number of 57 different Cosmic weapons or regalia in his hands. Ganesha has many different Emanations and Postures, but the most Common Traditional Posture of Ganesha, is four armed with Whip Goad, Ritual Axe, an Om in the palm of raised hand, and Fruits as consumable offerings. The Posture and combination induces not only the removal of obstacles and success, but also wealth and plentiful treasures and possessions and well being. The hand wielding an axe, is a symbol of the retrenchment of all desires, bearers of pain and suffering. With this axe Ganesha can both strike and repel obstacles. The goad restrains all inner and outer enemies. Ganesha, in his 4 four armed form, symbolizes his status as the universal ruler and establish his power over the four categories of beings – those who can live only in water, those who can live in water and on earth, those who can live only on earth and those who can fly in air.
Significance of four : It was God Ganesha who instituted the four castes and the four Vedas. One hymn in Sri Bhagavat Tattva , says: ‘In heaven, this child will establish the predominance over gods, on earth over men, in the nether world over anti-gods and serpents’. He causes the four ruling forces of the elements to move, for which he has four arms. You can use the Chants to Ganesha (Pikanes) to empower the amulet, and to beseech blessings, to attract, and improve your profession, charm, wealth, status.
Short Kata Pra Pikanes
Om Sri Kanesa Na Ma Ha (Three Times)
Pray to Ganesha to remove any obstacle that may be preventing you from succeeding in your goals, be they amorous, financial, professional or social goals. Ganesha helps you in all these areas of life.
Thai Kata for Chanting Daily to Pra Pikanes
Om Pikanesuan Sitti Bprasittimae Mahaa Laapo
Tudtiyambpi Om Pikanesuan Sitti Bprasittimae Mahaa Laapo
Dtadtiyambi Om Pikanesuan Sitti Bprasittimae Mahaa Laapo
Kata Bucha Pra Pikanes (Thai Brahman Pali Adaptation)
Ongaarapintunaathang Ubp-Bpannang Prahm-Mano Ja Into Pikanesadto Mahaa Taewo Ahang Wantaa Mi Sappadtaa Sittigijjang Sittigammang Sittigaariyang Bprasitti Mae
Chant this 3, 5, 9 or 108 Times
Amulets from Wat Sap lam Yai editions are far and few between to come by, and were (and are) never really advertised or marketed, so most people, apart from local devotees, and students of LP Hmun would ever get to hear about any releases, which have always been rare. Only specialized collectors and students of the amulets of LP Hmun know the full pantheons, despite the fact that LP Hmun Wat Sap Lam Yai amulets are very well known by the public as being amulets from LP Hmun of Wat Ban Jan (most people think all editions were made directly at Wat Ban Jan, and do not know of Wat Pha Nong Lom or Wat Sap Lam Yai).
But the Pra Pikanes LP Hmun, regardless of whether the devotee knows which temple the final release and blessing was or not, has become a very preferred and favored amulets since its release, because of the success people had with it, and the rumors which spread by word of mouth from those who wore one and had successes. The amulets were Released in 2543 BE Traimas Ceremony celebrating 100 years Anniversary of Luang Phu Hmun, but, for correct and accurate documentation, were also passed through a preceding Buddha Abhiseka on the 5th of December 2542 BE, for the ‘Som Pratana’ edition amulet series, with a large number of Great Master Monks attended the Ceremony, including some Internationally Famous Names noted for their diligent Patipatā and Powerful Magic. Blessed in the Som Pratana Ceremony of 2542, and again during release in the Traimas Edition of 2543, BE.
This amulet is a Niyom Class edition, for the presence of the 350 Monks who donated a plethora of Sacred Powder Muan Sarn ingredients, which were used in the 2542 Som Pratana Release.
Because of the twin Blessing Ceremonies, this amulet is sometimes classed as ‘Som pratana’ edition, and by other devotees as the ‘Traimas 43’ Edition. Either way, both terminologies are accurate, for the amulet was passed through both ceremonies.
Luang Phu Hmun’s amulets are now very hard to come across. his amulets are becoming very rare, and prices have risen constantly since his passing, snapped up by the inner circle of devotees and collectors, who know about the attainments of this Monk, and that there are severe reasons to believe that he may have been an Arahant. His amulets are eminent members in the annals of the Classics. Made from the Muan Sarn Sacred Powders of over 350 Great Kanajarn Guru Masters, and Pong Chompoo Nuch which Pra Ajarn Dtua had gathered over decades, for the purpose of making powerful amulets. The edition was created by Pra Ajarn Samh Pās Mangkala Sangko (Ajarn Dtua), who tells that he needed many decades to collect the powders, which Luang Phu Hmun Gathered and brought back with him after ever Tudong Forest Wandering Journey.
Luang Phu Hmun made his special empowerments of Metta Maha Niyom and Choke Lap Magic, over the powders given to him from Pra Ajarn Dtua (Primary Inheritance Apprentice to LP Hmun, and also to the Great Luang Por Guay, of Wat Kositaram). Both the Pong Wised powders from the 350 Gaeji Ajarn Master Monks, and Luang Phu’s Pong Chompoo Nuch were given to Luang Phu Hmun for primary empowerment before they were mixed and pressed into amulets. This Gammagarn version uses Sacred Clay from all colors of Muan Sarn which were used in different models.
Note; the remainder of muan sarn from these special powders used in this edition, continued to be empowered, even after the release of this edition. By the year 2544 BE, the special powders used in these amulets were in truth passed through a total of 5 ceremonies of empowerment from Luang Phu Hmun, making all following editions also extremely popular.
Below; Pra Ajarn Dtua of Wat Sap Lam Yai
The 5 ceremonies were; 1. In 2552 BE the Muan Sarn was blessed during the ceremony of the Pra Kring Hiranyarach amulets. 2. 2553 BE repeatedly Blessed in the Som Pratana edition. 3. LP Hmun performed blessing of the powdders during his yearly Traimas Wai Kroo Ceremony at Wat Sap Lam Yai. 4. In 2544 once again, LP Hmun empowered his powders for further editions during the blessing ceremony for the Ha Phaen Din aha Som Pratana edition series amulets.. 5. 2545 BE LP Hmun performed his final empowerment during the Song Nam Ceremony to bathe the Buddha during Songkran at Wat Sap Lam Yai in Lopburi.
Hence. all subsequent editions of amulets from Wat Sap lam Yai as of 2554 BE, made from sacred powders contain Muan Sarn blessed in 5 different ceremonies, those released in 2554 BE blessed in four ceremonies, 2553 BE releases contain two powerful ceremoniual blessings, and 2552 BE series amulets contain one Buddha Abhiseka blessing with LP Hmun always performing at least 3 months of nightly empowerment each year over the powders. The Muan Sarn used for this series of amulets was very extensive, and powerful in its composition, containing a horde of rare magickal ingredients; 1. Pong Muan Sarn Ud Pra Kring, 2. Lek Lai Pratat 500 Arahant, 3. Pra Tat Khaw, 4. Hngorn Paya Nak, 5. Gaew Khon Hlek 6. Paetch Na Tang 7. Pong Lek Lai Ruesi 8. Pong Lek Lai Ngern Yuang 9. Pong Tabai Lek Nam Pi 10. Rae Lek Nam Pi Hlai Paetch Dam 11. Pong Lek Ta Raed 12. Kote Hlek Lai See Ngern Yuang 13. Khee Lek Lai 14. Lek Lai Yoi 15. Lek Torahod 16. Hyok pan Pi 17. Rae Bang Pai 18. Pong Tanabadtr Gao 19. Khamin Hin Hmeun Pi 20. Khaw Dtok Pra Ruang 21. Gaen Mai Sak 22. Hin 160,000,000 Pi 23. Look Mani Kote. 24. Kot Kala 25. Kala Ta Diaw 26. Kala Mai Mee Ta Maha Ud 27. Mapraw Look Krok 28. Galabangha Din 29. Din Bpoeng 30. Din Klang Jai Mueang 31. Nam Saksit Holy water from 76 Holy Shrines 32. Takrut Khaw Sarn Hin 33. Kot Hoi 34. Sai Sek 35. Pong Pra Kroo Taep Loke Udorn 36. Pong Luang Phu Doo 37. Pong Luang Phu Hwaen 38. Pong Jitlada 39. Pong Pra Bilan,
40. Pong Pra Tukadta Wat Plab 41. Pong Prai Kumarn Luang Phu Tim wat Laharn Rai 42. Pong Luang Phu Gaew Wat Kruea Wan 43. Paeng Sek Luang Phu Yoo Wat Sai Yoeng 44. Pong Luang Por Mian Wat Po Gop Jao 45. Broken amulets of Luang Por Mee Wat Mara Wichai. 46. Broken amulets of Kroo Ba Kam Saen Wat Tat Maha Chai 47. Khao Kwang Kut 48. Chan Hmak Luang Por Dam EWat Ta Tong 49. Din Wised Lueang 50. Three Hundred Kinds of Samun Prai Herbs 51. A Hundred Drops of Holy Water of Luang Phu Hongs Wat Petchburi 52. Din Wised Khiaw 53. Rae Ngern 54. Rae Tong 55. Rae Nak 56. Pong Toop Somdej Wat Rakang 57. Pong Toop Wat Gaes Chaiyo 58. Pong Toop Luang Phu Tuad Wat Chang Hai 59. Pong Toop Luang Por Chaem Wat Ta Chalorm 60. Pong Toop Luang Por Jaran Wat Ampawan 61. Mae Lim Gor Nia 62. Pong Toop San Jao Por Suea. 63. Pong Toop Wat Leng Nae Yee 64. Pong Toop Wat Tai Hong Kong (China) 65. Pra Boroma Saree Rigkhatat 66. Hin Pra Tat Khaw Sam Roi Yord 67. White Pratat Sivali 68. Golden Pratat Sivali 69. Pratat Gaew Khwan Fa Pha Nuea Hin Sip Hok Gon (Vitrified Element from 16 Lightning Struck Stones) 70. Khaw Sarn Hin Hmeun Pi (10,000 year old petrified rice) 71. Khaw Sarn Dam Pan Pi (1000 Year Old Black Rice) 72. Pong Mani Ratana 73. Kote Lek Lai 74. Rae Koh Lan 75. Lek Yoi, 76. Look Mani 77. Kote Uga Mani Meteorite 78. Petrified Sacred Treewood 79. Petrified Flowers.
80. Hin Khiaw Hanuman 81. Khamin Khaw Plueak Hoi 75 Lan Pi 82. Mai Ngiw Dam 83. Kot Pluak 84. Look Tanu Kon Tan 85. Rae Sai Ngern 86. Rae Sai Tong 87. Pong Nga Chang 88. Nga Chang Dtaay Prai 89. Nga Chan96.Pongg Graden 90. Powdered Diamonds 91. Broken Rubies from Chantaburi Mines 92. Old Powders of Wat Rakang 93. Pong Luang Por Koon Wat Ban rai 94. Pong Luang Por Pae Wat Pikul Tong 95. Pong Luang Por Phern Wat Bang Pra 96. Pong Luang Por Kong Wat Bang Gaporm 97. Pong Luang Phu Nin Wat Kara Buri 98. Pong Luang Por Yid Wat Norng Jork 99. Pong Luang Por Chern Wat Koke Tong. 100. Pong Luang Por Kasem Khemago Sussaan Pra Trailaks 101. Pong sam Roi Gaeji (Collected Mixed Powders of 300 Great Monks) 102. Powdered Broken Somdej Wat Rakang amulets 103. Pong Pra Wat Pak Nam 104. Pong Tabai pra Kring Wat Sutat 105. Chan Hmak Luang Por Nin Wat Kara Buri 106. Paeng Sek Luang Phu Buddha 107. Chan Hmak Luang Por Mian Wat Po Jao. 108. Pong Ya Wasana Jinda Manee Luang Phu Bun Wat Klang Bang Gaew 109. Ya Wasana Jinda Mani Luang Por Perm Wat Klang Bang Gaew 110. Nam Man Nga Sek Luang por Kong Wat Khao Sompochana 111. Nam Man Nga Sek Rae Bang Pai 112. nam Man Plai Dam 113. Admixture of Holy Water from many dozens of Great Monks and City Pillar Shrines 114. Din Kakyayaks 115. Din Pra Mae Toranee 116. Din Wised Khaw 117. Dork Pai 70 Pi.
118. Gaesorn Roi Paed (one hundred and eight pollens)
119. Wan Roi Paed (one hundred and eight herbal powders) 120. Samun Prai Roi Paed (one hundred and eight medicinal magical herbs) 121. Pong Bpathamg 122. Pong Trinisinghae 123. Pong Ittijae 124.Pong Maharach 125. Pong Nava Horakun 126. Rae Aathan Phu Khao Kwai (Sacred Elemental Substance from the Mountains of Laos). 127. Pong Ruesi 128. Pong Tham Gai Lon 129. Pong Bailan Kampir Kata 130. Pong Tham Ma Rong 131. Pong Tham Nern Maprangk 132. Pong Gao Ayuttaya 133. Pong Gao Dhavaradi 134. Bai Sima Ayuttaya 135 Pong Khud Sathaan Saksit 135. Pong Plew Tong Kam 136. Takrai Bote 137. Takrai Vihara 138. Takrai Pra Prangk Sam Yord 3 Chedis Stupa Powders 139. Takrai Kampaeng Mueang Gao 140. Din Nern pra Arahant 141. earths from the Birthplace, Enlightenment Place of the First Sermon, and Place of Entering Nibbana of the Buddha
142. Uposatha Rooftiles of Wat Luang Por Sotorn 143. Uposatha Rooftiles of Wat Pra Putta Chinarat in Pitsanuloke) 145. Rooftiles of the Uposatha and Vihara shrines of the temple of the Emerald Buddha 146. Rooftiles of the Upopsatha shrineroom of Wat Rai Khing 147.Rooftiles of the Uposatha of Wat Bang Pli Nai 148. Rooftiles of the Uposathat of Wat Luang Por Rojana Rit Buddha (Wat Pailom Nakorn Pathom) 149. Roof tiles of the the Uposatha and Vihara shrines of Luang Por Sawaedta Chadtra. 150. Pieces of broken briks of the temple of Pratat Panom in Nakorn Panom. 151. Pieces of the old Chedi at Wat Pai Lorm nakorn Pathom 152. Pieces of the relic and the Chedi at Wat Pratat in Nakorn Sri Tammarach, and one hundred and fifty Chedi Stupas of the Province 153. Pong Tabai Sangkawanorn 154. Pong Look Gaew Sam Duang Luang Por Prohm Wat Chong Kae
155. Pong Gaew Chompoo Luang Phu Doo Wat Sakae 156. Popng Tai Kan Luang Por Kloi Wat Tham Khao Ngern. 157. Pong Luang Phu To Wat Pradoo Chimplee 158. Pong Luang Por Daeng Wat Sri Maha Po 159. Pong Luang Phu Tong Rit Wat Pha Chantanimit 160. Pong Luang Por Oat Wat Jan Sen 161. Pong Luang Por Surasiang Wat Cherng Jan 162. Pong Pra Kru Wat Pha Cherng Jan 163. Lai Kam Dam Lao 164. Jiworn Luang Por Tong Dam Wat Ta Tong 165. Chan Hmak Luang Phu Hongs Wat Petchburi 166. Chan Hmak Luang Por Tim Wat Pra Khaw 167. Chan Hmak Luang Por Put Wat Pha Salawan 168. See Pheung Luang Por Prohm Wat Chong Kae 169. Nam Montr Luang Por Kloi Wat Tham Khao Ngern 170. Sen Gesa Hairs of 39 Master Monks 171. for metallic amulets, Hundreds of Yantra foils from over 300 different masters around the country. Luang Phu Hmun, of Wat ban Jan, Sri Saket, is the Looksit of the Lineage of Somdej Lun of Jampa Sak (Laos). Luang Phu Hmun was a Maha Thaera Guru Monk of great age and who received Great reverence and Respect from the people of Tambon Jan for his Diligence and Puroty in practicing the Vinaya as a Buddhist Monk. His Miracle Powers are Legendary, with so many stories of Miraculous events related to this Monk, who has seen the Reign of Five Kings in his Lifetime.
Luang Phu Hmun’s amulets are now very hard to come across. His amulets are becoming very rare, and prices have risen constantly since his passing, snapped up by the inner circle of devotees and collectors, who know about the attainments of this Monk, and that there are severe reasons to believe that he may have been an Arahant. His amulets are eminent members in the annals of the Classics. This Gammagarn version of the Pra Somdej Paya Hongs Tong, can be considered to be an excellent acquisition of the Pantheon of LP Hmun, that is almost impossible to find these days in its golden special version, with Jivara robe and Sacred Yantra.
You can hear further information including a lot of some of the sacred Powders of Major Importance used in the making of the 2542 BE edition in the below podcast by Ajarn Spencer Littlewood, which features a visual Narrative of the making of the Muan Sarn, in a talk about another preferred amulet of this series, the Pra Somdej Hwaek Man of LP Hmun.
Kata Bucha Luang Phu Hmun
Luang Phu Hmun Tidtasīlō – Ma A U Luang Phu Hmun Tidtasīlō U A Ma
The World Famous Hun Payont amulet, of Ajarn Loi Po Ngern, Great Ayuttaya Master and direct lineage continuance of the Wicha of Luang Por Glan of Wat Prayatigaram. The Hun Payont of Ajarn Loi, are said to be the number one Hun Payont amulets of all time, and are the most sought after and desired items by devotees of this kind of amulet. Unfortunately, the amulets of this great olden days Master. Perhaps the number one Hun Payont in Historical Documentation, ancient and highly reputed for its power, the Hun Payont of the Great Ajarn Loi Po Ngern, Great Olden Days Lay Master of the Ayuttaya Province.
Ajarn Loi was born in the month of February 2454 in Nakorn Sawan, but later moved to live in Bang Prahan in Ayuttaya. He became the apprentice of Luang Por Glan of Wat Prayat. After the passing of LP Glan, Ajarn Loi continued his practice of Magic with Luang Por Bpaen of Wat Sao Tong Mai in Ayuttaya.
Ajarn Loi learned many Wicha with Luang Por Bpaen of Wat Sao Tong Mai, who was well versed in Wicha Saiyasart, but Ajarn Loi himself was also Adept in Artisanry of the Chang Sip Moo Fine Arts level of prowess. He thus taught Ajarn Loi all of his Wicha, and methods of weaving the spellbound Hun Payont, Takrut and other amulets, and Ajarn Loi would make them in the finest fashion. Ajarn Loi was a fine artisan of the Chang Sip Moo group, and received Wicha from Luang Por Bpaen, Luang Por Glan, and other masters, but was the most Adept of all at weaving the Hun Payont Golems with his Artistic ability to make the effigies in all sorts of postures, and dress them with all kinds of regalia.
The Hun Payont comes from the word ‘Payont’ which means an effigy that has been brought to life by Sorcerous Magick. Hun Payont may be made in various forms, such as the form of a Human, or some other Magickal creature, or animal, depending on the needs of the user and intended uses of the Adept who makes them. Hun Payont are made from various substances, such as the Hun Hyaa Saan (Hay/Straw), Hun Gan Bai Mai San (leaves), Hun Thao Wan (magical vines), Hun Dtakua (mercurial lead), Hun Khee Pheung (wax), Bai Mai Ta (leaves), Hun Gae Salak (carved wood), Hun Daay (cord wrap), Hun Pha (cloth bound), Hun Din (molded claay), Hun Din Phao (baked clay), Hun Hin (carved stone), Hun Krabueang (ceramic), Hun Poon (cement), Hun Ngern/Tong (silver or gold), Hun Loha (Iron)
The Hun Payont, is an amulet that is found to date back to the times of the Kassapa Buddha. The Kassapa Buddha, is said to have made a Payont effigy, to protect his Relics, before he himself passed into Nibbana.
200 Years Later, King Asoka opened a shrine, to remove and preserve the relics, but the shrine was inhabited by a Hun Payont. King Asoka was forced to invoke and summon the God Indra, who manifested as a Brahman, and performed Incantations, enabling King Asoka to enter and remove the Saririkadhatu Relics.
In the world of Sorcery, all lineages believe in the existence of different kinds of spirits, which can be imbued within effigies or controlled, or beseeched to perform a multitude of tasks.
There are many Animist and Necromantic amulets which use different types of spirits which are Hoeng Prai Ghosts, Devas, Bhuta, Kumarn Tong, Rak Yom, In Jantr, Phu Some, In Gaew, Mae Takian, Ma Hoeng Prai, and many others such asYaksa Monsters, to inhabit an effigy.
Great Adepts are the only ones able to create Hun Payont Golem Effigies, which are then brought to life with Necromancy and imbued with any of a number of kinds of spirits. All Hun Payont must be empowered by a Master who has Mastered the Wicha Akarn Sam Sip Sorng 32 invocationss of the 32 elements within a living being, to make the effigy able to displace itself (move around), and to emit magickal Miracles to protect wealth and possessions within its enclave. If intruders enter, the Hun Payont will create illusions that drive the thieves away, and will also scare away all kinds of demons and ghosts that enter the household to cause any havoc. Hun Payont are very protective of the belonging within the home and for this reason excellent guards.
Hun Payont differ from Kumarn Tong, in the sense that the Kroo Ba Ajarn would give life to the Hun Payont himself without necessity to call upon an existing spirit, whereas a Kumarn Tong is reanimated by calling a Bhuta, a Deva or Child Ghost to inhabit the effigy, to help humans, in exchange for an auspicious rebirth in the heavens after its lifetime within the Kumarn.
The Hun Payont is also renowned to be able to bring wealth and attract good business, and is open to being asked for favors and to perform missions, such as chasing away your enemies. It is also believed to possess Metta Mahaniyom ‘Great Preference’ Magick, which we know in English, as ‘Mercy Charm’, as it is reputed to attract the compassion and favor, of those who approach and interact with you.
According to the ancient tradition, a Hun Payont should be rewarded and appeased through the Gruad Nam water pouring ceremony when performing prayers and Bucha.
Pra Khun Phaen Prai Kumarn LP Tim Pim Yai Niyom Hlang Baeb 2515 BE, rare double sided overlapped twin design model amulet, which was awarded with Authenticity Certificate by the Luead Ban Kaay LP Tim Amulet association, from the Great Luang Phu Tim, of Wat Laharn Rai. This exhibit is predominantly made from Pong Prai Kumarn, Nuea Khaw Hniaw Sukh blessed sticky rice, with Wan Thao Long tinted Blue-green herbal tincture, and Sai Rae Tong Kam golden flakes.
The Pim Yai Niyom Hlang Baeb, is also known by local devotees as ‘Khun Phaen Pim Bpam Sam’, meaning ‘pressed twice’. One can see the image of the Buddha, and the Sacred Yant Grabong Khwai superimposed upon each other on both sides, with the Yant Grabong Khwai being less obtrusive image, than the Buddha on the front face, and the Buddha being less obtrusive than the Yant Grabong Khwai, on the rear face.
When speaking of the Pae Maha Lap lucky goat amulet, there is one name which stands above all others, and that is the name of Luang Por Am, of Wat Nong Grabork, in Ban Kaay Rayong. Luang Por Am was, along with Masters like Luang Por Horm of Wat Sak Hmak, Luang Por Rerm of Wat Juk Gacher, and Luang Por Chaem, considered among the top Masters of the Province, long before even the Great Luang Phu Tim of Wat Laharn Rai acheived his fame. Luang Por Am was the Kroo Ba Ajarn of the Great Luang Por Lat (Wat Nong Grabork), who is famed in his own right for his powerful Pae Maha Lap Hand Carved Goat Amuletsม which he of course mastered under the tutelage of Luang Por Am.
Pae Maha Lap Lucky Goat and other carved amulets of LP Am
The male Goat is known for the fact that it is able to keep a whole herd of dozens of females under his ownership, through merciful and protective influence. It is thus believed that who wears the Pae Maha Lap Khao Kwai Gae Sacred buffalo horn Goat amulets of Luang Por Am, will be an owner and controller of great possessions and wealth, with grand entourage.
Below; Luang Por Am, of Wat Nong Grabork
Luang Por Am, or ‘Pra Kroo Taep Sittaa, was one of the Great Masters of the Central-Eastern Provinces during His Era, and the ex abbot of Wat Nong Grabork from 2431 – 2490 BE. He was rrespected and revered all around the Province, and had Great fame around the Nation for his Powerful Wicha. During his lifetime he became known as the top Master for carved Lucky Goat amulets. What is less known, and is of immense interest to investigate the lineage Wicha of the Pae Maha Lap, is the fact that Luang Por Am himself received this Wicha from Luang Por Dtaeng of Wat Ang Sila.
Luang Por Am was abbot of Wat Nong Grabork between the years 2431 to 2490 BE, being a Gaeji Ajarn of around 150 years ago, and was the Kroo Ba Ajarn teacher of many other great names of the time, such as Luang Por Rerm of Wat Juk Gacher, and Luang Por Lat of Wat Nong Grabork (his successor and apprentice in magick). The Pae Maha Lap Nuea Khao Kwai Gae of Luang Por Am, is believed to possess the power to absorb Black Magick and protect the wearer/devotee from being affected.
It can be said that the Pae Maha Lap of Luang Por Am, Luang Por Lat, and now Pra Atigarn Surasit Akkawaro, the current abbot (written 2562 BE), are considered the ‘cream of the crop’, by serious devotees of the Pae Maha Lap, along with those other Great Chonburi Masters whose names carry fame for this Wicha such as Luang Phu Tim, uang Por Sakorn, Luang Phu Sin.
The Pae Maha Lap of Luang Por Am, was almost always made by carving a goat from ‘Khao Kwai Fa Pha Dtaay’, which is the horn of a buffalo which died struck by lightning in a field. It is an ancient magical belief that the horn of a lightning-struck bull or buffalo has the power of angelic beings in it, for indeed, the angelic beings of the elemental realms who control the weather, are who control these divine forces of Nature.
After the carving of the shape of the goat, Luang Por Am would then empower the Goats with incantations, and invocations of elemental powers and angelic beings, with Buddhist Blessings on top. Sometimes he would immerse them in aromatic sacred oils to consecrate them, mixed with herbal oils made from herbs and vines and flowers of the forest, with magical, healing, protective, and attraction powers. He would rebless them again and again until he felt the amulets were completely stuffed as full with magic as possible, and unable to insert any more. The magic within the amulets was hence always filled to the brim before distribution.