Ban Neng Pra Rahu Hand Carved Necromantic Skullbone Eclipse God Hand Spell Inscriptions Ajarn Heng Praiwan

Ban Neng Pra Rahu; A one off original necromantic skullbone carving, in the image of Pra Rahu Om Jantr Asura Deva Eclipse God, with hand made Khom Agkhara spell inscriptions recognizably from the Great Ajarn Heng. An immensely protagonistic amulet, that stands out from the crowd with its powerful dark arts power. This large and highly detailed Necromantic Skull Carving, is a most imposing amulet for wear, or ritual Bucha object for the altar, and an immensely rare world class hand made ancient amulet of the Great Ayuttaya Lay Master; Ajarn Heng Praiwan, This exhibit is especially attractive visually, with a dark patina and very deep relief carvings, of a master artisan. Empowered with the Wicha Pra Rahu and the Famously Powerful Necromantic Invocations ubiquitous to Ban Neng bone carvings.

Ban Neng Pra Rahu Hand Carved Necromantic Skullbone Eclipse God Hand Spell Inscriptions Ajarn Heng Praiwan Detail 1

This skull bone carving, is in tapered oval shape, and is an immensely filigrain, and finely detailed master class carving from a top artisan, with an ancient and exquisitely finely carved details of a doubled image of the Pra Rahu Jantruparaka/Suriyuparaka Asura Deva Eclipse God of Good Horoscope, swallowing the moon/sun. The Borders and surrounding area around the image of the deity, is delicately carved with decorative Lai Thai embellishments. This carving is so visibly, finely carved with immense details, that it can only have been made by a Master Artisan, with the highest level of prowess. specializing in the Lai Thai traditonal Buddhist Line-Art.

Ban Neng Pra Rahu Hand Carved Necromantic Skullbone Eclipse God Hand Spell Inscriptions Ajarn Heng Praiwan Detail 2

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Free EMS / DHL / FedEx Express Shipping and the option of free solid silver Waterproof Casing is included with this item. An extremely rare, and exquisitely beautiful carving that is among the finest one could encounter by Olden days Lay Master Ajarn Heng Praiwan. Carvings of this level of fine detail, adherent to the ancient rules of Lai Thai fine line art traditional design, are in them-self, even when not powerfully blessed by great Monks, a piece of historical and cultural religious art that is of the museum curation level.

Ban Neng Pra Rahu Hand Carved Necromantic Skullbone Eclipse God Hand Spell Inscriptions Ajarn Heng Praiwan Detail 3

This particular Ban Neng in fact, is beyond any kind of true price estimation (Hence ‘Priceless’), for its beauty, spiritual and cultural value, and the level of artistic prowess of the design carving, makes it a piece of fine art in itself, in a collector niche, and an attractive talismanic powerful Necromancy fpr those adherent to the immensely powerful fast-acting effects of he Ban Neng. Definitely an item that would be fitting for ‘The Man who has everything’, as we bet, he does not have this yet 🙂

Below : Hand made spell inscriptions in Khom Agkhara (Khmer Sanskrit), are visible on the rear face (inner side of skullbone), of the Ban Neng Carving.

Ban Neng Pra Rahu Hand Carved Necromantic Skullbone Eclipse God Hand Spell Inscriptions Ajarn Heng Praiwan Detail 4

If you feel that your Fate and Horoscope is not Auspicious, then it could be that Pra Rahu is interfering. You can solve this problem by making Bucha offerings to Pra Rahu every Wednesday;

Light 10 black incense sticks (‘Toop’ in Thai), and five types of black offerings (e.g. black sticky rice, black jelly grass drink, black semolina or sago pudding and the like).

Ban Neng Pra Rahu Hand Carved Necromantic Skullbone Eclipse God Hand Spell Inscriptions Ajarn Heng Praiwan Detail 5

Ban Neng Pra Rahu Hand Carved Necromantic Skullbone Eclipse God Hand Spell Inscriptions Ajarn Heng Praiwan Detail 6

12 repetitions of the Kata Bucha Pra Rahu are to be Chanted;

Idtipiso Pakawaa Pra Rahuu Sataewaa Samaa Winyaana Idtipiso Pakawaa Putta Sangmi

Kata Chanting to Bucha Pra Rahu Thai amulets and Bucha statues (4 different Versions)

Kata Surya Buppaa (to be chanted in the daylight)

Gusaedto Ma Ma Gusaedto-dto Laalaa Ma Ma Dtolaamo Tolaamo Ma Ma Tolaamo Ma Ma Tolaamodtang Haegudti Ma Ma Haegudti

Ban Neng Pra Rahu Hand Carved Necromantic Skullbone Eclipse God Hand Spell Inscriptions Ajarn Heng Praiwan Detail 7

Kata Jantra Bupaa (to be chanted in the night time)

Yadt-thadtang Ma Ma Dtangthaya Dtawadtang Mamadtang Wadtidtang Saegaa Ma Ma Gaasaegang Gaadtiyang Ma Ma.Gaadtiyang Ma Ma Yadtigaa

When you begin to Bucha Rahu Deity, you should make the first ever session in the evening of a Wednesday (any time from 7 pm onwards). After you have done this once, you can make Bucha in the daytime if you wish, but the first time you must include the food offerings of black foods as well as the black incense. The second time onwards, only the incense is necessary in the daytime, if it is a lot of trouble to get the food offerings.

Ban Neng Pra Rahu Hand Carved Necromantic Skullbone Eclipse God Hand Spell Inscriptions Ajarn Heng Praiwan Detail 8

Ajarn Heng Praiwan was a great Lay Master and Adept Necromancer of olden days, of the Ayuttaya Province. Ajarn Heng was born in the year 2428 BE, and was ordained as a Buddhist Monk when he came of age, at Wat Suwan in Ayuttaya. During his ordained years, he studied many ancient magical Wicha of the grimoires of Wat Pradoo Rong Tam, which was a great library of ancient magical grimoires, perhaps the largest in the country. He became extremely able in the inscription of Khom Agkhara Sanskrit Spells, Kata Incantations, and Sacred Yant, and became very well known as a great Master of Sak Yant Thai Temple Tattoos.

Ban Neng Pra Rahu Hand Carved Necromantic Skullbone Eclipse God Hand Spell Inscriptions Ajarn Heng Praiwan Detail 9

Ajarn Heng Praiwan, studied the Wicha Grimoire of the Dtamra Radtana Mala, until attaining full Adept Mastery, after which he disrobed for a time, to help his parents. After which, he ordained again once more, at Wat Prayatigaram in Ayuttaya, with the Great LP Glan Tammachodti, Abbot of Wat Prayat, as his Upachaya Ordaining Monk. He spent a long period of time learning and mastering the full Dtamra of the Wicha of Luang Por Glan, after which he disrobed again, and became a lay-sorcerer until the end of his days, when he passed away at the age of 75, in the year 2502 BE.

Ban Neng Pra Rahu Hand Carved Necromantic Skullbone Eclipse God Hand Spell Inscriptions Ajarn Heng Praiwan Detail 10

It is said that Ajarn Heng’s father, was either a police officer, or a prison officer, and sent Ajarn Heng to Penang, and Singapore, to be educated. But Ajarn Heng did not finish his schooling, and left, because of his immense fascination and interest in the study of Saiyasart, & the Dtamra Saiyawaet Grimoires, of Thai Buddhist, Animist, and Necromantic Occult Practices. He even traveled to the South of Thailand to learn the most ancient Magical Practices of the Southern Khao or Sorcery Lineages.

Ban Neng Pra Rahu Hand Carved Necromantic Skullbone Eclipse God Hand Spell Inscriptions Ajarn Heng Praiwan Detail 11

After his time practicing and mastering the Southern Lineage Magical Practices, Ajarn Heng returned to his home Province of Ayuttaya, in Central Thailand. Ajarn Heng was now a Master of the Wicha of Luang Por Glan, and the Southern Wicha of Sorcery which dates back to the Sri Vichai Era of Siam. The Wicha Mastered in Entirety of Wat Pradoo, which Ajarn heng has undertook, came from the time when King Naresuan Maharach, ordered the Wicha Saiyasart Grimoire texts to be inscribed and stored at Wat Pradoo Roeng Tam.

Ban Neng Pra Rahu Hand Carved Necromantic Skullbone Eclipse God Hand Spell Inscriptions Ajarn Heng Praiwan Detail 12

The inscriptions were begin and finished between the years 2133 – 2148 BE. It was King Pra Mahesuan Maharach, who united the city Kingdoms of Siam and Unified the country into one Land, namely ‘Siam’, or ‘Thailand’, and made the city of Ayuttaya the first capital of the Kingdom (Later to be moved to Bangkok, for logistical and geo-political reasons).

Ban Neng Pra Rahu Hand Carved Necromantic Skullbone Eclipse God Hand Spell Inscriptions Ajarn Heng Praiwan Detail 13

Ajarn Heng began to serve the public and accept devotees, at first by only performing Sak Yant Tattoos, and became known as one of the Top Sak yant Masters in the Country of his Time. Another later Kroo Ba Ajarn and Friend in Dhamma, Luang Phu Si, of Wat Sakae in Ayuttaya (Temple of LP Doo), once told that during the time of King Rama the 3rd, during a time of military dispute, around the year 2475 BE, many regiments of Thai soldiers, of both high and lower standing went to Ajarn Heng for his protective Yant, due to the miraculous powers attributed to them, all one the same day.

Ban Neng Pra Rahu Hand Carved Necromantic Skullbone Eclipse God Hand Spell Inscriptions Ajarn Heng Praiwan Detail 14

On this occasion, Ajarn Heng constructed the ritual place at Wat Hantra Temple. Ajarn Heng invited a host of powerful Monks with Psychic Powers to assist in the ceremony of Blessings. In this occasion (around 2476 BE),Ajarn Heng had to work very hard to gather a large number of Master Monks to come and perform the Suad Nam Puttamont Chanting Ritual, and this was a very had task in those days in Ayuttaya, to travel around and fine enough top masters who knew the chanting of the Nam Pra Puttamont and the Putta Pisek (Buddha Abhiseka) ceremonie. He was assisted in this task, by the great Luang Phu See of Wat Sakae. But on this occasion, Luang Phu Si could not attend as well, because he was busy with Dhamma Duties at Wat Liab. But, after this Ceremony, Ajarn Heng would always invite Luang Phu Si to attend all of his subsequent Blessing Ceremonies, and assist with empowerment.

Ban Neng Pra Rahu Hand Carved Necromantic Skullbone Eclipse God Hand Spell Inscriptions Ajarn Heng Praiwan Detail 15

Ajarn Heng was a relatively wealth person with two houses and land stakes, one in the countryside in Tung Hantra, and one in Bangkok. And so, he would have devotees seek him out in Bangkok and in Hantra, for Sak Yant Tattoos, and his powerful Takrut amulets. It became popular to get high class artisans to carve his amulets, as well as village people would carve animist charms from ivory, wood, and sometimes, necromantic Ban Neng skullbones, which are of course, along with his famous metallic, and inimitably designed Takrut Maha Jakkapat Metallic Scroll Spells, the most highly valued, rare, and sought after by devotees of the great anbcient Ayuttaya Lay Sorcerer. Finally, Ajarn Heng moved to stay in Suan Malee, until the Wars in Asia Broke Out, whereupon he left the Capital, and returned to his home Province of Ayuttaya.

Ban Neng Pra Rahu Hand Carved Necromantic Skullbone Eclipse God Hand Spell Inscriptions Ajarn Heng Praiwan Detail 16

During this time, there were many Gangsters and Highwaymen, and a lot of need for Sak Yant Tattoos for Kong Grapan Chadtri and Klaew Klaad protective Magic, and Ajarn Heng became a highly acclaimed master, renowned for his Yant Gao Yord (A Wicha Obtained from the Great LP Hrun). Ajarn Heng was able to receive additional Wicha from the famous temple of study of Sorcery, Wat Sam Jeen, as well as receiving Wicha from the great Luang Phu Tong, of Wat Rat Ayotaya, and Luang Phu Kam Wibun.

Ban Neng Pra Rahu Hand Carved Necromantic Skullbone Eclipse God Hand Spell Inscriptions Ajarn Heng Praiwan Detail 17

Ban Neng Pra Rahu Hand Carved Necromantic Skullbone Eclipse God Hand Spell Inscriptions Ajarn Heng Praiwan Detail 18

Ajarn Heng’s Kong Grapan magic was so famous, that it became popular for police and military to get his tattoos, but also that they did not like the fact that so many Gangsters had them too, and were impossible to shoot dead. His Takrut Jappapattirach was also both infamous, and those who wore one were feared to be invincible. There was once a time when Ajarn Heng was parked in a boat on the banks of the river at Wat Cherng Lane Temple, where the Police came, and had to forbid Ajarn Heng from tattooing more, because the area was overflowing with Gangs of Highwaymen, and his tattoos were making it impossible for the police to catch them.

Ban Neng Pra Rahu Hand Carved Necromantic Skullbone Eclipse God Hand Spell Inscriptions Ajarn Heng Praiwan Detail 19

Ban Neng Pra Rahu Hand Carved Necromantic Skullbone Eclipse God Hand Spell Inscriptions Ajarn Heng Praiwan Detail 20

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Pra Somdej Kha Dto Hlang Yant Pim Jumbo Ongk Kroo 1 Silver Takrut 2512 BE - Luang Por Seng (Wat Bang Na)

Somdej Kha Dto Fang Takrut Ngern Ongk Kroo Jumbo size model early era amulet, by Luang Por Seng Jantasaro – Wat Bang Na (Pathum Thani), with triple Takrut magic spells inserted into the base. One of various models of Luang Por Seng’s amulets made, in this rare early edition series amulet. This model is the Pra Somdej Pim Kha Dto Hlang Yant Glom Votive Tablet, with sacred Yantra spell on rear face. Released in different design models (Pim, such as the Pim Kha Dto, and Pim Pra Pratan) and sizes, such as Pim Yai, Lek, and Jumbo. The amulets were released after Buddha Abhiseka Empowerment Ceremony, in the year 2512 BE. A very rare early era amulet, and attractive model, for devotees of the amulets of the Great Luang Por Seng.

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 1

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 1

This exhibit is ‘Nuea Graeng’ (hardened dry surface clay), and possesses great beauty within the features of the Muan Sarn Sacred Powder Clay Admixture, revealing immense character, and detailed relief in the details of the design of the Buddha and Dais. The ageing characteristics of this incredibly beautiful amulet, are easily recognizable, as is the authenticity of the drying and contraction of the Sacred clay over the many decades of time. The rear face has the Sacrted Yant Glom of LP Seng, with the Khom Agkhara Letters

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 24

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 2

Free Registered Air Parcel Worldwide Shipping
Free Registered Air Parcel Worldwide Shipping is Included with this Amulet

Below; A Solid Silver Takrut Nok Sariga is inserted into the base of the Pra Somdej), increasing Metta Maha Niyom great preference mercy charm, Maha Sanaeh power of attraction, Kaa Khaay selling power, and Maha Lap lucky fortunes. This model being Pim Jumbo is hence, an ‘Ongk Kroo’ Masterpiece model, with solid silver Takrut with the Sariga Mercy Charm Invocation inserted into the base. The Nok Sariga ‘Celestial Magpie’ spell, is perhaps one of the most famous and preferred animist deity spells of the Metta Maha Niyom Mercy Charm Wicha, within the Thai Buddhist amulet pantheon.

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 4

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 4

About the Sarika/Salika spell;

The Nok Sariga (or, ‘Salika’) is a Golden Tongued Heavenly Bird which is attributed with immense Metta Mahaniyom and Maha Sanaeh qualities, and is along with the Hongsa Bird, one of the Best Devas to seek assistance in ‘Jerajaa’ magic. Jerajaa means ‘Discussion’. The Golden Tongued Sariga bird enchants and charms the listeners of he who possesses the Wicha, bringing a hypnotic and charming effect, to influence and convince, making people see things your way.

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 5

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 5

The amulet is made from Nuea Pong Puttakun, with Pong Ittijae, and Pong Wan magical herbal powders. Blessed in special ceremony by the Great Luang Por Seng, at Wat Bang Na, the amulet features a Buddha Image seated upon a 3 tiered dais, above a decorative dais, with ‘Kha Dto’ (table legs) style, also sometimes called ‘Thaan Singh’, and ‘Thaan Kha Dto’, depending on the devotee. The rear face has a round Sacred Yantra embossed upon the surface, with four Sacred Khom Agkhara letters. Luang Phu Seng Jantarangsri, or lovingly known as ‘Taep Jao Chaw Raman’ (The Raman Mong Tribe Angel and Lord), of Wat Bang Na, in Amper Sam Koke in Patum Thani, was one of the Great Thai Buddhist Master Monks of the the late 24th and early 25th Century BE.

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 6

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 6

The temple of Wat Bang Na, was always a large and popular temple in Patum Thani, for there were many people whose children ordained there, and the families would visit to pay reverence and offerings almost every day. Many monks would school there, and the temple was popular for local folk from near and far to come and make merits there. But it was only when the Great Luang Por Seng arrived, that amulets were made at Wat Bang Na.

Wat Bang Na Temple Pathum Thani

Wat Bang Na Temple Pathum Thani

Before Luang Por Seng, no monk had previously made an edition of amulets. This means then, that Luang Por Seng was the Master responsible for the act of ‘Berk Dtamra’; the Opening and Beginning of a Temple Master Lineage in amulet creation and empowerment. So began the Dtamra Pra Krueang (Amulet Legend/History) of Wat Bang Na, and became immortally embedded into Thai amulet history forever.

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 8

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 8

Luang Phu Seng was also the first ever Monk of Wat Bang Na to receive Honorary status awarded from the Royal State Sangha Commission, Luang Por Seng was born in 2444 BE in the nearby vicinity of the temple of Wat Bang Na, and grew up near the temple. He never really told anybody more details than his year of birth, so this is about all that is recorded of his birth. It is also known that he was the only surviving child of a total of 7 siblings, who all died early age.

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 9

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 9

In those days, most people of the area of Wat Bang Na were farmers, many of the Raman Mong people who had come down the Mekhong from the Border Mountains. Many would farm the fields or make bricks, or would farm sugar beets. As to Luang Por Seng’s father, who was also a Raman (Mong Hilltribe) named Ju, who had come down the Mekhong in a boat, he was the owner of a small groceries and sundries shop. His Mother was also a Raman who went by the name of Khem.

Luang Phu Seng Wat Bang Na

Luang Por Seng was ordained in the year 2465 BE with Por Kroo Nantamunii of Wat Bang Luang, as his Upachaya Ordaining Officer. Luang Phu Tian, of Wat Bote, was his Pra Gamma Waajaajaarn, and Luang Phu Tat Sahulo, who was also Luang Por Seng’s Uncle, and the Abbot of Wat Bang Na, as his Pra Anusawanaajaarn witness.

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 11

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 11

Luang Por Seng mastered both the Raman language, and the Khom Pali Sanskrit Agkhara texts, and Wicha Akom (Sorcery). Luang Por would absorb as many Wicha from as many Masters as possible, and became extremely well versed in Sorcery and Khom Pali over the years, until, in the year 2486 BE, the Abbot of Wat Bang Na passed away (Marana Bhava), and Luang Por Seng was elected to become the new Abbot. He was Inaugurated as Abbot in 2487 BE by the Temple Comittee. Luang Phu Seng then conducted his duties extremely well and gave very many great Dhamma Sermons and performed great works.

Luang Por Seng Wat Bang Na Patum Thani

 

Then in the year 2489, the State Sangha Comission of Thailand elected him unofficially to the status of Abbot with all full regalia and honors. Luang Por Seng was then empowered to perform the great work of finishing the Uposadha Shrine Room building begun by his predecessor Luang Phu Tat, and developed the temple in many ways. Each year, Luang Phu Seng would adhere to the practice of spending some time performing Boriwasagam (Tudong Forest Wandering). In these times and when he was not busy with the worldly facets of temple administration, he would practice kata Akom and Sorcery Spells using his Prakam rosary to count out formulas and memorize them. He became extremely proficient over the decades with repertoire of Magical incantations.

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 13

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 13

Luang Por Seng was a meek and humble monk who did not speak much at all, and would remain in stillness and silence most of the time. He performed diligent work for the temple and practiced his own Magic during Tudong forest wandering, until at the age of 65, Luang Por Seng produced the first ever edition of amulets at Wat Bang Na. The first edition was released in 2510 BE, and was the Pra Somdej Sam Chan Buddha on a 3 tiered dais in sacred powders. Later the very same year, his first edition Monk Coin amulet, the Rian Sema Kwam’ was also released, which is now a highly sought after edition, and is very rare to find.

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 14

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 14

After the first edition in 2510 BE, Luang Phu Seng would release amulets every year without fail, right up to his passing in the year 2530 BE

The first edition Pra Somdej featured a Buddha on a 3 tiered dais, with the words ‘Pra Kroo Seng’. There were 2 versions; some models had ‘Pra Kroo Seng Jantarangsri’ embossed too. The words are embossed below the dais of the Buddha. Some of the amulets had the words embossed by the block press of the amulets, some were inscribed by the hand of Luang Por Seng by hand (Very Rare).

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 15

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 15

Luang Phu made the first edition Somdej amulets in five different colored powders; Black, Red, Green, Yellow, and White. It is said that many of the 1st edition Pra Somdej he made, have a secret Takrut Nok Sariga inside them, inserted within the amulet, as seen more visibly in subsequent editions, such as this 2512 BE series Ongk Kroo Model.

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 16

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 16

Once he had pressed the amulets and all were ready, he would then perform empowerments, and hand the amulets out distributing them to the local devotees. Many devotees wore his amulets and survived deadly accidents, and so his amulets became the talk of the folk, and they began to appear ever more rarely, as Devotees began to hunt and collect them for their own use and protection.

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 17

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 17

This began after the popularity of his first edition Pra Somdej due to the miraculous stories of survival, Luang Phu had to quickly make the second ever release of amulets, this time his first edition coin, the Rian Sema Kwam. The coin was made in three different sacred metals; Galai Tong, Galai Ngern, and Nuea Tong Daeng. The coin has a bust image of Luang Phu Seng, and the words ‘Ajarn Seng’ underneath the image on the lower part of the front face of the coin. The rear face had a Sacred Yant emblazoned on it, below which are the words ‘Wat Bang Na’, and the year of issue ‘2510’.

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 18

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 18

Up to the year 2512 BE, Luang Phu Seng performed empowerments of the amulets in solo in the Uposadha Shrine, except for the first edition coins he made, where he invited a number of monks from surrounding temples, to come and perform full Buddha Abhiseka blessing. As of 2512 BE, Luang Phu always performed full Putta Pisek (Buddha Abhiseka) ceremonies on all editions, with a full cast of Monks to perform the chanting of the Opening of the Eyes of the Buddha, making this edition the first to have multiple Master Monks empowering the amulets.

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 19

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 19

One of Luang Phu Seng’s most famous and preferred amulets, is the world famous Palad Khik Ling Jab Hlak, Vanora Monkey grabbing a phallus animist charm, and the Pra Somdej Khee Moo Buddha riding Wild Boar amulet, which was released in various years and editions/versions. The Khee Moo Pra Somdej amulets were always made with the assistance by the Devotees of Luang Phu Seng and given to him for empowerment, and is one of the most sought after of all his amulets by his extreme devotees. The Pra Somdej Khee Moo is also a preferred amulet of his Pantheon, with serious speculative amulet collectors and appreciation societies.

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 20

Devotees pay reverence to luang Phu Seng at Wat Bang Na

Another famous and highly sought after amulet of Luang Por Seng, is the Moo Tong Daeng Khiaw Dtan ‘Copper Pig with Solid Tusks’ Animist Charm Loi Ongk Statuette, made in 2521 BE, and released in 2522 BE. The legend of the Moo Tong Daeng Copper Pig with solid Tusks (not hollow – considered a Magical aspect of Kong Grapan Chadtri Magic), states that bullets shot from a gun cannot pierce the skin of a Moo Tong Daeng Khiaw Dtan. Luang Phu Seng then used this Dtamra Legend to inflect Kong Grapan Chadtri and Klaew Klaad into the amulets, and instill faith and peace of mind in their users.

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 21

picture of the Moo Tong Daeng Copper Pig amulet of Luang Phu Seng

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 22

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 22

As the Buddha Abhiseka for the Moo Tong Daeng Khiaw Dtan amulets was being performed, the Uposadha Shrine room was sealed off to the public as the monks performed their blessings and meditative empowerments. However, some devotees witnessed a sight; a Mirage of a load of boars and pigs, were seen running into the Uposadha during the ceremony. After the ceremony was over, one of the devotees entered the shrine room, and informed Luang Phu Seng of what had been witnessed. Luang Por Seng laughed, gave a smile but said nothing else.

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 23

 

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 24

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 24

After the release of the Moo Tong Daeng Khiaw Dtan amulets, they attained great popularity due to effective results with the Devotees. The amulets were made in Nuea Loha (sacred iron alloy), and was made in small and large sizes.

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 25

The left side of the body of the Boar has the words ‘Wat Bang Na Patum Thani 2521’ embossed, and the right side of the body of the boar has Khom Agkhara lettering embossed. The legs of the Boar have the four elements inscribed in Khom Sanskrit ‘Na Ma Pa Ta’.

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 27

 

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 26

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 26

In 2524, Luang Por Seng made for the first time the ‘Moo Tong Daeng Jet Hua’ – 7 Headed Boar – this was actually a Wicha Palad Khik, with 7 Palad extending out from the boars extremities; head, tail, feet (X4), sex organ. The end result was a Moo Tong Daeng Khiaw Dtan Solid Tusked Boar metallic statuette with penises on the ends of the legs, tail, head and sex organ (7 Palad Khik). Made from Nuea Tong Daeng Pasom Loha (Copper and Iron Alloy), the left side of the torso has the Year embossed (2524). Apart from this, Luang Phu Seng also released a Jumbo Size Bucha version (rare!)

 

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 28

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 28

The first edition of Moo Tong Daeng was made in a number of 2500 amulets only, making them very rare to find in the present day. They are known for powerful Klaew Klaad and Kaa Khaay Power. Lastly, one cannot speak of Luang Phu Seng without mentioning his famous Paya Krut Tong Daeng Garuda amulet. Perhaps the other most commonly seen amulet of Luang Phu Seng seen in High End Collector Club Magazines, is almost certainly the Paya Krut Garuda amulet.

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 29

Garuda amulet of LP Seng Wat Bang Na

The Paya Krut Garuda amulet of Luang Phu Seng, was blessed in Buddha Abhiseka with a further 10 Master Monks who Luang Phu Seng invited to assist in the empowerment. The Garudas were made in Nuea Tong Daeng sacred Copper Alchemical Alloy.

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 30

rear face Garuda amulet of LP Seng Wat Bang Na

The amulets were first released in 2522 BE. The rear face of Luang Phu Seng’s Paya Krut amulet has the words ‘Luang Phu Seng Wat Bang Na Patum Thani 2522’ engraved into the metal face, with Agkhara Khom Khmer Inscriptions interspersed. The amulet is now one of the most expensive and highly prized of all his pantheon of amulets.

The Paya Krut Tong Daeng had various miraculous news stories which made it popular as a Klaew Klaad and Kong Grapan Chadtri protective amulet, which has saved lives both on roads and on the ocean. The amulet is often seen in High End Collector Championships competing, and often winning not only in the Luang Phu Seng category, but also the Paya Krut category, and Loi Ongk category.

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 32

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 32

Apart from the above mentioned amulets, Luang Phu made a host of other forms of amulets including the Hanuman (In Galai Ngern and Galai Tong Daeng), then the Dtao Ruean turtle,, after which he created one set of silver and golden Hongsa Bird amulets, to remind people that Wat Bang Na, was built upon the sweat of the Raman People.

The Mong Raman (Ramen) people, are a hilltribe whose territory stretches from the Kanjanaburi district up to the borders of the Karen (Gariang Kor Ma) Horseneck tribe territory. Teir main population is within the borders of Myanmar, with a total population of 8 million, 114,000 of which are inside the borders of Thailand. Their Ethnic Origins come from Southern India.

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Image: Devotees tend to the mummified mortal remains of Luang Phu Seng

Luang Por Seng’s corpse remains miraculously undeteriorated without mummification, on show at the temple of Wat Bang Na in a glass coffin, and is prayed to by masses of devotees who visit each day, to beseech his blessings.

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 35

mummified mortal remains of Luang Phu Seng

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 36

Pra Somdej Kha Dto LP Seng Wat Bang Na Detail 36

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Roop Lor Nga Gae Jarn Mer Early Era Hand Carved Ivory Inscriptions & Authenticity Certificate Luang Phu Tim Wat Laharn Rai

Sacred Carved statuette with hand made inscriptions, from the early era (Pre 2515 BE), in carved ancient ivory from the great Luang Phu Tim Issarigo of Wat Laharn Rai, with certificate of authenticity included, issued from the Samakom Luead Ban Kaay LP Tim amulet association. This exhibit is a full standing model, measuring 7.5 Cm high x 3 Cm wide, with a depth of circa 2 Cm. The hand inscriptions of Luang Phu Tim are highly visible on the survace of the ivory image.

Roop Lor Nga Gae Jarn Mer Detail 1

The Roop Lor Nga Gae of Luang Phu Tim Issarigo, of Wat Laharn Rai is one of the rare handmade special amulets of the pantheon, highly revered by devotees of this Great Deceased Guru Monk of the Chonburi Province, and of course by collectors of talismanic carved amulets made from ivory, wood, tooth and other such sacred materials. The amulet was released to devotees during the time around the 2510 BE – 2515 BE period, from the Great Luang Phu Tim Issarigo, of Wat Laharn Rai, with certificate of Authenticity from the Luead Ban Kaay Luang Phu Tim amulet association, signed by its President Dr. Ajarn Pisek.

Roop Lor Nga Gae Jarn Mer Detail 2

This amulet is a wonderful opportunity for devotees who seek the true power of a world class amulet from a world class edition, and also a wonderful Ongk Kroo reference study exhibit to peruse under the eye loupe. The amulet is a perfect and authentic study material, to train the eyes as to the appearance of the Ivory and Surface textures of this Classic amulet of Luang Phu Tim Hence, the amulet is also a perfect ‘Ongk Kroo’ reference study material for students of the Pantheon, and will increase your chances of spotting an essential rarity, without danger of risking a fakery.

Below; Encyclopaedic Work of Luang Phu Tim Issarigo and his Amulets

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It is Said that he who has faith in and prays to Luang Phu Tim, is bound to experience success and advancement in wealth, professional status and increase happiness in life. This legend has come from the vast number of devotees, who almost all say that since they owned an amulet of Luang Phu Tim, their lives changed for the better in rapid fashion, and then continued to improve on a constant basis.This has been the case since the days of Luang Phu Tim to the present day, that owners of his amulets tend to experience noticeable improvements in all areas of life, almost without exception.

Roop Lor Nga Gae Jarn Mer Detail 4

Roop Lor Nga Gae Jarn Mer Detail 5

The amulet comes with Free Express Shipping included, & with A4 plastified photograph certificate of authenticity. Luang Phu Tim Issarigo, was of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he holds a title of the highest esteem in Thai Buddhist amulet history for his Pong Prai Kumarn powders, whose legendary power has become a worldwide phenomenon with devotees around the planet, who have experienced miraculous effects with the amulets of Luang Phu.

Roop Lor Nga Gae Jarn Mer Detail 6

Luang Phu Tim, was and remains posthumously Internationally Acclaimed, for his famous Pra Kring Chinabanchorn, his Pra Khun Phaen Pong Prai Kumarn, and Look Om powder balls. As to the classic ‘Rian’ Monk coin Image amulets which have become all time favourites, and eternally, world famous classic amulets of the high end variety. His Rian Jaroen Porn, and Rian Nakprok Paed Rorp, Rian Huang Chueam, Rian Mae Nam Koo, and Rian Sema are amongst the most highly sought after coin amulets of all.

Roop Lor Nga Gae Jarn Mer Detail 7

His Choo Chok Carved amulets and Pae Maha Lap Lucky Goats, and other animist Charms such as the Hanuman statuette and Sacred Powder Hanuman, various kinds of Takrut, Prakhan Sceptre Knives, Mitmor Knives, Pra Somdej in a variety of forms, Pra Pid Ta in many forms, Pra Nakprok Bai Makham Miniature Naga Buddhas,, Pra Sivali, Bucha Statues, Blessed Photos, Pha Yant, Palad Khik and Luang Phu’s Pong Roop Muean Sacred Powder Monk Image in Loi Ongk statuette form.

Roop Lor Nga Gae Jarn Mer Detail 8

Roop Lor Nga Gae Jarn Mer Detail 9

Other lesser known Sacred powder and hand carved amulets of LP Tim, include Ruesi (lersi), Suea (tigers), made from Walrus Tusk and Bone, Wood or Ivory, or Tooth, and Ling Gae carved Vanora Monkeys. The Pra Kring Chinabanchorn amulet of Luang Phu Tim is one of his most expensive of all amulets, and extremely rare to find.

Roop Lor Nga Gae Jarn Mer Detail 10

He has various direct lineage apprentices, Who are continuing to progress and spread his most powerful and world-famous Wicha. Of all of these masters, perhaps the most famous, preferred, is Luang Por Sakorn, of Wat Nong Grub (also now deceased).

Roop Lor Nga Gae Jarn Mer Detail 11

Ancient Classic Amulets of Luang Phu Tim (Part One)

(chant to the Triple Gem first (Namo Tassa Pakawadto Arahadto Sammaa Samputtassa) 3 times), then chant;

Idti Sukadto Arahang Putto Namo Puttaaya — Ma A U Tugkhang Anijjang Anadtaa Putto Putto

Luang Phu Tim is perhaps most famous for his Khun Phaen Prai Kumarn Amulets, which are currently experiencing a massive resurgence in popularity worldwide after recent news and discoveries, uncovering new truths which were previously hidden from the public, and are revealed in the below video wigh english subtitles..

Khun Phaen 15 Ajarn Piarn Wit Interview Part 1 Krit Confirms

Roop Lor Nga Gae Jarn Mer Detail 13


How to Pray to Thai Amulets (Chanting Kata);

How to Pray to Thai Amulets

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Gradong Paya Tao Ruean Gae Hanuman Carved Shell Hand Khom Spell Inscriptions - Unknown Sorcerer

A Sacred Blessed Paya Tao Ruean Tortoise Shell with Hand Carved Lai Thai style Hanuman, Vanora Deity in the Thai Ramakien (Ramayana) and general of the Simian soldiers of Prince Rama, the Vishnu Avatar Deity of Ramayana. This hand carved and empowered Tao Ruean shell is embellished with Ancient Khmer Sanskrit Khom Agkara hand made spell inscriptons etched into the surface, and the Head of Hanuman, carved with immensely filigrain fine details, Most certainly a highly powerful and inimitable Master-Class Occult Magical Item of the ‘Krueang Rang’ Talismanic Variety, and is a master class carving from a top artisan. The exquisitely filigrain carved details of the images of Hanuman the Albino Vanora Monkey God, has outstanding decorative Lai Thai embellishments. This carving is so visibly, finely carved, that it can only have been made by a very accomplished Master Artisan, with the highest level of prowess. I the author (Ajarn Spencer), estimate this item to be about 60-80 Years Old (written in 2022). This fits with the late Era of the Great Ajarn Heng Praiwan, which is a highly probable origin of this exhibit, although unprovable.

Gradong Paya Tao Ruean Gae Hanuman Carved Shell Hand Khom Spell Inscriptions Unknown Sorcerer Detail 1

The Tao Ruean Maha Pokasap is in itself considered to be imbued with Natural magical Power for Long Life, and Prosperity. But when such a Magical object is further empowered with the Wicha Yant Paya Tao Ruean, then the power of Maha Lap Maha Pokasap becomes immensely amplified, through the invocations which call upon the Great World Turtle, with its great compassion.

A Turtle/Toroise Yant would give long life, protection as well as riches, because tortoises and turtles live very long, have a hard shell for protection, and are considered lucky emblems. The Astrological meanings within both the Shell, and the Yant Paya Tao Ruean Spell, are also immensely powerful; It is well known that the number of lunar months are embodied in the number of plates of a turtle shell: “13 moons on Turtle’s back.” Turtle amulets have of course the special magical quality of generating long life. All achievements will come steadily, if perhaps not rapidly but surely and secure growth will be certain.

Gradong Paya Tao Ruean Gae Hanuman Carved Shell Hand Khom Spell Inscriptions Unknown Sorcerer Detail 2

The Tao Ruean, is a very special animal, for it represents the Lord Buddha in one of his past lifetimes, as he was born as a Turtle. It is recounted in the ‘Ha Roi Chati’ (500 Lives of Buddha) story. The Buddha was alive as a turtle, who lived on a desert island on top of a mountain, practicing purity and morality. The turtle grew so large to be as big as the size of a house over the years. One day some sailors were shipwrecked on his island, and began to starve. They tried to eat the Areca nuts, which are of course inedible, and then when one of them died, they trussed the dead man up and roasted him to eat his flesh for survival. But this did not feed them for long, and they began to starve again.

Gradong Paya Tao Ruean Gae Hanuman Carved Shell Hand Khom Spell Inscriptions Unknown Sorcerer Detail 3

As time passed and they got desperate and looked like they were going to begin killing each other and turn cannibal, the turtle looked down from the mountain and was filled with mercy. He thought ‘I do not have anything to give these poop humans to eat, except for my own body. May i donate my large body and its meat for these humans to survive, and may i attain Nibbana one day for this deed. The turtle then threw itself off the cliff, and fell bouncing down hitting the walls of the cliff, breaking its shell open, to land dead at the foot of the mountain on the beach in front of the sailors. The sailors then celebrated and paid respects to the great Paya Tao Ruean Turtle for his Mercy and Self Sacrifice, and survived until they were rescued by a passing ship.

Gradong Paya Tao Ruean Gae Hanuman Carved Shell Hand Khom Spell Inscriptions Unknown Sorcerer Detail 4

When the people got safely back to port and came home, they began to fashion turtles from clay or metal or carved from wood and place as an object of reverence in their homes, to pay respect and as a memorial of the Paya Tao Ruean who saved their lives, and to remind them to practice compassion, and to keep them protected from Danger, and bring them Long Life.

Gradong Paya Tao Ruean Gae Hanuman Carved Shell Hand Khom Spell Inscriptions Unknown Sorcerer Detail 5

Kata Bucha

Think of the Buddha, and all the Enlightened Buddhas of all the Three Times, in the Three Worlds, and their Great Attainments, and call upon their merits to Protect and bring you Prosperity, Health, Happiness, Wealth and Long Life. Then Chant the Maha Namasakara 3 times before the Kata for the amulet, to Revere and Invoke the Buddha first. This is necessary to perform before chanting any Kata to any Buddhist amulets.

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Kata Bucha Paya Tao Ruean

Na Ma Pa Ta Naa Sang Si Mo – Sang Si Mo Naa – Si Mo Naa Sang – Mo Naa Sang Si – Na U Ta Ga Mae Ma A U – A

Gradong Paya Tao Ruean Gae Hanuman Carved Shell Hand Khom Spell Inscriptions Unknown Sorcerer Detail 6

The turtle is also a very meaningful Spiritual Symbol in many other Cultures of the World, such as the American Indian Belief system; Many Eastern North American aboriginal peoples tell how Sky Woman, Atanaesic, fell from heaven to land on the back of Turtle. Water-divers like Otter, Beaver and Muskrat tried to bring up mud to form the earth. Traditions vary as to which one was successful. Sky Woman dies there, giving birth to her twins who embody the principles of Good and Evil. The Buddha used a sea turtle to illustrate the precious rarity of opportunity afforded by our human birth. The turtle example appears in the scripture called in Pali, the Chiggala Sutta that is classified as LVI.48 of the Samyutta Nikaya. It is a metaphor known in English as The Hole:

  • “Monks, suppose that this great earth were totally covered with water, and a man were to toss a yoke with a single hole there. A wind from the east would push it west, a wind from the west would push it east. A wind from the north would push it south, a wind from the south would push it north. And suppose a blind turtle were there. It would come to the surface once every one hundred years. Now what do you think – Would that blind turtle, coming to the surface once every one hundred years, stick his neck into the yoke with a single hole?”
  • “It would be a sheer coincidence, Lord, that the blind turtle, coming to the surface once every one hundred years, would stick his neck into the yoke with a single hole.”
  • “It’s likewise a sheer coincidence that one obtains the human state.
  • It’s likewise a sheer coincidence that a Tathagata, worthy and rightly self-awakened, arises in the world.
  • It’s likewise a sheer coincidence that doctrine and discipline expounded by a Tathagata appears in the world.
  • Now, this human state has been obtained. A Tathagata, worthy and rightly self-awakened, has arisen in the world. A doctrine and discipline expounded by a Tathagata appears in the world.
  • “Therefore your duty is the contemplation: `This is stress (Suffering) . . . . This is the origination of stress . . . . This is the cessation of stress . . . . This is the path of practice leading to the cessation of stress (Suffering).”

Gradong Paya Tao Ruean Gae Hanuman Carved Shell Hand Khom Spell Inscriptions Unknown Sorcerer Detail 7

Wicha Yant Paya Tao Ruean (Dtao Luean)

The Yant Paya Tao Ruean spell has so many different applications; you can inscribe it on a cake of Talc face powder/foundation, and use to powder your face with; People will feel pleased to see you, and you will be protected from people becoming unfriendly to you; even if your Boss at work is extremely angry with you, his anger will disappear immediately.

Gradong Paya Tao Ruean Gae Hanuman Carved Shell Hand Khom Spell Inscriptions Unknown Sorcerer Detail 8

  • Use it to powder your face before entering a Court Case, and Your opponent will be silenced. Inscribe the name of the Person desired to be affected by the yant in the place where the letter “Pu” is (The centre square) write the person’s name first, then the letter “PU” on top of it.
  • If you wish to use this Yant to help you in an Exhibition/competition, inscribe the Yant on a sugar palm leaf along with the name of the targeted person. Place the yant under running water (such as a stream, fountain etc).Our opponent will be useless against us.
  • Another application is as a love charm; Inscribe the Yant on a sugar palm leaf along with the name of targeted person. Use the leaf to roll a cigarette with, blow the smoke towards the person we wish to lure, and they will fall in love with us.
  • If there is a matter to be solved inscribe Yant Paya Tao Ruean on candle paper (sai tien) and write the name of the other person/people involved, plus the name of the matter to be solved (write all over the Yant). Use the paper to wrap a candle with and light it:- Chant the kata until the candle goes out, take the ash residue from the candle and mix it together with some cooked rice (using your hand) – make 3 cakes out of it.
  • Give the rice to dogs to eat and chant the following:-

Ta Hmaa Pood Dai; Hai Man Wa Kwam Chana Gae Rao – Ta Hmaa Pood Midai Ya Hai Man Wa Kwam Chana Rao Dai Ley

The Kata means; “If the dog can speak – let him speak out against us and win – if the dog can’t speak – forbid him to speak out against us and win”. Then take your foot and tap the dog’s mouth 3 times, whilst saying; “A” (3 times = “A, A, A”).

Kata Paya Tao Ruean
  • Chant the “A” Syllable three times whilst sewing.
  • Pierce the catfish with a skewer and roast it on a grill fire whilst chanting the following;

Pla Nan Pen Yang Rai, Khor Hai Man Pen Yang Nan Terd.

Gradong Paya Tao Ruean Gae Hanuman Carved Shell Hand Khom Spell Inscriptions Unknown Sorcerer Detail 9

  • Once the fish is roasted, give it to a dog to eat.You can give the dog one fish a day for three days and your problem will disappear. If your employer is angry with you; Inscribe the Yant on candle wrapping (thin paper) along with your employer’s name. Soak it in perfumed oil and light the candle in the same manner as one does when praying to Buddha. The person targeted will be unable to be angry with us.
  • If someone is making accusations (legal for example), take the yant on paper and a “Khong” seashell (a kind of clam). close the lid of the clam again, and for Paya Dtao Luean/Ruean. Your accuser will be powerless to speak out against us. If you are competing in an exhibition or test or competition of some kind, inscribe Yant Paya Dtao Ruean on a sugar palm leaf.
  • If it is a very serious matter to be dealt with; inscribe the Yant on paper along with the name of the other person involved. Roll the Yant up and stuff it in the mouth of a “Pla Duk” (Catfish), take the hair of a corpse who died a violent death or drowning and use it to sew up the mouth of the catfish (use exactly three stitches to sew it up).

Gradong Paya Tao Ruean Gae Hanuman Carved Shell Hand Khom Spell Inscriptions Unknown Sorcerer Detail 10

  • Inscribe the name of Your competitor in the middle and the letter Pu in Khom on top of it. Place the Yant under running water (a brook, stream or waterfall for example). As the water flows offer the Leaf, our competitor will become weak and powerless. Can also be inscribed on a Banana leaf, rolled up into a cigarette using “Yaa Sen” (a thai tobacco alternative). Light the cigarette and blow the smoke towards the person we wish to charm; they will fall in love with us increasingly.
  • Please take heed that if you use a love charm on somebody and it works, there is a very strict rule you have to follow; namely that if the spell works you must never break up with him/her! If you make them love you they will be unable to live without you. Throwing that person away may lead to them killing themselves, or at least undergoing pain and sadness, more than the normal level that humans can usually withstand! So please be very considerate towards your newly gained lover if you use this kind of spell. abuse of a love spell on a person will bring you extremely bad Karma.

 

Kata Chants for Praying to Hanuman

The Hanuman Deity brings not only Invincibility and Protection, Charm and Victory, but also induces Lucky Fortunes for Serm Yos (Promotion of Status), and Increase in Intelligence and Fast-Wittedness. Hanuman will protect against evil, and prevent wealth loss, as well as attracting prosperity, and bring peacefulness to the household. Empowered with the powers and qualities of the great Vanora God Hanuman, to bring success in one’s endeavors, and with the protective Klaew Klaad and Wealth attracting Ud Sap Magic. Imbued with mercy charm, the Hanuman amulet is also reputed to subdue enemies, and increase popularity.

Gradong Paya Tao Ruean Gae Hanuman Carved Shell Hand Khom Spell Inscriptions Unknown Sorcerer Detail 11

The Hanuman Vanora Monkey General God was a Denizen of the HImapant Forest, the son of the God Vayu (God of the Wind), and Nang Lady Swaaha, and has appeared in a multitude of Thai Buddhist and vedic Myths and Legends, including the Ramayana, The story of Ruesi Kotama (Lersi Kodom) and how his uncles Paya Pali and Chompoopan were turned into monkeys, and the Thai Ramakien Epic. His great Metta as well as his Loyalty and Bravery is always revealed in the legends, as well as the fact that he was immortal, as whenever he was killed, and the wind blew upon him, he would be brought back to Life, by the Breath of his Father Vayu the God of the Wind, Vayu. The Hanuman Vanora God is featured both in ancient Vedic literature, as well as in the Cosmological Pantheonon of Gods, as an Animist Deity from Vedic Lore that has been an integral part of Thai Buddhist People’s belief since the advent of Buddhism.

Gradong Paya Tao Ruean Gae Hanuman Carved Shell Hand Khom Spell Inscriptions Unknown Sorcerer Detail 12

Kata Pluk Hanuman

Na Mang Pae Ling Mo Mang Bpaag Grabork Ya Mi Hai Ork Udtang To Ud Tang Ad Asang Wisulo Busapupa Ma A U Om Ya Puttaa Tayo Sadtrii Nisangho

Kata Sri Hanuman (Brahman)

Maruta Nandana Namo Namaha Kashta Bhanjana Namo Namaha Asura Nikandana Namo Namaha Shri Rama Dhuutang Namo Namaha

Gradong Paya Tao Ruean Gae Hanuman Carved Shell Hand Khom Spell Inscriptions Unknown Sorcerer Detail 13

Kata Hanuman

Na Ma Pa Ta Hanumaana Waa To No A Ma Ma Wa

Kata Hua Jai Hanuman (Heart Mantra)

Ha Nu Maa Na (3 times)

There are a multitude of different specialized Kata for chanting to the Hanuman Deity in Thai Buddha Magic. Each Kata can be used for your different needs or time available.The Hanuman Deity brings not only Invincibility, Charm and Victory, but also induces Lucky Fortunes for Serm Yos (Promotion of Status), and Increase in Intelligence and Fast-Wittedness. Hanuman is the symbol of Loyalty, for his unwavering dedication and selfless service to Prince Rama as told in the Ramayana. He is charming, super strong, invincible, cannot die, wily and clever, and is the commander of all the Vanora Devas as their General.

Kata Hanuman Kluk Fun Kicking Up Dust Spell for Muay Thai Warriors

Hanuman can not only protect from dangers, black magic and ill fate, he can also bring winners luck to gambling tables, is an able seducer of maidens and nymphs, and is more or less a winner in every walk of life. His strength is immense and second to no God, for which reason he is the mascot and revered Deithy of Muay Thai Warriors, who call upon the power of Hanuman to defeat their contestants and opponents in battle in the ring. The Winning Power of Hanuman, will clear the way of difficulties, whilst making all ventures successful.

Gradong Paya Tao Ruean Gae Hanuman Carved Shell Hand Khom Spell Inscriptions Unknown Sorcerer Detail 14

This item can only be stated as ‘Unknown Master’ because such Talismanic Bucha Occult Items are very individualistic, one-off, or if more than one made, each individual exhibit is always so different, that is is truly difficult to prove the origins. However, if i were to make an educated guess, i would recognize this Artisan’s work as probably having been carved by one of the Artisans of the Bangkok Ministry of Buddhist Arts, and most probably an Artisan of the Ayuttaya Region, judging from previous acquired items of similar style, which i know the origins of, being Ayuttaya. The similarity with this exhibit is so alike, that i wold assume this Paya Tao Ruean Bucha to be most probably from the Ancient Ayuttaya Lay Master, Ajarn Heng Praiwan. However, this is hard to prove, except that the inscriptions seem identical to those of Ajarn Heng. However, many of Ajarn Heng’s carved amulets were not of such fine quality Artisanry, except for a few of his most impressive exhibits. This leaves hence an element of uncertainty in my mind.

Gradong Paya Tao Ruean Gae Hanuman Carved Shell Hand Khom Spell Inscriptions Unknown Sorcerer Detail 15

What I am most certain of however, is the fact that to obtain the shell, create the carving, inscribe and empower the Tao Ruen, is such a tedious procedure, and tiring in the performing of the Paya Ta Ruean Magic Spell and Ritual Empowerment, that it can only have been made by an Adept Sorcerer of the Highest Level. An extremely rare, and exquisitely beautiful carving, that is among the finest one could encounter. Carvings of this level of fine detail, adherent to the ancient rules of Lai Thai Ramakien Thai fine line art traditional design, are in themself, even when not powerfully blessed by great Masters (which this exhibit most definitely has been), also a piece of historical and cultural religious art, that is of the museum curation level.

Gradong Paya Tao Ruean Gae Hanuman Carved Shell Hand Khom Spell Inscriptions Unknown Sorcerer Detail 16

Gradong Paya Tao Ruean Gae Hanuman Carved Shell Hand Khom Spell Inscriptions Unknown Sorcerer Detail 17


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Takrut Sangwal Luang Por Derm Wat Nong Po

Takrut Sangwal Hok Dork Wicha Pla Tapian composed of five hand inscribed Takrut Tone Tong Daeng, bound as a cord , from LP Derm Wat Nong Po, with highly unusual folded origami Takrut Foil Yantra spells in the form of Tapian Fish for good business and wealth, connecting the Takrut, and Metallic Met Prakam Rosary beads interspersed.

An Immense rarity to see from the Great Luang Por Derm of Wat Nong Po.The discoloration of the copper of the Takrut, the connecting segments, and the worn look of the cord from passage of time, reveals the authenticity, and true age of the amulet. This exhibit easily reaches the Era of Luang Por Derm’s Early-Mid Era, and is truly ancient.

Takrut Sangwal Luang Por Derm Detail 1

Free Fed-Ex/DHL Worldwide Registered Express Airmail Shipping is included with this amulet. This is an amulet that will not have been made in mass, and is hand inscribed, and blessed by Luang Por Derm. Luang Por Derm blessed and empowered a great many different kinds of Talismanic Charms, and was very famous for his carved wood and ivory, and tooth amulets, for example his world famous ‘Singh Sam Khwan’ carved Himapant Lion amulets. This Sangwal takrut is one of the rarest items to encounter, especially in such beautiful condition, balanced composition, and honed with such fine artisanry. The Sangwal takrut Luang Por Derm is found in various forms, often with Pla Tapian Lucky Barbfish Attached, or other animist charms.

Takrut Sangwal Luang Por Derm Detail 2

Luang Por Derm began to release these Takrut necklaces in the year 2457 BE, after he was nominated for a raise iin status. One thing to note about these Takrut, is that Luang Por Derm would adhere to the principle of ‘if the takrut are in Tong Daeng Copper, then all components of the takrut were also in copper. If silver, then all components should be in silver’. Meaning, that authentic Sangwal Takrut Luang Por Derm will have the Takrut and the connecting yantra foils made from the same material.

This exhibit has a 5 Takrut in Sacred Copper, with the hand inscription of the 5 Dhyani Buddha Yantra spell by Luang Por Derm. This Takrut is from mere naked eyesight easily authenticated for its obvious maker The Takrut are empowered to bring Protection, Evade Dangers, Commanding Power, Anti Black Magick, Good Karma, Increase Status, Remove Obstacles, and the Pla Tapian Entice Financial Business and Professional Success, Job Promotion, and Wage Rises.

Takrut Sangwal Luang Por Derm Detail 3

About Pla Tapian

Pla Tapian is a Sacred Fish that appears in Vedic legends. Pla Tapian are seen as very lucky fish and are related to a story about the Sacred bird Nok Garawaek, in a story where the Ruesi in the Deva world sent a Garawaek bird to retrieve a magical tome from a Pla Tapian fish. Pla Tapian have been used as lucky charms since centures by both Thai and Chinese people.

Kata Pla Tapian

Sappae Chanaa Pahu Chanaa Prahma Sivang Namaa Mi Hang Ehi Jidtang Biyang Ma Ma

This is a great and also very widespread Kata to be used for Metta Mahaniyom and Choke Laap purposes. It is Brahmin Origin and calls upon Lord Brahma and Lord Shiva to make all people wish to come and buy goods from you, as well as bring great fortunes luck and popularity to you. Takrut and Yant Pla Tapian is also an invoked spell that invites the presence of the Tapian fish (a legendary Bodhisattva like entity from Vedic legend) to be present in the Yant.

Kata for chanting when making food offerings to the Pla Tapian;

Sappae Chanaa Pahu Chanaa Biyaa Yandti Aakaj ChaeyaAakaj Chaahi Aehi Aehi Jadt Dtang Bpiyang Ma Ma

The Great Luang Por Derm was Born on Wednesday 6 February 2403 BE and Died on Tuesday 22 June 2494 BE. He was one of the Greatest Masters of Thai Buddhist History, whose amulets, and famous ‘Mitmor’ ritual spirit knives are legendary around the whole wide world, for their authentic power, and Master Class Status. The Wicha of Luang Por Derm is continued to this day through his Looksit of the various Master Lineages.

Takrut Sangwal Luang Por Derm Detail 4

 

HIs carved ivory, and wooden amulets are rare items, for they were made by individual Artisans who were Initiated and had received the Wicha, and ‘Korb Kroo’ Ritual Empowerment as permission from Luang Por Derm himself. Only such Lineage Master Initiates were allowed to perform carving or knife forging for Luang Por Derm, and even to this day after his passing, all the Posthumous Editions of amulets which derive from Masters who are Initiates of Luang Por Derm, must use only amulets and Artisanry which has been made by an Initiated Artisan.

Takrut Sangwal Luang Por Derm Detail 5

This great Master and Abbot of Wat Nong Po, is believed to have chosen to be born on Earth in the village of Nong Po, to lighten the sufferings of Buddhist People, and to bestow them with Blessings to lead them on their way towards Happiness, and Alleviate their Sufferings, and Poverty. Legend tells that Luang Por Derm is believed to have been born once before with the same parents in Nong Po Village, but he died at an early age. The mother and father were so sad, and at the burial, it is said that they took a ritual knife, and made some marks on the feet of the corpse of the child.

Takrut Sangwal Luang Por Derm Detail 6

They prayed for the child to be reborn with them, and that if this miracle would truly happen, that the newborn return of the child, would be marked on the feet with these marks. It is said that when Luang Por Derm was born, that he had the very same lines marking his feet, exactly where his parents had made marks on the feet of their deceased son. It is hence believed that this was the first Miracle of Luang Por Derm.

Takrut Sangwal Luang Por Derm Detail 7

Luang Por Derm did not study much at school during his childhood, but after he ordained into the Sangha as a Buddhist Monk, he gave intense efforts and great interest to learn Bariyatti Dhamma (Theoretical Dhamma) with Luang Por Chom the then Abbot of Wat Nong Po at that time. He never stopped practicing and studying the various aspects of Dhamma Practice, Vinaya, Wicha Akom (Sorcery) and Lekh Yant Agkhara Khom, which He studied with Nai Pan Choo Pan, who was an Adept Sorceror who was resident within the enclave of Wat Nong Po Temple.

Takrut Sangwal Luang Por Derm Detail 8

 

Nai Pan was a direct looksit of Luang Por Tao of Wat Nong Po who was an ancient Master Sorceror and Abbot of Wat Nong Po. He studied for seven years with this Master Sorceror, until his passing.. When his teacher Nai Pan passed away, Luang Por Derm then continued to practice and study Wicha with Luang Por Mee at Wat Bang Bon, another temple of the district in Nakorn Sawan, where he remained for a period of 2 Years. He also learned Tripitaka with Luang Por Num of Wat Khao Tong.

 

He also learned with Ajarn Yaem (a Lay Master who was Genius at both Dhamma Sermon Giving, and Wicha Akom). Luang Por Derm learned how to Preach Dharma, until he became an expert Preacher of Dhamma, and became recognized for his Immense Ability to interpret the difficult Dhamma Lessons and simplify them to explain to the Local Folk. Devotees would beseech him from all around the Province to come and Preach Dhamma to them.

Below; Hand Folded Origami Style Yantra Foil with Inscriptions are used as one of the connecting segments of the six Takrut Tone Tong Daeng on the Sangwal Necklace.

Takrut Sangwal Luang Por Derm Detail 9

 

Luang Por spent many years performing Preachings. until one day he stopped, and said that every time he would go to tell others how to practice, and they wold give donations, that he thought it would be better to stop, and focus on teaching himself. he would send his apprentices who had learned well from him in his stead, and retired from this practice sometime around his eleventh year of ordination. he then focused on developing Vipassana Kammathana methods of self transformation, and dedicated himself extrememly diligently to develop the causes of enlightenment (Arahantship). he became famous for his ability to sit erect for many many hours, beyond the ability of other Masters.

Takrut Sangwal Luang Por Derm Detail 10

 

It was here that Luang Por’s ability in Wicha Akom began to ascend to a very high level, and his magical abilities began to take form and become extremely powerful.The fruits of his practice and studies which began with Nai Pan, and the many Kroo Ba Ajarn who had passed Wicha on to him flourished.

Below; The Sacred Inscriptions of Luang Por Derm are visible on the Takrut

 

Takrut Sangwal Luang Por Derm Detail 11

Luang Por still continued throughout this time to study with many other Masters, most of whose names are not known, for Luang Por Derm never really told others about his secret Masters, nor did he brag about the things he had learned and the places he went too learื them. It is however known that Luang Por did learn intensive Wicha Akom Saiyawaet with Luang Por Saban and Luang Por Taes of Wat Sap Tale, and Luang Por Wat Khao Nor.

Takrut Sangwal Luang Por Derm Detail 12

The amulets of Luang Por Derm are far and few between to be found, for indeed the many devotees of Luang Por derm, are never prone to part with their amulets, which are highly revered as Buddhanussati Remembrance of the Great Master, and considered irreplaceabble for their Great Magical Power to Protect from Danger, Evade Hardships, and Nurture Success in LIfe’s Undertakings.

Takrut Sangwal Luang Por Derm Detail 13


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Luang Phu Khaw Analayo 2520 BE Rian Roop Muean

Rian Roop Muean L.P. Khaw Anālayō, in Nuea Tong Daeng 2520, a Classic and rare sacred Guru Monk Amulet from one of the Great Arya Sangha Tudong Forest Monks of the Eastern Province of Udorn Thani. Released in the year 2520 BE. The front face of the amulet features the image of Luang Phu Khaw of Wat Tham Gong Plae, in ‘Kreung Ongk’ Half Torso Cameo form.

Luang Phu Khaw Analayo 2520 BE Rian Roop Muean

The rear face of the amulet has the Sacred Khom Agkhara Kata ‘Isawāsu Isawāsu Isawāsu – Idtipisō Wi Sē Sē I – I Mē Nang Puttadtang Sē I – I Sō Dtang Putta Bpi Dti I’, with the Dharma Chakra Wheel, with a Chalice beneath, with the name of the temple of Wat Tham Gong Plae, the Name of Luang Phu Khaw Anālayo, the Year ‘2520’ and the name of the Province of Udorn Thani embossed on the lower section of the amulet.

Luang Phu Khaw Analayo 2520 BE Rian Roop Muean

Luang Phu Khaw Analayo of Wat Tham Glong Plae, in Nong Bua Lampoo, was a Gaeji Ajarn Master Monk of the Dhammayut Lineage of Ajarn Mun Puratto, who was highly revered and known for his Adept Mastery of Vipassana Kammathana Mindfulness Practice.

Luang Phu Khaw Analayo 2520 BE Rian Roop Muean

He was a Master of the same Generation as the Great Luang Phu Waen Sujjino, and the Inimitable Luang Phu Doon. He is said to be an Arya Sangha who reached a High Stage of Enlightenment.He is known to have been highly acclaimed and respected by the Great Luang Por Ajarn Maha Bua.

Luang Phu Khaw Analayo 2520 BE Rian Roop Muean

Luang Phu Khaw’s mortal remains turned into crystallised relics, which is considered to be a sign of having become Enlightened Being. Luang Phu Khaw Analayo was born on the 28th December in the Year 2431 B.E. in Ban Bor Khaneng, in Tambon Nong Gaew, in Ampher Amnaj Jaroen, in Udorn Thani Province. He was Ordained on the 2nd of May 2462 BE at Wat Po Sri, in Ban Bor Khaneng.

Luang Phu Khaw Analayo 2520 BE Rian Roop Muean

His Upachaya (Ordaining Officer) was Pra Kroo Puttisak, the Bishop of Amnaj Jaroen, and Pra Ajarn Bun Jantr was his Pra Gammawājājarn (Prompting Officer). Luang Phu Khaw remained thereafter at Wat Po Sri for a further 6 Years, after which he left to travel on Tudong Solitary Forest Wandering.

Luang Phu Khaw Analayo 2520 BE Rian Roop Muean

It was here that Luang Phu Khaw met and asked to study and practice under the Great Arahant Luang Phu Mun Puratto. Luang Phu Khawwas always intensely attracted to the practice of Vipassana Kammathana, and due to this interest, he also travelled onwards to Thonburi to the temple of Wat Plab, which was famous for its Advanced methods of Kammathana Vipassana.

Luang Phu Khaw Analayo 2520 BE Rian Roop Muean

It was here that Luang Phu Khaw got the chance to learn Wicha with the Great Pra Sangkawara Luang Por Chum, maker of the famous Nam Tao Gan Fai Magic Gourd (known for its ability to prevent fires). The temple of Wat Plab has records in its written history annals of Luang Phu Khaw appearing to practice there, which confirms the truth of this.

Luang Phu Khaw Analayo 2520 BE Rian Roop Muean

Luang Phu Khaw was also one of the few great Monks who was revered and often visited by His Majesty the King. Luang Phu Khaw passed away on Monday the 16th May 2526 BE at Wat Tham Gong Plae at the age of 94 Years, 4 Months and 18 Days Old in his 57th Year of Ordained life.

Luang Phu Khaw Analayo 2520 BE Rian Roop Muean

How to Pray to Thai Amulets

Luang Phu Khaw Analayo 2520 BE Rian Roop Muean

Luang Phu Khaw Analayo 2520 BE Rian Roop Muean

Luang Phu Khaw Analayo 2520 BE Rian Roop Muean

Luang Phu Khaw Analayo 2520 BE Rian Roop Muean

Luang Phu Khaw Analayo 2520 BE Rian Roop Muean


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Rian Yord Khun Pol 2516 BE Nuea Tong Daeng Rom Dam 5000 Made Luang Por Chaem Wat Don Yai Horm Featured

A rare limited edition early era amulet, the Rian Yord Khun Pol Buddha Image coin, in Nuea Tong Daeng Rom Dam, with Solid Gold Casing included, from the Great Luang Por Chaem Thanussago of Wat Don Yai Horm. Only 5000 of these amulets were ever made in this edition, making this amulet a very rare acquisition to find indeed, so many years after its release. The amulets of Luang Por Chaem, are known as powerful Metta Mercy Charm, Serm Duang Karma Improvement, Serm Yos Promotion, Kong Grapan Chadtri Klaew Klaad protection, and Maha Amnaj commanding power and influence. A classic amulet, from the Wat Don Yai Horm Lineage Master, Luang Por Chaem, inheritor of the Wicha of Luang Por Ngern (Wat Don Yai Horm). Empowered with the famous Kong Grapan Chadtri, Metta Maha Lap Magick of a true Lineage Master of One of Thailand’s Most Revered and Respected Temples, who has attained equal fame and popularity as his foregoer and Kroo Ba Ajarn Luang Por Ngern himself, which is most certainly a sign of his great Merits as a Guru Monk.

 

The Rian Yord Khun Pol amulet was released in 2516 BE, with only 500 amulets made, making this a very rare editon indeed. On the rear face is the Yant Nam Tao Gourd Yantra. The Rian Yord Khun Pol received two separate Putta Pisek Blessing Ceremonies. The first blessing ceremony was made at Wat Rai Khing, with many great monks present to empower and bless the amulets. Among the monks present werel Luang Phu To, of Wat Prado Chimplee, Luang Por Te (Wat Sam Ngam), the Kroo Ba Ajarn of LP Chaem, and still aboot of Wat Don Yai Horm; Luang Por Ngern, who was still alive at the time, Luang Por Perm of Wat San Paetch, Luang Por Lek, of Wat Nong Din Daeng, Luang POr Phon, of Wat Tian Dtad, Luang Por Tong Yoo (Wat Nong Mai Pa-Ong), Luang Por Sud (Wat Ka Long), among many other famous names.

 

It is believed by the devotees of LP Chaem, that he had achieved Dtecho Kasin (Fire Kasina elemental control) and varous forms of Abhinya Powers. He was very renowned for his Metta Maha Niyom Magic and Nam Mont Holy Water Blessings, as well as his powerful Takrut Kong Grapan, and the lineage Wicha amulets of Wat Don Yai Horm. It is said that 9th December 2536 BE, LP Chaem asked the temple checked by devotees to see if any debts remained for the temple, and if any reparations were needed? Once it was confirmed that the temple had neither debts, nor was in need of any restorations, Luang Por Chaem went to his Kuti for the evening, closed the door, and was not seen to emerge again.

 

The devotees later found that Luang Por had passed away laying in the Sayasana Posture (passing into Nibbana), and was found laying peacefully in his side. Devotees to this very day believe that Luang Por Chaem died wilfully knowing that his work was over, and that he had made the temple fully restored and without debts. He is hence considered to be a worker of Miracles, and an ascended master by his devotees.

 

Luang Por Chaem was the Abbot of Wat Don Yai Horm, after the Great Luang Por Ngern. Luang Por Chaem became abbot in 2520 BE after the passing of Luang Por Ngern. He was born in the year 2449 BE on the 16th March. After becoming Abbot of Wat Don Yai Horm in 2520 BE, he raised funds to perform Merits and Restoration buildings at the temple until the day of his passing on the 9th of December 2536 BE, at the age of 87 years Old.

LP Chaem was extremely famous for his powerful Takrut and Monk Coin amulets, Pra Pong (Muan Sarn Sacred Powder amulets), and Pha Yant, of which he made a large pantheon over the years to raise funds for the temple.

 

This Takrut was made during the early Era of Luang Por Chaem’s trajectory, estimated around the year 2517-2518 BE. He made many talismans and charms, not all of which are documented in the official temple releases, for of course, he would also make individual amulets for his closest Looksit to Bucha. The Takrut Tone Long Rak Pid Tong is however included in the ‘Dtamniap Wadtumongkol’ Official listings of his amulets. Because he would make this kind of amulet throughout his trajectory, there is not official date registered in the Dtamniap, as is the case with his limited edition coins, which are more accurately documented.

 

Amulets of Luang Por Chaem

The amulets of Luang Por Chaem are officially catalogued split into three different Eras, the ‘Yuk Dton (early Era), Yuk Klang (Middle Era) and Yuk Play (late Era).

His officially recorded trajectory as an Amulet maker began in the year 2513, before he became Abbot, which is catalogued as the ‘Yuk Dton’ early Era, which spans the time period between 2513 BE, and 2519 BE. In this period he made the following editions;

Yuk Dton Amulets (2513 BE – 2519 BE)

  1. Pra Somdej Run Raek First Edition which was released on the 12th September 2513, with 5 different models made.
  2. Pra Pid Ta Maha Lap Nuea Pong Sacred Powder Amulet in the year 2514 BE
  3. Rian Roop Khai Run Raek Dtok Code ๖๗ Guru Monk Coin (oval shape) with code 67 Stamp in the year 2515 BE which were blessed for a period of one whole year, in various Sacred metals, namely; Nuea Samrit (21 coins made), Nuea Tong Daeng (1800 coins made) with two different block presses used to make two different ‘Pim’ (models), the Pim Kor L (L shaped neck), and the Pim Kor Dtrong (straight neck)
  4. Rian Yord Khun Pol amulet 2516 BE
  5. First Edition Rian Roop Khai Sorng Hnaa 2 sided amulet 2516 BE with the Thai number 1 (๑) code stamp on the side which had Luang Por Chaem’s face on it
  6. First Edition Rian Sema Lek shield shaped coin amulet 2516 BE with the Thai number 1 (๑) code stamp on the side which had Luang Por Chaem’s face on it
  7. Rian Roop Khai Huang Chueam coin amulet with soldered pendant hoop 2517 BE
  8. Rian Roop Muean Cameo Coin 2519 BE

Yuk Klang Amulets (2520 BE – 2527 BE)

The middle era amulets began to take on a large Public Interest, as the Devotees of Wat Don Yai Hormhad gathered a large quantity of Sacred Muan Sarn Sacred Powders and Chanuan Sacred Metallic substances from Great Guru masters around Thailand to donate to Luang Por Chaem for the making of amulets to smelt into Sacred Alchemical Chanuan Muan Sarn Substances for the making of Luang Por Chaem’s next editions;

  1. Pra Roop Lor Boran 1st Edition Statuette 2521 BE
  2. Pra Pid Ta Maha Ud Yant Yung Nuea Rae 1st Edition closed eyes Buddha amulet in Sacred Mineral Kayasiddhi substance 2521 BE
  3. Rian Lor Hoo Nai Dtua with one piece pendant ring (not soldered) pendant hoop 1st Edition 2522 BE
  4. Pra Pid Ta Nam Tao Gourd Shaped Buddha amulet 2524 BE
  5. Pra Pid ta Song Serd Chee Bo 1st Edition amulet 2524 BE
  6. Pra Kring Yord Khun Pol amulet 2526 BE
  7. Pra Bua Khem (Upakut) amulet 2526 BE first edition
  8. Pra Pid Ta Nuea Pong Kluk rak lacquer covered powder closed eyes Buddha amulet 2526 BE
  9. Pra Kring Arahang Buddha Statuette amulet 2526 BE
  10. Pra Chayawat 1st Edition amulet 2526 BE
  11. Rian Lor Pra Jao Ha Pra Ongk 5 Dhyani Buddhas amulet 2526 BE
  12. Pra Kring Takataen Buddha Statuette amulet 2527 BE
  13. Rian Lor Han Khang sideways facing Monk Cameo coin amulet with Thai number Code 77 (๗๗) 2527 BE
  14. Pra Mongkol Jakrawal Nuea Samrit bronze amulet 2527 BE
  15. Pra Pid Ta Pong Metta closed eyes Buddha amulet 2527 BE

Yuk Play (2528 BE – 2536 BE)

  1. Pra Roop Lor Gon Dtok Pim Niyom 2529 BE
  2. Pra Roop Muean Bpam statuette 2535 BE
  3. Rian Run Sang Rong Payaban Nakorn Pathom amulet from the Nakorn Pathom Hospital Building Fund Edition 2535 BE
  4. Rian Lor Kor Nam Tao Gourd Neck coin amulet 2536 BE
  5. Rian Lor Hnaa Suea Tiger face amulet 2536 BE
  6. Rian Lor Jao Sua Millionaire amulet 2536 BE
  7. Rian Lor Pim Tawarn Yern amulet 2536 BE
  8. Rian Luang Por Chaem Bucha Kun Luang Ah amulet 2536 BE (reverence to the Upachaya Kong Monk of Wat Bang Gaporm)
  9. Pra Pid Ta Nuea Rae 2nd edition closed eyes Buddha amulet 2536 BE

Apart from these amulets of course, a host of subdivisions of amulets were released with each edition, such as Takrut, Pha Yant, sacred powder amulets, cast metallic and hand carved images and other items.

 

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Kanha Jali Pim Lek Hua Gleung Niyom 2491 Blessings by Luang Por Chaeng, Luang Por Jong, Luang Por Chuan, and Luang Por Phueak, Featured

Kanha Jali Loi Ongk Sattuette,’Pim Hua Gleung Niyom’ (preferred pointed head model), in smaller Pim Lek version, released 2491 BE with Blessings by Luang Por Chaeng, Luang Por Jong, Luang Por Chuan, and Luang Por Phueak, of Wat Molee. The Kanha-Jali amulet (Ganha-Chali), is in the form of Prince Jali and Princess Kanha as children, embracing each other shoulder to shoulder.

The image radiates the potent energy of Metta Maha Niyom Mercy Charm. Kanha and Jali were born to the Royal Prince Vessantara (a previous life of the Buddha), and their story, is to reveal the profound generosity and sacrifices made by the Buddha, on the path to enlightenment.This amulet, is usually catalogued within the pantheon of amulets of LP Chaeng, despite the collaborative ceremony.

The story of Prince Vessantara’s last incarnation plays a significant role in the Wicha for this amulet, Thai Buddhism. In this tale, Jali and Kanha, were the son and daughter of Prince Vessantara and Queen Maddi. Eventually, the generous Prince Vessantara gives away his children to the Brahmin Jujaka as part of his ultimate act of generosity before attaining Buddhahood.

In the tale of Vessantara, part of Buddhism’s revered Jataka stories, Kanha and Jali play a central role in their father’s pursuit of Dhāna Paramī—the tenth and culminating perfection required for attaining Buddhahood. Their father faced the challenging decision of giving away his own family to the greedy Beggar Jujaka, (‘Choo Chok‘ in Thai). Jujaka, a Brahmin from a distant village, heard tales of Prince Vessantara’s unparalleled generosity and selflessness.

Jataka tales are especially important in Theravada Buddhism, more than other traditions.

Intrigued by these stories, he set off to find the prince and test the limits of his benevolence. As Jujaka arrived at the secluded wilderness where Vessantara resided with his wife Maddi and their two children, Jali and Kanha, he marveled at the austere surroundings. Approaching Vessantara with humility, Jujaka revealed his desire, “O benevolent prince, I have traveled far seeking a gift from someone as virtuous as you. Grant me the extraordinary boon of receiving your children, Jali and Kanha, into my care.” The words hung in the air, creating an undeniable tension.

Kanha Jali Vessantara's children

Vessantara, torn between his commitment to unconditional giving and the natural instincts of a father, hesitated. Maddi, sensing the internal struggle, clutched their children protectively. The surrounding forest seemed to hold its breath as Vessantara grappled with the monumental decision.Finally, after a heavy pause, Vessantara spoke with a heavy heart, “Brahmin, I am bound by my principles of generosity.

Prince Vessantara gives away the State Elephant to the Brahmans

Prince Vessantara gives away the State Elephant to the Brahmans

If this is your earnest request, I shall fulfill it, though it pains me deeply.” The weight of his words echoed through the wilderness. As Jujaka took custody of Jali and Kanha, the atmosphere shifted from serenity to sorrow. Maddi, with tearful eyes, whispered words of reassurance to her children.

Vessantara, suppressing his emotional turmoil, maintained composure, realizing that this act of unparalleled sacrifice was a crucial step on his path toward enlightenment. Jujaka, with the children in tow, disappeared into the depths of the forest, leaving behind a somber silence. The echoes of Vessantara’s sacrifice lingered, setting the stage for the unfolding of a profound narrative on the virtues of selfless giving and the spiritual journey toward Buddhahood.

As Kanha and Jali questioned their father’s choice, Prince Vessantara explained the profound purpose behind this act of supreme generosity. Giving away one’s own family represented the final and most challenging step in achieving the perfection of Dhāna Paramī. Kanha and Jali, understanding the greater purpose, willingly accepted their fate as slaves to Jujaka, supporting their father in completing this ultimate act of selflessness.

The Kanha Jali Loi Ongk Statuette, infused with Metta Maha Niyom, stands as a powerful reminder of the unwavering spirit of generosity and compassion that defined Prince Vessantara’s journey towards enlightenment.

This sacred amulet, mostly attributed within the pantheon of amulets of Luang Por Chaeng, was actually blessed by various Great Monks in unison. Originally commissioned by Pra Luang Por Kloy, the abbot of Wat Bang Kra Nok, Nonthaburi Province.

The first model was released in the year 2491 BE. During the consecration ceremony, Pra Kloy, along with other respected monks, invoked blessings, making it a powerful and sought-after amulet. The Kanha Jali is renowned for its remarkable efficacy, believed to bring prosperity, charm, and success to its bearer. The amulet is imbued with a Magical Kata Spell which contains the sacred chant: Chaalee Ganhaa Maa Laew Hrueyang Sangkadtang Lokawituu. This Kata is to invoke blessings and communication between the amulet and its wearer, and should be used when performing Bucha or asking for blessings, and daily to empower the amulet before wearing.

Devotees who have experienced success often choose to encase the amulet in gold. It is believed that successful ventures and accomplishments are likely when this practice is followed. This statuette is not only a treasured amulet with historical and religious significance, but also a symbol of compassion, generosity, and the pursuit of enlightenment in the story of Prince Vessantara.

Here is a Basic Breakdown of the Thai Jataka Tale;

1. Prince Vessantara, known for his extreme generosity, gives away everything he owns, including a magical white elephant that brings rain.

2. The kingdom suffers without the elephant, and Vessantara is banished with his wife, Maddi, and their children, Kanha (daughter) and Jali (son).

3. A cunning beggar named Jujaka demands Vessantara’s children as slaves.Despite the pain, Vessantara, determined to practice perfect generosity, gives his children away. The children are eventually rescued by the king, Vessantara’s father, who recognizes them.

4. The story emphasizes the importance of generosity in Buddhism, even if it comes at a great personal cost.

5. There are many variations of the tale depending on the region. In Thailand, for instance, the story of Vessantara is a popular festival (Jataka tales are especially important in Theravada Buddhism).

6. Prince Vessantara, known for his extreme generosity, gives away everything he owns, including a magical white elephant that brings rain.

7. The kingdom suffers without the elephant, and Vessantara is banished with his wife, Maddi, and their children, Kanha (daughter) and Jali (son).

8. A cunning beggar named Jujaka demands Vessantara’s children as slaves. Despite the pain, Vessantara, determined to practice perfect generosity, gives his children away. The children are eventually rescued by the king, Vessantara’s father, who recognizes them. The story emphasizes the importance of generosity in Buddhism, even if it comes at a great personal cost. There are many variations of the tale depending on the region. In Thailand, for instance, the story of Vessantara is a popular festival.

The Vessantara Jataka, considered one of the most significant stories in Thai Buddhist literature, narrates the final and tenth life of Prince Vessantara before his incarnation as Siddhartha Gautama, who would later become the Buddha. The tale emphasizes the perfection of generosity and self-sacrifice. Here is a summary:

Key Events:

Vessantara’s Generosity: Prince Vessantara was known for his extreme generosity, which led him to give away anything asked of him. His charitable acts gained immense popularity and admiration.

The Gift of White Elephant: Vessantara’s father, King Sanjaya, became concerned about the prince’s habit of giving away possessions. To prevent potential issues, Vessantara gave away a magical white elephant meant for royal rain ceremonies. This act angered the people, leading to his exile.


Life in the Wilderness:
Vessantara, along with his wife Maddi and their two children, Jali and Kanha, lived in the wilderness, where he continued to practice generosity. However, circumstances led to their separation.

Jujaka’s Request: The family encountered a Brahmin named Jujaka, who, learning about Vessantara’s generosity, approached him requesting the gift of his children. Vessantara, upholding his commitment to give anything asked, reluctantly agreed.

Suffering and Return: The children, Jali and Kanha, were taken by Jujaka, leading to immense suffering for the family. Eventually, the hardships and divine intervention revealed Vessantara’s true identity. The family was reunited, and Vessantara returned to his kingdom.

Moral of the Story: The Vessantara Jataka illustrates the perfection of generosity (Dāna) as an essential quality on the path to enlightenment. Vessantara’s unwavering commitment to giving, even at the cost of personal sacrifice and the well-being of his family, underscores the selfless nature of true generosity. The tale teaches that the journey towards Buddhahood involves overcoming attachments, practicing unconditional giving, and embodying compassion for all beings. The moral encourages individuals to cultivate the virtue of generosity as a means to attain spiritual enlightenment and benefit others.

Luang Por Chaeng

Luang Por Chaeng, Silapanya, born on December 18, 2428 BE, was ordained as a Samanera Novice Monk at 12 and became a fully ordained Bhikkhu Monk at 20. A notable figure in Thai history, he served as the second abbot of Wat Bang Pang in Nontaburi, Bangkok, succeeding Luang Por Pra Atigarn Jaroen. Renowned as a Pra Gaeji Ajarn Master Monk during the Second World War, Luang Por Chaeng was a highly respected exponent of Vipassana Kammathana practice, attracting devotees nationwide. His expertise extended to empowering amulets, making him a sought-after participant in significant Buddha Abhiseka ceremonies, including those for the Thai Military’s magical protective items. In the era of the second world and Indo-China wars, Luang Por Chaeng, along with other revered monks, stood out for their magical prowess. Notable among them were Luang Por Jong of Wat Na Tang Nork, Luang Por Jad of Wat Bang Grabao, and Luang Por Opasi.

During the Indochina War, a ceremony was conducted to empower protective items for the Thai Military, including Pha Prajiad Sipsee Pan Tong by Luang Por Chaeng. The consecrated items, worn by soldiers, became legendary for rendering them impervious to bullets, earning the Thai Military the moniker ‘Taharn Phi’ (Ghost Soldiers) by the French Military. Luang Por Chaeng inherited Wicha from esteemed Kroo Ba Ajarn, such as Luang Por Parn of Wat Bang Nom Kho, Ph Khai of Wat Cherng Lane, Luang Phu Chay of Wat Panan Cherng, Pra Kanajarn Say (Luang Por Say), Luang Phu Sukh of Wat Pak Klong Makham Tao, and Luang Por Jong of Wat Na Tang Nork. Devotees sought Luang Por Chaeng for blessings, amulets, and healing. He welcomed all requests and, for those aspiring to learn his Wicha, emphasized moral development and meditative skills before revealing the secrets of incantations.

With influence from Luang Por Parn, Luang Por Chaeng’s amulets, particularly the Buddha riding animal models, gained popularity. He crafted a variety of amulets, including Monk Coins, Pha Yant Tong Yantra Flags, Sai Sek blessed sandgrains, Pra Kring, Pra Chaiyawat Loi Ongk Statuettes, and Pra Sivali metallic Loi Ongk Statuettes.

In 2484 BE, Luang Por Chaeng released powerful amulets to protect devotees during wartime. These amulets became a world famous historic edition, and were distributed for free during a large ceremony attended by numerous devotees. Luang Por Chaeng passed away peacefully on July 26 (some say 22nd), 2500 BE, at the age of 72. His legacy endures through his teachings and the amulets he created, cherished by those seeking protection and blessings in Thai Buddhism.

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Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
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Somdej Long Rak Chart Pim Gaes Talu Sum Block Chang Luang Wijarn with Authenticity Certificate Somdej Dto Prohmrangsri Wat Rakang Kositaram Featured

A most Exquisite and Officially Certificated Authentic Pra Somdej Wat Rakang Pim Gae Talu Sum Block Chang Luang Wijarn of Somdej Pra Puttajarn (Khrua Dto) Prohmrangsri, the Great Master of Wat Rakang, with Red Lacquered Surface, and all the classic features of an Ongk Kroo Model of this All Time. This particular exhibit is Extremely attractive to the eye, with its perfect balance of lacquer and open surface. The Pra Somdej Wat Rakang Kositaram of Somdej Pra Puttajarn (Dto) Prohmrangsri is the No. 1 Pra Somdej amulet of all time, and the most eminent member of the five regional top amulets within the Benjapakee Pantheon of Classic Thai Buddhist Amulets. On can also say it is perhaps the most famous of all Thai Amulets.

A Master Class ancient amulet of the Benjapakee Immortal Classic Family, the Pra Somdej Wat Rakang Pim Chang Luang Wijarn, with Rak Chart (ancient red lacquer), of the great Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram, this model is an extremely attractive Pim Niyom model of the ‘Chang Sip Moo’ Artisan Chang Luang Wijarn. This amulet comes with free solid silver casing if desired and selected in the encasement options (Please note; the custom casing can take from 3 – 10 days to custom encase). Bespoke Silver Frame casing is always enhanced with waterproof acrylic sealed windows to protect the amulet from the weather). You can order solid gold casing at extra price if desired too and we will invoice you according to current spot prices.

Pra Somdej Wat Rakang Pim Chang Luang Wijarn with Rak Chart

The Legacy of Somdet Phra Phutthācāriya (Toh) and the Sacred Somdet Amulet: “Kesa Thalu Sum” (Topknot Piercing the Arch)

Among the pantheon of Thai sacred amulets (phra khrueang), none is more revered than the Phra Somdet Wat Rakang—especially the archetype known as “Phim Yai Kesa Thalu Sum” (พิมพ์ใหญ่เกศทะลุซุ้ม), often translated as the Large Mold – Topknot Piercing the Arch. This particular design is believed to be among the most spiritually potent and artistically refined sacred objects created under the auspices of Somdet Phra Phutthācāriya (Toh) Phrommarangsi (Somdet To), the legendary monk of the Rattanakosin era (1788–1872), known as an Arahant-like figure and master of sacred sciences (saiyasāt).

The Pra Somdej Wat Rakang Comes with A4 Size Plasticized Authenticity Certificate issued by the Association of Amulets of Siam Thailand, and comes with Free Express shipping, and Free Solid Silver Casing Included in the price. Please choose the free silver casing option to take advantage of this free offer. Free express registered shipping is worldwide and included automatically.

Below, A4 sized certificate of authenticity of this Pra Somdej Wat Rakang Long Rak Chart Pim Gaes Talu Sum Block Chang Luang Wijarn, The Artisan Chang Luang Wijarn was the Kroo Ba Ajarn (teacher) of all the other artisans of the Chang Sip Moo artisans, including the great Chang Luang Sittigarn and Chang Luang Wijit.

A4 Certificate of Authenticity for Pra Somdej Wat Rakang

Understanding the Term “Gaes (Kesa) Talu Sum”

In Thai Buddhist amulet vocabulary, “kesa” (เกศ) refers to the flame-like ushṇīṣa or “topknot” on the head of the Buddha image. “Thalu” (ทะลุ) means “to pierce” or “go through,” and “sum” (ซุ้ม) is the ornate arched frame or halo encasing the Buddha’s seated image. So, Kesa Thalu Sum implies that the topknot reaches upward and pierces through the apex of the arch, a rare and desirable stylistic detail that only appears in a select few authentic master molds (phim ong krū – พิมพ์องค์ครู) from Somdet Toh’s era.

Below, is an 11 minute long video with full views and 12 x Macro closeups of the Muan Sarn Powders, wth Narrative from Ajarn Spencer Littlewood to enlighten the student on the various aspects of authenticity of a different exhibit which was also a lacquered version, and displays similar characteristics to this exhibit, with highly informative narrative by Ajarn Spencer, explaining various aspects of the studt, perusal and inspection of this tyupe of amulet, and some revelatory information about the amulet itself and the history of its making, and the Sacred Muan Sarn Content. This helps the student to understand and increase their expertise in recognising authentic Pra Somdej Wat Rakang Kositaram amulets of this model and type.

Who Was Chāng Luang Wichān (ช่างหลวงวิจารณ์)?

The iconic Kesa Thalu Sum mold is widely attributed to the craftsmanship of Chāng Luang Wichān Wijit Sittikān (ช่างหลวงวิจารณ์ วิจิตร สิทธิการ), a royal artisan of the Chang Sip Mū (ช่างสิบหมู่)—the Ten Royal Craft Guilds of Siam. These were elite artisans directly serving the Chakri dynasty, skilled in sculpture, lacquer work, gold-smithing, and iconography. Wichān was said to have personally carved molds under the commission or guidance of Somdet Toh himself, resulting in highly refined, geometrically perfect, and spiritually resonant Buddhist images.

Somdej School 1

His mold—known as the Wichān Block—exemplifies regal aesthetics fused with spiritual subtlety. When found on authentic Wat Rakang specimens, it often features:

  • A perfectly symmetrical arch (sum) enclosing the Buddha image
  • The kesa (topknot) extending straight upward, piercing the arch
  • Subtle curvature of the seated Buddha’s silhouette
  • Triple base lines (samchan) with precise spacing
  • Signs of aged lacquer (rak chāt chīn) from the original red Chinese lacquer finishing
Pra Somdej Wat Rakang Gaes Talu Sum showing ancient red lacquer

The Wichān Block vs. Other Blocks

In the study of Somdet amulets, experienced phra sen (พระเซียน – amulet masters) distinguish between various molds (phim) based on micro-details and matrix analysis. Three major molds compared at the elite level are:

  1. Wichān Block (บล็อกช่างหลวงวิจารณ์) – Characterized by its “Kesa Thalu Sum,” fine lines, and sophisticated surface.
  2. Sīao Noi Block (บล็อกเสี่ยวน้อย) – Slightly more primitive in depth but very ancient in clay composition. This block is often less crisp but bears classic signs of age and high energy (sāk sit).
  3. Wang Nā Block (บล็อกวังหน้า) – Possibly produced by artisans from the Front Palace (Wang Nā) under royal patronage, with a broader face and deeper relief.

A truly ancient amulet made Circa 2390 – 2396 BE. The rear face of this exhibit is inimitable and has immensely beautiful markings, of a classic Pra Somdej Wat Rakang. Various exhibits display different textures on the rear faces, for they were laid on various surfaces to sun dry, ranging from marble stone, wood, metal, and other surfaces, resulting in textures ranging from stone-like fossilized effect, granular, crackled, to the fine scratches on the rear face of some, which come from laying them to dry on mai gradan wooden boards.

Rear face of Pra Somdej Wat Rakang showing shrinkage and drying over two centuries

In truth, no two Pra Somdej Wat Rakang are the same, and each amulet has its own individual character, which is of course one of the many aspects which form part of what makes the Pra Somdej Wat Rakang the title holder of the ‘King of Thai Amulets‘.

“Gaes Talu Sum” as One of Many Pīm within Dtamrā

While “Gaes Talu Sum” (เกศทะลุซุ้ม) refers to a distinct style, it is only one recognized Pīm (พิมพ์) among many listed in the classic reference Dtamrā Phra Somdej Wat Rakang. These canonical molds include:

  • Gaes Talu Sum
  • Phim Yai (Large block, plain arch)
  • Phim Sam Chan (Three-base lines)
  • Phim Paa Singha (Lion-cloth border)
  • …and others.

The Wichān Block belongs specifically to the Gaes Talu Sum group and is often called a Pīm Ong Krū (พิมพ์องค์ครู – ‘teacher mold’), signifying its canonical status as an original master mold.

Front face of Pra Somdej Wat Rakang Gaes Talu Sum block Chang Luang Wijarn

The Chang Sip Mū (ช่างสิบหมู่): Ten Royal Artisans of Siam

The Chang Sip Mū (Chāng Sip Mū)—literally “Ten-Craft Guild”—was an elite corps of artisans instituted under King Rama I of Siam. These ten crafts included:

  1. Carving (chāng chākā) – wood and stone
  2. Gilding (chāng phliap) – gold leaf application
  3. Casting (chāng lom) – metals
  4. Engraving (chāng tschāt)
  5. Drawing & Painting (chāng phithāng)
  6. Lacquerwork (chāng rō rät)
  7. Sculpture (chāng chāt)
  8. Manufacture of Buddha images (chāng phra pinyo)
  9. Stucco & inlay (chāng phaeng)
  10. Hidden relief and finishing (chāng lath)

These artisans were established to revive and preserve sacred craftsmanship such as Buddha-image iconography, temple decoration, and monastic utensils. Chāng Luang Wichān—a Chāng Luang rank artisan—expertly blended multiple crafts, especially casting, engraving, and lacquerwork, to produce master molds like the Wichān Block.

Three Eras of Phra Somdej Production at Wat Rakang Kositaram

According to Dtamrā Phra Somdej Wat Rakang (ตำราพระสมเด็จวัดระฆัง), production under Somdet Pra Phutthācāriya (Toh) Phrommarangsi is traditionally divided into three eras:

Pra Somdej Wat Rakang study of 3 Eras 2355 - 2408 BE

1. Yuk Ton (ยุคต้น / Early Era, c. 1860s)

  • Mix: Fine limestone crushed to powder, phong itthi (powerful clay blend)
  • Pīm: Coarse molds with less defined lines
  • Ritual: Solo empowerment with Phra Trisaranāgata paritta
  • Marks: No lacquer finish; rough, sandy texture

2. Yuk Klang (ยุคกลาง / Middle Era, c. 1870s–1880s)

  • Mix: Addition of phong pārisaṇḍa powders, remnants of old monk’s robes
  • Pīm: Molds refined by Chang Sip Mū, including the Wichān block
  • Ritual: Multi-stage consecration with Jinapañjara and Mahā Meṭṭhā chants
  • Marks: Early signs of Rak Jeen Borān—thin lacquer coat, slight red tint

3. Yuk Plāi (ยุคปลาย / Late Era, c. 1890s until Somdet Toh’s passing in 1872)

  • Mix: Highly refined batches with small shell inclusions
  • Pīm: Final mold-state perfected; deep relief, crisp lines
  • Ritual: Full-scale empowerment ceremonies attended by royal court
  • Marks: Visible Rak Jeen Borān with Hān (micro-cracks) and color patina

The amulet comes with the A4 size certificate of authenticity as a Pra Somdej Wat Rakang Long Rak Pid Tong of Somdej Pra Puttajarn (Dto) Prohmrangsri, with definition of the preferred artisan as authentic issued from the Pra Tae Mueang Siam Amulet Association.

Macro close up of Muan Sarn sacred powders in Pra Somdej Wat Rakang

An Immortal Classic and one of the most famous Thai Buddhist Amulets of all time, as well as being amongst the top preferred amulets of the serious devotee and wealthy collector of the accepted amulets of Somdej Pra Puttajarn (Dto) Prohmrangsri, of Wat Rakang Kositaram, whose Pra Somdej are the number one amulets of all time, be they from Wat Rakang, Wat Bang Khun Prohm,or Wat Gaes Chaiyo.

Pra Somdej Wat Rakang showing Rak Jeen Boran ancient red lacquer

Made almost 2 centuries ago, the Pra Somdej Wat Rakang can be considered the number one amulet of all time in Thailand for its historical fame and legendary, and thae reputation of its maker to be the number 1 in all Thai History for Pra Somdej Amulets.

Pra Somdej Wat Rakang Somdej Toh Pim Yai

Rak Jeen Borān (ลงรักชาดจีนโบราณ): Ancient Red Lacquer

Rak Jeen Borān is a thin red lacquer derived from ancient Chinese formulas. It was popularly applied to selected pīm in the Yok Klang and Yok Plāi eras. Artisans would:

  • Dip the cured amulet in lacquer bath
  • Allow it to settle into fine cracks
  • Let it cure naturally under temple shade

Visually, it leaves a warmreddish hue, especially in recessed areas and seen as a micro hairline cracks (“hān”). The lacquer gave spiritual seal and aesthetic refinement—only a portion of issued amulets received this treatment, based on batch size and ritual occasion.

Detail of Pra Somdej Wat Rakang Gaes Talu Sum

The Pra Somdej Amulets of Somdej Dto, are officially recognized as coming from one (or all) of four Royal temples Classed as three, because Wat Bang Khun Prohm Nai and Wat Intra Wiharn Bang Khun Prohm, are both located within the same temple boundary). Namely; Wat Intra Wiharn (Bang Khun Prohm Nai), Wat Gaes Chaiyo, Wat Mai Bang Khun Prom, and of course last but not least, Wat Rakang Kositaram. Most of these amulets are given a Puttapisek blessing ceremony in the temple where they were made, but then travel to at least two or three of the other temples to be laid under the ‘Pra Pratan’ (main Buddha statue in the shrine), and absorb the prayers of the Sangha (Monks), for further sacredness and power.

Classic features of Pra Somdej Wat Rakang Gaes Talu Sum

The Pra Somdej amulet, is one of the ‘Benja Pakee’ official set of five national amulets of Thailand seen as the most sacred, desirable and representative of every region of Thailand. In recent decades various Kru hiding place finds have been discovered in temples where Somdej Dto built statues and traveled, such as the Kru Wat Kanlayanamit, and Kru Wat Sadter finds.

Side profile showing thickness and texture of Pra Somdej Wat Rakang

This amulet comes with its certificate of authenticity in form of a A4 sized plastified certificate photo of the Chomrom Pra Tae Mueang Siam Amulet Appreciation society of Siam Thailand, and complimentary box with authenticity confirmation sticker. We offer free Solid Silver, Stainless Steel, or Waterproof Casing with this amulet (or gold at extra price), whichever you prefer. Free Express Shipping is also included in the price

Masterpiece model of Pra Somdej Wat Rakang Gaes Talu Sum

The rear face shows the presence of all the classic features and Muan Sarn ingredients of a true Pra Somdej Wat Rakang of Somdej Dto, with a beautiful lined pattern resulting from shrinkage and drying over almost two centuries of ageing, and which has added to the character and increases the ease of authentication. This kind of rear face pattern is highly preferred among aficionados and serious devotee-collectors, for its classic aged appearance.

Rear markings and texture of Pra Somdej Wat Rakang

The contents of the Muan Sarn Sacred Clay reveal the necessary aspects and content expected from an authentic Pra Somdej Wat Rakang. The design of the front face is exquisite, as were all the block presses carved for Somdej Dto by the artisan Luang Wijarn, one of the royal artisans of the Chang Sip Moo group of artisans.

Pra Somdej Wat Rakang is one of the classic Pra Somdej amulets of Somdej Dto available, along with Pra Somdej Wat Gaes Chaiyo, and the Pra Somdej Wat Bang Khun Prohm amulet as far as popularity, beauty, sacredness of Puttapisek ceremony and price range.

Beautiful example of Pra Somdej Wat Rakang Gaes Talu Sum

The Pra Somdej Wat Rakang amulet is the Keystone and Master amulet (Ongk Kroo) for all other Pra Somdej amulets. It is an image in the likeness of the Buddha sitting on a Dais, which was essentially created by Somdej Pra Puttajarn (Dto) Prohmrangsri, of Wat Rakang Kositaram. There are various different ‘Pim’ (models) with varying design features.

Pra Somdej Wat Rakang considered the King of Thai Amulets

The Pra Somdej Wat Rakang, are considered to have extremely powerful Buddha magic in them due to the richness of sacred powders and powerful blessings contained within from great master Somdej Dto. Its general appearance is that of an oblong about 2.4 cm wide up to 4 cm high (varies between these sizes), made from white sacred powders mixed together.

Pra Somdej Wat Rakang with powerful Buddha magic

The Pra Somdej Wat Rakang Kositaram Pim Gaes Talu Sum is Similar to the Pra Somdej Pim Pra Pratan, but has the ‘Pra Gaes’ Topknot piercing the arch at the top of the amulet. The Pim Jarod Sum touches the arch or approaches it.

Pra Somdej Wat Rakang showing the topknot piercing the arch

The main Ingredients of the amulets (Muan Sarn Samkan) were made from a base of sea shells, dried rice left from alms round, the five sacred magic powders of Somdej Dto, and ‘Nam Man Dtang Iw’ (special oil for mixing). Nam Man Dtang Iw, or Tung Oil in English, is a preferred oil for mixing and curing amulets with, for it is superior to any other oil as far as water resistance is concerned (one reason why Pra Somdej amulets can be soaked in water without going soft). The oil is much more resistant to mold than its derivatives, such as linseed oil.

Main ingredients and Muan Sarn of Pra Somdej Wat Rakang

The Dtamra must be made by creating exactly 84,000 amulets, equal to the number of Suttas of the Tripitaka. There are different Pim Song (shapes and sizes) of Pra Somdej Wat Rakang, but those which are officially recognized and listed by the ‘wongarn Pra Krueang’ as far as Somdej Wat Rakang amulets are concerned, basically consist of the following officially recognised Pim of Pra Somdej amulets; Pim Pra Pratan, Pim Yai Niyom, Pim Chedi, Pim Prok Po, Pim Gaes Bua Dtum, Pim Gaes Talu Sum, and Pim Thaan Saem.

Pra Somdej Wat Rakang created according to the Dtamra

Somdej Wat Rakang amulets have various surface textures, categorized as ‘Nuea Laiad’ (fine texture cement mixture), ‘Nuea Hyaab” (rough textured cement mixture), ‘Nuea Gae Nam Man Dtang Iw’ (old looking textured cement mixture), otherwise known as ‘Nuea Sangkhayaa’, and ‘Nuea Gae Bpoon’ (old cement mixture).The basic structure of the design of the classic Somdej, (and almost all Somdej amulets from other temples too), is that of the Lord Buddha sitting inside a Bell (the word ‘Rakang’ means ‘Bell’ – ‘Wat Rakang’ means ‘Temple of the Bell’).

Surface texture of Pra Somdej Wat Rakang

This is the primary importance of the Somdej amulet in the sense that Somdej from most temples depict the Buddha sitting within a bell which is represented by the arch. The arched structure in amulets is called a ‘Sum’. Although these rules do not necessarily always apply (there are a lot of Somdej which are in circulation which are most certainly authentic, but which are not preferred in the collector scene)

Buddha sitting inside a bell shape arch in Pra Somdej Wat Rakang

There are many less preferred editions which do not fulfill these standard rules of recognition, which is of course one of the reasons why some Somdej Wat Rakang amulets are able to sell for high prices and enter competition, get certificated etc, and why some are not, despite their most probable authenticity.

The difference in the various mixtures made for each ‘Pim’ have led to differing textures and appearances in the Pra Somdej collections, which provides for a varied and fascinating niche interest, which one can verily spend a whole lifetime studying and accumulating experience and knowledge about this, the King of all amulets.

Varieties of Pra Somdej Wat Rakang amulets
Spiritual heritage and royal craftsmanship of Pra Somdej Wat Rakang

The Gaes Talu Sum amulet, especially in its Wichān Block manifestation, is more than a religious token. It is a national archetype—an object that embodies spiritual lineage, royal patronage, and artisanal mastery.

To possess such an amulet is to inherit a sacred narrative written not only in clay and lacquer but also in karmic resonance. It is to hold, in one’s palm, a silent sermon from Somdet Phra Phutthācāriya (Toh)—a sermon of stillness, protection, and profound metaphysical elegance.

In the global context of sacred objects, few artifacts match the complexity, beauty, and theological depth of the Phim Yai Gaes Talu Sum. And none so fully encapsulates the unity of Thai spiritual identity, Buddhist doctrine, and royal craftsmanship as the Somdet amulet of Wat Rakang Kositaram.

Written by Ajarn Spencer Littlewood
ancientamulet.com


Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets

Ancient Amulet - Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets') Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days

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Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
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Rahu Om Jantr Wicha Lanna Nuea Kala Ta Diaw Long Rak Chart Jeen Boran Circa 2465 BE Kroo Ba Nanta Wat Tung Man Dtai Featured

One of a the very rare ancient amulets of this Great Lanna Master, the Pra Rahu Kala Ta Diaw one eyed coconut shell carving, in classical ‘swallowing the moon/sun’ eclipse shape (Pim Rahu Om Jantr/Suriya), in ‘Nok Hook’ (Owl face) style, with an ancient and exquisitely filigrain inscriptions of Lanna Agkhara spell inscriptions, In rare One Eyed Coconut Shell, coated with ‘Rak Chart Jeen Boran’ ancient Chinese herbal Lacquer.

Hand carved by one of the preferred Master Looksit Artisans of the Guru, and hand inscribed with the Wicha Pra Rahu by Olden days Lanna Master Guru Monk Kroo Ba Nanta Nanto Bhikku, of Wat Tung Man Dtai, in Lampang. Kroo Ba Nanta was the Kroo Ba Ajarn of Kroo Ba Lerd, of Wat Tung Man Dtai. This amulet comes with a coput of the ebook “The First Book of Thai Lanna Sorcery”, written by myself (Ajarn Spencer Littlewood), as a gift, for it contains the Biography and amulets of Kroo Ba Nanta covered within its pages. 🙂

 

KATA PRA RAHU KAM DUANG

The rear surface texture reveals true ageing of a centenarian+ amulet, and the age of the inscriptions of Kroo Ba on the Yant Duang Sacred Geometry Spells inscribed within the central section of the amulet, shout out the word ‘ancient’

 

free shipping worldwide

Free Registered Air Parcel shipping Worldwide is included with this amulet. The Pra Rahu of Kroo Ba Nanta is a very rare thing to come by, and is highly revered by Business Owners and those who are in High Administrative Positions, as well as those who seek to turn their fate around. Kroo Ba Nanta was one of the Greatest Lanna Masters in Living memory, before whose time, little is known of the names of the Masters who lived, so long ago was his Era.

Because of this, and his constant absence on forest Tudong wandering,, it is not known when Kroo Ba Nanta began making Rahu Amulets, nor how many he made, except that old people who lived during his time, say that he had made them as long as they could remember. Many different shapes and forms can be found, but the trained eye can recognize his inscriptions, and the natural ageing process of the coconut shell, ivory, wood or sacred powders used to make the amulet.

The earliest actual evidence of his making the Rahu amulets was found inscribed on a Kala ta Diaw Rahu Image from Kroo ba Nanta with the year 2456 BE, which is considered to be one of his earlier one eyed coconut shell carvings.The amulet measures 5 x 4 Cm, and is made from one eyed albino coconut shell. Kroo Ba Nanta Nanto Bhikkhu was considered the older of the 2 Greatest Masters of the Wicha Pra Rahu of that particular Era, the other most famous Master being of course Luang Por Noi, of Wat Srisa Tong.

Kroo Ba Nanta was born in 2415 BE, and was indeed the older of these two Great Guru masters of Wicha, both of whom were famous for the Pra Rahu, and also the Wua Tanu Sacred Arrow Bull animist charm.Many people believe that Kroo Ba Nanta was the Kroo Ba Ajarn of Luang Por Noi, but this is in fact a myth. Each of these Masters had their own personal Trajectories and their amulets differ in style and empowerment methods.

 

 

It would be more accurate to not compare the two, and to see that Kroo Ba Nanta and Luang Por Noi are equally Meritorious in their Mastery, and were perhaps the greatest Adepts of Wicha Pra Rahu in living memory.

Kroo Ba Nanta was an Upachaya Monk (entitled to ordain people as monks, which is one of the highest statuses), and was responsible for having built many important Buddhist Edifices in Lampang, Chiang Rai, Payao, and surrounding provinces, including Uposatha Shrine Rooms for temples, Chedi Stupas (22 in all), Kuti Huts, and 26 Vihara Shrines.

 

 

It is said that during the times of great difficulty of the Monk Kroo ba Srivichai, as Kroo ba Srivichai was placed under house arrest, that Kroo Ba Nanta made a Pra Rahu Kala Ta Diaw Amulet to pray to for the release of Kroo Ba Srivichai, and that he was released shortly after this.

 

If you feel that your Fate and Horoscope is not Auspicious, then it could be that Pra Rahu is interfering. You can solve this problem by making Bucha offerings to Pra Rahu every Wednesday; Light 10 black incense sticks (‘Toop’ in Thai), and five types of black offerings (e.g. black sticky rice, black jelly grass drink, black semolina or sago pudding and the like).

 

 

12 repetitons of the Kata Bucha Pra Rahu are to be Chanted;

Idtipiso Pakawaa Pra Rahuu Sataewaa Samaa Winyaana Idtipiso Pakawaa Putta Sangmi

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Kata Surya Buppaa (to be chanted in the daylight)

Gusaedto Ma Ma Gusaedto-dto Laalaa Ma Ma Dtolaamo Tolaamo Ma Ma Tolaamo Ma Ma Tolaamodtang Haegudti Ma Ma Haegudti

 

 

Kata Jantra Bupaa (to be chanted in the night time)

Yadt-thadtang Ma Ma Dtangthaya Dtawadtang Mamadtang Wadtidtang Saegaa Ma Ma Gaasaegang Gaadtiyang Ma Ma Gaadtiyang Ma Ma Yadtigaa

When you begin to Bucha Rahu Deity, you should make the first ever session in the evening of a Wednesday (any time from 7 pm onwards). After you have done this once, you can make Bucha in the daytime if you wish, but the first time you must include the food offerings of black foods as well as the black incense. The second time onwards, only the incense is necessary in the daytime, if it is a lot of trouble to get the food offerings.

 

 

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Presenting a triple-set of the immensely rare and revered Look Prakam Ya Wasana Jinda Manee, Blessed Rosary Bead of the Great Ancient Master of Wicha, Luang Phu Bun, of Wat Klang Bang Gaew (Nakorn Pathom). Gathered into a set of 3 beads for the triple gem Buddhos, Dhammo, Sangko (Buddha, Dhamma, Sangha). The Look Prakam (Look Om), is molded by hand, in Nuea Ya Wasana Jinda Manee powders, highly regarded for its healing power, and ability to assist to focus in meditation when holding it. The Look Om / Look Prakam Ya Wasana Jinda Manee, measures 1.8 Cm Diameter, and has a hole for threading onto a cord if wished to wear as a neck chain or waist cord belt attached.

Amulet Image

Amulet Image

The Look Prakam Ya Wasana Jinda Manee, is an extremely Rare Amulet of the Pra Niyom Master-Class of the Pantheon of the Great Luang Phu Bun, of Wat Klang Bang Gaew, in Nakorn Pathom. Luang Phu Bun was one of the Top Master Guru Monks of Thai Buddhist History in both Patipata (Dhamma Practice), as well as for his Magical Prowess in Amulet making, Puttasart, and Saiyasart (Occult Sorcery and Buddha Magic).

Amulet Image

Amulet Image

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Free Shipping Worldwide is Included with this amulet. Luang Phu Bun’s amulets, grace the pages of almost every famous catalog and amulet magazine in the High End Collector Publications, and are among the highest priced ranging from many hundreds of dollars for the most commonly found amulets, to hundreds of thousands of dollars for his rarest amulets. This masterpiece, is a Centenarian Amulet, of Immense Value, for the Sacred Powerful Blessings of the Great LP Bun, and Rarity as an Ancient Amulet of Master-Class Status, as well as for being a masterpiece of antique magical heritage and Buddhist Historic importance.

Amulet Image

Amulet Image


Luang Phu Bun was a close friend and accomplice in Wicha with the Great Somdej Pra Sangkarach (Pae) of Wat Sutat, whose amulets belong to the priceless treasures category, and are only to be found in the possession of wealthy devotees, high-end amulet africionados, millionaires, and high ranking persons of state importance, as well as of course, those who were lucky enough to have inherited one from their great grandparents.

Amulet ImageLuang Phu Bun

Amulet Image

Otherwise. the rest mostly reside with a few lucky extreme collectors and devotees, who have kept them throughout the generations, or inherited them as heirlooms down the ages, from their family members. Almost anybody who owns such an amulet, will be hard pressed to part with it in any circumstances.

Amulet Image

The amulet was made using 3 different types of Muan Sarn; Nuea Pong Ya Jinda Manee (Special Herbal and Magically Empowered Ingredients), Nuea Khee Nok Khao Bplao (Thick Billed Green Turtle Dove Faeces – considered to have Magical Properties), and Nuea Wan (Herbal Extracts and Pollens).

Thick Billed Green Turtle Dove Faeces  - Its uses in Amulet Making

The famous Pong Ya Wasana Jinda Manee, and Pong Khamin Sek , and Herbal Muan Sarn Powders of Luang Phu Bun (also known as ‘Pra Ya Horm’), carry legendary status, for their immensely powerful magical properties. These are two very Sacred Powders within the Dtamra, with Pong Khamin having a pungent aroma, with Powers of Protection and Wealth Increase, and the legendary Pong Ya Wasana Jinda Manee having an aromatic Sacred Powder, which uses of course the famous ‘Ya Wasana (‘Wasana’ meaning Lucky Fortunes) Ya Wasana Jinda Manee Pellets were also often and indeed, still made at Wat Klang Bang Gaew, as medicinal treatment, for its renowned healing powers.

Amulet Image

Ya Wasana Jinda Manee, and Khamin Sek Sacred Cumin powders, are the most famous Muan Sarn of Luang Phu Bun, and have become his Legendary ‘Dtamra’ (Traditonal Legend of Inheritance Wicha).

Amulet Image

The Wicha of Ya Wasana Jinda Manee was developed by Luang Phu from an Ancient Teaching through his Kroo Ba Ajarn, and has since his making the Muan Sarn famously powerful, has been inherited as a Wicha of Muan Sarn powder making for the amulets of the Wat Klang Bang Gaew lineage throughout the ages from Luang Phu Bun, to Luang Por Perm, to Pra Ajarn Bai, to Luang Phu Juea, and now the present holder of Luang Phu’s now ancient Wicha, Luang Por Kong (Sanya), one of the senior monks of Wat Klang Bang Gaew.

Amulet Image

We can see that LP Sanya now holds a Wicha that has been passed through three already Great and Famous Guru Masters who have inherited this Wicha from Luang Phu Bun, through Ajarn Bai and Luang Phu Perm, to Luang Phu Juea, who have all now passed away, after their long lives and trajectory. We are hence looking at the amulet of a Master who is already 4 generations of Abbots the predecessor to the current Abbot of Wat Klang Bang Gaew, making his amulets truly worthy of the title ‘Ancient’.

Amulet Image

The amulets of Luang Phu Bun are famous for their immense Klaew Klaad and Metta Mahaniyom Powers and their Power of ‘Serm Duang’ (improve fate and destiny). The Ya Wasana Jinda Manee Sacred Muan Sarn powders are hence the most popular Muan Sarn ingredient of all his different amulets, and the preferred substance of all, for the fact that they seem to improve success in life and protect with immensely good results.It is said that he who revers the Amulets of Luang Phu Bun, will never be penniless or poor, and will never make a loss in business but will always profit.

Amulet Image

Amulet Image

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Pra Somdej Pim Yai, in ‘Nuea Dtaek Lai Nga’ (marbled stone hard clay with Crackled Ivory surface effect ​) released in 2495 BE, made from ‘Nuea Pra Somdej Wat Rakang Gao’ (broken pieces of ancient Pra Somdej Wat Rakang Kositaram amulets of Somdej Pra Puttajarn (Dto) Prohmrangsri).

Pra Somdej Wat Rakang Luang Phu Nak Nuea Dtaek Lai Nga 2495 BE

Luang Pu Nak was a highly respected and virtuous monk. He used many broken pieces of Phra Somdej Wat Rakhang amulets from that era as ingredients in creating dozens of different Phra Somdej amulets. The amulet’s composition included a high proportion of lime and oil. For the consecration ceremonies, Luang Pu Nak invited many renowned monks of the time to participate. Older amulet collectors said that Luang Pu Nak’s Phra Somdej amulets could be used as substitutes for the old Phra Somdej Wat Rakhang amulets. In the past, he always gave amulets to people who came to make merit or pay respects at the temple. He didn’t create these amulets for commercial purposes; he made them to give away, as Wat Rakhang was a large temple with many people visiting daily. Therefore, he needed enough amulets to distribute to everyone.

Pra Somdej Wat Rakang Luang Phu Nak Nuea Dtaek Lai Nga 2495 BE Ancient Amulet

Luang Pu Nak’s Phra Somdej amulets from Wat Rakhang are made with a significant amount of fragments of broken Phra Somdej amulets from Wat Rakhang. These fragments were collected from people who left them at the temple and from the discovery of many broken amulets on the roof of the temple’s main hall. Luang Pu Nak combined these fragments with his own sacred powder, following the formula of Somdej Toh, resulting in his Phra Somdej amulets, especially those from the early period (1942-1952), having a rich and potent composition, making them highly desirable.

They are considered to contain the highest proportion of Wat Rakhang fragments in Phra Somdej amulets, rivaled only by the Phra Somdej of Phra Kru Moon of Wat Suthat, the 1942 Chedi-shaped amulet. Furthermore, their spiritual power is exceptionally high, particularly in attracting compassion and popularity. Therefore, they are highly sought after. However, because he created many different styles of Phra Somdej amulets, collectors tend to focus on only certain popular styles with distinctive characteristics, such as the Three-Tiered Angel with Bayasri Ears style. The most sought-after types are the Phra Somdej amulets with Bodhi leaf design, pumpkin-shaped design, Somdej Toh image design, and bell-shaped design.

Rear Face of Pra Somdej Wat Rakang Luang Phu Nak Nuea Dtaek Lai Nga 2495 BE

Other types are less popular. Phra Somdej amulets with a rich, concentrated Somdej powder composition, or those with embedded takrut (1, 2, or 3 takrut), are extremely rare and highly sought after, commanding prices many times higher than normal. Surprisingly, Luang Pu Nak’s Phra Somdej amulets from Wat Rakhang have become incredibly famous in Malaysia and Singapore. Many tourists from these countries are buying them in large quantities, significantly reducing the current supply. In the future, this series of amulets is likely to become as popular and valuable as the Phra Somdej Bang Khun Phrom 1966.

A very attractive votive tablet with Buddha in the ‘Khat Samati’ posture seated on a single tiered dais, within an arch. The Dais is shaped like a cushion, which is what gives the name to this model. Three different Masters of the Somdej Pra Puttajarn (Dto) Prohmrangsri lineage and makers of the Pra Somdej within the Dtamra of Somdej Pra Puttajarn (Dto) Prohmrangsri, have made this model of amulet, namely Luang Phu Nak, Luang Phu Hin, and Luang Por Supoj. Each Master pressed and blessed his own versions. LP HIn and LP Supoj would reputedly be present with LP Nak for the blessings of his amulets too.

Macro close up of Muan Sarn of Rear Face of Pra Somdej Wat Rakang Luang Phu Nak Nuea Dtaek Lai Nga 2495 BE

The clay of this exhibit can be classified as Nuea Graeng Dtaek Lai Nga (Crackled Ivory surface effect and Stonelike Hardened Muan Sarn Clay) and has visibly similar characteristics to the clay of Pra Somdej Wat Rakang Kositaram of Somdej Pra Puttajarn (Dto) Prohmrangsri, except the fact that the clay is visibly somewhat younger.

The study of the ageing characteristics of the clay is in itself, is part of the study of the Muan Sarn Sacred Powders of Pra Somdej Wat Rakang Kositaram, to see how authentic Pong Gao Wat Rakang Kositaram amulets made in different time periods develop their appearance and surface textures, and how to learn to recognise authentic Pra Somdej Wat Rakang Kositaram, by being able to estimate how old the clay is of a particular amulet. This exhibit is a perfect study model, as well as being a very rare and sacred votive tablet for Bucha.

Macro close up of Muan Sarn of Rear Face of Pra Somdej Wat Rakang Luang Phu Nak Nuea Dtaek Lai Nga 2495 BE 02

This pim is one of a pantheon of Pra Somdej amulets released around 2495 BE, by the great Luang Phu Nak of Wat Rakang Kositaram, and is a rare Pim that has its own special Niche group of devotees who collect and revere them especially.

A very rare authentic Ancient and Sacred amulet from Luang Phu Nak, one of the Great Abbots of Wat Rakang Kositaram temple. The Pra Somdej of Luang Phu Nak are extremely sought after by both Thai Buddhists and Foreign Devotees alike, for the fact that Luang Phu Nak used more old Pra Somdej amulets from LP Dto Prohmrangsri than any other masters of Wat Rakang History.

This exhibit has a smooth dense marble-like creamy clay, that is well hardened with age (Nuea Graeng), and is an extremely attractive exhibit for these features.

The 2495 BE edition is a highly recommendable amulet for devotees who seek a top class amulet at a still affordable price. that is prestigious, sacred, and of high Pedigree. Luang Phu Nak is known to have released editions in the years 2485 – 2495, 2499, 2500, 2504, 2507 and 2509 BE and his final edition Sae Yid 7 Rorb of 2511 BE, as well as releasing editions at other temples.

Close up of Muan Sarn through orifice in rear face of casing of Pra Somdej Wat Rakang Luang Phu Nak

These amulets are the perfect and best second choice to the Pra Somdej Wat Rakang amulets made by Somdej Dto Prohmrangsri which have now become either unavailable, or too expensive to even consider renting.

The amulets of Luang Phu Nak are also a perfect reference material for the study of Muan Sarn Sacred Powders of the Wat Rakang Kositaram amulet of Somdej Pra Puttajarn (Dto) Prohmrangsri, due to the presence of large quantity of original Pra Somdej Somdej Pra Puttajarn (Dto) Prohmrangsri within the sacred clay of Luang Phu Nak’s amulets.

Luang Phu Nak and the Pra Somdej Wat Rakang

Luang Phu Nak’s first edition of amulets was made in 2485 BE along with the Pra Somdej Song Taewada Ok Dtan, the Pra Somdej Sam Liam (triangle shape), and the Pra Somdej Dto Nang Borigam models.
The Pra Somdej amulets made by Luang Phu Nak contained a massive quantity of crushed up Pra Somdej amulets made by Somdej Dto Prohmrangsri of Wat Rakang.

The amulets were from a repository which Luang Phu Nak had collected over the years, from Looksit who brought their broken amulets to return to the Temple, as well as a sackful he found in the roof of the Prayer Room (‘Bote’ in Thai). They are thus the second choice of those wishing to posess the magic of Pra Somdej Wat Rakang LP Dto Prohmrangsri.

Pra Somdej Wat Rakang LP Nak

Luang Phu Nak believed that the Pra Somdej amulets made by Somdej Dto had inimitable magical qualities and special power within the Muan Sarn (sacred powder used to make the amulets), and because of the meditative power of Somdej Dto who blessed them.

Therefore apart from being made by one of Thailands great gaeji Ajarn, and being an authentic ancient Wat Rakang Amulet, it is also Sacred for the fact that it contaiins original Somdej Dto Wat Rakang Amulets in the Sacred Powder mixture, rendering them powerful through the incantations and Yantra Inscriptions of Somdej Pra Puttajarn (Dto) Prohmrangsri himself, through transmission of Muan Sarn Sacred Powders.

In our opinion, the only main difference between this amulet and an original Somdej Dto is the price, and the face that the Somdej Dto amulets are perhaps more of something to brag about, which is not really the intended reason for owning an amulet. Sacred Thai Amulets are intended primarily as Puttanussadti (remembrance and respect to the Buddha), especially Pra Somdej.

Pra Somdej Wat Rakang LP Nak 03

The surface of the amulet is smooth to touch, and shows authenticity through its dryness and the signs of aging when examined using the criteria used by experts for authentication of sacred ancient amulets. This exhibit has a very crisp and clear relief and is highly defined, which is referred to in the special vocabulary of the amulet community as ‘Nuea Graeng’, which is a more marble-like domino-dense admixture which despite dryness, tends to have a shiny ‘wet-look’ to it. The other main type of texture used in amulet communities is ‘Nuea Jad’ meaning something like ‘very crisp detailed relief’

This Pra Somdej, apart from being made by one of Thailands great Gaeji Ajarn, and being an authentic ancient Wat Rakang Amulet, it is also Sacred for the fact that it contaiins original Somdej Dto Wat Rakang Amulets in the Sacred Powder mixture too. This also makes complete sense, with Luang Phu Nak being a subsequent Gaeji Ajarn of Wat Rakang Kositaram, and a Looksit of Somdej Pra Puttajarn (Dto) Prohmrangsri.

Luang Phu Nak’s amulets are of great popularity because they are a great alternative to the original and extremely expensive Somdej Dto amulets, and are considered to be powerful and sacred through their use of the broken amulets and powders of Somdej Pra Puttajarn (Dto) Prohmrangsri, and the blessings of Luang Phu Nak.

The chances of owning an amulet like this are becoming less and less in recent years, and soon it will be practically impossible to obtain authentic old Wat Rakang amulets. There are ever more collectors and ever less amulets on the market, and there is no higher esteemed amulet than the Pra Somdej Wat Rakang Kositaram family. The amulets were made using the following ingredients

Powder from the chalk sticks used in the making of Pong Saksit (sacred powder for amulet making), Rice fragments kept by Luang Por Dto, the 5 Sacred Powders of; 1. Pong Putta Kun, 2. Pong Bpatamang, 3. Pong Trinisinghae, 4. Pong Maha Rach, 5. Pong Itti Jae Powder

The chalks used in the making of the Bpatamang, Trinisinghe Maharach and Itijae powders were mixed with sacred water that squeezed from the leaves of seven kinds of Thai plant including Bai Tamlueng , Yord Sawad, Yod Ga Hlong, Yod Raksorn,Chaiyapruek, Rachapreuk and Dork Mali (jasmine).

Pra Somdej Wat Rakang LP Nak 05

All of the ingredients of the Wat Rakang amulets were mixed with;

Nuea Pong (powder substances), Klee Saema (broken pieces of temple wall stones, Gaesorn Sut Bongot (pollen from the Bongot lotus flower), Kluay Nam Tai (a kind of Thai banana) mixed with sap from the rubber tree (Yang Madtum), Plueak Hoy (white clam shells), Nam Man Jantr (jasmine oil), Nam Man Dtang Iw (aromatic resinous oil used to congeal and cement the amulet mix with).

One hundred and eight kinds of flowers collected by LP Dto Prohmrangsri, Sacred powders and pollens (Pong Saksit), Pong Bpatamang – Klaew Klaad Kong Grapan, (protection from injury and accidents), Pong Puttakun – for great charm and avoid danger (Maha Sanaeh and Klaew Klaad magic), Pong Tri Ni Singhe – attractiveness…., Pong Maha Rach – power and respect.

Pra Somdej Wat Rakang - detail 6

Pong Itijae Powder – Metta Mahaniyom – this increases the likability of the wearer of this magic, Sacred Flowers and magical plants, Dork Sawad – Metta Mahaniyom, Sanaeh, Dork Gahlong – love charm., Dork Raksorn – love and metta, Dork Ga Fag Rak – love and attraction charm…., Dork Chayapruek – power and protection from danger, Dork Rachapruek – Amnaj and Klaew Klaad (commanding power and avoid accidents), Dork Waanangkurm -Kong Grapan Klaew Klaad, Dork Waan – Klaew Klaad, Dork Waan Sanah Junkhao – charm and protection from danger.

Pra Somdej Wat Rakang Luang Phu Nak - detail 7

​Dork Wan Sanah Jundum – charm and protection from danger, Dork Wan Sanah Jundang – charm and protection from danger, Dork Wannangkuak – charm, Waan Pra Buddha Jaoluang – charm and protection from danger, Bai Plu Ruam Jai – charm, Bai Plu Song Tang – charm and protection from danger, Pong Gaesorn Ha Bua – five lotus pollens, Kesorn 108 – charm and protection from danger.

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amatasiam2

The Main Powers of Thai Amulets

The Main Powers of Thai Amulets are chiefly considered to be among the following;

Thai amulets and their powers, which are deeply intertwined with the country’s culture and Buddhist traditions, are believed to amulets which possess various powers that can help protect, heal, and improve the lives of those who wear them. These powers are derived from centuries of spiritual practices and teachings, and are often linked to the blessing of monks or spiritual leaders who imbue the amulets with sacred energy. While there are many different types of Thai amulets, the most common powers they embody are Maha Sanaeh, Metta Maha Niyom, Kong Grapan Chadtri, Maha Lap, Serm Duang, Serm Yos, Maha Amnaj, Gae Aathan, and Serm Baramee. Each of these powers addresses a specific need, offering protection, good fortune, love, and spiritual growth to the wearer.

Thai Benjapakee amulets

1. Maha Sanaeh (มหาสเน่ห์) – Power of Attraction and Personal Magnetism

The term Maha Sanaeh is a combination of two words: Maha, meaning “great” or “powerful,” and Sanaeh, meaning “affection” or “charm.” In the context of Thai amulets, it refers to the power of attraction and personal magnetism. Wearing a Maha Sanaeh amulet is believed to help the wearer attract affection, admiration, and attention from others. It can be particularly helpful in love and relationships, where it is believed to enhance one’s personal charm and increase their influence over others. Beyond romance, Maha Sanaeh can also be used to gain favor in professional or social situations, boosting one’s ability to create positive connections.

Pra Nang Paya Amulet Luang Por Dtat

2. Metta Maha Niyom (เมตตาหมายนิยม) – Power of Loving-Kindness and Favor

Metta means “loving-kindness” or “compassion” in Pali, while Maha means “great,” and Niyom refers to being favored or admired. When combined, Metta Maha Niyom signifies a great form of loving-kindness that draws favor, admiration, and affection from others. In the context of amulets, these are often used to help the wearer cultivate positive relationships and foster harmonious interactions. Metta Maha Niyom amulets are believed to create an aura of kindness and goodwill, making the wearer more likable and respected. These amulets attract not only love and affection but also help in situations where one needs support or goodwill from others.

Suea Yant Kong Grapan Chadtri Maha Ud Sacred Yantra Shirt - an Immensely rare item of the Great Luang Por Lae, of Wat Pra Song in petchburi

3. Kong Grapan Chadtri (คงกระพันชาตรี) – Power of Protection and Invincibility

Kong Grapan Chadtri is a term used for amulets that provide protection from harm. Kong means “to endure,” Grapan means “unbreakable,” and Chadtri refers to “warrior.” Together, this phrase translates to “invincible warrior” or “unbreakable protection.” These amulets are designed to provide physical and spiritual protection to the wearer, particularly from harm, weapons, or dangerous situations. Individuals such as soldiers, police officers, martial artists, and anyone whose work involves risk often carry Kong Grapan Chadtri amulets, as they are believed to provide strength and resistance to any form of physical danger.

Look Om Ya Soop Luang Phu Songk

4. Maha Lap (มหาลาภ) – Power of Wealth and Prosperity

Maha Lap translates to “great fortune” or “great wealth,” with Maha meaning “great” and Lap meaning “fortune” or “wealth.” Amulets imbued with the power of Maha Lap are believed to attract financial prosperity, success, and abundance into the wearer’s life. These amulets are highly prized by business owners, entrepreneurs, and anyone seeking financial success. Maha Lap is often linked to opportunities, investments, and the overall flow of wealth, helping the wearer to achieve financial stability and growth in various ventures.

Luang Por Tuad Pra Kroo Bai Diga Wat Chang Hai 2513 BE

5. Serm Duang (เสริมดวง) – Power of Enhancing Luck and Destiny

The term Serm Duang refers to the act of improving one’s luck or life path. Serm means “to enhance,” and Duang refers to “luck” or “fate.” Serm Duang amulets are used to improve various aspects of life, including health, career, relationships, and overall well-being. It is believed that these amulets can enhance a person’s fortune, bringing about a more favorable destiny and helping the wearer overcome obstacles or bad luck. People seeking to improve their life path or align with positive circumstances often turn to Serm Duang amulets for assistance.

Macro Close Up of the Pra Somdej Wat Gaes Chaiyo with Somdej Dto

6. Serm Yos (เสริมยศ) – Power of Status and Prestige

Serm Yos refers to the act of enhancing one’s social standing, rank, or prestige. Serm means “to enhance,” and Yos means “rank” or “title.” Individuals seeking professional success or social recognition often use Serm Yos amulets to gain favor in their careers or to elevate their status. This might include gaining promotions, receiving more respect from peers, or being recognized for one’s achievements. Serm Yos amulets help the wearer attract recognition and appreciation, which can lead to enhanced authority and influence.

7. Maha Amnaj (มหาอำนาจ) – Power of Authority and Control

Maha Amnaj represents great power and authority. Maha means “great,” and Amnaj means “power” or “authority.” Wearing an amulet with Maha Amnaj is believed to help the wearer gain control and command respect. These amulets are favored by individuals in leadership roles, including business owners, politicians, and those who need to exert influence over others. Maha Amnaj helps the wearer gain the ability to dominate situations, create opportunities, and wield power effectively.

Mitmor Pocket Knife Luang Por Koon

8. Gae Aathan (แก้อาภัพ) – Power of Remedying Bad Luck

Gae Aathan refers to the act of removing or fixing bad luck or misfortune. Gae means “to fix,” and Aathan means “misfortune.” People seeking to remove bad luck or negative forces in their lives often use Gae Aathan amulets. These amulets are believed to counteract misfortune, resolve obstacles, and bring good fortune back into the wearer’s life. Gae Aathan is commonly used by individuals experiencing a series of unfortunate events or those who wish to break negative cycles in their lives.

Pra Somdej Wat Gaes Chaiyo Pim Hok Chan Niyom 6 Tiered Dais Model amulet

9. Serm Baramee (เสริมบารมี) – Power of Merit and Spiritual Power

Serm Baramee refers to enhancing one’s merit, virtue, or spiritual power. Serm means “to enhance,” and Baramee refers to “merit” or “spiritual power.” In Buddhism, merit is accumulated through good deeds, acts of kindness, and devotion. Serm Baramee amulets help the wearer increase their spiritual power and accumulate positive karma, which can lead to blessings, protection, and overall well-being. These amulets are often worn by individuals who seek to improve their spiritual health and progress on their path toward enlightenment.

The Multiplicative Power of Thai Amulets

While each of these amulets focuses on a specific area of life—be it love, protection, wealth, or spiritual growth—it is important to note that many Thai amulets possess more than one of these powers. In fact, some amulets are imbued with multiple blessings or influences, offering the wearer a combination of benefits. For example, an amulet might provide both protection (through Kong Grapan Chadtri) and wealth (through Maha Lap), or combine the influence of attraction (Maha Sanaeh) with the power of enhancing luck (Serm Duang). This layered empowerment allows individuals to benefit from a broader spectrum of blessings, enhancing their ability to achieve success, maintain good health, and live a more prosperous life.

Through rituals and blessings by monks, many amulets receive empowerment from multiple spiritual powers, offering the wearer a harmonious blend of influence that can support them in various aspects of their lives. Whether the goal is attracting love, securing wealth, or achieving spiritual growth, Thai amulets offer a unique and powerful spiritual tool that reflects the deep cultural and religious traditions of Thailand.

Thai Buddhist Amulets of High esteem

Thai amulets, known as “Phra Khruang” or “Krueang Rang,” are deeply embedded in the cultural and spiritual fabric of Thailand. These sacred objects are revered not only for their spiritual significance but also for their historical and cultural value. The tradition of wearing amulets in Thailand is a practice that dates back centuries, intertwining with the country’s religious beliefs, history, and social customs.

The creation of Thai amulets is a diligent and complex ritual process, that involves a blend of spiritual rituals, sacred materials, and artistic craftsmanship. These amulets are often made by revered Buddhist monks, Ruesi hermits, or lay sorcerers who are skilled in mystical arts. The process begins with the selection of sacred materials, which may include powdered herbs, sacred earths, metals, and other substances believed to possess inherent protective qualities. These materials are then mixed with holy water and sacred oils, and often inscribed with ancient scripts or symbols known as “Yant.”

The empowerment of amulets is a crucial aspect, involving the chanting of sacred mantras or “Kata” and the invocation of spiritual entities. This ritual is believed to imbue the amulet with “Itti-rit” or psychic powers, granting it the ability to protect the wearer, bring good luck, or enhance personal attributes such as charm and popularity. This form of magic is known as “Metta Maha Niyom,” which focuses on increasing the wearer’s attractiveness and social influence.

Lanna Master Kroo Ba Nikorn Blessing Nam Tao Gourd Amulets

Kroo Ba Nikorn Blessing Nam Tao Gourd Amulets

Thai amulets can be categorized based on their origin, form, or purpose. Naturally occurring objects such as certain types of iron, boar tusks, and tiger fangs are believed to have intrinsic protective qualities and are often guarded by spirits. Man-made amulets, on the other hand, are crafted using sacred clay admixtures or metallurgical processes, often involving ancient alchemical practices.

forging metallic alchemical amulets

The imagery on Thai amulets varies widely, encompassing depictions of the Buddha, noble monks, Bodhisattvas, Devas, and even gods and demi-gods. Some amulets also feature elements of the dark arts, invoking the spirits of ghosts or otherworldly entities. Despite the diversity in their forms and purposes, all Thai amulets share a common goal: to bring Buddhist virtues and protection to those who wear them.

The historical significance of Thai amulets is profound. They are not only religious artifacts but also cultural symbols that reflect the beliefs and values of Thai society. The practice of wearing amulets is documented as far back as the Rattanakosin period during the reign of King Rama IV, although it likely predates this era, especially considering it is recorded that King Naresuan maharaj wore a Takrut across his chest on a cord, which shows that the practice dates back many centuries more, as well as the Kru Hiding place burial finds which reveal amulets having been made 700-1000 years agot already in Siam. Throughout history, amulets have been used as protective talismans in battles, as symbols of faith, and as objects of personal devotion.

Pra Khun Phaen Ban Krang Ancient Clay Hiding-Place Amulet

One of the most revered figures in the history of Thai amulets is Somdej Toh, a legendary monk known for his profound spiritual wisdom and the creation of the famous Pra Somdej amulets. These amulets are highly valued for their spiritual efficacy and exquisite artistry, making them sought-after items among collectors and devotees alike. The authenticity and age of these amulets are of paramount importance, requiring a keen understanding of the materials and techniques used in their creation.

Macro Close Up of the Pra Somdej Wat Gaes Chaiyo with Somdej Dto

In modern times, the popularity of Thai amulets has only grown, with many people around the world collecting and wearing them for various reasons. Whether for spiritual protection, good fortune, or as a connection to Thai culture, these amulets continue to hold a special place in the hearts of many. The enduring appeal of Thai amulets lies in their ability to bridge the spiritual and the material worlds, offering a tangible connection to the divine and a source of comfort and inspiration in everyday life.

For those interested in exploring the world of Thai amulets, there are numerous resources available. Websites such as ancientamulet.com and thailandamulet.net, authored by Ajarn Spencer Littlewood, provide extensive information on the history, types, and significance of these sacred objects. These platforms offer insights into the art of evaluating and authenticating antique Thai Buddhist amulets, helping collectors and enthusiasts navigate this fascinating realm with confidence and understanding.

Thai amulets are more than just religious artifacts; they are an integral parts the rich cultural heritage and spiritual beliefs of Thailand. Whether crafted from sacred materials or naturally occurring objects, these amulets serve as powerful conduits of protection, embodying the timeless wisdom of the Buddha and the enduring faith of the Thai people.

Luang Por Koon's Mitmor Dagger - Spiritual Protection

An exceptionally rare and certified genuine amulet hailing from the ‘Krueang Rang’ Talismanic category created by the revered Luang Por Koon during the mid-era of his leadership at Wat Ban Rai Temple. Its estimated origin is around 2535 BE, although the exact date remains unknown.

Mitmor Pocket Knife Luang Por Koon

Mitmor Pocket Knife Luang Por Koon

This well-established and tested talisman is renowned for its abilities to ward off malevolent spirits, counteract dark enchantments, consecrate holy water, facilitate curative ceremonies, bear mystical inscriptions, and act as a personal safeguard for overall well-being. Furthermore, it serves as a conduit for the auspicious blessings and benevolence of Luang Por Koon Parisutto from Wat Ban Rai.

Free Registered Air Parcel Worldwide is included with this amulet.

Amulets produced between 2537 BE and 2555 BE are less sought-after compared to those crafted before 2537. This is attributed to the overproduction of many editions after 2537, which diminished their collectibility and rarity. Consequently, editions predating 2537 BE are highly esteemed and increasingly rare to find on the amulet collector market.

In recent times, there has been a notable resurgence of interest in the miraculous amulets of Luang Por Koon. These amulets continue to generate headlines with their extraordinary effects in Thailand. This ongoing phenomenon ensures that faith in his amulets remains resilient, impervious to forgers and unscrupulous traders.

Luang Por Koon, who is now deceased, will forever hold a special place in the hearts of his devotees. He ranks among the top Guru Monks of all time and is arguably the most beloved and renowned monk in Thai history, especially in modern times. His humility is said to be matched only by his miraculous ability to bestow blessings, particularly those for protection and prosperity. His head-knocking blessings, in particular, have been credited with bringing about life-changing miracles for many.

Free Registered Air Parcel Worldwide is included with this amulet. While amulets crafted between 2537 BE and 2555 BE may be less favored due to overproduction, those created before 2537 BE are highly coveted and increasingly rare in the amulet collector market. It is certain that his amulets will continue to be revered as some of the greatest and most collectible amulets of all time.

Luang Por Koon Blessing Amulets in Devotional Gathering

Luang Por Koon Blessing Amulets Amid Devoted Followers

Their reputation and acclaim will persist well into the future. After his passing, there was a brief period of increased falsification of his amulets and a decline in interest. However, in the years following his passing, this phenomenon has subsided as collectors have returned to earnestly collecting the amulets of the Great Luang Por Koon, free from the earlier risks posed by counterfeit versions.

In recent times, a grand resurgence of interest in the miraculous amulets of LP Koon has arisen, as his amulets continue to produce breaking news miracles in Thailand. This is one of the reasons why faith in his amulets will always be revived and can never be destroyed, despite the attempts of forgers and dishonest traders.

This rare item, is exceedingly scarce to find nowadays, whether on the internet, in temples, or markets. They are only to be found residing with truly devoted individuals, a fitting tribute to the prestige and quality of this amulet.

One must also consider that despite the immense popularity of his amulets and his passing a few years ago, many of his amulets do not (yet) carry a millionaire price tag. They remain within reach for most people who desire a truly sacred amulet, and are willing to invest a little more in acquiring an amulet that will remain extraordinary not only today but also for generations to come. This kind of enduring classic talismanic ritual item is what we refer to as a heritage heirloom amulet, one that will never lose its popularity. It is a tried and tested amulet for protection against ghosts, countering black magic, consecrating holy water, aiding in healing rituals, bearing magical inscriptions, and simply carrying on one’s person for protection and prosperity. It also carries the good karma and blessings of Luang Por Koon Parisutto from Wat Ban Rai. It is perfect for the devoted followers of this great, humble, and compassionate monk who always remained close to the less fortunate, regardless of their social status.

Rian Run Raek Luang Por Hmun

The most highly preferred and rare guru monk coin amulets of the great Master Monk Luang Phu Hmun of Wat Ban Jan, in Sri Saket, the ‘Rian Run Raek’, or, ‘Rian Laekh 1’ amulet, with number 1 code stamp indented into the front surface of the amulet. Although called the ‘Rian Laekh 1’, meaning ‘coin with number 1’ this amulet was also made without the number 1 code stamp in some exhibits, hence, many people prefer to call it the ‘Rian Run Raek’ (first edition coin), of 2452 BE. Only 5000 amuletsa were made in Nuea Tong Daeng, with only another 35 Gammagarn edition versions in solid silver.

1st edition coin amulet Luang Phu Hmun Wat Ban Jan 2528

1st edition coin amulet Luang Phu Hmun Wat Ban Jan 2528


In truth it is hard to name which coin amulet as Luang Phu Hmun’s first edition, because he released various at various temples, so each temple has a ‘first edition’ amulet which was released and blessed by Luang Phu Hmun, such as the Rian Run Raek Hlang Hanuman released at Wat Ban Jan in 2542, is also referred to as first edition, for its simultaneous release, and the4 fact it was the first and only time that design model was released. Each design has therefore its own ‘first edition’ because often they are made again in later years due to high popularity and demand from devotees in the case of many amulets from many masters. This is a common truth in general in the Thai amulet world.

1st edition coin amulet Luang Phu Hmun Wat Ban Jan 2528 BE Rear Face

The revered and rare guru monk coin amulets of the esteemed Master Monk Luang Phu Hmun, from Wat Ban Jan in Sri Saket, hold great significance. Among these treasures is the distinguished ‘Rian Run Raek’ or ‘Rian Laekh 1’ amulet, bearing a unique number 1 code stamp delicately etched on its front surface. While it is commonly referred to as the ‘Rian Laekh 1,’ denoting a coin with the number 1, it is worth noting that some examples of this amulet were crafted without the number 1 code stamp. Consequently, many enthusiasts prefer to call it the ‘Rian Run Raek,’ signifying the first edition coin, originating from the auspicious year 2452 BE.

Determining which coin amulet truly represents Luang Phu Hmun’s first edition can be a challenge since he released various editions at different temples. Each temple has its own ‘first edition’ amulet, meticulously crafted and blessed by Luang Phu Hmun. For instance, the Rian Run Raek Hlang Hanuman, released at Wat Ban Jan in 2542 BE, is also regarded as a first edition due to its simultaneous release and the fact that it was the initial and sole occasion this specific design model was made available. Each design, therefore, possesses its own distinct ‘first edition’ as they are often reproduced in subsequent years to meet the immense popularity and demand among devoted followers and collectors. This phenomenon is a common reality in the vibrant realm of Thai amulets, embraced and understood by enthusiasts and practitioners alike.

Rian Laekh 1 Luang Phu Hmun Wat Ban Jan 2542 BE Magazine Documentation


Amulets of Luang Phu Songk Wat Jao Fa Sala Loi

Ya Sen (Ya Soop) of Luang Por Songk:

In the realm of mystical charms and spiritual treasures, there exists a rare and sacred magical charm known as the Ya Sen (Ya Soop). This enchanting muan sarn is sacred tobacco from smoking or chewing, by LP Songk, and used to make amulets, revered by devotees of the esteemed Luang Por Songk. The Ya Soop holds a profound significance in the spiritual realm of Thai Buddhist amulet aficionados. It is a testament to the divine connection between the wearer and Luang Por Songk, a Maha Thera Gaeji Ajarn whose spiritual mastery remains unparalleled.

The Sacred “Ya Soop” Tobacco

Look Om Ya Soop Luang Phu Songk

Look Om Ya Soop Luang Phu Songk Sacred Tobacco

The Ya Sen, also known as “smoking medicine” or “aromatic medicine,” manifests itself in two distinct forms—a spherical encasement of loose tobacco and as one of Luang Por Songk’s sacred cigar stubs. Within the sphere lies the highly sacred Ya Sen, a spiritual conduit that establishes a profound connection with Luang Por Songk through the practice of Gurunussati. The spherical Waterproof Casing of this exhibit classifies it as belonging to the sacred “Look Om” category. However, it is worth noting that the Ya Sen of Luang Por Songk can also be found in the form of his revered cigars.
Luang Por Songk, Master Sorceror Monk of Wat Jao Fa Sala Loi in Chumpon.

The Great Luang Phu Songk was known for his Holy Prayer water and its ability to fend off even the most powerful black magic, and was reputed to be able to take Hnang Kwai buffalo skin (sacred magical substance), and Mitmor knifes into the stomach without any wounds or bleeding, and insert magical objects under the skin of a devotee, just by performing incantations.[/caption]

The Mystical Essence of Spirituality within the Ya Soop

The Ya Soop, or Magic Ya Sen, carries within it the very essence of Luang Por Songk’s spiritual practice and blessings. It possesses a divine potency believed to bring forth luck, protection, and spiritual elevation to those fortunate enough to wear it. The enchantments bestowed upon this sacred tobacco by Luang Por Songk create a powerful aura of positivity, shielding the wearer from negative influences while attracting auspicious energies.

Luang Por Songk’s Divine Influence

Luang Por Songk Chantasaro of Wat Jao Fa Sala Loi was revered not only for his Magic Ya Sen amulets but also for his profound ability to bless and heal through his Holy Prayer Water. His fame as an adept and his popularity as a spiritual guide extended across two regions—the Southern province of Chumphon and the bustling city of Bangkok. Devotees from far and wide flocked to Luang Por Songk’s humble abode, where they encountered a water bowl filled with the sacred Holy Prayer Water. This blessed elixir, infused with the energy of his nightly meditations, possessed extraordinary healing properties.

Mortal Remains (Sri-Ra), of the Great Luang Phu Songk, during the funerary rites.

Mortal Remains (Sri-Ra), of the Great Luang Phu Songk, during the funerary rites.

Those who had the privilege of drinking or using this Holy Prayer Water for their devotional prayers witnessed miraculous transformations within themselves. Countless individuals experienced solace, healing, and blessings, as the divine miracles performed by Luang Por Songk brought them closer to their deepest desires and aspirations.

Biography of Luang Por Songk Chantasaro

Biographical photograph of Luang Por Songk Chantasaro (2432 - 2526 BE)

Biographical photograph of Luang Por Songk Chantasaro (2432 – 2526 BE)

The life journey of Luang Por Songk Chantasaro was one intertwined with spiritual exploration, meditation, and unwavering service to others. Let us delve into some key milestones that shaped the extraordinary life of this revered master.

Birth and Early Years

Luang Por Songk Chantasaro entered this world on a sacred Tuesday, during the first phase of the sixth month in the Lunar Calendar of the year 2433 BE. Born in Swee Township, nestled amidst the fertile lands where his parents toiled as humble farmers, his path was destined for greatness.

Ordination and Forest Wandering

At the tender age of 18, Luang Por Songk embarked upon the path of enlightenment as a Samanera Novice Monk at Wat Swee. For two years, he immersed himself in the study of Dhamma Vinaya, the profound teachings of Buddhism. However, he temporarily disrobed to assist his family on the farm, a testament to his deep-rooted sense of familial duty.
Image of the Great Luang Por Songk Chantasaro in meditative posture. Luang Por Songk was the abbot of Wat Jao Fa Sala Loi Buddhist temple
Yearning to deepen his spiritual practice, at the age of 21, Luang Por Songk returned to Wat Swee seeking permission to re-ordain as a fully fledged Bhikkhu. His soul yearned for solitude, and he embarked on an extensive journey through forests and mountains. Under the guidance of esteemed masters, he delved into the teachings of Buddhism, honing his meditation techniques, and furthering his spiritual growth.

Attaining Adepthood

After years of unwavering dedication, rigorous training, and a relentless pursuit of wisdom, Luang Por Songk achieved the esteemed status of Maha Thera Gaeji Ajarn. His profound insights, exceptional healing powers, and extraordinary psychic abilities earned him the unwavering reverence of the monastic community and the general public alike.
The Great Luang Phu Songk was known for his Holy Prayer water and its ability to fend off even the most powerful black magic, and was reputed to be able to take Hnang Kwai buffalo skin (sacred magical substance), and Mitmor knifes into the stomach without any wounds or bleeding, and insert magical objects under the skin of a devotee, just by performing incantations.

Establishing Wat Jao Fa Sala Loi

Inspired by his spiritual calling, Luang Por Songk established Wat Jao Fa Sala Loi—a sanctuary of peace nestled amidst the serene beauty of Chumphon. This sacred abode became a beacon of hope for spiritual seekers, who sought solace, guidance, and the blessings bestowed by the enlightened master.
Look Om Ya Soop Luang Phu Songk Wat Jao Fa Sala Loi

Legacy and Passing

Luang Por Songk’s physical presence may have transcended to the realm of eternal bliss in the year 2552 BE, but his spiritual legacy lives on, inspiring and uplifting the lives of countless individuals. His profound teachings continue to guide seekers on their path towards enlightenment, and his benevolent presence is felt by all those who seek his wisdom.
Amulets of Luang Phu Songk, Wat Jao Fa Sala Loi

The magical amulets and blessings of Luang Por Songk continue to bless the lives of those who connect with his enchanted Ya Sen and other amulets many of which were sprayed and blessed in the sacred Holy Prayer Water of Luang Phu Songk. The magic of his divine blessings remains an eternal source of healing, protection, and spiritual elevation to those who revere this Great Khao Or Lineage Buddhist Master.

Takrut Maha Solos Mongkol Luang Phu Iam

The Sacred Takrut Maha Solos Mongkol: A Divine Amulet of Power and Fortune

An eternal classic and highly powerful amulet; the Takrut Maha Solos Mongkol Thak Chueak Long Long Rak Chart Jeen Boran (Dtamrab Luang Phu Iam), cord bound Yantra Scroll amulet of Luang Phu Iam, of  Wat Saphan Soong, with ancient red Chinese herbal lacquer (Rak Chart Jeen Boran).

Welcome, dear readers, to an enchanting journey into the realm of sacred amulets. Today, we delve into the mystical realm of the Takrut Maha Solos Mongkol, an amulet that exudes power, wealth, and divine protection. Crafted by the revered Luang Phu Iam of Wat Saphan Soong, this amulet is a timeless treasure sought after by devotees worldwide.

Takrut Tone Thak Chueak Long-Rak Luang Phu Iam

A Rare and Powerful Amulet

The Takrut Maha Solos Mongkol is a true gem among amulets, rivaling the renowned Takrut of the Great Luang Phu Sukh in rarity, price, and potency. Considered equally powerful, this amulet is particularly suited for those seeking status increase, wealth, good fortunes, and protection.

A Lifetime Companion

The Takrut Solos Mongkol of Wat Saphan Soong holds the title of a “Takrut Koo Cheewit,” meaning it is a “Lifetime Companion” amulet. Its remarkable property lies in its ability to bring constant improvements throughout one’s life, ensuring that its power never wanes. Wrapped in ancient Daay Dtra Sangkh Sinjana Cord and embellished with a ‘Cockroach Thorax‘ shape tips, this amulet possesses unique features that reflect its age and authenticity.

Takrut Maha Solos Mongkol Luang Phu Iam Wat Saphan Soong

An Ancient Yantra Spell

The Takrut Maha Solos Mongkol is not only an amulet but also an ancient and potent Sacred Yantra Spell. It holds a special place in the hearts of devotees, cherished by both Luang Phu Iam and his esteemed apprentices, including Luang Por Tong Sukh. These revered masters have spread the influence of this amulet around the globe, making it an eternal favorite among practitioners of sacred arts.

A Legacy Carried Forward

Luang Phu Iam, the originator of the Dtamra Pra Pid Ta and the Wicha Takrut Maha Solos Mongkol of Wat Saphan Soong, passed on his exceptional knowledge and skills to subsequent generations of esteemed masters. Ajarn Chuea, Luang Phu Glin, and Luang Por Tong Sukh, and now Luang Phu Waas, the current abbot, have all contributed to the legacy of this powerful amulet. Their mastery and dedication have ensured the continuity of this sacred tradition.

A Treasure for Devotees and Collectors

The Takrut Maha Solos Mongkol is a treasured alternative for those seeking the blessings of Luang Phu Iam’s amulets at a more affordable price. Crafted with invocations from all generations of the great master, empowered with the mastery of the Wicha Maha Solos Mongkol, these amulets carry immense value and authenticity. Their presence on the collector scene is unparalleled, making them highly sought after and revered.

Certificated Takrut Tone Thak Chueak Long-Rak Luang Phu Iam