The Khun Phaen Nang Kumarn Tong Votive Tablet by Luang Por Guay
The Khun Phaen Nang Kumarn Tong tablet occupies a unique place among the votives created by Luang Por Guay of Wat Kositaram. Fashioned in 2513 B.E. as part of the Run Prasopgarn (“Proved Powerful by Experience”) series, it is composed of Nuea Aathan, a sacral blend of consecrated earth, funerary ashes, powdered bone and Pong Wosed yantra powders. This smooth-backed Hlang Riab variant incorporates the necromantic image of a Hoeng Prai, or child-ghost beneath Khun Phaen’s throne, lending the model an unusual ritual potency within Luang Por Guay’s pantheon.
The tablet features the image the Buddha in the Mara Vichai posture, one with both hands placed together performing incantations. The figure is enclosed within a crystalline arch and bears elongated earlobes, a classical signifier of awakened wisdom. Beneath this scene rests the Kumarn Tong, the Golden Child Deva, depicted in youthful plenitude. The reverse may appear as an unadorned smooth surface or, in its alternate form, as a seated Kumarn Tong whose rounded belly and serene expression evoke prosperity and well-being.
These amulets were principally bestowed upon disciples who sought Sak Yant tattoos from Luang Por Guay, most famously receiving four Hanuman designs across the back, chest and each arm. Many recipients belonged to the Nak Leng and Suea circles, individuals engaged daily in perilous ventures. Their survival and the numerous accounts of life-saving interventions came to serve as empirical testimony to the amulets’ efficacy, thereby cementing their reputation among both lay practitioners and those immersed in the criminal underworld.
Rituals of Empowerment
Luang Por Guay’s methods of Pluk Sek (amulet empowerment) were remarkably intricate. He conducted daily ceremonies at dawn, morning, midday, afternoon, evening and midnight, aligning each rite with auspicious Reuks—including Mongkol (astrological), Jone (gangster) and Bun Paya Marn (demonic) influences—to envelop the wearer in comprehensive protection and blessing. Owners were encouraged to invoke the Kumarn Tong through dedicated kata, spoken silently in the heart when entering buildings, eating or naming the spirit. Offerings were to be made separately, rather than from one’s own plate, so that the Kumarn Tong might attract prosperity, companionship and protection, driving away adversaries and safeguarding household harmony.
Life of Luang Por Guay
Born on November 2, 2448 B.E. in the Year of the Snake, Luang Por Guay demonstrated precocious mastery of the Dhammapada and Pali incantations long before his ordination at age seven under Luang Por Khuad. Elevated to abbot of Wat Ban Kae on September 1, 2491 B.E., he adopted a life-style of simplicity and austerity, restricting himself to a single daily meal to empathize with the impoverished villagers he served. Renowned for his healing ministrations, daily empowerments of amulets and mastery of multiple wicha—including Sak Yant tattooing—he forged a legacy of both spiritual and material support for his community.
Final Years and Posthumous Reverence
In April 2522 B.E., after a prolonged illness attributed to years of self-denial in sustenance, Luang Por Guay passed away in peaceful repose at age seventy-five. His final days were marked by continued magical labor, as he inscribed yantra on palm and foil, empowered amulets by midnight rituals and even foretold the moment of his own departure. When he breathed his last, the temple bell fell as though in salute, tolling exactly at 7:55 a.m. on April 12. Each year since, devotees assemble at Wat Kositaram to offer reverence on that date, calling upon his enduring blessings and celebrating the profound potency of his amulets.
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Ancient Amulet - Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets') Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days
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The Sacred Amulets of Luang Por Sakorn: A Comprehensive Guide to the Devotional Legacy of Wat Nong Grub
Introduction
In the pantheon of modern Thai Buddhist masters, Luang Por Sakorn Manunyo of Wat Nong Grub, Rayong Province, occupies a unique position as both a devout spiritualist and a consummate ritual technician. His contributions to Thai amulet culture are not merely of devotional significance; they reflect a comprehensive mastery of sacred materials, esoteric consecration methods, and a lineage that traces directly back to two of the most revered figures in modern Thai occultism: Luang Por Pheung of Wat Nong Bua, and the legendary Luang Pu Tim of Wat Lahan Rai. This guide endeavors to present a detailed exposition of the amulets and talismanic objects consecrated by Luang Por Sakorn during his lifetime, situating them within their historical, ritual, and collector contexts.
Origins and Mastery
Luang Por Sakorn’s journey into sacred craftsmanship began under the tutelage of Luang Por Pheung and was later refined through intensive study with Luang Pu Tim, a master famed for the creation of Prai Kumarn powder-based amulets. Luang Por Sakorn also underwent further esoteric training under Luang Pu Hin of Wat Nong Sanom, thus solidifying his foundation in the Ruesi traditions and mystical sciences that underpin the creation of powerful amulets. He was not merely a ritual assistant or disciple but was entrusted with specific formulas, powders, and esoteric incantations that had, until then, remained within an exclusive lineage. This trust would culminate in the prolific consecration of sacred objects that today form one of the most respected catalogs in Thai Buddhist amulet history.
The Phra Khun Phaen Series
Luang Por Sakorn’s reputation was cemented with the release of the first Phra Khun Phaen Pong Prai Kumarn amulets in 2530 BE. These were produced in small and large molds, using authentic prai kumarn powder inherited from Luang Pu Tim, infused with oils, sacred floral essence, and enhanced with metal Takrut in gold, silver, or copper. The resulting amulets were rich in texture and profound in spiritual energy. Highly venerated for their reputed efficacy in charm (maha sanaeh), protective metta, and financial fortune, these amulets command high premiums in today’s collector markets.
Subsequent editions of Khun Phaen continued to evolve in both aesthetic form and ritual complexity. The 2538 BE edition commemorated the construction of a new chedi at Wat Nong Grub and involved the integration of additional powders from Luang Pu Tim and Luang Pu Hin. In 2543 BE, to celebrate his 63rd birthday, Luang Por Sakorn introduced Khun Phaen with Nava Loha Takrut, empowered over extended periods of solitary and collective chanting ceremonies. By 2546 BE, the Phapa Samakkhi edition showcased new powder compositions, lacquer finishes, and embedded silver Takrut, with narratives emerging around wearers surviving life-threatening events.
Later editions such as the Khun Phaen Krob Jakawan (2553 BE) and the Tri-Mas edition (2555 BE) featured powders like Jin Dab Mani and meticulously blended sacred herbs. Each of these editions carried subtle differences in mold, coloration, and embedding—details that advanced collectors scrutinize when authenticating specimens.
Phra Pidta and Meditative Forms
Phra Pidta amulets by Luang Por Sakorn represent a synthesis of mystical protection and wealth attraction. The Phra Pidta Maha Lap medallion, released in 2524 BE, depicted the classic closed-eye mudra associated with spiritual introspection and arcane wisdom. The reverse bore yantras believed to ward off misfortune and invite abundance. Revered especially by traders, it became affectionately known as the “Pidta 24.”
He later introduced additional Pidta forms, including versions aligned with Taw Wessuwan—the celestial guardian associated with wealth and guardianship—produced in metal and cloth. These were ritually empowered through multi-day chanting ceremonies, often during auspicious lunar alignments.
Phra Kring and Ritual Bells
Among the most iconic of Luang Por Sakorn’s creations was the Phra Kring Tripitaka series, first released in 2544 BE. These sacred ringing amulets were forged from metal alloys that included melted Chinnabanchorn relics, sacred fragments from Luang Phu Kaew’s amulets, and embedded Takrut scrolls. In select editions, sacred hairs from Luang Por Sakorn, Luang Pu Tim, and other senior monks were sealed within the base, and inscriptions were applied during the three-month Rains Retreat. Considered especially powerful for healing, prosperity, and spiritual grounding, these amulets have achieved near-legendary status among devotees.
Takrut and Cloth Talismans
Takrut charms formed a vital aspect of Luang Por Sakorn’s repertoire. These included the Tone Sao 5 (2550 BE), which was crafted in auspicious Saturday-Fifth configurations, and the Maha Prap series (2540 BE), which was associated with invincibility and aura enhancement. These charms, inscribed in silver, copper, or triple-metal alloys, were often individually consecrated by hand, reflecting the personalization that characterized his work.
Cloth talismans such as the Pha Yant Paddle Banner and the Shuchok Talismans were also significant. The latter, in particular, were hand-drawn with Dvaravati-style yantras and are revered for their household protection properties. One of the most coveted cloth talismans is the Taw Wessuwan yellow Pha Yant, limited to 1,000 pieces, each numbered and stamped by temple authorities.
Medallions and Commemorative Coins
Among his numerous commemorative medallions, the Baramee 53 series (2553 BE) stands out. Oval in shape and bearing Luang Por Sakorn’s meditative image on the obverse and wealth-attracting yantras on the reverse, this series was produced in gold, silver, and various copper alloys. The gold versions were limited to just 99 pieces, and each was individually numbered, adding to their collector appeal.
The Maha Pokasap medallion, created for his 73rd birthday in 2554 BE, depicted Luang Por Sakorn in full-figure and featured the “Unending Wealth” yantra. Like the Baramee 53, this medallion was released in multiple metal grades, from nava loha to copper. A follow-up series in 2555 BE, known as the Tri-Mas Edition, incorporated strands of his sacred hair and blended alloys. Additional rarities include the Sam Kasat medallion (featuring gold, silver, and copper alloys) and the Seema Six-Round commemorative medallions.
Animal-Based Charms and Effigies
Luang Por Sakorn also produced an array of animal-based talismans, designed for protection, authority, and personal magnetism. Among them, the Singha Maha Prap of 2546 BE—a small lion’s head effigy—was embedded with prai kumarn powders and Takrut scrolls, crafted in gilded bronze or sacred alloys. Tiger effigies carved from wood or cast in metal, featuring inscriptions derived from Luang Pu Tim’s own scrolls, were equally venerated.
The Hanuman Maha Prap Trai Chak edition, a highly sought-after and exclusive piece from the 2555 BE collection, boasts a limited run of only 333 consecrated pieces. Each individually crafted effigy was imbued with spiritual significance over the course of nine sacred nights, during which time it was infused with an array of powerful ingredients, including multiple Takrut, relic powders, and as many as 16 distinct forms of Hanuman yantras. These intricate and complex components work in harmony to amplify the metaphysical properties of the effigy, allowing it to serve as a potent symbol of protection, strength, and divine guidance.
In addition to the revered Hanuman Maha Prap Trai Chak edition, the collection also features a range of other effigies, each imbued with its own unique metaphysical purpose. Pigs, such as the majestic Maha Heng, are often associated with the acquisition of wealth and material prosperity, while tortoises are revered for their ability to grant invincibility and protection from harm. Meanwhile, monkeys are believed to possess the power to imbue their owners with charisma and confidence, making them a popular choice among those seeking to enhance their social and professional standing.
Market Impact and Legacy
The veneration of Luang Por Sakorn’s sacred creations has grown exponentially since his passing in 2014. It is not uncommon for entire batches of newly released editions to sell out within hours. Demand is particularly high among collectors in Thailand’s urban centers, as well as in international circles, notably in Malaysia and Singapore. First-edition Khun Phaen amulets have sold for over a hundred thousand baht in some instances, while rare medallions like the Baramee 53 gold coin have achieved auction prices well beyond their initial offering.
Despite this commercialization, the spiritual intent behind each object remains clear. Each amulet was crafted, consecrated, and released not as a commodity but as a sacred extension of Luang Por Sakorn’s enduring compassion, discipline, and spiritual authority. His legacy continues through those who revere his teachings, those who seek his protection, and those who wear or enshrine his sacred works.
Conclusion
Luang Por Sakorn’s amulets represent far more than collectible artifacts; they are embodiments of esoteric knowledge, ritual mastery, and compassionate intent. Each object encapsulates the ethos of Thai Buddhist magical practice—a blending of animist reverence, scriptural fidelity, and meditative empowerment. As such, they remain not only as powerful tools of spiritual protection but as lasting testaments to the life and legacy of one of Thailand’s most respected modern monastics. Whether admired for their craftsmanship, venerated for their mystical potency, or studied for their role in cultural anthropology, the amulets of Luang Por Sakorn will continue to inspire and guide future generations of practitioners and scholars alike.
In recent years, devotion to Luang Por Sakorn’s creations has soared, entire batches are swept away in moments, collectors from Bangkok to Malaysia and Singapore vie for a chance to own one, early editions of the thirty’s BE sell for tens of thousands, later models climb in value by the day, Baramee 53 gold coins and seventy-third birthday medallions demand a premium, each object a repository of sacred lineage, ritual power, and the undying presence of a master whose voice endures beyond time
Every amulet he consecrated bore his living touch, each blend of sacred material and script a testament to his lifelong devotion, now immortalized in metal, powder, and cloth, awaiting those who believe, who seek, who carry his legacy in the silent language of faith.
Biography of Luang Por Sakorn
1. Early Life and Family Background
Luang Por Sakorn Manunyo—born Sakorn Paisalee—emerged from humble agrarian roots. He was born on Tuesday, the 9th waning moon of the 3rd lunar month, corresponding to February 3, 1938, into a farming family in Ban Thai Thung, Moo 2, Nong Grub Subdistrict, Ban Khai District, Rayong Province. His parents, Mr. Gu and Mrs. Nid Paisalee, raised two children: an elder sister and Sakorn himself. Educationally, he completed primary school (Grade 4) at Wat Nong Grub before assisting with farm labor. Even in childhood, he displayed a marked inclination towards esoteric arts and herbal medicine, traveling to nearby villages—including Wat Laharn Rai—to study with local masters such as Yoi Lhor and Yoi Tat, both known for working closely with the legendary Luang Pu Tim of Wat Laharn Rai.
2. Ordination and Relationship with Luang Pu Tim
At age 20, on June 4, 1958, Sakorn was ordained as a Buddhist monk at Wat Nong Grub, receiving the Dharma name “Manunyo” under the precept Master Phra Kru Chantaro Thay and Assistant Master Phra Athikana Khiang. He was promptly sent for retreat at Wat Laharn Rai, aligning himself closely with Luang Pu Tim Isarigo, a master renowned for creating “Khun Phaen Pong Prai Kumarn.” Over time, Sakorn earned the special status of principal disciple, receiving full transmission of Luang Pu Tim’s magical formulas and techniques without reservation. Luang Pu Tim reportedly predicted that Sakorn would carry on his legacy after his passing .
3. Esoteric Training and Mastery
Sakorn pursued intensive study under Luang Pu Tim, initially through daily practice: writing protective yantra texts, memorizing incantations, and engaging in extended retreats. He later advanced to study with other prominent masters, including:
Luang Pho Peng Sasano of Wat Laharn Yai
Luang Pu Hin of Wat Nongsanom
Luang Pu Som of Wat Baan Chong (Chonburi)
Luang Pu Sukh (Pa Khlong Makham Thao) for invincibility yantras
Following this, Sakorn also studied with masters such as Luang Pho Khun (Ban Rai), Luang Pho Akom (Phetchabun), Luang Pho Buem (Prasat Kin), plus pilgrimage studies with Burmese and Cambodian adepts .
His rigorous years of study and discipline solidified his mastery in katha (mantras), yantra drawing, herbal concoction creation, relic powder fabrication, sacred metal casting, and ritual consecration.
4. Personal Qualities and Spiritual Reputation
Contemporary accounts describe Sakorn as serious, reserved, and intensely dedicated. He prioritized the ethical and ritual integrity of his practices and maintained laconic responses about miracles. He often expressed that true spiritual power must be recognized through focused practice, not empty displays of miracles. Noteworthy anecdotal accounts include Luang Pu Tim quietly feeding fish by dipping his finger into a pond, afterward attracting a sudden throng of fish—a demonstration of spiritual charisma, subtly supported by Sakorn’s own accounts .
5. Community Leadership and Temple Restoration
In 1965, Sakorn returned to lead Wat Nong Grub as abbot after the death of the previous head priest. He embarked on large-scale restoration efforts to rebuild 200-year-old temple structures that had been destroyed by fire, employing his own skills in woodcarving, bronze sculpting, mural painting, gold leaf application, and lacquer work. In 1981, he was granted the monastic title of Phra Kru Manunyo Dhammawat.
6. Early Amulet Creation
As early as 1965 (B.E. 2508), Sakorn began crafting sacred objects. One of his earliest was a black Pha Larn (palm-leaf powder) votive tablet, created using old Pha Larn powder that was incinerated in a bowl for hardness and later used in a donation ceremony in 1967 (B.E. 2510). The tablet reportedly protected and saved lives . In 1981, he further expanded to create amulets made of Phatthamang (five classes of powder), Itti Je powders, Luang Pu Tim’s relic powder, Luang Pho Peng’s herbs, Phu Mueang’s powder, Phra Khun Si’s Buddhist powders, and various stones and sanctified materials . These early creations laid the foundation for his later famed Khun Phaen masterpieces and sacred coins.
A Comprehensive Re-Analysis
Lineage and Spiritual Heritage
Luang Por Sakorn Manunyo, of Wat Nong Grub, in Rayong Province, represents one of the most significant figures in contemporary Thai Buddhist amulet culture. His position within Thai Buddhist mysticism, is particularly noteworthy ,due to his direct lineage connection to the legendary Luang Pu Tim Issariko, of Wat Laharn Rai. As Looksit Ache (prime apprentice) to Luang Pu Tim, Luang Por Sakorn received the complete transmission of sacred knowledge, that would later define his amulet-making practice.
The spiritual journey of Luang Por Sakorn, began under the guidance of Luang Por Pheung of Wat Nong Bua, who provided his foundational training in sacred craftsmanship. However, it was his subsequent intensive study with Luang Pu Tim, that truly refined his abilities. Luang Pu Tim, renowned worldwide for his mastery of Pong Prai Kumarn (sacred necromantic powders), entrusted Luang Por Sakorn with specific formulas, consecration methods, and esoteric incantations, that had previously remained within an exclusive lineage. Furthermore, at Luang Pu Tim’s recommendation, Luang Por Sakorn pursued additional advanced training with Luang Pu Hin, at Wat Nong Sanom, thereby solidifying his foundation in Ruesi traditions, and mystical sciences.
The Phra Khun Phaen Series and Pong Prai Kumarn
The reputation of Luang Por Sakorn, was firmly established with the release of his first Phra Khun Phaen Pong Prai Kumarn amulets, in 2530 BE. These remarkable creations were produced in both small and large molds, utilizing authentic Prai Kumarn powders, directly inherited from Luang Pu Tim. This sacred substance represents one of the most significant aspects of the knowledge transmission between the two masters.
The Pong Prai Kumarn powder used in these amulets was not merely a physical substance but a repository of powerful mystical energy, created through complex ritual processes. Luang Por Sakorn enhanced these powders by infusing them with sacred oils and floral essences, additionally incorporating metal Takrut (inscribed scrolls) made of gold, silver, or copper. The resulting amulets possessed a distinctive rich texture and were believed to contain profound spiritual energy.
Among his most celebrated creations was the Phra Khun Phaen (Pong Prai Kumarn) – Nong Bua Klee Model, produced between 2543-2544 BE. According to traditional accounts, Luang Por Sakorn performed exceptionally powerful consecration rituals for these amulets, employing ancient incantations of great intensity. The composition included pure “prai kumarn” powder mixed with herbal essence derived from the “Dork Tong” (Golden Flower herb) and other special sacred substances. Notably, the reverse side of these amulets features an image of Mae Nang Bua Klee, a female deity symbolizing irresistible charm and magnetism.
Ritual Mastery and Consecration Techniques
What distinguishes Luang Por Sakorn’s amulets from many others is not merely their physical composition but the profound ritual knowledge applied in their creation. Having received direct transmission from Luang Pu Tim, Luang Por Sakorn was not simply a ritual assistant but a master who had been entrusted with specific formulas and esoteric practices that had, until then, remained within an exclusive lineage.
The consecration processes employed by Luang Por Sakorn involved complex ritual sequences, often requiring extended periods of meditation, chanting, and the invocation of specific deities and powers. These rituals were not performed for show but represented genuine spiritual practices aimed at imbuing the amulets with specific protective and beneficial qualities.
Moreover, Luang Por Sakorn’s approach to amulet creation reflected the traditional Thai Buddhist magical practice—a sophisticated integration of animist reverence, scriptural fidelity, and meditative empowerment. This holistic approach ensured that his amulets were not merely objects of material value but vessels of spiritual potency.
Legacy and Contemporary Significance
Following the passing of Luang Pu Tim, Luang Por Sakorn emerged as perhaps the most prominent carrier of his teacher’s sacred knowledge. Among Luang Pu Tim’s direct lineage apprentices—including other notable figures such as Luang Phu Sin of Wat Laharn Yai, Luang Por Rat of Wat Pha Hwaay, and Pra Ajarn Somkid of Wat Beung Tata—Luang Por Sakorn is often considered the most significant successor.
The amulets created by Luang Por Sakorn have now become extraordinarily rare and highly valued in collector circles. Their increasing scarcity following his passing has only enhanced their status among devotees and collectors alike. These sacred objects are not merely appreciated for their aesthetic qualities or historical significance but are actively sought for their perceived spiritual benefits and protective powers.
Furthermore, the amulets of Luang Por Sakorn represent an important cultural bridge, connecting contemporary practitioners with ancient traditions of Thai Buddhist mysticism. They embody a living tradition of spiritual practice that continues to influence and inspire devotees throughout Thailand and beyond.
Spiritual Significance Beyond Material Value
The amulets of Luang Por Sakorn transcend their status as collectible artifacts; they represent embodiments of esoteric knowledge, ritual mastery, and compassionate intent. Each object encapsulates the essence of Thai Buddhist magical practice and serves as a tangible connection to the spiritual lineage from which it emerged.
For devotees, these amulets are not merely protective talismans but objects of profound veneration that facilitate a connection with the spiritual power of Luang Por Sakorn himself. They are believed to carry the accumulated merit and spiritual energy of their creator, offering protection, blessing, and guidance to those who possess them with proper respect and faith.
The continued reverence for Luang Por Sakorn’s amulets speaks to their perceived efficacy and the enduring respect for his spiritual authority. His legacy continues through those who venerate his teachings, those who seek his protection, and those who wear or enshrine his sacred works.
The amulets of Luang Por Sakorn of Wat Nong Grub stand as powerful manifestations of Thai Buddhist spiritual practice, representing not only the personal mastery of their creator but also the unbroken lineage of sacred knowledge transmitted from Luang Pu Tim. As objects of both spiritual significance and cultural heritage, they continue to inspire devotion and fascination among practitioners and scholars of Thai Buddhism.
For more information about Thai amulets and Buddha Magic, you can visit Ajarn Spencer Littlewood’s websites: thailandamulet.net, buddhamagic.net, ancientamulet.com, and dharmathai.com.
Thai amulets, known as “Phra Khruang” or “Krueang Rang,” are deeply embedded in the cultural and spiritual fabric of Thailand. These sacred objects are revered not only for their spiritual significance but also for their historical and cultural value. The tradition of wearing amulets in Thailand is a practice that dates back centuries, intertwining with the country’s religious beliefs, history, and social customs.
The creation of Thai amulets is a diligent and complex ritual process, that involves a blend of spiritual rituals, sacred materials, and artistic craftsmanship. These amulets are often made by revered Buddhist monks, Ruesi hermits, or lay sorcerers who are skilled in mystical arts. The process begins with the selection of sacred materials, which may include powdered herbs, sacred earths, metals, and other substances believed to possess inherent protective qualities. These materials are then mixed with holy water and sacred oils, and often inscribed with ancient scripts or symbols known as “Yant.”
Yant Rachasri
Yant Ongk Pra, which has inscriptions saying; “I believe in the Buddha in the Center of the Lotus”
The empowerment of amulets is a crucial aspect, involving the chanting of sacred mantras or “Kata” and the invocation of spiritual entities. This ritual is believed to imbue the amulet with “Itti-rit” or psychic powers, granting it the ability to protect the wearer, bring good luck, or enhance personal attributes such as charm and popularity. This form of magic is known as “Metta Maha Niyom,” which focuses on increasing the wearer’s attractiveness and social influence.
Kroo Ba Nikorn Blessing Nam Tao Gourd Amulets
Thai amulets can be categorized based on their origin, form, or purpose. Naturally occurring objects such as certain types of iron, boar tusks, and tiger fangs are believed to have intrinsic protective qualities and are often guarded by spirits. Man-made amulets, on the other hand, are crafted using sacred clay admixtures or metallurgical processes, often involving ancient alchemical practices.
The imagery on Thai amulets varies widely, encompassing depictions of the Buddha, noble monks, Bodhisattvas, Devas, and even gods and demi-gods. Some amulets also feature elements of the dark arts, invoking the spirits of ghosts or otherworldly entities. Despite the diversity in their forms and purposes, all Thai amulets share a common goal: to bring Buddhist virtues and protection to those who wear them.
The historical significance of Thai amulets is profound. They are not only religious artifacts but also cultural symbols that reflect the beliefs and values of Thai society. The practice of wearing amulets is documented as far back as the Rattanakosin period during the reign of King Rama IV, although it likely predates this era, especially considering it is recorded that King Naresuan maharaj wore a Takrut across his chest on a cord, which shows that the practice dates back many centuries more, as well as the Kru Hiding place burial finds which reveal amulets having been made 700-1000 years agot already in Siam. Throughout history, amulets have been used as protective talismans in battles, as symbols of faith, and as objects of personal devotion.
One of the most revered figures in the history of Thai amulets is Somdej Toh, a legendary monk known for his profound spiritual wisdom and the creation of the famous Pra Somdej amulets. These amulets are highly valued for their spiritual efficacy and exquisite artistry, making them sought-after items among collectors and devotees alike. The authenticity and age of these amulets are of paramount importance, requiring a keen understanding of the materials and techniques used in their creation.
In modern times, the popularity of Thai amulets has only grown, with many people around the world collecting and wearing them for various reasons. Whether for spiritual protection, good fortune, or as a connection to Thai culture, these amulets continue to hold a special place in the hearts of many. The enduring appeal of Thai amulets lies in their ability to bridge the spiritual and the material worlds, offering a tangible connection to the divine and a source of comfort and inspiration in everyday life.
Somdej Pra Puttajarn (Dto) Prohmrangsri Wat Rakang Kositaram
For those interested in exploring the world of Thai amulets, there are numerous resources available. Websites such as ancientamulet.com and thailandamulet.net, authored by Ajarn Spencer Littlewood, provide extensive information on the history, types, and significance of these sacred objects. These platforms offer insights into the art of evaluating and authenticating antique Thai Buddhist amulets, helping collectors and enthusiasts navigate this fascinating realm with confidence and understanding.
Thai amulets are more than just religious artifacts; they are an integral parts the rich cultural heritage and spiritual beliefs of Thailand. Whether crafted from sacred materials or naturally occurring objects, these amulets serve as powerful conduits of protection, embodying the timeless wisdom of the Buddha and the enduring faith of the Thai people.
Pra Pim Khun Phaen Yord Khun Pol: A Sacred Amulet of Protection and Blessings
In the world of Thai amulets, few hold as much prestige and power as the Pra Pim Khun Phaen Yord Khun Pol. Crafted from Nuea Pong Toop Sacred Incense Powders, this amulet originates from the revered Luang Por Phern Tidtakuno of Wat Bang Pra temple in Nakorn Pathom.
Pra Yord Khun Pol Luang Por Phern front face
(Above Image: Pra Yord Khun Pol Hlang Suea Run Udom Prachanat 2541 BE – Nuea Pong Toop – Luang Por Phern Wat Bang Pra)
This exquisite amulet has undergone a sacred process to accumulate the blessings of Buddhakhun Power. It’s noteworthy for the mildew formation (‘Kraap Kru’) on the surface, a testament to its sacredness. The rear face features the powerful Yant Suea Maha Amnaj Tiger of Commanding Power, inscribed in Khom Agkhara.
The Pra Pim Khun Phaen Yord Khun Pol holds a special place in the world of Thai amulets. This amulet is renowned for its multifaceted benefits, including Serm Yos (Increase Status), Maha Amnaj Commanding Power, Kong Grapan Chadtri Invincibility, Klaew Klaad Evasion, and Maha Pokasap – Maha Lap Wealth Increasing powers.
Pra Yord Khun Pol Luang Por Phern Rear Face with Yant Suea Maha Amnaj
Pra Yord Khun Pol Luang Por Phern Tidtakuno Wat Bang Pra 2541 BE
Pra Yord Khun Pol Luang Por Phern Tidtakuno Wat Bang Pra 2541 BE Rear Face
Close Up of Muan Sarn of Front Face of the Pra Yord Khun Pol Amulet
Close Up of Muan Sarn of Rear Face of the Pra Yord Khun Pol Amulet
The amulets created by Luang Por Phern Tidakuno (Wat Bang Pra) are highly esteemed for their exceptional powers. They are highly sought after by collectors and devotees worldwide. The Pra Pim Khun Phaen Yord Khun Pol belongs to the ‘Benja Pakee’ Family of Five Regional Top Yord Khun Pol preferred Models.
The five kinds of Yord Khun Pol amulet within the five top Benjapakee of the Yord Khun Pol Niche are:
Pra Ruang Rang Pern – Wat Pra Sri Radtana Maha Tat (Sukhothai Province)
Pra Huu Yaan – from the Kru Burial Chamber find at Wat Pra Sri Radtana Maha Tat in Lopburi
Pra Chinarat Bai Sema, from the Kru Burial find at Wat Pra Sri Radtana Maha Tat, in Pitsanuloke
Pra Mahesworn, from the Kru burial archeological find at Wat Pra Sri radtana Maha Tat, in Supanburi
Pra Ta Gradan from the famous Kru Burial find at Sri Sawad, considered to be an amulet that is over 500 years old.
Pra Yord Khun Pol Luang Por Phern bottom edge view’
Luang Por Phern (Pra Udom Prachanat) is a revered and internationally famous monk known for his promotion of Sak Yant Sacred Tattoos and his powerful amulets. Devotees from around the world revere him for the miracles attributed to his amulets.
Luang Por Phern’s amulets, like the Pra Pim Khun Phaen Yord Khun Pol, are highly valued for their Kong Grapan Chadtri, Maha Pokasap, Metta Mahaniyom, Serm Duang Klaew Klaad, and Maha Amnaj powers. For those who revere the Great Luang Por Phern, the Pra Pim Khun Phaen Yord Khun Pol is a symbol of auspicious blessings. The connection between the devotee’s faith and the Metta of the Guru Master often leads to miraculous events attributed to amulets.
Attributed Powers:Kong Grapan Chadtri, Maha Pokasap, Metta Mahaniyom, Serm Duang Klaew Klaad, Maha Amnaj.
Pra Yord Khun Pol Luang Por Phern Tidtakuno Wat Bang Pra 2541 BE
Pra Khun Phaen Pong Prai Kumarn Nuea Wan Plai Dam Pim Bai Sema Amulet – Luang Phu Tim Issarigo, Wat Laharn Rai (Rayong)
This amulet, is a classic original Khun Phaen Bai Sema early era design, which is extremely rare, and known only to those who have studied the amulets of Luang Phu Tim with great fervor, and to those older devotees of the area around Wat Laharn Rai. This amulet comes with Certificate series No 1449 of the 11th August 2562 BE Luead Ban Kaay Luang Phu Tim Amulet Conservation Association Meeting. The amulet was entered for certification, but not competition, due to lack of other competitors with the same amulet (This was the only one in the whole show).
This exhibit allows viewing of all the fine details of the design, and is visibly authentic to the naked eye. The Muan Sarn Sacred Powder Clay is Highly Attractive to the Eye. An amulet of great beauty, and rarity, and in the highly preferred, and rare to find black Plai Dam powders, for serious collectors/devotees of the amulets of Luang Phu Tim. Perhaps a once in a lifetime chance to find this extremely rare Pim Bai Sema.
This exhibit is in excellent condition and well kept, with highly refined details and features, and most certainly worthy of show in the allocated competitions of its genre. The surface texture of the Muan Sarn Sacred Powders has developed the classic fluffy appearance that reveals high Pong Prai Kumarn content within the black Pong Wan Plai Dam Sacred clay.
Our proprietor Ajarn Spencer, states that this is the first and only exhibit he ever managed to find, during his years collecting and studying in the Chonburi-Rayong area around Wat Laharn Rai, and that he considers it perhaps the rarest one he has had to seek out. This Pim is a very well preserved exhibit, of a highly sought after Pra Niyom Master Class Amulet, that is now extremely rare to find, since the massive revival in interest in Luang Phu Tim’s amulets, after the truth of his early amulet editions, and the now famous Pra Khun Phaen Pong Prai Kumarn 2515 BE Edition ‘forbidden history’ amulets were revealed to the Public.
Most of the amulets of Luang Phu Tim which were previously untalked of, and unheard of, due to lack of documentation till recently, have been snapped up during recent years, since their dramatic discovery and appearance in the international public eye.
It is very rare to find Luang Phu Tim’s Nuea Wan Plai Dam black powder Khun Phaen amulets, because many people take a great preference to the appearance of the Khun Phaen in black color, and more so, because of the famously powerful magic found within Pong Plai Dam Black Sacred Magical Earths, which is also mysteriously magnetic. Nuea Wan Plai Dam is known for both power of attraction, and Kong Grapan invincibility magic.
This all-time classic Pra Khun Phaen Pong Prai Kumarn of the Great Luang Phu Tim, of Wat Laharn Rai, is one of the most famous amulets of all time, and highly renowned for its true power to bring prosperity, good business, power of attraction, and mercy charm to the wearer. The reason this amulet became so world famous and popular, even in the time when Luang PhuTim was still alive, is because everybody who owned one, recounted that business and personal success and prosperity had increased constantly and steadily since wearing the amulet.
Luang Phu made other editions throughout the years, and most definitely made between 2505 BE, right up to his passing in 2518 BE. The early era and especially the 2515 BE Pra Khun Phaen Pong Prai Kumarn edition, are now the most preferred of all, overtaking the 2517 BE ‘Block Raek’ series, which is now considered by most to have been made by conmen. We must however add, that the official document of permission signed by Luang Phu Tim for the Bangkokian Association Owners, did list all the famous amulets we know from this edition, but that the Pra Khun Phaen was not on the list, and omitted. This means that Luang Phu gave permission for them to make (and take most back to Bangkok with them to monopolize).
We believe that Luang Phu Tim began making amulets at least 35 years before he passed away (which would be around 2483-2485 BE), as most Master Monks begin distributing their amulets around age 50 if not long before (usually long before), and it is not credible to believe the Bangkokian Monopolists, that Luang Phu Tim only made Pra Khun Phaen amulets in 2517, the final year before he passed away (Impossible!). This is underlined by the fact that there is photographic evidence that Luang Phu Tim was already a notionally acclaimed Master, invited as one of the 245 top masters to bless amulets in the Wat Prasat 2506 BE 4th biggest blessing ceremony in the history of Thai Buddhism, and many other important ceremonies in the years from 2500 BE onwards.
It is hence impossible that if Luang Phu Tim was already being asked to assist with other Great Masters ike Luang Phu To Wat Pradoo Chimplee, Luang Por Jong, Por Tan Klai, Luang Por Ngern Wat Don Yai Horm, and the like, that he would not already have attained fame for empowerment with his own amulets beforehand. It is merely that the bangkokian Monopokist showroom owners and book publishers, only first ever heard news and traveled to Wat Laharn Rai when it was already almost too late, in the final year of Luang Phu’s life. This is also proved by the fact that these Bangkokian 2518 BE-Only monopolists publish books showing Luang Phu Tim’s first edition Samanasak Monk Coin, from 2510 BE, as he was given a Royally Decreed Title of Pra Kroo, which is an act of State Recognition of his merits and a raising of status to be a Royally Accepted and Decreed Monk.
Hence, if Luang Phu Tim was elevated to a Royal Decree status in 2510 BE, and count were made to celebrate the occasion, how can the Bangkokian Monopolists dare to claim that Luang Phu Tim only ever made amulets in 251`7, and that the only Pra Khun Phaen he made were in 2517, the last year of his life. This makes no sense, considering, the reason the Bangkokians sponsored the 2517 BE edition, was because Luang Phu’s fame for his mastery of Wicha Pra Khun Phaen Pong Prai Kumarn had reached their ears.
For it to reach their ears sitting on their butts in Bangkok, it seems to have taken at least 17 to 35 years at least for them to actually get the wax out of their ears. Lazy traders in lazy seats in lazy Bangkok showrooms. They do not travel all the time, and they were not at the temple of Wat Laharn Rai through all the years Luang Phu was there. These Bangkokains merely turned up in Luang Phu’s final year and sponsored an edition, and used book publishing to suppress knowledge of the previous editions they never got to monopolize (by buying them all and waiting till they get rare, sitting on them to speculate).
The Pra Khun Phaen Pong Prai Kumarn is a preferred choice of both the wise investor and devotee, as well as the perfect choice for those Devotees who seek the immense power of Luang Phu Tim’s now Legendary amulets. The Muan Sarn Sacred Powders of the Khun Phaen Pong Prai Kumarn Luang Phu Tim, are renowned for their power, made from the skullbone of a Hoeng Prai. Luang Phu Tim’s Pra Khun Phaen Pong Prai Kumarn, Pim Yai, and Pim Lek amulets are amongst the rarest and most highly sought after amulets in Thailand, and are very difficult to encounter, due to having been made in small number editions, which is nowhere near enough to provide for the masses of devotees around the world who seek such an amulet as this.
One can see a very fluffy and rich texture of the clay visibly on the surface of the amulet, in reaction with the Muan Sarn Sacred Powders. It is a part of the amulet appreciation society expert’s method of authentication to examine and study the appearance of how the Muan Sarn Sacred Powder develops in surface texture, tonality and porosity of the surface, as well as the appearance of Luang Phu Tim’s famous Pong Prai Kumarn which rises up and through the surface.
We ourselves feel that all of Luang Phu Tim’s amulets are equally Sacred and Powerful in their own way, regardless of which edition or which temple he blessed them at, but we do, as do all Amulet Appreciation Fanatics, recognise the categories of preference within the hierarchies of different editions, which is for us one of the more subtle and fascinating parts of the study of high end amulets within the collector scene, and part of the fine art of learning how to recognise and value Sacred Amulets of High Preference and Rarity.
The Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim amulet, has has been one of the most popular amulets in the whole Pantheon of Thai Buddhist Amulets of the last century, and of all time, and is now almost impossible to encounter commonly anywhere in any amulet emporium, except for the most elite showrooms, and at elevated prices. This Pra Pra Khun Phaen Pong Prai Kumarn Pim Bai Sema, is even rarer than the Pra Khun Phaen 15, and a highly desirable exhibit, that is among the rarest amulets in the pantheon of this master.
The Sacredness of the Pra Khun Phaen Pong Prai Kumarn is legendary and unquestioned in Thailand, and its magical power is commonly accepted by all. The Muan Sarn Sacred Powders of the Pra Khun Phaen Pong Prai Kumarn are considered to be amongst the most powerful powders to empower amulets in existence. This amulet is a wonderful opportunity for devotees who seek the true power of a world class amulet from a world class Master-Monk, and a wonderful Ongk Kroo reference study exhibit to peruse under the eye loupe. The amulet is a perfect and authentic study material, to train the eyes as to the appearance of the Muan Sarn and Surface textures of the Classic amulets of Luang Phu Tim Hence, the amulet is also a perfect ‘Ongk Kroo’ reference study material for students of the Pantheon, and will increase your chances of spotting an essential rarity at the right price, and without danger of risking a fakery.
The making of the Muan Sarn Sacred Pong Prai Kumarn powders Luang Phu Tim, came from the Wicha which Luang Phu had inherited through apprenticeship form one of his high Kroo Ba Ajarn, Kroo Ba Sangkh Tao, who was also his true Uncle. Part of the formula included Pong Prai Maha Phuudt, which was made from the Skull of a male Kumarn who died in the Womb, and who died on a Saturday and was cremated on a Tuesday. This is part of the ancient Khmer Necromantic Formula for Authentic Powerful Prai Occult Magic, as practiced in Ancient Times. It is said that Pra Kroo Sangkh Tao’s Wicha Akom was so powerful that when he spat on the floor, the floor would crack where his spit would fall.
Due to the fact that Monks are not allowed to seek and find this Sacred and Extremely Powerful Necromantic Substance, Luang Phu would perform Korb Kroo Initiation for protection against Black Magic and the Phuudtaa Spirit Phantoms, so they could go forth to seek and find the substances to donate to him for the making of the Pong Prai Kumarn. The Initiated Lay Devotees and Apprentices to his sorcery, would then wait for the news of the right circumstances of death of Kumarn Ghosts, and go out to collect the substances and prepare them as instructed with the Wicha. They would seek the permission of the relatives of the dead, to obtain the substances to enable the ghosts of the deceased to receive merits to free them from their Karmic residues by donation of their mortal remains to be made into amulets.
They would receive the ceremonial ritual liberation of their souls from Luang Phu Tim, who would speak with the spirits of the dead to receive their acknowledgement for the process of transformation through the Nibbana Sutra, and the Muan Sarn would then be prepared according to the Dtamra Saiyasart of Necromancy, to make the Pong Prai Kumarn.
Luang Phu instructed his apprentices and the relatives of the Funerals to take care not to incinerate the whole skeleton, but to keep the skulls to bring to Luang Phu to use them for the making of the Pong Prai Kumarn. This is one of the reasons why his Pong Prai Kumarn is so powerful, because it does not contain the skeleton bone powders, rather, only those of the skulls. As a result, Luang Phu Tim’s Pong Prai Kumarn has been recorded by experience of devotees to posses the highest Maha Pokasap Power of all Pong Prai Kumarn ever made, with Immense Metta Maha Niyom and Klaew Klaad Power, to induce Mercy Charm, Attract Lucky Fortunes (e.g. Lottery Winnings), and to Protect from Deadly Accidents and Disasters.
Luang Phu Tim Issarigo, is of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders. Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Khun Phaen Pong Prai Kumarn, and Look Om powder balls. As to the classic ‘Rian’ type coin image amulets which have become all time favorites, and eternally, world famous classic amulets of the high end variety. His Rian Jaroen Porn, and Rian Nakprok Paed Rorp are among the most highly sought after coin amulets of all.
Since his passing, his devotees and apprenticed monks, have now become the world’s top living masters for the making of Pra Khun Phaen Pong Pra Kumarn, and literally dozens of encyclopedic books, have been printed, documenting both this great master monk, and his classic amulets of high esteem. Buddhist monk coins with his image and others with Buddha images and other deities and imagery are amongst the most highly collected amulets and most expensive of all of the great Luang Phu Tim. He has various direct lineage apprentices, Who are continuing to progress and spread his most powerful and world-famous Wicha.
Of all of these masters, certainly the most famous, preferred and highly respected Looksit, was Luang Por Sakorn, of Wat Nong Grub, who is also now deceased, and whose amulets are fast becoming just as highly sought after. Following this Master one could possibly estimate the great Luang Phu Sin, of Wat Laharn Yai, Luang Por Rat of Wat Pha Hwaay, Luang Por Foo of Wat Bang Samak, and Pra Ajarn Somkid, of Wat Beung Tata (Rayong).
Another edition of Thai Amulet School for serious students of Khun Phaen 2515 LP Tim; A full study and descriptive, and informative narrative of Exhibit Certificate No 0205 – Khun Phaen Prai Kumarn Pim Lai Hlum Nuea Khiaw LP Tim Pim Lai Hlum – Green Thao Hlong Herbal Tincture with Pong Prai Kumarn Muan Sarn Sacred Powders, Khaw Hniaw Sukh Blesséd sticky rice, and Pong Yant Magical Yantra Powders. From the Great Luang Phu Tim Issarigō, of Wat Laharn Rai.
A 1st Prize Trophy Winner Certificated Pra Khun Phaen Prai Kumarn 2515 BE Pim Yai Niyom Block Lai Hlum (Puddle in front face adjacent to Buddha’s shoulder), from Luang Phu Tim Issarigo, of Wat Laharn Rai. Pressed from the Block Tong Hlueang Pim Lai Hlum Press. This exhibit is visually significant, with its green golden fluffy Pong Prai Kumarn Powders and Green Herbal Wan Thao Hlong Herbal Vine Tincture. This example is a Pim Lai Hlum Yai Niyom in Nuea Khiaw, (green) Pasom Pong Prai Kumarn, Lae Khaw Hniaw Sukh Blesséd sticky rice, in Pim Pised special Ongk Kroo version with Takrut Maha Bpraab scroll spell inserted in rear face,
This item comes with free Fed-Ex/DHL Shipping included.This Khun Phaen Pi 15 Pim Niyom amulet, is a Pristine exhibit of a highly sought after and Rare Version Pra Niyom Master Class Amulet in Green Thao Hlong Tree-Vine Extract color, which actually, as is visible through the greenish tone of the Muan Sarn , contains a high quantity of Pong Prai Kumarn Powders , mixed with blessed sticky rice sacred clay, with the surface coated with oil immersed ngold flakes (Sai Rae Tong Kam). The amulet comes with its A4 sized 1st Prize Trophy, and Certificate included, which we will plastify for protection against moisture and weathering.
Ths Pra Khun Phaen comes with the offer of free silver, Stainless Steel or Waterproof Casing, for which we have provided these options at no extra cost in the encasement options.
Below; the small dimple to the side of the shoulder of the
Buddha defines this Block Press model as a Pim Lai Hlum (Shoulder
Puddle) model.
This Pim is a Block 2 Pim Yai Niyom in Nuea Khiaw Pasom Wan Thao Hlong, Pong Prai Kumarn powders, and Khaw Hniaw Sukh (Blesséd sticky rice), and is a Pim Pised Ongk Kroo reference exhibit, with first prize trophy, and in rare green Thai Hling powders, and on top of that, being a rare Pim Lai Hlum as well. The Pim Lai Hlum is a very rare version, and highly sought after for this reason. An extremely well preserved model, which has been examined and authenticated by the Luead Ban Kaay Luang Phu Tim Amulet Appreciation Society, and given First Prize in Competition in 2018.
This Pim is an especially attractive acquisition for its first prize competition class status, with Trophy and certificate of authenticity, as well as being a rare version in Khaw Hniaw Sukh blessed sticky rice with Purplen Wan Thao Hlong Vine Tincture, and is a seldom encountered Pim (Block Lai Hlum), especially in green.
The rear face of the amulet has a large single Takrut Maha Braab inserted into the Sacred Yant Grabork Khwai (5 Dhyani Buddha Yantra) of Luang Phu Tim embossed on the rear face, as is ubiquitous with the Pra Khun Phaen 15 Block Tong Hlueang. The amulet is ‘Long Sai Rae Tong Kam Dtem Ongk’, fully covered with Sai Rae Tong Kam Golden coating, which is one of the more universally accepted and highly preferred classic models, for their ease of recognition, and immense beauty which arises from the fluffy golden surface texture that can only be found in authentic Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim, and has to date never been able to be convincingly replicated in forgeries.
This exhibit is in perfectly preserved condition, with extremely clear cut features, andbeing already a first prize trophy winner, is most certainly worthy of further show in any of the allocated competitions of its genre, for more trophies. This Pra Khun Phaen Pi 15 extremely rare to find in purple in Nuea See Muang Pasom Pong Prai Kumarn powders, is a very beautiful exhibit indeed.
This exhibit is in excellent condition, which under close perusal under the eye loupe reveals the amulet to be made from a base of Nuea Pong Prai Kumarn Powders, With the herbal Thao Hlong vine Tint, and a noticeable quantity of Khaw Hniaw Sukh blesséd sticky rice. This is a most Powerful Muan Sarn filled with Maha Sanaeh, Maha Lap, Maha Pokasap Metta Maha Niyom.
Visually, this type of sacred clay has a very marbled and highly textured appearance from the presence of Khaw Hniaw Sukh, and many say that the presence of pieces of Pra Somdej Wat Rakang Kositaram were used in many models, which is what brings the marble like stone appearance of ‘Dtaek Lai Nga (crackled surface effect). Further close observation under the eye loupe reveals true depth and dimension, and is full of the classic characteristics of Pong Prai Kumarn powders present within the Muan sarn clay.
Below; another amulet from the same series in Nuea Khaw Pasom Pong Prai Kumarn
Since the confirmation of the reality of the Block 2 Khun Phaen Luang Phu Tim of 2515 BE, this edition has become one of the hottest prospects of the decade. Now is the time to study and collect, for the near and far future will make the Block 2 Edition as unaffordable as the Block Raek has become in the present day.
In fact, the mainstream high end publications and many of the top entrepreneur collectors are now placing them in their showrooms at ever more highly elevated prices, since their general acceptance has become a reality.
Above and Below you can see the Khun Phaen Pi 15 already appeared some years ago in the famous ‘Amata Siam’ publication. Some showrooms are already showing prices of $5000 – $7000 for some models of Khun Phaen Pi 15 even back in 2017.
Below – another example of a Pra Khun Phaen Block 2, this one being in Nuea Wan Dork Tong
It is important to look for the presence of Pong Prai Kumarn within all different types and colors of Muan Sarn sacred powders of Khun Phaen LP Tim, after one has perused the ‘Pim’ (visual design features) as first priority. The Pim (design features) itself is easy to forge with modern cgi, but the Muan Sarn Sacred Clay ingredients can not be affordably replicated in forgeries.
Hence, once one has developed the ability to recognise the edition and block press (pim) with the naked eye and under the eye loupe, the next and more important step, is to examine and confirm the presence of authentic Muan Sarn ingredients within the sacred Clay.
The all-time classic Original Wat Laharn Rai Release of the Sacred Pra Khun Phaen Pong Prai Kumarn of the Great Luang Phu Tim of Wat Laharn Rai is one of the most famous amulets of all time, and highly renowned for its true power to bring prosperity and good business, power of attraction and mercy charm to the wearer. We guarantee authenticity with this item, as we do with all amulets in our showroom.
The reason this amulet became so world famous and popular, even in the time when Luang PhuTim was still alive, is because everybody who owned one, recounted that business and personal success and prosperity had increased constantly and steadily since wearing the amulet. This particular exhibit has pristine features and is ‘Ongk Kroo Doo Ngaay’ – easily identifiable for its classic appearance, with no visual discrepancies, and the evident presence of authentic Muan Sarn of Luang Phu Tim.
The Block Tong Hlueang mold was created after the previous block press mold broke, the ‘Block Hin Meed Gone‘, which was carved from the sharpening stones used by monks to sharpen their razor blades to shave their heads. Block Tong Hlueang is preferred over the Block Hin Meed Gone, and carries a slightly higher price-tag and eminent status to the Block Hin Meed Gone with the Wongarn Pra Niyom Collector Circles.
Since recent years, some of the aged looksit of Luang Phu Tim have revealed many unheard of facts about the Pra Khun Phaen Pong Prai Kumarn of Luang Phu Tim, making public knowledge of the many different Pim and Block presses more widespread, and breaking the tight grip monopoly of the ‘Sian Pra Niyom’ Experts.
This fact, and many other conclusive pieces of evidence, have served to open up the truth and reveal this edition, which has been deliberately, or through oversight hidden by a few powerful monopolists for many decades. The edition has stayed with the local folk, and did not fall into the hands of the speculators, who have controlled the information available about all the many models which were actually made by Luang Phu Tim. That era is now over, and the Khun Phaen Pi 15 has taken its rightful position amongst the ranks of Pra Niyom amulets of the Tamniab Official Pantheon of Luang Phu Tim.
Ajarn Pisek of the Glum Anuraks Pra Krueang Luang Phu Tim spoke on National TV to break the News and destroy the Myths about the Pra Khun Phaen Prai Kumarn of Luang Phu Tim (created by Monopolists who only managed to get the 2517 BE edition in their possession, and were unaware of the truth, as well as jealously blocking any editions they did not control, out of greed and prejudice). Luang Phu made other editions throughout the years between 2505 to his passing, with the 2515 BE edition now becoming the most preferred of all, overtaking the 2517 BE ‘Block Raek’ series.
Ajarn Pisek has broken these myths, by revealing that Luang Phu Tim began to make and distribute Pra Khun Phaen in the year 2493 (Year of the Tiger). He then made his second edition in the year 2505 BE, and continuously distributed them throughout until his passing. But that in truth, the old devotees who grew up around Wat Laharn Rai (including Ajarn Pisek), did not wear the 2517 BE so called Pim Niyom edition, rather, that the true preferred edition of the local devotees who we close to Luang Phu, wear and collect the 2515 BE edition as the most preferred edition.
Below; Ajarn Pisek presents a Khun Phaen Luang Phu Tim Pi 15 amulet to her Majesty Princess Maha Chakri Sirindhorn Prataep Radtana Rachasuda Siam Boroma Rachakumaree
Below; Pra Khun Phaen Pong Prai Kumarn Block Tong Hlueang (Block Sorng Pim Sum Khad) – a rare Pim of the pantheon.
The Block Tong Hlueang was used to press Pra Khun Phaen Pong Prai Kumarn before the block press was given fine tuning, and then also again after having been filed down and carved to a more detailed and subtly styled detail, with the first pressings being known as ‘Long Pim Block Tong Hlueang Gon Dtok Dtaeng’.
The more refined version was then given the name ‘Block Tong Hlueang Hlang Dtok Dtaeng (Niyom)’. The Block Tong Hlueang press is also known by local devotees of the Era as ‘Pim Sum Khad’ or ‘Pim Sao Khad’, and also other names. All of the different names refer to the very same Pim.
Below, rear face features of a Pra Khun Phaen Pong Prai Kumarn Pim Sum Khad (Khun Phaen Block Tong Hlueang/Block 2)
After the true Looksit and current mythbusters have revealed the truth, the most preferred edition is now becoming the 2514-2515 BE (Khun Paen 15). It is said that those who have tried to fake and ride on the back of Luang Phu, to make their riches with lies and fakery, must have their day of reckining. Luang Phu Tim is said to have gained stream entry and advanced beyond Sotapanna to become Anagami, and this in itself makes the abuse which has occurred over the years, a serious sin against an Arya Sangha, to try to discredit authentic editions which Luang Phu may have created.
The Pra Khun Phaen Pong Prai Kumarn is a preferred choice of both the wise investor and devotee, as well as the perfect choice for those Devotees who seek the immense power of Luang Phu Tim’s now Legendary Pra Khun Phaen Pong Prai Kumarn Pi 15. Since the confirmation of the reality of various previously undiscovered editions of Khun Phaen Luang Phu Tim, and ‘coming out’ of various Looksit Aek (direct initiates of LP Tim who were involved in the making of the Khun Phaen Prai Kumarn amulets between the years 2505 BE and 2515 BE, the amulet world has been taken by storm, and turned upon its head.
Below; Luang Phu Tim is seen with Ajarn Piarn Wit (left), thirtheenth direct initiate of Luang Phu Tim, during the time around 2514 BE when he was helping Luang Phu as a lay practitioner. Ajarn Piarn Wit and various other direct devotees and initiates of Luang Phu have now come out into Public to reveal the facts, for documentation and confirmation.
The 2515 BE Block 2 series was the first edition to come to light in this revolution, that was undiscovered by the Samakom Pra and the ‘Chang Ga Buay Puttapanich’ commercial monopolists (self claimed ‘experts’), who forced acceptance of only the 2517 BE edition, and demanded the amulet world should only accept the amulets which they themselves possessed to be classified.
One big mistake the Chang Ga Buay Puttapanich and Samakom Pra had made, was to put the name of Ajarn Piarn Wit and Ajarn Sukhothai and other Ajarns such as Ajarn Maeng, into their catalogues and encyclopaedic publications, as being the Ajarns involved in the making of the Khun Phaen Pong Prai Kumarn amulets of Luang Phu Tim. because after the denial of the 2515 BE edition, and statements that Ajarn Piarn Wit was the maker of a later edition in 2517 BE which Luang Phu did not bless were made.
Below; Ajarn Piarn Wit watches Luang Phu Tim perform a blessing on the car of a devotee circa 2514 BE
But then suddenly, Ajarn Piarn Wit came out to speak thorugh this provocation, and provided photographic evidence and official confirmations to show that firstly, Ajarn Piarn Wit was ordained and initiated by Luang Phu Tim in 2514 BE, and assisted in the ,making of the 2515 BE ‘Sao Khad Block 2’ edition with Luang Phu. he provided many pieces of evidence, and the fact that he was already stated to be the 13th direct initiate of Luang Phu Tim and directly involved in the making of thr Khun Phaen Pong Prai Kumarn
Above; Video interview conducted by Mor Grit, famous collector of Amulets of Luang Phu Tim, and Talkshow host, inquires with Ajarn Piarn Wit, the 13th direct Initiate of Luang Phu Tim, who ordained with Luang Phu and was one of his close assistants, about the truth of the 2515 BE and earlier editions of Pra Khun Phae, and receives direct confirmation of the facts, authenticating these editions. The beginning of the video shows photographic evidence of Ajarn Piarn Wit as a young man ordained with Luang Phu, as well as serving him as a Lay Practitioner over the years, helping Luang Phu to make amulets, and serving his needs.
Below Picture; Ajarn Piarn Wit as he was Ordained in his early years, at the side of Luang Phu Tim.
The Samakom Pra were dumbfounded when he came out to confirm the edition which is as good as ‘from the horses mouth’. In video interview with a famous expert and collector and TV star, he called Ajarn Sukhothai, the official expert who first catalogued all the officially accepted Khun Phaen into their respective series block presses, and named them. In the telephone conversation with Ajarn Sukhothai (who can be considered to be amongst the top 3 officially accepted people in the Know), Ajarn Sukhothai confirmed the existence and authenticity of the 2515 edition, and the previous editions which were made between 2505 BE and 2515 BE.
Below; Ajarn Piarn Wit once more walking beside Luang Phu Tim, holding his betel nut and areca tray (Chan Hmak)
Below; Ajarn Piarn Wit reveals the truth of the pressing of the 2515 BE Khun Phaen 15, and that Luang Phu blessed them. He explains that the til now preferred ‘Block Raek supposed ‘first block’ was actually the third block press development, and that the Block Sorng (2nd Block Press), preceded it. Ajarn Piarn Wit confirms the reality of the Khun Phaen 2515 BE, with great sincerity.
Below. examples of Pra Khun Phaen Pong Prai Kumarn from the previous ‘Hin Meed Gone’ razor sharpening stone block press, which after breaking, was superceded by the Block Tong Hlueang Brass Block Press.
Below; Ajarn Piarn Wit Seated once more at the side of Luang Phu Tim, as one of his close ‘Looksit Aek’ direct initiate apprentices.
Below; Pra Khun Phaen Sum Khad/Sao Khad (Pra Khun Phaen Block 2)
Below; Mr Chui, direct grandson and initiate of Luang Phu Tim, confirms the reality of the Block 2 Sereies, blessed by Luang Phu Tim. The beginning of the video shows Mr Chui as a Samanera Monk at the side of Luang Phu Tim’s corpse at the time of his death.
Below is an example of a Block 2 Pim Yai from a famous Amulet Auctioneer Magazine in Nuea Chompoo from some years ago now, which auctioned for 65,000 Thai baht (Roughly 1950$ US) – the Pi 15 amulets have already quadrupled the below price in various auction rooms and shows.
Below; some more examples of the Pra Khun Phaen Pong Prai Kumarn – these belonging to the Block Hin Meed Gone amulet, in a Samakom Pra amulet appreciation society encyclopedia. The block hin meed gone series preceded the block tong hlueang and was less refined, and was superceded by the block tong hlueang after the block hin meed gone broke. The block tong hlueang was then refined further, separating the two versions of the brass block mold into ‘Gorn Dtok Dtaeng’ (before refinement) and ‘Hlang Dtok Dtaeng’ (after further refinement – these are ‘Pim Niyom’ most preferred).
The Muan Sarn Sacred Powders of the Khun Phaen Pong Prai Kumarn Luang Phu Tim, are renowned for their power, made from the skullbone of a Hoeng Prai. Luang Phu Tim’s Pra Khun Phaen Pong Prai Kumarn, Pim Yai, and Pim Lek amulets are amongst the rarest and most highly sought after amulets in Thailand, and are very difficult to encounter, due to having been made in small number editions, which is nowhere near enough to provide for the masses of devotees around the world who seek such an amulet as this.
One can see a very fluffy and rich texture to the Sai Rae golden coating on the surface of the amulet, in reaction with the Muan Sarn Sacred Powders. It is a part of the amulet appreciation society expert’s method of authentication to examine and study the appearance of how the Sai Rae Tong develops in surface texture, tonality and porosity of the surface, as well as the appearance of Luang Phu Tim’s famous Pong Prai Kumarn which rises up and through the surface.
We ourselves feel that all of Luang Phu Tim’s amulets are equally Sacred and Powerful in their own way, regardless of which edition or which temple he blessed them at, but we do, as do all Amulet Appreciation Fanatics, recognise the categories of preference within the hierarchies of different editions, which is for us one of the more subtle and fascinating parts of the study of high end amulets within the collector scene, and part of the fine art of learning how to recognise and value Sacred Amulets of High Preference and Rarity.
The Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim amulet, has has been one of the most popular amulets in the whole Pantheon of Thai Buddhist Amulets of the last century, and of all time, and is now almost impossible to encounter commonly anywhere in any amulet emporium, except for the most elite showrooms, and at elevated prices. The Sacredness of the Pra Khun Phaen Pong Prai Kumarn is legendary and unquestioned in Thailand, and its magical power is commonly accepted by all. The Muan Sarn Sacred Powders of the Pra Khun Phaen Pong Prai Kumarn are considered to be amongst the most powerful powders to empower amulets in existence.
This amulet is a wonderful opportunity for devotees who seek the true power of a world class amulet from a world class edition, and a wonderful Ongk Kroo reference study exhibit to peruse under the eye loupe. The amulet is a perfect and authentic study material, to train the eyes as to the appearance of the Muan Sarn and Surface textures of the Classic amulets of Luang Phu Tim Hence, the amulet is also a perfect ‘Ongk Kroo’ reference study material for students of the Pantheon, and will increase your chances of spotting an essential rarity at the right price, and without danger of risking a fakery. We highly recommend this amulet as a sound investment and an extremely rare opportunity to obtain and be the proud owner of an authentic Wat Laharn Rai release model of the Eternal Classic Pra Khun Phaen Pong Prai Kumarn 2515 BE, of Luang Phu Tim.
A highly attractive and rare Sacred Amulet, that is truly Powerful and stands as the Master Class Amulet of its Category, and is considered a Most Highly Prized addition to any Master Class Collector’s Showcase, and more importantly, is a most powerful amulet to possess for Bucha, and receive its Blessings, which History has proved time and time again to be one of the most powerful and famous amulets in Thai Amulet History.
The making of the Muan Sarn Sacred Pong Prai Kumarn powders Luang Phu Tim, came from the Wicha which Luang Phu had inherited through apprenticeship form one of his high Kroo Ba Ajarn, Kroo Ba Sangkh Tao, who was also his true Uncle. Part of the formula included Pong Prai Maha Phuudt, which was made from the Skull of a male Kumarn who died in the Womb, and who died on a Saturday and was cremated on a Tuesday. This is part of the ancient Khmer Necromantic Formula for Authentic Powerful Prai Occult Magic, as practiced in Ancient Times. It is said that Pra Kroo Sangkh Tao’s Wicha Akom was so powerful that when he spat on the floor, the floor would crack where his spit would fall.
Due to the fact that Monks are not allowed to seek and find this Sacred and Extremely Powerful Necromantic Substance, Luang Phu would perform Korb Kroo Initiation for protection against Black Magic and the Phuudtaa Spirit Phantoms, so they could go forth to seek and find the substances to donate to him for the making of the Pong Prai Kumarn. The Initiated Lay Devotees and Apprentices to his sorcery, would then wait for the news of the right circumstances of death of Kumarn Ghosts, and go out to collect the substances and prepare them as instructed with the Wicha. They would seek the permission of the relatives of the dead, to obtain the substances to enable the ghosts of the deceased to receive merits to free them from their Karmic residues by donation of their mortal remains to be made into amulets.
Below; pages from an encyclopaedic publication from the amulet appreciation society which defines a list of amulets which Luang Phu Tim blessed during his life, and which confirms the Block 2 series to be within his ‘Tamniab’ pantheon of amulets, and authentically blessed by LP Tim during his lifetime. This is in contrary to false rumors which were spread years ago, which caused the series to be ignored for decades until the information finally surfaced and was brought to light.
As a result, the Block 2 series is not one of the hottest topics of the amulet scene in the present era, and immense furor has arisen, raising the interest of devotees around the nation and further afield in foreign shores. This of course will result in a repeat experience of gradual depletion, as the collectors race to obtain and keep the amulets for their own collections and for Bucha.
They would receive the ceremonial ritual liberation of their souls from Luang Phu Tim, who would speak with the spirits of the dead to receive their acknowledgement for the process of transformation through the Nibbana Sutra, and the Muan Sarn would then be prepared according to the Dtamra Saiyasart of Necromancy, to make the Pong Prai Kumarn. Luang Phu instructed his apprentices and the relatives of the Funerals to take care not to incinerate the whole skeleton, but to keep the skulls to bring to Luang Phu to use them for the making of the Pong Prai Kumarn. This is one of the reasons why his Pong Prai Kumarn is so powerful, because it does not contain the skeleton bone powders, rather, only those of the skulls.
As a result, Luang Phu Tim’s Pong Prai Kumarn has been recorded by experience of devotees to posses the highest Maha Pokasap Power of all Pong Prai Kumarn ever made, with Immense Metta Maha Niyom and Klaew Klaad Power, to induce Mercy Charm, Attract Lucky Fortunes (e.g. Lottery Winnings), and to Protect from Deadly Accidents and Disasters.
Luang Phu Tim Isarago, is of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders. Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Khun Phaen Pong Prai Kumarn, and Look Om powder balls. As to the classic ‘Rian’ type coin image amulets which have become all time favourites, and eternally, world famous classic amulets of the high end variety. His rian Jaroen Porn, and Rian Nakprok Paed Rorp are amongst the most highly sought after coin amulets of all
Since his passing, his devotees and apprenticed monks, have now become the world’s top living masters for the making of Pra Khun Phaen Pong Pra Kumarn, and literally dozens of encyclopaedic books, have been printed, documenting both this great master monk, and his classic amulets of high esteem.
Buddhist monk coins with his image and others with Buddha images and other deities and imagery are amongst the most highly collected amulets and most expensive of all of the great Luang Phu Tim. He has various direct lineage apprentices, Who are continuing to progress and spread his most powerful and world-famous Wicha.
Of all of these masters, certainly the most famous, preferred and highly respected Looksit, was Luang Por Sakorn, of Wat Nong Grub, who is also now deceased, and whose amulets are fast becoming just as highly sought after. In second place one could possibly estimate the great Luang Phu Sin, of Wat Laharn Yai, and in third place, possibly, Pra Ajarn Somkid, of Wat Beung Tata (Rayong). The ‘Hlak Pijarona’ (criteria of examination and authentication) of the Pra Khun Phaen 2515 Block 2 Series amulets have served to change the standards of how authentication of a true Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim is confirmed, because of the extensively varied number of different versions with varied Muan Sarn Sacred Powders and different kinds of textures found in each model of this series.
In the old days, when only certain models were documented and accepted, the experts would gaze at the Pim Song (block press details and features of design) to authenticate, and would never examine the Muan Sarn Sacred Powders if the Pim Song did not fit within the rigid criteria of design details. But now, it has become clear that because there are many more different versions than previously conceived, the true criteria to use for authentication of the Pra Khun Phaen Luang Phu Tim is to look at the Muan Sarn Sacred Powder clay and its inner content, and textures, which can not be replicated by forgers once you know how the true appearance of the Muan Sarn Sacred Powders should be, and are a much more certain method of confirmation.
A rare to find version with 39 Empowered Sacred Chanuan Kring Beads on the front face, and a solid Gold Takrut on the rear face, in small size Pim Lek. This exhibit is an exquisitely beautiful amulet, and a certified authentic second prize winner amulet, in the category of Pra Khun Phaen Luang Phu Tim Pim Lek (small models), which have Solid Gold Takrut (no limitations on number of Takrut for any exhibit entered into this category).
This exhibit is Truly Magnificent, clear cut details, highly refined in relief, and a very Rare and Well Crafted Pra Khun Phaen Pong Prai Kumarn Pim Lek, in Nuea Khaw Hniaw Sukh blessed sticky rice with Pong Prai Kumarn powders. This exhibit has ‘Sai Rae Tong Kam’ gold flakes impressed into the Muan Sarn, most visible on the raised mounds of the Chanuan Inserts of the front face of the amulet.
This ‘Pim Pised’ special model 2nd Prizewinning exhibit, is in excellent condition and well kept, with highly refined details and features, and has an extremely attractive golden sheen, that attracts the eye with its seductive beauty.
This exhibit is second prize winner in the 11th August 2562 Prize competition of the Samakom Luead Ban Kaay Luang Phu Tim Amulet Association Meeting.
Below : we see the Sacred Yant Grabong Khwai (also known as Yant Ha, Yant Onk Pra, or Yant Grabork Khwai) with solid gold Takrut on the rear face of the amulet,
This amulet will be sent to the owner with its official 2nd Prizewinner Certificate of Authenticity, and comes with Free Fed-Ex/DHL/EMS Shipping Worldwide included in the price, plus the offer of free solid silver waterproof custom casing if desired. Ancient Amulet also always gives free gifts with all orders, so you can expect to receive an amulet of high esteem as a gift included in the parcel too. After purchase, the downloads section of your account will have the Kata Bucha Luang Phu Tim Wat Laharn Rai (Chanting Tutorial), as an mp4 file, for you to download and practice. For this reason, we recommend you make an account with us before buying, so you can access your extra downloads from your store account when you buy things.
The front face features the image of a Buddha sat on a lotus with a Kumarn Tong lying down under the lotus throne (dais), and two arahants either side of the Buddha (Mokkhallana and Saributra Savaka Arahants). The powerful Pong Prai Kumarn powders have become extremely fluffy, and taken on this classic appearance, through the passage of time, lending immense character and individuality to this exhibit, which visibly reveals to the naked eye, an extremely high concentration of Prai Kumarn powders.
The amulet itself is a Pim Lek small size, which are even rarer than the Pra Khun Phaen Pim Yai amulets of Luang Phu Tim, has received Sai Rae Tong Kam gold flake immersion in Nam Man Nga, or Nam Man Pra Jao Thaksin oil, and reveals an immensely high quantity of Pong Prai Kumarn powders within the Khaw Hniaw Sukh Blessed Sticky Rice and Prai Kumarn bone Powder Muan Sarn clay, which has visibly risen to the surface. the Pra Khun Phaen Pong Prai Kumarn of Luang Phu Tim are considered amongst the most powerful amulets of Maha Lap and Metta Maha Niyom Maha Sanaeh type magic of all.
It is said that whoever has faith in Luang Phu Tim and truly believes in his amulets, will receive immense luck and professional success with rapid results, and constant improvement. The magic depends on faith, and it is said those who have true faith in his amulets, will experience the highest blessings almost immediately after beginning to wear and Bucha his amulets. So many devotees have confirmed this from their own experience, and this is what brought his amulets to become so legendary (popular feedback).
This amulet (Official registry number #0482) comes with A4 size certificate second prize winner, and of authenticity from the Amulet competition of the Samakom Anuraks Pra Krueang Luang Phu Tim Luead Ban Kaay amulet appreciation association, and complimentary box with the second prize ribbon sticker, which we will send with the amulet for you to keep and frame. We also plastify the certificates, in sealed transparent plastic for you, to avoid damage.
This amulet is a Pristinely kept exhibit of an all time Pra Niyom Master Class Amulet of the High End Category, the Pra Khun Phaen Pong Prai Kumarn Pim Lek Wat Rai Waree. The temple changed its name from Wat Rai Waree to Wat Laharn Rai, in the year 2515 BE, which means this amulet is Pre 2515 BE release.
Many of the so called ‘expert’ Sian Pra Niyom of the Bangkokian Monopolists like to present this amulet as a ‘Block Raek’ first block press of 2517 BE, which is a fallacy, as the temple was already called Wat Laharn Rai, in 2517 BE, and the name on the back of this exhibit is ‘Wat Rai Waree’, which means ‘Pre, and up to 2515 BE’.
Below; Amulet Talk, with Narrative from Ajarn Spencer Littlewood, revealing the Rhetoric behind the truth of the fact, that the Pim Lek Wat Rai Waree is a Pre 2515 BE Amulet, and not as the Tha Prachan, and Ngam Wong WanPantip Bangkokian Monopolists claimed it to be made in 2517. The oversight also reveals the low levcel of study and thought which the Bangkokian Monopolists put into their rhetoric, which is so easily destroyed in the below podcast with pure logic.
Below; Please listen to the closing Rhetoric given on the amulets of LP Tim, and editions which predated his final 2517-2518 Editions made just before his passing.
We recommend you study the information published by Ajarn Spencer Littlewood on the Pra Khun Phaen 15 and other editions along with his YouTube Amulet Talk Pro Podcast series to gain deeper understanding of the amulets of Luang Phu Tim, which has been inaccurate until recently, and which Ajarn Spencer Littlewood has worked very hard to reveal the true accurate information for true devotees and collectors to increase their knowledge and consolidate their faith in the many editions of Luang Phu Tim which the monopolists have kept hidden for decades.
This all-time classic Original Wat Laharn Rai Release of the Sacred Pra Khun Phaen Pong Prai Kumarn of the Great Luang Phu Tim of Wat Laharn Rai is one of the most famous amulets of all time, and highly renowned for its true power to bring prosperity and good business, power of attraction and mercy charm to the wearer. The reason this amulet became so world famous and popular, even in the time when Luang Phu Tim was still alive, is because everybody who owned one, recounted that business and personal success and prosperity had increased constantly and steadily since wearing the amulet.
This particular second prize winning exhibit of the Pra Khun Phaen Pong Prai Kumarn Pim Lek Wat Rai Waree has pristine features, and is (as usual with the amulets we select for you), an ‘Ongk Kroo Doo Ngaay’, the amulet is easily identifiable for its classic appearance, with no visual discrepancies. One can perceive the evident presence of authentic Pong Prai Kumarn Luang Phu Tim, which is risen to the surface of the amulet with their greenish white substance which has risen to the surface through the interior of the sacred clay.
The Muan Sarn Sacred Powders of the Khun Phaen Pong Prai Kumarn Luang Phu Tim, are renowned for their power, made from the skull-bone of a Hoeng Prai. Luang Phu Tim’s Pra Khun Phaen Pong Prai Kumarn, Pim Yai, and Pim Lek amulets are amongst the rarest and most highly sought after amulets in Thailand, and are very difficult to encounter.
All of Luang Phu Tim’s amulets are equally Sacred and Powerful in their own way, regardless of which edition or which temple he blessed them at, and some editions are much more affordable than others. But we, as do all Amulet Appreciation Fanatics, recognize the categories of preference within the hierarchies of different editions, which is for us one of the more subtle and fascinating parts of the study of high end amulets within the collector scene, and part of the fine art of learning how to recognize and value Sacred Amulets of High Preference and Rarity.
The Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim amulet, has has been one of the most popular amulets in the whole Pantheon of Thai Buddhist Amulets of the last century, and of all time, and is now almost impossible to encounter commonly anywhere in any amulet emporium.
The Sacredness of the Pra Khun Phaen Pong Prai Kumarn, is legendary and unquestioned in Thailand, and its magical power is commonly accepted by all. The Muan Sarn Sacred Powders of the Pra Khun Phaen Pong Prai Kumarn are considered to be amongst the most powerful powders to empower amulets in existence. This amulet is a wonderful opportunity for devotees who seek the true power of a world class amulet from a world class edition.
This exhibit is a perfect reference study exhibit for the study of Nuea Khaw Hniaw Sukh blessed sticky rice, and visible Prai Kumarn bone powders in the Sacred Muan Sarn, and an absolute pleasure to peruse under the eye loupe. The amulet is a perfect and authentic study material, to train the eyes as to the appearance of the Muan Sarn and Surface textures of the Classic amulets of Luang Phu Tim. Hence, the amulet is also a perfect ‘Ongk Kroo’ reference study material for students of the Pantheon, and will increase your chances of spotting an essential rarity at the right price, and without danger of risking a fakery. In addition, this amulet being a 2nd prize winning amulet, it is is of course even more the desire of any true aficionado of amulets. This exhibit is an extremely desirable acquisition for any serious collector, and a sure bet for those who may wish to continue entering this amulet in further competitions, to gain more prizes and trophies. As a sacred amulet of magical power, the amulet is however in our opinion, most attractive for the auspicious blessings of Luang Phu, that it will bestow upon its wearer.
A highly attractive and rare Sacred Amulet, that is truly Powerful and stands as the Master Class Amulet of its Category, and is considered a Most Highly Prized addition to any Master Class Collector’s Showcase, and more importantly, is a most powerful amulet to possess for Bucha, and receive its Blessings, which History has proved time and time again to be one of the most powerful and famous amulets in Thai Amulet History.
The making of the Muan Sarn Sacred Pong Prai Kumarn powders Luang Phu Tim, came from the Wicha which Luang Phu had inherited through apprenticeship form one of his high Kroo Ba Ajarn, Kroo Ba Sangkh Tao, who was also his true Uncle. Part of the formula included Pong Prai Maha Phuudt, which was made from the Skull of a male Kumarn who died in the Womb, and who died on a Saturday and was cremated on a Tuesday. This is part of the ancient Khmer Necromantic Formula for Authentic Powerful Prai Occult Magic, as practiced in Ancient Times. It is said that Pra Kroo Sangkh Tao’s Wicha Akom was so powerful that when he spat on the floor, the floor would crack where his spit would fall.
Due to the fact that Monks are not allowed to seek and find this Sacred and Extremely Powerful Necromantic Substance, Luang Phu would perform Korb Kroo Initiation for protection against Black Magic and the Phuudtaa (Bhuta) Spirit Phantoms, so they could go forth to seek and find the substances to donate to him, for the making of the Pong Prai Kumarn. The Initiated Lay Devotees and Apprentices to his sorcery, would then wait for the news of the right circumstances of death of Kumarn Ghosts, and go out to collect the substances and prepare them as instructed with the Wicha. They would seek the permission of the relatives of the dead, to obtain the substances to enable the ghosts of the deceased to receive merits to free them from their Karmic residues by donation of their mortal remains to be made into amulets.
They would receive the ceremonial ritual liberation of their souls from Luang Phu Tim, who would speak with the spirits of the dead to receive their acknowledgement for the process of transformation through the Nibbana Sutra, and the Muan Sarn would then be prepared according to the Dtamra Saiyasart of Necromancy, to make the Pong Prai Kumarn. Luang Phu instructed his apprentices and the relatives of the Funerals to take care not to incinerate the whole skeleton, but to keep the skulls to bring to Luang Phu to use them for the making of the Pong Prai Kumarn. This is one of the reasons why his Pong Prai Kumarn is so powerful, because it does not contain the skeleton bone powders, rather, only those of the skulls.
As a result, Luang Phu Tim’s Pong Prai Kumarn has been recorded by experience of devotees to posses the highest Maha Pokasap Power of all Pong Prai Kumarn ever made, with Immense Metta Maha Niyom and Klaew Klaad Power, to induce Mercy Charm, Attract Lucky Fortunes (e.g. Lottery Winnings), and to Protect from Deadly Accidents and Disasters.
The Pra Khun Phaen Pong Prai Kumarn is a preferred choice of both the wise investor and devotee, as well as the perfect choice for those Devotees who seek the immense power of Luang Phu Tim’s Legendary Pra Khun Phaen Pong Prai Kumarn.
Luang Phu Tim Issarigo, is of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders.
Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Khun Phaen Pong Prai Kumarn, and Look Om powder balls. As to the classic ‘Rian’ type coin image amulets which have become all time favorites, and eternally, world famous classic amulets of the high end variety. His Rian Jaroen Porn, and Rian Nakprok Paed Rorp, and Rian Sema Hnaa Ling coins, are amongst the most highly sought after coin amulets of all time.
Kata Pra Khun Phaen Prai Kumarn Luang Por Tim
Puttang Ārātanānang Tammang Ārātanānang Sangkang Ārātanānang Na Maedtaa Ja Mahaa Raachaa Taewiraacha Budtra Dtraa Budtra Dtrii Sa Ma Na Praahm Chiitaasaa Taasii Grasadtrii Paab Raacha Idthii Naarii Sappa Aehi Much-Chi Sappang Sappa Grotang Winaasandti Bpiyo Taewa Manussaanang Bpiyo Prahmma Namudt-dtamo Bpiyo Naaka Subannaanang Bpinintriyang Namaa Mihang Wikring Karae
Pra Khun Phaen Prai Kumarn LP Tim Pim Yai Niyom Hlang Baeb 2515 BE, rare double sided overlapped twin design model amulet, which was awarded with Authenticity Certificate by the Luead Ban Kaay LP Tim Amulet association, from the Great Luang Phu Tim, of Wat Laharn Rai. This exhibit is predominantly made from Pong Prai Kumarn, Nuea Khaw Hniaw Sukh blessed sticky rice, with Wan Thao Long tinted Blue-green herbal tincture, and Sai Rae Tong Kam golden flakes.
The Pim Yai Niyom Hlang Baeb, is also known by local devotees as ‘Khun Phaen Pim Bpam Sam’, meaning ‘pressed twice’. One can see the image of the Buddha, and the Sacred Yant Grabong Khwai superimposed upon each other on both sides, with the Yant Grabong Khwai being less obtrusive image, than the Buddha on the front face, and the Buddha being less obtrusive than the Yant Grabong Khwai, on the rear face.
Presenting a close up look at a pristinely well preserved and rare Pra Khun Phaen Pong Prai Kumarn, with 6 code stamps on front face, and Pra Somdej indent on rear face, with bronze wanich and sai rae tong kam golden coating. This is a master class Khun Phaen of LP Tim, which won first prize trophy during the August 2561 BE LP Tim amulet competition of the Samakom Luead Ban Kaay Luang Phu Tim amulet association.
This Model is Pra Khun Phaen pok Pim Niyom Sao Mee Sen, in Pink Prai Kumarn Powders with Sai rae Tong Kam golde coating, 6 code stamps on front face, amd Pra Somdej coin impression indented into rear face. this Amulet won first prize trophy during the highly esteemed Amulet competition of the Luead Ban Kaay Lp Tim Amulets association, for its impressive beauty and originality, in the category of Pra Khun Phaen with coin impressions in rear face.
Luang Phu Tim Issarigo, was of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets in his lifetime, amd posthumously, but is also the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders. Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Khun Phaen Pong Prai Kumarn, and Look Om powder balls. As to the classic ‘Rian’ type coin image amulets which have become all time favourites, and eternally, world famous classic amulets of the high end variety. His rian Jaroen Porn, and Rian Nakprok Paed Rorp are amongst the most highly sought after coin amulets of all.
An exquisitely beautiful Pra Khun Phaen Prai Kumarn 2515 BE Pim Yai Niyom Block Tong Hlueang (Block 2) Hlang Dtok Dtaeng Niyom Nuea Chompoo with Khaw Hniaw Suk & Pong Prai Kumarn Ta Bronze Wanich Dtem Ongk, code Sala (crown code stamp), code 3, and quadruple code Pidta embossed on the front face, with the indented image of a Rian Pra Somdej Lor LP Tim embossed into the rear face as an indentation.
Presenting a fully authenticated and Pristine Exhibit of the Pra Khun Phaen 15 Block 2 Amulet series of Luang Phu Tim Issarigo (Wat Laharn Rai), in Nuea Hlueang Golden Yellow Powders, consisting of Pong Paya Wan Dork Tong mixed with Pong Prai Kumarn powders with blesséd sticky rice, and double Takrut Sariga Koo in rear face.
The Khun Phaen is a Pim Yai Nuea Hlueang Fang Takrut sariga Koo Pim Niyom and comes with A4 size certificate of Authenticity from the Luead Baan Kaay Luang Phu Tim Amulet Appreciation Society, with the signature of its President, Doctor Ajarn Pisek Sri Sawad.
This exhibit is particularly attractive for its pristinely well preserved fieatures and clear cut detailed relief, with the classic appearance of Dork Tong Herbal powders with the marbled stonelike texture which arises from the mixture of Pong Prai Kumarn bone powders, and Khaw Hniaw Sukh blessed sticky rice.
In the gallery below, you can enjoy some closeup views of the Muan Sarn Powders and the various visual aspects within the sacred Clay
Presenting an eminent and extremely rare Pim from the highly preferred and sought after Kru Tap Khaw amulet pantheon; The Pra Khun Phaen Pim Ha Liam Kru Wat Tap Khaw Sukhothai, of Somdej Pra Puttajarn Dto Prohmrangsri (Wat Rakang Kositaram). An amulet that is older than Somdej Dto’s Masterwork, the Pra Somdej Wat Rakang, which dates at about 40 years younger than the Khun Phaen Tap Khaw.
The Khun Phaen Kru Wat Tap Khaw, is considered an ‘Ongk Kroo’ (teacher model), for reference study of the Pra Somdej Wat Rakang amulet, and is evaluated as such for the following reasons 1. The amulet was almost certainly made by Somdej Dto Prohmrangsri, 2. This amulet is visibly older than the Pra Somdej Wat Rakang, and hence is a good teacher as to how sacred clay that is more than 150 – 200 years old should look under the eye loupe. And, 3. The Muan Sarn Sacred Clay is almost identical in its appearance and ageing characteristics to the clay found in the Pra Somdej Wat Rakang amulet.
Khun Phaen Kru Tap Khaw 200 Year OId Hiding Place Amulet of Somdej Dto
These amulets are compared to the Pra Somdej Wat Rakang of Somdej Dto Prohmrangsri , but are much more affordable in the current time. However, the Pra Kru Wat Tap Khaw series hiding place amulets are now becoming extremely rare, and have entered the Master-Class Pra Niyom Category. These amulets are yet another priceless possession of the devotee and collector of the Pra Dtragun Somdej Dto (Pantheon of amulets that are directly or indirectly associated with Somdej Dto in their making).
Khun Phaen Kru Tap Khaw (Rear Face)
Khun Phaen Kru Tap Khaw (Front Face)
Khun Phaen Kru Tap Khaw (Bottom Edge View)
The Kru Wat Tap Khaw was discovered in 2480 by a Mr. Dteng (Surname not known), who found them whilst digging around the temple grounds. The Kru was found to have amulets buried which were made during three different Eras of History;
The first era was created in the Sukhothai Era, and were made from fine Nuea Pong Puttakun powders. A large number of different models were found, such as the Pra Pratan Porn, the Pra Ruang Nang, Pra Rueang Yern, Pra Lila. The amulets of this era have a creamy milky white clay hardened like stone, extremely similar in Muan Sarn to the Pra Somdej Wat Rakang Kositaram and to the amulets of Wat Plab.
Khun Phaen Kru Tap Khaw Pim Ha Liam
The amulets of the second era found were from the early Ratanakosin period (somewhere around the time of King Rama 3), and are hence roughly of an age between 150 and 200 years old. This group of amulets were also made from Nuea Pong Puttakun, which have an almost identical appearance with the sacred clay of the Pra Somdej Wat Rakang Kositaram of Somdej Pra Puttajarn (Dto) Prohmrangsri.
Below; Gallery of Close up Macro Images of the Features and Aspects of the Muan Sarn Clay of the Khun Phaen Kru Tap Khae amulet
A very large number of different kinds of amulet designs were found in this batch, some in greater numbers than others. Amongst the many Pim found in this batch were the Pra Luang Por Dto, Pra Khun Phaen Ha Liam, Pra Khun Phaen Khai Pa Seek, Pra Sam, Pra Narai Song Pern, and Pra Ruang, which were all obviously made in reverence to the previous periods of Thai Buddhist Arts of History.
Close up Macro Image of the Features and Aspects of the Muan Sarn Clay
When all aspects of these amulets are considered and the amulets themselves are examined in all their aspects, it is the common conclusion with experts that the Great Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram must have played a part in their making. Somdej Pra Puttajarn (Dto) Prohmrangsri is known to have hidden amulets in temples around the country, mostly in Central Thailand and in the North, and the amulets themself do not differ in ‘Nuea Ha’ (content), to the Pra Somdej Wat Rakang Kositaram. This makes the amulets of course a perfect reference study teacher model (Ongk Kroo) for training the eyes to recognise a true ancient Pra Somdej Wat Rakang Kositaram amulet.
These amulets have also been found in the Kru hiding place of the Kru Pra Yern Luang Por Dto of Wat Intrawiharn (Wat Bang Khun Prohm) of Somdej Pra Puttajarn (Dto) Prohmrangsri, which strengthens the evidence that Somdej Pra Puttajarn (Dto) Prohmrangsriwas responsible for their making. Below is a video in HD with an unbiased narrative on the Kru Wat Tap Khaw amulets, given by Ajarn Spencer Littlewood
The amulets found in the Kru which came from the third era, were made and hidden during the time of King Rama 6, reaching up to the time of His Majesty Rama 9. This amulets of this batch were found in many forms and reminiscent or straight replicas of amulets of the great Masters of those times, such as the Pra Pim of Luang Por Ao, and Luang Phu Phueak, of Wat Ging Gaew.
Khun Phaen Kru Wat Tap Khaw
The Muan Sarn Sacred Powder clay of this third group of amulets, do not have the same agédness or appearance to its substance as the previous two batches mentioned, and have a much younger appearance in the features of the sacred clay. Some amulets even copied the Pim Song (models) found in the previous two eras of amulets found in the Kru, which causes suspicion about this third batch.
Because of the much younger age and appearance of this batch which was buried at a later era, and the replicas found in the batch, confusion arose, causing the whole Kru Wat Tap Khaw find to come under scrutiny and suspicion about their true age, and for quite a long time the amulets were overlooked, due to the fact that few people realised that the amulets of the two other eras were indeed much more ancient.
The educated collector and student hence must have selectiveness when examining the amulets of the Kru Wat Tap Khaw, because of the three different batches found, which have similar Pim Song in all of them. An experienced collector should hence use his experience to estimate the age of the clay of the amulet to define which of the three batches/eras the amulet came from (especially between second and third eras).
One does not however need to have immense expertise to tell the difference, because the second era amulets (the ones assumed to be made by Somdej Pra Puttajarn (Dto) Prohmrangsri), have a much older appearance, and a much harder stone-like clay. In the case of the Kru Wat Tap Khaw amulets, one should place higher value on recognising the age of the clay, than recognising the Pim Song (design model), because the model is found in more than one era batch. In short, the designs were replicated in all batches, but the age of each amulet cannot be replicated, and is the definitive measure.
Close up of the face features and hardened clay (Nuea graeng) of Khun Phaen Kru Tap Khaw amulet – Somdej Pra Puttajarn Dto Prohmrangsri Wat Rakang
The inner circle aficionados of this series of Hiding Place Amulets have various beliefs depending on which group of aficionados;
The main group assume that it was the Great Khrua Ta Saeng of Wat Mani Chonlakhant in Lopburi who made the first batch during the time or Rama the 3rd. Khrua Ta Saeng was the Kroo Ba Ajarn of the Great Somdej Pra Puttajarn (Dto) Prohmrangsri, who encountered him on Tudong forest wandering in the Ayuttaya region.
Somdej Dto with the famous Pra Somdej Gang Pla amulet of the Kru Tap Khaw Hiding Place Find
This was during the time that Somdej Pra Puttajarn (Dto) Prohmrangsri went missing from Wat Rakang Kositaram and spent 15 Years in the forests around the Northern regions of Thailand and could not be found, and it was during this time that Somdej Dto received the Wicha Pra Somdej and other methods of making Sacred Powders from Khrua Ta Saeng, and Kata Akom for subduing Maras, Ghosts and Demonic Spirits.
Khrua Ta Saeng liked to make amulets in the ancient Sukhothai and Ayuttaya periodic styles of artistic interpretation. He would make many kinds of ancient amulets and hide them in Kru in temples around both Sukhothai and Ayuttaya Regions. One very famous and recognisable amulet of Khrua Ta Saeng is the Hlang Hoo Hai, which has two holes in the back face of the amulet. The first era batch of the Kru Wat Tap Khaw amulet find has also examples of Pra Luang Por Dto Hlang Hoo Hai, which is very rare and highly preferred.
The rarest amulet of all of the first era batch of Wat Tap Khaw from Khrua Ta Saeng is the Pra Somdej Pim Gang Pla, theTri Gaay (Pra Sam), the Pra Khun Phaen Ha Liam, Pra Khun Phaen Khai Pa Seek, and the Pra Narai Song Pern.
There is written documentation form Luang Phu Kam of Wat Amarint, who was a Gaeji Ajarn who lived at the same time as, and who was a close friend of Somdej Dto, that amulets had been made by these masters. It is written that Luang Phu Kam had asked Somdej Pra Puttajarn Dto to make some sacred powder amulets in the style and fashion that was known and popular to the people of Ayuttaya, Sukhothai and Lopburi.
The very same models (Pim Song) of amulet which were found in the Kru Wat Tap Khaw are mentioned in this documentation as having been made by Somdej Dto, and so there is little doubt remaining in the origins of the second era batch of the Kru Wat Tap Khaw.
Below; The written documentation from Luang Phu Kam regarding Somdej Pra Puttajarn (Dto) Prohmrangsri’s involvement in the Kru Wat Tap Khaw amulets.
The Kru Wat Tap Khaw first and second era batch amulets are most certainly the best remaining chance to own an original amulet of Somdej Pra Puttajarn (Dto) Prohmrangsri, as well as being a perfect study reference pice, as Ongk Kroo teacher for the study of the Muan Sarn clay of the Immortal Pra Somdej Wat Rakang Kositaram of Somdej Pra Puttajarn (Dto) Prohmrangsri, Wat Rakang Kositaram.
The Pra Khun Phaen Block Sorng, of Luang Phu Tim (Wat Laharn Rai), or, Popularly now known as the ‘Khun Phaenn Pi 15’, has other names too, depending on which of the many subdivisions the particular Pim belongs to. Some of the more commonly heard of Pim are the Khun Phaen Sum Khad,also known as ‘Khun Phaen Sao Khad’, Khun Phaen Block Tong Hlueang (Gorn Dtok Dtaeng pre-refined version, and Hlang Dtok Dtaeng post-refined version), and so on. But in most cases, all of these refer to the Khun Phaen 15 amulet, and are mere subdivisions for cataloguing and categorisation purposes.
Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim from 2515 BE
The Pra Khun Phaen Pi 15, is in truth a series which includes amulets pressed during the years 2505 BE to 2515 BE, with a vast pantheon of different models and variations, which were only given official release in 2515 BE, but whose making began years before that. For ease of definition, they are all mostly referred to as Pra Khun Phaen Pi 15. It is expected that time will see further subcategorisation as the series is slowly catalogued into different categories.
Pra Khun Phaen Pi 15 4th Prizewinner Luead Ban Kaay Association Meeting
Since the confirmation of the reality of the Block 2 Khun Phaen Luang Phu Tim of 2515 BE, this edition has become one of the hottest prospects of the decade. Now is the time to study and collect, for the near and far future will make the Block 2 Edition as unaffordable as the Block Raek has become in the present day. In fact, the mainstream high end publications and many of the top entrepreneur collectors are now placing them in their showrooms at ever more highly elevated prices, since their general acceptance has become a reality.
Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim
Below; Pra Khun Phaen Pong Prai Kumarn Pi 15 Amulets in the Famous Amata Siam Publication, which focuses on amulets of authenticity and high reputation, and has joined the ranks of those who ‘cheer’ the Pra Khun Phaen, and who are now auctioning and entering the amulets in competitions.
Three major encyclopaedic works have already been released in the last 2 years to catalogue the full pantheon, and the amulets are now beginning to disappear from the streets as the collectors and speculators snap them up and put them away in their safes.
Above and Below; you can see the Khun Phaen Pi 15 already appearing in the famous ‘Amata Siam’ publication. Some showrooms are aldready showing prices of $5000 – $7000 for some models of Khun Phaen Pi 15.
The recent events with confirmed and respected living initiates of Luang Phu Tim coming out to confirm and reveal the full story of the making of the Pra Khun Phaen Pong Prai Kumarn, along with presenting photographic visual evidence of the facts, has served to dispel and doubts or confusion about the reality of the Pra Khun Phaen 15 series. This, and many other conclusive forms of evidence have served to open up the truth and reveal this edition, which has been deliberately, or perhaps through mere oversight, hidden from the public, by a few powerful monopolists for many decades. These same people who once denied the Khun Phaen 15, are now proudly decorating their showrooms with these very same amulets.
The edition has stayed with the local folk, and did not fall only into the hands of the speculators, who have controlled the information available about all the many models which were actually made by Luang Phu Tim. That era is now over, and the Khun Phaen Pi 15 has taken its rightful position amongst the ranks of Pra Niyom amulets of the Tamniab Official Pantheon of Luang Phu Tim. Competitions with all the various models of Khun Phaen 15 and earlier are now commonplace, and proud devotees are entering their amulets into coompetition with great fervour.
Above; Ajarn Pisek of the Glum Anuraks Pra Krueang Luang Phu Tim speaks on National TV to break the News and destroy the Myths about the Pra Khun Phaen Prai Kumarn of Luang Phu Tim (created by Monopolists who only managed to get the 2517 BE edition in their possession, and 1. were unaware of the truth, as well as jealously blocking any editions they did not control, out of greed and prejudice). Luang Phu made other editions throughout the years between 2505 to his passing, with the 2515 BE edition now becoming the most preferred of all, overtaking the 2517 BE ‘Block Raek’ series
Below; A Video Podcast from with Narrative Ajarn Spencer Littlewood explaining a recent News Publication about the Pra Khun Phaen Pi 15
Ajarn Pisek has broken these myths, by revealing that Luang Phu Tim began to make and distribute Pra Khun Phaen in the year 2493 (Year of the Tiger). He then made his second edition in the year 2505 BE, and continuously distributed them throughout until his passing. But that in truth, the old devotees who grew up around Wat Laharn Rai (including Ajarn Pisek), did not wear the 2517 BE so called Pim Niyom edition, rather, that the true preferred edition of the local devotees who we close to Luang Phu, wear and collect the 2515 BE edition as the most preferred edition.
Below; Pra Khun Phaen Pi 15 Pim Yai Block Tong Hlueang Hlang Dtok Dtaeng Niyom Nuea Khaw Hniaw Sukh Long Sai Rae Tong Kam Luang Phu Tim
Below; Ajarn Pisek presents a Khun Phaen Luang Phu Tim Pi 15 amulet to her Majesty Princess Maha Chakri Sirindhorn Prataep Radtana Rachasuda Siam Boroma Rachakumaree
Ajarn Pisek Gives Pra Khun Phaen 15 Luang Phu Tim to Princess Prataep
Below; Pra Khun Phaen Sum Khad (Sao Khad)
Pra Khun Phaen Sum Khad (Sao Khad) – one of the many variations of the Pra Khun Phaen Pi 15
The Block Tong Hlueang was used to press Pra Khun Phaen Pong Prai Kumarn after the Block Hin Meed Gone broke. It was first used before the block press was given fine tuning, and then also again after having been filed down and carved to a more detailed and subtly styled detail, with the first pressings being known as ‘Long Pim Block Tong Hlueang Gon Dtok Dtaeng’. The more refined version was then given the name ‘Block Tong Hlueang Hlang Dtok Dtaeng (Niyom)’. The Block Tong Hlueang press is also known by local devotees of the Era as ‘Pim Sum Khad’ or ‘Pim Sao Khad’, and also other names. All of the different names refer to the very same Pim.
Rear face features of a Pra Khun Phaen Pong Prai Kumarn Pim Sum Khad (Khun Phaen Block Tong Hlueang/Block 2)
After the true Looksit and current mythbusters have revealed the truth, the most preferred edition is now becoming the 2514-2515 BE (Khun Paen 15). The Pra Khun Phaen Pong Prai Kumarn is a preferred choice of both the wise investor and devotee, as well as the perfect choice for those Devotees who seek the immense power of Luang Phu Tim’s now Legendary Pra Khun Phaen Pong Prai Kumarn Pi 15. Since the confirmation of the reality of various previously undiscovered editions of Khun Phaen Luang Phu Tim, and ‘coming out’ of various Looksit Aek (direct initiates of LP Tim who were involved in the making of the Khun Phaen Prai Kumarn amulets between the years 2505 BE and 2515 BE, the amulet world has been taken by storm, and turned upon its head.
Below; Luang Phu Tim is seen with Ajarn Piarn Wit (left), thirtheenth direct initiate of Luang Phu Tim, during the time around 2514 BE when he was helping Luang Phu as a lay practitioner. Ajarn Piarn Wit and various other direct devotees and initiates of Luang Phu have now come out into Public to reveal the facts, for documentation and confirmation.
Luang Phu Tim is seen with Ajarn Piarn Wit (left), thirtheenth direct initiate of Luang Phu Tim
The 2515 BE Block 2 series was the first edition to come to light in this revolution, that was undiscovered by the Samakom Pra and the ‘Chang Ga Buay Puttapanich’ commercial monopolists (self claimed ‘experts’), who forced acceptance of only the 2517 BE edition, and demanded the amulet world should only accept the amulets which they themselves possessed to be classified.
Pra Khun Phaen Pong Prai Kumarn Long Pim (Block 2 Sum/Sao Khad) Luang Phu Tim
One big mistake the Chang Ga Buay Puttapanich and Samakom Pra had made, was to put the name of Ajarn Piarn Wit and Ajarn Sukhothai and other Ajarns such as Ajarn Maeng, into their catalogues and encyclopaedic publications, as being the Ajarns involved in the making of the Khun Phaen Pong Prai Kumarn amulets of Luang Phu Tim. because after the denial of the 2515 BE edition, and statements that Ajarn Piarn Wit was the maker of a later edition in 2517 BE which Luang Phu did not bless were made.
Ajarn Piarn Wit watches Luang Phu Tim perform a blessing on the car of a devotee circa 2514 BE
But then suddenly, Ajarn Piarn Wit came out to speak thorugh this provocation, and provided photographic evidence and official confirmations to show that firstly, Ajarn Piarn Wit was ordained and initiated by Luang Phu Tim in 2514 BE, and assisted in the ,making of the 2515 BE ‘Sao Khad Block 2’ edition with Luang Phu. he provided many pieces of evidence, and the fact that he was already stated to be the 13th direct initiate of Luang Phu Tim and directly involved in the making of the Khun Phaen Pong Prai Kumarn
Above; Video interview conducted by Mor Grit, famous collector of Amulets of Luang Phu Tim, and Talkshow host, inquires with Ajarn Piarn Wit, the 13th direct Initiate of Luang Phu Tim, who ordained with Luang Phu and was one of his close assistants, about the truth of the 2515 BE and earlier editions of Pra Khun Phae, and receives direct confirmation of the facts, authenticating these editions. The beginning of the video shows photographic evidence of Ajarn Piarn Wit as a young man ordained with Luang Phu, as well as serving him as a Lay Practitioner over the years, helping Luang Phu to make amulets, and serving his needs.
Ajarn Piarn Wit as he was Ordained in his early years, at the side of Luang Phu Tim.
Below; Locals of Ban Kaay in Rayong show their Pra Khun Phaen 15 amulets, and tell of their knowledge and experience of the true facts, as local devotees of Luang Phu Tim, who know the truth, much better than a load of so called experts from Bangkok and other Provinces, who happened to pass by decades ago, snap up a few amulets and try to make the whole remaining pantheon disappear, be manipulating public beliefs with their own self sponsoring publications, and influence with the media. Those days are over now in the days of the Internet, where communication has become much easier, and the new younger generation of amulet aficionados have applied their knowledge of internet to put the pieces of the puzzle back together, and reveal the truth to the world.
Below; Locals of Ban Kaay in Rayong show their Pra Khun Phaen 15 amulets.
The Samakom Pra were dumbfounded when Ajarn Piarn Wit came out to confirm the edition which is as good as ‘from the horses mouth’. In video interview with a famous expert and collector and TV star, he called Ajarn Sukhothai, the official expert who first catalogued all the officially accepted Khun Phaen into their respective series block presses, and named them. In the telephone conversation with the President of Luang Phu Tim Amulet Association in Sukhothai (who can be considered to be amongst the top 3 officially accepted people in the Know, and the person who first defined the different block presses), The president of the Sukhothai Luang Phu Tim Amulet Association confirmed the existence and authenticity of the 2515 edition, and the previous editions which were made between 2505 BE and 2515 BE.
Ajarn Piarn Wit once more walking beside Luang Phu Tim, holding his betel nut and areca tray (Chan Hmak)
Examples of Pra Khun Phaen Pong Prai Kumarn from the previous ‘Hin Meed Gone’ razor sharpening stone block press, which after breaking, was superceded by the Block Tong Hlueang Brass Block Press.
Below; Ajarn Piarn Wit reveals the truth of the pressing of the 2515 BE Khun Phaen 15, and that Luang Phu blessed them. He explains that the til now preferred ‘Block Raek supposed ‘first block’ was actually the third block press development, and that the Block Sorng (2nd Block Press), preceded it. Ajarn Piarn Wit confirms the reality of the Khun Phaen 2515 BE with great sincerity.
Ajarn Piarn Wit Seated once more at the side of Luang Phu Tim, as one of his close ‘Looksit Aek’ direct initiate apprentices.
Below; Mr Chui, direct grandson and initiate of Luang Phu Tim, confirms the reality of the Block 2 Sereies, blessed by Luang Phu Tim. The beginning of the video shows Mr Chui as a Samanera Monk at the side of Luang Phu Tim’s corpse at the time of his death.
Below we can admire an example of a Block 2 Pim Yai from a famous Amulet Auctioneer Magazine in Nuea Chompoo from some years ago now, which auctioned for 65,000 Thai baht (Roughly 1950$ US) – the Pi 15 amulets have already quadrupled the below price in various auction rooms and shows.
The block Tong Hlueang was then refined further, separating the two versions of the brass block mold into ‘Gorn Dtok Dtaeng’ (before refinement) and ‘Hlang Dtok Dtaeng’ (after further refinement – these are ‘Pim Niyom’ most preferred). Below; some more examples of the Pra Khun Phaen Pong Prai Kumarn – these belonging to the Block Hin Meed Gone amulet, in a Samakom Pra amulet appreciation society encyclopedia. The block hin meed gone series preceded the block tong hlueang and was less refined, and was superceded by the block tong hlueang after the block hin meed gone broke.
Khun Phaen Prai Kumarn Block Hin Meed Gone Luang Phu Tim
The Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim amulet, has has been one of the most popular amulets in the whole Pantheon of Thai Buddhist Amulets of the last century, and of all time, and is now almost impossible to encounter commonly anywhere in any amulet emporium, except for the most elite showrooms, and at elevated prices.
The Sacredness of the Pra Khun Phaen Pong Prai Kumarn is legendary and unquestioned in Thailand, and its magical power is commonly accepted by all. The Muan Sarn Sacred Powders of the Pra Khun Phaen Pong Prai Kumarn are considered to be amongst the most powerful powders to empower amulets in existence.
The Pra Khun Phaen Pong Prai Kumarn is a highly attractive and rare Sacred Amulet, that is considered truly Powerful, and stands as the Master Class Amulet of its Category, and is considered a Most Highly Prized addition to any Master Class Collector’s Showcase, and more importantly, is a most powerful amulet to possess for Bucha, and receive its Blessings, which History has proved time and time again to be one of the most powerful and famous amulets in Thai Amulet History.
Since his passing, his devotees and apprenticed monks, have now become the world’s top living masters for the making of Pra Khun Phaen Pong Pra Kumarn, and literally dozens of encyclopaedic books, have been printed, documenting both this great master monk, and his classic amulets of high esteem.
