The World Famous Hun Payont amulet, of Ajarn Loi Po Ngern, Great Ayuttaya Master and direct lineage continuance of the Wicha of Luang Por Glan of Wat Prayatigaram. The Hun Payont of Ajarn Loi, are said to be the number one Hun Payont amulets of all time, and are the most sought after and desired items by devotees of this kind of amulet. Unfortunately, the amulets of this great olden days Master. Perhaps the number one Hun Payont in Historical Documentation, ancient and highly reputed for its power, the Hun Payont of the Great Ajarn Loi Po Ngern, Great Olden Days Lay Master of the Ayuttaya Province.
Ajarn Loi was born in the month of February 2454 in Nakorn Sawan, but later moved to live in Bang Prahan in Ayuttaya. He became the apprentice of Luang Por Glan of Wat Prayat. After the passing of LP Glan, Ajarn Loi continued his practice of Magic with Luang Por Bpaen of Wat Sao Tong Mai in Ayuttaya.
Ajarn Loi learned many Wicha with Luang Por Bpaen of Wat Sao Tong Mai, who was well versed in Wicha Saiyasart, but Ajarn Loi himself was also Adept in Artisanry of the Chang Sip Moo Fine Arts level of prowess. He thus taught Ajarn Loi all of his Wicha, and methods of weaving the spellbound Hun Payont, Takrut and other amulets, and Ajarn Loi would make them in the finest fashion. Ajarn Loi was a fine artisan of the Chang Sip Moo group, and received Wicha from Luang Por Bpaen, Luang Por Glan, and other masters, but was the most Adept of all at weaving the Hun Payont Golems with his Artistic ability to make the effigies in all sorts of postures, and dress them with all kinds of regalia.
The Hun Payont comes from the word ‘Payont’ which means an effigy that has been brought to life by Sorcerous Magick. Hun Payont may be made in various forms, such as the form of a Human, or some other Magickal creature, or animal, depending on the needs of the user and intended uses of the Adept who makes them. Hun Payont are made from various substances, such as the Hun Hyaa Saan (Hay/Straw), Hun Gan Bai Mai San (leaves), Hun Thao Wan (magical vines), Hun Dtakua (mercurial lead), Hun Khee Pheung (wax), Bai Mai Ta (leaves), Hun Gae Salak (carved wood), Hun Daay (cord wrap), Hun Pha (cloth bound), Hun Din (molded claay), Hun Din Phao (baked clay), Hun Hin (carved stone), Hun Krabueang (ceramic), Hun Poon (cement), Hun Ngern/Tong (silver or gold), Hun Loha (Iron)
The Hun Payont, is an amulet that is found to date back to the times of the Kassapa Buddha. The Kassapa Buddha, is said to have made a Payont effigy, to protect his Relics, before he himself passed into Nibbana.
200 Years Later, King Asoka opened a shrine, to remove and preserve the relics, but the shrine was inhabited by a Hun Payont. King Asoka was forced to invoke and summon the God Indra, who manifested as a Brahman, and performed Incantations, enabling King Asoka to enter and remove the Saririkadhatu Relics.
In the world of Sorcery, all lineages believe in the existence of different kinds of spirits, which can be imbued within effigies or controlled, or beseeched to perform a multitude of tasks.
There are many Animist and Necromantic amulets which use different types of spirits which are Hoeng Prai Ghosts, Devas, Bhuta, Kumarn Tong, Rak Yom, In Jantr, Phu Some, In Gaew, Mae Takian, Ma Hoeng Prai, and many others such asYaksa Monsters, to inhabit an effigy.
Great Adepts are the only ones able to create Hun Payont Golem Effigies, which are then brought to life with Necromancy and imbued with any of a number of kinds of spirits. All Hun Payont must be empowered by a Master who has Mastered the Wicha Akarn Sam Sip Sorng 32 invocationss of the 32 elements within a living being, to make the effigy able to displace itself (move around), and to emit magickal Miracles to protect wealth and possessions within its enclave. If intruders enter, the Hun Payont will create illusions that drive the thieves away, and will also scare away all kinds of demons and ghosts that enter the household to cause any havoc. Hun Payont are very protective of the belonging within the home and for this reason excellent guards.
Hun Payont differ from Kumarn Tong, in the sense that the Kroo Ba Ajarn would give life to the Hun Payont himself without necessity to call upon an existing spirit, whereas a Kumarn Tong is reanimated by calling a Bhuta, a Deva or Child Ghost to inhabit the effigy, to help humans, in exchange for an auspicious rebirth in the heavens after its lifetime within the Kumarn.
The Hun Payont is also renowned to be able to bring wealth and attract good business, and is open to being asked for favors and to perform missions, such as chasing away your enemies. It is also believed to possess Metta Mahaniyom ‘Great Preference’ Magick, which we know in English, as ‘Mercy Charm’, as it is reputed to attract the compassion and favor, of those who approach and interact with you.
According to the ancient tradition, a Hun Payont should be rewarded and appeased through the Gruad Nam water pouring ceremony when performing prayers and Bucha.
Pra Khun Phaen Prai Kumarn LP Tim Pim Yai Niyom Hlang Baeb 2515 BE, rare double sided overlapped twin design model amulet, which was awarded with Authenticity Certificate by the Luead Ban Kaay LP Tim Amulet association, from the Great Luang Phu Tim, of Wat Laharn Rai. This exhibit is predominantly made from Pong Prai Kumarn, Nuea Khaw Hniaw Sukh blessed sticky rice, with Wan Thao Long tinted Blue-green herbal tincture, and Sai Rae Tong Kam golden flakes.
The Pim Yai Niyom Hlang Baeb, is also known by local devotees as ‘Khun Phaen Pim Bpam Sam’, meaning ‘pressed twice’. One can see the image of the Buddha, and the Sacred Yant Grabong Khwai superimposed upon each other on both sides, with the Yant Grabong Khwai being less obtrusive image, than the Buddha on the front face, and the Buddha being less obtrusive than the Yant Grabong Khwai, on the rear face.
When speaking of the Pae Maha Lap lucky goat amulet, there is one name which stands above all others, and that is the name of Luang Por Am, of Wat Nong Grabork, in Ban Kaay Rayong. Luang Por Am was, along with Masters like Luang Por Horm of Wat Sak Hmak, Luang Por Rerm of Wat Juk Gacher, and Luang Por Chaem, considered among the top Masters of the Province, long before even the Great Luang Phu Tim of Wat Laharn Rai acheived his fame. Luang Por Am was the Kroo Ba Ajarn of the Great Luang Por Lat (Wat Nong Grabork), who is famed in his own right for his powerful Pae Maha Lap Hand Carved Goat Amuletsม which he of course mastered under the tutelage of Luang Por Am.
Pae Maha Lap Lucky Goat and other carved amulets of LP Am
The male Goat is known for the fact that it is able to keep a whole herd of dozens of females under his ownership, through merciful and protective influence. It is thus believed that who wears the Pae Maha Lap Khao Kwai Gae Sacred buffalo horn Goat amulets of Luang Por Am, will be an owner and controller of great possessions and wealth, with grand entourage.
Below; Luang Por Am, of Wat Nong Grabork
Luang Por Am, or ‘Pra Kroo Taep Sittaa, was one of the Great Masters of the Central-Eastern Provinces during His Era, and the ex abbot of Wat Nong Grabork from 2431 – 2490 BE. He was rrespected and revered all around the Province, and had Great fame around the Nation for his Powerful Wicha. During his lifetime he became known as the top Master for carved Lucky Goat amulets. What is less known, and is of immense interest to investigate the lineage Wicha of the Pae Maha Lap, is the fact that Luang Por Am himself received this Wicha from Luang Por Dtaeng of Wat Ang Sila.
Luang Por Am was abbot of Wat Nong Grabork between the years 2431 to 2490 BE, being a Gaeji Ajarn of around 150 years ago, and was the Kroo Ba Ajarn teacher of many other great names of the time, such as Luang Por Rerm of Wat Juk Gacher, and Luang Por Lat of Wat Nong Grabork (his successor and apprentice in magick). The Pae Maha Lap Nuea Khao Kwai Gae of Luang Por Am, is believed to possess the power to absorb Black Magick and protect the wearer/devotee from being affected.
It can be said that the Pae Maha Lap of Luang Por Am, Luang Por Lat, and now Pra Atigarn Surasit Akkawaro, the current abbot (written 2562 BE), are considered the ‘cream of the crop’, by serious devotees of the Pae Maha Lap, along with those other Great Chonburi Masters whose names carry fame for this Wicha such as Luang Phu Tim, uang Por Sakorn, Luang Phu Sin.
The Pae Maha Lap of Luang Por Am, was almost always made by carving a goat from ‘Khao Kwai Fa Pha Dtaay’, which is the horn of a buffalo which died struck by lightning in a field. It is an ancient magical belief that the horn of a lightning-struck bull or buffalo has the power of angelic beings in it, for indeed, the angelic beings of the elemental realms who control the weather, are who control these divine forces of Nature.
After the carving of the shape of the goat, Luang Por Am would then empower the Goats with incantations, and invocations of elemental powers and angelic beings, with Buddhist Blessings on top. Sometimes he would immerse them in aromatic sacred oils to consecrate them, mixed with herbal oils made from herbs and vines and flowers of the forest, with magical, healing, protective, and attraction powers. He would rebless them again and again until he felt the amulets were completely stuffed as full with magic as possible, and unable to insert any more. The magic within the amulets was hence always filled to the brim before distribution.
The Pra Somdej Mongkol Maha Lap amulet series of 2499 BE, was released at Wat Sarnath, in Rayong, to fund the creation and installment of the Pra Putto Pas Chinarat Jom Muni Buddha statue, which was made at Wat Sapmant Wongs, in Bangkok, and donated to be installed at Wat Sarnath, as the Pra Pratan main Central Buddha image within the Uposatha shrine room.
Below; a rare version of Pra Somdej Nakprok Mongkol Maha Lap Nuea Pong Maha Solos Daeng 2499 BE Mae Chee Bun Ruean Wat Awut in Nuea Daeng
Somdej Mongkol Maha Lap Pim Prok Po Mae Chee Bun Ruean Wat Awut.
The amulets were made in various powders, white nuea solos, brown nuea wan, and red nuea wan sabu luead, as well as nuea bailan and other admixtures. Some received the inscription of the Yant Putto, or the Yant Dto Rasamee, of Mae Chee Bun Ruean, and others were left with ‘Hlang Riab’ ‘smooth faced’ rear sides. All versions contain the famous pong Maha Solos Maha Lap (Pong Guubose), which is legendary for its powers
This amulet comes with the existing Stainless Steel Casing – The alternative of Free Waterproof Casing is also an Optional Offer with this Amulet, if you wish to encase with Waterproof Casing at no extra cost.Free Registered Airmail Shipping Worldwide is offered included with this amulet, as is the case with all amulets in Ancient Amulet Store.
There was never a ceremony to invite the Devas so majestic as the ceremony performed by Mae Chee Bun Ruean, which included not only the ubiquitous incenses, puffed rice, flower garlands in 7 different colors, but also a total of 375 Kinds of Food Offerings! The Benja and 9 Saewadta Chadtras offered, 5 sork high (‘sork’being a Thai form of measurement, meaning ‘5 elbows’, slightly over 2 Feet per ‘sork’). Five Golden and Silver Bai Sri were place in offering, also 5 sork high in stature.
The chanting ceremonyn to bless the holy water with the assistance of the attendiing Devas, was then mixed with the sacred powders used for the muan sarn clays of the amulets. Many great and psychically attained monks were invited to empower and bless the sacred ingredients for the amulets, and the amulets themself after their pressing;
1. Pra Prohm Muni (LP Phin Suwajo), of Wat Bovornives Vora Viharn, 2. Pra Worawaet Kunajarn (LP MIan Bpappasaro), of Wat Pra Chetupon Wimon Manghalaram, 3. Pra Maha Racha Manghalajarn, 4. Pra Kroo Winaiton (LP Fueang Yana Bpaheebpo), 5. Pra Sa-Ard Apiwattano, of Wat Sampant Wongs, 6. Pra Kroo Nor, of Wat Klang Ta Ruea, in Ayuttaya, 7. Pra Ajarn Bung, of Wat Mai Nong Sen, and 8. Pra Luang Por Chorp Sammajaree, of Wat Awut Wigasitaram in Thonburi, as well as the prior and later blessings and empowerments made by Mae Chee Bun Ruean Herself.
In Addition, during the Deva Abhiseka, the Ruesi Yogi Ajarn Rerb (Ajarn Chern Jantr Paetch), who was a very powerful and famous Ruesi of the Era, assisted in empowering the amulets.
Then a second empowerment session was performed, with the amulets pressed and placed covered with 7 layers of 7 green and 7 white cloths covering them, placed upon an altar in the center of the shrine room.
Many people in the amulet world have been interested in knowing what was used in the making of the sacred powder admixtures, and so we find it impportant to document and list them in this article, for posterity and study;
1. Sacred Powders from a Host of Great Masters of that Era and Previous Eras, through the lineage of each Master who donated and empowered the powders.
2. Powders from Wat Chetupon, Wat Sri Totsataep, Wat Sampant Wongs(Wat Sampantawongs).
3. Broken powdered pieces of ancient sacred amulets.
4. Powdered up herbal ingredients with magical properties, ground up to make a brownish herbal powder.
5. Earths from 7 Prosperous Ports, and the banks of 7 Sacred Lakes. 6. Powders made from taking ancient Kampir Grimoires of Sorcery (Sacred in themself), of both the Bailan Beige Parchmnent variety, and the Samut Khoi black Parchment variety of Grimoire, and burn them and grind into powders, with 5 repetitions of admixture, adding powders from previous editions of amulets.
6. Earths from sacred Pilgrimage Places of the Life of the Buddha in India, brought back to be used for the admixture, to bring Sacred Buddhakhun Power to the amulets, with earths from the important places of the Buddha’s Life, such as the Buddha’s birth, earths from around the Bodhi Tree where the Buddha’s Enlightenment occurred, the place where he gave his first sermon in Varanasi (the Dhamma Chakra), and earths from the place of the Buddha’s Passing into Nibbana.
7. Earths from important places where the Buddha performed great Sermon, or Important Events in his Life occurred, and which are to this day, all sacred places and shrines to the Buddha.
8. Pong Poon Khaw Hin Rachaburi powders.
9. Sacred Talcs invoked with Negative Space inscribed Yantra Spells.
10. Nam Oy Sugarcane Juice.
The amulets are made from a Muan Sarn Sacred Powders composed of a large variety of sacred clay earths, herbal pollens and powders, and Puttakun powder. Herbs and Sacred ingredients with all sorts of different blessings and powers were added to give a complete range of blessings.
All these Muan Sarn ingredients were ground into fine powders, and separated into different admixtures, and mixed with holy water from the first Buddha Abhiseka and Deva Abhiseka Blessing Ceremony. The amulets were pressed as the Pra Somdej Pra Putta Mongkol Maha Lap (Buddha Manghala), Pra Nakprok, Pra Putto, and other forms such as various kinds of Pra Somdej, Nang Kwak, and other amulets.
Above and beyond this, the amulet is a Sacred Artifact of Buddhanussati, an authentic Sacred Buddha Image Votive Tablet, blessed and made in 2499 by Kun Mae Chee Bun Ruean, in two ceremonies held at Wat Sampantwongs and Wat Sarnath, both Mae Chee Bun Ruean Lineage Temples.
The amulets were handed out to devotees during a later ceremony who came to donate and support the installation of the Putta Sima temple boundary of Wat Sarnath, and many of the amulets were of course held for burial within shrine rooms and Chedi Stupas of choice, for later distribution, or accidental rediscovery long into the future.
This is a common practice with amulets, where they are placed in a hiding place chamber (Kru), or buried under the ground or under the floor of sacred places, as a way of preserving the fact that there was once a Buddha who walked upon this earth. Hiding Place amulets are also stored in Kru Chambers as a repository to use for fundraising by removing a number and distributing them to devotees who donate to the temple (Note; The placement and removal of amulets from Kru for providing a method of creating fundraisers only became a practice during the last century, after Buddhist amulets became a source of fundraising).
According to the written documentation of Luang Phu Tet Nitesago, the Pong Solos powders made by Mae Chee Bun Ruean to make the amulets, were made using the Wicha Prohmasat (Brahma Sastra), which invokes High Brahmas and Ariya Sangha (Enlughtened Beings), of the Sutawas celestial level, to empower the powders. They were made to distribute to devotees, and fund the installation of the Pra Putto Chinarach Jom Muni Buddha statue of Wat Sarnath.
The amulets have become very famed for their miraculous powers, due to many stories of miraculous events connected with devotees and the amulets. Mae Chee Bun Ruean invoked the spiritual Connections of the angelic beings of the Buddhist, Christian and Islamic Faiths to imbue their blessings, to protect people of all religions, who keep the precepts of goodness and abstention from evil acts. The real name of the powders is ‘Pong Maha Prohm Ariya Bodhisattva Phuu Bpen Jao’ (Powders of the Enlightened Brahmas who are Lords of their Existence’).
This was because of Ajarn Seng, who taught and revealed that all three religions, speak of the same one Super-consciousness or ‘God’ (Buddha-hood for Buddhists), but which different cultures over time split and adapted into their own social structures, and changed them according to their needs, but that all three are derived from the same fact that enlightened beings gave teachings to unenlightened humans, and were worshiped for it as messiahs, prophets, or gods, and became founders of these religions.
The great Luang Por Lee is said to have found the 2499 BE Somdej Mongkol Maha Lap so powerful that he basked for some of the broken ones to be given to him to mix into the sacred clay of his famous sacred Pra Bai Po Jak amulets of the 2500 BE 25 Centuries of Buddhism Mega Nationwide Amulet Ceremony.
Pra Bai Po Jakr LP Lee Wat Asokaram
According to the Pra Tamma Khant, all Somdej amulets must be made in numbers of 84,000, but it is rumored that the Pra Putta Mongkol maha lap amulets were made in much less numbers, which is an unconfirmed rumor, and would be dubious considering Mae Chee Bun Ruean’s tendency to be a stickler for proper ritual and adhere to the dtamrta of the Wicha.
The Pra Putta Mongkol Maha Lap amulet is often used as a substitute for the Pra Pong Solos of Luang Phu Tim (much more difficult to find and much more expensive). Luang Phu Tim himself was also invited to perform Nang Prok meditative empowerment on thje amulets, as he was 70 years old. Considered one of the best amulets of the 2500 BE Era of Thai Buddhist Amulets.
Pra Somdej Putta Mongkol Maha Lap various sizes in white Pong Solos Powders.
Another version of the Pra Somdej Putta Mongkol Maha Lap Nuea Solos
Presenting a close up look at a pristinely well preserved and rare Pra Khun Phaen Pong Prai Kumarn, with 6 code stamps on front face, and Pra Somdej indent on rear face, with bronze wanich and sai rae tong kam golden coating. This is a master class Khun Phaen of LP Tim, which won first prize trophy during the August 2561 BE LP Tim amulet competition of the Samakom Luead Ban Kaay Luang Phu Tim amulet association.
This Model is Pra Khun Phaen pok Pim Niyom Sao Mee Sen, in Pink Prai Kumarn Powders with Sai rae Tong Kam golde coating, 6 code stamps on front face, amd Pra Somdej coin impression indented into rear face. this Amulet won first prize trophy during the highly esteemed Amulet competition of the Luead Ban Kaay Lp Tim Amulets association, for its impressive beauty and originality, in the category of Pra Khun Phaen with coin impressions in rear face.
Luang Phu Tim Issarigo, was of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets in his lifetime, amd posthumously, but is also the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders. Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Khun Phaen Pong Prai Kumarn, and Look Om powder balls. As to the classic ‘Rian’ type coin image amulets which have become all time favourites, and eternally, world famous classic amulets of the high end variety. His rian Jaroen Porn, and Rian Nakprok Paed Rorp are amongst the most highly sought after coin amulets of all.
An exquisitely beautiful Pra Khun Phaen Prai Kumarn 2515 BE Pim Yai Niyom Block Tong Hlueang (Block 2) Hlang Dtok Dtaeng Niyom Nuea Chompoo with Khaw Hniaw Suk & Pong Prai Kumarn Ta Bronze Wanich Dtem Ongk, code Sala (crown code stamp), code 3, and quadruple code Pidta embossed on the front face, with the indented image of a Rian Pra Somdej Lor LP Tim embossed into the rear face as an indentation.
Prakam 108 Met Nuea Mai Saksit Dtid Rian Kroo Ba Gaew 2520 BE – a Sacred wooden bead Blessėd Rosary with Guru Monk coin, from the great Lanna Monk, Kroo Ba Gaew Sutto, of Wat Doi Mokkhala, in Chiang Mai. Serm Duang (Good Karma) Maha Mongkol (Auspicious Blessings), Klaew Klaad (Evade Dangers), Maha Lap (Lucky Fortunes)
The rosary has a 2520 BE Rian Roop Muean Guru Monk Coin with the image of Kroo Ba Gaew gazing sideways on the front face, and a Sacred Nam Tao Yantra with Khom Agkhara on the rear face. A highly recommendable item for Buddhanussati and Gurunussati, Meditation, Prayer Counting, Protection and Mercy Charm. Wear as a necklace with amulet of the Guru. and use for counting your prayers and Kata Chants.
Luang Phu Kroo Ba Gaew was trained in his early ordination under the lineage of Luang Phu Mun Puritatto, and is one of the great Kroo Ba Ajarn of the Northern Lanna Region, who was a very close companion of the Great Luang Phu Hwaen Sujjino, of Wat Doi Mae Pang.
Luang Phu Kroo Ba Gaew has somewhat of a mysterious past, because his biography was never officially documented, and Kroo Ba Gaew himself was not prone to talk about himself very much. This of course common with High Arya Sangha who have practiced and attained inner peace, and is in itself a sign of great attainments. Sadly however, this results in little being known about his early life as a monk in the lineage of Luang Phu Mun, leaving us with only a partial knowledge of his Biography.
But the miracles of this Great Monk have been told and retold over many decades, and by word of mouth, Kroo Ba Gaew became a Great Kroo Ba Ajarn of the region, on the merits of Miracles made. It is said, that once during the time Kroo Ba Gaew was still living, a Naga Serpent came up from the underworld near the temple, and was run over by a truck as it slithered across the road, and was hurt. The Naga crawled up to the temple and called Luang Phu Kroo Ba Gaew to come out and heal him with holy water.
Another famous legend is the tale of the three Buddha images in the Mae Nam Ping river, which were embedded in the stream. Luang Phu Kroo Ba Gaew performed a ceremony to invite them to rise up from the waters to perform miracles for humanity, and come to reside at the temple.
The statues rose up from the depths and were able to be transported to the temple, where they reside to this day. It is said these Buddhas can make the rain fall in the proper season to make the crops grow, which is a matter of life and death from many farming communities in the region. The Buddhas are hence extremely sacred for the local devotees, and Kroo Ba Gaew’s miracle of calling them, is perhaps his most famous legend.
Luang Phu Kroo Ba Gaew’s amulets are extremely rare, because he never ever really focused on making amulets of many kinds. he would only release mainly Buddhist amulets such as his monk coins, and ‘Roop Tai’ blessėd monk photos, and items of reverence and practice such as the Prakam Saksit Blessėd Rosary. Devotees of Kroo Ba Gaew like to wear his rosaries with one of his coin amulets attached for prayer and protection of the Guru. HIs devotees are very reluctant to part with their amulets of Luang Phu Kroo Ba Gaew, for they believe them to possess very powerful protection, and bring auspicious blessings.
The Wongarn Pra Krueang Lanna Northern Amulet Appreciation Society have registered the pantheon of amulets of Kroo Ba Gaew as residing within the Dtamrap Pra Krueang Lanna Yord Niyom ‘Top List of Most Preferred Amulets of the Lanna Region’.
Use the Traditional Thai Buddhist Method for Bucha;
1. Chant Maha Namasakara (3 Times)
2. Chant the Trai Soranakom (3 Times)
3. Chant Kata Aaraatanaa Pra Krueang (3 Times)
Kata Maha Namasakara
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Khun Phaen Prai Kumarn Pim Song Pol Yai Takrut Koo No.1000 with Authenticity Certificate Silver Casing Luang Phu Tim. This amulet is one of a batch which was placed in Kru Burial Chamber (Hence ‘Pra Kroo’), and has Kraap Kru midlew, adding to its beauty and sacredness. The Song Pol Yai is said to possess powerful Serm Yos Magic to increase chances of promotion of status.
This amulet (Official registry number #1000) comes with certificate of authenticity from the November Amulet competition of the Luead Ban Kaay Luang Phu Tim amulet association, which we will send with the amulet for you to keep, This Pim Song Pol Yai Long Kru was made both with single Takrut Maha Bpraab, and with twin Takrut Koo Sariga version. This exhibit has a Takrut sariga Koo twin Takrut inserted in rear face.
A most exquisitely beautiful Pra Khun Phaen Prai Kumarn Pim Song Pol Yai (Fak Kru – hidden in burial chamber), in Nuea Khaw Hniaw Sukh Pasom Pong Prai Kumarn Long Sai Rae Tong, with twin Takrut Koo Sariga in rear face, by Luang Phu Tim, of Wat Laharn Rai. This Pra Khun Phaen has been authenticated and issued with Certificate of Authenticity from the Samakom Pra Krieang Luang Phu Tim Luead Ban Kaay Amulet Association of Rayong, with signature of its President Dr. Pisek.
This exhibit has Kraap Kru from dwelling for years within a hiding place Kru Chamber, with highly refined details and features, and worthy of show and is accepted for presentation in many official competitions, such as the Glum Anuraks Pra Krueang Luang Phu Tim Luead Ban Kaay, of Rayong, which is headed by Ajarn Doctor Pisek Sri Sawad, top expert of Luang Phu Tim amulets, and President of the Luead Ban Kaay Amulet appreciation society.
Rian Hmun Ngern Hmun Tong Prakam 18 Met Pim Niyom Lai Mai Mee Pod Block Hnaa Bow Lek Code Ma Nuea Tong Daeng Rom Dam Luang Phu Hmun Tidtasilō Special Limited Edition 2542 BE Edition Pra Niyom class amulet of the Great Luang Phu Hmun (Moon), with code ‘Ma’ stamp, in Bow Lek Block Hnaa Block press Preferred model. The front face of the coin features the image of Luang Phu Hmun Tidtasīlō in ‘Kreung Ongk’ Cameo Bust/Half Torso), with a Bow Ribbon underneath. The ‘Ma’ code stamp in Khom Agkhara is embossed into the face of the amulet to the side of Luang Phu’s right shoulder.
This Pim (model) is a Pim Niyom Lai Mai Mee Pod (no mole on the shoulder) preferred model, and is a Pim Bow Lek (small bow), which is defined and differentiated from the Pim Bow Yai, by the fact that the flares of the ribbon are smaller and do not touch the edges of the borders of the coin, as is the case in the Pim Bow Yai. The Block Prakam 19 Met Pim were pressed using the Block Hnaa (thick block press), whereas the Block Prakam 18 Met were pressed using both the Block Hnaa thick block press and the Block Bang thin block press.
The Rian Roop Muean Hmun Ngern Hmun Tong Luang Phu Hmun amulet, is one of the top Guru Monk Coins of the pantheon of this Great Master Monk, featured in encyclopaedic catalogues of his Pra Niyom (Preferred Class) amulets. The Rian Hmun Ngern Hmun Tong is a ‘Rian Glom‘ round style shape Guru Monk Coin amulet, measuring 3 Cm in Diameter. The amulet is in Nuea Tong Daeng Rom Dam. The rear face bears a treasure sack with the words ‘Hmun Ngern Hmun Tong 999 Larn’ meaning ‘multiply silver and gold to become 999 millions’
The Rian Hmun Ngern Hmun Tong of Luang Phu Hmun was made in various Design Block Presses, and in thicker and thinner version Block Presses. Firstly we should list the Rian Hmun Ngern Hmun Tong Prakam 19 Met (nineteen rosary beads visible on the monk’s robe), and the Rian Hmun Ngern Hmun Tong Prakam 18 Met (eighteen rosary beads on the monk’s robe).
The Rian Hmun Ngern Hmun Tong Block Hnaa 18 Met is a top preferred amulet of Luang Phu Hmun Tidtasīlō, which was blessed in the Pra Kring Jaroen Lap Edition Blessing Ceremony, and which gained great fame due to a multitude of reports of miraculous successes and life saving miracles from devotees who wore the amulet, making it one of the great popular amulets of all time of Luang Phu Hmun, for miraculous powers.
This series of amulets were placed for blessing in the same Buddha Abhiseka Ceremony held for the ‘Jaroen Lap’ edition, with not only Luang Phu Hmun present to perform empowerment and blessings, but also a number of other Great Master Monks.
The Piti Tae Tong Casting was performed on the 30th October 2542 BE, The Buddha Abhiseka Blessing for the amulets was performed on the 31st October in the year 2542 BE at Wat Ban Jan with Meditative Empowerment.
Below; 18 rosary beads visible make this Pim a Pim prakam 18 Met model
Close Up detail of the 18 Rosary beads of the Rian Luang Phu Hmun Ngern Ngern Tong Pim Prakam 18 Met Lai Mai Mee Pod Niyom Preferred master Class Amulet
The Edition included the following amulets;
Roop Lor Loi Ongk Tong Hlueang Rom Dam – Loi Ongk Statuette in Sacred Brass with blackened finish
Pra Pong Roop Muean Nang Dtang – Muan Sarn Sacred Powders amulet
Pra Pong Pid Ta – Muan Sarn Sacred Powders amulet
Rian Hmun Ngern Hmun Tong Guru Monk Coin (Made in Nuea Ngern and Nuea Tong Daeng/Tong Daeng Rom Dam Prakam 19 Met, with a very few made attached to 7 coloured cord with Takrut, and in Nuea Tong daeng/Tong Daeng Rom Dam 18 Met). Very few solid gold coins were made to order, with 500 coins madse in Nuea Ngern (silver), and 10,000 coins were made in Nuea Tong Daeng (plus a few extra made for attachment to 7 coloured cord with Takrut which were not counted).
Thung Pokasap Jaroen Lap 999 Larn Treasure Purse
Pra Somdej Hlang Yant Hmeuk Run Raek – First edition Somdej Muan Sarn Sacred Powders amulet with ink stamp on rear face
Rian Arm Narai Song Krut Guru Monk Shield Coin amulet with Vishnu Avatar Riding Garuda Bird on rear face. Of a total of 10,000 amulets pressed and cast, 2000 of them were given the special code ‘Ma’ limited edition stamp for special release after a second blessing ceremony at Wat Nong Lom. 7500 Coins were given the code ‘Na’ stamp and released at Wat Sutat temple, and a further 500 coins were not given any code stamp at all (for release directly at Wat Ban Jan).
Below; news article about the Jaroen Lap edition (105 years Luang Phu Hmun), with the Rian Narai Song Krut visibly included.
Below; Cover of Encyclopaedic Catalog of the Amulets of Luang Phu Hmun, and below it, the inclusion of various Pim of the his amazing Amulets gracing its pages, including the Rian Hmun Ngern Hmun Tong, and the Rian Arm Hlang Narai.
Luang Phu Hmun was a Maha Thaera Guru Monk of great age and who recieved Great reverence and Respect from the people of Tambon Jan for his Diligence and Purity in practicing the Vinaya as a Buddhist Monk. His predictions and instructions for ceremonial empowerment of amulets after his physical death, have been followed to the letter since his passing, for he gave special instructions to inform as to when and how he would return with his spiritual presence to empower amulets posthumously.
His Miracle Powers are Legendary, with so many stories of Miraculous events related to this Monk, who has seen the Reign of Five Kings in his Lifetime. Luang Phu Hmun’s amulets are now very hard to come across.
Below; Jaroen Lap Amulets of Luang Phu Hmun in the news
His amulets are becoming very rare, and prices have risen constantly since his passing, snapped up by the inner circle of devotees and collectors, who know about the attainments of this Monk, and that there are severe reasons to believe that he may have been an Arahant. His amulets are eminent members in the annals of the Classics.
Luang Phu Hmun Tidtasīlō Ma A U Luang Phu Hmun Tidtasīlō U A Ma
Kata Bucha Luang Phu Hmun
Dtua Gū Lūk Pra Putta Ongk Krū Sit Tudong Ong Āj Mai Bpramāt Krū Pob Roi Gom Dū Jer Krū Grāb Hwai
The word ‘Hmun’ means to turn and increase (revolve). Luang Phu Hmun always foretold that those who Bucha his amulets, would turn their luck and fortunes around, and increase their Business Success. He also foretold that those who Bucha his amulets will be protected from ‘Dtaay Hoeng (premature deadly accidents), and that the Devas will Protect the wearer of his amulets.
Rian Hmun Ngern Hmun Tong Wat Ban Jan 2560 BE
Luang Phu Hmun is renowned for having stated some Mysterious things;
Dtua Gū Bpen 1 Bor Bpen 2 Nai Phaen Din Nī (there is only one of me in this land)
Dtua Gū Bpen Hlek (i am made of iron)
Dtab Gū Bpen Tong Daeng (my liver is made of copper)
Phao Dtua Gū Bor Mī Hmai (in cremation, my body will not burn).
Bucha to Luang Phu Hmun should be performed on a Thursday, and should include offerings of; 16 Incense stick, 2 candles (lit), white flowers, or one puang malai garland. Hmak Plū Betel-Areca Nut with chewing paste (5 or 16 portions), a glass of sweet drink such as fizzy drinks, one roasted catfish, some rice or sticky rice, or fermented rice, or even steamed rice pudding.
This amulet is an extreme rarity and is in pristine condition and highly eligible for show in competition. Considered extremely powerful protection and prosperity magic from this legendary miracle monk, and one of the most well known amulets of his pantheon. A true Pra Niyom amulet of Master Class, for devotees and aficionados of Luang Phu Hmun Tidtasīlo’s amulets, to treasure and wear with confidence of safety and good fortune.
Presenting a very rare amulet just arrived in one of our affiliated stores at Thailand Amulet from the year 2519 BE, the Sing Dto Maha Lap sacred Himapant Lion of Power and Fortuitous Wealth, a Loi Ongk statuette in cast Brazen metal with Gilded surface and series code stamp, from the late great Luang Phu Bua Dtemiyo.
The Sing Dto Maha Lap Loi Ongk amulet is formed as a cast brazen metal Lion of Wealthy Fortunes amulet, and was blessed and released in the year 2519 BE by the Great Pra Ajarn Bua Dtemiyo, of Wat Hlak Sila Mongkol in Nakorn Panom.
The amulet was cast from Nuea Loha Aathan Galai Tong, and is forged in the form of a lion standing and roaring with pride and victory. Each leg of the lion has Sacred Khom Agkhara inscriptions of the Kata Hnun Tat See invocation of the four elements, which is part of the reanimation formula for empowerment of animist charms, which says ‘Na Ma Pa Ta’. A special limited edition code stamp is embossed on the stomach of the lion. The Singto Maha Lap of Ajarn Bua is a very rare item to encounter in this day and age.
Pra Ajarn Bua Dtemiyo was a very highly revered Buddhist Monk of the Nakorn Panom Province, who practiced very diligently, and was known for never speaking much, for he preferred to practice in silence most of the time. He was very famous for his diligence in his practice, and considered to be a ‘Pra Subatibanno’ (correct practitioner with no visible signs of defilement)
Singto Maha Lap Lucky Lion Amulet with original temple box – Ajarn Bua 2519 BE
Luang Phu Bua was a monk who practiced in the lineage of Luang Phu Mun Puritato and Luang Phu Sao, of the Kammathana Tudong Forest Tradition, who received direct teachings from both of these great forest Masters. Ajarn Bua developed his practice by method of Tudong Wandering in the style of his Mentors Luang Phu Mun and Sao, wandering the forests of the northeast Isan country and Laos. He also practiced Wicha under the tutelage of Luang Phu Jantr Khemiyo of Wat Sri Taep, and Luang Phu Rod of Wat Tung Sri Mueang in Ubon Rachathani. he was a very highly revered monk in the Province of Nakorn Panom until his passing in the year 2532 BE. This very rare and unusual amulet is featured on Thailand-Amulet.Com – please click the below image to visit the store and purchase this item from this trusted affiliate store.
Presenting a fully authenticated and Pristine Exhibit of the Pra Khun Phaen 15 Block 2 Amulet series of Luang Phu Tim Issarigo (Wat Laharn Rai), in Nuea Hlueang Golden Yellow Powders, consisting of Pong Paya Wan Dork Tong mixed with Pong Prai Kumarn powders with blesséd sticky rice, and double Takrut Sariga Koo in rear face.
The Khun Phaen is a Pim Yai Nuea Hlueang Fang Takrut sariga Koo Pim Niyom and comes with A4 size certificate of Authenticity from the Luead Baan Kaay Luang Phu Tim Amulet Appreciation Society, with the signature of its President, Doctor Ajarn Pisek Sri Sawad.
This exhibit is particularly attractive for its pristinely well preserved fieatures and clear cut detailed relief, with the classic appearance of Dork Tong Herbal powders with the marbled stonelike texture which arises from the mixture of Pong Prai Kumarn bone powders, and Khaw Hniaw Sukh blessed sticky rice.
In the gallery below, you can enjoy some closeup views of the Muan Sarn Powders and the various visual aspects within the sacred Clay
The Pra Khun Phaen Block Sorng, of Luang Phu Tim (Wat Laharn Rai), or, Popularly now known as the ‘Khun Phaenn Pi 15’, has other names too, depending on which of the many subdivisions the particular Pim belongs to. Some of the more commonly heard of Pim are the Khun Phaen Sum Khad,also known as ‘Khun Phaen Sao Khad’, Khun Phaen Block Tong Hlueang (Gorn Dtok Dtaeng pre-refined version, and Hlang Dtok Dtaeng post-refined version), and so on. But in most cases, all of these refer to the Khun Phaen 15 amulet, and are mere subdivisions for cataloguing and categorisation purposes.
Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim from 2515 BE
The Pra Khun Phaen Pi 15, is in truth a series which includes amulets pressed during the years 2505 BE to 2515 BE, with a vast pantheon of different models and variations, which were only given official release in 2515 BE, but whose making began years before that. For ease of definition, they are all mostly referred to as Pra Khun Phaen Pi 15. It is expected that time will see further subcategorisation as the series is slowly catalogued into different categories.
Pra Khun Phaen Pi 15 4th Prizewinner Luead Ban Kaay Association Meeting
Since the confirmation of the reality of the Block 2 Khun Phaen Luang Phu Tim of 2515 BE, this edition has become one of the hottest prospects of the decade. Now is the time to study and collect, for the near and far future will make the Block 2 Edition as unaffordable as the Block Raek has become in the present day. In fact, the mainstream high end publications and many of the top entrepreneur collectors are now placing them in their showrooms at ever more highly elevated prices, since their general acceptance has become a reality.
Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim
Below; Pra Khun Phaen Pong Prai Kumarn Pi 15 Amulets in the Famous Amata Siam Publication, which focuses on amulets of authenticity and high reputation, and has joined the ranks of those who ‘cheer’ the Pra Khun Phaen, and who are now auctioning and entering the amulets in competitions.
Three major encyclopaedic works have already been released in the last 2 years to catalogue the full pantheon, and the amulets are now beginning to disappear from the streets as the collectors and speculators snap them up and put them away in their safes.
Above and Below; you can see the Khun Phaen Pi 15 already appearing in the famous ‘Amata Siam’ publication. Some showrooms are aldready showing prices of $5000 – $7000 for some models of Khun Phaen Pi 15.
The recent events with confirmed and respected living initiates of Luang Phu Tim coming out to confirm and reveal the full story of the making of the Pra Khun Phaen Pong Prai Kumarn, along with presenting photographic visual evidence of the facts, has served to dispel and doubts or confusion about the reality of the Pra Khun Phaen 15 series. This, and many other conclusive forms of evidence have served to open up the truth and reveal this edition, which has been deliberately, or perhaps through mere oversight, hidden from the public, by a few powerful monopolists for many decades. These same people who once denied the Khun Phaen 15, are now proudly decorating their showrooms with these very same amulets.
The edition has stayed with the local folk, and did not fall only into the hands of the speculators, who have controlled the information available about all the many models which were actually made by Luang Phu Tim. That era is now over, and the Khun Phaen Pi 15 has taken its rightful position amongst the ranks of Pra Niyom amulets of the Tamniab Official Pantheon of Luang Phu Tim. Competitions with all the various models of Khun Phaen 15 and earlier are now commonplace, and proud devotees are entering their amulets into coompetition with great fervour.
Above; Ajarn Pisek of the Glum Anuraks Pra Krueang Luang Phu Tim speaks on National TV to break the News and destroy the Myths about the Pra Khun Phaen Prai Kumarn of Luang Phu Tim (created by Monopolists who only managed to get the 2517 BE edition in their possession, and 1. were unaware of the truth, as well as jealously blocking any editions they did not control, out of greed and prejudice). Luang Phu made other editions throughout the years between 2505 to his passing, with the 2515 BE edition now becoming the most preferred of all, overtaking the 2517 BE ‘Block Raek’ series
Below; A Video Podcast from with Narrative Ajarn Spencer Littlewood explaining a recent News Publication about the Pra Khun Phaen Pi 15
Ajarn Pisek has broken these myths, by revealing that Luang Phu Tim began to make and distribute Pra Khun Phaen in the year 2493 (Year of the Tiger). He then made his second edition in the year 2505 BE, and continuously distributed them throughout until his passing. But that in truth, the old devotees who grew up around Wat Laharn Rai (including Ajarn Pisek), did not wear the 2517 BE so called Pim Niyom edition, rather, that the true preferred edition of the local devotees who we close to Luang Phu, wear and collect the 2515 BE edition as the most preferred edition.
Below; Pra Khun Phaen Pi 15 Pim Yai Block Tong Hlueang Hlang Dtok Dtaeng Niyom Nuea Khaw Hniaw Sukh Long Sai Rae Tong Kam Luang Phu Tim
Below; Ajarn Pisek presents a Khun Phaen Luang Phu Tim Pi 15 amulet to her Majesty Princess Maha Chakri Sirindhorn Prataep Radtana Rachasuda Siam Boroma Rachakumaree
Ajarn Pisek Gives Pra Khun Phaen 15 Luang Phu Tim to Princess Prataep
Below; Pra Khun Phaen Sum Khad (Sao Khad)
Pra Khun Phaen Sum Khad (Sao Khad) – one of the many variations of the Pra Khun Phaen Pi 15
The Block Tong Hlueang was used to press Pra Khun Phaen Pong Prai Kumarn after the Block Hin Meed Gone broke. It was first used before the block press was given fine tuning, and then also again after having been filed down and carved to a more detailed and subtly styled detail, with the first pressings being known as ‘Long Pim Block Tong Hlueang Gon Dtok Dtaeng’. The more refined version was then given the name ‘Block Tong Hlueang Hlang Dtok Dtaeng (Niyom)’. The Block Tong Hlueang press is also known by local devotees of the Era as ‘Pim Sum Khad’ or ‘Pim Sao Khad’, and also other names. All of the different names refer to the very same Pim.
Rear face features of a Pra Khun Phaen Pong Prai Kumarn Pim Sum Khad (Khun Phaen Block Tong Hlueang/Block 2)
After the true Looksit and current mythbusters have revealed the truth, the most preferred edition is now becoming the 2514-2515 BE (Khun Paen 15). The Pra Khun Phaen Pong Prai Kumarn is a preferred choice of both the wise investor and devotee, as well as the perfect choice for those Devotees who seek the immense power of Luang Phu Tim’s now Legendary Pra Khun Phaen Pong Prai Kumarn Pi 15. Since the confirmation of the reality of various previously undiscovered editions of Khun Phaen Luang Phu Tim, and ‘coming out’ of various Looksit Aek (direct initiates of LP Tim who were involved in the making of the Khun Phaen Prai Kumarn amulets between the years 2505 BE and 2515 BE, the amulet world has been taken by storm, and turned upon its head.
Below; Luang Phu Tim is seen with Ajarn Piarn Wit (left), thirtheenth direct initiate of Luang Phu Tim, during the time around 2514 BE when he was helping Luang Phu as a lay practitioner. Ajarn Piarn Wit and various other direct devotees and initiates of Luang Phu have now come out into Public to reveal the facts, for documentation and confirmation.
Luang Phu Tim is seen with Ajarn Piarn Wit (left), thirtheenth direct initiate of Luang Phu Tim
The 2515 BE Block 2 series was the first edition to come to light in this revolution, that was undiscovered by the Samakom Pra and the ‘Chang Ga Buay Puttapanich’ commercial monopolists (self claimed ‘experts’), who forced acceptance of only the 2517 BE edition, and demanded the amulet world should only accept the amulets which they themselves possessed to be classified.
Pra Khun Phaen Pong Prai Kumarn Long Pim (Block 2 Sum/Sao Khad) Luang Phu Tim
One big mistake the Chang Ga Buay Puttapanich and Samakom Pra had made, was to put the name of Ajarn Piarn Wit and Ajarn Sukhothai and other Ajarns such as Ajarn Maeng, into their catalogues and encyclopaedic publications, as being the Ajarns involved in the making of the Khun Phaen Pong Prai Kumarn amulets of Luang Phu Tim. because after the denial of the 2515 BE edition, and statements that Ajarn Piarn Wit was the maker of a later edition in 2517 BE which Luang Phu did not bless were made.
Ajarn Piarn Wit watches Luang Phu Tim perform a blessing on the car of a devotee circa 2514 BE
But then suddenly, Ajarn Piarn Wit came out to speak thorugh this provocation, and provided photographic evidence and official confirmations to show that firstly, Ajarn Piarn Wit was ordained and initiated by Luang Phu Tim in 2514 BE, and assisted in the ,making of the 2515 BE ‘Sao Khad Block 2’ edition with Luang Phu. he provided many pieces of evidence, and the fact that he was already stated to be the 13th direct initiate of Luang Phu Tim and directly involved in the making of the Khun Phaen Pong Prai Kumarn
Above; Video interview conducted by Mor Grit, famous collector of Amulets of Luang Phu Tim, and Talkshow host, inquires with Ajarn Piarn Wit, the 13th direct Initiate of Luang Phu Tim, who ordained with Luang Phu and was one of his close assistants, about the truth of the 2515 BE and earlier editions of Pra Khun Phae, and receives direct confirmation of the facts, authenticating these editions. The beginning of the video shows photographic evidence of Ajarn Piarn Wit as a young man ordained with Luang Phu, as well as serving him as a Lay Practitioner over the years, helping Luang Phu to make amulets, and serving his needs.
Ajarn Piarn Wit as he was Ordained in his early years, at the side of Luang Phu Tim.
Below; Locals of Ban Kaay in Rayong show their Pra Khun Phaen 15 amulets, and tell of their knowledge and experience of the true facts, as local devotees of Luang Phu Tim, who know the truth, much better than a load of so called experts from Bangkok and other Provinces, who happened to pass by decades ago, snap up a few amulets and try to make the whole remaining pantheon disappear, be manipulating public beliefs with their own self sponsoring publications, and influence with the media. Those days are over now in the days of the Internet, where communication has become much easier, and the new younger generation of amulet aficionados have applied their knowledge of internet to put the pieces of the puzzle back together, and reveal the truth to the world.
Below; Locals of Ban Kaay in Rayong show their Pra Khun Phaen 15 amulets.
The Samakom Pra were dumbfounded when Ajarn Piarn Wit came out to confirm the edition which is as good as ‘from the horses mouth’. In video interview with a famous expert and collector and TV star, he called Ajarn Sukhothai, the official expert who first catalogued all the officially accepted Khun Phaen into their respective series block presses, and named them. In the telephone conversation with the President of Luang Phu Tim Amulet Association in Sukhothai (who can be considered to be amongst the top 3 officially accepted people in the Know, and the person who first defined the different block presses), The president of the Sukhothai Luang Phu Tim Amulet Association confirmed the existence and authenticity of the 2515 edition, and the previous editions which were made between 2505 BE and 2515 BE.
Ajarn Piarn Wit once more walking beside Luang Phu Tim, holding his betel nut and areca tray (Chan Hmak)
Examples of Pra Khun Phaen Pong Prai Kumarn from the previous ‘Hin Meed Gone’ razor sharpening stone block press, which after breaking, was superceded by the Block Tong Hlueang Brass Block Press.
Below; Ajarn Piarn Wit reveals the truth of the pressing of the 2515 BE Khun Phaen 15, and that Luang Phu blessed them. He explains that the til now preferred ‘Block Raek supposed ‘first block’ was actually the third block press development, and that the Block Sorng (2nd Block Press), preceded it. Ajarn Piarn Wit confirms the reality of the Khun Phaen 2515 BE with great sincerity.
Ajarn Piarn Wit Seated once more at the side of Luang Phu Tim, as one of his close ‘Looksit Aek’ direct initiate apprentices.
Below; Mr Chui, direct grandson and initiate of Luang Phu Tim, confirms the reality of the Block 2 Sereies, blessed by Luang Phu Tim. The beginning of the video shows Mr Chui as a Samanera Monk at the side of Luang Phu Tim’s corpse at the time of his death.
Below we can admire an example of a Block 2 Pim Yai from a famous Amulet Auctioneer Magazine in Nuea Chompoo from some years ago now, which auctioned for 65,000 Thai baht (Roughly 1950$ US) – the Pi 15 amulets have already quadrupled the below price in various auction rooms and shows.
The block Tong Hlueang was then refined further, separating the two versions of the brass block mold into ‘Gorn Dtok Dtaeng’ (before refinement) and ‘Hlang Dtok Dtaeng’ (after further refinement – these are ‘Pim Niyom’ most preferred). Below; some more examples of the Pra Khun Phaen Pong Prai Kumarn – these belonging to the Block Hin Meed Gone amulet, in a Samakom Pra amulet appreciation society encyclopedia. The block hin meed gone series preceded the block tong hlueang and was less refined, and was superceded by the block tong hlueang after the block hin meed gone broke.
Khun Phaen Prai Kumarn Block Hin Meed Gone Luang Phu Tim
The Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim amulet, has has been one of the most popular amulets in the whole Pantheon of Thai Buddhist Amulets of the last century, and of all time, and is now almost impossible to encounter commonly anywhere in any amulet emporium, except for the most elite showrooms, and at elevated prices.
The Sacredness of the Pra Khun Phaen Pong Prai Kumarn is legendary and unquestioned in Thailand, and its magical power is commonly accepted by all. The Muan Sarn Sacred Powders of the Pra Khun Phaen Pong Prai Kumarn are considered to be amongst the most powerful powders to empower amulets in existence.
The Pra Khun Phaen Pong Prai Kumarn is a highly attractive and rare Sacred Amulet, that is considered truly Powerful, and stands as the Master Class Amulet of its Category, and is considered a Most Highly Prized addition to any Master Class Collector’s Showcase, and more importantly, is a most powerful amulet to possess for Bucha, and receive its Blessings, which History has proved time and time again to be one of the most powerful and famous amulets in Thai Amulet History.
Presenting a pristine exhibit of the Pra Roop Muean Pong Prai Kumarn Ta Bronze Wanich Nuea Pong Prai Kumarn Hlang Yant Ha (Yant Ongk Pra on rear face) first edition amulet of extreme rarity, of Luang Phu Tim. Only 96 of these amulets were made in first edition 2518 BE release. This exhibit is an especially attractive example, with Bronze Wanich coating, and highly refined features.
This amulet is in excellent pristine condition, and highly eligible for entry in competition. The front face features the image of Luang Phu in meditative contemplation. The fluffy Pong Prai Kumarn powders are revealed through the surface of the golden Bronze Wanich.
The rear face features the Sacrted Yant Ha of Luang Phu Tim, and is also covered with Luang Phu Tim’s inimitable Bronze Wanich. This is the all-time classic Original Wat Laharn Rai first edition 2518 BE Release of the Pim Jantr Loi, which saw only 96 amulets made in various block presses. This particular exhibit has pristine features and is ‘Ongk Kroo Doo Ngaay‘ (easily identifiable for its classic appearance, with no visual discrepancies, and the evident presence of authentic Pong Prai Kumarn Luang Phu Tim).
The Muan Sarn Sacred Powders of the Roop Muean Jantr Loi Pong Prai Kumarn Luang Phu Tim, are one and the same as the powders found in the extremely expensive Pra Khun Phaen Pong Prai Kumarn amulets of this Master. For this reason, are considered a perfect alternative (and more affordable,) to the Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim.
The famous Pong Prai Kumarn powders of Luang Phu Tim are considered by most people to be the most powerful Muan Sarn powders of All Time for Maha Lap Maha Pokasap and Maha Sanaeh Metta Maha Niyom power. The Original amulets of Luang Phu Tim which were released at Wat Laharn Rai, are known to differentiate themselves from other editions released by Luang Phu Tim at other temples. This is for his use of Bronze Wanich golden paint, to cover only amulets in the editions he released through his own temple.
Other temple releases of his amulets are of course equally authentic and Sacred, but less preferred than the ones which came through direct release at the temple of Wat Laharn Rai. Half the reason being, that Luang Phu would use a much more highly concentrated mixture of Pong Prai Kumarn in the editions he released at his own temple at Wat Laharn Rai.
Whereas the related temples where he allowed release and assisted in the blessings, would also mix other Muan Sarn Sacred Powders into the mixture, which despite also being extremely sacred and powerful, would then allow for less quantity of Luang Phu’s highly prized and revered powerful Pong Prai Kumarn powders to be added.
It is hence considered that the Wat Laharn Rai release versions are believed to be much more powerful Maha Lap and Maha Sanaeh type Magic, which are two of the preferred powers with those who like to use Seduction for Love and Business, and Gambling, Lottery and Wealth Attraction. In addition, Luang Phu Tim’s amulets are world famous for Kong Grapan Chadtri Klaew Klaad Protection.
The second reason for the Wat Laharn Rai releases being the most highly revered and preferred above other editions which Luang Phu blessed and released at other temples, is more of a speculative one. By this, we mean that the Wat Laharn Rai release editions tend to win over other editions in competition. They are also considered to have more aesthetic beauty to them for their high presence of Pong Prai Kumarn and the special high quality ‘Bronze Wanich’ golden coating.
It is a part of the amulet appreciation society expert’s method of authentication to examine and study the appearance of how bronze Wanich golden paint develops in surface texture, tonality and porosity of the surface, as well as the appearance of Luang Phu Tim’s famous Pong Prai Kumarn which rises up and through the surface of the fine golden painted surface.
We ourselves feel that all of Luang Phu Tim’s amulets are equally Sacred and Powerful in their own way, regardless of which edition or which temple he blessed them at, but we do, as do all Amulet Appreciation Fanatics, recognise the categories of preference within the heirarchies of different editions, which is for us one of the more subtle and fascinating parts of the study of high end amulets within the collector scene, and part of the fine art of learning how to recognise and value Sacred Amulets of High Preference and Rarity.
The amulets of Luang Phu Tim, are amongst the most popular amulets in the whole Pantheon of Thai Buddhist Amulets of the last century, and of all time, and is now almost impossible to encounter commonly anywhere except the high end emporiums, and around the necks of the rich and famous. The Pim Jantr Loi is a very rare amulet of Luang Phu Tim, which was only made in extreme limited number of 96 amulets of this 2518 BE fist edition block press, and is a seriously sought after acquisition for the serious collector of Luang Phu Tim’s Pantheon of Amulets. The powerful Pong Prai Kumarn powders are undoubted for their immense Maha Sanaeh Maha Lap power, which has made the amulets of Luang Phu Tim so highly regarded not just for their Master-Class Status, but for their Magical Power to Invoke Prosperity and Invincibility, Luck and Mercy Charm.
The Sacredness is equal to the somewhat more expensive Pra Khun Phaen Pong Prai Kumarn, the Muan Sarn Sacred Powders are the same, and in addition, the Bronze Wanich, is also the very same which Luang Phu used to paint the Pra Khun Phaen Amulets of his pantheon, and is one of the recognition factors used to identify his amulets..
This of course makes this amulet a perfect acquisition as both a Master-Class Exhibit and Powerful Amulet of World Fame, but also to use as ‘Ongk Kroo’ (teacher) amulet to obtain an authentic study material, to train the eyes as to the appearance of the Muan Sarn and Surface textures of Luang Phu Tim’s amulets. With time and patience viewing the Muan Sarn Sacred Powders under the eye loupe, you will be able to train yourself in recognising the authentic amulet when coming across one in future. Notice the full fluffy texture of the surface, and the greeny-white marbled Pong Prai Kumarn powder rising up top the surface. This is one of the most difficult effects for forgers to reproduce, and assists you in authenticating his amulets, to know the difference.
Hence, the amulet is also a perfect ‘Ongk Kroo’ reference study material for students of the Pantheon, and will increase your chances of spotting an essential rarity at the right price, and without danger of risking a fakery.
We highly recommend this amulet, as a sound investment and a last chance to obtain and be the proud owner of an authentic 1st Edition Wat Laharn Rai release model of the Eternal Classic Roop Muean Pong Jantr Loi Pong Prai Kumarn of Luang Phu Tim.
Luang Phu used the Bronze Wanich used in this amulet, to paint the famous Nang Paya Plai Diaw, Nang Paya Plai Koo, Look Om Pong Prai Kumarn, and the Classic Pra Khun Phaen Pong Prai Kumarn Amulets for which he became so famous. A perfect study piece, and an incredibly Sacred Amulet for Bucha to receive guaranteed Magical Power.
A highly attractive and rare Sacred Amulet, that is truly Powerful and stands as the Master Class Amulet of its Category, and is considered a Most Highly Prized addition to any Master Class Collector’s Showcase, and more importantly, is a most powerful amulet to possess for Bucha, and receive its Blessings. History has proved the amulets of Luang Phu Tim time and time again to be one of the most powerful and famous amulets in Thai Amulet History.
The making of the Muan Sarn Pong Prai Kumarn Luang Phu Tim, came from the Wicha which Luang Phu had inherited through apprenticeship form one of his high Kroo Ba Ajarn, Kroo Ba Sangkh Tao, who was also his true Uncle. Part of the formula included Pong Prai Maha Phuudt, which was made from the Skull of a male Kumarn who died in the Womb, and who died on a Saturday and was cremated on a Tuesday. This is part of the ancient Khmer Necromantic Formula for Authentic Powerful Prai Occult Magic, as practiced in Ancient Times.
Due to the fact that Monks are not allowed to seek and find this Sacred and Extremely Powerful Necromantic Substance, Luang Phu would perform Korb Kroo Initiation for protection against Black Magic and the Phuudtaa Spirit Phantoms, so they could go forth to seek and find the substances to donate to him for the making of the Pong Prai Kumarn.
The Initiated Lay Devotees and Apprentices to his sorcery, would then wait for the news of the right circumstances of death of Kumarn Ghosts, and go out to collect the substances and prepare them as instructed with the Wicha. They would seek the permission of the relatives of the dead, to obtain the substances to enable the ghosts of the deceased to receive merits to free them from their Karmic residues by donation of their mortal remains to be made into amulets.
They would receive the ceremonial ritual liberation of their souls from Luang Phu Tim, who would speak with the spirits of the dead to receive their acknowledgement for the process of transformation through the Nibbana Sutra, and the Muan Sarn would then be prepared according to the Dtamra Saiyasart of Necromancy, to make the Pong Prai Kumarn.
Luang Phu instructed his apprentices and the relatives of the Funerals to take care not to incinerate the whole skeleton, but to keep the skulls to bring to Luang Phu to use them for the making of the Pong Prai Kumarn. This is one of the reasons why his Pong Prai Kumarn is so powerful, because it does not contain the skeleton bone powders, rather, only those of the skulls.
As a result, Luang Phu Tim’s Pong Prai Kumarn has been recorded by experience of devotees to posses the highest Maha Pokasap Power of all Pong Prai Kumarn ever made, with Immense Metta Maha Niyom and Klaew Klaad Power, to induce Mercy Charm, Attract Lucky Fortunes (e.g. Lottery Winnings), and to Protect from Deadly Accidents and Disasters.The power of the Pra Roop Muean Jantr Loi amulet is said to be just the same as the Pra Khun Phaen, with the only difference being the design.
The Roop Muean Jantr Loi is hence a preferred choice of both the wise investor and devotee, as well as the perfect choice for those Devotees who seek the immense power of Luang Phu Tim;s amulets, but cannot find or afford a Pra Khun Phaen Pong Prai Kumarn. One can consider this exhibit to be an extremely rare opportunity to acquire one of Luang Phu’s rarest amulets, of which only 96 were ever made in first edition, and a powerful Master-Class amulet of the highest esteem from one of the Greatest Thai Buddhist master Monks in History
Luang Phu Tim Isarago, is of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders. Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Khun Phaen Pong Prai Kumarn, Pra Kring, Rian (coins) and Look Om powder balls. As to the classic ‘Rian coin image amulets, many have become all time favourites, and eternally, world famous classic amulets of the high end variety.
Since his passing, his devotees and apprenticed monks, have now become the world’s top living masters for the making of Pra Khun Phaen Pong Pra Kumarn, and literally dozens of encyclopaedic books, have been printed, documenting both this great master monk, and his classic amulets of high esteem.
Buddhist monk coins with his image and others with Buddha images and other deities and imagery are amongst the most highly collected amulets and most expensive of all of the great Luang Phu Tim. He has various direct lineage apprentices, Who are continuing to progress and spread his most powerful and world-famous Wicha.
Of all of these masters, perhaps the most famous, preferred, was Luang Por Sakorn, of Wat Nong Grub, who is also now deceased, and whose amulets are fast becoming just as highly sought after. In second place one could possibly estimate the great Luang Phu Sin, of Wat Laharn Yai, and in third place, possibly, Pra Ajarn Somkid, of Wat Beung Tata (Rayong).