Lp Sanguan

A rare and famous classic Thai Buddhist amulet from yester-year; of the ‘Krueang Rang’ talismanic variety The Look Om Maha Sanaeh in Nuea Tao Pong Yuk Wat Mai Phai (sacred powders from the Wat Mai Phai early era), with Pong Ittijae powders, from Supannburi Master Luang Por Sanguan, of Wat Phai Pan Mer, released in 2500 BE, the anniversary of 2500 Years of Buddhism.

Look Om Nuea Tao 2500 BE Thai Amulet LP Sanguan

Luang Por Sanguan, was a very famous master of his time by hearsay, for his reputation preceded him, by devotees telling their stories of his powerful amulets, and the successes they had with them, and from his great merits as a monk. He was famous for Metta Maha Niyom Magic above all, and is known to have made a large variety of different types of amulets, for, as was often the case with 19th and 20th Century Master Monks, he was an Adept in many Magical Wicha. But perhaps the most famous of his Wicha was the Look Om Tao, for its immense power to charm and enchant.

LP Sanguan of Wat Phai Pan Mer in Supannburi

His many sacred powder amulets were considered extremely powerful, through Luang Por’s use of Sacred Pong Ittijae Muan Sarn Powders which were made by Luang Por Sanguan himself, over his whole lifetime trajectory, constantly rewriting the Sacred Pong Lob Yantra and repeating the empowerment on the powders. This repeated empowerment of the Ittijae powders over many years of his practice.

Luang Por Sanguan is known to have mastered all of the methods for all five of the ‘Pong Wised’ Sacred Muan Sarn Powders; Pong Bpathamang, Puttakun, Trinisinghae, Ittijae, and Maharach. He was especially known for his ability to mix these powders with sacred herbs and other ingredients. He would empower with Metta Maha Niyom and Maha Sanaeh Magical Power of Attraction.

Look Om Nuea Tao LP Sanguan

 

His Look Om became legendary for its Maha Sanaeh power so much, that it gained the nickname of ‘Look Plaek Mae’, which means ‘Makes Son and Mother do not recognizer each other’. This of course is a folk nickname, and is slighly rude, but insinuates that the power of the Look Om Tao, was able to improve even the most unlikely of chances, of charming a person who would otherwise not be interested in you.

It is known that Luang Por would always rely on his Pong Ittijae powders created over a lifetime of practice, to ensure the power within his amulets. This was because he had developed a special affinity with the empowerment of Pong Ittijae. Every time he would release amulets, he would make Look Om sacred powder balls from the Pong Ittijae surplus. Apart from Pong Ittijae, he is also known to have included Rae Saket Daw (meteorite flakes), sacred earths from Wat Ban Krang, and sacred relic minerals found at the temple of Wat Phai Pan Mer.

Close up of Muan Sarn Powders of Look Om Nuea Tao amulet

If we look at the Look Om of Luang Por Sanguan, over his life trajectory, we can see that his early era Look Om were mixed with other ngredients, such as sacred earths, herbs, betal-areca nut paste, channaroeng stingless bees nest paste, and powdered flakes of meteorite.

However, if we look at the Look Om which were made at Wat Phai Pan Mer after his years of Tudong preceding, we can see the sacred clay to be much more uniform like the clay used for his Pra Somdej, resulting in a hard smooth surface that is easy to recognize, even for beginners in the art of studying amulets. Their appearance is very uniform with equally high distribution of Pong Ittijae in each amulet.

This is because towards the latter part of his life, he did not go out on Tudong to the forests anymore to collect other herbs and ingredients, and would use his own Pong Ittijae. It is said that there is a Takrut Maja Sanaeh hidden within the Look Om, intended to increase power of attraction, and good business sales and customer count. Luang Por Sanguan would always oversee the mixing of Muan Sarn to make the sacred clay, and instruct his apprentice monks at the temple in assisting to press the many amulets which were released in each edition.

Close up of Muan Sarn Powders of Look Om Nuea Tao

It is officially accounted from many devotees who visited the temple, that they always witnessed Luang Por Sanguan inscribing Yantra every evening, using a Ruesi Chalk stick made from Yantra powders, to inscribe the hundreds of Sacred Yant used to make POng Lob powders, and keep reusing the chalk residues to make new Ruesi chalk stiicks and repeat the process, for years on end. He would constantly empower the powders he made with incantations, and prayers, taking them into the shrineroom for morning and evening prayers to receive the vibrations of the monks chanting. He would make Look Om himself by mixing the powders with prayer water and other mediums and roll them in his hand, and blow his spells into them, during his nightly withdrawal from the world.

Look Om Nuea Tao 2500 BE - Luang Por Sanguan Wat Phai Pan Mer

The Great Luang Por Pae, of Wat Pikul Tong in Singhburi is known to have often lauded Luang Por Sanguan, saying ‘Ajarn Sanguan makes very powerful Ittijae powders’. Whenever Luang Por Pae would have a Putta Pisek (Buddha Abhiseka) blessing ceremony, he would always invite Luang Por Sanguan to attend, and send people to go and pick him up and bring him to the temple. In return, it is said that Luang Por Sanguan would always tell his students that Luang Por Pae was a Great and Meritorious monk, and that if they found themselves in Singhburi Province, they should go visit him and pay respects.

Look Om Nuea Tao LP Sanguan Wat Phai Pan Mer


Kata for Luang Por Sanguan & His Amulets

Kata (Incantation/Prayer) for amulets of Luang Por Sanguan;

Idti Bpi So Pa Ka Waa Sam Maa Sam Put To Na Mo Put Taa Ya Idti Bpaara Mi Dtaa Dting Saa Idti Sap Pan Ya Maaka Dtaa Idti Po Ti Ma Nu Bpa Dto Idti Bpi So Ja Dtae Na Mo

Kon Tang Hlaay Rak Sa Maa Ka Dtaa So Taa Ya Om Sri Sri Sawad Jaroen – Hnaa Guu Ngaam Hmuean Pra Jantr Muea Wan Pen Bukkon Hen Rak Kon Hen Kon Tak Guu Kun Keuy Dueay Decha Pra Putta Jao Dtrat Waa

Aewam Mae Sudtang Aegang Sa Ma Yang Pa Ka Waa Pitsawaat Hlong Hlai Pitsamay Naeb Nuea Jai Jidtr Kid Teung Klao Kleung Winyaa Wichaa Ja Ra Na Sam Bpan No Ya Taa So Sap Pae Cha Naa Pa Huu Cha Naa

Bpi Maedtaa Bpi Garunaa – Na Maedtaa Mo Garunaa Put Bpen Ti Rak Taa Hai Hen Prajaks Ya Hai Yin Dee Ya Han Dta Waa Taa Mao Mua Put Paa Dtua Ao Ma Haa Guu Mo Som Suu Na Yoo Duay Jon Dtua Dtaay

Idt Thii Hi Bpuu Chi Dtang Sap Pa Sukh Khang Ja Ma Haa Laa Pang Sap Pa Gro Tang Wi Naas San Dti Saa Ra Pad Sa Dtruu Wi Naas San Dti

Om La Luay Ma Haa La Luay Krai Hen Hnaa Guu Gor Ngong Nguay Jong Jai Rak Tak Praa Say On La Mai Ma Haa Guu A Sang Wi Su Lo Bu Sa Pu Pa Na Ma Pa Ta Iswaa Su Ma A U Jidt Dtang Waa Maa Ni Maa

Presenting an extremely well preserved, finely detailed, and immensely Rare amulet of the Great Luang Por Jong of Wat Na Tang Nok; Pra Nang Kwak Loi Ongk statuette, for powerful ‘Kaa Khaay’ Business Success, ‘Maha Sanaeh’ magic to Attract Customers, ‘Maha Lap’ Lucky Fortunes, and ‘Metta Mahaniyom’ Mercy Charm. The amulet is cast from Sacred Bronze (Samrit), and is styled in ancient fashion, forged using ancient alchemy.

The Nang Kwak amulet of Luang Por Jong, is an immensely rare acquisition for the true Devotee of Luang Por Jong, and an irresistible exhibit for any truly avid collector of this Master, and for those who seek the perfect amulet to increase their business earnings and customers, and improve their charm, business and social skills.

Nang Kwak Nuea Samrit 2490 BE Luang Por Jong Front Viiew

Luang Por Jong made amulets between the years 2483, to 2507 BE, after which Luang Por passed away in the year 2508 BE. Luang Por Jong, was one of the previous generation of attained Masters, of National and International Fame. The Mae Nang Kwak amulets of lp Jong are considered amongst the top 5 Mae nang kwak amulets of all Masters, along with Luang Phu Bun (Wat Klang Bang Gaew), Kroo ba Chum (Wat Wang Mui), Luang Por Te (Wat Sam Ngam), and Luang Por Im (Wat Hua Khao)

Known for his Kong Grapan Chadtri Klaew Klaad protective amulets handed out to soldiers during the Indochina Wars. His Pla Tapian Maha Lap Kaa Khaay amulets are also renowned for their ability to instigate good commerce and prolific sales quotas with sales persons.

Luang Por Jong Wat Na Tang Nok

Luang Por Jong was one of the Great Guru Masters of the Ayuttaya Province, whose powers of Kong Grapan Chadtri, Klaew Klaad, and Maha Amnaj Serm Yos Magic was highly favored with high ranking officers and successful leaders of Adminstrative Professions. He was famous for many different amulets, and released many, including the Takrut Hnaa Phaag Suea (Tiger Forehead Skin Yantra Scroll), the Pla Tapian Koo, and his Many Sacred Powder Amulets, such as this Pra Somdej Bailan from the Indo-China War Era.

Nang Kwak Nuea Samrit 2490 BE Luang Por Jong right side View

His Guru Monk Coin amulets are highly sought after and revered, and have a well documented ‘Dtamra’ (Catalogue of the Pantheon), allowing for collectors to easily authenticate and research the origins of these amulets. His Magic Ring Amulets, Pra Somdej and other Sacred Powder Votive Tablets, and Powerful Takrut are famous as they are rare to find. Luang Por Jong’s Pla Tapian Maha Pokasap Lap Kaa Khaay Gold-Silver Fish amulets, are also renowned worldwide, for their ability to instigate good commerce and prolific sales quotas with sales persons.

Nang Kwak Goddess of Luck Luang Por Jong 2490

The Legend of the Ghost Soldiers

Thailand sent nearly 40,000 volunteer soldiers to South Vietnam to serve alongside the Free World Forces in the conflict, but unlike the other foreign participants, the Thais came armed with historical and cultural knowledge of the region. Blending the methodologies of cultural and military history, as well as their mysterious Buddha-Magic, as was seen by the foreign soldiers who saw the Thai Military wearing amulets, who were shot down, and who stood up again unscratched, and continued fighting as if they were bulletproof. This caused the alliedf forces to give the Thai Soldiers the name ‘Taharn Phii’ meaning ‘Ghost Soldiers’. This legend became well known and talked about with the western allies, amny of whome beseeched their Thai allies to bring them to a master monk for protective amulets for themselves.

Luang Por JongĀ is counted along with the other Great Masters Luang Por Jong (Wat Bang Grabao), Luang Por Chaeng (Wat Bang Pang), Luang Por Opasi (Asrom Bang Mot), Luang Por Kong and Ajarn Chum Chai Kiree, as well as the temple of Wat Sutat, to have provided the most powerful miraculous amulets to the Thai Military to protect them from danger and death during battle. The Thai volunteers in their wartime encounters with American allies, were often seen to be hit by bullets, and stand up again unhurt, which caused the Thai soldiers to earn the nickname ‘Taharn Phii’, meaning ‘Ghost Soldiers’.

Luang Por Jong of Wat Na Tang Nok was one of the great Guru Masters of the Ayuttaya Province, in line with the Great Luang Por Parn of Wat Bang Nom Kho, and is one of the Great Masters who assisted the Thai Military with powerful Kong Grapan Chadtri and Klaew Klaad amulets during the Indochina Wars. Luang Por Jong was a Highly Attained Master in both Worldly Deeds of Goodness and Self Renunciation, as well as in the Dhamma Path. His Great Fame and Honorable Status has survived more than half a century, and who is remembered as one of the Greatest Masters of His Time, and as one of the Greatest Masters of the Ayuttaya Lineage.

Nang Kwak Nuea Samrit 2490 BE Luang Por Jong left side View

Luang Por Jong was born with the name ‘Jong’ into a farmer family in the village of Na Mai, in Bang Sai Municipality, of the Province of Ayuttaya. HIs Father was called my Yord, and his Mother was called Mrs. Khlip. Luang Por Jong had two younger siblings (one brother and one sister). His younger brother was called Nil, and his little sister was called Bplik, who was the youngest of the three. It is not known exactly which date Luang Por Jong was born, for there is no official documentation of his birth. But it is stated in his family lineage, that he was born during the time that King Rama 5 was ruling Siam, on a Thursday of the year of the monkey on the 8th Lunar Phase. This, when calculated from knowing the Year of Monkey during the Reign of King Rama 5, within Luang Por Jongs childhood, would mean he would have been born on the 6th of March 2415 BE. During his childhood he displayed strong leanings to remain in solitary, and even when his parents would take him to the local Lige theatre shows, he would distance himself from the crowd of spectators and watch from a distance. He was never one to socialise or look for attention. Luang Por Jong was ordained in 2435 BE at Wat Na Tang Nork temple in Ayuttaya, and was given the ordained name of Jong Puttassaro with the Abbot of Wat Na Tang Nork as his Pra Anusawanajarn (Luang Por Po). Luang Por Po noticed that Luang Por Jong, despite being weak of body and prone to illness, was excellent in his mental capacity and learned the Khom Agkhara Sanskrit perfectly in a very short time. It became noticed by the local devotess and by Ajarn Po himself that Luang Por Jong was showing wisdom and ability in Wicha Akom Sorcery that was far beyond his age.

Luang Por Jong, Ancient Master Monk of Wat Na Tang Nok

In no time at all, Luang Por Jong was given every single facet of the Wicha from his Kroo Ba Ajarn Luang Por Po, and became a Master Sorceror in his own right, and a great Dhamma Practitioner and Teacher to the local Folk. His trajectory followed on from that, and he never stopped advancing, becoming one of the Greatest Sorceror Monks of his Era, until his passing in the year 2508 BE. Luang Por Jong remains one of the most famous Masters of Indochina Wartime Era for his Powerful Kong Grapan Chadtri, Klaew Klaad, Maha Lap, Kaa Khaay and Metta Maha Niyom Magic.

Thai Version of Nang Kwak

There is also the Thai Occult Legend of Nang Kwak, which gives a different account of the origins of Lady Nang Kwak, which goes like this;

Nang Kwak is the daughter of ‘Phu Jao Khao Khiaw’ (meaning ‘Grandfather Lord of the Green Mountain – Khao Khiaw could also mean ‘Green Horns’). Phu Jao Khao Khiaw was a Lord of the Jadtu Mahaa Raachiga realm (one of the lower levels of Heaven – an Asura realm of giants and monster beings). His other name is ‘Pra Panasabodee’, and he is the Lord of the forest and places where wild plants grow. In that time, there was an Asura demon called Taw Gog Khanag (otherwise known as ‘Taw Anurach’). Taw Gog Khanag was a good friend of Phu Jao Khao Khiaw, who had been attacked by ‘Pra Ram’ (the name of Rama in the Thai Ramakian – adapted from the Indian Ramayana Epic), who had thrown a Gog tree at him which pierced his chest and carried him through space to be pinned to the side of ‘Pra Sumen’ (Mount Meru). In addition, Pra Ram cursed him with the following magic spell; ‘Until your descendants weave a Civara monks robe from lotus petals, and offer it to Pra Sri Ariya Maedtrai (Maitreya – the future Buddha), your curse will not be lifted’.

Nang Kwak Luang Por Jong Overhead View

After this, Nang Prajant, the daughter of Lord Gog Khanag (Taw Anurach) had to serve her father, spending the days and nights trying to weave a Civara robe from lotus petals, in order to have it ready for offering to Pra Sri Ariya Maedtrai, who will descend to become enlightened in a future age from now.

Because Lord Gog Khanag had to remain cursed and pinned to Pra Sumen, his daughter was in a pretty dire state without her father to help run things.
Because she had to spend all her time weaving the Civara, she had no time to go sell things or make money, nor time to run a shop. When Jao Khao Khiaw heard the news of this, he felt compassion, and sent his daughter Nang Kwak to go stay with her as a companion. Because of the ‘Bunyarit’ (power of her great merit), Nang Kwak caused merchants and rich nobles from around the area to flock to Nang Prajants home and bestow gifts of gold, silver and money on them. Nang Prajant became wealthy and led a comfortable life.

Nang Kwak Luang Por Jong front View

Nang Kwak statues are a very sacred and ancient tradition of Deva worship which Thai Buddhists adopted from Brahmins as they immigrated and came to stay in Siam, long before Buddhism had got a foothold. Due to this, Ajarns of Ancient Times created ‘Kreuang Rang’ (magical effigies) in the likeness of a lady with a shoulder mantle, sitting and beckoning with her waving right hand, inviting you to come and buy her wares. The statues were dressed in the traditional costume, and the Masters would make offerings and chant in meditation, until the statues hand began to wave back and forth, which was the signal that the ritual was successful and complete. Nang Kwak is seen to be prayed to (Bucha), as an altar statue, and also as an amulet, and Pha Yant (Yantra Cloth), and sometimes as powder amulets, and lockets.