Kanha Jali Pim Lek Hua Gleung Niyom 2491 Blessings by Luang Por Chaeng, Luang Por Jong, Luang Por Chuan, and Luang Por Phueak, Featured

Kanha Jali Loi Ongk Sattuette,’Pim Hua Gleung Niyom’ (preferred pointed head model), in smaller Pim Lek version, released 2491 BE with Blessings by Luang Por Chaeng, Luang Por Jong, Luang Por Chuan, and Luang Por Phueak, of Wat Molee. The Kanha-Jali amulet (Ganha-Chali), is in the form of Prince Jali and Princess Kanha as children, embracing each other shoulder to shoulder.

The image radiates the potent energy of Metta Maha Niyom Mercy Charm. Kanha and Jali were born to the Royal Prince Vessantara (a previous life of the Buddha), and their story, is to reveal the profound generosity and sacrifices made by the Buddha, on the path to enlightenment.This amulet, is usually catalogued within the pantheon of amulets of LP Chaeng, despite the collaborative ceremony.

The story of Prince Vessantara’s last incarnation plays a significant role in the Wicha for this amulet, Thai Buddhism. In this tale, Jali and Kanha, were the son and daughter of Prince Vessantara and Queen Maddi. Eventually, the generous Prince Vessantara gives away his children to the Brahmin Jujaka as part of his ultimate act of generosity before attaining Buddhahood.

In the tale of Vessantara, part of Buddhism’s revered Jataka stories, Kanha and Jali play a central role in their father’s pursuit of Dhāna Paramī—the tenth and culminating perfection required for attaining Buddhahood. Their father faced the challenging decision of giving away his own family to the greedy Beggar Jujaka, (‘Choo Chok‘ in Thai). Jujaka, a Brahmin from a distant village, heard tales of Prince Vessantara’s unparalleled generosity and selflessness.

Jataka tales are especially important in Theravada Buddhism, more than other traditions.

Intrigued by these stories, he set off to find the prince and test the limits of his benevolence. As Jujaka arrived at the secluded wilderness where Vessantara resided with his wife Maddi and their two children, Jali and Kanha, he marveled at the austere surroundings. Approaching Vessantara with humility, Jujaka revealed his desire, “O benevolent prince, I have traveled far seeking a gift from someone as virtuous as you. Grant me the extraordinary boon of receiving your children, Jali and Kanha, into my care.” The words hung in the air, creating an undeniable tension.

Kanha Jali Vessantara's children

Vessantara, torn between his commitment to unconditional giving and the natural instincts of a father, hesitated. Maddi, sensing the internal struggle, clutched their children protectively. The surrounding forest seemed to hold its breath as Vessantara grappled with the monumental decision.Finally, after a heavy pause, Vessantara spoke with a heavy heart, “Brahmin, I am bound by my principles of generosity.

Prince Vessantara gives away the State Elephant to the Brahmans

Prince Vessantara gives away the State Elephant to the Brahmans

If this is your earnest request, I shall fulfill it, though it pains me deeply.” The weight of his words echoed through the wilderness. As Jujaka took custody of Jali and Kanha, the atmosphere shifted from serenity to sorrow. Maddi, with tearful eyes, whispered words of reassurance to her children.

Vessantara, suppressing his emotional turmoil, maintained composure, realizing that this act of unparalleled sacrifice was a crucial step on his path toward enlightenment. Jujaka, with the children in tow, disappeared into the depths of the forest, leaving behind a somber silence. The echoes of Vessantara’s sacrifice lingered, setting the stage for the unfolding of a profound narrative on the virtues of selfless giving and the spiritual journey toward Buddhahood.

As Kanha and Jali questioned their father’s choice, Prince Vessantara explained the profound purpose behind this act of supreme generosity. Giving away one’s own family represented the final and most challenging step in achieving the perfection of Dhāna Paramī. Kanha and Jali, understanding the greater purpose, willingly accepted their fate as slaves to Jujaka, supporting their father in completing this ultimate act of selflessness.

The Kanha Jali Loi Ongk Statuette, infused with Metta Maha Niyom, stands as a powerful reminder of the unwavering spirit of generosity and compassion that defined Prince Vessantara’s journey towards enlightenment.

This sacred amulet, mostly attributed within the pantheon of amulets of Luang Por Chaeng, was actually blessed by various Great Monks in unison. Originally commissioned by Pra Luang Por Kloy, the abbot of Wat Bang Kra Nok, Nonthaburi Province.

The first model was released in the year 2491 BE. During the consecration ceremony, Pra Kloy, along with other respected monks, invoked blessings, making it a powerful and sought-after amulet. The Kanha Jali is renowned for its remarkable efficacy, believed to bring prosperity, charm, and success to its bearer. The amulet is imbued with a Magical Kata Spell which contains the sacred chant: Chaalee Ganhaa Maa Laew Hrueyang Sangkadtang Lokawituu. This Kata is to invoke blessings and communication between the amulet and its wearer, and should be used when performing Bucha or asking for blessings, and daily to empower the amulet before wearing.

Devotees who have experienced success often choose to encase the amulet in gold. It is believed that successful ventures and accomplishments are likely when this practice is followed. This statuette is not only a treasured amulet with historical and religious significance, but also a symbol of compassion, generosity, and the pursuit of enlightenment in the story of Prince Vessantara.

Here is a Basic Breakdown of the Thai Jataka Tale;

1. Prince Vessantara, known for his extreme generosity, gives away everything he owns, including a magical white elephant that brings rain.

2. The kingdom suffers without the elephant, and Vessantara is banished with his wife, Maddi, and their children, Kanha (daughter) and Jali (son).

3. A cunning beggar named Jujaka demands Vessantara’s children as slaves.Despite the pain, Vessantara, determined to practice perfect generosity, gives his children away. The children are eventually rescued by the king, Vessantara’s father, who recognizes them.

4. The story emphasizes the importance of generosity in Buddhism, even if it comes at a great personal cost.

5. There are many variations of the tale depending on the region. In Thailand, for instance, the story of Vessantara is a popular festival (Jataka tales are especially important in Theravada Buddhism).

6. Prince Vessantara, known for his extreme generosity, gives away everything he owns, including a magical white elephant that brings rain.

7. The kingdom suffers without the elephant, and Vessantara is banished with his wife, Maddi, and their children, Kanha (daughter) and Jali (son).

8. A cunning beggar named Jujaka demands Vessantara’s children as slaves. Despite the pain, Vessantara, determined to practice perfect generosity, gives his children away. The children are eventually rescued by the king, Vessantara’s father, who recognizes them. The story emphasizes the importance of generosity in Buddhism, even if it comes at a great personal cost. There are many variations of the tale depending on the region. In Thailand, for instance, the story of Vessantara is a popular festival.

The Vessantara Jataka, considered one of the most significant stories in Thai Buddhist literature, narrates the final and tenth life of Prince Vessantara before his incarnation as Siddhartha Gautama, who would later become the Buddha. The tale emphasizes the perfection of generosity and self-sacrifice. Here is a summary:

Key Events:

Vessantara’s Generosity: Prince Vessantara was known for his extreme generosity, which led him to give away anything asked of him. His charitable acts gained immense popularity and admiration.

The Gift of White Elephant: Vessantara’s father, King Sanjaya, became concerned about the prince’s habit of giving away possessions. To prevent potential issues, Vessantara gave away a magical white elephant meant for royal rain ceremonies. This act angered the people, leading to his exile.


Life in the Wilderness:
Vessantara, along with his wife Maddi and their two children, Jali and Kanha, lived in the wilderness, where he continued to practice generosity. However, circumstances led to their separation.

Jujaka’s Request: The family encountered a Brahmin named Jujaka, who, learning about Vessantara’s generosity, approached him requesting the gift of his children. Vessantara, upholding his commitment to give anything asked, reluctantly agreed.

Suffering and Return: The children, Jali and Kanha, were taken by Jujaka, leading to immense suffering for the family. Eventually, the hardships and divine intervention revealed Vessantara’s true identity. The family was reunited, and Vessantara returned to his kingdom.

Moral of the Story: The Vessantara Jataka illustrates the perfection of generosity (Dāna) as an essential quality on the path to enlightenment. Vessantara’s unwavering commitment to giving, even at the cost of personal sacrifice and the well-being of his family, underscores the selfless nature of true generosity. The tale teaches that the journey towards Buddhahood involves overcoming attachments, practicing unconditional giving, and embodying compassion for all beings. The moral encourages individuals to cultivate the virtue of generosity as a means to attain spiritual enlightenment and benefit others.

Luang Por Chaeng

Luang Por Chaeng, Silapanya, born on December 18, 2428 BE, was ordained as a Samanera Novice Monk at 12 and became a fully ordained Bhikkhu Monk at 20. A notable figure in Thai history, he served as the second abbot of Wat Bang Pang in Nontaburi, Bangkok, succeeding Luang Por Pra Atigarn Jaroen. Renowned as a Pra Gaeji Ajarn Master Monk during the Second World War, Luang Por Chaeng was a highly respected exponent of Vipassana Kammathana practice, attracting devotees nationwide. His expertise extended to empowering amulets, making him a sought-after participant in significant Buddha Abhiseka ceremonies, including those for the Thai Military’s magical protective items. In the era of the second world and Indo-China wars, Luang Por Chaeng, along with other revered monks, stood out for their magical prowess. Notable among them were Luang Por Jong of Wat Na Tang Nork, Luang Por Jad of Wat Bang Grabao, and Luang Por Opasi.

During the Indochina War, a ceremony was conducted to empower protective items for the Thai Military, including Pha Prajiad Sipsee Pan Tong by Luang Por Chaeng. The consecrated items, worn by soldiers, became legendary for rendering them impervious to bullets, earning the Thai Military the moniker ‘Taharn Phi’ (Ghost Soldiers) by the French Military. Luang Por Chaeng inherited Wicha from esteemed Kroo Ba Ajarn, such as Luang Por Parn of Wat Bang Nom Kho, Ph Khai of Wat Cherng Lane, Luang Phu Chay of Wat Panan Cherng, Pra Kanajarn Say (Luang Por Say), Luang Phu Sukh of Wat Pak Klong Makham Tao, and Luang Por Jong of Wat Na Tang Nork. Devotees sought Luang Por Chaeng for blessings, amulets, and healing. He welcomed all requests and, for those aspiring to learn his Wicha, emphasized moral development and meditative skills before revealing the secrets of incantations.

With influence from Luang Por Parn, Luang Por Chaeng’s amulets, particularly the Buddha riding animal models, gained popularity. He crafted a variety of amulets, including Monk Coins, Pha Yant Tong Yantra Flags, Sai Sek blessed sandgrains, Pra Kring, Pra Chaiyawat Loi Ongk Statuettes, and Pra Sivali metallic Loi Ongk Statuettes.

In 2484 BE, Luang Por Chaeng released powerful amulets to protect devotees during wartime. These amulets became a world famous historic edition, and were distributed for free during a large ceremony attended by numerous devotees. Luang Por Chaeng passed away peacefully on July 26 (some say 22nd), 2500 BE, at the age of 72. His legacy endures through his teachings and the amulets he created, cherished by those seeking protection and blessings in Thai Buddhism.

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Somdej Long Rak Chart Pim Gaes Talu Sum Block Chang Luang Wijarn with Authenticity Certificate Somdej Dto Prohmrangsri Wat Rakang Kositaram Featured

A most Exquisite and Officially Certificated Authentic Pra Somdej Wat Rakang Pim Gae Talu Sum Block Chang Luang Wijarn of Somdej Pra Puttajarn (Khrua Dto) Prohmrangsri, the Great Master of Wat Rakang, with Red Lacquered Surface, and all the classic features of an Ongk Kroo Model of this All Time. This particular exhibit is Extremely attractive to the eye, with its perfect balance of lacquer and open surface. The Pra Somdej Wat Rakang Kositaram of Somdej Pra Puttajarn (Dto) Prohmrangsri is the No. 1 Pra Somdej amulet of all time, and the most eminent member of the five regional top amulets within the Benjapakee Pantheon of Classic Thai Buddhist Amulets. On can also say it is perhaps the most famous of all Thai Amulets.

A Master Class ancient amulet of the Benjapakee Immortal Classic Family, the Pra Somdej Wat Rakang Pim Chang Luang Wijarn, with Rak Chart (ancient red lacquer), of the great Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram, this model is an extremely attractive Pim Niyom model of the ‘Chang Sip Moo’ Artisan Chang Luang Wijarn. This amulet comes with free solid silver casing if desired and selected in the encasement options (Please note; the custom casing can take from 3 – 10 days to custom encase). Bespoke Silver Frame casing is always enhanced with waterproof acrylic sealed windows to protect the amulet from the weather). You can order solid gold casing at extra price if desired too and we will invoice you according to current spot prices.

The Legacy of Somdet Phra Phutthācāriya (Toh) and the Sacred Somdet Amulet: “Kesa Thalu Sum” (Topknot Piercing the Arch)

Among the pantheon of Thai sacred amulets (phra khrueang), none is more revered than the Phra Somdet Wat Rakang—especially the archetype known as “Phim Yai Kesa Thalu Sum” (พิมพ์ใหญ่เกศทะลุซุ้ม), often translated as the Large Mold – Topknot Piercing the Arch. This particular design is believed to be among the most spiritually potent and artistically refined sacred objects created under the auspices of Somdet Phra Phutthācāriya (Toh) Phrommarangsi (Somdet To), the legendary monk of the Rattanakosin era (1788–1872), known as an Arahant-like figure and master of sacred sciences (saiyasāt).

The Pra Somdej Wat Rakang Comes with A4 Size Plasticized Authenticity Certificate issued by the Association of Amulets of Siam Thailand, and comes with Free Express shipping, and Free Solid Silver Casing Included in the price. Please choose the free silver casing option to take advantage of this free offer. Free express registered shipping is worldwide and included automatically.

Below, A4 sized certificate of authenticity of this Pra Somdej Wat Rakang Long Rak Chart Pim Gaes Talu Sum Block Chang Luang Wijarn, The Artisan Chang Luang Wijarn was the Kroo Ba Ajarn (teacher) of all the other artisans of the Chang Sip Moo artisans, including the great Chang Luang Sittigarn and Chang Luang Wijit.

 

Understanding the Term “Gaes (Kesa) Talu Sum”

In Thai Buddhist amulet vocabulary, “kesa” (เกศ) refers to the flame-like ushṇīṣa or “topknot” on the head of the Buddha image. “Thalu” (ทะลุ) means “to pierce” or “go through,” and “sum” (ซุ้ม) is the ornate arched frame or halo encasing the Buddha’s seated image. So, Kesa Thalu Sum implies that the topknot reaches upward and pierces through the apex of the arch, a rare and desirable stylistic detail that only appears in a select few authentic master molds (phim ong krū – พิมพ์องค์ครู) from Somdet Toh’s era.


Below, is an 11 minute long video with full views and 12 x Macro closeups of the Muan Sarn Powders, wth Narrative from Ajarn Spencer Littlewood to enlighten the student on the various aspects of authenticity of a different exhibit which was also a lacquered version, and displays similar characteristics to this exhibit, with highly informative narrative by Ajarn Spencer, explaining various aspects of the studt, perusal and inspection of this tyupe of amulet, and some revelatory information about the amulet itself and the history of its making, and the Sacred Muan Sarn Content. This helps the student to understand and increase their expertise in recognising authentic Pra Somdej Wat Rakang Kositaram amulets of this model and type.

Who Was Chāng Luang Wichān (ช่างหลวงวิจารณ์)?

The iconic Kesa Thalu Sum mold is widely attributed to the craftsmanship of Chāng Luang Wichān Wijit Sittikān (ช่างหลวงวิจารณ์ วิจิตร สิทธิการ), a royal artisan of the Chang Sip Mū (ช่างสิบหมู่)—the Ten Royal Craft Guilds of Siam. These were elite artisans directly serving the Chakri dynasty, skilled in sculpture, lacquer work, gold-smithing, and iconography. Wichān was said to have personally carved molds under the commission or guidance of Somdet Toh himself, resulting in highly refined, geometrically perfect, and spiritually resonant Buddhist images.

Somdej School 1

His mold—known as the Wichān Block—exemplifies regal aesthetics fused with spiritual subtlety. When found on authentic Wat Rakang specimens, it often features:

  • A perfectly symmetrical arch (sum) enclosing the Buddha image
  • The kesa (topknot) extending straight upward, piercing the arch
  • Subtle curvature of the seated Buddha’s silhouette
  • Triple base lines (samchan) with precise spacing
  • Signs of aged lacquer (rak chāt chīn) from the original red Chinese lacquer finishing

The Wichān Block vs. Other Blocks

In the study of Somdet amulets, experienced phra sen (พระเซียน – amulet masters) distinguish between various molds (phim) based on micro-details and matrix analysis. Three major molds compared at the elite level are:

  1. Wichān Block (บล็อกช่างหลวงวิจารณ์) – Characterized by its “Kesa Thalu Sum,” fine lines, and sophisticated surface.
  2. Sīao Noi Block (บล็อกเสี่ยวน้อย) – Slightly more primitive in depth but very ancient in clay composition. This block is often less crisp but bears classic signs of age and high energy (sāk sit).
  3. Wang Nā Block (บล็อกวังหน้า) – Possibly produced by artisans from the Front Palace (Wang Nā) under royal patronage, with a broader face and deeper relief.

A truly ancient amulet made Circa 2390 – 2396 BE. The rear face of this exhibit is inimitable and has immensely beautiful markings, of a classic Pra Somdej Wat Rakang. Various exhibits display different textures on the rear faces, for they were laid on various surfaces to sun dry, ranging from marble stone, wood, metal, and other surfaces, resulting in textures ranging from stone-like fossilized effect, granular, crackled, to the fine scratches on the rear face of some, which come from laying them to dry on mai gradan wooden boards.

In truth, no two Pra Somdej Wat Rakang are the same, and each amulet has its own individual character, which is of course one of the many aspects which form part of what makes the Pra Somdej Wat Rakang the title holder of the ‘King of Thai Amulets‘.

“Gaes Talu Sum” as One of Many Pīm within Dtamrā

While “Gaes Talu Sum” (เกศทะลุซุ้ม) refers to a distinct style, it is only one recognized Pīm (พิมพ์) among many listed in the classic reference Dtamrā Phra Somdej Wat Rakang. These canonical molds include:

  • Gaes Talu Sum
  • Phim Yai (Large block, plain arch)
  • Phim Sam Chan (Three-base lines)
  • Phim Paa Singha (Lion-cloth border)
  • …and others.

The Wichān Block belongs specifically to the Gaes Talu Sum group and is often called a Pīm Ong Krū (พิมพ์องค์ครู – ‘teacher mold’), signifying its canonical status as an original master mold.

 

The Chang Sip Mū (ช่างสิบหมู่): Ten Royal Artisans of Siam

The Chang Sip Mū (Chāng Sip Mū)—literally “Ten-Craft Guild”—was an elite corps of artisans instituted under King Rama I of Siam. These ten crafts included:

  1. Carving (chāng chākā) – wood and stone
  2. Gilding (chāng phliap) – gold leaf application
  3. Casting (chāng lom) – metals
  4. Engraving (chāng tschāt)
  5. Drawing & Painting (chāng phithāng)
  6. Lacquerwork (chāng ró rät)
  7. Sculpture (chāng chāt)
  8. Manufacture of Buddha images (chāng phra pinyo)
  9. Stucco & inlay (chāng phaeng)
  10. Hidden relief and finishing (chāng lath)

These artisans were established to revive and preserve sacred craftsmanship such as Buddha-image iconography, temple decoration, and monastic utensils. Chāng Luang Wichān—a Chāng Luang rank artisan—expertly blended multiple crafts, especially casting, engraving, and lacquerwork, to produce master molds like the Wichān Block.

Three Eras of Phra Somdej Production at Wat Rakang Kositaram

According to Dtamrā Phra Somdej Wat Rakang (ตำราพระสมเด็จวัดระฆัง), production under Somdet Pra Phutthācāriya (Toh) Phrommarangsi is traditionally divided into three eras:

Pra Somdej Wat Rakang study of 3 Eras 2355 - 2408 BE

1. Yuk Ton (ยุคต้น / Early Era, c. 1860s)

  • Mix: Fine limestone crushed to powder, phong itthi (powerful clay blend)
  • Pīm: Coarse molds with less defined lines
  • Ritual: Solo empowerment with Phra Trisaranāgata paritta
  • Marks: No lacquer finish; rough, sandy texture

2. Yuk Klang (ยุคกลาง / Middle Era, c. 1870s–1880s)

  • Mix: Addition of phong pārisaṇḍa powders, remnants of old monk’s robes
  • Pīm: Molds refined by Chang Sip Mū, including the Wichān block
  • Ritual: Multi-stage consecration with Jinapañjara and Mahā Meṭṭhā chants
  • Marks: Early signs of Rak Jeen Borān—thin lacquer coat, slight red tint

3. Yuk Plāi (ยุคปลาย / Late Era, c. 1890s until Somdet Toh’s passing in 1872)

  • Mix: Highly refined batches with small shell inclusions
  • Pīm: Final mold-state perfected; deep relief, crisp lines
  • Ritual: Full-scale empowerment ceremonies attended by royal court
  • Marks: Visible Rak Jeen Borān with Hān (micro-cracks) and color patina

The amulet comes with the A4 size certificate of authenticity as a Pra Somdej Wat Rakang Long Rak Pid Tong of Somdej Pra Puttajarn (Dto) Prohmrangsri, with definition of the preferred artisan as authentic issued from the Pra Tae Mueang Siam Amulet Association.

An Immortal Classic and one of the most famous Thai Buddhist Amulets of all time, as well as being amongst the top preferred amulets of the serious devotee and wealthy collector of the accepted amulets of Somdej Pra Puttajarn (Dto) Prohmrangsri, of Wat Rakang Kositaram, whose Pra Somdej are the number one amulets of all time, be they from Wat Rakang, Wat Bang Khun Prohm,or Wat Gaes Chaiyo.

Made almost 2 centuries ago, the Pra Somdej Wat Rakang can be considered the number one amulet of all time in Thailand for its historical fame and legendary, and thae reputation of its maker to be the number 1 in all Thai History for Pra Somdej Amulets.

Pra Somdej Wat Rakang Somdej Toh Pim Yai

Rak Jeen Borān (ลงรักชาดจีนโบราณ): Ancient Red Lacquer

Rak Jeen Borān is a thin red lacquer derived from ancient Chinese formulas. It was popularly applied to selected pīm in the Yok Klang and Yok Plāi eras. Artisans would:

  • Dip the cured amulet in lacquer bath
  • Allow it to settle into fine cracks
  • Let it cure naturally under temple shade

Visually, it leaves a warmreddish hue, especially in recessed areas and seen as a micro hairline cracks (“hān”). The lacquer gave spiritual seal and aesthetic refinement—only a portion of issued amulets received this treatment, based on batch size and ritual occasion.

 

The Pra Somdej Amulets of Somdej Dto, are officially recognized as coming from one (or all) of four Royal temples Classed as three, because Wat Bang Khun Prohm Nai and Wat Intra Wiharn Bang Khun Prohm, are both located within the same temple boundary). Namely; Wat Intra Wiharn (Bang Khun Prohm Nai), Wat Gaes Chaiyo, Wat Mai Bang Khun Prom, and of course last but not least, Wat Rakang Kositaram. Most of these amulets are given a Puttapisek blessing ceremony in the temple where they were made, but then travel to at least two or three of the other temples to be laid under the ‘Pra Pratan’ (main Buddha statue in the shrine), and absorb the prayers of the Sangha (Monks), for further sacredness and power.

The Pra Somdej amulet, is one of the ‘Benja Pakee’ official set of five national amulets of Thailand seen as the most sacred, desirable and representative of every region of Thailand. In recent decades various Kru hiding place finds have been discovered in temples where Somdej Dto built statues and traveled, such as the Kru Wat Kanlayanamit, and Kru Wat Sadter finds.

This amulet comes with its certificate of authenticity in form of a A4 sized plastified certificate photo of the Chomrom Pra Tae Mueang Siam Amulet Appreciation society of Siam Thailand, and complimentary box with authenticity confirmation sticker. We offer free Solid Silver, Stainless Steel, or Waterproof Casing with this amulet (or gold at extra price), whichever you prefer. Free Express Shipping is also included in the price

 

The rear face shows the presence of all the classic features and Muan Sarn ingredients of a true Pra Somdej Wat Rakang of Somdej Dto, with a beautiful lined pattern resulting from shrinkage and drying over almost two centuries of ageing, and which has added to the character and increases the ease of authentication. This kind of rear face pattern is highly preferred among aficionados and serious devotee-collectors, for its classic aged appearance.

The contents of the Muan Sarn Sacred Clay reveal the necessary aspects and content expected from an authentic Pra Somdej Wat Rakang. The design of the front face is exquisite, as were all the block presses carved for Somdej Dto by the artisan Luang Wijarn, one of the royal artisans of the Chang Sip Moo group of artisans.

Pra Somdej Wat Rakang is one of the classic Pra Somdej amulets of Somdej Dto available, along with Pra Somdej Wat Gaes Chaiyo, and the Pra Somdej Wat Bang Khun Prohm amulet as far as popularity, beauty, sacredness of Puttapisek ceremony and price range.

The Pra Somdej Wat Rakang amulet is the Keystone and Master amulet (Ongk Kroo) for all other Pra Somdej amulets. It is an image in the likeness of the Buddha sitting on a Dais, which was essentially created by Somdej Pra Puttajarn (Dto) Prohmrangsri, of Wat Rakang Kositaram. There are various different ‘Pim’ (models) with varying design features.

 

The Pra Somdej Wat Rakang, are considered to have extremely powerful Buddha magic in them due to the richness of sacred powders and powerful blessings contained within from great master Somdej Dto. Its general appearance is that of an oblong about 2.4 cm wide up to 4 cm high (varies between these sizes), made from white sacred powders mixed together.

The Pra Somdej Wat Rakang Kositaram Pim Gaes Talu Sum is Similar to the Pra Somdej Pim Pra Pratan, but has the ‘Pra Gaes’ Topknot piercing the arch at the top of the amulet. The Pim Jarod Sum touches the arch or approaches it.

The main Ingredients of the amulets (Muan Sarn Samkan) were made from a base of sea shells, dried rice left from alms round, the five sacred magic powders of Somdej Dto, and ‘Nam Man Dtang Iw’ (special oil for mixing). Nam Man Dtang Iw, or Tung Oil in English, is a preferred oil for mixing and curing amulets with, for it is superior to any other oil as far as water resistance is concerned (one reason why Pra Somdej amulets can be soaked in water without going soft). The oil is much more resistant to mold than its derivatives, such as linseed oil.

The Dtamra must be made by creating exactly 84,000 amulets, equal to the number of Suttas of the Tripitaka. There are different Pim Song (shapes and sizes) of Pra Somdej Wat Rakang, but those which are officially recognized and listed by the ‘wongarn Pra Krueang’ as far as Somdej Wat Rakang amulets are concerned, basically consist of the following officially recognised Pim of Pra Somdej amulets; Pim Pra Pratan, Pim Yai Niyom, Pim Chedi, Pim Prok Po, Pim Gaes Bua Dtum, Pim Gaes Talu Sum, and Pim Thaan Saem.

Somdej Wat Rakang amulets have various surface textures, categorized as ‘Nuea Laiad’ (fine texture cement mixture), ‘Nuea Hyaab” (rough textured cement mixture), ‘Nuea Gae Nam Man Dtang Iw’ (old looking textured cement mixture), otherwise known as ‘Nuea Sangkhayaa’, and ‘Nuea Gae Bpoon’ (old cement mixture).The basic structure of the design of the classic Somdej, (and almost all Somdej amulets from other temples too), is that of the Lord Buddha sitting inside a Bell (the word ‘Rakang’ means ‘Bell’ – ‘Wat Rakang’ means ‘Temple of the Bell’).

This is the primary importance of the Somdej amulet in the sense that Somdej from most temples depict the Buddha sitting within a bell which is represented by the arch. The arched structure in amulets is called a ‘Sum’. Although these rules do not necessarily always apply (there are a lot of Somdej which are in circulation which are most certainly authentic, but which are not preferred in the collector scene)

There are many less preferred editions which do not fulfill these standard rules of recognition, which is of course one of the reasons why some Somdej Wat Rakang amulets are able to sell for high prices and enter competition, get certificated etc, and why some are not, despite their most probable authenticity.

The difference in the various mixtures made for each ‘Pim’ have led to differing textures and appearances in the Pra Somdej collections, which provides for a varied and fascinating niche interest, which one can verily spend a whole lifetime studying and accumulating experience and knowledge about this, the King of all amulets.

The Gaes Talu Sum amulet, especially in its Wichān Block manifestation, is more than a religious token. It is a national archetype—an object that embodies spiritual lineage, royal patronage, and artisanal mastery.

To possess such an amulet is to inherit a sacred narrative written not only in clay and lacquer but also in karmic resonance. It is to hold, in one’s palm, a silent sermon from Somdet Phra Phutthācāriya (Toh)—a sermon of stillness, protection, and profound metaphysical elegance.

In the global context of sacred objects, few artifacts match the complexity, beauty, and theological depth of the Phim Yai Gaes Talu Sum. And none so fully encapsulates the unity of Thai spiritual identity, Buddhist doctrine, and royal craftsmanship as the Somdet amulet of Wat Rakang Kositaram.

 

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Rahu Om Jantr Wicha Lanna Nuea Kala Ta Diaw Long Rak Chart Jeen Boran Circa 2465 BE Kroo Ba Nanta Wat Tung Man Dtai Featured

One of a the very rare ancient amulets of this Great Lanna Master, the Pra Rahu Kala Ta Diaw one eyed coconut shell carving, in classical ‘swallowing the moon/sun’ eclipse shape (Pim Rahu Om Jantr/Suriya), in ‘Nok Hook’ (Owl face) style, with an ancient and exquisitely filigrain inscriptions of Lanna Agkhara spell inscriptions, In rare One Eyed Coconut Shell, coated with ‘Rak Chart Jeen Boran’ ancient Chinese herbal Lacquer.

Hand carved by one of the preferred Master Looksit Artisans of the Guru, and hand inscribed with the Wicha Pra Rahu by Olden days Lanna Master Guru Monk Kroo Ba Nanta Nanto Bhikku, of Wat Tung Man Dtai, in Lampang. Kroo Ba Nanta was the Kroo Ba Ajarn of Kroo Ba Lerd, of Wat Tung Man Dtai. This amulet comes with a coput of the ebook “The First Book of Thai Lanna Sorcery”, written by myself (Ajarn Spencer Littlewood), as a gift, for it contains the Biography and amulets of Kroo Ba Nanta covered within its pages. 🙂

 

KATA PRA RAHU KAM DUANG

The rear surface texture reveals true ageing of a centenarian+ amulet, and the age of the inscriptions of Kroo Ba on the Yant Duang Sacred Geometry Spells inscribed within the central section of the amulet, shout out the word ‘ancient’

 

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Free Registered Air Parcel shipping Worldwide is included with this amulet. The Pra Rahu of Kroo Ba Nanta is a very rare thing to come by, and is highly revered by Business Owners and those who are in High Administrative Positions, as well as those who seek to turn their fate around. Kroo Ba Nanta was one of the Greatest Lanna Masters in Living memory, before whose time, little is known of the names of the Masters who lived, so long ago was his Era.

Because of this, and his constant absence on forest Tudong wandering,, it is not known when Kroo Ba Nanta began making Rahu Amulets, nor how many he made, except that old people who lived during his time, say that he had made them as long as they could remember. Many different shapes and forms can be found, but the trained eye can recognize his inscriptions, and the natural ageing process of the coconut shell, ivory, wood or sacred powders used to make the amulet.

The earliest actual evidence of his making the Rahu amulets was found inscribed on a Kala ta Diaw Rahu Image from Kroo ba Nanta with the year 2456 BE, which is considered to be one of his earlier one eyed coconut shell carvings.The amulet measures 5 x 4 Cm, and is made from one eyed albino coconut shell. Kroo Ba Nanta Nanto Bhikkhu was considered the older of the 2 Greatest Masters of the Wicha Pra Rahu of that particular Era, the other most famous Master being of course Luang Por Noi, of Wat Srisa Tong.

Kroo Ba Nanta was born in 2415 BE, and was indeed the older of these two Great Guru masters of Wicha, both of whom were famous for the Pra Rahu, and also the Wua Tanu Sacred Arrow Bull animist charm.Many people believe that Kroo Ba Nanta was the Kroo Ba Ajarn of Luang Por Noi, but this is in fact a myth. Each of these Masters had their own personal Trajectories and their amulets differ in style and empowerment methods.

 

 

It would be more accurate to not compare the two, and to see that Kroo Ba Nanta and Luang Por Noi are equally Meritorious in their Mastery, and were perhaps the greatest Adepts of Wicha Pra Rahu in living memory.

Kroo Ba Nanta was an Upachaya Monk (entitled to ordain people as monks, which is one of the highest statuses), and was responsible for having built many important Buddhist Edifices in Lampang, Chiang Rai, Payao, and surrounding provinces, including Uposatha Shrine Rooms for temples, Chedi Stupas (22 in all), Kuti Huts, and 26 Vihara Shrines.

 

 

It is said that during the times of great difficulty of the Monk Kroo ba Srivichai, as Kroo ba Srivichai was placed under house arrest, that Kroo Ba Nanta made a Pra Rahu Kala Ta Diaw Amulet to pray to for the release of Kroo Ba Srivichai, and that he was released shortly after this.

 

If you feel that your Fate and Horoscope is not Auspicious, then it could be that Pra Rahu is interfering. You can solve this problem by making Bucha offerings to Pra Rahu every Wednesday; Light 10 black incense sticks (‘Toop’ in Thai), and five types of black offerings (e.g. black sticky rice, black jelly grass drink, black semolina or sago pudding and the like).

 

 

12 repetitons of the Kata Bucha Pra Rahu are to be Chanted;

Idtipiso Pakawaa Pra Rahuu Sataewaa Samaa Winyaana Idtipiso Pakawaa Putta Sangmi

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Kata Surya Buppaa (to be chanted in the daylight)

Gusaedto Ma Ma Gusaedto-dto Laalaa Ma Ma Dtolaamo Tolaamo Ma Ma Tolaamo Ma Ma Tolaamodtang Haegudti Ma Ma Haegudti

 

 

Kata Jantra Bupaa (to be chanted in the night time)

Yadt-thadtang Ma Ma Dtangthaya Dtawadtang Mamadtang Wadtidtang Saegaa Ma Ma Gaasaegang Gaadtiyang Ma Ma Gaadtiyang Ma Ma Yadtigaa

When you begin to Bucha Rahu Deity, you should make the first ever session in the evening of a Wednesday (any time from 7 pm onwards). After you have done this once, you can make Bucha in the daytime if you wish, but the first time you must include the food offerings of black foods as well as the black incense. The second time onwards, only the incense is necessary in the daytime, if it is a lot of trouble to get the food offerings.

 

 

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Presenting a triple-set of the immensely rare and revered Look Prakam Ya Wasana Jinda Manee, Blessed Rosary Bead of the Great Ancient Master of Wicha, Luang Phu Bun, of Wat Klang Bang Gaew (Nakorn Pathom). Gathered into a set of 3 beads for the triple gem Buddhos, Dhammo, Sangko (Buddha, Dhamma, Sangha). The Look Prakam (Look Om), is molded by hand, in Nuea Ya Wasana Jinda Manee powders, highly regarded for its healing power, and ability to assist to focus in meditation when holding it. The Look Om / Look Prakam Ya Wasana Jinda Manee, measures 1.8 Cm Diameter, and has a hole for threading onto a cord if wished to wear as a neck chain or waist cord belt attached.

The Look Prakam Ya Wasana Jinda Manee, is an extremely Rare Amulet of the Pra Niyom Master-Class of the Pantheon of the Great Luang Phu Bun, of Wat Klang Bang Gaew, in Nakorn Pathom. Luang Phu Bun was one of the Top Master Guru Monks of Thai Buddhist History in both Patipata (Dhamma Practice), as well as for his Magical Prowess in Amulet making, Puttasart, and Saiyasart (Occult Sorcery and Buddha Magic).

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Free Shipping Worldwide is Included with this amulet. Luang Phu Bun’s amulets, grace the pages of almost every famous catalog and amulet magazine in the High End Collector Publications, and are among the highest priced ranging from many hundreds of dollars for the most commonly found amulets, to hundreds of thousands of dollars for his rarest amulets. This masterpiece, is a Centenarian Amulet, of Immense Value, for the Sacred Powerful Blessings
of the Great LP Bun, and Rarity as an Ancient
Amulet of Master-Class Status, as well as for being a masterpiece of
antique magical heritage and Buddhist Historic importance.


Luang Phu Bun was a close friend and accomplice in Wicha with the Great Somdej Pra Sangkarach (Pae) of Wat Sutat, whose amulets belong to the priceless treasures category, and are only to be found in the possession of wealthy devotees, high-end amulet africionados, millionaires, and high ranking persons of state importance, as well as of course, those who were lucky enough to have inherited one from their great grandparents.

LP Bun

Luang Phu Bun

Otherwise. the rest mostly reside with a few lucky extreme collectors and devotees, who have kept them throughout the generations, or inherited them as heirlooms down the ages, from their family members. Almost anybody who owns such an amulet, will be hard pressed to part with it in any circumstances.

The amulet was made using 3 different types of Muan Sarn; Nuea Pong Ya Jinda Manee (Special Herbal and Magically Empowered Ingredients), Nuea Khee Nok Khao Bplao (Thick Billed Green Turtle Dove Faeces – considered to have Magical Properties), and Nuea Wan (Herbal Extracts and Pollens).

Thick Billed Green Turtle Dove Faeces  - Its uses in Amulet Making

The famous Pong Ya Wasana Jinda Manee, and Pong Khamin Sek , and Herbal Muan Sarn Powders of Luang Phu Bun (also known as ‘Pra Ya Horm’), carry legendary status, for their immensely powerful magical properties. These are two very Sacred Powders within the Dtamra, with Pong Khamin having a pungent aroma, with Powers of Protection and Wealth Increase, and the legendary Pong Ya Wasana Jinda Manee having an aromatic Sacred Powder, which uses of course the famous ‘Ya Wasana (‘Wasana’ meaning Lucky Fortunes) Ya Wasana Jinda Manee Pellets were also often and indeed, still made at Wat Klang Bang Gaew, as medicinal treatment, for its renowned healing powers.

Ya Wasana Jinda Manee, and Khamin Sek Sacred Cumin powders, are the most famous Muan Sarn of Luang Phu Bun, and have become his Legendary ‘Dtamra’ (Traditonal Legend of Inheritance Wicha).

The Wicha of Ya Wasana Jinda Manee was developed by Luang Phu from an Ancient Teaching through his Kroo Ba Ajarn, and has since his making the Muan Sarn famously powerful, has been inherited as a Wicha of Muan Sarn powder making for the amulets of the Wat Klang Bang Gaew lineage throughout the ages from Luang Phu Bun, to Luang Por Perm, to Pra Ajarn Bai, to Luang Phu Juea, and now the present holder of Luang Phu’s now ancient Wicha, Luang Por Kong (Sanya), one of the senior monks of Wat Klang Bang Gaew.

We can see that LP Sanya now holds a Wicha that has been passed through three already Great and Famous Guru Masters who have inherited this Wicha from Luang Phu Bun, through Ajarn Bai and Luang Phu Perm, to Luang Phu Juea, who have all now passed away, after their long lives and trajectory. We are hence looking at the amulet of a Master who is already 4 generations of Abbots the predecessor to the current Abbot of Wat Klang Bang Gaew, making his amulets truly worthy of the title ‘Ancient’.

The amulets of Luang Phu Bun are famous for their immense Klaew Klaad and Metta Mahaniyom Powers and their Power of ‘Serm Duang’ (improve fate and destiny). The Ya Wasana Jinda Manee Sacred Muan Sarn powders are hence the most popular Muan Sarn ingredient of all his different amulets, and the preferred substance of all, for the fact that they seem to improve success in life and protect with immensely good results.It is said that he who revers the Amulets of Luang Phu Bun, will never be penniless or poor, and will never make a loss in business but will always profit.

 

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Pra Somdej Pim Yai, in ‘Nuea Dtaek Lai Nga’ (marbled stone hard clay with Crackled Ivory surface effect ​) released in 2495 BE, made from ‘Nuea Pra Somdej Wat Rakang Gao’ (broken pieces of ancient Pra Somdej Wat Rakang Kositaram amulets of Somdej Pra Puttajarn (Dto) Prohmrangsri).

Pra Somdej Wat Rakang Luang Phu Nak Nuea Dtaek Lai Nga 2495 BE

Luang Pu Nak was a highly respected and virtuous monk. He used many broken pieces of Phra Somdej Wat Rakhang amulets from that era as ingredients in creating dozens of different Phra Somdej amulets. The amulet’s composition included a high proportion of lime and oil. For the consecration ceremonies, Luang Pu Nak invited many renowned monks of the time to participate. Older amulet collectors said that Luang Pu Nak’s Phra Somdej amulets could be used as substitutes for the old Phra Somdej Wat Rakhang amulets. In the past, he always gave amulets to people who came to make merit or pay respects at the temple. He didn’t create these amulets for commercial purposes; he made them to give away, as Wat Rakhang was a large temple with many people visiting daily. Therefore, he needed enough amulets to distribute to everyone.

Pra Somdej Wat Rakang Luang Phu Nak Nuea Dtaek Lai Nga 2495 BE Ancient Amulet

Luang Pu Nak’s Phra Somdej amulets from Wat Rakhang are made with a significant amount of fragments of broken Phra Somdej amulets from Wat Rakhang. These fragments were collected from people who left them at the temple and from the discovery of many broken amulets on the roof of the temple’s main hall. Luang Pu Nak combined these fragments with his own sacred powder, following the formula of Somdej Toh, resulting in his Phra Somdej amulets, especially those from the early period (1942-1952), having a rich and potent composition, making them highly desirable.

They are considered to contain the highest proportion of Wat Rakhang fragments in Phra Somdej amulets, rivaled only by the Phra Somdej of Phra Kru Moon of Wat Suthat, the 1942 Chedi-shaped amulet. Furthermore, their spiritual power is exceptionally high, particularly in attracting compassion and popularity. Therefore, they are highly sought after. However, because he created many different styles of Phra Somdej amulets, collectors tend to focus on only certain popular styles with distinctive characteristics, such as the Three-Tiered Angel with Bayasri Ears style. The most sought-after types are the Phra Somdej amulets with Bodhi leaf design, pumpkin-shaped design, Somdej Toh image design, and bell-shaped design.

Rear Face of Pra Somdej Wat Rakang Luang Phu Nak Nuea Dtaek Lai Nga 2495 BE

Other types are less popular. Phra Somdej amulets with a rich, concentrated Somdej powder composition, or those with embedded takrut (1, 2, or 3 takrut), are extremely rare and highly sought after, commanding prices many times higher than normal. Surprisingly, Luang Pu Nak’s Phra Somdej amulets from Wat Rakhang have become incredibly famous in Malaysia and Singapore. Many tourists from these countries are buying them in large quantities, significantly reducing the current supply. In the future, this series of amulets is likely to become as popular and valuable as the Phra Somdej Bang Khun Phrom 1966.

A very attractive votive tablet with Buddha in the ‘Khat Samati’ posture seated on a single tiered dais, within an arch. The Dais is shaped like a cushion, which is what gives the name to this model. Three different Masters of the Somdej Pra Puttajarn (Dto) Prohmrangsri lineage and makers of the Pra Somdej within the Dtamra of Somdej Pra Puttajarn (Dto) Prohmrangsri, have made this model of amulet, namely Luang Phu Nak, Luang Phu Hin, and Luang Por Supoj. Each Master pressed and blessed his own versions. LP HIn and LP Supoj would reputedly be present with LP Nak for the blessings of his amulets too.

Macro close up of Muan Sarn of Rear Face of Pra Somdej Wat Rakang Luang Phu Nak Nuea Dtaek Lai Nga 2495 BE

The clay of this exhibit can be classified as Nuea Graeng Dtaek Lai Nga (Crackled Ivory surface effect and Stonelike Hardened Muan Sarn Clay) and has visibly similar characteristics to the clay of Pra Somdej Wat Rakang Kositaram of Somdej Pra Puttajarn (Dto) Prohmrangsri, except the fact that the clay is visibly somewhat younger.

The study of the ageing characteristics of the clay is in itself, is part of the study of the Muan Sarn Sacred Powders of Pra Somdej Wat Rakang Kositaram, to see how authentic Pong Gao Wat Rakang Kositaram amulets made in different time periods develop their appearance and surface textures, and how to learn to recognise authentic Pra Somdej Wat Rakang Kositaram, by being able to estimate how old the clay is of a particular amulet. This exhibit is a perfect study model, as well as being a very rare and sacred votive tablet for Bucha.

Macro close up of Muan Sarn of Rear Face of Pra Somdej Wat Rakang Luang Phu Nak Nuea Dtaek Lai Nga 2495 BE 02

This pim is one of a pantheon of Pra Somdej amulets released around 2495 BE, by the great Luang Phu Nak of Wat Rakang Kositaram, and is a rare Pim that has its own special Niche group of devotees who collect and revere them especially.

A very rare authentic Ancient and Sacred amulet from Luang Phu Nak, one of the Great Abbots of Wat Rakang Kositaram temple. The Pra Somdej of Luang Phu Nak are extremely sought after by both Thai Buddhists and Foreign Devotees alike, for the fact that Luang Phu Nak used more old Pra Somdej amulets from LP Dto Prohmrangsri than any other masters of Wat Rakang History.

This exhibit has a smooth dense marble-like creamy clay, that is well hardened with age (Nuea Graeng), and is an extremely attractive exhibit for these features.

The 2495 BE edition is a highly recommendable amulet for devotees who seek a top class amulet at a still affordable price. that is prestigious, sacred, and of high Pedigree. Luang Phu Nak is known to have released editions in the years 2485 – 2495, 2499, 2500, 2504, 2507 and 2509 BE and his final edition Sae Yid 7 Rorb of 2511 BE, as well as releasing editions at other temples.

Close up of Muan Sarn through orifice in rear face of casing of Pra Somdej Wat Rakang Luang Phu Nak

These amulets are the perfect and best second choice to the Pra Somdej Wat Rakang amulets made by Somdej Dto Prohmrangsri which have now become either unavailable, or too expensive to even consider renting.

The amulets of Luang Phu Nak are also a perfect reference material for the study of Muan Sarn Sacred Powders of the Wat Rakang Kositaram amulet of Somdej Pra Puttajarn (Dto) Prohmrangsri, due to the presence of large quantity of original Pra Somdej Somdej Pra Puttajarn (Dto) Prohmrangsri within the sacred clay of Luang Phu Nak’s amulets.

Luang Phu Nak and the Pra Somdej Wat Rakang

Luang Phu Nak’s first edition of amulets was made in 2485 BE along with the Pra Somdej Song Taewada Ok Dtan, the Pra Somdej Sam Liam (triangle shape), and the Pra Somdej Dto Nang Borigam models.
The Pra Somdej amulets made by Luang Phu Nak contained a massive quantity of crushed up Pra Somdej amulets made by Somdej Dto Prohmrangsri of Wat Rakang.

The amulets were from a repository which Luang Phu Nak had collected over the years, from Looksit who brought their broken amulets to return to the Temple, as well as a sackful he found in the roof of the Prayer Room (‘Bote’ in Thai). They are thus the second choice of those wishing to posess the magic of Pra Somdej Wat Rakang LP Dto Prohmrangsri.

Pra Somdej Wat Rakang LP Nak

Luang Phu Nak believed that the Pra Somdej amulets made by Somdej Dto had inimitable magical qualities and special power within the Muan Sarn (sacred powder used to make the amulets), and because of the meditative power of Somdej Dto who blessed them.

Therefore apart from being made by one of Thailands great gaeji Ajarn, and being an authentic ancient Wat Rakang Amulet, it is also Sacred for the fact that it contaiins original Somdej Dto Wat Rakang Amulets in the Sacred Powder mixture, rendering them powerful through the incantations and Yantra Inscriptions of Somdej Pra Puttajarn (Dto) Prohmrangsri himself, through transmission of Muan Sarn Sacred Powders.

In our opinion, the only main difference between this amulet and an original Somdej Dto is the price, and the face that the Somdej Dto amulets are perhaps more of something to brag about, which is not really the intended reason for owning an amulet. Sacred Thai Amulets are intended primarily as Puttanussadti (remembrance and respect to the Buddha), especially Pra Somdej.

Pra Somdej Wat Rakang LP Nak 03

The surface of the amulet is smooth to touch, and shows authenticity through its dryness and the signs of aging when examined using the criteria used by experts for authentication of sacred ancient amulets. This exhibit has a very crisp and clear relief and is highly defined, which is referred to in the special vocabulary of the amulet community as ‘Nuea Graeng’, which is a more marble-like domino-dense admixture which despite dryness, tends to have a shiny ‘wet-look’ to it. The other main type of texture used in amulet communities is ‘Nuea Jad’ meaning something like ‘very crisp detailed relief’

This Pra Somdej, apart from being made by one of Thailands great Gaeji Ajarn, and being an authentic ancient Wat Rakang Amulet, it is also Sacred for the fact that it contaiins original Somdej Dto Wat Rakang Amulets in the Sacred Powder mixture too. This also makes complete sense, with Luang Phu Nak being a subsequent Gaeji Ajarn of Wat Rakang Kositaram, and a Looksit of Somdej Pra Puttajarn (Dto) Prohmrangsri.

Luang Phu Nak’s amulets are of great popularity because they are a great alternative to the original and extremely expensive Somdej Dto amulets, and are considered to be powerful and sacred through their use of the broken amulets and powders of Somdej Pra Puttajarn (Dto) Prohmrangsri, and the blessings of Luang Phu Nak.

The chances of owning an amulet like this are becoming less and less in recent years, and soon it will be practically impossible to obtain authentic old Wat Rakang amulets. There are ever more collectors and ever less amulets on the market, and there is no higher esteemed amulet than the Pra Somdej Wat Rakang Kositaram family. The amulets were made using the following ingredients

Powder from the chalk sticks used in the making of Pong Saksit (sacred powder for amulet making), Rice fragments kept by Luang Por Dto, the 5 Sacred Powders of; 1. Pong Putta Kun, 2. Pong Bpatamang, 3. Pong Trinisinghae, 4. Pong Maha Rach, 5. Pong Itti Jae Powder

The chalks used in the making of the Bpatamang, Trinisinghe Maharach and Itijae powders were mixed with sacred water that squeezed from the leaves of seven kinds of Thai plant including Bai Tamlueng , Yord Sawad, Yod Ga Hlong, Yod Raksorn,Chaiyapruek, Rachapreuk and Dork Mali (jasmine).

Pra Somdej Wat Rakang LP Nak 05

All of the ingredients of the Wat Rakang amulets were mixed with;

Nuea Pong (powder substances), Klee Saema (broken pieces of temple wall stones, Gaesorn Sut Bongot (pollen from the Bongot lotus flower), Kluay Nam Tai (a kind of Thai banana) mixed with sap from the rubber tree (Yang Madtum), Plueak Hoy (white clam shells), Nam Man Jantr (jasmine oil), Nam Man Dtang Iw (aromatic resinous oil used to congeal and cement the amulet mix with).

One hundred and eight kinds of flowers collected by LP Dto Prohmrangsri, Sacred powders and pollens (Pong Saksit), Pong Bpatamang – Klaew Klaad Kong Grapan, (protection from injury and accidents), Pong Puttakun – for great charm and avoid danger (Maha Sanaeh and Klaew Klaad magic), Pong Tri Ni Singhe – attractiveness…., Pong Maha Rach – power and respect.

Pra Somdej Wat Rakang - detail 6

Pong Itijae Powder – Metta Mahaniyom – this increases the likability of the wearer of this magic, Sacred Flowers and magical plants, Dork Sawad – Metta Mahaniyom, Sanaeh, Dork Gahlong – love charm., Dork Raksorn – love and metta, Dork Ga Fag Rak – love and attraction charm…., Dork Chayapruek – power and protection from danger, Dork Rachapruek – Amnaj and Klaew Klaad (commanding power and avoid accidents), Dork Waanangkurm -Kong Grapan Klaew Klaad, Dork Waan – Klaew Klaad, Dork Waan Sanah Junkhao – charm and protection from danger.

Pra Somdej Wat Rakang Luang Phu Nak - detail 7

​Dork Wan Sanah Jundum – charm and protection from danger, Dork Wan Sanah Jundang – charm and protection from danger, Dork Wannangkuak – charm, Waan Pra Buddha Jaoluang – charm and protection from danger, Bai Plu Ruam Jai – charm, Bai Plu Song Tang – charm and protection from danger, Pong Gaesorn Ha Bua – five lotus pollens, Kesorn 108 – charm and protection from danger.

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The Main Powers of Thai Amulets

The Main Powers of Thai Amulets are chiefly considered to be among the following;

Thai amulets and their powers, which are deeply intertwined with the country’s culture and Buddhist traditions, are believed to amulets which possess various powers that can help protect, heal, and improve the lives of those who wear them. These powers are derived from centuries of spiritual practices and teachings, and are often linked to the blessing of monks or spiritual leaders who imbue the amulets with sacred energy. While there are many different types of Thai amulets, the most common powers they embody are Maha Sanaeh, Metta Maha Niyom, Kong Grapan Chadtri, Maha Lap, Serm Duang, Serm Yos, Maha Amnaj, Gae Aathan, and Serm Baramee. Each of these powers addresses a specific need, offering protection, good fortune, love, and spiritual growth to the wearer.

Thai Benjapakee amulets

1. Maha Sanaeh (มหาสเน่ห์) – Power of Attraction and Personal Magnetism

The term Maha Sanaeh is a combination of two words: Maha, meaning “great” or “powerful,” and Sanaeh, meaning “affection” or “charm.” In the context of Thai amulets, it refers to the power of attraction and personal magnetism. Wearing a Maha Sanaeh amulet is believed to help the wearer attract affection, admiration, and attention from others. It can be particularly helpful in love and relationships, where it is believed to enhance one’s personal charm and increase their influence over others. Beyond romance, Maha Sanaeh can also be used to gain favor in professional or social situations, boosting one’s ability to create positive connections.

Pra Nang Paya Amulet Luang Por Dtat

2. Metta Maha Niyom (เมตตาหมายนิยม) – Power of Loving-Kindness and Favor

Metta means “loving-kindness” or “compassion” in Pali, while Maha means “great,” and Niyom refers to being favored or admired. When combined, Metta Maha Niyom signifies a great form of loving-kindness that draws favor, admiration, and affection from others. In the context of amulets, these are often used to help the wearer cultivate positive relationships and foster harmonious interactions. Metta Maha Niyom amulets are believed to create an aura of kindness and goodwill, making the wearer more likable and respected. These amulets attract not only love and affection but also help in situations where one needs support or goodwill from others.

Suea Yant Kong Grapan Chadtri Maha Ud Sacred Yantra Shirt - an Immensely rare item of the Great Luang Por Lae, of Wat Pra Song in petchburi

3. Kong Grapan Chadtri (คงกระพันชาตรี) – Power of Protection and Invincibility

Kong Grapan Chadtri is a term used for amulets that provide protection from harm. Kong means “to endure,” Grapan means “unbreakable,” and Chadtri refers to “warrior.” Together, this phrase translates to “invincible warrior” or “unbreakable protection.” These amulets are designed to provide physical and spiritual protection to the wearer, particularly from harm, weapons, or dangerous situations. Individuals such as soldiers, police officers, martial artists, and anyone whose work involves risk often carry Kong Grapan Chadtri amulets, as they are believed to provide strength and resistance to any form of physical danger.

Look Om Ya Soop Luang Phu Songk

4. Maha Lap (มหาลาภ) – Power of Wealth and Prosperity

Maha Lap translates to “great fortune” or “great wealth,” with Maha meaning “great” and Lap meaning “fortune” or “wealth.” Amulets imbued with the power of Maha Lap are believed to attract financial prosperity, success, and abundance into the wearer’s life. These amulets are highly prized by business owners, entrepreneurs, and anyone seeking financial success. Maha Lap is often linked to opportunities, investments, and the overall flow of wealth, helping the wearer to achieve financial stability and growth in various ventures.

Luang Por Tuad Pra Kroo Bai Diga Wat Chang Hai 2513 BE

5. Serm Duang (เสริมดวง) – Power of Enhancing Luck and Destiny

The term Serm Duang refers to the act of improving one’s luck or life path. Serm means “to enhance,” and Duang refers to “luck” or “fate.” Serm Duang amulets are used to improve various aspects of life, including health, career, relationships, and overall well-being. It is believed that these amulets can enhance a person’s fortune, bringing about a more favorable destiny and helping the wearer overcome obstacles or bad luck. People seeking to improve their life path or align with positive circumstances often turn to Serm Duang amulets for assistance.

Macro Close Up of the Pra Somdej Wat Gaes Chaiyo with Somdej Dto

6. Serm Yos (เสริมยศ) – Power of Status and Prestige

Serm Yos refers to the act of enhancing one’s social standing, rank, or prestige. Serm means “to enhance,” and Yos means “rank” or “title.” Individuals seeking professional success or social recognition often use Serm Yos amulets to gain favor in their careers or to elevate their status. This might include gaining promotions, receiving more respect from peers, or being recognized for one’s achievements. Serm Yos amulets help the wearer attract recognition and appreciation, which can lead to enhanced authority and influence.

7. Maha Amnaj (มหาอำนาจ) – Power of Authority and Control

Maha Amnaj represents great power and authority. Maha means “great,” and Amnaj means “power” or “authority.” Wearing an amulet with Maha Amnaj is believed to help the wearer gain control and command respect. These amulets are favored by individuals in leadership roles, including business owners, politicians, and those who need to exert influence over others. Maha Amnaj helps the wearer gain the ability to dominate situations, create opportunities, and wield power effectively.

Mitmor Pocket Knife Luang Por Koon

8. Gae Aathan (แก้อาภัพ) – Power of Remedying Bad Luck

Gae Aathan refers to the act of removing or fixing bad luck or misfortune. Gae means “to fix,” and Aathan means “misfortune.” People seeking to remove bad luck or negative forces in their lives often use Gae Aathan amulets. These amulets are believed to counteract misfortune, resolve obstacles, and bring good fortune back into the wearer’s life. Gae Aathan is commonly used by individuals experiencing a series of unfortunate events or those who wish to break negative cycles in their lives.

Pra Somdej Wat Gaes Chaiyo Pim Hok Chan Niyom 6 Tiered Dais Model amulet

9. Serm Baramee (เสริมบารมี) – Power of Merit and Spiritual Power

Serm Baramee refers to enhancing one’s merit, virtue, or spiritual power. Serm means “to enhance,” and Baramee refers to “merit” or “spiritual power.” In Buddhism, merit is accumulated through good deeds, acts of kindness, and devotion. Serm Baramee amulets help the wearer increase their spiritual power and accumulate positive karma, which can lead to blessings, protection, and overall well-being. These amulets are often worn by individuals who seek to improve their spiritual health and progress on their path toward enlightenment.

The Multiplicative Power of Thai Amulets

While each of these amulets focuses on a specific area of life—be it love, protection, wealth, or spiritual growth—it is important to note that many Thai amulets possess more than one of these powers. In fact, some amulets are imbued with multiple blessings or influences, offering the wearer a combination of benefits. For example, an amulet might provide both protection (through Kong Grapan Chadtri) and wealth (through Maha Lap), or combine the influence of attraction (Maha Sanaeh) with the power of enhancing luck (Serm Duang). This layered empowerment allows individuals to benefit from a broader spectrum of blessings, enhancing their ability to achieve success, maintain good health, and live a more prosperous life.

Through rituals and blessings by monks, many amulets receive empowerment from multiple spiritual powers, offering the wearer a harmonious blend of influence that can support them in various aspects of their lives. Whether the goal is attracting love, securing wealth, or achieving spiritual growth, Thai amulets offer a unique and powerful spiritual tool that reflects the deep cultural and religious traditions of Thailand.

Thai Buddhist Amulets of High esteem

Thai amulets, known as “Phra Khruang” or “Krueang Rang,” are deeply embedded in the cultural and spiritual fabric of Thailand. These sacred objects are revered not only for their spiritual significance but also for their historical and cultural value. The tradition of wearing amulets in Thailand is a practice that dates back centuries, intertwining with the country’s religious beliefs, history, and social customs.

The creation of Thai amulets is a diligent and complex ritual process, that involves a blend of spiritual rituals, sacred materials, and artistic craftsmanship. These amulets are often made by revered Buddhist monks, Ruesi hermits, or lay sorcerers who are skilled in mystical arts. The process begins with the selection of sacred materials, which may include powdered herbs, sacred earths, metals, and other substances believed to possess inherent protective qualities. These materials are then mixed with holy water and sacred oils, and often inscribed with ancient scripts or symbols known as “Yant.”

The empowerment of amulets is a crucial aspect, involving the chanting of sacred mantras or “Kata” and the invocation of spiritual entities. This ritual is believed to imbue the amulet with “Itti-rit” or psychic powers, granting it the ability to protect the wearer, bring good luck, or enhance personal attributes such as charm and popularity. This form of magic is known as “Metta Maha Niyom,” which focuses on increasing the wearer’s attractiveness and social influence.

Lanna Master Kroo Ba Nikorn Blessing Nam Tao Gourd Amulets

Kroo Ba Nikorn Blessing Nam Tao Gourd Amulets

Thai amulets can be categorized based on their origin, form, or purpose. Naturally occurring objects such as certain types of iron, boar tusks, and tiger fangs are believed to have intrinsic protective qualities and are often guarded by spirits. Man-made amulets, on the other hand, are crafted using sacred clay admixtures or metallurgical processes, often involving ancient alchemical practices.

forging metallic alchemical amulets

The imagery on Thai amulets varies widely, encompassing depictions of the Buddha, noble monks, Bodhisattvas, Devas, and even gods and demi-gods. Some amulets also feature elements of the dark arts, invoking the spirits of ghosts or otherworldly entities. Despite the diversity in their forms and purposes, all Thai amulets share a common goal: to bring Buddhist virtues and protection to those who wear them.

The historical significance of Thai amulets is profound. They are not only religious artifacts but also cultural symbols that reflect the beliefs and values of Thai society. The practice of wearing amulets is documented as far back as the Rattanakosin period during the reign of King Rama IV, although it likely predates this era, especially considering it is recorded that King Naresuan maharaj wore a Takrut across his chest on a cord, which shows that the practice dates back many centuries more, as well as the Kru Hiding place burial finds which reveal amulets having been made 700-1000 years agot already in Siam. Throughout history, amulets have been used as protective talismans in battles, as symbols of faith, and as objects of personal devotion.

Pra Khun Phaen Ban Krang Ancient Clay Hiding-Place Amulet

One of the most revered figures in the history of Thai amulets is Somdej Toh, a legendary monk known for his profound spiritual wisdom and the creation of the famous Pra Somdej amulets. These amulets are highly valued for their spiritual efficacy and exquisite artistry, making them sought-after items among collectors and devotees alike. The authenticity and age of these amulets are of paramount importance, requiring a keen understanding of the materials and techniques used in their creation.

Macro Close Up of the Pra Somdej Wat Gaes Chaiyo with Somdej Dto

In modern times, the popularity of Thai amulets has only grown, with many people around the world collecting and wearing them for various reasons. Whether for spiritual protection, good fortune, or as a connection to Thai culture, these amulets continue to hold a special place in the hearts of many. The enduring appeal of Thai amulets lies in their ability to bridge the spiritual and the material worlds, offering a tangible connection to the divine and a source of comfort and inspiration in everyday life.

For those interested in exploring the world of Thai amulets, there are numerous resources available. Websites such as ancientamulet.com and thailandamulet.net, authored by Ajarn Spencer Littlewood, provide extensive information on the history, types, and significance of these sacred objects. These platforms offer insights into the art of evaluating and authenticating antique Thai Buddhist amulets, helping collectors and enthusiasts navigate this fascinating realm with confidence and understanding.

Thai amulets are more than just religious artifacts; they are an integral parts the rich cultural heritage and spiritual beliefs of Thailand. Whether crafted from sacred materials or naturally occurring objects, these amulets serve as powerful conduits of protection, embodying the timeless wisdom of the Buddha and the enduring faith of the Thai people.

Luang Por Koon's Mitmor Dagger - Spiritual Protection

An exceptionally rare and certified genuine amulet hailing from the ‘Krueang Rang’ Talismanic category created by the revered Luang Por Koon during the mid-era of his leadership at Wat Ban Rai Temple. Its estimated origin is around 2535 BE, although the exact date remains unknown.

Mitmor Pocket Knife Luang Por Koon

Mitmor Pocket Knife Luang Por Koon

This well-established and tested talisman is renowned for its abilities to ward off malevolent spirits, counteract dark enchantments, consecrate holy water, facilitate curative ceremonies, bear mystical inscriptions, and act as a personal safeguard for overall well-being. Furthermore, it serves as a conduit for the auspicious blessings and benevolence of Luang Por Koon Parisutto from Wat Ban Rai.

Free Registered Air Parcel Worldwide is included with this amulet.

Amulets produced between 2537 BE and 2555 BE are less sought-after compared to those crafted before 2537. This is attributed to the overproduction of many editions after 2537, which diminished their collectibility and rarity. Consequently, editions predating 2537 BE are highly esteemed and increasingly rare to find on the amulet collector market.

In recent times, there has been a notable resurgence of interest in the miraculous amulets of Luang Por Koon. These amulets continue to generate headlines with their extraordinary effects in Thailand. This ongoing phenomenon ensures that faith in his amulets remains resilient, impervious to forgers and unscrupulous traders.

Luang Por Koon, who is now deceased, will forever hold a special place in the hearts of his devotees. He ranks among the top Guru Monks of all time and is arguably the most beloved and renowned monk in Thai history, especially in modern times. His humility is said to be matched only by his miraculous ability to bestow blessings, particularly those for protection and prosperity. His head-knocking blessings, in particular, have been credited with bringing about life-changing miracles for many.

Free Registered Air Parcel Worldwide is included with this amulet. While amulets crafted between 2537 BE and 2555 BE may be less favored due to overproduction, those created before 2537 BE are highly coveted and increasingly rare in the amulet collector market. It is certain that his amulets will continue to be revered as some of the greatest and most collectible amulets of all time.

Luang Por Koon Blessing Amulets in Devotional Gathering

Luang Por Koon Blessing Amulets Amid Devoted Followers

Their reputation and acclaim will persist well into the future. After his passing, there was a brief period of increased falsification of his amulets and a decline in interest. However, in the years following his passing, this phenomenon has subsided as collectors have returned to earnestly collecting the amulets of the Great Luang Por Koon, free from the earlier risks posed by counterfeit versions.

In recent times, a grand resurgence of interest in the miraculous amulets of LP Koon has arisen, as his amulets continue to produce breaking news miracles in Thailand. This is one of the reasons why faith in his amulets will always be revived and can never be destroyed, despite the attempts of forgers and dishonest traders.

This rare item, is exceedingly scarce to find nowadays, whether on the internet, in temples, or markets. They are only to be found residing with truly devoted individuals, a fitting tribute to the prestige and quality of this amulet.

One must also consider that despite the immense popularity of his amulets and his passing a few years ago, many of his amulets do not (yet) carry a millionaire price tag. They remain within reach for most people who desire a truly sacred amulet, and are willing to invest a little more in acquiring an amulet that will remain extraordinary not only today but also for generations to come. This kind of enduring classic talismanic ritual item is what we refer to as a heritage heirloom amulet, one that will never lose its popularity. It is a tried and tested amulet for protection against ghosts, countering black magic, consecrating holy water, aiding in healing rituals, bearing magical inscriptions, and simply carrying on one’s person for protection and prosperity. It also carries the good karma and blessings of Luang Por Koon Parisutto from Wat Ban Rai. It is perfect for the devoted followers of this great, humble, and compassionate monk who always remained close to the less fortunate, regardless of their social status.

Rian Run Raek Luang Por Hmun

The most highly preferred and rare guru monk coin amulets of the great Master Monk Luang Phu Hmun of Wat Ban Jan, in Sri Saket, the ‘Rian Run Raek’, or, ‘Rian Laekh 1’ amulet, with number 1 code stamp indented into the front surface of the amulet. Although called the ‘Rian Laekh 1’, meaning ‘coin with number 1’ this amulet was also made without the number 1 code stamp in some exhibits, hence, many people prefer to call it the ‘Rian Run Raek’ (first edition coin), of 2452 BE. Only 5000 amuletsa were made in Nuea Tong Daeng, with only another 35 Gammagarn edition versions in solid silver.

1st edition coin amulet Luang Phu Hmun Wat Ban Jan 2528

1st edition coin amulet Luang Phu Hmun Wat Ban Jan 2528


In truth it is hard to name which coin amulet as Luang Phu Hmun’s first edition, because he released various at various temples, so each temple has a ‘first edition’ amulet which was released and blessed by Luang Phu Hmun, such as the Rian Run Raek Hlang Hanuman released at Wat Ban Jan in 2542, is also referred to as first edition, for its simultaneous release, and the4 fact it was the first and only time that design model was released. Each design has therefore its own ‘first edition’ because often they are made again in later years due to high popularity and demand from devotees in the case of many amulets from many masters. This is a common truth in general in the Thai amulet world.

1st edition coin amulet Luang Phu Hmun Wat Ban Jan 2528 BE Rear Face

The revered and rare guru monk coin amulets of the esteemed Master Monk Luang Phu Hmun, from Wat Ban Jan in Sri Saket, hold great significance. Among these treasures is the distinguished ‘Rian Run Raek’ or ‘Rian Laekh 1’ amulet, bearing a unique number 1 code stamp delicately etched on its front surface. While it is commonly referred to as the ‘Rian Laekh 1,’ denoting a coin with the number 1, it is worth noting that some examples of this amulet were crafted without the number 1 code stamp. Consequently, many enthusiasts prefer to call it the ‘Rian Run Raek,’ signifying the first edition coin, originating from the auspicious year 2452 BE.

Determining which coin amulet truly represents Luang Phu Hmun’s first edition can be a challenge since he released various editions at different temples. Each temple has its own ‘first edition’ amulet, meticulously crafted and blessed by Luang Phu Hmun. For instance, the Rian Run Raek Hlang Hanuman, released at Wat Ban Jan in 2542 BE, is also regarded as a first edition due to its simultaneous release and the fact that it was the initial and sole occasion this specific design model was made available. Each design, therefore, possesses its own distinct ‘first edition’ as they are often reproduced in subsequent years to meet the immense popularity and demand among devoted followers and collectors. This phenomenon is a common reality in the vibrant realm of Thai amulets, embraced and understood by enthusiasts and practitioners alike.

Rian Laekh 1 Luang Phu Hmun Wat Ban Jan 2542 BE Magazine Documentation


Amulets of Luang Phu Songk Wat Jao Fa Sala Loi

Ya Sen (Ya Soop) of Luang Por Songk:

In the realm of mystical charms and spiritual treasures, there exists a rare and sacred magical charm known as the Ya Sen (Ya Soop). This enchanting muan sarn is sacred tobacco from smoking or chewing, by LP Songk, and used to make amulets, revered by devotees of the esteemed Luang Por Songk. The Ya Soop holds a profound significance in the spiritual realm of Thai Buddhist amulet aficionados. It is a testament to the divine connection between the wearer and Luang Por Songk, a Maha Thera Gaeji Ajarn whose spiritual mastery remains unparalleled.

The Sacred “Ya Soop” Tobacco

Look Om Ya Soop Luang Phu Songk

Look Om Ya Soop Luang Phu Songk Sacred Tobacco

The Ya Sen, also known as “smoking medicine” or “aromatic medicine,” manifests itself in two distinct forms—a spherical encasement of loose tobacco and as one of Luang Por Songk’s sacred cigar stubs. Within the sphere lies the highly sacred Ya Sen, a spiritual conduit that establishes a profound connection with Luang Por Songk through the practice of Gurunussati. The spherical Waterproof Casing of this exhibit classifies it as belonging to the sacred “Look Om” category. However, it is worth noting that the Ya Sen of Luang Por Songk can also be found in the form of his revered cigars.
Luang Por Songk, Master Sorceror Monk of Wat Jao Fa Sala Loi in Chumpon.

The Great Luang Phu Songk was known for his Holy Prayer water and its ability to fend off even the most powerful black magic, and was reputed to be able to take Hnang Kwai buffalo skin (sacred magical substance), and Mitmor knifes into the stomach without any wounds or bleeding, and insert magical objects under the skin of a devotee, just by performing incantations.[/caption]

The Mystical Essence of Spirituality within the Ya Soop

The Ya Soop, or Magic Ya Sen, carries within it the very essence of Luang Por Songk’s spiritual practice and blessings. It possesses a divine potency believed to bring forth luck, protection, and spiritual elevation to those fortunate enough to wear it. The enchantments bestowed upon this sacred tobacco by Luang Por Songk create a powerful aura of positivity, shielding the wearer from negative influences while attracting auspicious energies.

Luang Por Songk’s Divine Influence

Luang Por Songk Chantasaro of Wat Jao Fa Sala Loi was revered not only for his Magic Ya Sen amulets but also for his profound ability to bless and heal through his Holy Prayer Water. His fame as an adept and his popularity as a spiritual guide extended across two regions—the Southern province of Chumphon and the bustling city of Bangkok. Devotees from far and wide flocked to Luang Por Songk’s humble abode, where they encountered a water bowl filled with the sacred Holy Prayer Water. This blessed elixir, infused with the energy of his nightly meditations, possessed extraordinary healing properties.

Mortal Remains (Sri-Ra), of the Great Luang Phu Songk, during the funerary rites.

Mortal Remains (Sri-Ra), of the Great Luang Phu Songk, during the funerary rites.

Those who had the privilege of drinking or using this Holy Prayer Water for their devotional prayers witnessed miraculous transformations within themselves. Countless individuals experienced solace, healing, and blessings, as the divine miracles performed by Luang Por Songk brought them closer to their deepest desires and aspirations.

Biography of Luang Por Songk Chantasaro

Biographical photograph of Luang Por Songk Chantasaro (2432 - 2526 BE)

Biographical photograph of Luang Por Songk Chantasaro (2432 – 2526 BE)

The life journey of Luang Por Songk Chantasaro was one intertwined with spiritual exploration, meditation, and unwavering service to others. Let us delve into some key milestones that shaped the extraordinary life of this revered master.

Birth and Early Years

Luang Por Songk Chantasaro entered this world on a sacred Tuesday, during the first phase of the sixth month in the Lunar Calendar of the year 2433 BE. Born in Swee Township, nestled amidst the fertile lands where his parents toiled as humble farmers, his path was destined for greatness.

Ordination and Forest Wandering

At the tender age of 18, Luang Por Songk embarked upon the path of enlightenment as a Samanera Novice Monk at Wat Swee. For two years, he immersed himself in the study of Dhamma Vinaya, the profound teachings of Buddhism. However, he temporarily disrobed to assist his family on the farm, a testament to his deep-rooted sense of familial duty.
Image of the Great Luang Por Songk Chantasaro in meditative posture. Luang Por Songk was the abbot of Wat Jao Fa Sala Loi Buddhist temple
Yearning to deepen his spiritual practice, at the age of 21, Luang Por Songk returned to Wat Swee seeking permission to re-ordain as a fully fledged Bhikkhu. His soul yearned for solitude, and he embarked on an extensive journey through forests and mountains. Under the guidance of esteemed masters, he delved into the teachings of Buddhism, honing his meditation techniques, and furthering his spiritual growth.

Attaining Adepthood

After years of unwavering dedication, rigorous training, and a relentless pursuit of wisdom, Luang Por Songk achieved the esteemed status of Maha Thera Gaeji Ajarn. His profound insights, exceptional healing powers, and extraordinary psychic abilities earned him the unwavering reverence of the monastic community and the general public alike.
The Great Luang Phu Songk was known for his Holy Prayer water and its ability to fend off even the most powerful black magic, and was reputed to be able to take Hnang Kwai buffalo skin (sacred magical substance), and Mitmor knifes into the stomach without any wounds or bleeding, and insert magical objects under the skin of a devotee, just by performing incantations.

Establishing Wat Jao Fa Sala Loi

Inspired by his spiritual calling, Luang Por Songk established Wat Jao Fa Sala Loi—a sanctuary of peace nestled amidst the serene beauty of Chumphon. This sacred abode became a beacon of hope for spiritual seekers, who sought solace, guidance, and the blessings bestowed by the enlightened master.
Look Om Ya Soop Luang Phu Songk Wat Jao Fa Sala Loi

Legacy and Passing

Luang Por Songk’s physical presence may have transcended to the realm of eternal bliss in the year 2552 BE, but his spiritual legacy lives on, inspiring and uplifting the lives of countless individuals. His profound teachings continue to guide seekers on their path towards enlightenment, and his benevolent presence is felt by all those who seek his wisdom.
Amulets of Luang Phu Songk, Wat Jao Fa Sala Loi

The magical amulets and blessings of Luang Por Songk continue to bless the lives of those who connect with his enchanted Ya Sen and other amulets many of which were sprayed and blessed in the sacred Holy Prayer Water of Luang Phu Songk. The magic of his divine blessings remains an eternal source of healing, protection, and spiritual elevation to those who revere this Great Khao Or Lineage Buddhist Master.

Takrut Maha Solos Mongkol Luang Phu Iam

The Sacred Takrut Maha Solos Mongkol: A Divine Amulet of Power and Fortune

An eternal classic and highly powerful amulet; the Takrut Maha Solos Mongkol Thak Chueak Long Long Rak Chart Jeen Boran (Dtamrab Luang Phu Iam), cord bound Yantra Scroll amulet of Luang Phu Iam, of  Wat Saphan Soong, with ancient red Chinese herbal lacquer (Rak Chart Jeen Boran).

Welcome, dear readers, to an enchanting journey into the realm of sacred amulets. Today, we delve into the mystical realm of the Takrut Maha Solos Mongkol, an amulet that exudes power, wealth, and divine protection. Crafted by the revered Luang Phu Iam of Wat Saphan Soong, this amulet is a timeless treasure sought after by devotees worldwide.

Takrut Tone Thak Chueak Long-Rak Luang Phu Iam

A Rare and Powerful Amulet

The Takrut Maha Solos Mongkol is a true gem among amulets, rivaling the renowned Takrut of the Great Luang Phu Sukh in rarity, price, and potency. Considered equally powerful, this amulet is particularly suited for those seeking status increase, wealth, good fortunes, and protection.

A Lifetime Companion

The Takrut Solos Mongkol of Wat Saphan Soong holds the title of a “Takrut Koo Cheewit,” meaning it is a “Lifetime Companion” amulet. Its remarkable property lies in its ability to bring constant improvements throughout one’s life, ensuring that its power never wanes. Wrapped in ancient Daay Dtra Sangkh Sinjana Cord and embellished with a ‘Cockroach Thorax‘ shape tips, this amulet possesses unique features that reflect its age and authenticity.

Takrut Maha Solos Mongkol Luang Phu Iam Wat Saphan Soong

An Ancient Yantra Spell

The Takrut Maha Solos Mongkol is not only an amulet but also an ancient and potent Sacred Yantra Spell. It holds a special place in the hearts of devotees, cherished by both Luang Phu Iam and his esteemed apprentices, including Luang Por Tong Sukh. These revered masters have spread the influence of this amulet around the globe, making it an eternal favorite among practitioners of sacred arts.

A Legacy Carried Forward

Luang Phu Iam, the originator of the Dtamra Pra Pid Ta and the Wicha Takrut Maha Solos Mongkol of Wat Saphan Soong, passed on his exceptional knowledge and skills to subsequent generations of esteemed masters. Ajarn Chuea, Luang Phu Glin, and Luang Por Tong Sukh, and now Luang Phu Waas, the current abbot, have all contributed to the legacy of this powerful amulet. Their mastery and dedication have ensured the continuity of this sacred tradition.

A Treasure for Devotees and Collectors

The Takrut Maha Solos Mongkol is a treasured alternative for those seeking the blessings of Luang Phu Iam’s amulets at a more affordable price. Crafted with invocations from all generations of the great master, empowered with the mastery of the Wicha Maha Solos Mongkol, these amulets carry immense value and authenticity. Their presence on the collector scene is unparalleled, making them highly sought after and revered.

Certificated Takrut Tone Thak Chueak Long-Rak Luang Phu Iam

LP Chaem Amulet Wat Chalong Pukhet

The Pra Pong Roop Muean Sacred Powder Votive Tablet image of the Great 18th Century Monk, Luang Por Chaem, was released by the Gammagarn Comittee of Wat Chalong, for the Golden Jubilee Celebration Edition in 2539 BE, commemorating the 50th Year of Reign of His Majesty King Bhumipol Adulyadej. This sacred powder amulet is made in Nuea Pong Ittijae and features the classic image of Luang Por Chaem standing with the Bai Pad Yos Royal Fan, which is often used for classic celebratory memorial editions at Wat Chalong.

Pong Roop Muean LP Chaem 2539 BE Wat Chalong

The amulets of Luang Por Chaem of Wat Chalong are held in high regard by Malaysians and Singaporeans who have visited Phuket since the colonial era. These visitors pay reverence to LP Chaem and the lineage masters by visiting the temple of Wat Chalong. His amulets are considered to be miraculous and are sought after by those who believe in the power of sacred objects.

Luang Por Chaem was born in the heart of Phang Nga Province, in the year of the Gun, 1827, during the reign of King Nang Klao. He was to become perhaps Phuket’s most internationally famous master monk from the 18th century to this very day. Officially in his Dhamma Trajectory, he became known as Pra Kru Wisutwongsajarn Yan Muni, but to many, he was simply Luang Por Chaem.

Amulets of LP Chaem

 

He was a man of great piety and discipline, becoming the former abbot of Chaithararam Temple, or Chalong Temple, and was held in high esteem by the people of Phuket. Unfortunately, there is no documented evidence of Luang Por Chaem’s parents’ names, as it was common for country folk in Siam during that era to forgo the registration of birth, death, and even marriage certificates. It was a time when traveling to the closest government office was difficult, especially for those living in the countryside, and as such, these matters were not of great importance to them.

Pong Roop Muean LP Chaem 2539 (Rear Face)

At a young age, his parents sent him to live at Wat Chalong, in the Chalong Subdistrict of Thung Kha District, now Mueang Phuket District. Here, he became a disciple of Father Than Kao Abbot and was ordained as a novice and eventually became a monk, studying Vipassana Kammathana Mindfulness Practice, and Wicha, at Wat Chalong until he became proficient.

Luang Por Chaem was known to be strict in the Dhamma and discipline, commanding the faith and devotion of the villagers in general. As such, he was later appointed as the abbot of Wat Chalong. In the year 2419 BE (1876), a group of Chinese tin miners instigated an uprising in Phuket. Luang Por Chaem’s disciples urged him to flee and hide, but he refused to leave the temple and escape. In a show of support, his disciples joined forces to fight to protect him and asked for Pha Yant Pha Yant Prajiad cloth as a morale booster. Luang Por Chaem complied with the request, and this group went on to win the Battle of the Triads.

Pong Roop Muean LP Chaem 2539 BE Nuea Pong Ittijae

The victory inspired more people to join the fight against the Chinese triads, relying on the Pha Yant Prajiad cloth made by Luang Por Chaem as a source of inspiration. The Chinese triads were eventually chased away from Chalong village, and the following year, there were no more attempts to rob the village.

Due to his merits in suppressing the Triad Rebellion, Luang Por Chaem was granted a portion of the merit by the Phuket Political Department. His Majesty The King graciously appointed Luang Por Chaem to have his ordained name of ‘Pra Kru Sangkha Pha Moke’, of Phuket to be changed, and that he should be awarded the official elevation of status into the High Sangha Priesthood as “Pra Kru Wisutwongsajarn Yan Muni”. He was conferred this name at Wat Chalong Mai (Wat Chaithararam). This means that he was considered to have accumulated spiritual merit, which is believed to bring about positive effects in the afterlife. This merit was likely granted to him as a reward for his contributions to the community and to Buddhism.

In addition to his spiritual merit, Luang Por Chaem was also awarded with various honors and titles for his services. He was granted the title of Phra Kru (monk with royal patronage) by King Chulalongkorn and was later promoted to the rank of Phra Khru Pariyattikhun (senior monk with royal patronage) by King Vajiravudh. He was also appointed as the abbot of Wat Sam Pao in 1907 and served in this position until his death in 1935.

Luang Por Chaem’s legacy lives on in Thailand and beyond. He is remembered for his contributions to Buddhism, his efforts to promote education and social welfare, and his exemplary life as a monk. Many temples and organizations have been named after him, and his teachings continue to inspire people to this day.

Pra Somdej Gao Chan of Luang Por Kee of Wat Huchang

Presenting a rare opportunity to admire an extremely attractive, very well-preserved, and detailed Pra Somdej Gao Chan Hoo Bai Sri Hlang Bpam Yant Hmeuk, Buddha on 9 Tiered Dais Amulet, in Nuea Pong Puttakun, with Sacred Yantra Blue Ink stamp on rear face, from the great Olden Days Master, Luang Por Kee, of Wat Huchang.


Luang Phor Kee of Wat Huchang (also spelled as ‘Luang Por Gee’, ‘Wat Hoo Chang’), was a highly renowned monk in olden days, for his purity of practice. LP Kee, was born in the year 2444 BE (Budhist Era), into a family who were mainly employed in the medical, or natural healing profession. He already knew the Wicha for making holy healing prayer water long before he became a monk, because of his experience with the family practice of healing.

Below; the rear face of the amulet has blue ink stamp with Sacred Yant embossed, and the name of Luang Por Kee, and the Temple ‘Wat Huchang’

Luang Phor Kee was a Looksit of Luang Phu Ee, of Wat Sattaheeb, and usually used the wicha of LP Ee or the Wicha of his other Kroo Ba Ajarn Grom Jaab, one of the teachers of Luang Por Parn of Wat Bang Nom Kho. He taught all of his Wicha to the current abbot, also famous for Palad Khik, Luang Phor Tee, who was also extremely favored for Wicha Palad Khik, Taw Waes Suwan, Brahma amulets, and other talismanic charms such as the Bia Gae.

Below, Just some of the famous amulets of Luang Por Kee presented in encyclopedic works.

Encyclopedia of Amulets of Luang Por Kee, of Wat Huchang

LP Kee is known to have spent a long time in the caves and mountains and forests, wandering, around thee land, and visit various masters and temples to exchange experience and seek out magical Wicha with other Masters. It was during this time that he came to know the Great Luang Por Ee, of Wat Sattaheeb in Chonburi, who was and still is considered by many as one of the top Masters of all time for Wicha Palad Khik.

Below Images; Macro Close Ups of Muan Sarn Sacred Powders of the Pra Somdej Gao Chan Amulet of LP Kee

Macro Close Up of Muan Sarn Sacred Powders of the Top Front Section of the Pra Somdej Gao Chan Amulet of LP Kee

LP Kee also accumulated a plethora of Magical Wicha from many other Masters, such as the Great Luang Phor Fak of Wat Nikom Prachasan, Luang Phor Hluea Wat Sao Chanoke, Luang Phor Glan of Wat Intarawat, LP Sawai of Wat Bridaram, LP Tim of Wat Laharn Rai, LP Yid of Wat Nong Jork, Luang Phor Ding of Wat Bang Wua, Luang Phor But, of Wat Prohm Wiharn, Luang Phor Soke of Wat Pak Klong Bang Krok, Luang Phu Maekh, and Luang Phor Kong of Wat Wang Sapparot.

Macro Close Up of Muan Sarn Sacred Powders of the Mid Front Section of the Pra Somdej Gao Chan Amulet of LP Kee

Luang Phor Kee was constantly visited by masses of devotees daily in his time, for magical healing, amulets, removing curses and performing exorcisms. LP Kee was highly experienced in Wicha, for having received the secret teachings of the Great Luang Phor Ee of Wat Sattaheeb, Luang Phu Daeng of Wat Takian, The Great Luang Phor Parn, of Wat Bang Nom Kho, Jao Khun Bhodi, of Wat Chaiyapreuks Mala, and also practiced under Gong Jaab, Master Adept of the Samnak Wat Pradoo Song Tam in Ayuttaya, and teacher of some of the greatest Guru Monks of that Era, in Khom Agkhara and Spellcasting methods.

Macro Close Up of Muan Sarn Sacred Powders of the Lower Front Section of Dais of the Pra Somdej Gao Chan Amulet of LP Kee

Even though Luang Por Kee is long since passed away, his amulets remain as popular today, as they were during his lifetime, as does the memory of his humility and diligent practice of purity, and the work he did helping the poor, healing the sick, and restoring and improving the temple of Wat Huchang. His Por ‘Khun Palad Khik’ were highly sought after even in his time, for his ritual that would make the Palad Khik rise up and stand up on their own when LP Tee would stroke the head of the Palad Khik, and chant “NA NA NA NA”

Macro Close Up of Rear Face of the Pra Somdej Gao Chan LP Kee

The Palad Khik of Luang Phor Kee became very popular with bandits and gangsters, as well as amorous casanovas, who love nocturnal activities to seduce lovers, who would stroke the head of the Palad Khik three times and chant ‘NA NA NA” before approaching a lady or before confronting an enemy. Luang Phor Kee is often confused with Luang Por Tee, also of Wat Huchang, because both passed their magical tests at Wat Pradoo Song Tam. It is the tradition at Wat Pradoo Song Tam to grab the hand of the apprentice, and force his hand to inscribe the Khom Agkhara spells, in exactly the same way with all students.

And so the inscriptions of Luang Por Kee and Luang Por Tee, both famous for Palad Khik, and both attributed to the temple of Wat Huchang, are very similar, and takes an expert to separate one from the other. One easier way to tell, is that LP Kee has slightly more graceful handwriting than LP Tee, and that LP Kee made small, and medium sized Palad Khik mostly, whereas those from LP Tee were often much larger, ranging as large as up to 6 inches.

Pra Somdej LP Kee Wat Huchang (Nontaburi)


The Palad Khik of Luang Phor Kee, and Luang Phor Tee, are equally classed by most groups of aficionados, as one of the top 4 Palad Khik of all time The Palad Khik of Luang Phor Kee, and LP Tee, of Wat Huchang, are both highly esteemed on a National and Historical level, to the point where they can be mentioned among the list of the great Palad Khik of the greatest Masters in recorded history.

The Palad Khik, and other amulets, such as the immensely rare and preferred ‘Pra Somdej Hlang Ma A U‘, Bia Gae, and Takrut of Luang Por Kee became very popular, because many market traders and other devotees who received one of his amulets, all recounted high business success and improvements in quality of life, or stories of gun-stopper magic, and evasion of deadly accidents.

Rear Face Pra Somdej LP Kee Wat Huchang

Luang Por Kee’s amulets became hence, a common folk tale, not only with local devotees, but also throughout the country. This made the successes of devotees wearing his amulets well known, and LP Kee came to be recognized across the country, as a Master Monk of National Fame and Status, with Powerful Magical Prowess He was often visited for help by devotees for his Wicha in healing illnesses and exorcising ghosts, demons and possessed people. His Coin and Sacred Powder Amulets, Takrut, Bia Gae, and Palad Khik remain amongst the hardest to find amulets, and of course, his World Famously Powerful Palad Khik. Of his Palad Khik, some hold a very much higher price for their rarity when carved in ivory or coral, instead of wood.

Luang-Por-Kee - Abbot of Wat Huchang

Luang Phor Kee remained Abbot of Wat Huchang for many yeaes, serving his devotees, the community, the temple and contributing to Buddhism, as well as develping his Magical Powers throughout his trajectory, until his passing, on the 10th March 2522 BE at the age of 78. His amulets remain among the most preferrred and sought-out, especially with Thai Buddhist Devotees of Paklad Khik, Takrut, and those adherent to the great Wat Prasat 2506 Ceremony, for his Pra Somdej U A MA amulets.


Pra Pong Solos Maha Prohm

A Documentation of the Dtamra, behind the The Miraculous Pong Solos Maha Prohm Sacred Muan Sarn Powders of LP Tim Issarigo, of Wat Laharn Rai

Luang Phu Tim Amulets Nuea Pra Nu4ea Pong Solos Maha Prohm
Amulets made from the legendary Nuea Pong Solos Maha Prohm Sacred Powders of Luang Phu Tim Issarigo, are renowned for their sacredness, with all models being extremely rare, and highly favored by high-end collectors of sacred amulets. The Muan Sarn Sacred Ingredients used for these immensely rare amulets, was gathered and donated to Luang Phu Tim, by Ajarn Pathom Aaj Sakorn, of the Baan Kaay Co-Operative. The powders were empowered by Luang Phu Tim, using the Wicha Solos Maha Prohm, which is an extremely complex and difficult Magical Wicha to accomplish and Master, resulting in only a few Masters over the ages having managed to successfully manifest this kind of Magical Empowerment.

Luang Phu Tim Thai Amulets Nuea Pra Nu4ea Pong Solos Maha Prohm

The Wicha Solos Maha Prohm is composed in part by the inscription of spells using Agkgara Tamma Khom-Lao (Khmer-Lao Magical Sanskrit), within a Sacred Geometrical Design, using the powders as ‘Pong Lob’, to inscribe hundreds of spells within the pile of powder, laid on a blackboard (written by erasure). The Wicha Maha Solos Maha Prohm, invokes the 16 Angelic Beings of the Heavenly Realms, the 15 Kinds of Earthbound Sacred Spirits, the 14 Deities of the Bodhala Underworlds, and the Deities of 21 Brahma Dimensions, where the Bhagava and Sudhavasa Brahmas dwell, to endow the amulets with Blessings.

Luang Por Tim

The Muan Sarn ingredients used for Pong Maha Solos Maha Prohm include;


Pong Solos Maha Prohm of Luang Phu Sri Tat of Wat Dork Gaew in Nakorn Phanom, Solos Maha Prohm Powders from Yogi Hareb (Ajarn Cheun Jantra Paetch), from India, the Legendary Pong Nava Lokuttara (9 Unworldly Powder) of the Great Luang Phu Sonti of Wat Ta Dork Gaew in Nakorn Phanom, Pong Solos Mongkol Pitsadarn of Luang Phu Hiang of Wat Aranyikawas in Chonburi, Pong Na Bad Talord Dtai Gradan of Luang Phu Bun Mee, of Wat Po Sampant (Famous for its Classic Edition blessed by LP Tim and LP To (Wat Pradoo Chimplee), Pong Radtana Mala from Ruesi Sandtajidt (‘Tan Chao Prakhun Pra Ariya Kunasarn’ otherwise knwn as Luang Por Seng Bpusso), of Wat Khaio Suan Kwang, in Khon Khaen.

Pra Sivali Nuea Maha Solos Mongkol Pasom Pong Prai Kumarn 2nd Prizewinner Authenticity Certificate Luang Phu Tim

Pong Jet Jantr Paen, and Pong Prohma Lok (Brahma World Powders) of Pra Ajarn Wang Thidtasaro, of Phu Langka, Pong Samputta Hongsa of Pra Ajarn Fan Ajaro (Sakon Nakorn), Pong Sandta Nakae (7 Naga King Head Powders), which is a powerfully prepared Yantra Powders using Numerology and Gematria found within the Kampir Wicha Trinisinghae, using Pong Lob Yantra Powder Inverted Inscriptions according to the formula of Jet Koon Jet Harn (Multiply 7 Times and dissolve 7 Times = 7 by 7 repetitions, and divisions/encryptions of the Magic Spell). This spell seals the Magic of the Ongkanakae 7 Naga Kings’ powers within the Muan Sarn, through invocation of the Kata Chant ‘Bot Puchong Boripadtra’.

Luang Phu Tim Thai Amulets Nuea Pra Nu4ea Pong Solos Maha Prohm

Additional ingredients included; Pong Bailan Sacred Grimoire Parchment Soot, from 108 Ancient Sorcery and Buddha-Magic Tomes in various Magical scripts such as Agkhara Khom, Mong, Pali, Sanskrit (Devanagari), and in Aksorn Tam Isan. The powders were made by burning the Grimoires in a fire, and performing recitations of the Dhamma in Buddhist Chanting. The soot is then collected and used as a sacred Powder.

  • Din Khuy Pu 108 Ruu Pu (sacredly empowered sand from the holes of 108 beach crabs, considered a powerful type of substance).

  • Earths from the tops of mountains where no foot has ever been set before, collected by Monks and Ruesi on Tudong Wilderness Wandering Practice.

  • Funereal and Cemetery Earths from 4 Spirit Dwelling Monastery Graveyards.

  • Sacred Black Rice from Ancient Kru Hiding Chambers, discovered in Buddhist Relic Stupas.

  • Rang Hmaa Raa Bpid Bpid Pragan (Magical Mimic Hoverfly/Ceriana wasp Earthen Nest Powders)

Rang Mala ceriana wasp nest

  • Klai Sema Paed Tidt Temple Boundary Wall Residue from 8 directional points around the temple.

  • Gabin Wan Bod La-Iad (108 finely ground Herbal Substances).

  • Pong Bpathamang, Puttakun, Ittijae, Dtrinisinghae 5 Sacred Yantra Powders, mixed with Pong Tat Tang See 4 Elements Powders, using Herbal Lacquers.

Luang Phu Tim Thai Amulets Pra Nakprok Sadta Nakae Nuea Pong Solos Maha Prohm

Luang Phu Tim Issarigo, of Wat Laharn Rai, was one of the Top Masters of the Twentieth Century, world famed for his powerful Sacred Powders, especially the Pra Khun Phaen Pong Prai Kumarn, Look Om Prai Kumarn, and other Pong Prai Kumarn Amulets, Takrut, Carved Images & Talismanic Charms. Recent times have seen the uncovering of more documentation about the grand pantheon of his amulets, till yet unheard of except by the older locals of Ban Kaay, and devotees of Luang Phu Tim. This has caused a grand resurgence of interest with devotees, curators, and high end Thai amulet collectors. Luang Phu Tim’s amulets are extremely favord and sought after for their Metta Maha Niyom, Maha Sanaeh, and Maha Lap Maha Pokasap Magical properties.

LP Tim Issarigo

Pra Kroo Pawanapirat, or, commonly known as Luang Phor Tim Issarigo, was born on the 16th May in the year 2422 Buddhist Era, This was during the time of His Majesty King Rama 5. Luang Phor Tim was born in Ban Hua Tung Ta Budtr in Tambon Lahan, in Ban Kaay Municipality of the Province of Rayong.  LP Tim lived to the age of 96 years old, when he passed away on the 16th October in the year 2518 BE, with 69 years of ordained life behind him.

Ancient Classic Amulets of Luang Phu Tim (Part One)


Pra Upakut BE Wat Pra Singh

The Pra Kring Upakut Muang Ngay Loi Ongk Statuette Buddha was released in the year 2512 BE, at Wat Pra Singh, in Chiang Mai, North Thailand. The Pra Kring Upakut was cast and forged in Sacred Chanuan Alloy, along with the equally famed and sought-after Pra Ruang Rang Pern, Rian Somdej Pra Naresuan Maharaj Royal King Coin, and Pra Chayawat Naresuan amulets. At that time, the blessing ceremony for these amulets became the largest mass blessing ceremony of Northern Thai Lanna Amulet History, funded and organised by Commanding Police officer, and Mayor of Chiang Mai Province, Pan Tamruaj Aek Nirand Chaynam. In addition, His Majest King Bhumipol Adulyadej Rama 9 attended the ceremony to perform the ‘Te Tong’ gold pouring ceremony part of the forging ritual of the amulets.

Pra Upaku (Pra Bua Khem) 2512 BE Wat Pra Singh

Many Great Master Monks from around Thailand were invited to come and assist in the empowerment and blessing of the amulets, which were made in order to raise funds to build the Pra Naresuan Stupa Chedi Reliquary as a Memorial Monument to the first King of Thailand, who united the Kingdoms of the various city states to defeat the Burmese, and unite the nation. Once the funds were raised after release of the amulets, a Chedi Stup was built dedicated to King Naresuan Maharaj, at Mueang Ngay In Chiang Daw, as a monument of the city. The statuettes were made from Nava Loha (9 Sacred Metals), in numbers of 2512 amulets only, making these amulets extremely rare to find in the present day. The Grand Putta Pisek (Buddha Abhiseka), was performed on the 15th January 2512 BE at the Worawiharn Pra Singh Wora Maha Wiharn shrine-room in Chiang Mai.

Rear Face Pra Upakut Wat Pra Singh 2512 BE Ble4ssed by 40 Great Master Monks

Among the great number of 40 Powerful Master-Monks present to empower the amulets in the Putta Pisek ceremony, were; Oor Tan Klai of Wat Suan Khan, Luang Por Nam of Wat Don Sala, Luang Phu To of Wat Pradoo Chimplee, Luang Por Nor, of Wat Ta Ruea, Luang Por Tiam, of Wat Gasatrirat, Luang Por Tong Yoo, of Wat Mai Nong Pra Ongk, Luang Por Tiang, of Wat Khao Roop Chang, Luang Por Pring, of Wat Bote Goeng Tanu, Kroo Ba Wang, of Wat Ban Den, Luang Por Chaem, of Wat Wang Daeng Nuea, Luang Por Chern, of Wat Dtamnak Nuea, Luang Por Mueang of Wat Ta Haen, and the great Luang Por Tim, of Wat Chang Hai.

Kata Bucha Pra Upakut - Pra Bua Khem Buddhist Chanting Tutorial

For this reason, this edition of mulets is seen as highly sacred and powerful, for the blessings of these Great Masters and many others, with a powerful and Grand Ritual Ceremony. The Pra Kring Naresuan, Upakut, are seen as the number one Pra Kring amulets of the Lanna Region of this Era. The Pra Kring Naresuan is known around the Nation for its power and sacred blessings, and rarity, and is revered, and soigh-after by many Thai Buddhist People. Although for most, this is a mere hope and dream, for the chances of encountering one, are far and few between, due to the small numbers made of each amulet.
Base of Pra Upakut Amulet Wat Pra Singh

Pra Ajarn Sawai (Abbot of Wat Racha Nadda in Bangkok), was the Monk presiding over the Putta Pisk Ceremony. Before the Forging of the Sacred Chanuan Metallic Alloys, and Casting of the amulets, a host of Gold, Silver and Bronze Yantra Foils were inscribed with Magical Spells in both KHom and Agkhara Lanna script, within ancient Sacred Geometry designs, which were distributed to the most powerful monks around the Nation, and blessed during a whole year, before returning them to Wat Pra Singh, for the forging ceremony, to empower the Sacred Chanuan Metals. T.ese Yantra Foild were smelted together with many other kinds of Sacred Metallic Artifacts,

Amulet Pantheon released in this edition;

  • 1. Pra Kring Naresuan Mueang Ngay Nuea Nava Loha (2512 Made). 2 different models were made, the Pim Dto, and the Pim Yom
  • 2. Pra Kring Naresuan Mueang Ngay Pim Pised special model (9 made)
  • 3. Pra Chayawat Naresuan Mueang Ngay Nuea Nava Loha (2512 made)
  • 4. Pra Ruang Rang Pern Nuea Tong Daeng Rom Dam (95,000 made)
  • 5. Pra Ruang Rang Rang Pern Pimp Hlang Baeb (2 sided version), which were made in numbers of only 2000 amulets.

Rian Somdej Naresuan Maharat Nuea Tong Daeng Rom Dam, and Nuea Tong Daeng Phiw Fai (100,000 made, with much less being made in Nuea Tong Daeng Rom Dam, making these versions rarer).

Pra Upaku (Pra Kring Opakut 2512 BE Wat Pra Singh Chiang Mai

There were also the following models released for donation to the 33rd Regimental Army Legion;

  • 1. Pra Putta Sihingk 5, 7, 9, and 12 inch wide lap Bucha Statues. These Bucha statues were made in 2 different Sacred Chanuan substances 1. Nuea Sam Gasat (Gold, Silver and Bronze), and in Nuea Samrit (Bronze Alchemical Alloy)(, which were only made in limited numbers, according to how many pre orders were made.
  • 2. Pra Put Chiang Saen Singh Bucha Statue 5 inches wide lap in Nuea Sam Kasat.
  • 3. Badtr Nam Pra Putta Mont in Nuea Tong Daem Rom Dam Blackened Copper Alloy, composed of a Holy Water Bowl, Embellished Lid, with a Pra Kring Upakut Buddha amulet embeded within the Holy Water Bowl. There were two different kinds of lids made for the Badtr Nam Mont; 1. With Pra Kring inserted 2. With Lotus Flower Embossed. Only 100 of these Sacred Holy Water-Making bowls were made in total.
  • 4. Pra Kring Upakut, in Nuea Tong Lueang Rom Dam Sacred Brass Alchemicl Blackened Alloy.
  • 5. Pra Sivali 2 Inch High Statuettes, in Nuea Tong Lueang Sacred Brass.
  • 6. Rian Pra Jao Kawila in Nuea Tong Daeng Rom Dam.

This model is one of the rarer models to find, as they belonged to the special set set apart for donation to Thai Official Officers of the Regimental Army, and so very few ever fell out of the possession of the people who received one from the temple, allowing serious devotees and collectors to be able to obtain one.


Nam Man Chadtri healing Oil LP Ruesi Ling Dam

The famous Nam Man Look Bao (Nam Man Chadtri) Somdej Ongk Pathom Sacred Healing and Protection Oil, of Luang Por Parn (Wat Bang Nom Kho), Kroo Ba Ajarn of Luang Por Ruesi Ling Dam, released and re-blessed in 2543 BE, in reverence for the Kroo, by his first apprentice and Great Master Monk in his own right; Luang Por Ruesi Ling Dam, of Wat Ta Sung. The Nam Man Chadtri Oil of Wat Bang Nom Kho was made especially famous by Luang Por Ruesi Ling Dam as he told his memoirs of Luang Por Parn as he was a student under him at Wat Bang Nom Kho. The oil comes with the original ‘Bai Foi’ description paper from the temple and is unused condition.

Nam Man Chadtri healing Oil LLuang Por Ruesi Ling Dam

Free Registered Air Parcel Shipping Worldwide is Included. The Nam Man Chadtri (Look Bao), was released in 2543 BE, by Luang Por Ruesi Ling Dam, and Much like the Pra SAomdej Ongk Pathom and Pra Hang Hmak amulets, was released at a price of only 100 Thai baht, and predicted to become very expensive in future by Luang Por Ruesi Ling Dam, and indeed, the Somdej Ongk Pathom rose to a price of 1000 baht in less than a few years, and again to 1500 Baht at the temple, even 20 years ago. The Nam Man Chadtri appears in a tale from the memoirs of Luang Por Ruesi Ling Dam, where LP Ruesi was given the duty of guarding over the Kuti Hut of LP Parn, and decided to look into the cupboard in the Kuti to see what was in there; The shelves were full of bottles of oil and the shelf had the words ‘Nam Man Chadtri’ written on it. Luang Por Ruesi Ling Dam took a bottle of the oil, and smeared about half of it on himself (way too much!).

Luang Por Ruesi Ling Dam of Wat Ta Sung

Luang Por Ruesi Ling Dam of Wat Ta Sung – 1st Primary Apprentice (Looksit) to the Great Luang Por Parn (Wat Bang Nom Kho).

 

When Luang Por Parn returned, he said immediately “Who took some oil?”, and LP Ruesi Ling Dam (then still a young Novice Samanera Monk), replied “Me Sir”. LP Parn asked “Who gave you permissiont to take it?” and LP Ruesi Ling Dam repliued “Me Sir”. Luang Por Parn then asked “How did you give yourself permission?” and LP Ruesi retorted “As Guardian of Your Kuti Hut”. LP Parn laughed and said “Only a cheeky whippersnapper such as yourself would dare to answer me in this way. Use it well and do not abuse the power of it”.

Nam Man Chadtri Healing Oil of LP Parn Blessed by LP Ruesi Ling Dam

“What does it do?” asked Luang Por Ruesi Ling Dam, and LP Parn replied “I call it ‘Look Bao’ because it dilutes pain, and prevents and heals illnesses, and it is called Chadtri oil because it gives and preserves life”. Luang Por Parn declared that he had never used it on himself, but recited a tale of a nak Muay Muay Thai Warrior who won a series of fights up to winning the championship, by using the oil, as he said that he could not feel the pain of the blows in the ring when he used it.


The Nam Man Chadtri LP Ruesi Ling Dam Comes with Original Instruction Sheet

Nam Man Chadtri LP Ruesi Ling Dam Comes with Original Instruction Sheet

 

Luang Por Parn of Wat Bang Nom Kho, was the Kroo Ba Ajarn of Luang Por Ruesi Ling Dam, and one of the Greatest and most Legendary Master Monks in the History of Thai Buddhism. His Pra Putta Jao Pratap Sadtw Buddha Riding on Animals amulets are perhaps the most famous, along with his Look Om, and his Pha Yant and Takrut, but his Nam Man Chadtri Oil is still famous to this day at the temple of Wat Bang Nom Kho, where a formula made with the essence of it is used to give healing massage to this day.

LP Parn of Wat Bang Nom Kho was born in 1875 (BE 2418.). During his younger age, he received the a nickname of ” Parn ”, because of a red Birthmark on the little finger of his left hand, which was seen as an unusual trait mark that linked with Buddhism. Luang Por Parn received his Ordination as a Bikkhu*(Buddhist Monk) on the First of April 1895 (BE 2438).

Luang Por Parn is worshiped as one of the Top 10 Greatest Guru Monks of present-day in Thailand & many worshippers all around the world. He was the closest disciple of Luang Por Niam Wat Noi, Suphanburi, and also a disciple of Luang Por Hnoeng, of Wat Klong Madarn. His two great teachers passed away with their bodies un-decayed. Luang Por Ruesi Ling Dam wasd the inheritor of his Wicha, and the preacher and continuation lineage master of the teachings of Luang Por Parn, and the Wicha of Wat Bang Nom Kho.

Nam Man Chadtri Healing Oil

Use an incense stick, or a toothpick to smear a tiny amount on the forehead once a day for a blessed life.

Luang Por Ruesi Ling Dam laid out some information for Bucha to all of his amulets;

Firstly, before we undertake any of our duties or tasks each day, we must think of the Buddha and his Acheivement, and to have deep respect in one’s heart for the Buddha.

If one does this in the moment before Praying to the amulet, and focus to pray mantaining this Respect and Wonder at the Buddha’s Self Enlightenment as you pray, then the amulet will emit Massive Lap Sakkara Power, to increase your Social and Professional Standing, and the Aura of Grandeur. Then one should place the object of prayer between the palms of the hand, and raise between the eyebrows to the forehead, and Chant the Maha Namasakara 3 Times, after which, one shold say “Today, i ask for ….. (whatever it is you wish for).. Blessings”.

Nam Man Chadtri healing Oil LP Ruesi Ling Dam (12)

If we are able to focus on and believe strongly in the Buddha’s Enlightenment and Call Upon His Merits to assist, then this is considered to be Buddhanisssati Kammathana – a Kind of Meditative state likened to, or equal to that known as ‘Jhana’ (absorption). This is the state of mind that is necessary to activate and call up Miracle Powers, and is tantamount to Pure Faith, which is also a kind of Focused One Pointed Concentration, Absorption, or ‘Jhana’. One should also of course think of Luang Por Parn, and Luang Por Ruesi Ling Dam when Praying.

It is this element of the Practice of Faith reverence in Guru Worship that gives Classic Amulets from great masters the edge over many standard issue amulets, for it is the Faith that the Master instills in the heart of the devotee (the wearer of the amulet), that increases the Power of Absorption, for it is much easier to feel Faith and Confidence from an Amulet that was made by a Guru Master that we all know of and is Legendary, and whom we believe in his teachings.

If we do this every day before undertaking our chores and duties, we will have Great Success and Achievements coming our way. When you perform Bucha, think of the Buddha with Rapture in your Heart, as a Buddhist, then you should always remember the Merits of Luang Por Ruesi Ling Dam, and remember that his teachings are those of the Buddha, and that he and the amulet represent the Buddha. The Buddhas of the Ages will descend and Guard over those of you, who pray correctly. Use the Kata Ngern Larn (Millionare Kata for Riches), as given by Luang Por Parn, and Luang Por Ruesi Ling Dam, to empower with Maha Lap Magic and call great wealthy Fortunes to you.

Nam Man Chadtri Healing Oil LP Ruesi Ling Dam

Chant Maha Namasakara 3 Times First.

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa, Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa, Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Then Chant;


Sambpadtijchaami Naa Sang Si Mo


Prahmmaa Ja Mahaa Taewaa Sappae Yagkhaa Bparaayandti

(Kata to remove Obstacles)

Prahmmaa Ja Mahaa Taewaa Apilaapaa Pawandtumae

(Kata for Wealthy Fortunes of Money)

Mahaa Bpanyo Mahaa Laapo Pawandtumae

(Kata for Luck without Interruptions)

Midtae Paahu Hadti

You can use the oil to smear onto yourself or others to heal illnesses and protect against dangers and black magick, lessen pain, and deactivate deadly weaponry, or just pray to on the altar, or consume a tiny amount for healing purposes.

It is said that if you consume some, or rub the oil on the afflicted area or your body in general, and feel warmth, then the oil has not yet healed the illness. If you consume or smear the oil and feel a cool feeling, this indicates that the ailment or illness has been healed by the Nam Man Chadtri.

Nam Man Chadtri healing Oil for protection and health

 

You can also use the Kata Yant Grao Paetch Diamond Armor Yantra Incantation whilst rubbing the oil on yourself to invoke protection

The Kroo Ba Ajarn of Luang Por Ruesi Ling Dam, Luang Por Parn, found the great Kata and Yant Grao Paetch as he was meditating and a Yaan (or Yana in Pali Panskrit), meaning supernatural sense, occured in his meditation. It told him that there was a special magical metal Plaque, which was hidden within the main Chedi of Wat Phra Sri Ratana Maha Taath, Supannburi province, waiting for him to discover. Not long after that he reached the Chedi and found a ancient silver template engraved with the Kata of Yant Graopaetch. The Plaque had a message explaining that the person who found it shall be a great Master, and that Heaven had defined who should find it.

Kata Grao Paetch

I Ra Chaa Ka Dta Ra Saa

Dti Hang Ja Dto Ro Ti Nang

Bi Sam Ra Lo Bu Sa Put

Soe Ma Na Ga Ri Thaa Toe

Pa Sam Sam Wi Sa Tae Pa

Ka Put Ban Tuu Tam Wa Ka

Waa To Noe A Ma Ma Waa

A Wich Su Nut Saa Nu Dti

The Template also describes that one who recites this Kata everyday shall have his body covered with a Diamond Armour and will be protected from all dangers, he shall never be able to be destroyed by his enemies. In addition, the enemy will be destroyed through a strange phenomenon because of the reflective result from the magic Diamond Armour

Nam Man Chadtri Sacred OIl of LP Parn - LP Ruesi Ling Dam

(Kata for Monetary Millions)

Putta Ma – A – U Namo Puttaa Ya Wiratayo Wirakonaayang Wirahingsaa Wirataasii Wirataasaa Wira Idthiiyo Puttassa Maanii Maama Swaahoem

(Kata Pra Bpajjaega Putta Jao)

Sambpadtijchaami

(Kata to speed up Lucky Fortunes to come each day)

Peng Peng Paa Paa Haa Haa Leu Leur

Chant the whole Kata Nine Times

Nam Man Chadtri Magical Oil LP Ruesi Ling Dam


Pra Putta Mongkol Maha Lap Amulets Mae

The Pra Somdej Mongkol Maha Lap amulet series of 2499 BE, was released at Wat Sarnath, in Rayong, to fund the creation and installment of the Pra Putto Pas Chinarat Jom Muni Buddha statue, which was made at Wat Sapmant Wongs, in Bangkok, and donated to be installed at Wat Sarnath, as the Pra Pratan main Central Buddha image within the Uposatha shrine room.

Below; a rare version of Pra Somdej Nakprok Mongkol Maha Lap Nuea Pong Maha Solos Daeng 2499 BE Mae Chee Bun Ruean Wat Awut
in Nuea Daeng

Somdej Mongkol Maha Lap Pim Prok Po Mae Chee Bun Ruean

Somdej Mongkol Maha Lap Pim Prok Po Mae Chee Bun Ruean Wat Awut.

The amulets were made in various powders, white nuea solos, brown nuea wan, and red nuea wan sabu luead, as well as nuea bailan and other admixtures. Some received the inscription of the Yant Putto, or the Yant Dto Rasamee, of Mae Chee Bun Ruean, and others were left with ‘Hlang Riab’ ‘smooth faced’ rear sides. All versions contain the famous pong Maha Solos Maha Lap (Pong Guubose), which is legendary for its powers

This amulet comes with the existing Stainless Steel Casing – The alternative of Free Waterproof Casing is also an Optional Offer with this Amulet, if you wish to encase with Waterproof Casing at no extra cost. Free Registered Airmail Shipping Worldwide is offered included with this amulet, as is the case with all amulets in Ancient Amulet Store.


There was never a ceremony to invite the Devas so majestic as the ceremony performed by Mae Chee Bun Ruean, which included not only the ubiquitous incenses, puffed rice, flower garlands in 7 different colors, but also a total of 375 Kinds of Food Offerings! The Benja and 9 Saewadta Chadtras offered, 5 sork high (‘sork’being a Thai form of measurement, meaning ‘5 elbows’, slightly over 2 Feet per ‘sork’). Five Golden and Silver Bai Sri were place in offering, also 5 sork high in stature.

The chanting ceremonyn to bless the holy water with the assistance of the attendiing Devas, was then mixed with the sacred powders used for the muan sarn clays of the amulets. Many great and psychically attained monks were invited to empower and bless the sacred ingredients for the amulets, and the amulets themself after their pressing;

1. Pra Prohm Muni (LP Phin Suwajo), of Wat Bovornives Vora Viharn, 2. Pra Worawaet Kunajarn (LP MIan Bpappasaro), of Wat Pra Chetupon Wimon Manghalaram, 3. Pra Maha Racha Manghalajarn, 4. Pra Kroo Winaiton (LP Fueang Yana Bpaheebpo), 5. Pra Sa-Ard Apiwattano, of Wat Sampant Wongs, 6. Pra Kroo Nor, of Wat Klang Ta Ruea, in Ayuttaya, 7. Pra Ajarn Bung, of Wat Mai Nong Sen, and 8. Pra Luang Por Chorp Sammajaree, of Wat Awut Wigasitaram in Thonburi, as well as the prior and later blessings and empowerments made by Mae Chee Bun Ruean Herself.
In Addition, during the Deva Abhiseka, the Ruesi Yogi Ajarn Rerb (Ajarn Chern Jantr Paetch), who was a very powerful and famous Ruesi of the Era, assisted in empowering the amulets.

Then a second empowerment session was performed, with the amulets pressed and placed covered with 7 layers of 7 green and 7 white cloths covering them, placed upon an altar in the center of the shrine room.

Many people in the amulet world have been interested in knowing what was used in the making of the sacred powder admixtures, and so we find it impportant to document and list them in this article, for posterity and study;
1. Sacred Powders from a Host of Great Masters of that Era and Previous Eras, through the lineage of each Master who donated and empowered the powders.

2. Powders from Wat Chetupon, Wat Sri Totsataep, Wat Sampant Wongs(Wat Sampantawongs).

3. Broken powdered pieces of ancient sacred amulets.

4. Powdered up herbal ingredients with magical properties, ground up to make a brownish herbal powder.

5. Earths from 7 Prosperous Ports, and the banks of 7 Sacred Lakes. 6. Powders made from taking ancient Kampir Grimoires of Sorcery (Sacred in themself), of both the Bailan Beige Parchmnent variety, and the Samut Khoi black Parchment variety of Grimoire, and burn them and grind into powders, with 5 repetitions of admixture, adding powders from previous editions of amulets.

6. Earths from sacred Pilgrimage Places of the Life of the Buddha in India, brought back to be used for the admixture, to bring Sacred Buddhakhun Power to the amulets, with earths from the important places of the Buddha’s Life, such as the Buddha’s birth, earths from around the Bodhi Tree where the Buddha’s Enlightenment occurred, the place where he gave his first sermon in Varanasi (the Dhamma Chakra), and earths from the place of the Buddha’s Passing into Nibbana.

7. Earths from important places where the Buddha performed great Sermon, or Important Events in his Life occurred, and which are to this day, all sacred places and shrines to the Buddha.

8. Pong Poon Khaw Hin Rachaburi powders.

9. Sacred Talcs invoked with Negative Space inscribed Yantra Spells.

10. Nam Oy Sugarcane Juice.

The amulets are made from a Muan Sarn Sacred Powders composed of a large variety of sacred clay earths, herbal pollens and powders, and Puttakun powder. Herbs and Sacred ingredients with all sorts of different blessings and powers were added to give a complete range of blessings.

All these Muan Sarn ingredients were ground into fine powders, and separated into different admixtures, and mixed with holy water from the first Buddha Abhiseka and Deva Abhiseka Blessing Ceremony. The amulets were pressed as the Pra Somdej Pra Putta Mongkol Maha Lap (Buddha Manghala), Pra Nakprok, Pra Putto, and other forms such as various kinds of Pra Somdej, Nang Kwak, and other amulets.

Above and beyond this, the amulet is a Sacred Artifact of Buddhanussati, an authentic Sacred Buddha Image Votive Tablet, blessed and made in 2499 by Kun Mae Chee Bun Ruean, in two ceremonies held at Wat Sampantwongs and Wat Sarnath, both Mae Chee Bun Ruean Lineage Temples.

The amulets were handed out to devotees during a later ceremony who came to donate and support the installation of the Putta Sima temple boundary of Wat Sarnath, and many of the amulets were of course held for burial within shrine rooms and Chedi Stupas of choice, for later distribution, or accidental rediscovery long into the future.

This is a common practice with amulets, where they are placed in a hiding place chamber (Kru), or buried under the ground or under the floor of sacred places, as a way of preserving the fact that there was once a Buddha who walked upon this earth. Hiding Place amulets are also stored in Kru Chambers as a repository to use for fundraising by removing a number and distributing them to devotees who donate to the temple (Note; The placement and removal of amulets from Kru for providing a method of creating fundraisers only became a practice during the last century, after Buddhist amulets became a source of fundraising).

According to the written documentation of Luang Phu Tet Nitesago, the Pong Solos powders made by Mae Chee Bun Ruean to make the amulets, were made using the Wicha Prohmasat (Brahma Sastra), which invokes High Brahmas and Ariya Sangha (Enlughtened Beings), of the Sutawas celestial level, to empower the powders. They were made to distribute to devotees, and fund the installation of the Pra Putto Chinarach Jom Muni Buddha statue of Wat Sarnath.

The amulets have become very famed for their miraculous powers, due to many stories of miraculous events connected with devotees and the amulets. Mae Chee Bun Ruean invoked the spiritual Connections of the angelic beings of the Buddhist, Christian and Islamic Faiths to imbue their blessings, to protect people of all religions, who keep the precepts of goodness and abstention from evil acts. The real name of the powders is ‘Pong Maha Prohm Ariya Bodhisattva Phuu Bpen Jao’ (Powders of the Enlightened Brahmas who are Lords of their Existence’).

This was because of Ajarn Seng, who taught and revealed that all three religions, speak of the same one Super-consciousness or ‘God’ (Buddha-hood for Buddhists), but which different cultures over time split and adapted into their own social structures, and changed them according to their needs, but that all three are derived from the same fact that enlightened beings gave teachings to unenlightened humans, and were worshiped for it as messiahs, prophets, or gods, and became founders of these religions.

The great Luang Por Lee is said to have found the 2499 BE Somdej Mongkol Maha Lap so powerful that he basked for some of the broken ones to be given to him to mix into the sacred clay of his famous sacred Pra Bai Po Jak amulets of the 2500 BE 25 Centuries of Buddhism Mega Nationwide Amulet Ceremony.

Pra Bai Po Jakr LP Lee Wat Asokaram

Pra Bai Po Jakr LP Lee Wat Asokaram

According to the Pra Tamma Khant, all Somdej amulets must be made in numbers of 84,000, but it is rumored that the Pra Putta Mongkol maha lap amulets were made in much less numbers, which is an unconfirmed rumor, and would be dubious considering Mae Chee Bun Ruean’s tendency to be a stickler for proper ritual and adhere to the dtamrta of the Wicha.

The Pra Putta Mongkol Maha Lap amulet is often used as a substitute for the Pra Pong Solos of Luang Phu Tim (much more difficult to find and much more expensive). Luang Phu Tim himself was also invited to perform Nang Prok meditative empowerment on thje amulets, as he was 70 years old. Considered one of the best amulets of the 2500 BE Era of Thai Buddhist Amulets.

Pra Somdej Putta Mongkol Maha Lap various sizes in white Pong Solos Powders.

Pra Somdej Putta Mongkol Maha Lap various sizes in white Pong Solos Powders.

Anothjer version of the Pra Somdej Putta Mongkol Maha Lap Nuea Solos

Another version of the Pra Somdej Putta Mongkol Maha Lap Nuea Solos


Kun Mae Chee Bun Ruean was a Buddhist Nun whose purity of practice was so exemplary that she became a Buddhist master in her own right in Thailands Theravada tradition.

This is highly unusual and a difficult task to achieve, in a Tradition where women are not permitted to ordain as a Bhikkhuni, and must remain in white as a Karavasa Holder of Precepts. Despite these disadvantages, her great practice, Metta (Compassion) and her teachings, and Charitable Works for Buddhism, brought her to become the most highly beloved Buddhist Nun in the History of Thai Buddhism.

The Amulets, Magic Charms and Sacred Kaya Siddhi Elements of the Buddhist Nun Kun Mae Chee Bun Ruean, are amongst the most highly revered Buddhist Amulets in Thailand, and are as rare as they are sacred. In Particular, the Pra Putto Noi Votive Tablet is her most Famous Amulet.

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A Powerful Gurunussati Type Amulet, the Sacred Roop Tai Ad Grajok ‘mirror press’ version Olden Days Photograph of, the Great Guru Master Luang Por Opasi, Legendary Miracle Monk of of Asrom Bang Mot released in the year 2507 BE.

Roop Tai (Photos) were and still are one of the most direct ways in which a Devotee can connect with and revere to receive blessings from a chosen Guru master, and are a highly favored type of Sacred Amulet with Thai Buddhist People. Original Photos blessed by the olden days masters are of course also very rare and original. This photograph is double sided (Ad Grajok), and features the image of Luang Por Opasi standing on a pedestal with his hands raised in prayer, during the Ngan Piti Song Nam Luang Por Opasi bathing ceremony of 2507 BE at Asrom Bang Mot.

Roop Tai (Photos) were and still are one of the most direct ways in which a Devotee can connect with and revere to receive blessings from a chosen Guru master, and are a highly favored type of Sacred Amulet with Thai Buddhist People. Original Photos blessed by the olden days masters are of course also very rare and original.

Luang Por Opasi was born in 2441 BE, in Nakorn Sri Tammarat, but was taken and placed in charge of the Sangkaracha at the Royal Temple of Wat Bowornives in Bangkok, where he remained studying and was finally ordained as a full Bhikkhu, in 2461 BE at the age of 20, at Wat Bovornives.

He was ordained by the Sangkaracha Monk himself, as his Upachaya (Ordaining Officer). He studied Pali and Dhamma to reach the academic level of Prayoke 5, and then turned to study and practice Wicha Akom (Buddha Magic and Sorcery). He continued on there to attain his completion of Dhamma Studies and develop all facets of his practice, and finally, after 20 years serving at Wat Bowornives, he decided to begin Tudong Solitary Forest Wandering.

He spent the next 20 years wandering and learning Wicha with various Guru Masters throughout this time. One of the masters he spent the most time with to absorb the methods of empowerment and formulas, was Luang Por Gop, of Wat Khao Sariga in Nakorn Nayok. He spent a long time with this Master in order to develop the special abilities of Dtecho Kasin (Fire Kasina), and to stare at the flames and meditate to vanquish the restless mind, and to overcome material attachment.

Part of this practice, was to burn any possessions or material offerings given in the fire, and to watch them burn, until the Kilesa (selfish instinct and desires and attachments) cease to arise within the heart. After mastering his own heart, he returned to Wat Bowornives. But after some time, with his practice of burning all thing he was given, except the four requisites of food, medicine, clothing and lodging necessities, began to cause devotees to begin to travel from far and wide to pay reverence to Luang Por Opasi at Wat Bowornives, and this seemed unfitting to Luang Por Opasi, who did not wish to attract attention

Below; front cover of Amulets of LP Opasi Encyclopaedic Catalog

Amulets of LP Opasi Encyclopaedic Catalog

So he decided it was time to leave Wat Bowornives, and travel on Tudong to go stay at Bang Mot, but this was to no avail, because the devotees just followed after him to Bang Mot, and slowly but surely he was receiving many devotees again. The local folk of Bang Mot had also become very faifhtful devotees of Luang Por Opasi, and had built a small Samnak Songk (name of a Buddhist Forest Ashram before it becomes officially a registered temple) for Luang Por to reside in permanently.

From then on, Luang Por remained at Asrom Bang Mot, and developed it into a fully fledged temple, with his fold of devotees ranging from the poorest farmer, to the richest noble, all of whome came to give alms and watch those gifts which were not of the 4 requisites be burned in Luang Por Opasi’s fire. Everybody who came to have material possessions burned in the fire, would experience great wealthy fortunes thereafter, and the legend of Luang Por Opasi’s Powers began to circulate.

Luang Por Opasi was also very famous for his ability to appear in more than one place at the same time, and be seen by witnesses in both places. There is a Legend of a visit to India where Luang Por Opasi was supposed to appear, and he sent his two apprentice monks to travel ahead, saying he would appear there later.

In 2499 BE (1955), LP Opasi and two of his disciples where invited to a Buddhist gathering in India to be held from October 28. LP Opasi called to his two disciples to leave before him and that he would join them later. He also told them that he will not be on the spot before October 31 and to warn the organizers of his delay and the date of its arrival. October 31 many of his disciples went to the airport to wish LP Opasi a happy voyage, but it did not come, a few days later the death of LP Opasi was announced.

In fact, in the evening, LP Opasi warned his monks that he was going to remain in meditation several days and to not disturb him under any circumstance, then he went in his Kuti. He stayed there until a anxious monk decides to go and see whether LP Opasi were well or not, he enters the Kuti to find LP Opasi in a state having all the aspect of death.

During this time, in India, the two disciples of LP Opasi attended the Buddhist gathering in company of LP Opasi. Luang Por Opasi spoke with many other Buddhists dignitaries and gave even a state education in front of several hundreds of people, even photos of this occasion has being taken. LP Opasi said goodbye to its two disciples, and told them that he was going to return to Thailand only by separate means of transport.

Luang Por Opasi Mendicant Monk

When they arrived the disciples had a hard time believing the news of LP Opasis Passing Away, everyone believed that they had become insane when they said to have spent the last days in his company… Only the testimony of several other monks present and the photographs in India of LP Opasi proved the veracity of their incredible history.

 

Each year the coffin of LP Opasi is opened, his body has not decomposed and his finger nails and hair is cut. This is a common thing regarding monks that have become enlightened, The body will not decompose or if the body is burned the bones will turn to stone or diamond.

(extra info: The great master of Sak Yant Luang Por Phern (Wat Bang Pra) was a student of Luang Por Opasi)

Luang Por Opasi Kata for Chanting;

Ithisukhathoe Arahang Puttoe Namoe Puttaaya Bpatawee Kongkaa Phrapoom Taewaa Khamaamihang