Hmak Tui Mad Chueak Sacred Areca Nut Cord Bound Lacquer Coated 2450 BE Luang Phu Iam Wat Hnang Featured

Sacred Hmak Tui Mad Chueak, cord bound lacquered Blessed Areca Nut, from the Great Luang Phu Iam, of Wat Hnang. The Hmak Tui Sacred Areca Nut amulet is one of the top World Famous Classic Pra Niyom Master Class Ancient Amulets from the Great Luang Phu Iam Suwannasarō (2375 – 2469 BE), of Wat Hnang (and Wat Ko Non). Estimated Mid Era Circa 2450 BE

Free Registered Air Parcel Shipping Worldwide is Included with this Amulet. The Hmak Tui is further eghanced in traditional fashion, with magical spellbound ritual cord wrap, with herbal laquer coating. This Hmak Tui is a very rare, but well documented model, which stands out for its classic and easy to recognize ageing characteristics, style of cord wrap, appearance of the lacquer, and of course, the emanation of the magical vibratyory energies imbued within the sacred areca nut amulet, by Luang Phu Iam.

Released in the Era that Luang Phu Iam was already abbot of Wat Hnang, in the decade between 2445 and 2450 BE. The amulet has been coated in Rak Dam Black Herbal lacquer, which was a common practice in Olden days, to preserve amulets and give them a long life. The Sacred Rak Boran ancient lacquer has gathered immense character in its surface appearance over the years, showing the natural aging characteristics, as is expected in that of an authentic Pra Niyom Class Ancient Amulet.

The Hmak Tui is estimated to have been made around 2440 – 2450 BE. Luang Phu Iam made amulets from an early stage, ever since the times he was still following his Mentor Luang Phu Rod, at Wat Ko Non. He began to make amulets long before his famous first edition Pra Pid Ta Yant Yung and Pra Pid Ta Pid Tawarn, which were released at Wat Hnang around 2440 – 2443 BE.

His famous and incredibly expensive Pra Pid Ta Yant Yung/Pid Tawarn were made from metallic alchemical metals, after Luang Phu Iam had moved there as abbot, and were made one by one, in the same method as Pra Pid Ta Wat Tong of Luang Por Tap (No.1 Pra Pid Ta Amulet of all Time).

Luang Phu Iam was a World Famous Master Monk of the previous Century, and maker of the Number 2 Amulet of the Top 5 ‘Benjapakee’ of Pra Pid Ta of all Thai Buddhist History, the Pra Pid Ta. His most famed of all were the Pra Pid Ta Yant Yung and Pra Pid Tawarn amulet.

Luang Phu Iam also made a large variety of other amulets, such as his famous hand carved Pra Pid Ta, many of them being originals from different artisans who hand carved them from various sacred woods, ivory, and other materials.

Luang Phu Iam is the No.2 Master of all History, renowned for Pra Pid Ta Amulets, and his Rare and Powerful First Edition 2467 BE Monk Coin, which fetches extremely high prices in auctions (Circa 100 Thousand Dollars).

Pra Pāwanā Gosol Thēra (Luang Phu Iam Suwannasārõ)

Luang Phu Iam was a born on Friday the 7th October 2375 BE. Luang Phu Iam was born a Citizen of Bang Khun Tian, whose household lived on the banks of the Klong Bang Hwa Canal, behind the temple of Wat Hnang. Luang Phu Iam was born during the reign of His Majesty Prabat Somdej Pra Nang Glao Jao Yuu Hua King Rama 3.

Luang Phu Iam was given the birthname of ‘Iam’ and his surname was ‘Tong U’. The devotees of Wat Hnang temple did not call him Luang Phu Iam, rather, preferred to call him ‘Luang Por Phu Tao’. People in General, and the collectors of the amulet appreciation societies like to refer to Luang Phu Iam as ‘Luang Por Wat Hnang’. His father and mother’s names were Mr. Tong, and Mrs. U, with the surname ‘Tong U’.

Luang Phu Iam’s family were market gardners, and were relatively prosperous. At the age of 9 years old, Luang Phu Iam was taken to the temple of Wat Hnang, to learn to read and write, and practice Khom Agkhara, under the tutelage of his first mentor, Luang Phu Rod, then Vice Abbot of Wat Hnang.

In the year 2387 BE, Luang Phu Rod then began to teach him Wicha Akom Buddha Magic and also to teach him in the Pali Sanskrit scripts, and the Khom Agkhara used for Magical Inscriptions. At the age of 11, in the year 2386 BE, Luang Phu Iam also went to study Pali Sanskrit with Pra Maha Yim at Wat Bovornives Voraviharn.

After he finished his studies with Pra Maha Yim, Luang Phu Rod then went to practice under the tutelage of Pra Pidok Gosol (Luang Por Chim), at Wat Liab. Thereafter, he returned to Wat Hnang, and ordained as a Samanera Novice Monk, and studied the Dhamma in his original place of learning at Wat Hnang. Luang Phu spent many years focused on study and practice, for about one decade, until the year 2394 BE.

Luang Phu was now coming of age where he should ordain from Samanera to become full status of an adult Bhikkhu, and had to go to the Royal Sanam Luang to take his Pali Sanskrit exams, which were at that time, done orally, answering in front of the teacher without any written questions to answer. Luang Phu did not pass the test. Because of failing his Pali exam, Luang Phu decided to disrobe and go to help his parents and relatives at home.

But Luang Phu only managed to remain a layman for three years, and his true calling became evident, and Luang Phu returned in the year 2397 BE to Re-Ordain as a Bhikkhu in the Buddha Sasanā at Wat Jom Tong, at the age of 22 years old.

Luang Por Gerd was his Upachaya Ordaining Officer, and gave Luang Phu Iam the Ordained Name of ‘Suwannasaro’. His Pra Gammawājājārn was Pra Tamma Chedi (Luang Por Jeen), with Pra Pawanā Gosol Thēra (Luang Phu Rod) as his Prompting Officer.

Once he had Re-Ordained again, Luang Phu Tao (Luang Phu Iam) went to stay at Wat Nang Nong, which was across the other side of the path to Wat Nang Nong. Here he continued his written studies of the Dhamma and Sorcery Grimoires, and Mastery of various Wicha, in the Samnak of Luang Por Jeen, with supplementary tuition from Pra Sangworn Wimol (Luang Por Hmen).

This time Luang Phu Iam went to finish his exams once more at Sanam Luang, and passed with flying colours. The ordained professor of Pali who was examining him, then said he had given very good translations, and invited Luang Phu Iam to come and practice at the same Samnak.

Luang Phu Iam however, refused, and continued with his usual trajectory. He then focused deeper on his practice of Vipassana Mindfulness Practice, and Puttakom (Buddha Magic) with Luang Phu Rod (who was now abbot of Wat Nang Nong).

Some time after the passing of his Mentor Luang Phu Rod, in the year 2441 BE, Luang Phu Iam was called upon by his Majesty King Prabat Somdej Pra Julajom Glao Jao Yu Hua (Rama 5), to become the abbot of Wat Hnang, and perform the duty of its maintenance and further development.

Luang Phu Iam proved to be a Great Abbot, and diligently restored and developed the temple and its facilities. Luang Phu Iam was a highly favoured Monk of His Majesty King Rama 5, and was more often than not always requested to attend the most important Blessing Ceremonies, and Buddhist Rituals of the Royal Palace. His name ‘Pra Pawana Gosol’ was bestowed upon him by his Majesty the King, at the time he was given the charge of Wat Hnang temple.

Luang Phu Iam then spent 27 Years working selflessly for the temple and devotees of Wat Hnang, for another 27 years, until his passing on the 26th April 2469 BE, at the age of 94.

LP Iam’s Pra Pid Ta Yant Yung metallic amulet, is equally highly regarded as top five, and revered for its Klaew Klaad Kong Grapan Chadtri Maha Ud power, and seen as the equal to the famous Pra Pid Ta Rae Bang Phai, and the Pra Pid Ta Wat Tong, and the Pra Pid Ta Pim Tapap of Wat Sapan Sung.

It can be seen from historical documentation, that Luang Phu Iam followed the footsteps of of Luang Phu Rod, in the same way that Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram had followed in the footsteps of his Mentor Pra Sangkarach (Sukh Gai Thuean). Luang Phu Iam hense masters the various Wicha with his diligence and unquestioning service to Luang Phu Rod as his Mentor.

This comparison is also extendible to the amulets of both Masters, just as Somdej Pra Puttajarn (Dto) Prohmrangsri learned the Wicha Pra Somdej from Somdej Pra Sangkarach Sukh (maker of the Pra Somdej Arahang Benjapakee Amulet), so, in turn, did Luang Phu Iam make powerful Pra Pid Ta and Pra Pid Tawarn amulets, in the same Dtamra (formula) of his Mentor Luang Phu Rod.

The third Comparison between the two Monks, reveals that both Somdej Pra Puttajarn (Dto) Prohmrangsri and Luang Phu Iam managed to attain the same fame and reverence as their Mentors, and their amulets became equally reputed for their magical power.

Luang Phu Iam created the same style of imagery as Luang Phu Rod for both kinds of Pid Ta amulets, his Bia Gae, Look Om, and Hmak Tui, and his Wicha is so equal in power to that of Luang Phu Rod, that one will often seen devotees collecting the amulets of both masters with equal fervency. It is not uncommon to see a high-end collector wearing a Luang Phu Iam amulet alongside one from Luang Phu Rod on the same necklace.

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Kanha Jali Pim Lek Hua Gleung Niyom 2491 Blessings by Luang Por Chaeng, Luang Por Jong, Luang Por Chuan, and Luang Por Phueak, Featured

Kanha Jali Loi Ongk Sattuette,’Pim Hua Gleung Niyom’ (preferred pointed head model), in smaller Pim Lek version, released 2491 BE with Blessings by Luang Por Chaeng, Luang Por Jong, Luang Por Chuan, and Luang Por Phueak, of Wat Molee. The Kanha-Jali amulet (Ganha-Chali), is in the form of Prince Jali and Princess Kanha as children, embracing each other shoulder to shoulder.

The image radiates the potent energy of Metta Maha Niyom Mercy Charm. Kanha and Jali were born to the Royal Prince Vessantara (a previous life of the Buddha), and their story, is to reveal the profound generosity and sacrifices made by the Buddha, on the path to enlightenment.This amulet, is usually catalogued within the pantheon of amulets of LP Chaeng, despite the collaborative ceremony.

The story of Prince Vessantara’s last incarnation plays a significant role in the Wicha for this amulet, Thai Buddhism. In this tale, Jali and Kanha, were the son and daughter of Prince Vessantara and Queen Maddi. Eventually, the generous Prince Vessantara gives away his children to the Brahmin Jujaka as part of his ultimate act of generosity before attaining Buddhahood.

In the tale of Vessantara, part of Buddhism’s revered Jataka stories, Kanha and Jali play a central role in their father’s pursuit of Dhāna Paramī—the tenth and culminating perfection required for attaining Buddhahood. Their father faced the challenging decision of giving away his own family to the greedy Beggar Jujaka, (‘Choo Chok‘ in Thai). Jujaka, a Brahmin from a distant village, heard tales of Prince Vessantara’s unparalleled generosity and selflessness.

Jataka tales are especially important in Theravada Buddhism, more than other traditions.

Intrigued by these stories, he set off to find the prince and test the limits of his benevolence. As Jujaka arrived at the secluded wilderness where Vessantara resided with his wife Maddi and their two children, Jali and Kanha, he marveled at the austere surroundings. Approaching Vessantara with humility, Jujaka revealed his desire, “O benevolent prince, I have traveled far seeking a gift from someone as virtuous as you. Grant me the extraordinary boon of receiving your children, Jali and Kanha, into my care.” The words hung in the air, creating an undeniable tension.

Kanha Jali Vessantara's children

Vessantara, torn between his commitment to unconditional giving and the natural instincts of a father, hesitated. Maddi, sensing the internal struggle, clutched their children protectively. The surrounding forest seemed to hold its breath as Vessantara grappled with the monumental decision.Finally, after a heavy pause, Vessantara spoke with a heavy heart, “Brahmin, I am bound by my principles of generosity.

Prince Vessantara gives away the State Elephant to the Brahmans

Prince Vessantara gives away the State Elephant to the Brahmans

If this is your earnest request, I shall fulfill it, though it pains me deeply.” The weight of his words echoed through the wilderness. As Jujaka took custody of Jali and Kanha, the atmosphere shifted from serenity to sorrow. Maddi, with tearful eyes, whispered words of reassurance to her children.

Vessantara, suppressing his emotional turmoil, maintained composure, realizing that this act of unparalleled sacrifice was a crucial step on his path toward enlightenment. Jujaka, with the children in tow, disappeared into the depths of the forest, leaving behind a somber silence. The echoes of Vessantara’s sacrifice lingered, setting the stage for the unfolding of a profound narrative on the virtues of selfless giving and the spiritual journey toward Buddhahood.

As Kanha and Jali questioned their father’s choice, Prince Vessantara explained the profound purpose behind this act of supreme generosity. Giving away one’s own family represented the final and most challenging step in achieving the perfection of Dhāna Paramī. Kanha and Jali, understanding the greater purpose, willingly accepted their fate as slaves to Jujaka, supporting their father in completing this ultimate act of selflessness.

The Kanha Jali Loi Ongk Statuette, infused with Metta Maha Niyom, stands as a powerful reminder of the unwavering spirit of generosity and compassion that defined Prince Vessantara’s journey towards enlightenment.

This sacred amulet, mostly attributed within the pantheon of amulets of Luang Por Chaeng, was actually blessed by various Great Monks in unison. Originally commissioned by Pra Luang Por Kloy, the abbot of Wat Bang Kra Nok, Nonthaburi Province.

The first model was released in the year 2491 BE. During the consecration ceremony, Pra Kloy, along with other respected monks, invoked blessings, making it a powerful and sought-after amulet. The Kanha Jali is renowned for its remarkable efficacy, believed to bring prosperity, charm, and success to its bearer. The amulet is imbued with a Magical Kata Spell which contains the sacred chant: Chaalee Ganhaa Maa Laew Hrueyang Sangkadtang Lokawituu. This Kata is to invoke blessings and communication between the amulet and its wearer, and should be used when performing Bucha or asking for blessings, and daily to empower the amulet before wearing.

Devotees who have experienced success often choose to encase the amulet in gold. It is believed that successful ventures and accomplishments are likely when this practice is followed. This statuette is not only a treasured amulet with historical and religious significance, but also a symbol of compassion, generosity, and the pursuit of enlightenment in the story of Prince Vessantara.

Here is a Basic Breakdown of the Thai Jataka Tale;

1. Prince Vessantara, known for his extreme generosity, gives away everything he owns, including a magical white elephant that brings rain.

2. The kingdom suffers without the elephant, and Vessantara is banished with his wife, Maddi, and their children, Kanha (daughter) and Jali (son).

3. A cunning beggar named Jujaka demands Vessantara’s children as slaves.Despite the pain, Vessantara, determined to practice perfect generosity, gives his children away. The children are eventually rescued by the king, Vessantara’s father, who recognizes them.

4. The story emphasizes the importance of generosity in Buddhism, even if it comes at a great personal cost.

5. There are many variations of the tale depending on the region. In Thailand, for instance, the story of Vessantara is a popular festival (Jataka tales are especially important in Theravada Buddhism).

6. Prince Vessantara, known for his extreme generosity, gives away everything he owns, including a magical white elephant that brings rain.

7. The kingdom suffers without the elephant, and Vessantara is banished with his wife, Maddi, and their children, Kanha (daughter) and Jali (son).

8. A cunning beggar named Jujaka demands Vessantara’s children as slaves. Despite the pain, Vessantara, determined to practice perfect generosity, gives his children away. The children are eventually rescued by the king, Vessantara’s father, who recognizes them. The story emphasizes the importance of generosity in Buddhism, even if it comes at a great personal cost. There are many variations of the tale depending on the region. In Thailand, for instance, the story of Vessantara is a popular festival.

The Vessantara Jataka, considered one of the most significant stories in Thai Buddhist literature, narrates the final and tenth life of Prince Vessantara before his incarnation as Siddhartha Gautama, who would later become the Buddha. The tale emphasizes the perfection of generosity and self-sacrifice. Here is a summary:

Key Events:

Vessantara’s Generosity: Prince Vessantara was known for his extreme generosity, which led him to give away anything asked of him. His charitable acts gained immense popularity and admiration.

The Gift of White Elephant: Vessantara’s father, King Sanjaya, became concerned about the prince’s habit of giving away possessions. To prevent potential issues, Vessantara gave away a magical white elephant meant for royal rain ceremonies. This act angered the people, leading to his exile.


Life in the Wilderness:
Vessantara, along with his wife Maddi and their two children, Jali and Kanha, lived in the wilderness, where he continued to practice generosity. However, circumstances led to their separation.

Jujaka’s Request: The family encountered a Brahmin named Jujaka, who, learning about Vessantara’s generosity, approached him requesting the gift of his children. Vessantara, upholding his commitment to give anything asked, reluctantly agreed.

Suffering and Return: The children, Jali and Kanha, were taken by Jujaka, leading to immense suffering for the family. Eventually, the hardships and divine intervention revealed Vessantara’s true identity. The family was reunited, and Vessantara returned to his kingdom.

Moral of the Story: The Vessantara Jataka illustrates the perfection of generosity (Dāna) as an essential quality on the path to enlightenment. Vessantara’s unwavering commitment to giving, even at the cost of personal sacrifice and the well-being of his family, underscores the selfless nature of true generosity. The tale teaches that the journey towards Buddhahood involves overcoming attachments, practicing unconditional giving, and embodying compassion for all beings. The moral encourages individuals to cultivate the virtue of generosity as a means to attain spiritual enlightenment and benefit others.

Luang Por Chaeng

Luang Por Chaeng, Silapanya, born on December 18, 2428 BE, was ordained as a Samanera Novice Monk at 12 and became a fully ordained Bhikkhu Monk at 20. A notable figure in Thai history, he served as the second abbot of Wat Bang Pang in Nontaburi, Bangkok, succeeding Luang Por Pra Atigarn Jaroen. Renowned as a Pra Gaeji Ajarn Master Monk during the Second World War, Luang Por Chaeng was a highly respected exponent of Vipassana Kammathana practice, attracting devotees nationwide. His expertise extended to empowering amulets, making him a sought-after participant in significant Buddha Abhiseka ceremonies, including those for the Thai Military’s magical protective items. In the era of the second world and Indo-China wars, Luang Por Chaeng, along with other revered monks, stood out for their magical prowess. Notable among them were Luang Por Jong of Wat Na Tang Nork, Luang Por Jad of Wat Bang Grabao, and Luang Por Opasi.

During the Indochina War, a ceremony was conducted to empower protective items for the Thai Military, including Pha Prajiad Sipsee Pan Tong by Luang Por Chaeng. The consecrated items, worn by soldiers, became legendary for rendering them impervious to bullets, earning the Thai Military the moniker ‘Taharn Phi’ (Ghost Soldiers) by the French Military. Luang Por Chaeng inherited Wicha from esteemed Kroo Ba Ajarn, such as Luang Por Parn of Wat Bang Nom Kho, Ph Khai of Wat Cherng Lane, Luang Phu Chay of Wat Panan Cherng, Pra Kanajarn Say (Luang Por Say), Luang Phu Sukh of Wat Pak Klong Makham Tao, and Luang Por Jong of Wat Na Tang Nork. Devotees sought Luang Por Chaeng for blessings, amulets, and healing. He welcomed all requests and, for those aspiring to learn his Wicha, emphasized moral development and meditative skills before revealing the secrets of incantations.

With influence from Luang Por Parn, Luang Por Chaeng’s amulets, particularly the Buddha riding animal models, gained popularity. He crafted a variety of amulets, including Monk Coins, Pha Yant Tong Yantra Flags, Sai Sek blessed sandgrains, Pra Kring, Pra Chaiyawat Loi Ongk Statuettes, and Pra Sivali metallic Loi Ongk Statuettes.

In 2484 BE, Luang Por Chaeng released powerful amulets to protect devotees during wartime. These amulets became a world famous historic edition, and were distributed for free during a large ceremony attended by numerous devotees. Luang Por Chaeng passed away peacefully on July 26 (some say 22nd), 2500 BE, at the age of 72. His legacy endures through his teachings and the amulets he created, cherished by those seeking protection and blessings in Thai Buddhism.

Amulets from the Masters of Central Region of Thailand

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Palad Khik Hua Chamot Dtua Kroo Jumbo 10 Inches Ud Kring Fang Mukh Ploi Sek Lin Takrut Luang Por Pina Wat Sanom Lao Featured

Palad Khik Hua Chamot Dtua Kroo 10 Inch Jumbo Size Luang Por Pina

Special Jumbo‑size, 10‑inch‑long Dtua Kroo version of the all‑time classic *Civet‑Head Palad Khik* from LP Pina, this remarkable piece boasts a striking green gemstone emerald for its eyes, adding a vivid, almost hypnotic depth to its gaze. The intricate design features a Kring Met Gan Fa Pha bead rattle embedded within the body, while a delicate sea‑pearl is carefully set into the belly, creating a subtle play of light and texture. Hand‑inscribed gold‑leaf blessings adorn the surface, each stroke conveying reverence and craftsmanship.

Surrounding the Palad Khik are a horde of Khom Agkhara spell inscriptions—Sacred Na, Yant Hua Jai Na, and Ok Dtaek—each etched with meticulous detail, suggesting ancient protective charms. Weighing in at 360 grams, the heavy wood construction gives the piece a substantial, grounded presence, while a Chueak Kart Aew cord belt, once attached, hints at its ceremonial use or display. The overall effect is a richly layered artifact that blends artistry, symbolism, and tactile allure into a single, commanding object.

When speaking internationally, we behold here a very large and pristine example of one of the Most Famous Palad Khik amulets of all time, and one of the rarest and most sought after; The Palad Khik Hua Chamot Mai Gae carved wooden Palad Khik of Luang Por Pina (Wat Sanom Lao), with gemstone eyes, Met Gan Fa Pha rattle inserted within the body, pearl insert, and golden Takrut spell as the tongue

The Yant Hua Jao Na Ok Dtaek is inscribed on the shaft, with gold leaf blessing.. The Palad Khik is as is Ubiquitous with Luang Por PIna, empowered with hand inscriptions of the Sacred Yant Na Ok Dtaek, and the invocation of the four elements.

These amulets are highly regarded for their power to invoke the power to attract others, treasured possessions, and ward off black magick. They are also full of Metta Mahaniyom, Maha Lap Klaew Klaad and Maha Pokasap Powers as well as the obvious Power of Serm Duang ability to improve fate and destiny.

Free EMS Registered Airmail Worldwide is included with this amulet The Palad Khik is in truth symbolic of the Shiva Lingam; The belief in the Shiva Lingam, or ‘Leungk’ (Thai pronunciation) phallic energy of the Palad Khik, is derived from the Brahman influence which has been inflected on Thai Theravada Buddhism, since both belief systems came to Siam more than one or two thousand years ago. It is believed that the Palad Khik Lingam energy is the source of all life forms in the Universe. This is the root of the act of reverence (Bucha/Poojah) to the Palad Khik as a Shiva Lingam, which honors Shiva as the Lord of the World.

In India, not only is the Shiva Lingam worshiped, bit there exists also a
cult which reveres the female sex organ, which is called the ‘Yoni’(Vulva, female counterpart). The same thought is applied as that used to revere the Palad Khik Shiva Lingam, that is to say, that all created things must spring out of the Yoni instead of the Lingam.

Below; hand scratched etchings of Luang PorPina’s Famous Sacred Na Inscription on the shaft of the Palad Khik, conceal a Kring Bead inserted within the interior of the Palad Khik

The practice of making Palad Khik as a portable amulet, for ‘Bucha Siwalingk’ (praying to Shiva Lingam phallic Deity), entered Siam with the influence of the Khom race, whose language and alphabet the Thais absorbed and adapted into their own personalized fashion.

Some have said that the integration of Pre-Buddhist beliefs and traditions, into the Thai Theravada Buddhist practice of the common Folk, such as worshiping amulets like the Palad Khik, is not in contradiction to the practice of Buddhism and presents no obstacles. In fact it is believed that since Buddhism sprang out of the roots of
Brahman Cosmology, and that the people of Siam adopted Pre-Buddhist
Brahman traditions and incorporated them, that this is even a benefit to
the preservation of ancient knowledge, and of Thai history and
tradition. Most of these ceremonies do not come into any kind of dispute
with Buddhist thought. In fact, Buddhist Thought bases itself on many
concepts found in Hinduism, and in Thailand, the two Belief Systems can
hardly be separated.

This amulet is ‘Doo Ngaay’ (easy to see it is real), for its clearly recognisable from its inscriptions and appearance. It is hence considered Ongk Kroo (usable as a teacher), as a reference model for further study to increase the powers of recognition of authenticity of the top preferred Palad Khik amulets of Luang Por Pina. However, the Pantheon of amulets of LP Pina is one of the more difficult genres to study, for many were hand made, each individual, and only a small percentage of all the amulets he made has been officially documented to date.

This is for its easily recognisable features, which allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognize Luang Por’s famous amulets, as well as the effects of aging over the years (especially important with Sacred Powder amulets)

Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion. Below you can see another Sacred Amulet from this Master, the Famous Pra Pim Tao Wua Luang Por Pina.

It is said that Luang Por Pina was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs, and also can be beseeched and prayed to, for wish fulfillment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets, which have been recounted around the country over the years, which have also brought his name to the ears of people around the world.

Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.

But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.

The remains of Luang Por Pina in meditation posture

Above Pic; The corpse of Luang Por Pina which was found in meditation posture, dead since over 12 Hours, but was still warm, and not stiff, to the immense surprise of those who found him. The surprise was because a corpse that is dead for over 12 hours, should be stiff as a board and cold.. his body was not mummified or given any special treatment according to his wishes and placed in his mausoleum.

How to Bucha Palad Khik

Below; Golden Brass Takrut spell as tongue of the Chamot Civet Cat, is visibly inserted into the mouth of the Palad Khik Hua Chamot of Luang Por Pina, revealing an attention to detail and adherence to the Ancient Wicha of Empowerment of the Palad Khik Hua Chamot, that is both impressive, and faith instilling in its certain magical power.

Kata Luang Por Pina

Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

 

Then chant the Kata for Luang Por Pina (3 times);

Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi

Kata Pluk Khong (Call the power within the amulet)

Puttang Gandtang Saranang Haa

Puttang Gandtang Saranang Hae

Puttaaa Namo Ya

 

Kata Pra Som Hwang (Fulfilment of Wishes)

Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)

Nadtae Sudtae

The last repetition, change the words to

Mahaa Sudtae Nachaa

As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;

Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa

 

If you wish to know more about another famous amulet of Luang Por Pina, then you can listen to the three quarter of an hour talk and explanation of the Sacred Daw Aathan along with a short Biography of Luang Por Pina, recounted and narrated by Amulet Expert Ajarn Spencer Littlewood in the below Podcast. In the podcast, You will be amazed to learn about the very deep meanings contained within the Daw Aathan Hnun Duang Lucky Star amulets of Luang Por Pina.

Please Enjoy the Biography, and Explanation of another very famous Amulet of Luang Por Pina, revealed; Perd Dtamnan Daw Athan Hnun Duang, and increase your knowledge of the amulets of Luang Por Pina.

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Daw Nai Pan Nai Pon Pim Lek Lucky Star 5 & 8 Pointed Pentacle Amulet Luang Por Pina Featured

An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.

This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.

Daw Nai Pan Nai Pon Pim Lek Lucky Star 5 & 8 Pointed Pentacle Amulet Luang Por Pina

It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.

This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.

The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.

 

Daw Nai Pan Nai Pon Pim Lek Lucky Star 5 & 8 Pointed Pentacle Amulet Luang Por Pina

This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.

 

Daw Nai Pan Nai Pon Pim Lek Lucky Star 5 & 8 Pointed Pentacle Amulet Luang Por Pina

The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).

 

Daw Nai Pan Nai Pon Pim Lek Lucky Star 5 & 8 Pointed Pentacle Amulet Luang Por Pina

 

The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’

 

Daw Nai Pan Nai Pon Pim Lek Lucky Star 5 & 8 Pointed Pentacle Amulet Luang Por Pina

When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.

 

Daw Nai Pan Nai Pon Pim Lek Lucky Star 5 & 8 Pointed Pentacle Amulet Luang Por Pina

Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.

 

Daw Nai Pan Nai Pon Pim Lek Lucky Star 5 & 8 Pointed Pentacle Amulet Luang Por Pina

It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.

 

Daw Nai Pan Nai Pon Pim Lek Lucky Star 5 & 8 Pointed Pentacle Amulet Luang Por Pina

The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.

Daw Nai Pan Nai Pon Pim Lek Lucky Star 5 & 8 Pointed Pentacle Amulet Luang Por Pina

Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.

Daw Nai Pan Nai Pon Pim Lek Lucky Star 5 & 8 Pointed Pentacle Amulet Luang Por Pina

Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.

The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.

This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.

Daw Nai Pan Nai Pon Pim Lek Lucky Star 5 & 8 Pointed Pentacle Amulet Luang Por Pina

 

‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.

Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.

 

This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet

The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets

Daw Nai Pan Nai Pon Pim Lek Lucky Star 5 & 8 Pointed Pentacle Amulet Luang Por Pina

Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.

But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.

Daw Nai Pan Nai Pon Pim Lek Lucky Star 5 & 8 Pointed Pentacle Amulet Luang Por Pina

Kata Luang Por Pina

Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Then chant the Kata for Luang Por Pina (3 times);

Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi

Kata Pluk Khong (Call the power within the amulet)

Puttang Gandtang Saranang Haa

Puttang Gandtang Saranang Hae

Puttaaa Namo Ya

 

Daw Nai Pan Nai Pon Pim Lek Lucky Star 5 & 8 Pointed Pentacle Amulet Luang Por Pina

Kata Pra Som Hwang (Fulfilment of Wishes)

Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)

Nadtae Sudtae

The last repetition, change the words to

Mahaa Sudtae Nachaa

As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;

Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa

Daw Nai Pan Nai Pon Pim Lek Lucky Star 5 & 8 Pointed Pentacle Amulet Luang Por Pina

If you listen to the three quarter of an hour talk and explanation of the Sacred Daw Aathan along with a short Biography of Luang Por Pina, recounted and narrated by Amulet Expert Ajarn Spencer Littlewood in the below Podcast. In the podcast, You will be amazed to learn about the very deep meanings contained within the Daw Aathan Hnun Duang Lucky Star amulets of Luang Por Pina, and for those of you who are devoted Buddhists and Practitioners of Dhamma, you will feel incredibly inspired to own and apply the meanings found in the amulet to your Buddhist practice of Dhamma, Meditation and Vipassana.
For indeed, in its highest level of Bucha, this amulet is a powerful tool not only to increase your Fortunes and Improve your karma in a worldly sense, but can be used as a contemplative focal point of self transformation and empowerment of manifest Buddhist Kammathana Meditative Practice. It points to the path towards enlightenment, and can assist you in walking the path, if this is your intention, and leads far above and beyond simple worldly desires.

We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.

Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.

Daw Nai Pan Nai Pon Pim Lek Lucky Star 5 & 8 Pointed Pentacle Amulet Luang Por Pina

Daw Nai Pan Nai Pon Pim Lek Lucky Star 5 & 8 Pointed Pentacle Amulet Luang Por Pina

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This article takes a deep look into the Legend of the Pra Nang Kwak Na Pokasap Powder Amulet and the Register of Sacred Objects by Luang Por Sakorn, Wat Nong Grub , B.E. 2548 (2005), as a study of amulets of Spiritual and Magical, and Cultural Heritage of Buddhist Sorcery  (Buddha Magic), from Thailand’s Eastern-Central Region

Pra Nang Kwak Na Pokasap LP Sakorn 2548 BE

The eastern region of Thailand, particularly Rayong province, is historically recognized as the land of highly knowledgeable monastic masters (Gaeji Ajarn) and esoteric sciences passed down through the ages. Amidst a widespread wave of devotion, the name “Luang Por Sakorn Manunyo” of Wat Nong Grub has become a symbol of sanctity, as the sole heir of the Buddhist sorcery lineage trusted by Luang Pu Tim Isariko of Wat Laharn Rai to continue the creation of the famous “Pong Prai Kumarn” (Prai Kumarn Powder).

Below: English Audio Podcast

The creation of sacred objects in B.E. 2548 (2005), especially the “Pra Nang Kwak Na Pokasap Powder Amulet,” is considered a significant occasion that perfectly merged the finest sacred materials, potent spiritual power, and legendary mythology. This was intended to be a spiritual anchor and a supreme enhancer of destiny for those faithful to Metta Mahaniyom (loving-kindness and great charm) and Chokelarb (good fortune).

Below: Podcast Aux Francais.

The Path of Vision and Buddhist Artistry: The Prai Kumarn Powder Nang Kwak Na Pokasap Amulet, B.E. 2548

Pra Pimp Nang Kwak Nuea Pong Prai Kumarn LP Sakorn

In the year B.E. 2548, Luang Por Sakorn Manunyo initiated the creation of the Nang Kwak amulet mold, giving it the auspicious name “Nang Kwak Na Pokasap” to emphasize its power to attract wealth and prosperity. The story of this amulet must begin with the meticulous design of its Buddha image, a model of the Mae Nang Kwak in a posture radiating compassion. She sits neatly with folded legs, her right hand raised high above her mouth in a beckoning gesture to call forth fortune. This gesture is an esoteric principle signifying “Kin Mai Mot” (never-ending sustenance) or having abundant wealth for all time.

Below: Podcast in Chinese (下方:中文播客)

This specific batch of Pra Nang Kwak Na Pokasap, particularly the “Powder-Only (No Takrut)” version, stands out due to its concentrated material content. Without the need to sacrifice surface area for embedding a metal Takrut scroll, the devotee can fully experience the essence of the Prai Kumarn powder and various sacred materials.

The body of the amulet is typically a clean white or “Nuea Khao” (white flesh), with some pieces being “Long Thong” or partially gilded with gold leaf to enhance elegance and auspiciousness. This batch is generally clearly stamped with a code and serial number on the side of the amulet to confirm authenticity and prevent future counterfeiting.

Luang Por Sakorn Manunyo

Luang Por Sakorn - Rian Jao Sua, other amulets, his Wicha, and teachings on Occultism and Necromancy

Physical Characteristics and Creation Details

The assessment of the Pra Nang Kwak Na Pokasap B.E. 2548, pure powder version, requires expertise in examining the texture, which is soft yet firm (Nuea Nuam)—a unique characteristic of powder amulets from the Wat Nong Grub lineage. The weight of the amulet is balanced, not overly light, and it lacks a harsh chemical odor, as most ingredients are derived from natural materials and sacred herbs (Wahn Sak-sit).
Nang Kwak amulet LP Sakorn 2548

Amulet Specification Creation Detail
Official Batch Name Nang Kwak Na Pokasap (sometimes called Nang Kwak Prai Kumarn Powder)
Year of Creation B.E. 2548 (A.D. 2005)
Shape Rounded rectangular or Moon-Floating (Jan Loi) in some forms
Principal Material Luang Pu Tim’s Prai Kumarn Powder, Minor-Major Mahaniyom Powder, Luang Por Kad’s Holy Flour (Paeng Sek)
Special Characteristics Pure powder (no Takrut), some gilded with gold, stamped with a number and code
Prominent Power (Phutthakhun) Metta Mahaniyom, Maha Saneh (Great Charm), Business/Trade, Attracting Gold and Money

The divine power (Putthanupap) of this Nang Kwak batch is not limited to being a mere talisman for merchants; it also extends to enhancing charisma and gaining the affection of superiors. It is suitable for those who must negotiate important business or require trust and faith in their work. Luang Por Sakorn infused spiritual power through the “Heart of the Millionaire” (Katha Hua Jai Setthi) and “Heart of Sivali” (Katha Hua Jai Sivali) incantations into every particle of the Prai Kumarn powder, making this Nang Kwak amulet highly efficacious and fast-acting for those with steadfast faith.

Thai Amulets Life and Legacy of Luang Por Sakorn

The Legend of the Goddess of Wealth: The Roots and Sanctity of Nang Kwak

To discuss the legendary origins of Nang Kwak, one must go back to the Buddhist era in the Indian Subcontinent (Chomphu Thawiip). The story centers on “Nang Supawadee,” the daughter of a devout merchant. Nang Supawadee received the compassion of the Arahants most excellent in fortune, namely Phra Sivali and Phra Mahakassapa. The two venerable monks bestowed upon her blessings of auspicious speech and an aura of radiating compassion, making it an astonishing miracle that no matter which city she accompanied her father to trade in, all their goods would be beckoned and sold out.

Rear face pf Nang Kwak amulet LP Sakorn 2548

In the Thai People’s common beliefs, Nang Kwak is deeply linked to a deeper local legend, stating that she is the daughter of “Pu Chao Khao Khiao,” the great master of the powerful hermit Ruesi community. The relationship between Pu Chao Khao Khiao and Nang Kwak is conveyed through the worship incantation: “Ohm Pu Chao Khao Khiao has one daughter named Mae Nang Kwak…” This reflects the invocation of the Ruesi’s charisma, the lord of the forest and mountains, to provide protection and bestow good fortune.

Pra Pim Nang Kwak LP Sakorn 2548

How to Worship Mae Nang Kwak for Maximum Efficacy

Luang Por Sakorn Manunyo always taught his disciples that sacred objects are merely a “medium” to carry energy, but the efficacy depends on the “gratitude and sincerity” (Katanyu lae Satja) of the devotee. The highest form of worship for the Nang Kwak B.E. 2548 batch follows these traditions:
Placement and Installation: The shrine should be set up with the Nang Kwak facing outwards toward the front of the house or shop. This acts as a “beckoning” (Kwak) to draw customers and fortune in from outside.

Pra Pim Nang Kwak LP Sakorn 2548
Daily Offerings: Clean water must always be present on the altar. On Buddhist holy days or auspicious days, sweet fruits such as bananas or oranges should be offered, symbolizing smoothness and flowing fortune.

Nang Kwak The Guardian of Prosperity

Spiritual Invocation with Mantra: Before opening the shop or starting work, light 9 or 16 joss sticks, then focus your mind on Luang Pu Tim, Luang Por Sakorn, and Mae Nang Kwak. Then, recite the short but potent wealth-calling mantra: “E-Hi Chit-Tang Maha Larpang Bi-Yang Ma-Ma Ma-Ma.”
The artistic feature of this Nang Kwak batch, with its “hand raised above the mouth,” is a spiritual riddle Luang Por embedded, meaning that those with effort and good fortune supporting them will always have more than they need (Surplus Wealth). Devotees who have worn this amulet all agree that after worshiping this powder amulet, business that was once slow became noticeably brisk.

Luang Por Sakorn Manunyo: The Heir of Buddhist Sorcery and the Closest Disciple of Luang Pu Tim

The sanctity of the B.E. 2548 amulets cannot be separated from the miraculous biography of their creator. Luang Por Sakorn Manunyo was born with the name “Sakorn Pairam” (some records state his original surname was Paisalee) on Tuesday, February 3, B.E. 2481 (1938) in Ban Taisung, Rayong province. The significance of this birthplace is that “Ban Taisung” is the same hometown as Luang Pu Tim Isariko, the Bodhisattva of Wat Laharn Rai. This is seen as a heavenly decree, preordaining the two to be a master and disciple in the same lineage.

He entered the monkhood at the age of 20, on June 4, B.E. 2501 (1958), at the Uposot (ordination hall) of Wat Nong Grub , with Luang Por Ding (Pra Kroo Jantarotai) as his preceptor. After that, he spent almost all his time traveling between Wat Nong Grub and Wat Laharn Rai to serve and study with Luang Pu Tim closely. He earned the epithet “Sit Kon Kutti” (The Disciple by the Master’s Quarters) because he was the only person Luang Pu Tim permitted to serve him during the late hours to receive the transmission of secret, esoteric knowledge that could not be shared with the general public.

Inheriting the Lineage from the Supreme Monastic Master

Luang Por Sakorn did not only study with Luang Pu Tim; he also had a thirst for knowledge and traveled to study further with several other highly powerful masters to accumulate diverse Buddhist sorcery that covered all aspects.

Master Who Transmitted the Knowledge Temple/Monastery Knowledge Received
Luang Pu Tim Isariko Wat Laharn Rai Pong Prai Kumarn, Samadhi Vipassana, Yant Ha (Five Yantra), Khun Paen Amulet Creation
Luang Pu Pueak (Luang Pu Pueng) Wat Laharn Yai The “Na Kiew” Yantra Engraving Technique (Maha Ut and Kongkrapan)
Luang Pu Hin Wat Nong Sanom Wicha (Sorcery) for Klaew Klaad (Danger Evasion) and Metta Mahaniyom (as recommended by Luang Pu Tim)
Luang Por Boon Wat Prasart Kin Khmer Sorcery Lineage and Occult Sciences for Creating Talismans
Luang Por Pheng Wat Laharn Rai Wicha Maha Ut (Bullet-Proof) and Kongkrapan (Invulnerability) (from the lineage of Luang Pu Suk, Wat Pak Klong Makham Thao)

With his sharp intellect and steadfast concentration, Luang Por Sakorn was able to memorize the sacred letters (Akkara Lek Yant) and the methods of consecration precisely. Even Luang Pu Tim once praised him in front of other disciples, saying, “This Sakorn can do everything just like me.” His spiritual power was so strong that he could consecrate Takrut to vibrate vigorously in the monk’s bowl or consecrate the Gumarn Tong (Golden Child effigy) to move as if alive. This is the source of the unwavering belief in every sacred object that passed through his hands.

The Legend of Prai Kumarn Powder: Occult Heritage Turned into Sacred Treasure

The key ingredient that gives the Pra Nang Kwak B.E. 2548 its high value and potent power is the inclusion of “Pong Prai Kumarn Maha Phuuti” (Great Ghost Child Powder). This legend began at Wat Laharn Rai around B.E. 2515 (1972), when Luang Pu Tim intended to create amulets to raise funds for the construction of the Uposot. He instructed the collection of a “Prai Kumarn Skull” from a child who died in the mother’s womb (died Thang Klom), considered the most powerful occult material.

The person who accepted this frightening mission was “Mor Kulap Joi Charoen,” a disciple with powerful sorcery who was the only one brave enough to venture into the Wat Laharn Yai cemetery. Mor Kulap had to use his deep meditation and incantations to subdue the spirits of the mother and the keeper of the cemetery until they accepted and were willing to donate the Prai Kumarn body to contribute to the creation of merits in the Buddhist way. Once the skull was obtained, Luang Pu Tim performed a “spiritual bathing” ritual, ordaining the spirits to become “Deva” or benevolent spirits (Deva Spirit) whose duty was to assist those in distress.

The Inheritance of Sacred Material to Luang Por Sakorn

When Luang Pu Tim passed away in B.E. 2518 (1975), he entrusted Luang Por Sakorn to inherit all the remaining Prai Kumarn Powder. This powder was not merely dust but a “living energy starter.” Luang Por Sakorn mixed the original Prai Kumarn Powder with the sacred powders he created himself and continued to consecrate it for decades.

In the creation of the Nang Kwak B.E. 2548, he added a large amount of the concentrated Prai Kumarn Powder into the mixture, giving this batch the benevolent “Phrai” (Prai Deva) energy that whispers warnings or attracts customers to the devotee. There are stories that some who worship this amulet have seen the image of a small child running around in their homes or shops, which signifies the continued presence and power of the Prai Kumarn Powder to help those with true faith.

The Register of Sacred Objects and the Grand Consecration Ceremony in B.E. 2548

The year B.E. 2548 was not only marked by the Pra Nang Kwak Na Pokasap but also by the creation of other important amulets released simultaneously or participating in the same consecration ceremony, making it a golden year for the disciples of Wat Nong Krub. Luang Por Sakorn meticulously focused his spiritual power for consecration in the “Ho Yant” (Yantra Tower) he built himself, ensuring the spiritual power permeated every single amulet.

1. Rian Sema Batch 1 (Commemorating 62nd Birthday)

This is considered the “most supreme” amulet of the B.E. 2548 batch, created to celebrate Luang Por Sakorn’s 62nd birthday on February 3, 2548. The coin was designed with the beautiful artistry of Wat Laharn Rai, featuring a Sema (leaf shape) design. The front bears an image of Luang Por Sakorn sitting in full body, and the back is inscribed with the Yant Ha (Five Yantra), a unique mark of Luang Pu Tim. This coin was produced in materials including Gold, Silver, Nawaloha (nine-metal alloy), and Copper, and its market value continues to climb steadily.

2. Prai Kumarn Powder Amulet, Resemblance Mold (Small Head)

This mold is often called the “Sian Lek 48” (Small Head 48) in amulet circles. It was created with Prai Kumarn Powder, similar to the Nang Kwak. Its specialty lies in the diversity of its material, such as white gilded with gold and pink powder (highly popular among ladies and foreigners). In this small-head batch, some “Ongk Kroo” (Master Pieces) were embedded with silver or gold Takrut scrolls.

3. Luk Om Yant Ha (Five Yantra Orb) and Various Talismans

The Luk Om Prai Kumarn Powder B.E. 2548 is a highly desirable talisman because it utilizes the leftover concentrated powder from the pressing of the Khun Paen and Nang Kwak amulets. Some Luk Om orbs contain embedded Sarika Takrut (attraction yantra) or miniature Pra Pid Ta (closed-eye Buddha) images inside. Furthermore, “Thao Wessuwan” (God of Wealth) and “Pha Yant” (Yantra Cloth) were also released in late 2548 in preparation for the merit-making ceremonies of the following year.

B.E. 2548 Amulet Type Material Content Quantity/Key Features
Pra Nang Kwak Na Pokasap Powder Prai Kumarn Powder/108 Sacred Herbs (Wahn 108) Creamy white, gilded with gold, coded on the side
Rian Sema Batch 1 Metal/Gold/Silver/Copper Coded with serial number, beautiful traditional mold
Pra Resemblance Mold (Small Head) Prai Kumarn Powder/Pink/White Both with and without silver Takrut embedded
Luk Om Yant Ha Concentrated Prai Kumarn Powder Approximately 1.3 cm in size, in both white and pink
Thao Wessuwan Powder/Metal Designed by Luang Por Sakorn, wards off ghosts and attracts wealth

Consecration Ceremony and the List of Participating Monastic Masters

In the creation of the B.E. 2548 sacred objects, Luang Por Sakorn did not perform the consecration alone in every instance. He also invited the charisma of revered Arahants and masters to join the grand Buddhist consecration ceremony (Maha Phutthaphisek). One ceremony that has been recorded is the consecration throughout the three-month Buddhist Lent (Traimas), where Luang Por would seal his meditation room for solitary consecration every night for 3 months.

For the grand ceremony joined by the respected monastic masters, the list includes the following venerable monks:

  • Somdet Phra Nyanasamvara, the Supreme Patriarch: Graciously consecrated the materials and radiated compassion during the important ritual.
  • Luang Por Uttama, Wat Wang Wiwekaram: A Mon lineage master with serene spiritual power and great compassion.
  • Luang Por Sin, Wat Laharn Yai: A senior disciple from the Wat Laharn Rai lineage, skilled in creating Pra Pae (Goat) and Khun Paen amulets.
  • Luang Por Foo, Wat Bang Samak: The inheritor of the Wicha for creating Thao Wessuwan and Metta Mahaniyom.
  • Luang Por Pian, Wat Kreun Kathin: The supreme master of Lopburi province, outstanding in Kongkrapan (Invulnerability) and Klaew Klaad (Danger Evasion).
  • Luang Pu Tim, Wat Phra Khao: The benevolent deity of Ayutthaya (Krung Kao).

The combined power of these supreme masters ensures the B.E. 2548 amulet set possesses perfect energy flow, covering Maha Ut (Bullet-Proof) and Kongkrapan (Chatree), and most importantly, Metta Mahaniyom, which was the main objective of creating the Nang Kwak amulet.

Sacred Materials: The Secret Ingredients of Success

The secret behind the sanctity of Luang Por Sakorn’s amulets is the “materials” he collected throughout his life. For the Pra Nang Kwak Na Pokasap B.E. 2548, he meticulously combined rare ingredients:

  • Pong Prai Kumarn Maha Phuuti: The original powder from Luang Pu Tim, Wat Laharn Rai, which is the most concentrated “starter culture
  • “Five Sacred Powders (Pong Wised 5 Prakan): Including Pong Bpathamang, Pong Ittije, Pong Maharart, Pong Phutthakhun, and Pong Trinisinghe, which Luang Por inscribed and erased the Yantra himself.
  • 108 Sacred Herbs Powder (Pong Wahn 108): Focusing on fortune-attracting herbs, such as
  • Wahn Setthi (Millionaire Herb), Wahn Kwak Maha Chok (Great Fortune Beckoning Herb),
  • Wahn Kumarn Thong (Golden Child Herb), and Wahn Dok Thong (Strong Attraction Herb).
  • Luang Por Kad’s Holy Flour (Paeng Sek): A highly popular Metta Mahaniyom powder in the Eastern region.
  • Seven Occult Soils (Din 7 Athan): Including soil from 7 Clay Licks, 7 Piers, 7 Cemeteries, and 7 Ant Mounds, to invoke the power of Mother Earth (Mae Phra Thorani) to enhance destiny.
  • Old Palm Leaf Powder from Wat Ban Laeng: Powder that Luang Pu Tim helped consecrate in B.E. 2496 with other supreme masters of the Indochina era.
  • Maha Saneh Beeswax and Prai Oil (Namman Phrai): Which have been extracted and consecrated until they are clear and free from negative black magic elements.

The mixing of these materials had to follow the specific auspicious times prescribed in the treatises of “Pichai Songkhram” (Victory in War) and “Phrommachat” (Brahma’s Destiny) to ensure the amulets reached their full potential. Luang Por Sakorn often personally oversaw the grinding and mixing of the materials to ensure that the “goodness” he prepared was consistently incorporated into every amulet.

Conclusion of Faith: Hope and Protection for the Modern World

The “Pra Nang Kwak Na Pokasap B.E. 2548” set of amulets and the register of sacred objects from Luang Por Sakorn Manunyo are not merely works of art or collectibles with economic value. They are a “testament to Buddhist sorcery” that has endured for over two decades. The hidden power within the Prai Kumarn Powder and the spiritual concentration of Luang Pu Tim’s closest disciple have helped countless people overcome financial and life crises.

Kata Nang Kwak (waving lady Deity) Main Version slow and clear pronunciation

For those seeking “the real deal” that is internationally accepted, the Nang Kwak B.E. 2548 pure powder version is the most perfect choice, as you will genuinely experience the spirit of Luang Por Sakorn through the materials inherited from Luang Pu Tim. If you worship with a pure heart, diligence, and consistently make merit to share with the Prai Kumarn and Mae Nang Kwak, the power of “Na Pokasap” will certainly bring prosperity and peace to you and your family.

As Luang Pu Tim once said, “Soon, you will search the earth over and still not find them.” These amulets are invaluable treasures worthy of preservation and reverence as an auspicious blessing for life.

Kata Incantation For Merchants - Thailand Amulets

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The Khun Phaen Nang Kumarn Tong Votive Tablet by Luang Por Guay

The Khun Phaen Nang Kumarn Tong tablet occupies a unique place among the votives created by Luang Por Guay of Wat Kositaram. Fashioned in 2513 B.E. as part of the Run Prasopgarn (“Proved Powerful by Experience”) series, it is composed of Nuea Aathan, a sacral blend of consecrated earth, funerary ashes, powdered bone and Pong Wosed yantra powders. This smooth-backed Hlang Riab variant incorporates the necromantic image of a Hoeng Prai, or child-ghost beneath Khun Phaen’s throne, lending the model an unusual ritual potency within Luang Por Guay’s pantheon.

in hand khun phaen nang kumarn luang por guay hlang riab

The tablet features the image the Buddha in the Mara Vichai posture, one with both hands placed together performing incantations. The figure is enclosed within a crystalline arch and bears elongated earlobes, a classical signifier of awakened wisdom. Beneath this scene rests the Kumarn Tong, the Golden Child Deva, depicted in youthful plenitude. The reverse may appear as an unadorned smooth surface or, in its alternate form, as a seated Kumarn Tong whose rounded belly and serene expression evoke prosperity and well-being.

These amulets were principally bestowed upon disciples who sought Sak Yant tattoos from Luang Por Guay, most famously receiving four Hanuman designs across the back, chest and each arm. Many recipients belonged to the Nak Leng and Suea circles, individuals engaged daily in perilous ventures. Their survival and the numerous accounts of life-saving interventions came to serve as empirical testimony to the amulets’ efficacy, thereby cementing their reputation among both lay practitioners and those immersed in the criminal underworld.

in hand rear face of amulet khun phaen nang kumarn luang por guay hlang riab

Rituals of Empowerment
Luang Por Guay’s methods of Pluk Sek (amulet empowerment) were remarkably intricate. He conducted daily ceremonies at dawn, morning, midday, afternoon, evening and midnight, aligning each rite with auspicious Reuks—including Mongkol (astrological), Jone (gangster) and Bun Paya Marn (demonic) influences—to envelop the wearer in comprehensive protection and blessing. Owners were encouraged to invoke the Kumarn Tong through dedicated kata, spoken silently in the heart when entering buildings, eating or naming the spirit. Offerings were to be made separately, rather than from one’s own plate, so that the Kumarn Tong might attract prosperity, companionship and protection, driving away adversaries and safeguarding household harmony.

macro close up top front face Khun Phaen Nang Kumarn Luang Por Guay Nuea Khaw Hlang Riab

Life of Luang Por Guay
Born on November 2, 2448 B.E. in the Year of the Snake, Luang Por Guay demonstrated precocious mastery of the Dhammapada and Pali incantations long before his ordination at age seven under Luang Por Khuad. Elevated to abbot of Wat Ban Kae on September 1, 2491 B.E., he adopted a life-style of simplicity and austerity, restricting himself to a single daily meal to empathize with the impoverished villagers he served. Renowned for his healing ministrations, daily empowerments of amulets and mastery of multiple wicha—including Sak Yant tattooing—he forged a legacy of both spiritual and material support for his community.

macro close up lower front face Khun Phaen Nang Kumarn Luang Por Guay Nuea Khaw Hlang Riab

Final Years and Posthumous Reverence
In April 2522 B.E., after a prolonged illness attributed to years of self-denial in sustenance, Luang Por Guay passed away in peaceful repose at age seventy-five. His final days were marked by continued magical labor, as he inscribed yantra on palm and foil, empowered amulets by midnight rituals and even foretold the moment of his own departure. When he breathed his last, the temple bell fell as though in salute, tolling exactly at 7:55 a.m. on April 12. Each year since, devotees assemble at Wat Kositaram to offer reverence on that date, calling upon his enduring blessings and celebrating the profound potency of his amulets.

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Thai Buddhist Amulets of High esteem

Thai amulets, known as “Phra Khruang” or “Krueang Rang,” are deeply embedded in the cultural and spiritual fabric of Thailand. These sacred objects are revered not only for their spiritual significance but also for their historical and cultural value. The tradition of wearing amulets in Thailand is a practice that dates back centuries, intertwining with the country’s religious beliefs, history, and social customs.

The creation of Thai amulets is a diligent and complex ritual process, that involves a blend of spiritual rituals, sacred materials, and artistic craftsmanship. These amulets are often made by revered Buddhist monks, Ruesi hermits, or lay sorcerers who are skilled in mystical arts. The process begins with the selection of sacred materials, which may include powdered herbs, sacred earths, metals, and other substances believed to possess inherent protective qualities. These materials are then mixed with holy water and sacred oils, and often inscribed with ancient scripts or symbols known as “Yant.”

The empowerment of amulets is a crucial aspect, involving the chanting of sacred mantras or “Kata” and the invocation of spiritual entities. This ritual is believed to imbue the amulet with “Itti-rit” or psychic powers, granting it the ability to protect the wearer, bring good luck, or enhance personal attributes such as charm and popularity. This form of magic is known as “Metta Maha Niyom,” which focuses on increasing the wearer’s attractiveness and social influence.

Lanna Master Kroo Ba Nikorn Blessing Nam Tao Gourd Amulets

Kroo Ba Nikorn Blessing Nam Tao Gourd Amulets

Thai amulets can be categorized based on their origin, form, or purpose. Naturally occurring objects such as certain types of iron, boar tusks, and tiger fangs are believed to have intrinsic protective qualities and are often guarded by spirits. Man-made amulets, on the other hand, are crafted using sacred clay admixtures or metallurgical processes, often involving ancient alchemical practices.

forging metallic alchemical amulets

The imagery on Thai amulets varies widely, encompassing depictions of the Buddha, noble monks, Bodhisattvas, Devas, and even gods and demi-gods. Some amulets also feature elements of the dark arts, invoking the spirits of ghosts or otherworldly entities. Despite the diversity in their forms and purposes, all Thai amulets share a common goal: to bring Buddhist virtues and protection to those who wear them.

The historical significance of Thai amulets is profound. They are not only religious artifacts but also cultural symbols that reflect the beliefs and values of Thai society. The practice of wearing amulets is documented as far back as the Rattanakosin period during the reign of King Rama IV, although it likely predates this era, especially considering it is recorded that King Naresuan maharaj wore a Takrut across his chest on a cord, which shows that the practice dates back many centuries more, as well as the Kru Hiding place burial finds which reveal amulets having been made 700-1000 years agot already in Siam. Throughout history, amulets have been used as protective talismans in battles, as symbols of faith, and as objects of personal devotion.

Pra Khun Phaen Ban Krang Ancient Clay Hiding-Place Amulet

One of the most revered figures in the history of Thai amulets is Somdej Toh, a legendary monk known for his profound spiritual wisdom and the creation of the famous Pra Somdej amulets. These amulets are highly valued for their spiritual efficacy and exquisite artistry, making them sought-after items among collectors and devotees alike. The authenticity and age of these amulets are of paramount importance, requiring a keen understanding of the materials and techniques used in their creation.

Macro Close Up of the Pra Somdej Wat Gaes Chaiyo with Somdej Dto

In modern times, the popularity of Thai amulets has only grown, with many people around the world collecting and wearing them for various reasons. Whether for spiritual protection, good fortune, or as a connection to Thai culture, these amulets continue to hold a special place in the hearts of many. The enduring appeal of Thai amulets lies in their ability to bridge the spiritual and the material worlds, offering a tangible connection to the divine and a source of comfort and inspiration in everyday life.

For those interested in exploring the world of Thai amulets, there are numerous resources available. Websites such as ancientamulet.com and thailandamulet.net, authored by Ajarn Spencer Littlewood, provide extensive information on the history, types, and significance of these sacred objects. These platforms offer insights into the art of evaluating and authenticating antique Thai Buddhist amulets, helping collectors and enthusiasts navigate this fascinating realm with confidence and understanding.

Thai amulets are more than just religious artifacts; they are an integral parts the rich cultural heritage and spiritual beliefs of Thailand. Whether crafted from sacred materials or naturally occurring objects, these amulets serve as powerful conduits of protection, embodying the timeless wisdom of the Buddha and the enduring faith of the Thai people.

1st Prize Certificate of Authenticity Khun Phaen Pong Prai Kumarn 2515 LP Tim Blue

The Pra Khun Phaen Pong Prai Kumarn 2515 BE Pim Yai Nuea Khaw Sukh Pasom Pong Prai Kumarn Ta Ya Wan See Fa, is a unique and highly sought-after amulet. This particular piece is from Block Tong Hlueang (Block 2), and it boasts a rare color, adding to its rarity and value. The amulet features a striking Wan Thao Hlong Blue Herbal Tint, which gives it a distinctive and alluring appearance.

Pra Khun Phaen Pong Prai Kumarn Blue 2515 LP Tim

One of the standout features of this amulet is the Takrut Maha Bpraab, a sacred metallic scroll spell, inserted into the rear face. This ancient Thai practice of inserting metallic scrolls into amulets is believed to imbue them with powerful protective properties. This exhibit is in excellent condition.The details and features of the amulet are highly refined, adding to its aesthetic and spiritual value.

Pra Khun Phaen Pong Prai Kumarn Blue 2515 LP Tim
The amulet is Blue in color, but was made from in white Prai Kumarn and Puttakun powders, a characteristic that enhances its visual appeal. It has been treated with a blue herbal tincture, which not only gives it a unique hue but also adds to its spiritual significance. The ‘Sai Rae Tong Kam’ gold flakes applied during the pressing process further enhance its beauty and value. These gold flakes were applied by adding Nam Man Prajao Thaksin oil into the block press with gold flakes before pressing the Sacred Clay into the molds. This process resulted in the amulets absorbing the oil and the gold flakes covering and affixing themselves to the surface of the amulets, creating a stunning visual effect.

This amulet is a meticulously preserved specimen of a premier-grade, award-winning Pra Niyom Master Class Amulet, the Pra Khun Phaen Pong Prai Kumarn Pim Yai, a creation of the esteemed Luang Phu Tim of Wat Laharn Rai. This amulet was a first-place winner in the Glum Anuraks Ban Kaay amulet society competition in March 2561 BE, earning it not only a first prize trophy but also the distinction of being the Supreme Champion Class Amulet, an honor signified by its display on stage alongside the accompanying certificate.

Trophy Khun Phaen Pong Prai Kumarn 2515 LP Tim Blue VersionCertificate Khun Phaen Pong Prai Kumarn 2515

This amulet is renowned for its alleged capacity to draw prosperity and success in one’s career, making it a highly desirable item for individuals aiming to boost their financial luck. The attractive power attributed to this talisman is believed to go beyond material gains, fostering increased goodwill and kindness from others towards the wearer. The compassionate influence it is believed to radiate is said to create a harmonious and peaceful environment in the wearer’s life.


This amulet comes with free express shipping worldwide, making it easily accessible to collectors and enthusiasts around the globe. Additionally, a solid silver waterproof casing is included upon request, providing an extra layer of protection and preservation for this exquisite piece.

Amulets of Luang Phu Songk Wat Jao Fa Sala Loi

Ya Sen (Ya Soop) of Luang Por Songk:

In the realm of mystical charms and spiritual treasures, there exists a rare and sacred magical charm known as the Ya Sen (Ya Soop). This enchanting muan sarn is sacred tobacco from smoking or chewing, by LP Songk, and used to make amulets, revered by devotees of the esteemed Luang Por Songk. The Ya Soop holds a profound significance in the spiritual realm of Thai Buddhist amulet aficionados. It is a testament to the divine connection between the wearer and Luang Por Songk, a Maha Thera Gaeji Ajarn whose spiritual mastery remains unparalleled.

The Sacred “Ya Soop” Tobacco

Look Om Ya Soop Luang Phu Songk

Look Om Ya Soop Luang Phu Songk Sacred Tobacco

The Ya Sen, also known as “smoking medicine” or “aromatic medicine,” manifests itself in two distinct forms—a spherical encasement of loose tobacco and as one of Luang Por Songk’s sacred cigar stubs. Within the sphere lies the highly sacred Ya Sen, a spiritual conduit that establishes a profound connection with Luang Por Songk through the practice of Gurunussati. The spherical Waterproof Casing of this exhibit classifies it as belonging to the sacred “Look Om” category. However, it is worth noting that the Ya Sen of Luang Por Songk can also be found in the form of his revered cigars.
Luang Por Songk, Master Sorceror Monk of Wat Jao Fa Sala Loi in Chumpon.

The Great Luang Phu Songk was known for his Holy Prayer water and its ability to fend off even the most powerful black magic, and was reputed to be able to take Hnang Kwai buffalo skin (sacred magical substance), and Mitmor knifes into the stomach without any wounds or bleeding, and insert magical objects under the skin of a devotee, just by performing incantations.[/caption]

The Mystical Essence of Spirituality within the Ya Soop

The Ya Soop, or Magic Ya Sen, carries within it the very essence of Luang Por Songk’s spiritual practice and blessings. It possesses a divine potency believed to bring forth luck, protection, and spiritual elevation to those fortunate enough to wear it. The enchantments bestowed upon this sacred tobacco by Luang Por Songk create a powerful aura of positivity, shielding the wearer from negative influences while attracting auspicious energies.

Luang Por Songk’s Divine Influence

Luang Por Songk Chantasaro of Wat Jao Fa Sala Loi was revered not only for his Magic Ya Sen amulets but also for his profound ability to bless and heal through his Holy Prayer Water. His fame as an adept and his popularity as a spiritual guide extended across two regions—the Southern province of Chumphon and the bustling city of Bangkok. Devotees from far and wide flocked to Luang Por Songk’s humble abode, where they encountered a water bowl filled with the sacred Holy Prayer Water. This blessed elixir, infused with the energy of his nightly meditations, possessed extraordinary healing properties.

Mortal Remains (Sri-Ra), of the Great Luang Phu Songk, during the funerary rites.

Mortal Remains (Sri-Ra), of the Great Luang Phu Songk, during the funerary rites.

Those who had the privilege of drinking or using this Holy Prayer Water for their devotional prayers witnessed miraculous transformations within themselves. Countless individuals experienced solace, healing, and blessings, as the divine miracles performed by Luang Por Songk brought them closer to their deepest desires and aspirations.

Biography of Luang Por Songk Chantasaro

Biographical photograph of Luang Por Songk Chantasaro (2432 - 2526 BE)

Biographical photograph of Luang Por Songk Chantasaro (2432 – 2526 BE)

The life journey of Luang Por Songk Chantasaro was one intertwined with spiritual exploration, meditation, and unwavering service to others. Let us delve into some key milestones that shaped the extraordinary life of this revered master.

Birth and Early Years

Luang Por Songk Chantasaro entered this world on a sacred Tuesday, during the first phase of the sixth month in the Lunar Calendar of the year 2433 BE. Born in Swee Township, nestled amidst the fertile lands where his parents toiled as humble farmers, his path was destined for greatness.

Ordination and Forest Wandering

At the tender age of 18, Luang Por Songk embarked upon the path of enlightenment as a Samanera Novice Monk at Wat Swee. For two years, he immersed himself in the study of Dhamma Vinaya, the profound teachings of Buddhism. However, he temporarily disrobed to assist his family on the farm, a testament to his deep-rooted sense of familial duty.
Image of the Great Luang Por Songk Chantasaro in meditative posture. Luang Por Songk was the abbot of Wat Jao Fa Sala Loi Buddhist temple
Yearning to deepen his spiritual practice, at the age of 21, Luang Por Songk returned to Wat Swee seeking permission to re-ordain as a fully fledged Bhikkhu. His soul yearned for solitude, and he embarked on an extensive journey through forests and mountains. Under the guidance of esteemed masters, he delved into the teachings of Buddhism, honing his meditation techniques, and furthering his spiritual growth.

Attaining Adepthood

After years of unwavering dedication, rigorous training, and a relentless pursuit of wisdom, Luang Por Songk achieved the esteemed status of Maha Thera Gaeji Ajarn. His profound insights, exceptional healing powers, and extraordinary psychic abilities earned him the unwavering reverence of the monastic community and the general public alike.
The Great Luang Phu Songk was known for his Holy Prayer water and its ability to fend off even the most powerful black magic, and was reputed to be able to take Hnang Kwai buffalo skin (sacred magical substance), and Mitmor knifes into the stomach without any wounds or bleeding, and insert magical objects under the skin of a devotee, just by performing incantations.

Establishing Wat Jao Fa Sala Loi

Inspired by his spiritual calling, Luang Por Songk established Wat Jao Fa Sala Loi—a sanctuary of peace nestled amidst the serene beauty of Chumphon. This sacred abode became a beacon of hope for spiritual seekers, who sought solace, guidance, and the blessings bestowed by the enlightened master.
Look Om Ya Soop Luang Phu Songk Wat Jao Fa Sala Loi

Legacy and Passing

Luang Por Songk’s physical presence may have transcended to the realm of eternal bliss in the year 2552 BE, but his spiritual legacy lives on, inspiring and uplifting the lives of countless individuals. His profound teachings continue to guide seekers on their path towards enlightenment, and his benevolent presence is felt by all those who seek his wisdom.
Amulets of Luang Phu Songk, Wat Jao Fa Sala Loi

The magical amulets and blessings of Luang Por Songk continue to bless the lives of those who connect with his enchanted Ya Sen and other amulets many of which were sprayed and blessed in the sacred Holy Prayer Water of Luang Phu Songk. The magic of his divine blessings remains an eternal source of healing, protection, and spiritual elevation to those who revere this Great Khao Or Lineage Buddhist Master.

LP Chaem Amulet Wat Chalong Pukhet

The Pra Pong Roop Muean Sacred Powder Votive Tablet image of the Great 18th Century Monk, Luang Por Chaem, was released by the Gammagarn Comittee of Wat Chalong, for the Golden Jubilee Celebration Edition in 2539 BE, commemorating the 50th Year of Reign of His Majesty King Bhumipol Adulyadej. This sacred powder amulet is made in Nuea Pong Ittijae and features the classic image of Luang Por Chaem standing with the Bai Pad Yos Royal Fan, which is often used for classic celebratory memorial editions at Wat Chalong.

Pong Roop Muean LP Chaem 2539 BE Wat Chalong

The amulets of Luang Por Chaem of Wat Chalong are held in high regard by Malaysians and Singaporeans who have visited Phuket since the colonial era. These visitors pay reverence to LP Chaem and the lineage masters by visiting the temple of Wat Chalong. His amulets are considered to be miraculous and are sought after by those who believe in the power of sacred objects.

Luang Por Chaem was born in the heart of Phang Nga Province, in the year of the Gun, 1827, during the reign of King Nang Klao. He was to become perhaps Phuket’s most internationally famous master monk from the 18th century to this very day. Officially in his Dhamma Trajectory, he became known as Pra Kru Wisutwongsajarn Yan Muni, but to many, he was simply Luang Por Chaem.

Amulets of LP Chaem

 

He was a man of great piety and discipline, becoming the former abbot of Chaithararam Temple, or Chalong Temple, and was held in high esteem by the people of Phuket. Unfortunately, there is no documented evidence of Luang Por Chaem’s parents’ names, as it was common for country folk in Siam during that era to forgo the registration of birth, death, and even marriage certificates. It was a time when traveling to the closest government office was difficult, especially for those living in the countryside, and as such, these matters were not of great importance to them.

Pong Roop Muean LP Chaem 2539 (Rear Face)

At a young age, his parents sent him to live at Wat Chalong, in the Chalong Subdistrict of Thung Kha District, now Mueang Phuket District. Here, he became a disciple of Father Than Kao Abbot and was ordained as a novice and eventually became a monk, studying Vipassana Kammathana Mindfulness Practice, and Wicha, at Wat Chalong until he became proficient.

Luang Por Chaem was known to be strict in the Dhamma and discipline, commanding the faith and devotion of the villagers in general. As such, he was later appointed as the abbot of Wat Chalong. In the year 2419 BE (1876), a group of Chinese tin miners instigated an uprising in Phuket. Luang Por Chaem’s disciples urged him to flee and hide, but he refused to leave the temple and escape. In a show of support, his disciples joined forces to fight to protect him and asked for Pha Yant Pha Yant Prajiad cloth as a morale booster. Luang Por Chaem complied with the request, and this group went on to win the Battle of the Triads.

Pong Roop Muean LP Chaem 2539 BE Nuea Pong Ittijae

The victory inspired more people to join the fight against the Chinese triads, relying on the Pha Yant Prajiad cloth made by Luang Por Chaem as a source of inspiration. The Chinese triads were eventually chased away from Chalong village, and the following year, there were no more attempts to rob the village.

Due to his merits in suppressing the Triad Rebellion, Luang Por Chaem was granted a portion of the merit by the Phuket Political Department. His Majesty The King graciously appointed Luang Por Chaem to have his ordained name of ‘Pra Kru Sangkha Pha Moke’, of Phuket to be changed, and that he should be awarded the official elevation of status into the High Sangha Priesthood as “Pra Kru Wisutwongsajarn Yan Muni”. He was conferred this name at Wat Chalong Mai (Wat Chaithararam). This means that he was considered to have accumulated spiritual merit, which is believed to bring about positive effects in the afterlife. This merit was likely granted to him as a reward for his contributions to the community and to Buddhism.

In addition to his spiritual merit, Luang Por Chaem was also awarded with various honors and titles for his services. He was granted the title of Phra Kru (monk with royal patronage) by King Chulalongkorn and was later promoted to the rank of Phra Khru Pariyattikhun (senior monk with royal patronage) by King Vajiravudh. He was also appointed as the abbot of Wat Sam Pao in 1907 and served in this position until his death in 1935.

Luang Por Chaem’s legacy lives on in Thailand and beyond. He is remembered for his contributions to Buddhism, his efforts to promote education and social welfare, and his exemplary life as a monk. Many temples and organizations have been named after him, and his teachings continue to inspire people to this day.

Bia Gae LP Kam Wat Po Bplam

Bia Gae amulets of  the Great Master Monk Luang Phu Kam, of Wat Po Bplam temple, in Ang Tong.

The Bia Gae of Luang Phu Kam of Wat Po Bplam, in Ang Tong Province, is counted as one of the five ‘Benjapakee’ Bia Gae of all time, along with the other 4 being the Bia Gae of LP Rod (Wat Nai Roeng), LP Bun (Wat Klang Bang Gaew), Luang Por Perm (Wat Klang Bang Kaew) and Luang Por Pak (Wat Bote). It is believed by devotees, that the Bia Gae of Luang Phu Kam, have immense power to ward off demons, ghosts and evil eye spells, as well as dissovle curses, and protect against poisonous beasts, and jungle fevers. They are said to also possess Maha Ud Gunstopper magic, and Metta Maha Niyom Mercy Charm, that recalls good luck into one’s life.

Pantheon of Bia Gaw amulets of LP Kam

In the early era of his Bia Gae making, Luang Phu Kam would be able to get his ‘Bia’ cowrie shells from the local area around the temple, but after the year 2493 BE, as his Bia Gae became increasingly famous and renowned for their power, it became necessary to send devotees to places by the ocean, in order to find enough cowrie shells to satisfy the needs of devotees.

Pantheon of Bia Gaw amulets of LP Kam 5

As to the Channaroeng and Krang Pastes used to seal the Bia Gae, it was taken from stingless beesnests found in the forest, or taken from Jom Pluak giant termite nests which were found in the vicinity around the temple. As the needs of devotees rose, there was not enough Muan Sarn available from these sources of magical ingredients, and Luang Phu Kam was forced to have to seek farther afield for the sacred ingredients necessary to continue making Bia Gae amulets in the numbers needed for his devotees.

Pantheon of Bia Gaw amulets of LP Kam 2

The Bia Gae of Luang Phu Kam differ from those of other masters in their making method; Luang Pu Kam would smelt sacred leaden alloy in a pot until it liquified, and then pour it into the interior of bamboo sticks about one foot in length. The bamboo was then sealed with simple cloth, and the bamboo was quicly shaken and agitated. This would cause the cooling leaden sacred alloy to form into small pellets. These leaden pellets were then used to ‘feed’ the Parort Mercurial Metal. This caused the Mercury to make a different sound when shaking the Bia Gae, more like a rattle than a soft ‘thud’ from the mercury sliding around within interior of the Bia shell.

Pantheon of Bia Gaw amulets of LP Kam 3

Luang Phu Kam would then take the Mercurial Alchemical substance and use Incantations to make the Parort Mercurial alloy flow into the Bia Gae shells. To do this, he would place the Bia Gae on a large tray, and use Ya Kaa grass to beat the tray whilst chanting Kata incantations, until the Parort Mercury would flow into the Bia shells of their own accord. Then they would be sealed with Chanaroeng, and a Takrut foil with Khom Agkhara inscriptions.

There are some special models, enclosed within a metallic casing, some oval with decorative borders, others shaped like a turtle. Very few special models (Dtua Kroo) were made, whereas most of them would be left bare, or cord wrapped with the shell poking out visibly. In the case of his Bia Gae that are not enclosed within metallic frames, the copper Takrut Tong Daeng is visibly affixed to the Channaroeng Paste which closes the mouth of the Bia shell. It is said that some devotees once removed the Parort Mercury, and that it was seen to glow with an aura, like neon light.

Once Luang Phu had finished the creation and primary empowerment process, he would take the Bia Gae into his Kuti hut and perform further solo empowerments in privacy.One can recognize the early, mid and later eras of Bia Gae, from the difference in Channaroeng paste found in the seal of the Bia.


Pantheon of Bia Gaw amulets of LP Kam 4

Early era amulets will have Channaroeng paste from the stingless bee or the giant termite nests around the temple. Mid era ramulets have Channaroeng paste with Ya Ruea, a herbal paste often used by fishermen and sailors to seal their wooden boats against leakage with. The third and later era, is seen to be made from Ya Ruea mixed with Pong Ittijae Yantra powders.

Devotees would often take the Bia Gae of Luang Phu Kam to be specially framed at an artisan, and framed with gold, silver or other brazen metal type frames. The Artisans would always stamp the enclosure of the Bia Gae frame with the Thai letters ‘Hor Mor Ngor’ (หมง), or sometimes the word ‘Kam’ (คำ), or ‘Heng’ (เฮง). In the case of exhibits which have the word ‘Heng’ stamped on the frame, this was the name of the Artisan. In the case of exhibits that have the letters ‘Hor Mor Ngor’ (หมง), this was and still is the code stamp of the firm of the Hor Mor Ngor Artisans, who to this day still use the same Hor Mor Ngor stamp to encase amulets with custom metal frames.

Lp Sanguan

A rare and famous classic Thai Buddhist amulet from yester-year; of the ‘Krueang Rang’ talismanic variety The Look Om Maha Sanaeh in Nuea Tao Pong Yuk Wat Mai Phai (sacred powders from the Wat Mai Phai early era), with Pong Ittijae powders, from Supannburi Master Luang Por Sanguan, of Wat Phai Pan Mer, released in 2500 BE, the anniversary of 2500 Years of Buddhism.

Look Om Nuea Tao 2500 BE Thai Amulet LP Sanguan

Luang Por Sanguan, was a very famous master of his time by hearsay, for his reputation preceded him, by devotees telling their stories of his powerful amulets, and the successes they had with them, and from his great merits as a monk. He was famous for Metta Maha Niyom Magic above all, and is known to have made a large variety of different types of amulets, for, as was often the case with 19th and 20th Century Master Monks, he was an Adept in many Magical Wicha. But perhaps the most famous of his Wicha was the Look Om Tao, for its immense power to charm and enchant.

LP Sanguan of Wat Phai Pan Mer in Supannburi

His many sacred powder amulets were considered extremely powerful, through Luang Por’s use of Sacred Pong Ittijae Muan Sarn Powders which were made by Luang Por Sanguan himself, over his whole lifetime trajectory, constantly rewriting the Sacred Pong Lob Yantra and repeating the empowerment on the powders. This repeated empowerment of the Ittijae powders over many years of his practice.

Luang Por Sanguan is known to have mastered all of the methods for all five of the ‘Pong Wised’ Sacred Muan Sarn Powders; Pong Bpathamang, Puttakun, Trinisinghae, Ittijae, and Maharach. He was especially known for his ability to mix these powders with sacred herbs and other ingredients. He would empower with Metta Maha Niyom and Maha Sanaeh Magical Power of Attraction.

Look Om Nuea Tao LP Sanguan

 

His Look Om became legendary for its Maha Sanaeh power so much, that it gained the nickname of ‘Look Plaek Mae’, which means ‘Makes Son and Mother do not recognizer each other’. This of course is a folk nickname, and is slighly rude, but insinuates that the power of the Look Om Tao, was able to improve even the most unlikely of chances, of charming a person who would otherwise not be interested in you.

It is known that Luang Por would always rely on his Pong Ittijae powders created over a lifetime of practice, to ensure the power within his amulets. This was because he had developed a special affinity with the empowerment of Pong Ittijae. Every time he would release amulets, he would make Look Om sacred powder balls from the Pong Ittijae surplus. Apart from Pong Ittijae, he is also known to have included Rae Saket Daw (meteorite flakes), sacred earths from Wat Ban Krang, and sacred relic minerals found at the temple of Wat Phai Pan Mer.

Close up of Muan Sarn Powders of Look Om Nuea Tao amulet

If we look at the Look Om of Luang Por Sanguan, over his life trajectory, we can see that his early era Look Om were mixed with other ngredients, such as sacred earths, herbs, betal-areca nut paste, channaroeng stingless bees nest paste, and powdered flakes of meteorite.

However, if we look at the Look Om which were made at Wat Phai Pan Mer after his years of Tudong preceding, we can see the sacred clay to be much more uniform like the clay used for his Pra Somdej, resulting in a hard smooth surface that is easy to recognize, even for beginners in the art of studying amulets. Their appearance is very uniform with equally high distribution of Pong Ittijae in each amulet.

This is because towards the latter part of his life, he did not go out on Tudong to the forests anymore to collect other herbs and ingredients, and would use his own Pong Ittijae. It is said that there is a Takrut Maja Sanaeh hidden within the Look Om, intended to increase power of attraction, and good business sales and customer count. Luang Por Sanguan would always oversee the mixing of Muan Sarn to make the sacred clay, and instruct his apprentice monks at the temple in assisting to press the many amulets which were released in each edition.

Close up of Muan Sarn Powders of Look Om Nuea Tao

It is officially accounted from many devotees who visited the temple, that they always witnessed Luang Por Sanguan inscribing Yantra every evening, using a Ruesi Chalk stick made from Yantra powders, to inscribe the hundreds of Sacred Yant used to make POng Lob powders, and keep reusing the chalk residues to make new Ruesi chalk stiicks and repeat the process, for years on end. He would constantly empower the powders he made with incantations, and prayers, taking them into the shrineroom for morning and evening prayers to receive the vibrations of the monks chanting. He would make Look Om himself by mixing the powders with prayer water and other mediums and roll them in his hand, and blow his spells into them, during his nightly withdrawal from the world.

Look Om Nuea Tao 2500 BE - Luang Por Sanguan Wat Phai Pan Mer

The Great Luang Por Pae, of Wat Pikul Tong in Singhburi is known to have often lauded Luang Por Sanguan, saying ‘Ajarn Sanguan makes very powerful Ittijae powders’. Whenever Luang Por Pae would have a Putta Pisek (Buddha Abhiseka) blessing ceremony, he would always invite Luang Por Sanguan to attend, and send people to go and pick him up and bring him to the temple. In return, it is said that Luang Por Sanguan would always tell his students that Luang Por Pae was a Great and Meritorious monk, and that if they found themselves in Singhburi Province, they should go visit him and pay respects.

Look Om Nuea Tao LP Sanguan Wat Phai Pan Mer


Kata for Luang Por Sanguan & His Amulets

Kata (Incantation/Prayer) for amulets of Luang Por Sanguan;

Idti Bpi So Pa Ka Waa Sam Maa Sam Put To Na Mo Put Taa Ya Idti Bpaara Mi Dtaa Dting Saa Idti Sap Pan Ya Maaka Dtaa Idti Po Ti Ma Nu Bpa Dto Idti Bpi So Ja Dtae Na Mo

Kon Tang Hlaay Rak Sa Maa Ka Dtaa So Taa Ya Om Sri Sri Sawad Jaroen – Hnaa Guu Ngaam Hmuean Pra Jantr Muea Wan Pen Bukkon Hen Rak Kon Hen Kon Tak Guu Kun Keuy Dueay Decha Pra Putta Jao Dtrat Waa

Aewam Mae Sudtang Aegang Sa Ma Yang Pa Ka Waa Pitsawaat Hlong Hlai Pitsamay Naeb Nuea Jai Jidtr Kid Teung Klao Kleung Winyaa Wichaa Ja Ra Na Sam Bpan No Ya Taa So Sap Pae Cha Naa Pa Huu Cha Naa

Bpi Maedtaa Bpi Garunaa – Na Maedtaa Mo Garunaa Put Bpen Ti Rak Taa Hai Hen Prajaks Ya Hai Yin Dee Ya Han Dta Waa Taa Mao Mua Put Paa Dtua Ao Ma Haa Guu Mo Som Suu Na Yoo Duay Jon Dtua Dtaay

Idt Thii Hi Bpuu Chi Dtang Sap Pa Sukh Khang Ja Ma Haa Laa Pang Sap Pa Gro Tang Wi Naas San Dti Saa Ra Pad Sa Dtruu Wi Naas San Dti

Om La Luay Ma Haa La Luay Krai Hen Hnaa Guu Gor Ngong Nguay Jong Jai Rak Tak Praa Say On La Mai Ma Haa Guu A Sang Wi Su Lo Bu Sa Pu Pa Na Ma Pa Ta Iswaa Su Ma A U Jidt Dtang Waa Maa Ni Maa

Khunphaen Bai Sema LP Tim

Pra Khun Phaen Pong Prai Kumarn Nuea Wan Plai Dam Pim Bai Sema Amulet – Luang Phu Tim Issarigo, Wat Laharn Rai (Rayong)

This amulet, is a classic original Khun Phaen Bai Sema early era design, which is extremely rare, and known only to those who have studied the amulets of Luang Phu Tim with great fervor, and to those older devotees of the area around Wat Laharn Rai. This amulet comes with Certificate series No 1449 of the 11th August 2562 BE Luead Ban Kaay Luang Phu Tim Amulet Conservation Association Meeting. The amulet was entered for certification, but not competition, due to lack of other competitors with the same amulet (This was the only one in the whole show).

Certificate Pra Khun Phaen Pim Bai Sema Luang Phu Tim

This exhibit allows viewing of all the fine details of the design, and is visibly authentic to the naked eye. The Muan Sarn Sacred Powder Clay is Highly Attractive to the Eye. An amulet of great beauty, and rarity, and in the highly preferred, and rare to find black Plai Dam powders, for serious collectors/devotees of the amulets of Luang Phu Tim. Perhaps a once in a lifetime chance to find this extremely rare Pim Bai Sema.

This exhibit is in excellent condition and well kept, with highly refined details and features, and most certainly worthy of show in the allocated competitions of its genre. The surface texture of the Muan Sarn Sacred Powders has developed the classic fluffy appearance that reveals high Pong Prai Kumarn content within the black Pong Wan Plai Dam Sacred clay.

Pra Khun Phaen Pim Bai Sema Luang Phu Tim


Our proprietor Ajarn Spencer, states that this is the first and only exhibit he ever managed to find, during his years collecting and studying in the Chonburi-Rayong area around Wat Laharn Rai, and that he considers it perhaps the rarest one he has had to seek out. This Pim is a very well preserved exhibit, of a highly sought after Pra Niyom Master Class Amulet, that is now extremely rare to find, since the massive revival in interest in Luang Phu Tim’s amulets, after the truth of his early amulet editions, and the now famous Pra Khun Phaen Pong Prai Kumarn 2515 BE Edition ‘forbidden history’ amulets were revealed to the Public.

Most of the amulets of Luang Phu Tim which were previously untalked of, and unheard of, due to lack of documentation till recently, have been snapped up during recent years, since their dramatic discovery and appearance in the international public eye.

It is very rare to find Luang Phu Tim’s Nuea Wan Plai Dam black powder Khun Phaen amulets, because many people take a great preference to the appearance of the Khun Phaen in black color, and more so, because of the famously powerful magic found within Pong Plai Dam Black Sacred Magical Earths, which is also mysteriously magnetic. Nuea Wan Plai Dam is known for both power of attraction, and Kong Grapan invincibility magic.

Yant Ha on Rear Face of Pra Khun Phaen Pim Bai Sema Luang Phu Tim

This all-time classic Pra Khun Phaen Pong Prai Kumarn of the Great Luang Phu Tim, of Wat Laharn Rai, is one of the most famous amulets of all time, and highly renowned for its true power to bring prosperity, good business, power of attraction, and mercy charm to the wearer. The reason this amulet became so world famous and popular, even in the time when Luang PhuTim was still alive, is because everybody who owned one, recounted that business and personal success and prosperity had increased constantly and steadily since wearing the amulet.

Luang Phu made other editions throughout the years, and most definitely made between 2505 BE, right up to his passing in 2518 BE. The early era and especially the 2515 BE Pra Khun Phaen Pong Prai Kumarn edition, are now the most preferred of all, overtaking the 2517 BE ‘Block Raek’ series, which is now considered by most to have been made by conmen. We must however add, that the official document of permission signed by Luang Phu Tim for the Bangkokian Association Owners, did list all the famous amulets we know from this edition, but that the Pra Khun Phaen was not on the list, and omitted. This means that Luang Phu gave permission for them to make (and take most back to Bangkok with them to monopolize).

Pra Khun Phaen Pim Bai Sema with Certificate

We believe that Luang Phu Tim began making amulets at least 35 years before he passed away (which would be around 2483-2485 BE), as most Master Monks begin distributing their amulets around age 50 if not long before (usually long before), and it is not credible to believe the Bangkokian Monopolists, that Luang Phu Tim only made Pra Khun Phaen amulets in 2517, the final year before he passed away (Impossible!). This is underlined by the fact that there is photographic evidence that Luang Phu Tim was already a notionally acclaimed Master, invited as one of the 245 top masters to bless amulets in the Wat Prasat 2506 BE 4th biggest blessing ceremony in the history of Thai Buddhism, and many other important ceremonies in the years from 2500 BE onwards.

It is hence impossible that if Luang Phu Tim was already being asked to assist with other Great Masters ike Luang Phu To Wat Pradoo Chimplee, Luang Por Jong, Por Tan Klai, Luang Por Ngern Wat Don Yai Horm, and the like, that he would not already have attained fame for empowerment with his own amulets beforehand. It is merely that the bangkokian Monopokist showroom owners and book publishers, only first ever heard news and traveled to Wat Laharn Rai when it was already almost too late, in the final year of Luang Phu’s life. This is also proved by the fact that these Bangkokian 2518 BE-Only monopolists publish books showing Luang Phu Tim’s first edition Samanasak Monk Coin, from 2510 BE, as he was given a Royally Decreed Title of Pra Kroo, which is an act of State Recognition of his merits and a raising of status to be a Royally Accepted and Decreed Monk.

Rear Face Pra Khun Phaen Pim Bai Sema with Certificate

Hence, if Luang Phu Tim was elevated to a Royal Decree status in 2510 BE, and count were made to celebrate the occasion, how can the Bangkokian Monopolists dare to claim that Luang Phu Tim only ever made amulets in 251`7, and that the only Pra Khun Phaen he made were in 2517, the last year of his life. This makes no sense, considering, the reason the Bangkokians sponsored the 2517 BE edition, was because Luang Phu’s fame for his mastery of Wicha Pra Khun Phaen Pong Prai Kumarn had reached their ears.

For it to reach their ears sitting on their butts in Bangkok, it seems to have taken at least 17 to 35 years at least for them to actually get the wax out of their ears. Lazy traders in lazy seats in lazy Bangkok showrooms. They do not travel all the time, and they were not at the temple of Wat Laharn Rai through all the years Luang Phu was there. These Bangkokains merely turned up in Luang Phu’s final year and sponsored an edition, and used book publishing to suppress knowledge of the previous editions they never got to monopolize (by buying them all and waiting till they get rare, sitting on them to speculate).

The Pra Khun Phaen Pong Prai Kumarn is a preferred choice of both the wise investor and devotee, as well as the perfect choice for those Devotees who seek the immense power of Luang Phu Tim’s now Legendary amulets. The Muan Sarn Sacred Powders of the Khun Phaen Pong Prai Kumarn Luang Phu Tim, are renowned for their power, made from the skullbone of a Hoeng Prai. Luang Phu Tim’s Pra Khun Phaen Pong Prai Kumarn, Pim Yai, and Pim Lek amulets are amongst the rarest and most highly sought after amulets in Thailand, and are very difficult to encounter, due to having been made in small number editions, which is nowhere near enough to provide for the masses of devotees around the world who seek such an amulet as this.

Pra Khun Phaen Pim Bai Sema Amulet in Box

One can see a very fluffy and rich texture of the clay visibly on the surface of the amulet, in reaction with the Muan Sarn Sacred Powders. It is a part of the amulet appreciation society expert’s method of authentication to examine and study the appearance of how the Muan Sarn Sacred Powder develops in surface texture, tonality and porosity of the surface, as well as the appearance of Luang Phu Tim’s famous Pong Prai Kumarn which rises up and through the surface.

We ourselves feel that all of Luang Phu Tim’s amulets are equally Sacred and Powerful in their own way, regardless of which edition or which temple he blessed them at, but we do, as do all Amulet Appreciation Fanatics, recognise the categories of preference within the hierarchies of different editions, which is for us one of the more subtle and fascinating parts of the study of high end amulets within the collector scene, and part of the fine art of learning how to recognise and value Sacred Amulets of High Preference and Rarity.

The Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim amulet, has has been one of the most popular amulets in the whole Pantheon of Thai Buddhist Amulets of the last century, and of all time, and is now almost impossible to encounter commonly anywhere in any amulet emporium, except for the most elite showrooms, and at elevated prices. This Pra Pra Khun Phaen Pong Prai Kumarn Pim Bai Sema, is even rarer than the Pra Khun Phaen 15, and a highly desirable exhibit, that is among the rarest amulets in the pantheon of this master.

The Sacredness of the Pra Khun Phaen Pong Prai Kumarn is legendary and unquestioned in Thailand, and its magical power is commonly accepted by all. The Muan Sarn Sacred Powders of the Pra Khun Phaen Pong Prai Kumarn are considered to be amongst the most powerful powders to empower amulets in existence. This amulet is a wonderful opportunity for devotees who seek the true power of a world class amulet from a world class Master-Monk, and a wonderful Ongk Kroo reference study exhibit to peruse under the eye loupe. The amulet is a perfect and authentic study material, to train the eyes as to the appearance of the Muan Sarn and Surface textures of the Classic amulets of Luang Phu Tim Hence, the amulet is also a perfect ‘Ongk Kroo’ reference study material for students of the Pantheon, and will increase your chances of spotting an essential rarity at the right price, and without danger of risking a fakery.

The making of the Muan Sarn Sacred Pong Prai Kumarn powders Luang Phu Tim, came from the Wicha which Luang Phu had inherited through apprenticeship form one of his high Kroo Ba Ajarn, Kroo Ba Sangkh Tao, who was also his true Uncle. Part of the formula included Pong Prai Maha Phuudt, which was made from the Skull of a male Kumarn who died in the Womb, and who died on a Saturday and was cremated on a Tuesday. This is part of the ancient Khmer Necromantic Formula for Authentic Powerful Prai Occult Magic, as practiced in Ancient Times. It is said that Pra Kroo Sangkh Tao’s Wicha Akom was so powerful that when he spat on the floor, the floor would crack where his spit would fall.

Due to the fact that Monks are not allowed to seek and find this Sacred and Extremely Powerful Necromantic Substance, Luang Phu would perform Korb Kroo Initiation for protection against Black Magic and the Phuudtaa Spirit Phantoms, so they could go forth to seek and find the substances to donate to him for the making of the Pong Prai Kumarn. The Initiated Lay Devotees and Apprentices to his sorcery, would then wait for the news of the right circumstances of death of Kumarn Ghosts, and go out to collect the substances and prepare them as instructed with the Wicha. They would seek the permission of the relatives of the dead, to obtain the substances to enable the ghosts of the deceased to receive merits to free them from their Karmic residues by donation of their mortal remains to be made into amulets.

They would receive the ceremonial ritual liberation of their souls from Luang Phu Tim, who would speak with the spirits of the dead to receive their acknowledgement for the process of transformation through the Nibbana Sutra, and the Muan Sarn would then be prepared according to the Dtamra Saiyasart of Necromancy, to make the Pong Prai Kumarn.

Luang Phu instructed his apprentices and the relatives of the Funerals to take care not to incinerate the whole skeleton, but to keep the skulls to bring to Luang Phu to use them for the making of the Pong Prai Kumarn. This is one of the reasons why his Pong Prai Kumarn is so powerful, because it does not contain the skeleton bone powders, rather, only those of the skulls. As a result, Luang Phu Tim’s Pong Prai Kumarn has been recorded by experience of devotees to posses the highest Maha Pokasap Power of all Pong Prai Kumarn ever made, with Immense Metta Maha Niyom and Klaew Klaad Power, to induce Mercy Charm, Attract Lucky Fortunes (e.g. Lottery Winnings), and to Protect from Deadly Accidents and Disasters.

Luang Phu Tim Issarigo, is of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders. Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Khun Phaen Pong Prai Kumarn, and Look Om powder balls. As to the classic ‘Rian’ type coin image amulets which have become all time favorites, and eternally, world famous classic amulets of the high end variety. His Rian Jaroen Porn, and Rian Nakprok Paed Rorp are among the most highly sought after coin amulets of all.

Since his passing, his devotees and apprenticed monks, have now become the world’s top living masters for the making of Pra Khun Phaen Pong Pra Kumarn, and literally dozens of encyclopedic books, have been printed, documenting both this great master monk, and his classic amulets of high esteem. Buddhist monk coins with his image and others with Buddha images and other deities and imagery are amongst the most highly collected amulets and most expensive of all of the great Luang Phu Tim. He has various direct lineage apprentices, Who are continuing to progress and spread his most powerful and world-famous Wicha.
Of all of these masters, certainly the most famous, preferred and highly respected Looksit, was Luang Por Sakorn, of Wat Nong Grub, who is also now deceased, and whose amulets are fast becoming just as highly sought after. Following this Master one could possibly estimate the great Luang Phu Sin, of Wat Laharn Yai, Luang Por Rat of Wat Pha Hwaay, Luang Por Foo of Wat Bang Samak, and Pra Ajarn Somkid, of Wat Beung Tata (Rayong).

Kata Pra Khun Phaen Prai Kumarn Luang Por Tim

Puttang Ārātanānang Tammang Ārātanānang Sangkang Ārātanānang

Na Maedtaa Ja Mahaa Raachaa Taewiraacha Budtra Dtraa Budtra Dtrii Sa Ma Na Praahm Chiitaasaa Taasii Grasadtrii Paab Raacha Idthii Naarii Sappa Aehi Much-Chi Sappang Sappa Grotang Winaasandti Bpiyo Taewa Manussaanang Bpiyo Prahmma Namudt-dtamo Bpiyo Naaka Subannaanang Bpinintriyang Namaa Mihang Wikring Karae


Authenticity Certificate Pra Somdej Hlang Yant Ha Nuea Wan Plai Dam 3 Takrut LP Tim

An Authenticated and Certificated Pra Somdej Hlang Yant Trai Pim Pised Fang Takrut Sam Kasat Fang Roop Muean Nuea Ngern – Muan Sarn Sacred Powders amulet of the Great LP Tim, in Nuea Pong Prai Kumarn Bone Powders, with Pong Wan Plai Dam Black Earthen Powders, Gesa Monk’s Hairs of LP Tim, triple Takrut spell inserts, in bronze, silver and gold (3 Kings/Sam Kasat), and a solid gold Roop Muean Bpam image of Luang Phu Tim. The front face has an immensely clear image with refined details and deep relief, which is unusually prominent for this Pim, adding to its inherent prominence, due to being an Ongk Kroo model with triple Takrut in front face, and solid gold Roop Muean inserted in rear face, as well as being made from the much rarer Nuea Wan Plai Dam.

Pra Somdej Hlang Yant Ha Nuea Wan Plai Dam 3 Takrut LP Tim

This Pra Somdej is extremely rare to find in black Wan Plai Dam powders, and especially in Ongk Kroo version. They are well prized for their Maha Lap and Maha Sanaeh, and Kong Grapan Powers, especially an exhibit such as this pristinely kept amulet, enchanting in its appearance, with the seductive shimmer of Sai Rae Tong Kam Pure Gold Flakes, filled with Pong Prai Kumarn Muan Sarn Powders. The special individuaity and Sacred Power of this amulet is enhanced by the Triple Takrut spells imbuing extra power, and the solid gold image of LP Tim on the rear face.

 Luang Phu Tim Issarigo, of Wat Laharn Rai, was renowned during his day, and remains just as highly renowned today, as one of the top Master Monks in Thai amulet making history, and as the master of the Wicha Pong Prai Kumarn. His amulets are highly varied, and more extensive than ever thought before, now that the pantheon is becoming fully documented, and authenticated. Luang Phu Tim Issarigo, was of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders.


Pra Somdej Hlang Yant Ha Nuea Wan Plai Dam 3 Takrut Gold Image LP Tim

The amulet is full of Pong Prai Kumarn with Plai Dam Powders, and has all features intact, having been kept in pristine condition by its original owner The Sacred Pra Pong Prai Kumarn of the Great Luang Phu Tim of Wat Laharn Rai is one of the most famous amulets of all time, and highly renowned for its true power to bring prosperity and good business, power of attraction and mercy charm to the wearer.

The Pra Somdej is rare to find in black Wan Plai Dam powders, known for their Maha Lap and Maha Sanaeh, and Kong Grapan Powers, especially an exhibit such as this pristinely kept amulet, enchanting in its appearance, with the seductive shimmer of Sai Rae Tong Kam Pure Gold Flakes, filled with Pong Prai Kumarn Muan Sarn Powders. The amulet has Luang Phu Tim’s inimitable and semi-ubiquitous Yant Trai Sacred Geometry Spell in Ancient Khmer ‘Pasa Khom‘ Pali Sanskrit Agkhara Sacred Script on the rear face, which is what lends the name ‘Somdej Hlang Yant Trai’ or Yant Maha Ud’ (Gunstopper Yantra), to the amulet.

Once seen as less known as the other famous Masters of his time such as Luang Por Horm, Luang Por Rung of Wat Ta Graber, and Luang Por Chern. LP Tim soon became more popular and powerful as the tale of him being the only Master able to make an amulet rise up in a water filled alms-bowl and start spinning around, when put to the test with the other great Masters, in a privately held competition of magical powers.

Since his passing, his devotees and apprenticed monks, have now become the world’s top living masters for the making of Pra Khun Phaen Pong Pra Kumarn, and literally dozens of encyclopedic books, have been printed, documenting both this great master monk, and his classic amulets of high esteem. The amulets of Lang Phu Tim have resided, among of the most popular amulets in the whole Pantheon of Thai Buddhist Amulets of the last century, and indeed, of all time. The amulets of Luang Phu Tim, are now almost impossible to encounter commonly anywhere in any amulet emporium, except for the most elite showrooms, and usually at a very elevated price.

The reason the Pong Prai Kumarn amulets of Luang Phu Tim became so world famous and popular, even in the time when Luang Phu Tim was still alive, is because everybody who owned one, recounted that business and personal success and prosperity had increased constantly and steadily since wearing the amulet.

Kata Luang Phu Tim  Wat Laharn Rai

Encyclopaedic work of the amulets of the Great Luang Phu Tim Issarigo of Wat Laharn Rai


The World Famous Hun Payont amulet, of Ajarn Loi Po Ngern, Great Ayuttaya Master and direct lineage continuance of the Wicha of Luang Por Glan of Wat Prayatigaram. The Hun Payont of Ajarn Loi, are said to be the number one Hun Payont amulets of all time, and are the most sought after and desired items by devotees of this kind of amulet. Unfortunately, the amulets of this great olden days Master. Perhaps the number one Hun Payont in Historical Documentation, ancient and highly reputed for its power, the Hun Payont of the Great Ajarn Loi Po Ngern, Great Olden  Days Lay Master of the Ayuttaya Province.

Ajarn Loi was born in the month of February 2454 in Nakorn Sawan, but later moved to live in Bang Prahan in Ayuttaya. He became the apprentice of Luang Por Glan of Wat Prayat. After the passing of LP Glan, Ajarn Loi continued his practice of Magic with Luang Por Bpaen of Wat Sao Tong Mai in Ayuttaya.

Ajarn Loi learned many Wicha with Luang Por Bpaen of Wat Sao Tong Mai, who was well versed in Wicha Saiyasart, but Ajarn Loi himself was also Adept in Artisanry of the Chang Sip Moo Fine Arts level of prowess. He thus taught Ajarn Loi all of his Wicha, and methods of weaving the spellbound Hun Payont, Takrut and other amulets, and Ajarn Loi would make them in the finest fashion. Ajarn Loi was a fine artisan of the Chang Sip Moo group, and received Wicha from Luang Por Bpaen, Luang Por Glan, and other masters, but was the most Adept of all at weaving the Hun Payont Golems with his Artistic ability to make the effigies in all sorts of postures, and dress them with all kinds of regalia.

 

The Hun Payont comes from the word ‘Payont’ which means an effigy that has been brought to life by Sorcerous Magick. Hun Payont may be made in various forms, such as the form of a Human, or some other Magickal creature, or animal, depending on the needs of the user and intended uses of the Adept who makes them. Hun Payont are made from various substances, such as the Hun Hyaa Saan (Hay/Straw), Hun Gan Bai Mai San (leaves), Hun Thao Wan (magical vines), Hun Dtakua (mercurial lead), Hun Khee Pheung (wax), Bai Mai Ta (leaves), Hun Gae Salak (carved wood), Hun Daay (cord wrap), Hun Pha (cloth bound), Hun Din (molded claay), Hun Din Phao (baked clay), Hun Hin (carved stone), Hun Krabueang (ceramic), Hun Poon (cement), Hun Ngern/Tong (silver or gold), Hun Loha (Iron)

The Hun Payont, is an amulet that is found to date back to the times of the Kassapa Buddha. The Kassapa Buddha, is said to have made a Payont effigy, to protect his Relics, before he himself passed into Nibbana.

200 Years Later, King Asoka opened a shrine, to remove and preserve the relics, but the shrine was inhabited by a Hun Payont. King Asoka was forced to invoke and summon the God Indra, who manifested as a Brahman, and performed Incantations, enabling King Asoka to enter and remove the Saririkadhatu Relics.

In the world of Sorcery, all lineages believe in the existence of different kinds of spirits, which can be imbued within effigies or controlled, or beseeched to perform a multitude of tasks.

Hun Payont Ya San Mad Daay Daeng Akom Ajarn Loi

There are many Animist and Necromantic amulets which use different types of spirits which are Hoeng Prai Ghosts, Devas, Bhuta, Kumarn Tong, Rak Yom, In Jantr, Phu Some, In Gaew, Mae Takian, Ma Hoeng Prai, and many others such asYaksa Monsters, to inhabit an effigy.
Great Adepts are the only ones able to create Hun Payont Golem Effigies, which are then brought to life with Necromancy and imbued with any of a number of kinds of spirits.  All Hun Payont must be empowered by a Master who has Mastered the Wicha Akarn Sam Sip Sorng 32 invocationss of the 32 elements within a living being, to make the effigy able to displace itself (move around), and to emit magickal Miracles to protect wealth and possessions within its enclave. If intruders enter, the Hun Payont will create illusions that drive the thieves away, and will also scare away all kinds of demons and ghosts that enter the household to cause any havoc. Hun Payont are very protective of the belonging within the home and for this reason excellent guards.


Hun Payont differ from Kumarn Tong, in the sense that the Kroo Ba Ajarn would give life to the Hun Payont himself without necessity to call upon an existing spirit, whereas a Kumarn Tong is reanimated by calling a Bhuta, a Deva or Child Ghost to inhabit the effigy, to help humans, in exchange for an auspicious rebirth in the heavens after its lifetime within the Kumarn.

Ajarn Loi with his Hun Payont

The Hun Payont is also renowned to be able to bring wealth and attract good business, and is open to being asked for favors and to perform missions, such as chasing away your enemies. It is also believed to possess Metta Mahaniyom ‘Great Preference’ Magick, which we know in English, as ‘Mercy Charm’, as it is reputed to attract the compassion and favor, of those who approach and interact with you.

According to the ancient tradition, a Hun Payont should be rewarded and appeased through the Gruad Nam water pouring ceremony when performing prayers and Bucha.


khun phaen hlang baeb lp tim

Pra Khun Phaen Prai Kumarn LP Tim Pim Yai Niyom Hlang Baeb 2515 BE, rare double sided overlapped twin design model amulet, which was awarded with Authenticity Certificate  by the Luead Ban Kaay LP Tim Amulet association, from the Great Luang Phu Tim, of Wat Laharn Rai. This exhibit is predominantly made from Pong Prai Kumarn, Nuea Khaw Hniaw Sukh blessed sticky rice, with Wan Thao Long tinted Blue-green herbal tincture, and Sai Rae Tong Kam golden flakes.

Khun Phaen LP Tim 2515 Hlang Baeb in Gold Casing

Rear face Khun Phaen LP Tim Pim Yai Niyom Hlang Babe

The Pim Yai Niyom Hlang Baeb, is also known by local devotees as ‘Khun Phaen Pim Bpam Sam’, meaning ‘pressed twice’. One can see the image of the Buddha, and the Sacred Yant Grabong Khwai superimposed upon each other on both sides, with the Yant Grabong Khwai being less obtrusive image, than the Buddha on the front face, and the Buddha being less obtrusive than the Yant Grabong Khwai, on the rear face.

Khun Phaen Prai Kumarn Hlang Baeb 2515 LP Tim Blue Powders

Presenting a close up look at a pristinely well preserved and rare Pra Khun Phaen Pong Prai Kumarn, with 6 code stamps on front face, and Pra Somdej indent on rear face, with bronze wanich and sai rae tong kam golden coating. This is a master class Khun Phaen of LP Tim, which won first prize trophy during the August 2561 BE LP Tim amulet competition of the Samakom Luead Ban Kaay Luang Phu Tim amulet association.

Pra Khun Phaen Pong Prai Kumarn Luang Por Tim

This Model is  Pra Khun Phaen pok Pim Niyom Sao Mee Sen, in Pink Prai Kumarn Powders with Sai rae Tong Kam golde  coating, 6 code stamps on front face, amd Pra Somdej coin impression indented into rear face.  this Amulet won first prize trophy during the highly esteemed Amulet competition of the Luead Ban Kaay Lp Tim Amulets association, for its impressive beauty and originality, in the category of Pra Khun Phaen with coin impressions in rear face.

Luang Phu Tim Issarigo, was of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets in his lifetime, amd posthumously, but is also the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders. Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Khun Phaen Pong Prai Kumarn, and Look Om powder balls. As to the classic ‘Rian’ type coin image amulets which have become all time favourites, and eternally, world famous classic amulets of the high end variety. His rian Jaroen Porn, and Rian Nakprok Paed Rorp are amongst the most highly sought after coin amulets of all.


An exquisitely beautiful Pra Khun Phaen Prai Kumarn 2515 BE Pim Yai Niyom Block Tong Hlueang (Block 2) Hlang Dtok Dtaeng Niyom Nuea Chompoo with Khaw Hniaw Suk & Pong Prai Kumarn Ta Bronze Wanich Dtem Ongk, code Sala (crown code stamp), code 3, and quadruple code Pidta embossed on the front face, with the indented image of a Rian Pra Somdej Lor LP Tim embossed into the rear face as an indentation.


One of the rarest and most highly revered and sought after Palad Khik of all Time, the Palad Khik Gae Nuea Mai Paya Ngiw Dam Dong Jarn Mer, of Luang Por Fak, of Wat Nikom Prachasan. Hand carved from sacred Deva inhabited black Ngiw treewood. The Palad Khik of Luang Por Fak is considered amongst the top five Palad Khik of all time, and carries Supreme Eminence in the Thai Collector Scene of the Krueang Rang Category, and for all Devotees of Palad Khik amulets.

Palad Khik Mai Ngiw Dam Dong LP Fak with Hand Spell Inscriptions

Palad Khik Mai Ngiw Dam Dong LP Fak with Hand Spell Inscriptions

Little is known of his Biography or Life before ordination, but it is known that he was the apprentice in Wicha to the great Luang Por Soke (also top 5 Palad Khik Master), and was the4 Kroo Ba Ajarn who taught the Wicha Palad Khik to the Great Luang Por Yid, of Wat Nong Jork. This Palad Khik from Luang Por Fak is in Pristine condition and exquisitely carved in the classic uniquitious curved shape which has come to be a trademark with the Palad Khik of Luang Por Fak.

A hole is drilled through the base of the Palad Khick for threading a cord through and attaching to a waistcord belt, or can alternatively be encased in waterproof casing with pendant hoop for wearing on a neckchain or belt as preferred.

Hole drilled in base of Palad Khik Mai Ngiw Dam Dong LP Fak

Hole drilled in base of Palad Khik Mai Ngiw Dam Dong LP Fak, for threading a cord for attachment to a belt or neckchain  – Hand spell inscriptions can be seen on the surface of the sacred black Paya Ngiw Dam Dong Treewood.

The back of the Palad Khik has three holes where special Muan Sarn is inserted. The body of the the Palad Khik is formed in the clasic curved shape which has become known to be ubiquitous with the Palad Khik of this Master. This exhibit is extremely rare for the hand inscription of the Yant Dan Dta (Yant Dto) on the head of the Palad Khik, which is said to be found on only very rarely.

The Palad Khik of Luang Por Fak are highly renowned for Kong Grapan Chadtri (Invincibility), Klaew Klaad (Evasion of Deadly Accidents), Metta Maha Niyom n(Mercy Charm), Kaa Khaay (Selling Power), and Lai Phuudt Phii Pisaj (Chase Demons and Ghosts Away).

3 Muan Sarn Inserts in the Palad Khik Mai Ngiw Dam Dong LP Fak

3 Muan Sarn Inserts in the Palad Khik Mai Ngiw Dam Dong LP Fak

The Palad Khik is empowered with the Kata; NA HI HA HU JA CHA DAN DTA
And the Kata Hua Jai Taw Waes Suwan “WAE SA PU SA”, and the Kata Hua Jai Ittijae for Metta Maha Sanaeh “I TA KA MA”, as well as the Kata Hua Jai Metta Karaniya Sutta “AE DTANG SA DTING”, topped off with the Hua Jai Maha Ud “UT TANG AD TO”.

 

11 Kinds of Blessings are included within the Magic of the Palad Khik’s Wicha; 1. Sleep peacefully, 2. Awaken with Happiness, 3. Protection against all Deadly Weaponry, 4. Immunity to Poisons, 5. Mercy Charm, 6. Good Business and Wealth Increase, 7. Convincing Speech, 8. Ward off Evil Spirits and Ghosts, 9. Improve Karma, 10. Protect Household and Property, 11. Increase Popularity & Chances of Promotion.

Palad Khik Mai Ngiw Dam Dong LP Fak

Palad Khik Mai Ngiw Dam Dong LP Fak

The Palad Khik is an Ancient Wicha, whose development can be traced right back to the Vedic Brahman Occult practices of Thousands of Years ago. Palad Khik amulets must be empowered by the repetition of incantations, which Thais call ‘Kata Bucha’, derived from the Devanagari ‘ghata poojah’. The incantations depend on the creator’s lineage in each school of traditional non-Buddhist animist magic.

Kata Bucha Palad Khik

Ganha Neha Na Ma Pa Ta

or

Ja Pa Ga Sa Na Mo Put Taa Ya Gan Ha Nae Ha Na Ma Pa Ta

or

Om Siwaling Sabbha Metta Sabbha Pokaa Sabbha Laapo Sabbha Tanaa, Sabbha Yasa, Sabbha Pranee Sabbha Mangalaani Bhavantume.

 

or

Om Laluay Mahaa Laluay Samsip Sorng Hee Hae Hom Lorm Dtorm Kuay Khor Hai Guu Ram Ruay Pro Hua Kuay An Nii Da Daa Di Dii Duu Dii Hee Maa Kuay Maa Burut Maa Dii Sadtrii Mii Maa Swaa Home

 

chant any one, or all of the Kata 3 times holding the Palad Khik before wearing


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