Pra Nang Paya Nuea Khamin Sek Dtid Gesa Luang Por Dtat; A Rare and Sacred Benjapakee Amulet
In the heart of Thai Buddhist history lies a treasure that transcends time, carrying with it the essence of spirituality and revered wisdom. The Pra Nang Paya Benjapakee amulet, this exhibit being the first edition Pra Nang Paya amulet, by the venerable Luang Por Dtat of Wat Chai Na in the auspicious year 2543, is a perfect example of the sacred craftsmanship and spiritual significance deeply embedded in Thai culture. Craftedand empowered by the esteemed Luang Por Dtat of Wat Chai Na in the auspicious year 2543 B.E., the Pra Nang Paya amulet emerges as a petite yet powerful symbol of prosperity and elevated status.
At the core of this remarkable amulet is a meticulously concocted blend of Sacred Turmeric Powder, known locally as “ผงขมิ้น,” meticulously mixed with the revered hairs (“Gesa”) of the Great Monk Luang Por Dtat. This amalgamation, a fusion of sacred elements, holds a profound spiritual energy that resonates with the devotees and collectors alike.
The triangular shape of the amulet, bearing the iconic seated Buddha imprint on the front in a Māra Vijaya posture (Calling Dharani Goddess by touching the earth with his hand, to witness his Merits as higher than those of the Māra), serves as a visual testament to the divine craftsmanship. On the reverse side, the imprint features a prominent devotee at the top, followed by the characters “ธาตุ๔” (Na, Ma, Pha, Tha), and beneath them, the inscription “หัวใจพระเจ้าห้าพระองค์, แม่ธาตุใหญ๋” (Na, Mo, Phut, Tha, Ya).
Beyond its aesthetic allure, the Pra Nang Paya amulet is infused with the spiritual virtues of compassion, popularity, success in business, and protection against adversities. Devotees believe that the amulet holds the power to guide them through life’s challenges, evoking a sense of mettā (loving-kindness) and overcoming obstacles with grace.
This sacred charm intertwines Sacred Turmeric Powder, locally known as “ผงขมิ้น,” with the revered hairs (“Gesa”) of the Great Monk Luang Por Dtat. The result is a potent blend of sacred elements, resonating with devotees and collectors alike.
While the amulet features a small triangular shape with a seated Buddha imprint on the front, its name, “Nang Paya,” is a nod to its size and reputation. Traditionally associated with women, this amulet serves as a conduit to heightened luck, success, and elevated status, akin to becoming a “Nang Paya” — a lady of high regard.
On the reverse side, the amulet boasts an imprint featuring a prominent devotee, characters “ธาตุ๔” (Na, Ma, Pha, Tha), and the inscription “หัวใจพระเจ้าห้าพระองค์, แม่ธาตุใหญ๋” (Na, Mo, Phut, Tha, Ya). Beyond its visual appeal, the Pra Nang Paya amulet is renowned for its ability to attract wealth, business success, and provide protection. Devotees believe that wearing this amulet guides them through life’s challenges, fostering mettā (loving-kindness) and helping overcome obstacles gracefully.
The intentional inclusion of Great Monk Luang Por Dtat’s hairs adds a unique dimension, creating a channel for Gurunussati — a profound remembrance of the Guru — strengthening the wearer’s spiritual connection. Owning the Pra Nang Paya amulet is an invitation to connect with Thai Buddhist heritage, a symbol of prosperity and spirituality. Its rarity and sacred essence elevate this amulet to unparalleled significance. Wear it with reverence, allowing the Pra Nang Paya to guide you towards prosperity, success, and a life of elevated status.
Kata Maha Ud Luang Por Dtat
Na Ud Mō Ad Na Mō Put Tā Yad Dtan Eu U Sa Ha Sa Bpa Sa U
A Ni Tas Sa Na Ab Bpa Dti Kā
A Ni Tas Sa Na Ab Bpa Dti Kā Dtā
A Ni Tas Sa Na Ab Bpa Dti Kā Dtā Ya
Na Mō Put Tā Ya Na Ma Pa Ta
Then Pray to the Takrut with the Following;
Puttang Ārātanānang Tammang Ārātanānang Sangkang Ārātanānang Agkhara Yandtang Ārātanānang Pra Put Ta Kun Nang, Pra Tam Ma Kun Nang, Pra Sang Ka Kun Nang Bpidtā Kun Nang Mādtā Kun Nang Krū Ājariyākunnang
Putta Būchā Bpādti Hārō Agkhara Yandtang I Dti Wi Sē Sa Bpa Dti Rūbpang Imang Gāya Pan Ta Nang A Ti Thā Mi
Luang Por Dtat of Wat Chai Na Empowering amulets in his alms bowl
Pra Pim Khun Phaen Yord Khun Pol: A Sacred Amulet of Protection and Blessings
In the world of Thai amulets, few hold as much prestige and power as the Pra Pim Khun Phaen Yord Khun Pol. Crafted from Nuea Pong Toop Sacred Incense Powders, this amulet originates from the revered Luang Por Phern Tidtakuno of Wat Bang Pra temple in Nakorn Pathom.
Pra Yord Khun Pol Luang Por Phern front face
(Above Image: Pra Yord Khun Pol Hlang Suea Run Udom Prachanat 2541 BE – Nuea Pong Toop – Luang Por Phern Wat Bang Pra)
This exquisite amulet has undergone a sacred process to accumulate the blessings of Buddhakhun Power. It’s noteworthy for the mildew formation (‘Kraap Kru’) on the surface, a testament to its sacredness. The rear face features the powerful Yant Suea Maha Amnaj Tiger of Commanding Power, inscribed in Khom Agkhara.
The Pra Pim Khun Phaen Yord Khun Pol holds a special place in the world of Thai amulets. This amulet is renowned for its multifaceted benefits, including Serm Yos (Increase Status), Maha Amnaj Commanding Power, Kong Grapan Chadtri Invincibility, Klaew Klaad Evasion, and Maha Pokasap – Maha Lap Wealth Increasing powers.
Pra Yord Khun Pol Luang Por Phern Rear Face with Yant Suea Maha Amnaj
Pra Yord Khun Pol Luang Por Phern Tidtakuno Wat Bang Pra 2541 BE
Pra Yord Khun Pol Luang Por Phern Tidtakuno Wat Bang Pra 2541 BE Rear Face
Close Up of Muan Sarn of Front Face of the Pra Yord Khun Pol Amulet
Close Up of Muan Sarn of Rear Face of the Pra Yord Khun Pol Amulet
The amulets created by Luang Por Phern Tidakuno (Wat Bang Pra) are highly esteemed for their exceptional powers. They are highly sought after by collectors and devotees worldwide. The Pra Pim Khun Phaen Yord Khun Pol belongs to the ‘Benja Pakee’ Family of Five Regional Top Yord Khun Pol preferred Models.
The five kinds of Yord Khun Pol amulet within the five top Benjapakee of the Yord Khun Pol Niche are:
Pra Ruang Rang Pern – Wat Pra Sri Radtana Maha Tat (Sukhothai Province)
Pra Huu Yaan – from the Kru Burial Chamber find at Wat Pra Sri Radtana Maha Tat in Lopburi
Pra Chinarat Bai Sema, from the Kru Burial find at Wat Pra Sri Radtana Maha Tat, in Pitsanuloke
Pra Mahesworn, from the Kru burial archeological find at Wat Pra Sri radtana Maha Tat, in Supanburi
Pra Ta Gradan from the famous Kru Burial find at Sri Sawad, considered to be an amulet that is over 500 years old.
Pra Yord Khun Pol Luang Por Phern bottom edge view’
Luang Por Phern (Pra Udom Prachanat) is a revered and internationally famous monk known for his promotion of Sak Yant Sacred Tattoos and his powerful amulets. Devotees from around the world revere him for the miracles attributed to his amulets.
Luang Por Phern’s amulets, like the Pra Pim Khun Phaen Yord Khun Pol, are highly valued for their Kong Grapan Chadtri, Maha Pokasap, Metta Mahaniyom, Serm Duang Klaew Klaad, and Maha Amnaj powers. For those who revere the Great Luang Por Phern, the Pra Pim Khun Phaen Yord Khun Pol is a symbol of auspicious blessings. The connection between the devotee’s faith and the Metta of the Guru Master often leads to miraculous events attributed to amulets.
Attributed Powers:Kong Grapan Chadtri, Maha Pokasap, Metta Mahaniyom, Serm Duang Klaew Klaad, Maha Amnaj.
Pra Yord Khun Pol Luang Por Phern Tidtakuno Wat Bang Pra 2541 BE
The Pra Kam Khaw amulet is an inimitable Thai Buddhist amulet that has become world-famous due to its association with LP Lersi Lingdam, an Arya Sangha Guru Master of Wat Ta Sung. Luang Por Ruesi Lingdam was not only a renowned Buddhist but also a master sorcerer, who worked with the great Luang Por Parn of Wat Bang Nom Kho.
The Pra Kam Khaw amulet is the most well-known amulet associated with LP Lersi Lingdam, and is widely believed to possess miraculous powers. The first edition of Pra Kam Khaw amulets was made in 2533 BE, and consisted of 10,000 amulets. The amulets are famous for their strong power of Lap Sakkara (honorable status, promotion, and wealth), as well as their powers of Metta, Klaew Klaad, and Kong Grapan. The Pong Puttakun (sacred powder) is visibly risen to the surface, making it recognizably authentic.
LP Lersi Lingdam’s Mastery of Muan Sarn
LP Lersi Lingdam was a master of Muan Sarn, the process of creating sacred powders, and was known to make Buddha statues from powdered dried rice from his alms bowl. According to LP Lersi Lingdam, Luang Por Parn advised him to keep the first handful of the most delicious meals and empower them with incantations. Luang Por performed this for four months, constantly keeping and empowering the dried rice wherever he travelled.
Even if he came to Wat Ta Sung, he had to keep the first handful of the meals and store the Muan Sarn because the Wicha only works if the rice is kept for a period of three months of daily collection. If a single day is left out, the Wicha does not work. When the period of three to four months was finished, Luang Por Parn used the Muan Sarn to grind into sacred powders and built a Buddha statue for the shrine room where the monks would pray together.
Sacred Powers of the Pra Kam Khaw Amulet
The Pra Kam Khaw amulet comes in its original box and condition from the temple of Wat Ta Sung. These amulets are highly sacred, and believed to possess miraculous powers. LP Lersi Lingdam’s amulets are seen as a total surety for a definite result, due to the true and pure practice and dedication of this Olden Days Buddhist Guru Master, whose teachings have led so many lay devotees and ordained Monks to a higher understanding of the Dhamma.
His Abhinyā powers are irrefutable by Thai Buddhist people. The Pra Kam Khaw amulet is a must-have for any devotee of LP Lersi Lingdam and is widely believed to bring protection, wealth, and good fortune to those who wear it.
The Pra Pong Roop Muean Sacred Powder Votive Tablet image of the Great 18th Century Monk, Luang Por Chaem, was released by the Gammagarn Comittee of Wat Chalong, for the Golden Jubilee Celebration Edition in 2539 BE, commemorating the 50th Year of Reign of His Majesty King Bhumipol Adulyadej. This sacred powder amulet is made in Nuea Pong Ittijae and features the classic image of Luang Por Chaem standing with the Bai Pad Yos Royal Fan, which is often used for classic celebratory memorial editions at Wat Chalong.
The amulets of Luang Por Chaem of Wat Chalong are held in high regard by Malaysians and Singaporeans who have visited Phuket since the colonial era. These visitors pay reverence to LP Chaem and the lineage masters by visiting the temple of Wat Chalong. His amulets are considered to be miraculous and are sought after by those who believe in the power of sacred objects.
Luang Por Chaem was born in the heart of Phang Nga Province, in the year of the Gun, 1827, during the reign of King Nang Klao. He was to become perhaps Phuket’s most internationally famous master monk from the 18th century to this very day. Officially in his Dhamma Trajectory, he became known as Pra Kru Wisutwongsajarn Yan Muni, but to many, he was simply Luang Por Chaem.
He was a man of great piety and discipline, becoming the former abbot of Chaithararam Temple, or Chalong Temple, and was held in high esteem by the people of Phuket. Unfortunately, there is no documented evidence of Luang Por Chaem’s parents’ names, as it was common for country folk in Siam during that era to forgo the registration of birth, death, and even marriage certificates. It was a time when traveling to the closest government office was difficult, especially for those living in the countryside, and as such, these matters were not of great importance to them.
At a young age, his parents sent him to live at Wat Chalong, in the Chalong Subdistrict of Thung Kha District, now Mueang Phuket District. Here, he became a disciple of Father Than Kao Abbot and was ordained as a novice and eventually became a monk, studying Vipassana Kammathana Mindfulness Practice, and Wicha, at Wat Chalong until he became proficient.
Luang Por Chaem was known to be strict in the Dhamma and discipline, commanding the faith and devotion of the villagers in general. As such, he was later appointed as the abbot of Wat Chalong. In the year 2419 BE (1876), a group of Chinese tin miners instigated an uprising in Phuket. Luang Por Chaem’s disciples urged him to flee and hide, but he refused to leave the temple and escape. In a show of support, his disciples joined forces to fight to protect him and asked for Pha Yant Pha Yant Prajiad cloth as a morale booster. Luang Por Chaem complied with the request, and this group went on to win the Battle of the Triads.
The victory inspired more people to join the fight against the Chinese triads, relying on the Pha Yant Prajiad cloth made by Luang Por Chaem as a source of inspiration. The Chinese triads were eventually chased away from Chalong village, and the following year, there were no more attempts to rob the village.
Due to his merits in suppressing the Triad Rebellion, Luang Por Chaem was granted a portion of the merit by the Phuket Political Department. His Majesty The King graciously appointed Luang Por Chaem to have his ordained name of ‘Pra Kru Sangkha Pha Moke’, of Phuket to be changed, and that he should be awarded the official elevation of status into the High Sangha Priesthood as “Pra Kru Wisutwongsajarn Yan Muni”. He was conferred this name at Wat Chalong Mai (Wat Chaithararam). This means that he was considered to have accumulated spiritual merit, which is believed to bring about positive effects in the afterlife. This merit was likely granted to him as a reward for his contributions to the community and to Buddhism.
In addition to his spiritual merit, Luang Por Chaem was also awarded with various honors and titles for his services. He was granted the title of Phra Kru (monk with royal patronage) by King Chulalongkorn and was later promoted to the rank of Phra Khru Pariyattikhun (senior monk with royal patronage) by King Vajiravudh. He was also appointed as the abbot of Wat Sam Pao in 1907 and served in this position until his death in 1935.
Luang Por Chaem’s legacy lives on in Thailand and beyond. He is remembered for his contributions to Buddhism, his efforts to promote education and social welfare, and his exemplary life as a monk. Many temples and organizations have been named after him, and his teachings continue to inspire people to this day.
A rare and famous classic Thai Buddhist amulet from yester-year; of the ‘Krueang Rang’ talismanic variety The Look Om Maha Sanaeh in Nuea Tao Pong Yuk Wat Mai Phai (sacred powders from the Wat Mai Phai early era), with Pong Ittijae powders, from Supannburi Master Luang Por Sanguan, of Wat Phai Pan Mer, released in 2500 BE, the anniversary of 2500 Years of Buddhism.
Luang Por Sanguan, was a very famous master of his time by hearsay, for his reputation preceded him, by devotees telling their stories of his powerful amulets, and the successes they had with them, and from his great merits as a monk. He was famous for Metta Maha Niyom Magic above all, and is known to have made a large variety of different types of amulets, for, as was often the case with 19th and 20th Century Master Monks, he was an Adept in many Magical Wicha. But perhaps the most famous of his Wicha was the Look Om Tao, for its immense power to charm and enchant.
His many sacred powder amulets were considered extremely powerful, through Luang Por’s use of Sacred Pong Ittijae Muan Sarn Powders which were made by Luang Por Sanguan himself, over his whole lifetime trajectory, constantly rewriting the Sacred Pong Lob Yantra and repeating the empowerment on the powders. This repeated empowerment of the Ittijae powders over many years of his practice.
Luang Por Sanguan is known to have mastered all of the methods for all five of the ‘Pong Wised’ Sacred Muan Sarn Powders; Pong Bpathamang, Puttakun, Trinisinghae, Ittijae, and Maharach. He was especially known for his ability to mix these powders with sacred herbs and other ingredients. He would empower with Metta Maha Niyom and Maha Sanaeh Magical Power of Attraction.
His Look Om became legendary for its Maha Sanaeh power so much, that it gained the nickname of ‘Look Plaek Mae’, which means ‘Makes Son and Mother do not recognizer each other’. This of course is a folk nickname, and is slighly rude, but insinuates that the power of the Look Om Tao, was able to improve even the most unlikely of chances, of charming a person who would otherwise not be interested in you.
It is known that Luang Por would always rely on his Pong Ittijae powders created over a lifetime of practice, to ensure the power within his amulets. This was because he had developed a special affinity with the empowerment of Pong Ittijae. Every time he would release amulets, he would make Look Om sacred powder balls from the Pong Ittijae surplus. Apart from Pong Ittijae, he is also known to have included Rae Saket Daw (meteorite flakes), sacred earths from Wat Ban Krang, and sacred relic minerals found at the temple of Wat Phai Pan Mer.
If we look at the Look Om of Luang Por Sanguan, over his life trajectory, we can see that his early era Look Om were mixed with other ngredients, such as sacred earths, herbs, betal-areca nut paste, channaroeng stingless bees nest paste, and powdered flakes of meteorite.
However, if we look at the Look Om which were made at Wat Phai Pan Mer after his years of Tudong preceding, we can see the sacred clay to be much more uniform like the clay used for his Pra Somdej, resulting in a hard smooth surface that is easy to recognize, even for beginners in the art of studying amulets. Their appearance is very uniform with equally high distribution of Pong Ittijae in each amulet.
This is because towards the latter part of his life, he did not go out on Tudong to the forests anymore to collect other herbs and ingredients, and would use his own Pong Ittijae. It is said that there is a Takrut Maja Sanaeh hidden within the Look Om, intended to increase power of attraction, and good business sales and customer count. Luang Por Sanguan would always oversee the mixing of Muan Sarn to make the sacred clay, and instruct his apprentice monks at the temple in assisting to press the many amulets which were released in each edition.
It is officially accounted from many devotees who visited the temple, that they always witnessed Luang Por Sanguan inscribing Yantra every evening, using a Ruesi Chalk stick made from Yantra powders, to inscribe the hundreds of Sacred Yant used to make POng Lob powders, and keep reusing the chalk residues to make new Ruesi chalk stiicks and repeat the process, for years on end. He would constantly empower the powders he made with incantations, and prayers, taking them into the shrineroom for morning and evening prayers to receive the vibrations of the monks chanting. He would make Look Om himself by mixing the powders with prayer water and other mediums and roll them in his hand, and blow his spells into them, during his nightly withdrawal from the world.
The Great Luang Por Pae, of Wat Pikul Tong in Singhburi is known to have often lauded Luang Por Sanguan, saying ‘Ajarn Sanguan makes very powerful Ittijae powders’. Whenever Luang Por Pae would have a Putta Pisek (Buddha Abhiseka) blessing ceremony, he would always invite Luang Por Sanguan to attend, and send people to go and pick him up and bring him to the temple. In return, it is said that Luang Por Sanguan would always tell his students that Luang Por Pae was a Great and Meritorious monk, and that if they found themselves in Singhburi Province, they should go visit him and pay respects.
Kata (Incantation/Prayer) for amulets of Luang Por Sanguan;
Idti Bpi So Pa Ka Waa Sam Maa Sam Put To Na Mo Put Taa Ya Idti Bpaara Mi Dtaa Dting Saa Idti Sap Pan Ya Maaka Dtaa Idti Po Ti Ma Nu Bpa Dto Idti Bpi So Ja Dtae Na Mo
Kon Tang Hlaay Rak Sa Maa Ka Dtaa So Taa Ya Om Sri Sri Sawad Jaroen – Hnaa Guu Ngaam Hmuean Pra Jantr Muea Wan Pen Bukkon Hen Rak Kon Hen Kon Tak Guu Kun Keuy Dueay Decha Pra Putta Jao Dtrat Waa
Aewam Mae Sudtang Aegang Sa Ma Yang Pa Ka Waa Pitsawaat Hlong Hlai Pitsamay Naeb Nuea Jai Jidtr Kid Teung Klao Kleung Winyaa Wichaa Ja Ra Na Sam Bpan No Ya Taa So Sap Pae Cha Naa Pa Huu Cha Naa
Bpi Maedtaa Bpi Garunaa – Na Maedtaa Mo Garunaa Put Bpen Ti Rak Taa Hai Hen Prajaks Ya Hai Yin Dee Ya Han Dta Waa Taa Mao Mua Put Paa Dtua Ao Ma Haa Guu Mo Som Suu Na Yoo Duay Jon Dtua Dtaay
Idt Thii Hi Bpuu Chi Dtang Sap Pa Sukh Khang Ja Ma Haa Laa Pang Sap Pa Gro Tang Wi Naas San Dti Saa Ra Pad Sa Dtruu Wi Naas San Dti
Om La Luay Ma Haa La Luay Krai Hen Hnaa Guu Gor Ngong Nguay Jong Jai Rak Tak Praa Say On La Mai Ma Haa Guu A Sang Wi Su Lo Bu Sa Pu Pa Na Ma Pa Ta Iswaa Su Ma A U Jidt Dtang Waa Maa Ni Maa
The Most Sacred and Potent Dao Nai Pan Nai Pon Lucky Star Amulet, crafted by the revered Luang Por Pina – a Sacred Charm of Karma Improvement, and a Fortunate Star of Protection, Wealth, Elevated Status, Advancement, and Propitious Destiny. This specimen is of medium size, referred to as Pim Klang, measuring 3.2 x 2 cm. The face of the five-pointed star is painted a radiant red, while the back of the eight-pointed star gleams in silver, a common trait of this particular model. This is the two-faced amulet featuring both a five and eight-pointed pentacle, coated with lustrous silver-orange hued Muan Sarn Sacred Powders. This particular piece is imbued with extra potency, as it contains Mai Gon Fa Pha – the essence of lightning-struck treewood – within its base.
The Dao Nai Pan is a unique amulet, featuring two distinct stars, each with its own significance. On one side lies a five-pointed star, reminiscent of the Military Star, while the other boasts an eight-pointed pentacle, reminiscent of the Police Force emblem. Though these symbols hold great meaning within the context of the military and police force, the true spiritual significance imbued within each star design runs much deeper.
This amulet is often revered for its abilities to enhance wealth through its potent Maha Lap Magick. Yet, it contains within its confines a vast collection of hallowed Buddhist blessings, exerting powerful and propitious effects on the forces of karma. It is tradition to wear the amulet with the pendant ring inclined, as prescribed by the original edition of the Mae Nuea Horm Lucky Star (which was larger in size and featured a crescent moon below the star).
Presenting a rare opportunity to admire an extremely attractive, very well-preserved, and detailed Pra Somdej Gao Chan Hoo Bai Sri Hlang Bpam Yant Hmeuk, Buddha on 9 Tiered Dais Amulet, in Nuea Pong Puttakun, with Sacred Yantra Blue Ink stamp on rear face, from the great Olden Days Master, Luang Por Kee, of Wat Huchang.
Luang Phor Kee of Wat Huchang (also spelled as ‘Luang Por Gee’, ‘Wat Hoo Chang’), was a highly renowned monk in olden days, for his purity of practice. LP Kee, was born in the year 2444 BE (Budhist Era), into a family who were mainly employed in the medical, or natural healing profession. He already knew the Wicha for making holy healing prayer water long before he became a monk, because of his experience with the family practice of healing.
Below; the rear face of the amulet has blue ink stamp with Sacred Yant embossed, and the name of Luang Por Kee, and the Temple ‘Wat Huchang’
Luang Phor Kee was a Looksit of Luang Phu Ee, of Wat Sattaheeb, and usually used the wicha of LP Ee or the Wicha of his other Kroo Ba Ajarn Grom Jaab, one of the teachers of Luang Por Parn of Wat Bang Nom Kho. He taught all of his Wicha to the current abbot, also famous for Palad Khik, Luang Phor Tee, who was also extremely favored for Wicha Palad Khik, Taw Waes Suwan, Brahma amulets, and other talismanic charms such as the Bia Gae.
Below, Just some of the famous amulets of Luang Por Kee presented in encyclopedic works.
LP Kee is known to have spent a long time in the caves and mountains and forests, wandering, around thee land, and visit various masters and temples to exchange experience and seek out magical Wicha with other Masters. It was during this time that he came to know the Great Luang Por Ee, of Wat Sattaheeb in Chonburi, who was and still is considered by many as one of the top Masters of all time for Wicha Palad Khik.
Below Images; Macro Close Ups of Muan Sarn Sacred Powders of the Pra Somdej Gao Chan Amulet of LP Kee
LP Kee also accumulated a plethora of Magical Wicha from many other Masters, such as the Great Luang Phor Fak of Wat Nikom Prachasan, Luang Phor Hluea Wat Sao Chanoke, Luang Phor Glan of Wat Intarawat, LP Sawai of Wat Bridaram, LP Tim of Wat Laharn Rai, LP Yid of Wat Nong Jork, Luang Phor Ding of Wat Bang Wua, Luang Phor But, of Wat Prohm Wiharn, Luang Phor Soke of Wat Pak Klong Bang Krok, Luang Phu Maekh, and Luang Phor Kong of Wat Wang Sapparot.
Luang Phor Kee was constantly visited by masses of devotees daily in his time, for magical healing, amulets, removing curses and performing exorcisms. LP Kee was highly experienced in Wicha, for having received the secret teachings of the Great Luang Phor Ee of Wat Sattaheeb, Luang Phu Daeng of Wat Takian, The Great Luang Phor Parn, of Wat Bang Nom Kho, Jao Khun Bhodi, of Wat Chaiyapreuks Mala, and also practiced under Gong Jaab, Master Adept of the Samnak Wat Pradoo Song Tam in Ayuttaya, and teacher of some of the greatest Guru Monks of that Era, in Khom Agkhara and Spellcasting methods.
Even though Luang Por Kee is long since passed away, his amulets remain as popular today, as they were during his lifetime, as does the memory of his humility and diligent practice of purity, and the work he did helping the poor, healing the sick, and restoring and improving the temple of Wat Huchang. His Por ‘Khun Palad Khik’ were highly sought after even in his time, for his ritual that would make the Palad Khik rise up and stand up on their own when LP Tee would stroke the head of the Palad Khik, and chant “NA NA NA NA”
The Palad Khik of Luang Phor Kee became very popular with bandits and gangsters, as well as amorous casanovas, who love nocturnal activities to seduce lovers, who would stroke the head of the Palad Khik three times and chant ‘NA NA NA” before approaching a lady or before confronting an enemy. Luang Phor Kee is often confused with Luang Por Tee, also of Wat Huchang, because both passed their magical tests at Wat Pradoo Song Tam. It is the tradition at Wat Pradoo Song Tam to grab the hand of the apprentice, and force his hand to inscribe the Khom Agkhara spells, in exactly the same way with all students.
And so the inscriptions of Luang Por Kee and Luang Por Tee, both famous for Palad Khik, and both attributed to the temple of Wat Huchang, are very similar, and takes an expert to separate one from the other. One easier way to tell, is that LP Kee has slightly more graceful handwriting than LP Tee, and that LP Kee made small, and medium sized Palad Khik mostly, whereas those from LP Tee were often much larger, ranging as large as up to 6 inches.
The Palad Khik of Luang Phor Kee, and Luang Phor Tee, are equally classed by most groups of aficionados, as one of the top 4 Palad Khik of all time The Palad Khik of Luang Phor Kee, and LP Tee, of Wat Huchang, are both highly esteemed on a National and Historical level, to the point where they can be mentioned among the list of the great Palad Khik of the greatest Masters in recorded history.
The Palad Khik, and other amulets, such as the immensely rare and preferred ‘Pra Somdej Hlang Ma A U‘, Bia Gae, and Takrut of Luang Por Kee became very popular, because many market traders and other devotees who received one of his amulets, all recounted high business success and improvements in quality of life, or stories of gun-stopper magic, and evasion of deadly accidents.
Luang Por Kee’s amulets became hence, a common folk tale, not only with local devotees, but also throughout the country. This made the successes of devotees wearing his amulets well known, and LP Kee came to be recognized across the country, as a Master Monk of National Fame and Status, with Powerful Magical Prowess He was often visited for help by devotees for his Wicha in healing illnesses and exorcising ghosts, demons and possessed people. His Coin and Sacred Powder Amulets, Takrut, Bia Gae, and Palad Khik remain amongst the hardest to find amulets, and of course, his World Famously Powerful Palad Khik. Of his Palad Khik, some hold a very much higher price for their rarity when carved in ivory or coral, instead of wood.
Luang Phor Kee remained Abbot of Wat Huchang for many yeaes, serving his devotees, the community, the temple and contributing to Buddhism, as well as develping his Magical Powers throughout his trajectory, until his passing, on the 10th March 2522 BE at the age of 78. His amulets remain among the most preferrred and sought-out, especially with Thai Buddhist Devotees of Paklad Khik, Takrut, and those adherent to the great Wat Prasat 2506 Ceremony, for his Pra Somdej U A MA amulets.
A Documentation of the Dtamra, behind the The Miraculous Pong Solos Maha Prohm Sacred Muan Sarn Powders of LP Tim Issarigo, of Wat Laharn Rai
Amulets made from the legendary Nuea Pong Solos Maha Prohm Sacred Powders of Luang Phu Tim Issarigo, are renowned for their sacredness, with all models being extremely rare, and highly favored by high-end collectors of sacred amulets. The Muan Sarn Sacred Ingredients used for these immensely rare amulets, was gathered and donated to Luang Phu Tim, by Ajarn Pathom Aaj Sakorn, of the Baan Kaay Co-Operative. The powders were empowered by Luang Phu Tim, using the Wicha Solos Maha Prohm, which is an extremely complex and difficult Magical Wicha to accomplish and Master, resulting in only a few Masters over the ages having managed to successfully manifest this kind of Magical Empowerment.
The Wicha Solos Maha Prohm is composed in part by the inscription of spells using Agkgara Tamma Khom-Lao (Khmer-Lao Magical Sanskrit), within a Sacred Geometrical Design, using the powders as ‘Pong Lob’, to inscribe hundreds of spells within the pile of powder, laid on a blackboard (written by erasure). The Wicha Maha Solos Maha Prohm, invokes the 16 Angelic Beings of the Heavenly Realms, the 15 Kinds of Earthbound Sacred Spirits, the 14 Deities of the Bodhala Underworlds, and the Deities of 21 Brahma Dimensions, where the Bhagava and Sudhavasa Brahmas dwell, to endow the amulets with Blessings.
The Muan Sarn ingredients used for Pong Maha Solos Maha Prohm include;
Pong Solos Maha Prohm of Luang Phu Sri Tat of Wat Dork Gaew in Nakorn Phanom, Solos Maha Prohm Powders from Yogi Hareb (Ajarn Cheun Jantra Paetch), from India, the Legendary Pong Nava Lokuttara (9 Unworldly Powder) of the Great Luang Phu Sonti of Wat Ta Dork Gaew in Nakorn Phanom, Pong Solos Mongkol Pitsadarn of Luang Phu Hiang of Wat Aranyikawas in Chonburi, Pong Na Bad Talord Dtai Gradan of Luang Phu Bun Mee, of Wat Po Sampant (Famous for its Classic Edition blessed by LP Tim and LP To (Wat Pradoo Chimplee), Pong Radtana Mala from Ruesi Sandtajidt (‘Tan Chao Prakhun Pra Ariya Kunasarn’ otherwise knwn as Luang Por Seng Bpusso), of Wat Khaio Suan Kwang, in Khon Khaen.
Pong Jet Jantr Paen, and Pong Prohma Lok (Brahma World Powders) of Pra Ajarn Wang Thidtasaro, of Phu Langka, Pong Samputta Hongsa of Pra Ajarn Fan Ajaro (Sakon Nakorn), Pong Sandta Nakae (7 Naga King Head Powders), which is a powerfully prepared Yantra Powders using Numerology and Gematria found within the Kampir Wicha Trinisinghae, using Pong Lob Yantra Powder Inverted Inscriptions according to the formula of Jet Koon Jet Harn (Multiply 7 Times and dissolve 7 Times = 7 by 7 repetitions, and divisions/encryptions of the Magic Spell). This spell seals the Magic of the Ongkanakae 7 Naga Kings’ powers within the Muan Sarn, through invocation of the Kata Chant ‘Bot Puchong Boripadtra’.
Additional ingredients included; Pong Bailan Sacred Grimoire Parchment Soot, from 108 Ancient Sorcery and Buddha-Magic Tomes in various Magical scripts such as Agkhara Khom, Mong, Pali, Sanskrit (Devanagari), and in Aksorn Tam Isan. The powders were made by burning the Grimoires in a fire, and performing recitations of the Dhamma in Buddhist Chanting. The soot is then collected and used as a sacred Powder.
Din Khuy Pu 108 Ruu Pu (sacredly empowered sand from the holes of 108 beach crabs, considered a powerful type of substance).
Earths from the tops of mountains where no foot has ever been set before, collected by Monks and Ruesi on Tudong Wilderness Wandering Practice.
Funereal and Cemetery Earths from 4 Spirit Dwelling Monastery Graveyards.
Sacred Black Rice from Ancient Kru Hiding Chambers, discovered in Buddhist Relic Stupas.
Rang Hmaa Raa Bpid Bpid Pragan (Magical Mimic Hoverfly/Ceriana wasp Earthen Nest Powders)
Klai Sema Paed Tidt Temple Boundary Wall Residue from 8 directional points around the temple.
Gabin Wan Bod La-Iad (108 finely ground Herbal Substances).
Pong Bpathamang, Puttakun, Ittijae, Dtrinisinghae 5 Sacred Yantra Powders, mixed with Pong Tat Tang See 4 Elements Powders, using Herbal Lacquers.
Luang Phu Tim Issarigo, of Wat Laharn Rai, was one of the Top Masters of the Twentieth Century, world famed for his powerful Sacred Powders, especially the Pra Khun Phaen Pong Prai Kumarn, Look Om Prai Kumarn, and other Pong Prai Kumarn Amulets, Takrut, Carved Images & Talismanic Charms. Recent times have seen the uncovering of more documentation about the grand pantheon of his amulets, till yet unheard of except by the older locals of Ban Kaay, and devotees of Luang Phu Tim. This has caused a grand resurgence of interest with devotees, curators, and high end Thai amulet collectors. Luang Phu Tim’s amulets are extremely favord and sought after for their Metta Maha Niyom, Maha Sanaeh, and Maha Lap Maha Pokasap Magical properties.
Pra Kroo Pawanapirat, or, commonly known as Luang Phor Tim Issarigo, was born on the 16th May in the year 2422 Buddhist Era, This was during the time of His Majesty King Rama 5. Luang Phor Tim was born in Ban Hua Tung Ta Budtr in Tambon Lahan, in Ban Kaay Municipality of the Province of Rayong. LP Tim lived to the age of 96 years old, when he passed away on the 16th October in the year 2518 BE, with 69 years of ordained life behind him.
Pra Khun Phaen Pong Prai Kumarn Nuea Wan Plai Dam Pim Bai Sema Amulet – Luang Phu Tim Issarigo, Wat Laharn Rai (Rayong)
This amulet, is a classic original Khun Phaen Bai Sema early era design, which is extremely rare, and known only to those who have studied the amulets of Luang Phu Tim with great fervor, and to those older devotees of the area around Wat Laharn Rai. This amulet comes with Certificate series No 1449 of the 11th August 2562 BE Luead Ban Kaay Luang Phu Tim Amulet Conservation Association Meeting. The amulet was entered for certification, but not competition, due to lack of other competitors with the same amulet (This was the only one in the whole show).
This exhibit allows viewing of all the fine details of the design, and is visibly authentic to the naked eye. The Muan Sarn Sacred Powder Clay is Highly Attractive to the Eye. An amulet of great beauty, and rarity, and in the highly preferred, and rare to find black Plai Dam powders, for serious collectors/devotees of the amulets of Luang Phu Tim. Perhaps a once in a lifetime chance to find this extremely rare Pim Bai Sema.
This exhibit is in excellent condition and well kept, with highly refined details and features, and most certainly worthy of show in the allocated competitions of its genre. The surface texture of the Muan Sarn Sacred Powders has developed the classic fluffy appearance that reveals high Pong Prai Kumarn content within the black Pong Wan Plai Dam Sacred clay.
Our proprietor Ajarn Spencer, states that this is the first and only exhibit he ever managed to find, during his years collecting and studying in the Chonburi-Rayong area around Wat Laharn Rai, and that he considers it perhaps the rarest one he has had to seek out. This Pim is a very well preserved exhibit, of a highly sought after Pra Niyom Master Class Amulet, that is now extremely rare to find, since the massive revival in interest in Luang Phu Tim’s amulets, after the truth of his early amulet editions, and the now famous Pra Khun Phaen Pong Prai Kumarn 2515 BE Edition ‘forbidden history’ amulets were revealed to the Public.
Most of the amulets of Luang Phu Tim which were previously untalked of, and unheard of, due to lack of documentation till recently, have been snapped up during recent years, since their dramatic discovery and appearance in the international public eye.
It is very rare to find Luang Phu Tim’s Nuea Wan Plai Dam black powder Khun Phaen amulets, because many people take a great preference to the appearance of the Khun Phaen in black color, and more so, because of the famously powerful magic found within Pong Plai Dam Black Sacred Magical Earths, which is also mysteriously magnetic. Nuea Wan Plai Dam is known for both power of attraction, and Kong Grapan invincibility magic.
This all-time classic Pra Khun Phaen Pong Prai Kumarn of the Great Luang Phu Tim, of Wat Laharn Rai, is one of the most famous amulets of all time, and highly renowned for its true power to bring prosperity, good business, power of attraction, and mercy charm to the wearer. The reason this amulet became so world famous and popular, even in the time when Luang PhuTim was still alive, is because everybody who owned one, recounted that business and personal success and prosperity had increased constantly and steadily since wearing the amulet.
Luang Phu made other editions throughout the years, and most definitely made between 2505 BE, right up to his passing in 2518 BE. The early era and especially the 2515 BE Pra Khun Phaen Pong Prai Kumarn edition, are now the most preferred of all, overtaking the 2517 BE ‘Block Raek’ series, which is now considered by most to have been made by conmen. We must however add, that the official document of permission signed by Luang Phu Tim for the Bangkokian Association Owners, did list all the famous amulets we know from this edition, but that the Pra Khun Phaen was not on the list, and omitted. This means that Luang Phu gave permission for them to make (and take most back to Bangkok with them to monopolize).
We believe that Luang Phu Tim began making amulets at least 35 years before he passed away (which would be around 2483-2485 BE), as most Master Monks begin distributing their amulets around age 50 if not long before (usually long before), and it is not credible to believe the Bangkokian Monopolists, that Luang Phu Tim only made Pra Khun Phaen amulets in 2517, the final year before he passed away (Impossible!). This is underlined by the fact that there is photographic evidence that Luang Phu Tim was already a notionally acclaimed Master, invited as one of the 245 top masters to bless amulets in the Wat Prasat 2506 BE 4th biggest blessing ceremony in the history of Thai Buddhism, and many other important ceremonies in the years from 2500 BE onwards.
It is hence impossible that if Luang Phu Tim was already being asked to assist with other Great Masters ike Luang Phu To Wat Pradoo Chimplee, Luang Por Jong, Por Tan Klai, Luang Por Ngern Wat Don Yai Horm, and the like, that he would not already have attained fame for empowerment with his own amulets beforehand. It is merely that the bangkokian Monopokist showroom owners and book publishers, only first ever heard news and traveled to Wat Laharn Rai when it was already almost too late, in the final year of Luang Phu’s life. This is also proved by the fact that these Bangkokian 2518 BE-Only monopolists publish books showing Luang Phu Tim’s first edition Samanasak Monk Coin, from 2510 BE, as he was given a Royally Decreed Title of Pra Kroo, which is an act of State Recognition of his merits and a raising of status to be a Royally Accepted and Decreed Monk.
Hence, if Luang Phu Tim was elevated to a Royal Decree status in 2510 BE, and count were made to celebrate the occasion, how can the Bangkokian Monopolists dare to claim that Luang Phu Tim only ever made amulets in 251`7, and that the only Pra Khun Phaen he made were in 2517, the last year of his life. This makes no sense, considering, the reason the Bangkokians sponsored the 2517 BE edition, was because Luang Phu’s fame for his mastery of Wicha Pra Khun Phaen Pong Prai Kumarn had reached their ears.
For it to reach their ears sitting on their butts in Bangkok, it seems to have taken at least 17 to 35 years at least for them to actually get the wax out of their ears. Lazy traders in lazy seats in lazy Bangkok showrooms. They do not travel all the time, and they were not at the temple of Wat Laharn Rai through all the years Luang Phu was there. These Bangkokains merely turned up in Luang Phu’s final year and sponsored an edition, and used book publishing to suppress knowledge of the previous editions they never got to monopolize (by buying them all and waiting till they get rare, sitting on them to speculate).
The Pra Khun Phaen Pong Prai Kumarn is a preferred choice of both the wise investor and devotee, as well as the perfect choice for those Devotees who seek the immense power of Luang Phu Tim’s now Legendary amulets. The Muan Sarn Sacred Powders of the Khun Phaen Pong Prai Kumarn Luang Phu Tim, are renowned for their power, made from the skullbone of a Hoeng Prai. Luang Phu Tim’s Pra Khun Phaen Pong Prai Kumarn, Pim Yai, and Pim Lek amulets are amongst the rarest and most highly sought after amulets in Thailand, and are very difficult to encounter, due to having been made in small number editions, which is nowhere near enough to provide for the masses of devotees around the world who seek such an amulet as this.
One can see a very fluffy and rich texture of the clay visibly on the surface of the amulet, in reaction with the Muan Sarn Sacred Powders. It is a part of the amulet appreciation society expert’s method of authentication to examine and study the appearance of how the Muan Sarn Sacred Powder develops in surface texture, tonality and porosity of the surface, as well as the appearance of Luang Phu Tim’s famous Pong Prai Kumarn which rises up and through the surface.
We ourselves feel that all of Luang Phu Tim’s amulets are equally Sacred and Powerful in their own way, regardless of which edition or which temple he blessed them at, but we do, as do all Amulet Appreciation Fanatics, recognise the categories of preference within the hierarchies of different editions, which is for us one of the more subtle and fascinating parts of the study of high end amulets within the collector scene, and part of the fine art of learning how to recognise and value Sacred Amulets of High Preference and Rarity.
The Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim amulet, has has been one of the most popular amulets in the whole Pantheon of Thai Buddhist Amulets of the last century, and of all time, and is now almost impossible to encounter commonly anywhere in any amulet emporium, except for the most elite showrooms, and at elevated prices. This Pra Pra Khun Phaen Pong Prai Kumarn Pim Bai Sema, is even rarer than the Pra Khun Phaen 15, and a highly desirable exhibit, that is among the rarest amulets in the pantheon of this master.
The Sacredness of the Pra Khun Phaen Pong Prai Kumarn is legendary and unquestioned in Thailand, and its magical power is commonly accepted by all. The Muan Sarn Sacred Powders of the Pra Khun Phaen Pong Prai Kumarn are considered to be amongst the most powerful powders to empower amulets in existence. This amulet is a wonderful opportunity for devotees who seek the true power of a world class amulet from a world class Master-Monk, and a wonderful Ongk Kroo reference study exhibit to peruse under the eye loupe. The amulet is a perfect and authentic study material, to train the eyes as to the appearance of the Muan Sarn and Surface textures of the Classic amulets of Luang Phu Tim Hence, the amulet is also a perfect ‘Ongk Kroo’ reference study material for students of the Pantheon, and will increase your chances of spotting an essential rarity at the right price, and without danger of risking a fakery.
The making of the Muan Sarn Sacred Pong Prai Kumarn powders Luang Phu Tim, came from the Wicha which Luang Phu had inherited through apprenticeship form one of his high Kroo Ba Ajarn, Kroo Ba Sangkh Tao, who was also his true Uncle. Part of the formula included Pong Prai Maha Phuudt, which was made from the Skull of a male Kumarn who died in the Womb, and who died on a Saturday and was cremated on a Tuesday. This is part of the ancient Khmer Necromantic Formula for Authentic Powerful Prai Occult Magic, as practiced in Ancient Times. It is said that Pra Kroo Sangkh Tao’s Wicha Akom was so powerful that when he spat on the floor, the floor would crack where his spit would fall.
Due to the fact that Monks are not allowed to seek and find this Sacred and Extremely Powerful Necromantic Substance, Luang Phu would perform Korb Kroo Initiation for protection against Black Magic and the Phuudtaa Spirit Phantoms, so they could go forth to seek and find the substances to donate to him for the making of the Pong Prai Kumarn. The Initiated Lay Devotees and Apprentices to his sorcery, would then wait for the news of the right circumstances of death of Kumarn Ghosts, and go out to collect the substances and prepare them as instructed with the Wicha. They would seek the permission of the relatives of the dead, to obtain the substances to enable the ghosts of the deceased to receive merits to free them from their Karmic residues by donation of their mortal remains to be made into amulets.
They would receive the ceremonial ritual liberation of their souls from Luang Phu Tim, who would speak with the spirits of the dead to receive their acknowledgement for the process of transformation through the Nibbana Sutra, and the Muan Sarn would then be prepared according to the Dtamra Saiyasart of Necromancy, to make the Pong Prai Kumarn.
Luang Phu instructed his apprentices and the relatives of the Funerals to take care not to incinerate the whole skeleton, but to keep the skulls to bring to Luang Phu to use them for the making of the Pong Prai Kumarn. This is one of the reasons why his Pong Prai Kumarn is so powerful, because it does not contain the skeleton bone powders, rather, only those of the skulls. As a result, Luang Phu Tim’s Pong Prai Kumarn has been recorded by experience of devotees to posses the highest Maha Pokasap Power of all Pong Prai Kumarn ever made, with Immense Metta Maha Niyom and Klaew Klaad Power, to induce Mercy Charm, Attract Lucky Fortunes (e.g. Lottery Winnings), and to Protect from Deadly Accidents and Disasters.
Luang Phu Tim Issarigo, is of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders. Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Khun Phaen Pong Prai Kumarn, and Look Om powder balls. As to the classic ‘Rian’ type coin image amulets which have become all time favorites, and eternally, world famous classic amulets of the high end variety. His Rian Jaroen Porn, and Rian Nakprok Paed Rorp are among the most highly sought after coin amulets of all.
Since his passing, his devotees and apprenticed monks, have now become the world’s top living masters for the making of Pra Khun Phaen Pong Pra Kumarn, and literally dozens of encyclopedic books, have been printed, documenting both this great master monk, and his classic amulets of high esteem. Buddhist monk coins with his image and others with Buddha images and other deities and imagery are amongst the most highly collected amulets and most expensive of all of the great Luang Phu Tim. He has various direct lineage apprentices, Who are continuing to progress and spread his most powerful and world-famous Wicha.
Of all of these masters, certainly the most famous, preferred and highly respected Looksit, was Luang Por Sakorn, of Wat Nong Grub, who is also now deceased, and whose amulets are fast becoming just as highly sought after. Following this Master one could possibly estimate the great Luang Phu Sin, of Wat Laharn Yai, Luang Por Rat of Wat Pha Hwaay, Luang Por Foo of Wat Bang Samak, and Pra Ajarn Somkid, of Wat Beung Tata (Rayong).
Presenting a rarely-seen Master-Class Amulet of the Great Luang Phu Hmun; the Muan Sarn Sacred Powders Variety, the Pra Sivali Ruay Tan Jai Pim See Liam Hlang Yant – Nuea Pong Puttakun Pasom Wan 2543 BE. Only about 3000 amulets were made in this series, which considering the popularity of Luang Phu Hmun’s amulets and the passage of time since their release, means that almost all of them already reside with devotees who refuse to part with them.
This is hence, a rare chance to admire the highly prized limited edition Pra Sivali Hlang Yant amulet. of LP Hmun Tidtasilo (Wat Ban Jan), in Nuea Pong Pasom Wan. This is a very perfectly well preserved exhibit, which was released during the famous 2543 BE ‘Ruay Tan Jai’ (Rich as Your Heart Desires) edition, at Wat Pha Nong Lom.
The front face of the amulet depicts Pra Sivali (also called ‘Pra Chimplee’ in Thai Buddhist Etymology), carrying a Glod Umbrella and Alms-Bowl, on Tudong, wandering through the forest.
Pra Sivali LP Hmun 2543
The Rear Face of the amulet has a Sacred Yant embossed upon it, with the Sacred Kata Hua Jai Heart Mantra of Pra Sivali, in Ancient Khmer Sanskrit (Khom); ‘NA CHAA LEE DTI’. Below the Yant, are the four elements invoked, with the syllables ‘NA MA PA TA’
Yant on Rear Pra Sivali LP Hmun 2543
Luang Phu Hmun was born in the year 2437 BE, and was ordained as a young boy aged 14 into the Sangha, as a Samanera Novice. He was later then ordained as a fully fledged Bhikkhu, when he came of age, in the year 2460 BE. He remained Ordained throughout his life.
Luang Phu Hmun was a Maha Thaera Guru Monk of great age and who received Great reverence and Respect from the people of Tambon Ban Jan for his Diligence and Purity in practicing the Vinaya as a Buddhist Monk.
His predictions and instructions for ceremonial empowerment of amulets after his physical death, have been followed to the letter since his passing, for he gave special instructions to inform as to when and how he would return with his spiritual presence to empower amulets posthumously.
His Miracle Powers are Legendary, with so many stories of Miraculous events related to this Monk, who has seen the Reign of Five Kings in his Lifetime. For this reason he is known as the ‘Pra Maha Thaera Ha Phaen Din’ (Great Senior Master-Monk of 5 Kingdoms)
Luang Phu passed away. on the 11th March of the year 2546 BE, at the age of 109 Years old, after 87 years in the Sangha, serving Buddhism throughout almost his complete lifetime.
It is said, that just before the moment of his passing, LP Hmun was heard to recite these words;
“Whoever wears my amulets, and has an ethical life andf profession, will see their assets increase steadily, have luck and good fortunes in Busines. Gain fame and respect in the profession, and high likeability socially. The Devas will smile kindly upon you and protect you, and point the way forward to success and happiness.
But these blessings will only come to those who do good, think good, and have good intention, and respect the Buddhist Precepts”.
The word ‘Hmun’ means to turn and increase (revolve). Luang Phu Hmun always foretold that those who Bucha his amulets, would turn their luck and fortunes around, and increase their Business Success.
Luang Phu is known to have foretold. that those who Bucha his amulets will be protected from ‘Dtaay Hoeng (premature deadly accidents), and that the Devas will Protect the wearer of his amulets.
Bucha to Luang Phu Hmun. should be performed on a Thursday, and should include offerings of;
16 Incense stick, 2 candles (lit), white flowers, or one puang malai garland.
Hmak Plū Betel-Areca Nut with chewing paste (5 or 16 portions).
A glass of sweet drink such as fizzy drinks,
One roasted catfish, some rice or sticky rice, or fermented rice, or even steamed rice pudding.
Kam Ārātanā Buchā Luang Phu Hmun Tidtasīlō
Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa
Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa
Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa
Luang Phu Hmun Tidtasīlō Ma A U Luang Phu Hmun Tidtasīlō U A Ma
Kata Bucha Luang Phu Hmun
Dtua Gū Lūk Pra Putta Ongk Krū Sit Tudong Ong Āj Mai Bpramāt Krū Pob Roi Gom Dū Jer Krū Grāb Hwai
A Rare Loi Ongk Pra Pid Ta Thaan Sung (high Dais) Buddha Image Statuette amulet, in Nuea Pong Kluk Rak, with hand inscribed Yant Putto, and Khom Inscriptions, from the Great Luang Por Dam, of Wat Mai Nopparam, in Naratiwat Province, in the deep South of Thailand on the Malay border. Luang Por Dam was the first apprentice in the Wicha of Pra Pid Ta Magic, to the Great Luang Por Kron, of Wat Bang Sae. This exhibit differs from many, in the fact that it has had red Rak Chart Jeen Boran coated on the base.
The Pid Ta is made using the very same Muan Sarn Sacred Powders admixture, empowerment, and inscriptions, as those of the Great Luang Por Kron, and the Pra Pid Ta of Luang Por Dam himself, have now become legendary in their own right, and stand alone on their own merits as Pra Niyom master Class Category amulets.
Highly revered and collected by Looksit (Devotees) of his Mentor Luang Por Kron, a Buddhist Master Monk from Malaysia. Luang Por Kron was Abbot of Wat Bang Sae in the province of Kalantan.
He made many Pid Ta amulets which were so very preferred (‘Niyom’). It is said in Thai Amulet circles that, in the same way that we prefer the Pra Somdej Wat Rakang as a Niyom amulet, so, in Malaysia and even Singapore, the Pra Pid Ta of Luang Por Dam, and his Mentor Luang Por Kron, became just as sought after and beloved. Malaysians know Luang Por Dam very well, for his temple is very close to the Malaysian border in Naratiwat, which is one of the reasons LP Dam was able to be a close accomplice of LP Kron, and receive and continue his Wicha.
The Pra Pid Ta amulets of Luang Por Dam of Wat Mai Nopparam, have become ever more comparable and popular to those of his Mentor and Wicha Inheritance Kroo Ba Ajarn Luang Por Kron, for the fact that Luang Por Kron’s amulets are almost impossible to find anymore these days, and the Pra Pid Ta of Luang Por Dam have hence become the favored alternative, for they are considered to possess the magic of both Masters.
Below; Luang Por Kron – Wat Uttamaram (Kalimantan Malaysia)
As to Luang Por Dam’s Mentor, LP Kron, Malaysian Buddhists do not often call him Luang Por Kron as Thai people do, rather ‘Tok Racha‘, which means something similar to Thailand’s top Royal Monk always being called ‘Pra Sangkaracha’.
It is said that despite the fact that most of the surrounding households in the vicinity of Luang Por Krons temple were Muslim, that he earned their respect, and was an honored person. He was not called Luang Por Kronby Malays, as we call him in Thailand, rather, was named ‘Tok Raja’, which means ‘ as equal to the Sangha Raja’ .
The reason for this comes from a legend that the daughter of a powerful Sultan of Kalantan was cursed with a black magic spell, which caused his mind to become strangely affected, and even doctors and psychologists could not help to cure him, and even the Muslim witch doctors could not break the spell with their magic.
But Luang Por Kron was able to heal her, and return her to sanity. This caused LP Kron to recieve great respect from the Sultan who then gave him the honorary name of Tok Raja. His most preferred amulets are the Pra Pid Ta, which were mostly hand made molds, in Muan Sarn Sacred Powders with Lacquer (Nuea Pong Kluk Rak), some very few in carved wood, and a very few are sometimes seen in carved ivory.
Luang Por Kron began making Pra Pid Ta amulets sometime around the year 2480 BE onwards, mostly making hand molded clay models, resulting in each one having a very original appearance, some with very wide legs, others less so. Most were made in Nuea Pong Kluk Rak herbal powders with lacquer mixed into the clay, and hand molded, to form an inimitable effect that has made his Pra Pid Ta amulets so original in design.
Many of his hand molded Pid Ta do not have a dais and have very wide legs, whereas others have a more standard form with inscription, and less wide legs, and usually with inscriptions of Unalome and Yant on the surface of the image. His other highly preferred amulets among devotees, are the Rian Roop Dork Jik 1st edition coin of 2500 BE, and the second edition coin, the Rian Roop Khai of 2505 BE.
A Top Master-Class amulet, from LP Dam, first apprentice of Malaysia’s Greatest Master of the Wicha Pra Pid Ta
The Pid Ta can be used as a Loi Ongk Statuette on the altar for Bucha, or be worn as an amulet encased. This exhibit is highly recommended to use for altar worship, as it has a wide sturdy base, and is fitting for placement on flat surfaces.
An Authenticated and Certificated Pra Somdej Hlang Yant Trai Pim Pised Fang Takrut Sam Kasat Fang Roop Muean Nuea Ngern – Muan Sarn Sacred Powders amulet of the Great LP Tim, in Nuea Pong Prai Kumarn Bone Powders, with Pong Wan Plai Dam Black Earthen Powders, Gesa Monk’s Hairs of LP Tim, triple Takrut spell inserts, in bronze, silver and gold (3 Kings/Sam Kasat), and a solid gold Roop Muean Bpam image of Luang Phu Tim. The front face has an immensely clear image with refined details and deep relief, which is unusually prominent for this Pim, adding to its inherent prominence, due to being an Ongk Kroo model with triple Takrut in front face, and solid gold Roop Muean inserted in rear face, as well as being made from the much rarer Nuea Wan Plai Dam.
This Pra Somdej is extremely rare to find in black Wan Plai Dam powders, and especially in Ongk Kroo version. They are well prized for their Maha Lap and Maha Sanaeh, and Kong Grapan Powers, especially an exhibit such as this pristinely kept amulet, enchanting in its appearance, with the seductive shimmer of Sai Rae Tong Kam Pure Gold Flakes, filled with Pong Prai Kumarn Muan Sarn Powders. The special individuaity and Sacred Power of this amulet is enhanced by the Triple Takrut spells imbuing extra power, and the solid gold image of LP Tim on the rear face.
Luang Phu Tim Issarigo, of Wat Laharn Rai, was renowned during his day, and remains just as highly renowned today, as one of the top Master Monks in Thai amulet making history, and as the master of the Wicha Pong Prai Kumarn. His amulets are highly varied, and more extensive than ever thought before, now that the pantheon is becoming fully documented, and authenticated. Luang Phu Tim Issarigo, was of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders.
The amulet is full of Pong Prai Kumarn with Plai Dam Powders, and has all features intact, having been kept in pristine condition by its original owner The Sacred Pra Pong Prai Kumarn of the Great Luang Phu Tim of Wat Laharn Rai is one of the most famous amulets of all time, and highly renowned for its true power to bring prosperity and good business, power of attraction and mercy charm to the wearer.
The Pra Somdej is rare to find in black Wan Plai Dam powders, known for their Maha Lap and Maha Sanaeh, and Kong Grapan Powers, especially an exhibit such as this pristinely kept amulet, enchanting in its appearance, with the seductive shimmer of Sai Rae Tong Kam Pure Gold Flakes, filled with Pong Prai Kumarn Muan Sarn Powders. The amulet has Luang Phu Tim’s inimitable and semi-ubiquitous Yant Trai Sacred Geometry Spell in Ancient Khmer ‘Pasa Khom‘ Pali Sanskrit Agkhara Sacred Script on the rear face, which is what lends the name ‘Somdej Hlang Yant Trai’ or Yant Maha Ud’ (Gunstopper Yantra), to the amulet.
Once seen as less known as the other famous Masters of his time such as Luang Por Horm, Luang Por Rung of Wat Ta Graber, and Luang Por Chern. LP Tim soon became more popular and powerful as the tale of him being the only Master able to make an amulet rise up in a water filled alms-bowl and start spinning around, when put to the test with the other great Masters, in a privately held competition of magical powers.
Since his passing, his devotees and apprenticed monks, have now become the world’s top living masters for the making of Pra Khun Phaen Pong Pra Kumarn, and literally dozens of encyclopedic books, have been printed, documenting both this great master monk, and his classic amulets of high esteem. The amulets of Lang Phu Tim have resided, among of the most popular amulets in the whole Pantheon of Thai Buddhist Amulets of the last century, and indeed, of all time. The amulets of Luang Phu Tim, are now almost impossible to encounter commonly anywhere in any amulet emporium, except for the most elite showrooms, and usually at a very elevated price.
The reason the Pong Prai Kumarn amulets of Luang Phu Tim became so world famous and popular, even in the time when Luang Phu Tim was still alive, is because everybody who owned one, recounted that business and personal success and prosperity had increased constantly and steadily since wearing the amulet.
Proudly presenting a classic Masterpiece Amulet of World Famous International Fame and Acclaim, the Pra Pid Ta Maha Lap Jumbo Hlang Yant Duang Amulet, with Takrut insert in Nuea Gaesorn (Sacred Pollen Powders), from the Great and Inimitable Luang Phu To, of Wat Pradoo Chimplee.
This model is ‘Chae Nam Montr’ (Received Prayer Water Spray and Immersion), which gives the Sacred Powders of the amulet a special fluffy texture, and white mildew. This exhibit exudes Sacred Power with the visible presence of plentiful quantity of Gesa hairs of the Great Master-Monk LP To, which should always be present in greater or lesser proportions with his Pra Pidta Amulets
Free EMS Shipping Worldwide is included with this amulet. The Pra Pid ta Jumbo 2 amulets were Released in 2523 BE, after three years of consecutive (Traimas) Buddha Abhiseka Ceremonies, with empowerment from Luang Phu To, who presided over all three Blessing Ceremonies between 2521-2523 BE, with many other great monks in attendance during the ceremonies, and the solo empowerment of LP To during the whole 3 years.
The empowerment sessions occurred between 2521 BE, and 2523 BE. Luang Phu would also empower the amulets in his Kuti Hut every night he was at the temple even between the Rainy Season Trimesters each year, spraying them with Holy Water blessings. The Pid Ta Maha Lap Jumbo Amulet was made in various Block Mold pressings, with the first and second block being the most documented.
The first block has pointy feet, with no toes detailed and more outward pointing earlobes, whereas the block 2 has highly defined toes and upward pointing soles in three dimensional details, with a raised line traveling over the left foot joint of the meditating Buddha Image.
The surface of the Sacred Powders of the Votive Tablet, are highly distinguished and evidently authentic Sacred Powders of Luang Phu To Wat Pradoo Chimplee – the amulet has very clear features, and respectable aging features to the Muan Sarn. The rear face has the Yant Duang Yai round sacred Yantra Embossed on the surface
This Pid Ta is a Pra Niyom Category Amulet (Preferred Master Class Status), and belongs to the Classic Preferred Editions which were blessed and released at Wat Pradoo Chimplee. There are many other Pra Pid Ta amulets from this great master which were released in other smaller temples, some of which are more affordable, and others are also rare and highly revered and worshiped.
Before making a choice with Pra Niyom amulets from World Famous Masters, it is important to study, and know which editions and which block mold pressings are the preferred amulets, in order to know which ones are carry a higher price tag and which ones a lower price. In principle, any amulet blessed by the same Master should be equally powerful and Sacred. However, the Pra Pid Ta 2521 – 2523 BE three year Blessings series is of course, for those whose budgets can afford it, a most recommendable amulet for both protection and wealth.
The Pra Pid ta Jumbo 2 is also very useful for Practitioners of Buddhism, as Buddhanussati Buddhist Remembrance to practice the Mindfulness Taught by the Buddha, and especially useful meditation amulet for those who are practicing Dhyana Meditation, and seeking Nirodha, the extinguishing of all suffering.
meditating Buddha or Yogi entering into the state of Nirodha, and covering its orifices, which represents the stilling of all the perceptions of the outer world through looking within, and closing all the senses to the outer disturbances, and entering the 4th state of absorption known as Arupa Jhana, where no suffering or excitement of heart is present.
However, due to certain editions having Miraculous Events in the News making them more famous and popular, as well as the Collectorship Scene and the Appreciation Societies who Value and Catalogue the various editions, have caused certain models and series editions to become extremely expensive for their Master Class Status.
Below; The ‘gesa’ (Hairs) of Luang Phu To are visible in the Muan Sarn Sacred Powders of the amulet. this is an essential aspect of investigating the Muan sarn of Luang Phu To Pra Pid Ta amulets, which always have a certain quantity of the hair of Luang Phu To in their mixture and visible on the surface to greater or lesser extent.
It is therefore not necessary for somebody who merely seeks a powerful amulet, to buy the more expensive models, and with a bit of effort to study and make wise decisions, one should choose always what is within one’s own budget.
For those who seek a Sacred Powerful Amulet blessed by this Master, there are many more affordable alternative editions to the Pra Niyom Master Class editions, which we hope to provide ever increasingly along with detailed explanations of each edition and series, so that you can distinguish the differences and make your choices accordingly.
A Takrut spell is inserted into the base of the amulet. A defined ridge is seen where the legs cross at the ankle lines. The Sangkati Sash drapes over the left forearm of the Buddha Image with clearly defined lines, and blends with the chest in subtle fashion. The fingers are clearly defined and elongated.
The surface of the Muan Sarn Sacred Powders has developed a very fluffy texture from the Holy Water sprayed over it, increasing the beauty of the amulet, which is a classic effect of the changing humidities of the atmosphere, and this has given the amulet is distinguished look of authenticity.
Those who seek Sacredness but do not wish to speculate on increasing value, or enter into show competitions for first prize, do not need to spend their money on a Master Class Level Series Amulet, rather, can seek alternatives blessed by the same Master at lower price. Diligent study and research will assist you in making the wise choice according to your personal wishes and needs.
Luang Phu To of Wat Pradoo Chimplee was one of the greatest Masters of the Last Century, and a Highly revered Monk around the whole Kingdom of Thailand. he was Respected and revered by His Majesty Our great King, who was a close friend and companion.
Below; the Gesa (hairs) of the Great Monk, are visibly present in high proportion within the Muan Sarn Sacred Powder Clay of the amulet.
This Great Monk achieved his status through his Great deeds and his great Diligence in his Patipatā (Practice of Purity and Renunciation), and in his Great Attainments in Dhamma Pariyatti and Dhamma Patipatā. Luang Phu To was born on the 27th March 2429 BE in Ban Klong Bang Noi in Samutr Prakarn and passed away on 5th March 2524 BE. His many honorable awards of status reflect his great practice and diligence, since beginning to studdy the Dhamma Vinaya at Wat Pradoo as a Samanera Novice monk, through to become the Bishop of the Ta Pra Municipality (2463 BE), to becoming awarded the charge of being the Pra Kroo Sangka Wichit for the Abbot of Wat Maha Tat in 2457 BE.
In 2463 BE, Luang Phu To became ascended to the status of Pra Kroo Sanya Badtr Chan Dtri (Third Level, tantamount to Batchelor of Arts in Dhamma). In 2497 BE, Luang Phu then became promoted to Pra Kroo Sana Badtr Chan Toe (Second Level, tantamount to a Doctorate in Dhamma), of Royal Category. In the year 2500 BE, Luang Phu was then given the additional status of Upachaya Ordaining Officer.
In the year 2506 BE, Luang Phu attained the status of Pra Kroo Sanya Badtr Chan Ek (tantamount to a Masters Degree in Dhamma). In 2510 BE Luang Phu To was given the charge of being the Gammagarn treasurer of the Temples of Ta Pra Minicipality.Then, in 2511 BE, Luang Phu To was promoted once more to Pra Kroo Chan Kroo Pised (tantamount to an Honors degree in Dhamma).
In 2516 Luang Phu became Pra Racha Kana (Royal Appointment Sangha Comittee) and head officer of the General Affairs of Vipassana Practice. In 2521, Luang Phu To received the status of Pra Racha Kana Chan Rach (tantamount to being an Archbishop of the Royal Decree). His Blessings are believed to possess the most powerful protective power, and to increase success and prosperity. His amulets are both highly revered for their sacred Power of Protection and Prosperity, but also as a connection and Buddhanissati reminder of the Great Guru master, to beseech his blessings through the amulet. One of the most highly sought after Pra Niyom Category Amulets, which is seen to grace the pages of any and every important amulet encyclopedia, and the highly prized and jealously guarded talisman of the high end collector and devotee.
Pra Pikanes Haeng Kwam Samrej Pim Yod Nam 2543 BE Edition Thai Sacred Amulet, for success prosperity, and removal of obstacles, form the great Luang Phu Hmun (Often also spelled Luang Pu Moon), of Wat Ban Jan, in Nuea Pong Gon Krok multicolored gold embellished Gammagarn model, in teardrop shape.
This series of amulets were made in 2542 BE, from extremely powerful admixture of Muan Sarn powders, with long empowerment sessions performed over a whole year by LP Hmun, in preparation for later release at the temple of Wat Sap Lam Yai in Lopburi. This model with Jivara Monk’s Robe attached and gold coating, can be considered to be an excellent acquisition that is almost impossible to find these days in its gammagarn special version.
The Pra Pkanes was released with many other models of amulets, which were made for different goals, but passed through the same ceremonies. A very large Putta Pisek (Buddha Abhisekha) Blessing Ceremony was performed during the release at Wat Sap lam Yai in 2543 BE. Luang Phu Hmun himself was particularly fond of the Pikanes Yod Nam amulet, and was heard to have said that he found it to be very beautiful, and that it had very powerful Muan Sarn Powders within the Sacred Clay, and would ave power for a very long period of time, for lucky fortunes, success in one’s endeavors, prosperous business and professional advancement through removal of obstacles.
The amulets of this edition were made using Chanuan Metals and Muan Sarn Sacred Ingredients from a large number of over 350 Great Buddhist Master Monks which Luang Phu had collected over the decades, and which the first apprentice Looksit Aek of LP Hmun (Pra Ajatn Dtua) has kept safely stored during Luang Phu’s Tudong Travels, and mixed by Ajarn Dtua. The edition was released to assist Wat Sap Lam Yai construct a Sala Hall, and a large statue of Luang Phu Hmun was also made and installed in the temple in his honor, as a great sponsor, curator, and guardian of temples like Wat Sap lam Yai,
LP Hmun was also famous for helping Wat Pha Nong Lom, and many other temples he helped to build and restore using his great fame and powerful amulets to raise funds. Ganesha or, as we say in Thai ‘Pra Pikanes’ is the Deity for removal of obstacles and attainment of success. Pra Pikanes has many different forms, with different meanings. he may have four, six, eight, twelve or even fourteen arms in Idia, but is often depicted in Thailand with only two or four arms.
Pra Pikanes may carry any of a number of 57 different Cosmic weapons or regalia in his hands. Ganesha has many different Emanations and Postures, but the most Common Traditional Posture of Ganesha, is four armed with Whip Goad, Ritual Axe, an Om in the palm of raised hand, and Fruits as consumable offerings. The Posture and combination induces not only the removal of obstacles and success, but also wealth and plentiful treasures and possessions and well being. The hand wielding an axe, is a symbol of the retrenchment of all desires, bearers of pain and suffering. With this axe Ganesha can both strike and repel obstacles. The goad restrains all inner and outer enemies. Ganesha, in his 4 four armed form, symbolizes his status as the universal ruler and establish his power over the four categories of beings – those who can live only in water, those who can live in water and on earth, those who can live only on earth and those who can fly in air.
Significance of four : It was God Ganesha who instituted the four castes and the four Vedas. One hymn in Sri Bhagavat Tattva , says: ‘In heaven, this child will establish the predominance over gods, on earth over men, in the nether world over anti-gods and serpents’. He causes the four ruling forces of the elements to move, for which he has four arms. You can use the Chants to Ganesha (Pikanes) to empower the amulet, and to beseech blessings, to attract, and improve your profession, charm, wealth, status.
Short Kata Pra Pikanes
Om Sri Kanesa Na Ma Ha (Three Times)
Pray to Ganesha to remove any obstacle that may be preventing you from succeeding in your goals, be they amorous, financial, professional or social goals. Ganesha helps you in all these areas of life.
Thai Kata for Chanting Daily to Pra Pikanes
Om Pikanesuan Sitti Bprasittimae Mahaa Laapo
Tudtiyambpi Om Pikanesuan Sitti Bprasittimae Mahaa Laapo
Dtadtiyambi Om Pikanesuan Sitti Bprasittimae Mahaa Laapo
Kata Bucha Pra Pikanes (Thai Brahman Pali Adaptation)
Ongaarapintunaathang Ubp-Bpannang Prahm-Mano Ja Into Pikanesadto Mahaa Taewo Ahang Wantaa Mi Sappadtaa Sittigijjang Sittigammang Sittigaariyang Bprasitti Mae
Chant this 3, 5, 9 or 108 Times
Amulets from Wat Sap lam Yai editions are far and few between to come by, and were (and are) never really advertised or marketed, so most people, apart from local devotees, and students of LP Hmun would ever get to hear about any releases, which have always been rare. Only specialized collectors and students of the amulets of LP Hmun know the full pantheons, despite the fact that LP Hmun Wat Sap Lam Yai amulets are very well known by the public as being amulets from LP Hmun of Wat Ban Jan (most people think all editions were made directly at Wat Ban Jan, and do not know of Wat Pha Nong Lom or Wat Sap Lam Yai).
But the Pra Pikanes LP Hmun, regardless of whether the devotee knows which temple the final release and blessing was or not, has become a very preferred and favored amulets since its release, because of the success people had with it, and the rumors which spread by word of mouth from those who wore one and had successes. The amulets were Released in 2543 BE Traimas Ceremony celebrating 100 years Anniversary of Luang Phu Hmun, but, for correct and accurate documentation, were also passed through a preceding Buddha Abhiseka on the 5th of December 2542 BE, for the ‘Som Pratana’ edition amulet series, with a large number of Great Master Monks attended the Ceremony, including some Internationally Famous Names noted for their diligent Patipatā and Powerful Magic. Blessed in the Som Pratana Ceremony of 2542, and again during release in the Traimas Edition of 2543, BE.
This amulet is a Niyom Class edition, for the presence of the 350 Monks who donated a plethora of Sacred Powder Muan Sarn ingredients, which were used in the 2542 Som Pratana Release.
Because of the twin Blessing Ceremonies, this amulet is sometimes classed as ‘Som pratana’ edition, and by other devotees as the ‘Traimas 43’ Edition. Either way, both terminologies are accurate, for the amulet was passed through both ceremonies.
Luang Phu Hmun’s amulets are now very hard to come across. his amulets are becoming very rare, and prices have risen constantly since his passing, snapped up by the inner circle of devotees and collectors, who know about the attainments of this Monk, and that there are severe reasons to believe that he may have been an Arahant. His amulets are eminent members in the annals of the Classics. Made from the Muan Sarn Sacred Powders of over 350 Great Kanajarn Guru Masters, and Pong Chompoo Nuch which Pra Ajarn Dtua had gathered over decades, for the purpose of making powerful amulets. The edition was created by Pra Ajarn Samh Pās Mangkala Sangko (Ajarn Dtua), who tells that he needed many decades to collect the powders, which Luang Phu Hmun Gathered and brought back with him after ever Tudong Forest Wandering Journey.
Luang Phu Hmun made his special empowerments of Metta Maha Niyom and Choke Lap Magic, over the powders given to him from Pra Ajarn Dtua (Primary Inheritance Apprentice to LP Hmun, and also to the Great Luang Por Guay, of Wat Kositaram). Both the Pong Wised powders from the 350 Gaeji Ajarn Master Monks, and Luang Phu’s Pong Chompoo Nuch were given to Luang Phu Hmun for primary empowerment before they were mixed and pressed into amulets. This Gammagarn version uses Sacred Clay from all colors of Muan Sarn which were used in different models.
Note; the remainder of muan sarn from these special powders used in this edition, continued to be empowered, even after the release of this edition. By the year 2544 BE, the special powders used in these amulets were in truth passed through a total of 5 ceremonies of empowerment from Luang Phu Hmun, making all following editions also extremely popular.
Below; Pra Ajarn Dtua of Wat Sap Lam Yai
The 5 ceremonies were; 1. In 2552 BE the Muan Sarn was blessed during the ceremony of the Pra Kring Hiranyarach amulets. 2. 2553 BE repeatedly Blessed in the Som Pratana edition. 3. LP Hmun performed blessing of the powdders during his yearly Traimas Wai Kroo Ceremony at Wat Sap Lam Yai. 4. In 2544 once again, LP Hmun empowered his powders for further editions during the blessing ceremony for the Ha Phaen Din aha Som Pratana edition series amulets.. 5. 2545 BE LP Hmun performed his final empowerment during the Song Nam Ceremony to bathe the Buddha during Songkran at Wat Sap Lam Yai in Lopburi.
Hence. all subsequent editions of amulets from Wat Sap lam Yai as of 2554 BE, made from sacred powders contain Muan Sarn blessed in 5 different ceremonies, those released in 2554 BE blessed in four ceremonies, 2553 BE releases contain two powerful ceremoniual blessings, and 2552 BE series amulets contain one Buddha Abhiseka blessing with LP Hmun always performing at least 3 months of nightly empowerment each year over the powders. The Muan Sarn used for this series of amulets was very extensive, and powerful in its composition, containing a horde of rare magickal ingredients; 1. Pong Muan Sarn Ud Pra Kring, 2. Lek Lai Pratat 500 Arahant, 3. Pra Tat Khaw, 4. Hngorn Paya Nak, 5. Gaew Khon Hlek 6. Paetch Na Tang 7. Pong Lek Lai Ruesi 8. Pong Lek Lai Ngern Yuang 9. Pong Tabai Lek Nam Pi 10. Rae Lek Nam Pi Hlai Paetch Dam 11. Pong Lek Ta Raed 12. Kote Hlek Lai See Ngern Yuang 13. Khee Lek Lai 14. Lek Lai Yoi 15. Lek Torahod 16. Hyok pan Pi 17. Rae Bang Pai 18. Pong Tanabadtr Gao 19. Khamin Hin Hmeun Pi 20. Khaw Dtok Pra Ruang 21. Gaen Mai Sak 22. Hin 160,000,000 Pi 23. Look Mani Kote. 24. Kot Kala 25. Kala Ta Diaw 26. Kala Mai Mee Ta Maha Ud 27. Mapraw Look Krok 28. Galabangha Din 29. Din Bpoeng 30. Din Klang Jai Mueang 31. Nam Saksit Holy water from 76 Holy Shrines 32. Takrut Khaw Sarn Hin 33. Kot Hoi 34. Sai Sek 35. Pong Pra Kroo Taep Loke Udorn 36. Pong Luang Phu Doo 37. Pong Luang Phu Hwaen 38. Pong Jitlada 39. Pong Pra Bilan,
40. Pong Pra Tukadta Wat Plab 41. Pong Prai Kumarn Luang Phu Tim wat Laharn Rai 42. Pong Luang Phu Gaew Wat Kruea Wan 43. Paeng Sek Luang Phu Yoo Wat Sai Yoeng 44. Pong Luang Por Mian Wat Po Gop Jao 45. Broken amulets of Luang Por Mee Wat Mara Wichai. 46. Broken amulets of Kroo Ba Kam Saen Wat Tat Maha Chai 47. Khao Kwang Kut 48. Chan Hmak Luang Por Dam EWat Ta Tong 49. Din Wised Lueang 50. Three Hundred Kinds of Samun Prai Herbs 51. A Hundred Drops of Holy Water of Luang Phu Hongs Wat Petchburi 52. Din Wised Khiaw 53. Rae Ngern 54. Rae Tong 55. Rae Nak 56. Pong Toop Somdej Wat Rakang 57. Pong Toop Wat Gaes Chaiyo 58. Pong Toop Luang Phu Tuad Wat Chang Hai 59. Pong Toop Luang Por Chaem Wat Ta Chalorm 60. Pong Toop Luang Por Jaran Wat Ampawan 61. Mae Lim Gor Nia 62. Pong Toop San Jao Por Suea. 63. Pong Toop Wat Leng Nae Yee 64. Pong Toop Wat Tai Hong Kong (China) 65. Pra Boroma Saree Rigkhatat 66. Hin Pra Tat Khaw Sam Roi Yord 67. White Pratat Sivali 68. Golden Pratat Sivali 69. Pratat Gaew Khwan Fa Pha Nuea Hin Sip Hok Gon (Vitrified Element from 16 Lightning Struck Stones) 70. Khaw Sarn Hin Hmeun Pi (10,000 year old petrified rice) 71. Khaw Sarn Dam Pan Pi (1000 Year Old Black Rice) 72. Pong Mani Ratana 73. Kote Lek Lai 74. Rae Koh Lan 75. Lek Yoi, 76. Look Mani 77. Kote Uga Mani Meteorite 78. Petrified Sacred Treewood 79. Petrified Flowers.
80. Hin Khiaw Hanuman 81. Khamin Khaw Plueak Hoi 75 Lan Pi 82. Mai Ngiw Dam 83. Kot Pluak 84. Look Tanu Kon Tan 85. Rae Sai Ngern 86. Rae Sai Tong 87. Pong Nga Chang 88. Nga Chang Dtaay Prai 89. Nga Chan96.Pongg Graden 90. Powdered Diamonds 91. Broken Rubies from Chantaburi Mines 92. Old Powders of Wat Rakang 93. Pong Luang Por Koon Wat Ban rai 94. Pong Luang Por Pae Wat Pikul Tong 95. Pong Luang Por Phern Wat Bang Pra 96. Pong Luang Por Kong Wat Bang Gaporm 97. Pong Luang Phu Nin Wat Kara Buri 98. Pong Luang Por Yid Wat Norng Jork 99. Pong Luang Por Chern Wat Koke Tong. 100. Pong Luang Por Kasem Khemago Sussaan Pra Trailaks 101. Pong sam Roi Gaeji (Collected Mixed Powders of 300 Great Monks) 102. Powdered Broken Somdej Wat Rakang amulets 103. Pong Pra Wat Pak Nam 104. Pong Tabai pra Kring Wat Sutat 105. Chan Hmak Luang Por Nin Wat Kara Buri 106. Paeng Sek Luang Phu Buddha 107. Chan Hmak Luang Por Mian Wat Po Jao. 108. Pong Ya Wasana Jinda Manee Luang Phu Bun Wat Klang Bang Gaew 109. Ya Wasana Jinda Mani Luang Por Perm Wat Klang Bang Gaew 110. Nam Man Nga Sek Luang por Kong Wat Khao Sompochana 111. Nam Man Nga Sek Rae Bang Pai 112. nam Man Plai Dam 113. Admixture of Holy Water from many dozens of Great Monks and City Pillar Shrines 114. Din Kakyayaks 115. Din Pra Mae Toranee 116. Din Wised Khaw 117. Dork Pai 70 Pi.
118. Gaesorn Roi Paed (one hundred and eight pollens)
119. Wan Roi Paed (one hundred and eight herbal powders) 120. Samun Prai Roi Paed (one hundred and eight medicinal magical herbs) 121. Pong Bpathamg 122. Pong Trinisinghae 123. Pong Ittijae 124.Pong Maharach 125. Pong Nava Horakun 126. Rae Aathan Phu Khao Kwai (Sacred Elemental Substance from the Mountains of Laos). 127. Pong Ruesi 128. Pong Tham Gai Lon 129. Pong Bailan Kampir Kata 130. Pong Tham Ma Rong 131. Pong Tham Nern Maprangk 132. Pong Gao Ayuttaya 133. Pong Gao Dhavaradi 134. Bai Sima Ayuttaya 135 Pong Khud Sathaan Saksit 135. Pong Plew Tong Kam 136. Takrai Bote 137. Takrai Vihara 138. Takrai Pra Prangk Sam Yord 3 Chedis Stupa Powders 139. Takrai Kampaeng Mueang Gao 140. Din Nern pra Arahant 141. earths from the Birthplace, Enlightenment Place of the First Sermon, and Place of Entering Nibbana of the Buddha
142. Uposatha Rooftiles of Wat Luang Por Sotorn 143. Uposatha Rooftiles of Wat Pra Putta Chinarat in Pitsanuloke) 145. Rooftiles of the Uposatha and Vihara shrines of the temple of the Emerald Buddha 146. Rooftiles of the Upopsatha shrineroom of Wat Rai Khing 147.Rooftiles of the Uposatha of Wat Bang Pli Nai 148. Rooftiles of the Uposathat of Wat Luang Por Rojana Rit Buddha (Wat Pailom Nakorn Pathom) 149. Roof tiles of the the Uposatha and Vihara shrines of Luang Por Sawaedta Chadtra. 150. Pieces of broken briks of the temple of Pratat Panom in Nakorn Panom. 151. Pieces of the old Chedi at Wat Pai Lorm nakorn Pathom 152. Pieces of the relic and the Chedi at Wat Pratat in Nakorn Sri Tammarach, and one hundred and fifty Chedi Stupas of the Province 153. Pong Tabai Sangkawanorn 154. Pong Look Gaew Sam Duang Luang Por Prohm Wat Chong Kae
155. Pong Gaew Chompoo Luang Phu Doo Wat Sakae 156. Popng Tai Kan Luang Por Kloi Wat Tham Khao Ngern. 157. Pong Luang Phu To Wat Pradoo Chimplee 158. Pong Luang Por Daeng Wat Sri Maha Po 159. Pong Luang Phu Tong Rit Wat Pha Chantanimit 160. Pong Luang Por Oat Wat Jan Sen 161. Pong Luang Por Surasiang Wat Cherng Jan 162. Pong Pra Kru Wat Pha Cherng Jan 163. Lai Kam Dam Lao 164. Jiworn Luang Por Tong Dam Wat Ta Tong 165. Chan Hmak Luang Phu Hongs Wat Petchburi 166. Chan Hmak Luang Por Tim Wat Pra Khaw 167. Chan Hmak Luang Por Put Wat Pha Salawan 168. See Pheung Luang Por Prohm Wat Chong Kae 169. Nam Montr Luang Por Kloi Wat Tham Khao Ngern 170. Sen Gesa Hairs of 39 Master Monks 171. for metallic amulets, Hundreds of Yantra foils from over 300 different masters around the country. Luang Phu Hmun, of Wat ban Jan, Sri Saket, is the Looksit of the Lineage of Somdej Lun of Jampa Sak (Laos). Luang Phu Hmun was a Maha Thaera Guru Monk of great age and who received Great reverence and Respect from the people of Tambon Jan for his Diligence and Puroty in practicing the Vinaya as a Buddhist Monk. His Miracle Powers are Legendary, with so many stories of Miraculous events related to this Monk, who has seen the Reign of Five Kings in his Lifetime.
Luang Phu Hmun’s amulets are now very hard to come across. His amulets are becoming very rare, and prices have risen constantly since his passing, snapped up by the inner circle of devotees and collectors, who know about the attainments of this Monk, and that there are severe reasons to believe that he may have been an Arahant. His amulets are eminent members in the annals of the Classics. This Gammagarn version of the Pra Somdej Paya Hongs Tong, can be considered to be an excellent acquisition of the Pantheon of LP Hmun, that is almost impossible to find these days in its golden special version, with Jivara robe and Sacred Yantra.
You can hear further information including a lot of some of the sacred Powders of Major Importance used in the making of the 2542 BE edition in the below podcast by Ajarn Spencer Littlewood, which features a visual Narrative of the making of the Muan Sarn, in a talk about another preferred amulet of this series, the Pra Somdej Hwaek Man of LP Hmun.
Kata Bucha Luang Phu Hmun
Luang Phu Hmun Tidtasīlō – Ma A U Luang Phu Hmun Tidtasīlō U A Ma
The Pra Somdej Mongkol Maha Lap amulet series of 2499 BE, was released at Wat Sarnath, in Rayong, to fund the creation and installment of the Pra Putto Pas Chinarat Jom Muni Buddha statue, which was made at Wat Sapmant Wongs, in Bangkok, and donated to be installed at Wat Sarnath, as the Pra Pratan main Central Buddha image within the Uposatha shrine room.
Below; a rare version of Pra Somdej Nakprok Mongkol Maha Lap Nuea Pong Maha Solos Daeng 2499 BE Mae Chee Bun Ruean Wat Awut in Nuea Daeng
Somdej Mongkol Maha Lap Pim Prok Po Mae Chee Bun Ruean Wat Awut.
The amulets were made in various powders, white nuea solos, brown nuea wan, and red nuea wan sabu luead, as well as nuea bailan and other admixtures. Some received the inscription of the Yant Putto, or the Yant Dto Rasamee, of Mae Chee Bun Ruean, and others were left with ‘Hlang Riab’ ‘smooth faced’ rear sides. All versions contain the famous pong Maha Solos Maha Lap (Pong Guubose), which is legendary for its powers
This amulet comes with the existing Stainless Steel Casing – The alternative of Free Waterproof Casing is also an Optional Offer with this Amulet, if you wish to encase with Waterproof Casing at no extra cost.Free Registered Airmail Shipping Worldwide is offered included with this amulet, as is the case with all amulets in Ancient Amulet Store.
There was never a ceremony to invite the Devas so majestic as the ceremony performed by Mae Chee Bun Ruean, which included not only the ubiquitous incenses, puffed rice, flower garlands in 7 different colors, but also a total of 375 Kinds of Food Offerings! The Benja and 9 Saewadta Chadtras offered, 5 sork high (‘sork’being a Thai form of measurement, meaning ‘5 elbows’, slightly over 2 Feet per ‘sork’). Five Golden and Silver Bai Sri were place in offering, also 5 sork high in stature.
The chanting ceremonyn to bless the holy water with the assistance of the attendiing Devas, was then mixed with the sacred powders used for the muan sarn clays of the amulets. Many great and psychically attained monks were invited to empower and bless the sacred ingredients for the amulets, and the amulets themself after their pressing;
1. Pra Prohm Muni (LP Phin Suwajo), of Wat Bovornives Vora Viharn, 2. Pra Worawaet Kunajarn (LP MIan Bpappasaro), of Wat Pra Chetupon Wimon Manghalaram, 3. Pra Maha Racha Manghalajarn, 4. Pra Kroo Winaiton (LP Fueang Yana Bpaheebpo), 5. Pra Sa-Ard Apiwattano, of Wat Sampant Wongs, 6. Pra Kroo Nor, of Wat Klang Ta Ruea, in Ayuttaya, 7. Pra Ajarn Bung, of Wat Mai Nong Sen, and 8. Pra Luang Por Chorp Sammajaree, of Wat Awut Wigasitaram in Thonburi, as well as the prior and later blessings and empowerments made by Mae Chee Bun Ruean Herself.
In Addition, during the Deva Abhiseka, the Ruesi Yogi Ajarn Rerb (Ajarn Chern Jantr Paetch), who was a very powerful and famous Ruesi of the Era, assisted in empowering the amulets.
Then a second empowerment session was performed, with the amulets pressed and placed covered with 7 layers of 7 green and 7 white cloths covering them, placed upon an altar in the center of the shrine room.
Many people in the amulet world have been interested in knowing what was used in the making of the sacred powder admixtures, and so we find it impportant to document and list them in this article, for posterity and study;
1. Sacred Powders from a Host of Great Masters of that Era and Previous Eras, through the lineage of each Master who donated and empowered the powders.
2. Powders from Wat Chetupon, Wat Sri Totsataep, Wat Sampant Wongs(Wat Sampantawongs).
3. Broken powdered pieces of ancient sacred amulets.
4. Powdered up herbal ingredients with magical properties, ground up to make a brownish herbal powder.
5. Earths from 7 Prosperous Ports, and the banks of 7 Sacred Lakes. 6. Powders made from taking ancient Kampir Grimoires of Sorcery (Sacred in themself), of both the Bailan Beige Parchmnent variety, and the Samut Khoi black Parchment variety of Grimoire, and burn them and grind into powders, with 5 repetitions of admixture, adding powders from previous editions of amulets.
6. Earths from sacred Pilgrimage Places of the Life of the Buddha in India, brought back to be used for the admixture, to bring Sacred Buddhakhun Power to the amulets, with earths from the important places of the Buddha’s Life, such as the Buddha’s birth, earths from around the Bodhi Tree where the Buddha’s Enlightenment occurred, the place where he gave his first sermon in Varanasi (the Dhamma Chakra), and earths from the place of the Buddha’s Passing into Nibbana.
7. Earths from important places where the Buddha performed great Sermon, or Important Events in his Life occurred, and which are to this day, all sacred places and shrines to the Buddha.
8. Pong Poon Khaw Hin Rachaburi powders.
9. Sacred Talcs invoked with Negative Space inscribed Yantra Spells.
10. Nam Oy Sugarcane Juice.
The amulets are made from a Muan Sarn Sacred Powders composed of a large variety of sacred clay earths, herbal pollens and powders, and Puttakun powder. Herbs and Sacred ingredients with all sorts of different blessings and powers were added to give a complete range of blessings.
All these Muan Sarn ingredients were ground into fine powders, and separated into different admixtures, and mixed with holy water from the first Buddha Abhiseka and Deva Abhiseka Blessing Ceremony. The amulets were pressed as the Pra Somdej Pra Putta Mongkol Maha Lap (Buddha Manghala), Pra Nakprok, Pra Putto, and other forms such as various kinds of Pra Somdej, Nang Kwak, and other amulets.
Above and beyond this, the amulet is a Sacred Artifact of Buddhanussati, an authentic Sacred Buddha Image Votive Tablet, blessed and made in 2499 by Kun Mae Chee Bun Ruean, in two ceremonies held at Wat Sampantwongs and Wat Sarnath, both Mae Chee Bun Ruean Lineage Temples.
The amulets were handed out to devotees during a later ceremony who came to donate and support the installation of the Putta Sima temple boundary of Wat Sarnath, and many of the amulets were of course held for burial within shrine rooms and Chedi Stupas of choice, for later distribution, or accidental rediscovery long into the future.
This is a common practice with amulets, where they are placed in a hiding place chamber (Kru), or buried under the ground or under the floor of sacred places, as a way of preserving the fact that there was once a Buddha who walked upon this earth. Hiding Place amulets are also stored in Kru Chambers as a repository to use for fundraising by removing a number and distributing them to devotees who donate to the temple (Note; The placement and removal of amulets from Kru for providing a method of creating fundraisers only became a practice during the last century, after Buddhist amulets became a source of fundraising).
According to the written documentation of Luang Phu Tet Nitesago, the Pong Solos powders made by Mae Chee Bun Ruean to make the amulets, were made using the Wicha Prohmasat (Brahma Sastra), which invokes High Brahmas and Ariya Sangha (Enlughtened Beings), of the Sutawas celestial level, to empower the powders. They were made to distribute to devotees, and fund the installation of the Pra Putto Chinarach Jom Muni Buddha statue of Wat Sarnath.
The amulets have become very famed for their miraculous powers, due to many stories of miraculous events connected with devotees and the amulets. Mae Chee Bun Ruean invoked the spiritual Connections of the angelic beings of the Buddhist, Christian and Islamic Faiths to imbue their blessings, to protect people of all religions, who keep the precepts of goodness and abstention from evil acts. The real name of the powders is ‘Pong Maha Prohm Ariya Bodhisattva Phuu Bpen Jao’ (Powders of the Enlightened Brahmas who are Lords of their Existence’).
This was because of Ajarn Seng, who taught and revealed that all three religions, speak of the same one Super-consciousness or ‘God’ (Buddha-hood for Buddhists), but which different cultures over time split and adapted into their own social structures, and changed them according to their needs, but that all three are derived from the same fact that enlightened beings gave teachings to unenlightened humans, and were worshiped for it as messiahs, prophets, or gods, and became founders of these religions.
The great Luang Por Lee is said to have found the 2499 BE Somdej Mongkol Maha Lap so powerful that he basked for some of the broken ones to be given to him to mix into the sacred clay of his famous sacred Pra Bai Po Jak amulets of the 2500 BE 25 Centuries of Buddhism Mega Nationwide Amulet Ceremony.
Pra Bai Po Jakr LP Lee Wat Asokaram
According to the Pra Tamma Khant, all Somdej amulets must be made in numbers of 84,000, but it is rumored that the Pra Putta Mongkol maha lap amulets were made in much less numbers, which is an unconfirmed rumor, and would be dubious considering Mae Chee Bun Ruean’s tendency to be a stickler for proper ritual and adhere to the dtamrta of the Wicha.
The Pra Putta Mongkol Maha Lap amulet is often used as a substitute for the Pra Pong Solos of Luang Phu Tim (much more difficult to find and much more expensive). Luang Phu Tim himself was also invited to perform Nang Prok meditative empowerment on thje amulets, as he was 70 years old. Considered one of the best amulets of the 2500 BE Era of Thai Buddhist Amulets.
Pra Somdej Putta Mongkol Maha Lap various sizes in white Pong Solos Powders.
Another version of the Pra Somdej Putta Mongkol Maha Lap Nuea Solos
A 3rd Prize winning Competition Standard Master-Class amulet of the Benjapakee Immortal Classic Family, the Pra Somdej Wat Bang Khun Prohm Kru Gao (Chedi Yai), Pim Sen Daay Kru Gao. An Immortal Classic and one of the most famous Thai Buddhist Amulets of all time, as well as being amongst the top preferred amulets of the serious devotee and wealthy collector of the accepted amulets of Somdej Pra Puttajarn (Dto) Prohmrangsri, of Wat Rakang Kositaram.
Pra Somdej Bang Khun Prohm Pim Sen Daay Kru Gao 3rd Prizewinner Ancient Benjapakee Amulet – Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang.
The Pra Somdej of Somdej Dto are the number one amulets of all time, be they from Wat Rakang, Wat Bang Khun Prohm,or Wat Gaes Chaiyo. Made in the period between 2411 and 2413 BE, three years before the passing of Somdej Dto himself, and buried in the Stupa until their distribution in 2500 BE
Rear face view of Pra Somdej Bang Khun Prohm Pim Sen Daay Kru Gao 3rd Prizewinner
This amulet comes with its third prize winning certificate micro-chipped certificate card of the Chomrom Pra Tae Mueang Siam Amulet Appreciation society and complimentary box with third prize ribbon sticker. We offer free Gold, Waterproof or Solid Silver Casing with this amulet. whichever you prefer. Free EMS Shipping is also included in the price
The rear face shows the presence of all the classic features and muan sarn ingredients of a true Pra Somdej Bang Khun Prohm of Somdej Dto, with Kraap Kru on the front face revealing it to have been placed within the larger Chedi Stupa of the 2500 BE Opening. The Kru Gao (Chedi Yai) amulets are more highly preferred than the Kru Hmai (small Chedis) amulets, which were found later within the nine smaller Chedi Stupas surrounding the main central Stupa.
Pra Somdej Bang Khun Prohm is one of the classic Pra Somdej amulets available and is along with Pra Somdej Wat Gaes Chaiyo perhaps the next in line to the Pra Somdej Wat Rakang amulet as far as popularity, beauty, sacredness of Puttapisek ceremony and price range.
Pra Somdej Bang Khun Prohm Kru Pra Chedi Yai (Large Chedi Kru amulets)
The Pra Somdej Bang Khun Prohm amulets classified as a Kru Pra Chedi Yai, have 9 different Pim Song, and were made in the period between 2411 and 2413 BE. Not all of the Pra Somdej Bang Khun Prohm were placed in the Kru, it took many years to create and press them and many would be in a receptacle in the Kuti and would be handed out by him during the time he created and empowered them.
This explains the absence of Kraap Kru in some exhibits, as well as being purely logical and the most probable chain of events to have occurred. The Thaan Saem is one of the 5 Pim Song of Pra Somdej, which exist in both the Kru Wat Rakang and Kru Bang Khun Prohm amulets. Pra Somdej Wat Rakang have Five major category of Pim Song, whereas the Pra Somdej has four more Pim Song, making it nine major Pim in all.
These 9 Pim are; Pim Yai, Pim Sangkati, Pim Song Chedi, Pim Prok Po, Pim Gaes Bua Dtum, Pim Thaan Koo, Pim Sen Dai, Pim Ok Krut.
History records that, in the year of the Dragon 2411 BE, Samian Tra Duang Tongoses made restoration work Wat Bang Khun Prohm Nai (Wat Mai Amataros), and renewed the temple along with the building of a new Chedi Stupa, in order to place Pra Somdej amulets, which Samian Tra Duang invited Jao Prakhun Somdej Pra Puttajarn (Toh) Prohmrangsri, of Wat Rakang Kositaram to place there, as well as to empower. The amulets were made in the Pra Somdej Traditional formula of 84,000 pieces (same as the number of suttas of the Pra Tammakhant).
After Somdej Dto had blessed and empowered them, Samian Tra Duang was allowed to place then in the Kru hiding place within the Chedi Stupa behind the Upopsadha shrine room. During the time from then, the Chedi was sometimes accessed and amulets were removed from time to time, and even some thieves dug holes and stole some.
This became so bothersome that the Kru had to be broken open officially on 24th November in 2500 BE.
The opening took all day, until at approximately 8 pm, the very last Pra Somdej amulets were removed. Many of them were very thickly coated with ‘Kraap Kru’ (residues and growths). The amulets were allowed to be rented out by devotees, until the year 2509. The total amount of money raised from the rental of these amulets amounted to about 4 Million Thai Baht.
This money was used to construct the new Uposadha shrineroom, and the renovate and restore the old Chedi Stupa, as well as making a bronze statue of Tan Jao Prakhun Somdej Toh, which was completed and celebrated in 2509 at the same time as celebrating the building of the Putta Sima (temple walls), and the burial of the ‘Look Nimit’ (all Uposadha shrine rooms must have a Look Nimit ball buried under it).
Micro Chipped Certificate of 3rd Prize Pra Somdej Bang Khun Prohm Pim Sen Daay Kru Gao
The depletion of this series led to the creation of yet another immortal legend of the Pra Somdej Niche in 2509, namely the Pra Somdej Wat Bang Khun Prohm 09 Edition, which is in itself one of the most highly collected amulets of serious collectors and devotees, and also carry relatively elevated prices.
Pra Somdej Bang Khun Prohm Pim Sen Daay Kru Gao 3rd Prizewinner Ancient Benjapakee Amulet – Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang.
Rear face view of Pra Somdej Bang Khun Prohm Pim Sen Daay Kru Gao 3rd Prizewinner
Micro Chipped Certificate of 3rd Prize Pra Somdej Bang Khun Prohm Pim Sen Daay Kru Gao
This Classic edition of Somdej Bang Khun Prohm, are considered to have extremely powerful Buddha magic in them due to the richness of sacred powders and powerful blessings contained within from great master Somdej Dto.
Ancient Amulet Proudly Presents the all time classic Pra Pid Ta Pim Chalud Nuea Pong Jum Rak amulet of Luang Por Tong Sukh. An Ancient Pra Niyom Master-Class Amulet made using Sacred Yantra Powders, and ‘Jum Rak’ lacquer dipped. An eternal favorite of devotees around the world, from Luang Por Tong Sukh of Wat Sapan Sung
All editions of Pra Pid Ta Wat Sapan Sung are highly sought after. and seen as preferred Master Class category amulets (Pra Niyom), regardless from which Master they came from.
Pra Pid Ta Pim Chalud Luang Por Tong Sukk Wat sapan Sung Nuea Pong Jum Rak
The Pra Pid Ta Wat of Sapan Sung Temple, is a Dtamra (legendary series) that spans over various generations of abbots, all of whom have managed to gain equal fame and high repute for their Pra Pid Ta amulets, all of which preserve the style and methods of the original Wicha made so famous by Luang Phu Iam.
The Pra Pid Ta old amulets of Wat Sapan Sung is known in two major Pim (models), namely the Pim Chalud (Blind Man model), and the Pim Dtapap (Terrapin model). Mostly the amulets would be covered in Lacquer, with some very few exhibits in pure powders. Others can be found to have had the lacquer cleaned off them by devotees in later years. It is known that Luang Phu Glin, one of the Great Masters of the Wicha Pra Pid Ta Wat Sapan Sung, was allergic to Lacquer, and so his versions never had lacqer on them and were pure powders (except when a devotee applied the lacquer himself after receiving the amulet). Luang Por Tong Sukh and Luang Phu Iam however, would more often than not dip the Pra Pid Ta in lacquer as a protective layer.
All masters have followed the same design and method of lacquering, resulting in the amulets of each master being very similar in design, and mostly can only be differentiated by estimation of the age of the lacquer and Muan Sarn Sacred Powders in order to determine which Generation of Master the amulet came from.
Luang Por Tong Sukh Intasaro (Pra Kroo Nantagij Sope), was the abbot of Wat Sapan Sung during the years 2491 BE to 2525 BE, after Luang Phu Glin, and Luang Phu Iam. Much like his predecessors, he continued to preserve and nurture the Wicha Pra Pid Ta already made famous from this Temple by the great Luang Phu Iam, and Luang Phu Glin, and produced his own editions, using the Wicha bestowed upon him from his Kroo Ba Ajarn before him.
Luang Por Tong Sukh was born on the 11th March 2446 BE in the village of Nong Phai Hlueang in Petchburi and was the son of Mr. Kong and Mrs. Pae, and was the youngest of 5 sibliings. At age 11, he went to be educated at the temple of Wat Nong Wa in Petchburi, with Pra Ajarn Joy, Ajarn Say, and Ajarn Nim. When he reached age 13, he left with his uncle to help work to assist his family, and moved to work in Rachaburi.
Below; Luang Por Tong Sukh of Wat Sapan Sung
At age 20, he was called into the military service with the Infantry in Petchburi. After he finished his military service, he applied for a job in the Police force, and was employed as a Police Lieutenant in Petchburi for two years. After this, he was sent to work in the Southern Province of Naratiwat, and later to other Porvinces like Satun, Ban Pong, Rachaburi, Chayapum and Surin. He was eventually sent back to work in Petchburi, and after one single year working there, he began to develop immense boredom with the ways of the world, and left the Police force.
He ordained into the Sangha in the year 2470 at Wat Na Prohm in Petchburi. Pra Kroo Pit (Abbot) was his Upachaya Ordaining Officer, and Pra Ajarn Phong was his Gammawajajarn Prompt, and Pra Ajarn Up was his Anusawanajarn Witness. He stayed at Wat Nong Wa for one year, and then Pra Ajarn Peng of Wat Sapan Sung who passed by traveling on Tudong, invited him to join him to go stay at Wat Ta Gwian in Pak Kred in Nontaburi. Luang Por Tong Sukh stayed here for three years and then moved on to go study Pariyatti Dhamma at Wat Sapan Sung in the year 2474 BE.
At that time Pra Kroo Sopana Sasanagij (Luang Phu Glin) was the abbot, and his friend Ajarn Peng was the Pariyatti Dhamma teacher. In the year 2476 BE, Luang Phu Sukh gained his Doctorate in Dhamma studies, and Luang Phu Glin gave him the job of teaching Pariyatti Dhamma instead of Luang Por Peng.
Luang Por Tong Sukh then at this time began to study and practice the Dtamra Saiyawaet Grimoire of Buddha Magic and Occult Sorcery, and the various Kata which were pertinent to the Wicha of the Temple and Masters of Wat Sapan Sung, such as the Inscriptions for Takrut, the methods of making Pong Lob Yantra Powders, the Wicha of making Pra Pid Ta amulets, and Holy Water. He received all of these Wicha and Ritual methods from Luang Phu Glin, then the Abbot and Guardian Sentinel of the Wicha, passed down from Luang Phu Iam.
In the year 2482 BE, Luang Phu Glin passed away, and Luang Por Tong Sukh was given the emergency status of temporary Abbot until 2490 BE, after which he was officially instated by the Sangha Comittee as Abbot with full documentation and Royal decree. He performed his duties and continued the work of Luang Phu Iam and Luang Phu Glin, and was now the new Master and Guardian of the Wicha Pra Pid Ta Wat Sapan Sung, as the third important master of the lineage Wicha. In the year 2508 he was awarded status of Upachaya.
Luang Por Tong Sukh administrated the temple with great prowess, and brought many improvements to the enclave, and saw to the needs of the devotees. His kindness and strength of practice was legendary with the local devotees, for his strict adherence to the Dhamma Vinaya Buddhist Canon, and maintaining his purity as a Buddhist Monk.
His guidance to the younger Samanera novice monks was excellent, which led to the temple having only well practiced Monks residing, which brought even more reverence from the local community of devotees, for the temple was seen as a true place of practice, with only pure monks residing.
Luang Por Tong Sukh guided the fold and took care of the temple and its Bhikkhus with complete self renunciation for many years, serving the congregation, until he passed away on the 7th April 2525 BE at 8:00 am, at the age of 79 Years Old.
Luang Por Tong Sukh made the Pra Pid Ta Wat Sapan Sung throughout his trajectory, for devotees would come in throngs every day to seek out amulets, and so one can find Pra Pid Ta of this master coming from a range of time periods, ranging between about 2490 BE, up to his passing in 2525 BE, spanning a period of over 35 Years of amulet making.
His early era amulets will hence have similar appearance in ageing characteristics as those amulets from the latter Era of his Mentor Luang Phu Glin. It is hence a point of study to recognise the ageing characteristics of the Muan Sarn Sacred Powders and Lacquers of the Pra Pid Ta Wat sapan Sung amulets, to separate a late Era Luang Phu Iam amulet from an early Era Luang Phu Glin, and a late Era Luang Phu Glin amulet from an early Era Luang Por Tong Sukh. To master this aspect of amulet study of the Pra Pid Ta Wat sapan Sung, is to Master the Dtamra of amulets of three Generations of Masters in its entirety.
Luang Por Tong Sukh’s amulets are manyfold, ranging from his famous Pra Pid Ta, to Rian Kanajarn Monk Coins, and many talismanic charms such as Takrut, Look Om, and Pha Yant. Amongst his most preferred amulets are of course the Pra Pid Ta, and the Roop Lor Luang Phu Iam, and Roop Lor Luang Phu Glin Loi Ongk Statuettes (released in 2500 BE). Other preferred amulets are the Rian Sema Block Ueam, the Rian Luang Phu Glin, and Rian Khaw Hlam Dtad, as well as various other Rian Sema type coins. Some of his amulets can fetch thousands and even tens of thousands of dollars for rare preferred block presses.
The Pra Pid Ta of Luang Por Tong Sukh is a very poreferred and popular amulet, for its undisputed powers, which have been repeatedly confirmed over the years with so many stories in the newspapers about miraculous events happening to devotees who wore the Pra Pid Ta Wat Sapan Sung of Luang Por Tong Sukh. Luang Por Tong Sukh made the Pra Pid Ta exactly as passed down to him by Luang Phu Glin and his predecessor Luang Phu Iam.
Below; Luang Phu Glin, of Wat Sapan Sung
It is said that the Pra Pid Ta of Luang Por Tong Sukh is just as powerful and can be used instead of Pra Pid Ta by Luang Phu Glin or Luang Phu Iam, and the amulets of all three Masters are collected with equal fervency and preference by devotees, the only difference between the amulets of these three masters being the age and the price. Luang Por Tong Sukh would use old powders which were passed down from Luang Phu Gling, which Luang Phu Glin in turn had received from Luang Phu Iam.
It is said that Luang Por Tong Sukh made amulets from about the year 2490 BE onwards. Both the Pim Chalud and the Pim Tapap models are very highly revered and sought after, with his most preferred and rarest models being the Pim Sader Jun, and the Pim Sorng Sader (2 belly buttons), and the Pim Tapap (Terrapin Model).
The Pim Sader Jun is very rare, made in the year 2495 BE, and fetches very high prices on the marketplace, starting at about 1000$ and upwards. However, it is a fallicy that the Pim Sader Jun was only pressed in 2495 BE, as Luang Por Tong Sukh kept pressing the Sader Jun amulets with the very same block press until it broke sometime between the years 2510 BE and 2520 BE. The Pim sader Jun and Pim Sorng Sader remain his rarest and most highly valued models, fetching extremely high prices with collectors.
The Pra Pid Ta Wat Sapan Sung are highly renowned for their powers of Maha Pokasap Metta Maha Niyom Klaew Klaad Kong Grapan Chadtri, to bring great wealth and protection to the wearer.
Kata Pra Kawambadee
(This kata is for increasing ones wealth and belongings and good fortune);
Namo Puttassa Kawambadtissa
Namo Tammassa Kawambadtissa
Namo Sangkassa Kawambadtissa
Sukha Sukha Warang Na Mo Puttaaya Ma A U
Tugkhang Anijjang Anatta Jewa Segkhaa Tammaa Yataa Put Mo Na
Pra Gleep Bua Amulet with Yant Trinisinghae Luang Phu To Wat Pradoo Chimplee
The Pra Pratan Gleep Bua Hlang Yant Trinisinghae Muan Sarn Sacred Powders amulet, was released after Buddha Abhiseka Blessing Ceremony at Wat Pradoo Chimplee in the year 2521 BE, blessed by the Great Luang Phu To who presided over the Grand Blessing Ceremony. This edition recieved 3 months of immersion in Holy Prayer Water with blessings from Luang Phu To throughout the whole Trimester. This model is rare for being in the much rarer Pong Gesorn Gae ANam Man oily pollens sacred clay.
The amulet was released in two ‘Pim’ (versions); Pim Yai (large, 22,875 amulets made), and Pim Lek (small, 20,805 amulets made). This amulet is in perfect condition, without any flaws or wear and tear, making it very eligible for show in competition.
This amulet is considered to be one of the more easily reachable (affordable) amulets of the Pantheon of Famous Classics, and is very popular amulet with middle and upper middle-class devotees of Luang Phu To, who seek an authentically blessed amulet of esteem and respectable value from this master, but that won’t necessarily cost them the deeds to their house to be able to afford. The Sacred Yant Trinisinghae is Embossed on the rear face of the Amulet for Metta Mahaniyom and Maha Lap Blessings.
The amulet is a Pim Yai large version measuring 3.5 x 2.5 Cm,, and is in pristine condition. The Muan Sarn Sacred Powders are made from Puttakun Yantra Powders of Luang Phu To, with Gesorn Pollens and Incenses. The powerful magic and spellcasting abilities of Luang Phu To are of course one of the major influential factors as to why his amulets have become such priceless Masterpieces, and his special Muan Sarn Sacred Powders are another highly influential aspect of their popularity and fame. The Yant Trinisinghae was often inscribed on Yantra foils for devotees who would bring a foil with them and Luang Phu would inscribe it. The devotees would then take the foil home for Bucha, or roll it into a Takrut to wear as an amulet.
This Yantra was first used on the rear face of an official amulet edition, with the first edition Rian Run Raek Guru Monk Coins. The Yant Trinisinghae is not only powerful for Maha Lap and Serm Duang (improve fate and destiny), but also for being highly effective against Black Magick, Ghosts and Demons.
Luang Phu To is said to have been able to grab the Sincana cord which monks use to attach to amulets in blessing ceremonies, and sense immediately which monks along the line of the Sincana cords had psychic powers, and which ones didn’t. Luang Phu To Wat Pradoo Chimplee performing Nang Prok Meditation for Empowerment of Amulets
Luang Phu To of Wat Pradoo Chimplee, Empowering Amulets
Above; Luang Phu To Wat Pradoo Chimplee performing Nang Prok Meditation for Empowerment of Amulets
This resulted in Luang Phu always choosing the best most powerful Masters to invite to attend his empowerment ceremonies to assist in the Blessing of amulets and Buddha Images. Luang Phu To remains to this day one of the top 10 Guru Masters in the recorded History of Thai Buddhist Amulet making, and most certainly one of the top 5 Monks of recent History, on an equal Par with the Great Luang Phu Tim (Wat Laharn Rai).His amulets belong to the Master-Class status category, and carry immense status in the world of the amulet appreciation society, for their Authentic Sacred Power, and the Purity of the Monk who Blessed them.
The amulets of Luang Phu To are famed and revered by devotees around the country and around the whole world, for the proven history of Metta Mahaniyom Maha Lap Klaew Klaad Kaa Khaay power to bless the devotee with lucky fortunes, safety, success and prosperity. Luang Phu To began to make Muan Sarn Sacred Powders amulets first in the year 2470 BE, using the main ingredient of Pong Lob, which is the residue chalks fallen from the inscription of five rounds of 108 Sacred yantra spells, to create five different concentrates of Sacred Powders.
These five powders are of course known as; Pong Bpathamang, Pong Ittijae, Pong Puttakun, Pong Trinisinghae, and Pong Maharach. It is also known that Luang Phu To would use broken up amulets from Wat Plab, and also broken up pieces of Pra Somdej Wat Rakang Kositaram of the great Somdej Pra Puttajarn (Dto) Prohmrangsri, are known to be present within the Muan Sarn Sacred Powders of Luang Phu To’s amulets.
Other Muan Sarn used for the amulets include Pong Puttakun from Por Tan Klai (Wat Hongs, Thonburi), and of course Luang Phu To would bless the amulets in Nam Montr Prayer Water, using a Clay Holy Water bowl in his Kuti Hut, with a Dragon design on the bowl.
He would immerse the amulets in the holy water bowl, and When devotees would donate flowers to Luang Phu, he float the flowers in the prayer water bowl and use the offering to empower the amulets further. This in fact, is one of the reasons that some amulets have different holy water stains on their surfaces than others, due to the different flowers Luang Phu would immerse in the holy water bowl where the amulets were soaking.
Luang Phu would empower the amulets for the time of the Rainy season retreat (3 months), and repeatedly empower and bless them throughout this time. Some amulets were also released without immersion in prayer water. Of the 28,875 Pim Yai amulets made, 10,000 of them were donated to Princess Julaporn, to distribute as a gift to the people who made merits donating to build the Sirirat Hospital.
The Pra Pratan Gleep Bua Pim Yai and Pim Lek amulets are very popular with Devotees, for they are made from precisely the same Muan Sarn Sacred Powders as was used for the Pra Pid Ta Jumbo 2 Traimas Masterclass edition, which can cost up to even 40 times the price of a Pra Pratan Gleep Bua. It is hence obvious why this amulet is such a popular amulet with the devotee of Luang Phu This Votive Tablet is an Absolute Rarity and Eternal Classic, and extremely sought after spiritual item.The perfect choice for aesthetic beauty, spiritual value, and magic power, and top choice for the Serious Collector.
This beautiful amulet is most definitely a very fine acquisition, as a Sacred Votive Tablet of Pra Niyom Preferred Classic Category, that has been well looked after and maintained in its original state, and is a very well-kept amulet, that is worthy of competition entry for its clear features.
Luang Phu To of Wat Pradoo Chimplee was one of the greatest Masters of the Last Century, and a Highly revered Monk around the whole Kingdom of Thailand. he was Respected and revered by His Majesty Our great King, who was a close friend and companion.
Luang Phu To Wat Pradoo Chimplee
This Great Monk achieved his status through his Great deeds and his great Diligence in his Patipatā (Practice of Purity and Renunciation), and in his Great Attainments in Dhamma Pariyatti and Dhamma Patipatā.
Luang Phu To was born on the 27th March 2429 BE in Ban Klong Bang Noi in Samut Prakarn and passed away on 5th March 2524 BE. His many honourable awards of status reflect his great practice and diligence.
Pra Gleep Bua Amulet Hlang Yant Trinisinghae Luang Phu To Wat Pradoo Chimplee
Free EMS Shipping Worldwide is included with this amulet. The Pra Pid ta Jumbo 2 amulets were Released in 2523 BE, after three years of consecutive (Traimas) Buddha Abhiseka Ceremonies, with empowerment from Luang Phu To, who presided over all three Blessing Ceremonies between 2521-2523 BE, with many other great monks in attendance during the ceremonies, and the solo empowerment of LP To during the whole 3 years.
Free Registered Airmail Shipping Worldwide is offered included with this amulet, as is the case with all amulets in Ancient Amulet Store.
