One of the Great Classic Pra Pid Ta amulets of the Chonburi Province, from the Great Olden Days Gaeji Ajarn Master Monk, Luang Phu Jiam of Wat Kampaeng; The Pra Pid Ta Ha Liam 5 sided frame Nirodha Buddha amulet, in Nuea Pong Kluk Rak, Sacred Powders with Herbal Lacquer admixture, and Unalome on rear face.

Pra Pid Ta Ha Liam Hlang Yant Nuea Pong Kluk Rak 2430 BE Luang Phu Jiam Wat Kampaeng

Free Express Shipping Worldwide Included Plus Offer of Free Casing with this exhibit.

Luang Phu Jiam, was one of the Great and most highly revered and respected Monks of the Chonburi Province in his time, seen by both the Ordained Sangha, and his Devotees as a Maha Thera Master Monk with Miraculous Abilities.

Pra Pid Ta Ha Liam Hlang Yant Nuea Pong Kluk Rak 2430 BE Luang Phu Jiam Wat Kampaeng

His Pra Pid Ta amulets are among the rarest and considered a highly niche collector scene type Pra Niyom Category amulet, that is highly renowned for its beautiful and inimitably original Artistic Design, and powerful effects, which have become attributed to this amulet.

Pra Pid Ta Ha Liam Hlang Yant Nuea Pong Kluk Rak 2430 BE Luang Phu Jiam Wat Kampaeng

LP Jiam was born in the year 2398 BE, over a century and a half ago, during the time of His Majesty King Rama 4. He was ordained at Wat Kampaeng age 22, which is known by the fact that there is documentation in the Sangha records, that Pra Atigarn Jiam (LP Jiam), was the Upachaya Ordaining Monk of Wat Kampaeng, at age 44 after 22 years of ordination.

Pra Pid Ta Ha Liam Hlang Yant Nuea Pong Kluk Rak 2430 BE Luang Phu Jiam Wat Kampaeng

The records also include the recording of his elevation in status on various occasions with Royal Deccrees, and eventually became the Jao Kana (Archbishop) of all Temples in the Chonburi Province. He served the Faithful Buddhist Devotees of Wat Kampaeng, and indeed the temples of the whole Province, right up until his passing away during the reign of King Rama 6, in the year 2454 BE.

Pra Pid Ta Ha Liam Hlang Yant Nuea Pong Kluk Rak 2430 BE Luang Phu Jiam Wat Kampaeng

The Pra Pid Ta of Luang Phu Jiam, is designed in the form of Pra Pid Ta Pakawambodee, and is classed as the No.4 top Pid Ta Amulet of all Chonburi Masters. Chonburi is perhaps the most famous {rrovince for its large number of great Masters of Wicha Pra Pid Ta, and most of the Great Pid Ta amulets of World Class Status are found to come from the Chonburi Masters. This makes it very difficult to explain just how popular a number 4 amulet is in the Pid Ta Category, due to the very many World Famous Pra Pid Ta Masters from this Province making such a large number of different Master-Class Pra Pid Ta , all of which are among the most collected and revered in the country.

Pra Pid Ta Ha Liam Hlang Yant Nuea Pong Kluk Rak 2430 BE Luang Phu Jiam Wat Kampaeng

Chanting this Kata, is Good for increasing wealth, attracting treasured possessions, popularity, business sales and promoted status. In addition, Pra Pid Ta amulets, have the special abstract magical quality of increasing your common sense, mindfulness and wisdom is also present within this amulet.

Pra Pid Ta Ha Liam Hlang Yant Nuea Pong Kluk Rak 2430 BE Luang Phu Jiam Wat Kampaeng

The Pra Pid Ta amulet is considered to be an amulet with ‘Maha Ud’ and ‘Kong Grapan’ power (invincibility and gunstopping power), but is also made as a wealth bringer, in which case, the amulet will be called ‘Pra Pid ta Maha Lap’. In order to inflect a greater resonance for wealth attraction and auspicious blessings, in addition to the Maha Ud and Kong Grapan magic.

Pra Pid Ta Ha Liam Hlang Yant Nuea Pong Kluk Rak 2430 BE Luang Phu Jiam Wat Kampaeng

KATA PRA PID TA

How to Chant Kata Pra Pid Ta

Pra Pid Ta Ha Liam Hlang Yant Nuea Pong Kluk Rak 2430 BE Luang Phu Jiam Wat Kampaeng

The Pra Pid Ta is one of the Great All Time Classics of Thai Amulets. Signifying the Buddha Entering Nirodha, this douses out all Sufferings. Some Pidta are for Maha Lap (Riches and Luck) and some are to remove debt (Plod Nee) and some are for Protection (Kong Grapan/Klaew Klaad, Maha Ud). Some people believe the Pid ta to be e bringer of 'Blind Luck' and Gambling Fortunes.

Filters

Filters
1 - 60 of 93 items
How to Pray to Thai Amulets

Ajarn Spencer Littlewood & Agent Gemini Unleashed for ancientamulet.com
All rights reserved.

 

 

 

 

Luang Por Ngern Pim Khee Dta Wat Bang Klan 2537 BE - Nuea Tong Pasom Gao - Luang Por Nong - Wat Tung Noi Casing included.

Examination of the Pim Khee Dta Wat Bang Klan 2537 BE Amulet

The study of sacred amulets within Theravada Buddhism, particularly in Thailand, represents a complex intersection of art history, religious practice, occult tradition, and social anthropology. This monograph undertakes a comprehensive analysis of a specific and notable exemplar: the Luang Por Ngern Pim Khee Dta Wat Bang Klan 2537 BE, crafted by Luang Por Nong of Wat Tung Noi. Identified by the SKU 04200, this amulet, made from Nuea Tong Pasom Gao, stands as a testament to the enduring veneration of Luang Por Ngern and the continuous transmission of sacred Wicha through generations of monastic practitioners. This particular edition, released in 2537 BE, carries profound historical, alchemical, and theological significance, emerging as Luang Por Nong’s inaugural self-created series. Its genesis was rooted in the pragmatic necessity of funding temple refurbishment and the construction of a Sala Rest Podium at Wat Tung Noi, yet its spiritual resonance extends far beyond its material origins, embodying a living lineage of power and devotion. The incorporation of original Luang Por Ngern amulets within its metallic composition and its direct replication from an ancient Pim Khee Dta model imbues it with an intrinsic connection to its illustrious predecessor, making it a critical subject for scholarly inquiry into Thai Buddhist occultism.

Introduction and Theological Importance

The veneration of sacred amulets (Pra Krueang) in Thai Theravada Buddhism constitutes a foundational element of popular religious practice, integrating seamlessly with the more formal doctrinal aspects of the faith. These objects are not merely decorative or symbolic; they are imbued with perceived spiritual potency, acting as conduits for blessings, protection, and miraculous assistance. The Luang Por Ngern Pim Khee Dta Wat Bang Klan 2537 BE amulet exemplifies this tradition, deriving its theological weight from the revered figure of Luang Por Ngern, one of Thailand’s most legendary monks. Luang Por Ngern (Phra Kru Adisai Khunaporn, 1810–1919 BE) was the abbot of Wat Bang Klan in Phichit Province, renowned for his advanced meditative attainments and potent Wicha. His original amulets are among the most sought-after and expensive in the Thai market, signifying immense spiritual power and historical gravitas.

The spiritual cosmology underpinning the efficacy of such amulets posits that the concentrated merit and meditative power (baramee) of a highly attained monk can be transferred or infused into material objects. This process, known as ‘pluk sek’ or empowerment, transforms an ordinary object into a ‘Pra Krueang,’ an object capable of interceding beneficially in the lives of its wearers. The 2537 BE Pim Khee Dta, crafted by Luang Por Nong, enters this established theological framework not as a mere imitation, but as a deliberate continuation of a sacred lineage. Its importance is amplified by its direct material and conceptual link to Luang Por Ngern’s own creations. The act of pressing an original Pra Luang Por Ngern Pim Khee Dta amulet to create a casting mold for the 2537 BE edition establishes a direct physical and energetic replica, ensuring iconographical fidelity and spiritual resonance.

Reverse side of the Luang Por Ngern Pim Khee Dta amulet, showing potential back details or a smooth finish.

Furthermore, the deliberate inclusion of smelted fragments from various famous editions of Luang Por Ngern amulets, including first edition and the celebrated ‘Pern Dtaek’ Edition, into the Chanuan Metallic Muan Sarn of this 2537 BE series, elevates its theological status considerably. This practice is not merely recycling; it is a profound act of spiritual inheritance and augmentation. It is believed that by incorporating the very material of previously empowered amulets, the new creations inherit and concentrate the cumulative blessings and Wicha of the originals. This amalgamation effectively bridges temporal gaps, linking the contemporary devotee directly to the foundational power of Luang Por Ngern himself.

The reported ‘Miraculous Assistance’ experienced by numerous devotees associated with this edition serves as empirical validation within the belief system, reinforcing its perceived spiritual potency. These narratives, often disseminated through informal networks and, as noted, through media attention, contribute significantly to the amulet’s veneration and affirm its place within the ‘Classic Edition’ pantheon of the Luang Por Ngern temples of Pijit Province. The 2537 BE Pim Khee Dta is thus not only a devotional object but also a tangible manifestation of a living spiritual tradition, embodying hope, protection, and a deep connection to a revered spiritual ancestor. Its designation as a ‘perfect Heirloom Amulet’ underscores its perceived enduring value, not merely monetary, but as a repository of familial and spiritual legacy, passed down through generations.

The intrinsic link of Wat Tung Noi to Luang Por Ngern, being one of the “family of lp Ngern Temples of Pijit Province, and indeed as refurbished and assisted by Luang Por Ngern Himself,” further solidifies the theological justification for this amulet’s spiritual efficacy. This historical patronage by Luang Por Ngern imbues Wat Tung Noi with a special aura, suggesting that the blessings and Wicha of the great master perpetually reside within its grounds, ready to be invoked by worthy successors like Luang Por Nong. This contextual framework is crucial for understanding the amulet’s position within the broader sacred geography and spiritual economy of Thai Buddhism.

The Master and Lineage: Luang Por Nong (Jamnong)

The creation of the Luang Por Ngern Pim Khee Dta Wat Bang Klan 2537 BE is inextricably linked to the monastic figure of Luang Por Nong (Jamnong), the revered Abbot of Wat Tung Noi. While the provided data does not offer an exhaustive biography of Luang Por Nong’s early life or ascetic training, it illuminates critical aspects of his spiritual lineage, devotional character, and the circumstances surrounding his creation of this significant amulet edition. Luang Por Nong’s profound reverence for Luang Por Ngern stands as a central pillar of his spiritual identity and informs his entire approach to amulet creation within the Dtamra Luang Por Ngern.

Luang Por Nong’s role as Abbot of Wat Tung Noi is pivotal. Wat Tung Noi is specifically identified as one of the temples intimately associated with Luang Por Ngern, having benefited from his refurbishment efforts and direct assistance. This established historical connection grants Luang Por Nong a unique position within the broader spiritual network of Phichit Province, allowing him to claim a legitimate inheritance of the Wicha and spiritual authority derived from Luang Por Ngern. His act of constructing various Luang Por Ngern statues and shrines within Wat Tung Noi is not merely an act of memorialization; it represents a conscious and deliberate effort to maintain and harness the spiritual presence and power of his predecessor. Through these sacred effigies, Luang Por Nong reportedly engages in a form of spiritual communication, beseeching the “transmission of his Power to the amulets he makes in the Dtamra Luang Por Ngern.” This practice highlights a specific aspect of Thai Buddhist occultism, where the spiritual essence and Wicha of a departed master are believed to be accessible and transmissible through devotional acts and consecrated representations.

Close-up of the Luang Por Ngern Pim Khee Dta amulet, showcasing its metallic texture and intricate details.

The 2537 BE edition holds particular significance as Luang Por Nong’s “first ever self made Edition.” This designation marks a crucial juncture in his monastic career, signaling his emergence as a prominent creator of sacred amulets. The motivation behind this inaugural release was practical: to generate funds for the essential refurbishments of Wat Tung Noi and the construction of a much-needed Sala Rest Podium for temple practitioners and devotees. This demonstrates a monastic leader deeply committed to the welfare of his temple and its community, utilizing his spiritual authority and artistic skill in amulet creation as a means to serve the Sangha and the lay followers. Such pragmatic motivations for amulet creation are common in Thai Buddhism, where the production and distribution of amulets often serve as a primary mechanism for fundraising for temple construction, renovation, and charitable works.

The empowerment process for these amulets was not a singular event but a prolonged and dedicated endeavor. Luang Por Nong performed “a long series of daily and nightly empowerments,” indicating an intensive and sustained meditative practice focused on infusing the amulets with spiritual energy. This commitment underscores the traditional Theravada understanding that the efficacy of an amulet is directly proportional to the purity, concentration, and accumulated merit of the monk who blesses it. Furthermore, Luang Por Nong extended this process by involving other respected monastic figures, specifically “Luang Por Somkuan and Luang Por Pimpa,” who provided “additional empowerment and blessings.” This practice of collaborative empowerment, or ‘Puttapisek’ (blessing ceremony), is a well-established tradition, believed to exponentially amplify the spiritual potency of the amulets by combining the Wicha and baramee of multiple enlightened masters. The participation of these additional monks signifies a broader consensus of spiritual authority and validates the legitimacy and power of Luang Por Nong’s creation within the monastic community. Their involvement enhances the collective spiritual energy, making the amulets even more formidable in their protective and benevolent attributes.

Alchemical Composition and Sacred Powders

The material composition of sacred amulets in Thai Buddhist tradition is rarely arbitrary; it is a meticulously curated alchemical process imbued with profound spiritual significance. The Luang Por Ngern Pim Khee Dta Wat Bang Klan 2537 BE amulet, specifically fabricated from “Nuea Tong Pasom Gao,” exemplifies this intricate interplay of material science and spiritual intent. Nuea Tong Pasom Gao translates to “Ancient Brazen Metal Alchemical Alloy,” denoting a complex metallic matrix derived from ancient and sacred sources. This nomenclature itself signifies an inherent veneration for antiquity and the perceived potency associated with aged, previously consecrated materials.

The primary constituents of this alchemical alloy are delineated with specificity: “old Luang Por Ngern amulets, Yantra Foils, Gold and Silver, and a long list of other Sacred Ingredients.” The inclusion of “old Luang Por Ngern amulets,” particularly from “first edition and the famous ‘Pern Dtaek’ Edition Amulets,” is a critical element. This practice, known as ‘Chanuan Muan Sarn,’ involves the smelting and re-casting of existing sacred objects. It is not merely an act of material recycling but a highly symbolic and energetically charged process. The belief is that the original amulets, having been consecrated by Luang Por Ngern himself and having served their purpose, retain their spiritual power. By melting them down and incorporating them into new creations, that foundational power is transferred and multiplied. This creates a direct energetic lineage, effectively imbuing the new amulet with the essence of its predecessors. The “Brazen Metals” are explicitly stated to “reveal a high content of ancient original first edition Luang Por Ngern Wat Bang Klan Amulets,” underscoring the substantial integration of these revered components.

“Yantra Foils” constitute another vital component of the Chanuan Muan Sarn. These are metallic sheets, typically copper, brass, or silver, upon which sacred geometric designs and protective incantations (Kata) are inscribed by monks. The foils are then ritually blessed and melted down, allowing the spiritual energies and protective properties of the Yantra to become molecularly integrated into the metallic alloy. This process is believed to imbue the entire batch of metal with the cumulative power of countless individually blessed Yantra. The ‘sacred geometry’ of the Yantra, combined with the power of the inscribed Kata, provides a structural template for the spiritual forces to reside within the amulet.

The presence of “Gold and Silver” within the alloy is also significant. Beyond their intrinsic material value, these precious metals hold symbolic and alchemical importance in many spiritual traditions, including Thai occultism. Gold is often associated with purity, divine light, prosperity, and the indestructible nature of the Buddha’s teachings (Dhamma). Silver, conversely, is linked to lunar energies, purification, wisdom, and protective qualities. Their combination in a sacred alloy is believed to create a harmonized matrix that enhances the amulet’s overall spiritual potency and benevolent attributes, attracting auspiciousness and warding off negativity.

The phrase “long list of other Sacred Ingredients” suggests a further array of consecrated materials, which could include rare earths, mineral dusts from sacred sites, ash from incense burned before revered Buddha images, ground medicinal herbs, or even fragments of robes from venerated monks. While unspecified, their presence underscores the comprehensive and holistic approach to constructing a potent sacred object, where every component contributes to the overall spiritual charge and protective efficacy. This meticulous selection and amalgamation of materials transforms the amulet from a mere metal casting into a highly charged spiritual artifact, functioning as a microcosm of sacred power and a tangible link to a rich alchemical and spiritual heritage. The resultant alloy is not simply a mix of metals, but a `Chanuan Muan Sarn` — a sacred concoction embodying generations of spiritual essence, ready to receive further blessings.

Sacred Empowerment and Wicha

The spiritual efficacy of the Luang Por Ngern Pim Khee Dta Wat Bang Klan 2537 BE amulet is fundamentally predicated upon the meticulous process of sacred empowerment, known as `Puttapisek` or `pluk sek` in Thai. This ritualistic infusion of spiritual energy, or `Wicha`, transforms a material object into a potent talisman. Luang Por Nong’s approach to empowering this particular edition reflects a deep understanding of traditional Theravada occult practices and a profound respect for the lineage of Luang Por Ngern.

The foundational layer of empowerment for these amulets involved Luang Por Nong performing “a long series of daily and nightly empowerments.” This intensive regimen highlights the commitment and discipline required in monastic spiritual practice. Such empowerments typically involve deep meditative states, where the monk concentrates his accumulated merit (`baramee`), wisdom, and spiritual attainments into the objects. This process can include `Samatha` (calm-abiding) meditation to stabilize the mind and generate powerful concentration, followed by `Vipassana` (insight) meditation to purify consciousness and imbue the objects with liberating wisdom. The repetition of sacred incantations, or `Kata`, often specific to the desired effects of the amulet (e.g., protection, prosperity, charisma), is central to this daily and nightly ritual. Each `Kata` is a formulaic utterance, believed to invoke specific deities, elemental powers, or the blessings of the Buddha and Arhats. The continuous chanting over an extended period charges the amulets with a sustained and concentrated spiritual force.

A significant aspect of the `Wicha` employed by Luang Por Nong involves the concept of ‘transmission of Power.’ As Abbot of Wat Tung Noi, a temple intrinsically linked to Luang Por Ngern, Luang Por Nong leveraged the existing spiritual infrastructure. His establishment of various Luang Por Ngern statues and shrines within the temple serves as more than just a memorial. These consecrated representations act as focal points for spiritual energy, allowing Luang Por Nong to “communicate and beseech transmission of his Power to the amulets he makes in the Dtamra Luang Por Ngern.” This suggests a ritualistic invocation, where Luang Por Nong acts as a conduit, drawing upon the enduring spiritual presence and blessings of the original master, Luang Por Ngern, and channeling them into the newly created amulets. This reinforces the notion of a living lineage where the spiritual authority of the predecessor continues to empower the efforts of the successor. The `Dtamra Luang Por Ngern` refers to the specific teachings, methods, and spiritual legacy associated with Luang Por Ngern, indicating that Luang Por Nong’s amulet creation adheres strictly to these established traditions and techniques.

The empowerment process was further enhanced through the involvement of other venerable monks. Luang Por Nong “passed them on to Luang Por Somkuan and Luang Por Pimpa, to give additional empowerment and blessings.” This practice of inviting multiple high-ranking or spiritually advanced monks to participate in `Puttapisek` ceremonies is a venerable tradition. Each participating monk contributes their unique `Wicha`, their accumulated `baramee`, and their specific meditative attainments to the collective blessing. This synergistic approach is believed to create a multifaceted protective and benevolent field around the amulets, making them exponentially more potent than if empowered by a single monk. The collective energy of these masters strengthens the amulet’s ability to confer protection, prosperity, and spiritual guidance upon the wearer. The presence of multiple respected figures also lends immense credibility and authority to the edition within the wider devotee community.

Angled view of the Luang Por Ngern Pim Khee Dta amulet, highlighting its metallic sheen and relief details.

The `Wicha` involved is not static; it is a dynamic process of continuous spiritual engagement. The efficacy of the amulets, as evidenced by reports of ‘Miraculous Events,’ stands as a testament to the perceived success of these empowerment rituals. These events often encompass protection from danger, unexpected financial gains, improved health, or resolution of personal dilemmas, which are widely interpreted as direct manifestations of the amulet’s inherent `Wicha` and the blessings of the monks. The meticulous daily and nightly empowerments by Luang Por Nong, combined with the additional blessings from Luang Por Somkuan and Luang Por Pimpa, thus form the crucial spiritual foundation upon which the 2537 BE Pim Khee Dta amulet’s reputation and efficacy are built.

Iconographical and Aesthetic Appreciation

The iconographical and aesthetic characteristics of the Luang Por Ngern Pim Khee Dta Wat Bang Klan 2537 BE amulet offer critical insights into its spiritual lineage, artistic replication, and material integrity. The designation “Pim Khee Dta,” translating to “Sleepy Eyes Model,” refers to a specific and highly recognizable iconic representation of Luang Por Ngern. This particular posture or facial expression is one of the most revered and sought-after forms of his original amulets. The subtle portrayal of relaxed, somewhat closed eyes suggests a monk in deep meditative absorption, embodying a state of profound inner peace and spiritual attainment. This artistic choice is not accidental; it conveys the essence of Luang Por Ngern’s reputed meditative prowess and his tranquil, wise disposition, qualities that devotees seek to emulate or draw upon.

A defining feature of this 2537 BE edition is its method of creation: Luang Por Nong “made these Pim Khee Dta… by pressing original Pra Luang Por Ngern Pim Khee Dta amulet… and then making a casting mold out of it.” This technique positions an original amulet as the “Master Blueprint for the Casting,” ensuring an exceptional degree of “great similarity to the first ever lp Ngern amulets of Wat Bang Klan.” Such direct replication from an original exemplar guarantees iconographical authenticity, maintaining the precise contours, facial features, monastic robes, and any other distinctive marks present on the ancient prototype. This fidelity is paramount in the realm of sacred amulets, where slight deviations can alter perceived authenticity or spiritual efficacy. The resulting physical form of the 2537 BE amulet thus serves as a faithful aesthetic homage to its illustrious predecessor.

Another close-up of the Luang Por Ngern Pim Khee Dta amulet, focusing on the monk's tranquil face and the texture of the metallic alloy.

The aesthetic appreciation of the 2537 BE Pim Khee Dta is further enriched by its material composition, “Nuea Tong Pasom Gao.” This ancient brazen metal alchemical alloy lends the amulet a distinctive appearance. The high content of original Luang Por Ngern Wat Bang Klan amulets within the Chanuan Muan Sarn metallic alloy means that the visual texture, patination potential, and even the subtle coloration of the metal will intrinsically reflect characteristics of the ancient, revered materials. Over time, the alloy is expected to develop a unique patina, a highly valued attribute in antique amulets, further enhancing its visual appeal and connecting it aesthetically to the aged originals. The “Brazen Metals” revealing their high content of ancient components signifies a visual richness that serious collectors and devotees appreciate as evidence of its sacred pedigree.

Beyond the primary figure, the specific design elements, such as the shape of the amulet (often an elongated bell shape or a broad, rounded form), the presence or absence of a decorative border, and any inscriptions or code marks on the reverse, contribute to its iconographical narrative. While not explicitly detailed, such elements would align with the traditional `Pim Khee Dta` format. The overall artistic impression is one of solemnity and spiritual gravitas, reflective of Luang Por Ngern’s revered status.

The Luang Por Ngern Pim Khee Dta amulet displayed within its original temple box, emphasizing its presentation and authenticity.

The presentation of the amulet includes the detail that it “comes with original box from the temple” and “can be encased if desired.” The temple box serves as proof of provenance and authentication, signifying that the amulet was issued directly from Wat Tung Noi and, by extension, within the legitimate Dtamra Luang Por Ngern. The option for encasing (e.g., in clear acrylic or waterproof plastic, often with a metallic frame) is a practical and aesthetic consideration. Encasing protects the amulet from environmental damage and wear, ensuring its preservation as a “perfect Heirloom Amulet to keep in the family for generations.” The inclusion of “Casing included” within the SKU description further indicates that this practical aspect has been considered for the devotee, ensuring longevity and wearability. The aesthetic integrity, combined with its historical material lineage and the explicit intent of replication, firmly establishes the 2537 BE Pim Khee Dta as a significant object for both religious devotion and scholarly study of Thai Buddhist art.

Ritual Practice and Worship

The ritual practice and worship of sacred amulets like the Luang Por Ngern Pim Khee Dta Wat Bang Klan 2537 BE are integral to maximizing their perceived spiritual benefits within the framework of Thai Theravada Buddhism. This involves a set of prescribed actions and recitations, collectively known as `Bucha` (reverence or worship), which establish a spiritual connection between the devotee, the amulet, and the enlightened beings it represents. The monograph delineates the “Traditional Thai Buddhist Method for Bucha” as a three-step process, each component bearing profound significance.

The first step is to “Chant Maha Namasakara (3 Times).” Maha Namasakara is the universal homage to the Triple Gem, beginning with “Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa” recited thrice. This profound invocation expresses reverence to the Blessed One, the Worthy One, the Perfectly Self-Enlightened One. By reciting this, the devotee acknowledges the supreme virtues of the Buddha, setting a reverent and purified mental state conducive to engaging with sacred objects. It is a foundational prayer, clearing the mind of distractions and focusing intent on the spiritual path.

Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa

Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa

Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa

The Luang Por Ngern Pim Khee Dta amulet, photographed to show fine details of its casting and material.

The second step requires chanting “Trai Soranakom (3 Times).” The Trai Soranakom, or the Triple Gem Refuge, involves formally taking refuge in the Buddha, the Dhamma (his teachings), and the Sangha (the monastic community). Each refuge is recited three times, emphasizing the depth of commitment:

Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tudtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tudtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tudtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Dtadtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Dtadtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Dtadtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

This declaration signifies the devotee’s formal adherence to the core tenets of Buddhism, reaffirming their identity as a Buddhist practitioner. It is understood that by taking refuge, one opens oneself to the protective and guiding influence of the Triple Gem, thereby enhancing the receptivity to the blessings embodied in the amulet. The invocation “Cheewidtang Yaawa Nipaanang Saranang Kajchaami” translates to “I go for Refuge until the attainment of Nibbana,” indicating a lifelong commitment.

A shot of the Luang Por Ngern Pim Khee Dta amulet with additional lighting to highlight its metallic properties and craftsmanship.

The final step is to “Chant Kata Aaraatanaa Pra Krueang (3 Times).” This specific `Kata` is an invitation to the amulet, requesting its blessings and protection. It is a direct address to the spiritual power residing within the amulet, making explicit the devotee’s desires for its benevolent intervention. The `Kata` provided is:

How to Pray to Thai Amulets

Puttang Aaraatanaanang

Tammang Aaraatanaanang

Sangkang Aaraatanaanang

Puttang Prasittimae

Tammang Prasittimae

Sangkang Prasittimae

This `Kata` explicitly invites the Buddha, Dhamma, and Sangha, through the medium of the amulet, to grant blessings (`Prasittimae`). This final step personalizes the ritual, focusing the accumulated merit and protective energies directly towards the needs of the individual.

A detailed close-up of the Luang Por Ngern Pim Khee Dta amulet's face, highlighting the 'sleepy eyes' feature and intricate casting.

Beyond these formal recitations, the ethical conduct of the devotee is paramount. Amulets are not typically viewed as ‘magical’ objects that grant wishes unconditionally. Instead, their efficacy is often believed to be enhanced by the wearer’s adherence to the Five Precepts, cultivation of loving-kindness, and performance of good deeds. Miraculous events are frequently seen as consequences of both the amulet’s inherent power and the devotee’s accumulated good karma and pure intentions. Respectful handling of the amulet, treating it as a sacred object rather than a mere trinket, and placing it in an elevated, clean position when not worn, are also standard practices. The inclusion of an original temple box and the option for encasing underscore the importance of proper preservation and respectful presentation, ensuring the amulet can be revered as a potent spiritual heirloom across generations. The entire ritual practice, therefore, functions as a holistic engagement, combining verbal invocation, mental purification, and ethical living to maximize the spiritual benefits derived from the sacred object.

A collection of three Luang Por Ngern Pim Khee Dta amulets, displayed together to show variations and overall quality.

Author: Ajarn Spencer Littlewood.

Schematics: Antigravity CLI Unleashed

Homepage: www.ajarnspencer.com

Github Dev Page: www.github.com/AjarnSpencer

Citation Reqiured

Roop Lor (Loi Ongk)

Filters

Filters
1 - 60 of 82 items

 

Takrut Tong Daeng Kong Grapan Thak Chueak Khiaw 2500 BE Copper Yantra Scroll Green Cord 5 Inches Luang Por Mum Wat Prasat Yer

The Takrut Tong Daeng Kong Grapan Thak Chueak Khiaw 2500 BE: A Monograph on the Sacred Amulets of Luang Por Mum Intabanyo Wat Prasat Yer

This monograph presents a rigorous academic examination of the Takrut Tong Daeng Kong Grapan Thak Chueak Khiaw, identified by SKU 04219, an artifact of profound spiritual and cultural significance from the esteemed master, Luang Por Mum Intabanyo of Wat Prasat Yer. Dated to approximately 2500 BE (1957 CE), this specific Takrut exemplifies the intricate interplay between Theravada Buddhist esotericism, indigenous Thai animism, and the potent alchemical traditions prevalent in the Mekong region of Southeast Asia. The focus here is on its historical genesis, the biographical trajectory of its creator, the material composition, the methodologies of its sacred empowerment, its iconographical implications, and the prescribed devotional practices associated with its veneration.

Takrut Tone Thak Chueak Khiaw Luang Por Mum Wat Prasat Yer

The Takrut, a cylindrical scroll amulet, stands as a quintessential manifestation of Thai Buddhist occultism, embodying a lineage of mystical knowledge passed through generations of monastic masters. Fundamentally, a Takrut serves as a repository for sacred inscriptions, known as Yantras (or Yant in Thai), imbued with specific magical properties through ritualistic empowerment. The Takrut Tong Daeng Kong Grapan Thak Chueak Khiaw, specifically a “Takrut Tone” measuring five inches in length, represents a powerful class of these amulets, meticulously crafted from copper/bronze Yantra foil. Its designation as “Tong Daeng” refers to this copper composition, historically valued for its conductive properties in magical rites and its association with celestial bodies.

The theological importance of this Takrut is predicated upon the efficacy of its enshrined Wicha (magical knowledge) to confer multifaceted protections and boons upon the wearer. The primary attributes inscribed within this amulet are Kong Grapan Chadtri, Klaew Klaad, Maha Ud, and Gae Pit Aathan. Kong Grapan Chadtri denotes invincibility, specifically the ability to repel physical harm, rendering the wearer impervious to blades, bullets, and other forms of weaponry. Klaew Klaad signifies evasive capabilities, ensuring the wearer’s escape from dangerous situations, accidents, and unforeseen perils. Maha Ud pertains to gun-stopping magic, preventing firearms from discharging or causing harm, a critical protective aspect in regions historically prone to conflict. Gae Pit Aathan is the power to counteract and neutralize black magic, curses, and malevolent spiritual influences, offering a comprehensive shield against occult attacks. Beyond these core protective functions, the Takrut is also imbued with properties of Serm Duang (enhancement of fate or destiny), Metta Mahaniyom (compassion and popularity, leading to favorable social interactions), and Maha Lap Kaa Khaay (great fortune and success in business and trade). These attributes collectively position the Takrut not merely as a defensive talisman but as a comprehensive tool for enhancing overall well-being, status, and prosperity in the devotee’s life.

The temporal context of “2500 BE” (1957 CE) for this Takrut positions it within the nascent period of Luang Por Mum’s prolific output of “Krueang Rang” (talismanic occult charms). While his more formally documented editions of amulets, such as the Rian Kanajarn Monk Coins, emerged predominantly between 2507 BE and 2520 BE, the presence of specific Takrut types is noted earlier, with the “1st edition Takrut” officially documented in 2509 BE. This suggests that the “2500 BE” designation for this particular Takrut likely refers to an earlier, less formally documented production period, characteristic of his individual, hand-made Krueang Rang. Such earlier creations often predated mass-produced editions and were crafted one by one, reflecting a more direct engagement of the master’s personal Wicha Akom (sorcery knowledge) and meditative energies during the initial phase of his spiritual and magical development. The cultural milieu of this era, marked by the geopolitical tensions of the Indo-China and Vietnam War, further amplified the demand for powerful protective amulets, elevating the significance of masters like Luang Por Mum who were renowned for their efficacious Wicha.

Pra Kroo Prasat Khantakun, reverently known as Luang Por Mum Intabanyo, was a preeminent figure in Thai Buddhism and occult arts, serving as the esteemed abbot of Wat Prasat Yer Temple in Sri Saket province. His biography spans a significant period of Thai history, from 2429 BE (1886 CE) to 2522 BE (1979 CE), covering nearly a century of profound spiritual development and dedication. Luang Por Mum’s monastic journey commenced at the tender age of 12, when he ordained as a Samanera (novice monk). His commitment to the Dhamma was unwavering, as he maintained the purity of his Bhikkhu (monk) vows until his passing at the advanced age of 93, a testament to his profound spiritual discipline and unwavering adherence to the Vinaya.

Luang Por Mum’s spiritual formation was significantly shaped by his extensive Tudong (ascetic forest wandering) practices. He spent numerous years traversing the arduous and often perilous mountainous jungles of the Thai-Khmer border regions. This period of intense solitary practice was instrumental in his mastery of Kammathana Mindfulness, a meditative technique focused on developing deep insight and concentration, and in refining his Wicha Akom sorcery. Tudong masters are revered for their profound connection to nature, their ability to withstand harsh conditions, and their development of potent spiritual and magical abilities through rigorous self-discipline and communion with the natural world. This ascetic training formed the bedrock of his spiritual authority and the efficacy of his amulets.

The lineage of Luang Por Mum is further distinguished by his association with Luang Phu Bun Ma, who served as one of his esteemed Kroo Ba Ajarn (teacher monks). This connection underscores the importance of traditional teacher-disciple relationships in the transmission of Wicha. The explicit mention of amulets like the Rian Luang Por Bun Ma coin, created in 2509 BE in reverence for his guru, and the Rian Sorng Ajarn (Two Masters Coin) of 2510 BE, which featured both Luang Phu Bun Ma and Luang Por Mum, highlight the continuity of this spiritual lineage and the deep respect accorded to his mentors. Luang Por Mum’s reputation as a Tudong master from the Isan Country further solidified his status, as this region is renowned for producing monks with formidable Wicha and deep ascetic roots.

Takrut Tone Thak Chueak Khiaw Luang Por Mum Wat Prasat Yer

A defining characteristic of Luang Por Mum’s amulet creation was his insistence on personal empowerment (Plook Sek). Unlike some masters who might delegate aspects of blessing to disciples, Luang Por Mum personally performed the incantations and consecrations for all his amulets. This direct engagement of his meditative energies and Wicha was a primary factor contributing to the immense popularity and legendary efficacy of his creations among devotees. This dedication to personal empowerment elevated his amulets, granting them a “cult status” among collectors, particularly his Rian Kanajarn Monk Coins, which were released between 2507 BE and 2520 BE, with all editions subsequently achieving Pra Niyom category status as highly preferred and sought-after amulets.

The Tamniap Wadthumongkol Luang Por Mum Intabanyo, a comprehensive catalogue of his amulets, provides invaluable insight into his prolific output. While the 2500 BE date for this specific Takrut might indicate an earlier, uncatalogued period of production, the documented history of his amulets commenced with the 2507 BE ‘Rian Run raek’ (first edition coin), issued in two models: ‘Pim Sor Hang San’ (short-tailed Thai letter ส) and ‘Pim Sor Hang Yaw’ (long-tailed Thai letter ส). This year also saw the release of first edition Hwaen Luang Por Mum Guru Monk rings, crafted from sacred chanuan metals such as Nuea Nak (an alchemical alloy, often gold-infused) and Nuea Albaca (a silver-colored alloy).

The year 2508 BE marked the release of the Riang Glom Luang Por Mum coin, distributed to devotees who visited the temple for prayer, Dhamma practice, and merit-making. A significant year for his early output was 2509 BE, when a series of amulets were released, sponsored by his devotee committee. While not all items from this edition were fully documented, known artifacts include the Pra Kring Sor Gor, additional first edition finger rings, Roop Tai (photos of Luang Por Mum), Roop Lor Boran Loi Ongk Statuettes depicting his image, and importantly, the “1st edition Takrut.” This inaugural Takrut, along with the Rian Luang Por Bun Ma coin, received a large Buddha Abhiseka ceremony, attended by many great master monks of that era for blessings and empowerment.

In 2510 BE, the Rian Sorng Ajarn monk coin, featuring Luang Phu Bun Ma and Luang Por Mum, was released alongside Pha Yant (Yantra cloths), various Takrut, and Muan Sarn Sacred Powder amulets. The year 2512 BE saw the Pra Chaiyawat Luang Por Mum, considered the second edition Pra Kring, following the Pra Kring Gor Sor. This edition also included the Rian Roop Arm coin and the third edition Finger Ring. The period of 2514-2515 BE was particularly prolific, witnessing the release of the Rian Tao reed, the Rian Por Bor Ror coin, and his renowned ‘Pra Somdej Lai Suea’ (tiger-stripes pattern) Muan Sarn Sacred Powder Votive Tablet Buddha amulet, famed for its legendary powers and aesthetic appeal. Other releases from this period included the Rian Tee Tam Ngaan Sor Por Or Mueang coin, the Rian Arm Hlang Por-Bor-Ror coin, the Rian Sala Garn Bprian (‘Rian Hnaa Ban’), the Rian Glom Run Pised special release round monk coin, and the Hwaen Por-Bor-Ror Royal Insignia finger ring, among a vast pantheon of other amulets.

Takrut Tone Thak Chueak Khiaw Luang Por Mum Wat Prasat Yer

The year 2516 BE is notable for a large pantheon of Muan Sarn Sacred Powder amulets released at Wat Prasat Yer Nuea, Wat Maha Puttaram, and Wat Pra Dto. These included models such as Pra Somdej Hlang Roop Muean Luang Por Mum, Pra Somdej Hlang Luang Por Mum Han Khang, Pra Somdej Jumbo, Pra Somdej Pim Pratan Porn, and Roop Muean Nuea Wan Herbal powder Cameo amulets. This year is also famous for the extraordinary account involving a regiment of U.S. G.I.s stationed in Udorn Thani during the Vietnam War. These soldiers, initially skeptical, attempted to test the magic of Luang Por Mum’s amulets by shooting at them, only to discover their firearms would miraculously not discharge. This astonishing event led to profound faith, prompting the G.I.s to sponsor the creation of the celebrated Rian Papa Mum coin, alongside Pra Somdej and Pim Jantr Loi Muan Sarn Sacred Powder amulets, all featuring English inscriptions, specifically for protection during the conflict.

Takrut Tone Thak Chueak Khiaw Luang Por Mum Wat Prasat Yer

In 2517 BE, a collaboration between Pra Ajarn Fern of Wat Intrawiharn (Bang Khun Prohm) in Bangkok and the Munlaniti Prasat Khantakun Foundation of Luang Por Mum led to a significant edition. Amulets were blessed by Luang Por Mum at Wat Prasat Yer Nuea and then taken to Wat Intr for further empowerment and distribution. Funds from these donations supported the construction of a wall around the Uposatha shrineroom of Wat Samakee Patanaram temple and restorations at Wat Prasat Yer. This edition featured the ‘Rian Nak Glaam’ (‘Muscleman’) coin amulet, produced with two distinct block press molds (one from Wat Intrawiharn, one from Wat Prasat Yer), the ‘Rian Chang Sam Siarn’ (3-headed Erawan elephant God coin), Pra Pong Roop Muean Pasom Sen Gesa (powder cameo amulets of Luang Por Mum infused with monk hairs), Pra Pidta Nuea Wan 108, Roop Lor Loi Ongk Statuettes, Lockets, Takrut Tone Nuea Ngern (silver Yantra scroll), Pha Yant, Hwaen magic rings, and See Pheung Nam Man Prai Metta Balm. The year 2519 BE marked Luang Por Mum’s 90th birthday, celebrated with the Rian Cheed Sum Ganok (in two models: ‘Baeb Mee Hoo’ with a pendant hole, and ‘Baeb Mai Mee Hoo’ without), the Hwaen Tor Bor Kor finger ring, Roop Lor Loi Ongk Statuettes, Takrut amulets, and various other talismanic charms. Finally, in 2520 BE, the Bangkok Bank sponsored the creation of the Rian Dork Bua Lotus coin amulet (in ‘Pim Hnaa’ – thick, and ‘Pim Bang’ – thin models), featuring the bank’s lotus logo. This edition also included Pra Nakprok powder amulets, Roop Lor Loi Ongk Statuettes, Bucha statues, Takrut, and Pha Yant.

Alchemical Composition and Sacred Geometry

The Takrut Tong Daeng Kong Grapan Thak Chueak Khiaw is an exemplary specimen of Thai sacred craftsmanship, its material composition intrinsically linked to its intended magical function. The primary component is “Tong Daeng,” or copper, utilized as the medium for the Yantra foil. Copper has a long history of application in sacred arts across diverse cultures due to its perceived energetic conductivity and alchemical properties. In Thai occultism, copper is often chosen for its capacity to hold and transmit magical energies, making it an ideal substrate for the inscribed Yantras. The foil is meticulously inscribed with specific sacred geometry and Kata (mantras), then tightly rolled into a cylindrical scroll, forming the core of the Takrut. The designation “Takrut Tone” indicates a singular, often larger, amulet, distinguishing it from smaller, bundled Takrut sets.

Takrut Tone Thak Chueak Khiaw Luang Por Mum Wat Prasat Yer

The Yantra inscriptions on the copper foil are not merely decorative but constitute a complex system of sacred geometry, abbreviated Pali and Sanskrit script, and numerical sequences. These specific inscriptions are designed to invoke the powers of Maha Ud, Klaew Klaad, Kong Grapan, and Gae Pit Aathan. Maha Ud Yantras typically involve symbols or Kata that “seal” or “block” energies, preventing harmful forces (such as projectiles) from penetrating. Klaew Klaad Yantras incorporate designs that promote evasion and ward off misfortune. Kong Grapan Yantras are characterized by intricate grids and protective Kata aimed at rendering the body invulnerable. Gae Pit Aathan Yantras are formulated to dissipate and neutralize negative magical influences. The precision of these inscriptions and their specific arrangement are paramount, as any deviation can compromise the amulet’s efficacy. Luang Por Mum’s mastery of Wicha Akom ensures the correct application of these intricate designs.

Takrut Tone Thak Chueak Khiaw Luang Por Mum Wat Prasat Yer

The copper Yantra foil is subsequently wrapped with a green spellbound cord. This cord serves a dual purpose: practical and esoteric. Practically, the cord wrapping provides a protective layer against environmental degradation, safeguarding the copper from corrosion caused by rain and moisture, especially when the amulet is worn around the waist, a common practice among devotees for maximum protective coverage. Esoterically, the cord itself is “spellbound,” meaning it has been ritually consecrated and infused with protective energies through specific Kata and incantations. The choice of green color may hold additional symbolic significance, often associated with nature, growth, and equilibrium in various spiritual traditions, subtly enhancing the amulet’s protective and life-affirming properties. This intricate layering of material, inscription, and external binding exemplifies the holistic approach to sacred object creation in Thai occultism, where every component contributes to the overall potency and protective qualities of the talisman.

Takrut Tone Thak Chueak Khiaw Luang Por Mum Wat Prasat Yer

Beyond the primary copper and cord, Luang Por Mum’s other amulets showcase a broader use of sacred materials, collectively termed “Muan Sarn.” These often include chanuan metals (sacred alloys), such as Nuea Nak (an alchemical alloy frequently incorporating gold, prized for its spiritual potency and value) and Nuea Albaca (a silver-white alloy). His Pra Pong Roop Muean Pasom Sen Gesa (powder cameo amulets) incorporated the revered monk hairs (Sen Gesa) of Luang Por Mum himself, lending a direct spiritual connection to the master. Pra Pidta Nuea Wan 108 utilized 108 types of sacred herbal powders (Wan), each with its own specific magical attributes. These diverse material compositions underscore the alchemical and naturalistic foundations of his Wicha, where specific elements are carefully selected and combined to amplify desired magical effects.

Takrut Tone Thak Chueak Khiaw Luang Por Mum Wat Prasat Yer

 Sacred Empowerment and Wicha

The essence of a potent Thai Buddhist amulet lies not merely in its material composition or inscribed Yantras but profoundly in the process of its sacred empowerment, known as “Plook Sek” or “Pluk Saek.” Luang Por Mum Intabanyo was renowned for his exceptional mastery of Wicha Akom sorcery, a complex system of magical knowledge encompassing Kata (mantras), incantations, meditations, and ritual practices designed to imbue objects with spiritual energy and specific magical properties. His Tudong journey in the Thai-Khmer border regions was crucial for cultivating and refining this Wicha, connecting him with ancient esoteric traditions of the region.

Takrut Tone Thak Chueak Khiaw Luang Por Mum Wat Prasat Yer

The empowerment process for the Takrut Tong Daeng would have involved several critical stages. Initially, the Yantra foil, already inscribed with the sacred geometry and Kata for Kong Grapan Chadtri, Klaew Klaad, Maha Ud, and Gae Pit Aathan, would be subject to Luang Por Mum’s personal incantations. This involved prolonged meditative chanting, where the master would focus his mind and spiritual energy to invoke the intended powers into the material. This personal touch was a hallmark of his practice, distinguishing his amulets and contributing to their perceived superiority. The vibratory energy of the Kata, coupled with the focused intent of the meditating master, is believed to awaken and activate the latent magical forces within the Yantra.

Takrut Tone Thak Chueak Khiaw Luang Por Mum Wat Prasat Yer

Beyond individual consecration, significant editions of Luang Por Mum’s amulets, such as the 2509 BE 1st edition Takrut, underwent extensive Buddha Abhiseka ceremonies. These grand blessing rites involve multiple venerable monks congregating to collectively chant and meditate, pooling their spiritual merits and Wicha to further empower the amulets. Such ceremonies amplify the inherent potency of the talismans, ensuring a high degree of efficacy for the entire batch. The rigorous adherence to traditional Wicha and the deep meditative states achieved by Luang Por Mum were central to transferring the spiritual energy that confers protection, status, and invincibility.

Takrut Tone Thak Chueak Khiaw Luang Por Mum Wat Prasat Yer

The miraculous efficacy of Luang Por Mum’s amulets is well-documented through numerous anecdotal accounts, particularly those originating from the Indo-China and Vietnam Wartimes. The story of the American G.I.s in 2516 BE stands as a paradigmatic example. These soldiers, initially doubting the power of Thai amulets, conducted a direct test by attempting to fire their weapons at amulets created by Luang Por Mum. The reported inability of their guns to discharge, despite repeated attempts, constituted a profound validation of the amulets’ Kong Grapan Chadtri and Maha Ud powers. This incident galvanized the G.I.s’ faith, leading them to sponsor the renowned Papa Mum coin for protection, further solidifying the legend of Luang Por Mum’s powerful Wicha. Such events transformed his amulets from mere religious artifacts into objects of immense protective and spiritual power.

Rian Run PAPAMUM 2516 BE Coin by Luang Por Mum

Luang Por Mum’s “Krueang Rang” (talismanic occult charms) were diverse and often unique, reflecting the direct application of his Wicha rather than mass-production uniformity. These included ‘Hwaay Look Nimit’ (rattan Arahant Balls), See Pheung (metta balm), Pha Yant (Yantra cloths), Rian R.5 (King Rama V coins), Roop Tai (monk photos), Mai Phai Dtan (magic bamboo), Mitmor (ritual knives), and various forms of Takrut, ranging from large to small, as well as carved Animist Charms in materials like ivory, wood, bone, and tooth. This array of hand-made, individual talismans further demonstrates the depth and breadth of his Wicha, extending beyond standard amulet forms to encompass a wide spectrum of traditional Thai occult practices.

Rian Nak Glaam Muscleman Amulet by Luang Por Mum

Iconographical and Aesthetic Appreciation

The Takrut Tong Daeng Kong Grapan Thak Chueak Khiaw, at 5 inches in length, represents a “Tone” class Takrut, typically signifying a single, potent scroll. Its aesthetic is characterized by a minimalist yet profoundly functional design, typical of many powerful Krueang Rang. The primary visual elements are the copper/bronze Yantra foil, which forms the inner core, and the exterior green spellbound cord wrapping. Unlike figural amulets such as monk coins (Rian) or Buddha images (Pra Somdej), the Takrut’s iconography is primarily internal—the sacred Yantras inscribed on the metal sheet. These Yantras are not pictorial in the conventional sense but consist of highly stylized geometric patterns, numerical grids, and abbreviated Pali/Khmer script, each element precisely positioned to create a microcosm of protective energy.

Takrut Tone Thak Chueak Khiaw Luang Por Mum Wat Prasat Yer

The copper/bronze material, when newly crafted, possesses a distinct metallic luster that, over time and through handling, develops a rich patina. This natural aging process is often valued by collectors, as it indicates authenticity and the amulet’s journey through time. The green cord wrapping is both a protective sheath and an integral aesthetic component. Its texture and color provide a tactile and visual contrast to the underlying metal, while its utility in shielding the foil from environmental damage underscores the amulet’s practical application in the devotee’s daily life. The hand-wrapping of the cord, a characteristic of Luang Por Mum’s individualized Krueang Rang, imbues each Takrut with a unique, artisanal quality, reflecting the direct touch of the master.

Takrut Tone Thak Chueak Khiaw Luang Por Mum Wat Prasat Yer

While this specific Takrut does not feature a stamped code or carving, many of Luang Por Mum’s other talismanic charms often exhibited individualistic designs, sculpted by hand from various natural materials. His diverse output, including ‘Hwaay Look Nimit’, Mitmor, and carved Animist Charms in ivory, wood, bone, and tooth, highlights a flexible and adaptive approach to amulet creation, where the form is dictated by the Wicha and available sacred materials. The absence of mass-produced uniformity in his Krueang Rang items is a testament to their direct spiritual origin and the master’s personal involvement in their fabrication and empowerment. This aesthetic philosophy distinguishes his early and individual Takrut from later, more formalized editions of coins or Buddha tablets, which often featured specific iconography, such as his own image (Roop Muean) or that of the Buddha.

Takrut Tone Thak Chueak Khiaw Luang Por Mum Wat Prasat Yer

Ritual Practice and Worship

The proper veneration and utilization of the Takrut Tong Daeng Kong Grapan Thak Chueak Khiaw, like all sacred amulets in the Theravada Buddhist tradition, necessitates adherence to specific ritual practices, known as Bucha. These practices are not merely superstitious gestures but are deeply rooted in the principles of Buddhism, fostering mindfulness, respect for the Triple Gem, and connecting the devotee’s intent with the amulet’s inherent powers. The recommended approach involves a sequence of chants designed to establish a reverent disposition and to invite the protective and beneficial energies of the amulet.

Takrut Tone Thak Chueak Khiaw Luang Por Mum Wat Prasat Yer

The Traditional Thai Buddhist Method for Bucha commences with the chanting of Maha Namasakara, the Homage to the Triple Gem, repeated three times. This foundational chant expresses profound reverence for the Buddha, Dhamma (Buddhist teachings), and Sangha (monastic community). Its repetition serves to purify the mind, cultivate humility, and align the devotee with the core tenets of Buddhism, thereby creating a conducive spiritual environment for engaging with the amulet. The text of Maha Namasakara is: “Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa.”

Following this, the Trai Soranakom, or Taking Refuge in the Triple Gem, is recited three times. This chant formally declares one’s commitment to the Buddha as the enlightened teacher, the Dhamma as the path to liberation, and the Sangha as the exemplary community. By taking refuge, the devotee strengthens their Buddhist faith and establishes a firm spiritual foundation for their practice. The Trai Soranakom comprises: “Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami, Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami, Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami. Tudtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami, Tudtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami, Tudtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami. Dtadtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami, Dtadtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami, Dtadtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami.”

The concluding invocation is the Kata Aaraatanaa Pra Krueang, the Invitation of the Amulet, also chanted three times. This specific Kata acts as a formal request to the amulet, inviting its protective and beneficial powers to manifest and integrate with the wearer’s life. It is through this direct address that the devotee establishes a conscious connection with the talisman and its spiritual guardian, activating its potential. The Kata Aaraatanaa Pra Krueang consists of: “Puttang Aaraatanaanang, Tammang Aaraatanaanang, Sangkang Aaraatanaanang. Puttang Prasittimae, Tammang Prasittimae, Sangkang Prasittimae.”

Takrut Tone Thak Chueak Khiaw Luang Por Mum Wat Prasat Yer

Beyond these chants, ethical conduct is paramount. Devotees are expected to observe the Five Precepts, lead a moral life, and cultivate metta (loving-kindness) and compassion. The amulet is not a substitute for ethical action but rather an enhancement, providing support and protection to those who live righteously. Respect for the amulet also implies careful handling and placement in elevated, clean locations when not worn. The Takrut Tong Daeng Kong Grapan Thak Chueak Khiaw, imbued with Klaew Klaad, Serm Duang, Metta Mahaniyom, and Maha Lap Kaa Khaay, thus serves as a powerful instrument for both spiritual and temporal benefit, a testament to the enduring legacy and profound Wicha of Luang Por Mum, one of the great Olden Days Masters of Thailand.

Takrut Tone Thak Chueak Khiaw Luang Por Mum Wat Prasat Yer

How to Pray to Thai Amulets

Filters

Filters
Sold out
Takrut Tone Ying Mai Ork Pork Nuea Krang 2 x 1.2 Cm Luang Por Tong Sukh 2470 BETakrut Tone Ying Mai Ork Pork Nuea Krang 2 x 1.2 Cm Luang Por Tong Sukh 2470 BE
Takrut Tone Ying Mai Ork Pork Nuea Krang 2 x 1.2 Cm Luang Por Tong Sukh 2470 BE
Takrut Tone Ying Mai Ork Pork Nuea Krang 2 x 1.2 Cm Luang Por Tong Sukh 2470 BE
Small Version of Luang Por Tong Sukh's Legendary Takrut Pork Krang Amulet, that is extremely rare to find in this size.
SKU 04228
$135
Out of stock
1 - 60 of 210 items

 

 

Hwaen Arahang Nuea Tong Daeng Long Ya Tong Chart 2495 BE 1.7 Cm Ring of Protection Luang Por Jong Wat Na Tang Nork

Hwaen Arahang Nuea Tong Daeng Long Ya Tong Chart 2495 BE by Luang Por Jong Puttasaro of Wat Na Tang Nork

The study of sacred amulets within Theravada Buddhism, particularly in Thailand, constitutes a complex intersection of art history, religious practice, folk belief, and the occult sciences. These artifacts, far from being mere decorative items, serve as tangible conduits of spiritual power, imbued with blessings and protective energies by revered monastic masters. This monograph presents a detailed examination of a particularly significant artifact: the Hwaen Arahang Nuea Tong Daeng Long Ya Tong Chart, consecrated in 2495 BE by the esteemed Luang Por Jong Puttasaro of Wat Na Tang Nork. This small, alchemical copper alloy ring, distinguished by its Ra Rachawadee Trairongs tricolored enamels and the inscribed Khom Letter ‘A’, epitomizes the profound craftsmanship and spiritual potency characteristic of amulets from the pre-commercial era. Its creation reflects a period when master monks meticulously crafted each piece, imbuing it with layers of protective and auspicious wicha, making it a rarity highly sought after by devotees seeking authentic protective magick.

Hwaen Arahang Long Ya Tong Chart Amulet Front View

1. Introduction and Theological Importance

The Hwaen Arahang, or ‘Arahang Ring,’ derives its theological significance directly from the Sanskrit term ‘Arahant’ (Pāli: Arahang), which denotes one who is worthy of veneration and has attained enlightenment by eradicating all defilements. In Theravada Buddhist cosmology, the ‘Arahang’ epithet is primarily reserved for the Buddha himself, signifying the highest state of spiritual purity and liberation. The inscription of the Khom Letter ‘A’ on this amulet, therefore, is not a mere symbolic gesture but a direct invocation of the Buddha’s supreme qualities. This letter, drawn from the ancient Khom (Khmer) script historically used for sacred texts and yantra designs in Thailand, represents the primal sound and essence of the ‘Arahang’ quality, serving as a mnemonic for the practitioner to recall the Buddha’s perfect virtues.

The theological importance of such an amulet rests on the Theravada principle of ‘Buddhanussati,’ or recollection of the Buddha. By wearing an object imbued with the essence of the Buddha’s enlightenment, devotees seek to internalize these qualities, drawing upon the protective and auspicious energies generated by such profound spiritual association. The amulet is understood to radiate a field of metta (loving-kindness) and karuna (compassion), while simultaneously providing strong defensive attributes against malevolent forces and physical dangers. This ring is thus not merely a charm but a spiritual implement intended to foster a continuous connection with the Dhamma and Sangha, thereby fortifying the practitioner’s spiritual journey. The integration of traditional Buddhist epithets with master-blessed amulets illustrates a practical application of Buddhist philosophy within daily life, emphasizing protection and well-being as foundational elements for spiritual cultivation.

Furthermore, the protective efficacy of the Hwaen Arahang is rooted in its association with ancient Thai Buddhist occultism, specifically the tradition of Kong Grapan Chadtri and Klaew Klaad magic. Kong Grapan Chadtri refers to invulnerability against weapons and physical harm, while Klaew Klaad denotes evasion of danger and accidents. These protective wicha are not merely superstitious beliefs but are understood within the framework of traditional Thai Buddhist practice as extensions of the spiritual power accumulated by enlightened masters through rigorous meditation and adherence to the Vinaya. The ‘Arahang’ inscription, acting as a powerful mantra, is believed to align the wearer with the unshakeable nature of the Buddha’s enlightenment, thereby manifesting these protective qualities. The choice of a ring format further symbolizes a perpetual circle of protection, encompassing the wearer in a continuous aura of safety and spiritual well-being.

Hwaen Arahang Long Ya Tong Chart Amulet Side View

The Master and Lineage

Luang Por Jong Puttasaro (2415 BE – 2508 BE) stands as a monumental figure in the pantheon of Thai monastic masters, particularly revered for his contributions to the spiritual and protective well-being of the Thai people during a tumultuous period. Born ‘Jong’ into a farming family in Na Mai, Bang Sai Municipality, Ayuttaya Province, his early life, though lacking precise birth documentation, is calculated to have commenced on the 6th of March 2415 BE, a Thursday in the year of the monkey, during the reign of King Rama 5. His parents were named Mr. Yord and Mrs. Khlip, and he had two younger siblings, Nil and Bplik. From an early age, Luang Por Jong exhibited a distinct predisposition for solitude, often distancing himself from crowds, even at communal events such as local Lige theatre shows. This early inclination towards quiet introspection foreshadowed his later profound spiritual journey and mastery.

Luang Por Jong’s monastic life began with his ordination in 2435 BE at Wat Na Tang Nork temple in Ayuttaya. Upon ordination, he received the monastic name Jong Puttasaro. His Pra Anusawanajarn, the venerable Abbot of Wat Na Tang Nork, Luang Por Po, quickly recognized Luang Por Jong’s extraordinary intellectual and spiritual faculties. Despite a physical constitution described as weak and prone to illness, Luang Por Jong displayed an exceptional mental acuity, mastering the intricate Khom Agkhara Sanskrit script with remarkable speed. This rapid acquisition of an ancient and complex script, crucial for traditional Thai Buddhist esotericism (Wicha Akom Sorcery), indicated a spiritual aptitude far beyond his chronological age. Luang Por Po, discerning Luang Por Jong’s innate wisdom and potential, diligently imparted every facet of his personal Wicha to his prodigious student.

Portrait of Luang Por Jong of Wat Na Tang Nork

Luang Por Jong’s trajectory following this tutelage was one of continuous spiritual advancement. He evolved into a Master Sorceror in his own right, simultaneously becoming a revered Dhamma Practitioner and a compassionate teacher to the local populace. His fame extended across Thailand and beyond, solidifying his reputation as one of the greatest Sorceror Monks of his era until his passing in 2508 BE. His profound wisdom and potent spiritual abilities placed him in the esteemed lineage of great Ayuttaya Province gurus, alongside figures like Luang Por Parn of Wat Bang Nom Kho. This association underscores his standing within a tradition of highly attained masters renowned for their mastery of sacred sciences and compassionate service.

A significant aspect of Luang Por Jong’s legacy is his pivotal role during the Indochina Wars. He actively assisted the Thai Military by consecrating and distributing powerful amulets, specifically designed to confer Kong Grapan Chadtri (invulnerability) and Klaew Klaad (evasion of danger) upon soldiers facing combat. His Takrut (scroll amulets) and Suea Yant (Yantra shirts) became legendary for their efficacy in protecting combatants, cementing his status as a national protector. Beyond these protective charms, Luang Por Jong was also widely celebrated for his Pla Tapian Maha Lap Kaa Khaay amulets, crafted in the form of gold-silver fish. These artifacts were renowned globally for their ability to instigate good commerce, prolific sales quotas, and general prosperity (Maha Pokasap). His comprehensive mastery encompassed not only defensive magic but also Metta Maha Niyom (loving-kindness and charm) and Maha Lap (great fortune), making his amulets versatile tools for well-being in all aspects of life.

Luang Por Jong’s attainments spanned both worldly deeds of goodness and self-renunciation, alongside deep understanding and practice of the Dhamma Path. His fame and honorable status have endured for more than half a century, remembering him as one of the greatest masters of his time and a paramount figure in the Ayuttaya lineage. His dedication to crafting each amulet by hand, a practice from an era before the commercialization of Buddhist artifacts, underscores his profound commitment to quality and spiritual integrity. His amulets, including the Hwaen Arahang, Pra Somdej, other Sacred Powder Votive Tablets, and Powerful Takrut, remain rare and highly valued treasures for devotees seeking genuine protective and auspicious blessings from an olden-days master.

Luang Por Jong Empowering Amulets ImageAlchemical Composition and Sacred Powders

The Hwaen Arahang Nuea Tong Daeng Long Ya Tong Chart is characterized by its material composition: a sacred alchemical copper alloy, known in Thai as ‘Nuea Tong Daeng.’ The term ‘alchemical’ is crucial, as it signifies more than mere metallurgy. In traditional Thai amulet creation, the base metals are often combined with various potent substances—known collectively as ‘muan sarn’—and consecrated through specific alchemical processes, which are themselves forms of Wicha Akom. While the raw description specifically mentions ‘Sacred Alchemical Copper alloy,’ implying a refined and spiritually charged metal, the practice of combining metals with powders and other sacred elements is deeply embedded in the tradition.

Copper (ทองแดง, *tong daeng*) holds significant symbolic and energetic value within Thai occult traditions. It is often associated with the planet Mars and is believed to possess inherent properties conducive to protection, strength, and vitality. When transmuted through alchemical processes (*len rae pleng yaa*), which may involve ritual heating, cooling, and the incorporation of various mineral or botanical additives, the copper alloy is thought to acquire enhanced spiritual properties, making it a more potent vessel for the master’s blessings. The exact composition of Luang Por Jong’s alchemical copper alloy for the Hwaen Arahang would have been a closely guarded secret, passed down through his lineage, potentially involving specific metal ratios, lead-tin alloys, or even fragments of older, consecrated amulets to imbue the new material with residual power.

Hwaen Arahang Long Ya Tong Chart Amulet Detailed Surface

The decorative aspect of the ring, the ‘Long Ya Tong Chart,’ refers to the Ra Rachawadee Trairongs Tricolored enamels. ‘Long Ya’ (ลงยา) is the traditional Thai term for enamel work. ‘Tong Chart’ (ธงชาติ) directly translates to ‘national flag,’ referencing the patriotic red, white, and blue colors of the Thai flag. These colors are not arbitrary; they symbolize Nation (red), Religion (white), and Monarchy (blue) – the three pillars of Thai identity. The application of these specific colors onto the amulet, particularly during an era that encompassed the Indochina Wars, implicitly links the spiritual protection of the amulet to the safeguarding of the nation and its core institutions. This aesthetic choice transforms the amulet from a personal protective charm into a miniature emblem of national and religious unity, resonating with collective cultural and spiritual values.

While specific sacred powders (*muan sarn*) are not explicitly detailed for this particular ring, it is important to understand the general context of such materials in amulets by masters like Luang Por Jong. Typically, amulet rings and votive tablets of this period would incorporate sacred earths from auspicious sites, powdered incense from venerated Buddha images, herbal remedies, and even residual ash from burnt sacred scriptures. These components are painstakingly collected, consecrated, and often ground with specific invocations (Kata) to infuse them with spiritual energy. Although the Hwaen Arahang is a metal ring, the concept of ‘sacred alchemical copper alloy’ suggests that the metal itself underwent a transformation akin to the preparation of muan sarn, absorbing spiritual potency through ritualistic manipulation. The inherent hardness and durability of metal also contribute to the symbolic permanence of its protective power, making it a robust vessel for spiritual blessings.

Sacred Empowerment and Wicha

The empowerment of the Hwaen Arahang ring by Luang Por Jong Puttasaro in 2495 BE stems from his profound mastery of ‘Wicha Akom Sorcery,’ a complex system of sacred knowledge, magical formulas, and meditative practices integral to traditional Thai Buddhist esotericism. Luang Por Jong inherited this comprehensive Wicha from his guru, Luang Por Po of Wat Na Tang Nork, demonstrating exceptional aptitude in a discipline that demands rigorous mental discipline, spiritual purity, and extensive scriptural knowledge, particularly of the Khom Agkhara Sanskrit script.

The core of the Hwaen Arahang’s empowerment lies in the Khom Letter ‘A’ (อ), representing ‘Arahang.’ This single letter functions as a powerful *mantra* (Kata) and *buddha-nidana* (a foundational principle or essence of the Buddha). Reciting or meditating upon ‘Arahang’ invokes the ultimate purity and liberation of the Buddha, creating a resonant field of spiritual energy. Luang Por Jong, through his meditative attainments, would have imbued each ring with this profound spiritual vibration, linking the physical object to the metaphysical essence of Buddhahood. This process, often involving deep jhanic states, concentrates spiritual power into the amulet, activating its latent protective and auspicious properties.

Hwaen Arahang Long Ya Tong Chart Amulet Close Up of Khom Letter A

The Wicha employed by Luang Por Jong encompassed a range of magical formulas, primarily focused on Kong Grapan Chadtri (invulnerability and steadfastness) and Klaew Klaad (evasion of danger). These wicha are not merely chants but involve complex visualizations, breath control techniques, and specific consecration rituals performed over extended periods. For the Hwaen Arahang, the intention would have been to create a portable shield of spiritual protection. The master would have meticulously etched or inscribed sacred Yantra (geometric designs and scriptural verses) onto the base metal, possibly on the interior or exterior surfaces before enameling, further reinforcing the amulet’s protective matrix. Each stroke of the inscription and each chant during the blessing ceremony would have contributed to building this energetic shield.

Beyond defensive magic, Luang Por Jong was also highly proficient in Maha Lap (great fortune), Kaa Khaay (good business), and Metta Maha Niyom (loving-kindness and charm) magic. While the Hwaen Arahang is primarily a protective ring, the comprehensive nature of Luang Por Jong’s Wicha suggests that elements of these auspicious blessings would also be present. A master of his caliber would typically empower his creations with a holistic array of positive energies, ensuring not only safety but also general well-being and prosperity for the wearer. The use of specific Kata, tailored for different magical effects, would have been integrated into the final blessing ceremonies, ensuring the ring’s multifaceted efficacy. The continuous presence of the master’s meditative energy and purity of intention throughout the creation and blessing process is considered paramount in generating the amulet’s potency, distinguishing genuinely powerful amulets from mere commercial productions.

The ‘Olden days Masters’ distinction highlights a critical aspect of this amulet’s spiritual integrity. In Luang Por Jong’s era, the creation of amulets was a direct extension of a monk’s ascetic practice and spiritual attainments. Each piece was often handmade, imbued with individual blessings through prolonged meditation and ritual, contrasting sharply with later, more industrialized production methods. This dedication ensures that the Hwaen Arahang is not merely a product, but a sacred artifact carrying the direct spiritual imprint of a highly attained master, making its power genuinely potent and enduring.

How to Pray to Thai Amulets

Iconographical and Aesthetic Appreciation

The Hwaen Arahang Nuea Tong Daeng Long Ya Tong Chart, consecrated by Luang Por Jong in 2495 BE, presents a nuanced blend of functional design, symbolic iconography, and traditional aesthetic values. Its physical attributes reflect the practical needs of its intended wearers, primarily children or individuals with small fingers, indicated by its diminutive size, measuring approximately 1.7 Cm (or reportedly 2 Cm) in inner diameter. This small scale does not diminish its spiritual significance but rather highlights its role as a personal, unobtrusive protective talisman, designed for continuous wear.

The primary iconographical feature of the ring is the Khom Letter ‘A’ (อ) inscribed upon its surface. This script, deeply rooted in Southeast Asian Buddhist and Hindu traditions, serves as a powerful yantra. The ‘A’ represents ‘Arahang,’ symbolizing the Buddha’s supreme state of enlightenment and purity. The simplicity of this single letter belies its profound spiritual weight, acting as a concise visual mantra that encapsulates the essence of the Buddha’s virtues. Its clear depiction on the copper alloy, possibly engraved or stamped before the enamel application, ensures its legibility and central focus within the ring’s design. The use of Khom script further links the amulet to ancient esoteric traditions, suggesting a lineage of knowledge and power that predates modern influences.

Hwaen Arahang Long Ya Tong Chart Amulet Angled View

Aesthetically, the ring is distinguished by its ‘Ra Rachawadee Trairongs Tricolored enamels.’ ‘Rachawadee’ refers to a royal or exquisite style of ornamentation, often associated with fine craftsmanship. The ‘Trairongs’ (three colors) are specifically red, white, and blue, corresponding to the colors of the Thai national flag. This tri-colored enamel provides a vibrant contrast to the underlying copper alloy, enhancing the visual appeal of the ring while subtly embedding nationalistic symbolism. The deliberate choice of these colors for an amulet created during the Indochina Wars reinforces the notion of protective blessings extended not only to the individual but also to the nation, its religion, and its monarchy. The application of enamel, a technique requiring considerable skill, indicates a dedication to aesthetic quality alongside spiritual potency. The enameling process protects the underlying metal and inscription, ensuring the longevity and continued legibility of the sacred Khom ‘A’.

The alchemical copper alloy (Nuea Tong Daeng) itself contributes to the ring’s aesthetic. Copper, when exposed to the elements over time, develops a distinctive patination, ranging from deep reddish-brown to greenish hues. This natural aging process adds a layer of character and authenticity to the amulet, signaling its antiquity and long-term spiritual use. The texture and weight of the copper alloy, combined with the smooth, glossy surface of the enamel, create a tactile and visual experience that is both substantial and refined. The rings of this era, being largely handmade, often exhibit minor variations in form and finish, which are prized by collectors as marks of individual craftsmanship rather than imperfections. These slight irregularities speak to the artisanal nature of their creation, further distinguishing them from mass-produced items.

Hwaen Arahang Long Ya Tong Chart Amulet Profile

Ritual Practice and Worship

The ritual practice and worship associated with the Hwaen Arahang Nuea Tong Daeng Long Ya Tong Chart are deeply rooted in Theravada Buddhist traditions, yet they also incorporate elements of folk belief and specific instructions often provided by the consecrating master. For an amulet such as this, imbued with the protective and auspicious Wicha of Luang Por Jong, a devotee’s interaction typically begins with a posture of respect and reverence, known as ‘Bucha’ (บูชา). This involves acknowledging the spiritual power residing within the amulet and expressing gratitude to the Triple Gem (Buddha, Dhamma, Sangha) and to the master who consecrated it.

Standard Bucha practices for amulets often involve placing the ring on a higher altar or shrine when not worn, ensuring it is treated with utmost respect. It should never be placed in low or impure locations. When wearing the ring, devotees traditionally ensure it is worn on the finger in a manner that faces outward, symbolically projecting its protective energy. The small size of the Hwaen Arahang, suitable for children or a lady’s small finger, implies its role as a continuous, personal talisman, intended to be worn daily rather than intermittently.

Hwaen Arahang Long Ya Tong Chart Amulet Detail

Chanting Kata, or sacred incantations, is a fundamental aspect of activating and maintaining the amulet’s power. While specific Kata for the Hwaen Arahang itself might be transmitted orally or through written instructions by Luang Por Jong’s lineage, general protective Kata are commonly employed. The most direct invocation for this amulet would involve the repetition of ‘Arahang’ or the full ‘Namo Tassa Bhagavato Arahato Sammā Sambuddhassa’ (Homage to the Exalted One, the Worthy One, the Perfectly Self-Enlightened One). Regular chanting reinforces the spiritual connection between the devotee, the amulet, and the Buddha’s virtues, thereby strengthening the protective field. Devotees may also recite the ‘Phra Kata Chinabanchorn,’ a powerful all-purpose protective mantra widely used in Thailand, or specific Kata for Kong Grapan Chadtri and Klaew Klaad, to align with the ring’s primary protective attributes.

Rules of conduct for devotees owning such an amulet emphasize ethical living and adherence to Buddhist precepts. This includes maintaining the Five Precepts (Pancha Sila) – abstaining from killing, stealing, sexual misconduct, false speech, and intoxicants – as these moral foundations are believed to preserve and enhance the amulet’s spiritual efficacy. The purity of the wearer’s mind and actions is considered crucial, as incongruence between behavior and the amulet’s sacred nature can diminish its power. Devotees are also typically advised to avoid wearing amulets during acts considered impure or disrespectful, although practical considerations for daily wear often mean such rings are worn continuously, with the understanding that reverence is primarily a state of mind and intention.

Ultimately, the Hwaen Arahang functions as a constant reminder of the Dhamma and the virtues of the Buddha, fostering a mindful approach to life. It serves not only as a source of external protection but also as an internal catalyst for developing positive qualities. The belief is that true protection originates from one’s own virtuous actions and merits, with the amulet serving as a supportive aid and a beacon of spiritual presence. The ongoing veneration of Luang Por Jong and the enduring power of his amulets attest to the deep cultural and spiritual value placed on such artifacts within Thai society, preserving a tangible link to a rich tradition of monastic mastery and sacred art.

Hwaen Arahang Long Ya Tong Chart Amulet Top View

Charms & Talismans

Thai Buddhist, Animist, and Occult Charms and Talismans, authentically blessed by the great Monks and Lay Masters of Old, and Present Day

Filters

Filters
1 - 60 of 803 items

 

 

Takrut Mai Kroo Maha Ud Yut Majurach Thak Chueak Lai Jorakhae Long Rak 2460 BE Luang Por Ta Wat Paniang Dtaek

Large version ( 5 Cm Long x 3 Cm Diameter) Takrut Mai Kroo, Drum Shaped Talismanic Charm, with ‘Thak Lai Jorakhae‘ (crocodile markings) cord wrap and lacquered surface, from the Great Olden days Master of Kong Grapan Chadtri Magic, Luang Por Ta, of Wat Paniang Dtaek. The Takrut Luang Por Ta has a piece of sacred twisted bamboo within, with three lines of spells written in Khom Sanskrit Agkhara script and Gradat Sa Takrut inserted within the Bamboo, inscribed with a pantheon of spells.

Takrut Mai Kroo Maha Ud Yut Detail 1

Luang Por Ta’s Khom is known to be beautiful, which is of course not visible in the cord lacquered covered Takrut. The laquer has the classic look of ancient red chinese lacquer (Rak Chart Jeen Boran), that has blackened, and is consistent with the look of lacquer that has had a century of time to endure.

Takrut Mai Kroo Maha Ud Yut Detail 2

Takrut Mai Kroo Maha Ud Yut Detail 3

Free Express Shipping Worldwide is included with this amulet. Luang Por Ta was a Nakorn Pathom Province Master, at his height of fame during the years 2430 to 2460 BE, and was known to be so powerful in character that even the biggest Gangsters were too fearful to disrespect him, for fear of his powerful magic cursing them, and knowledge that it was not possible to harm him with weapons, for his Psychic Powers and Kong Grapan Magic were too Great.

Takrut Mai Kroo Maha Ud Yut Detail 4

Takrut Mai Kroo Maha Ud Yut Detail 5

Takrut Mai Kroo Maha Ud Yut Detail 6

For the same reason however, they sought his amulets, as invincibility and evasion Magic to protect their lives. In Thailand, Gangsters and Gunmen, are known as ’Suea’ (Tigers), for their fearlessness. Luang Por Ta was known to Gangsters as ‘Luang Por Suea’ for his powerful and commanding enigmatic personality. Some would also call him ‘Por Suea Graben Yord Duan’, because he liked to make and was a master of Wicha Hang Graben Stingray Skin and Sting Talisman Making.

Takrut Mai Kroo Maha Ud Yut Detail 7

Luang Por Ta’s Kong Grapan Invincibility Magic was highly renowned with Military, and the Gangster Scene, who used his amulets as gunstoppers and evasive magical talismans to avoid bullets and blades. Luang Por Ta of Wat Paniang Dtaek was born in 2397 BE, and passed away in the year 2493 BE.

Takrut Mai Kroo Maha Ud Yut Detail 8

He ordained at the age of 15 years, and studied Buddha Magic with the Great Luang Por Daeng of Wat Tung Kork, Luang Por Chaem of Wat Ta Gong, Luang Por Tiang, of Wat Muang Chum, and Luang Por Wongs of Wat Phak Goot. He was famed for his Rian Lor Coins, Takrut, Look Sakot, and Pra Pid Ta Yant Yung amulets. The Takrut Mai Kroo Maha Yut Majurach is one of the highly revered and sought after items. He made many amulets between the years 2430 to 2480 BE, and continued making at a lesser pace thereafter until his passing in 2493 BE

Kata Bucha for Luang Por Ta Wat Paniang Dtaek

Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets

Ancient Amulet. Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets'). Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days

SIGN IN OR CREATE ACCOUNT


Filters

Filters
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang KositaramPra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Free Shipping Worldwide (we do not state or declare true price to counter tarrifs tax on customers), & Offer of Free Solid Silver Casing Included
SKU 04783
$1,699

 

 

Pra Pim Pra Put Son Ha Pim Gaes 3 Plaay Nuea Maekasit See Tong Pla Hlai 2460 BE Luang Por Tap Wat Anong

One of the rarest models of this great olden days master of alchemical metallurgy, hand inscribed, and a Pristine condition Centenarian Amulet of immense rarity, and a very ancient and sacred Wicha, the Pra Put Pim Son Ha Gaes Sam Plaay, in Nuea Maekasit See Tong Pla Hlai Golden Alchemical Brazen Mercurial-Metal amulet of LP Tap (2.5 x 1.5 Cm). This exhibit is in in the extremely rare and beautiful See Tong Pla Hlai Golden Rainbow Flamed color, and a highly preferred Master-Class Pra Niyom amulet from the great Luang Por Tap of Wat Anongkaram (commonly known as ‘Wat Anong’). The rear face has received hand made Khom Agkhara spell inscriptions from the hand of Luang Por Tap

Pra Pim Pra Put Son Ha Pim Detail 6

Pra Pim Pra Put Son Ha Pim Detail 2
Free registered air parcel shipping worldwide is included with this item. The Pra Put Pim Son Ha Nuea Maekasit, along with the Look Om Maekasit, & Pra Pid Ta, are the most famous and outstanding amulets of the Pantheon of Luang Por Tap, as well as his ultra rare oblong shaped Pim Luang Phu Sukh. Both the Pra Put Pim Son Ha and Pid Ta Maekasit was made in multiple design variations, some of which were made in Pim Lek, Klang and Yai (small, medium and large).

Below; various models of Buddha images from the pantheon of Luang Por Tap

Pra Pim Pra Put Son Ha Pim Detail 3

Pra Pim Pra Put Son Ha Pim Detail 4Pra Pim Pra Put Son Ha Pim Detail 5
Pra Pim Pra Put Son Ha Pim Detail 1

Pra Pim Pra Put Son Ha Pim Detail 7

Pra Pim Pra Put Son Ha Pim Detail 8

Pra Pim Pra Put Son Ha Pim Detail 9

Pra Pim Pra Put Son Ha Pim Detail 10

Luang Por Tap was an Olden Days Master Monk of the previous Buddhist Century, who was highly renowned for his Mastery of Alchemy, and Kata Akom Spellcasting Methods.

Pra Pim Pra Put Son Ha Pim Detail 11

Below: all of the best known accepted major models of Pid Ta Maekasit Luang Por Tap

Pra Pim Pra Put Son Ha Pim Detail 12

At that time, Somdej Pra Puttajarn Nuam was the abbot of Wat Anongkaram, and Luang Por Tap was a ‘Look Wat’ (one of the temple monks), but in truth, Luang Por Tap was much an elder monk to the abbot himself, and much more advanced in his practices. Luang Por Tap became immersed in the Wicha Len Prae Taat (Alchemical Metallurgy), and Mastered it until he could produce the legendary substance known as ‘Maekasit’ metallic alchemical alloy.

The Wicha Maekasit of Luang Por Tap was so famously powerful, that even the great Luang Phu Sukh of Wat Pak Klong Makham Tao in Chainat came, to exchange sorcery methods with Luang Por Tap, in order to obtain the Wicha Maekasit. This is perhaps how and why Luang Por Tap was able to also make Luang Phu Sukh’s famous Pra Pim Prapa MOndon R$asamee amulets so similarly to Luang Phu Sukh himself.

Pra Pim Pra Put Son Ha Pim Detail 13

Luang Phu Sukh then took this Wicha back to Wat Pak Klong Makham Tao, and made many famous amulets of his pantheon using the Wicha Maekasit of Luang Por Tap, such as the oblong shaped Pra Somdej Prapa Mondon Sum Rasamee.

Pra Pim Pra Put Son Ha Pim Detail 14

The Maekasit amulets of Luang Por Tap, are known to have different tones of color which shimmer through the metallic surface, tanging from silvery, to some most highly preferred exhibits with blackish, blue-green, golden (see tong pla hlai), or greenish metallic sheen, similar to the Bluebottle-Green-Purple metallic color of Lek Lai See Peek Malaeng Tap. There are a number of Great Master-Class amulets of Luang Por Tap, such as the Pra Pid Ta Maekasit, Look Om, and Prort Gror metallic Arahant Ball. Only very few Loom Prort Gror Were made, as they were used to place under the Uposatha Shrinerooms of Temples, and only handed out by Luang Por Tap on rare occasions. The most highly prized, rare and sought-after amulets of Luang Por Tap, were made during the time when both Luang Por Tap and the then abbot, Luang Por Nuam Puttasārō were both alive, and collaborating with amulets. Luang Por Tap’s amulet pantheon is one of the most fervently sought and collected in the high end amulet collector community, and are considered to be among the most powerful alchemical amulets of all Masters. Luang Por Tap made many models of amulets in Nuea Maekasit and Parort alchemical metals, some of the most well known being the Pra Pid Ta Maekasit, Pra Pim Pang Son Ha, Look Om Maekasit, the Look Prort Gror, and Pra Chayawat.

Pra Pim Pra Put Son Ha Pim Detail 15

 

Luang Por Tap also inherited the Wicha Hung Nam Man Montra Saksit, for making Sacred Consecration Oil, from his Kroo Ba Ajarn Luang Por Nuam (6th abbot of Wat Anongkaram). Luang Por Nuam’s amulets are even rarer to find than those of Luang Por tap himself, but it is Luang Por Tap who gained more National and International Attention. The first edition Rian Run Raek of Luang Por Nuam is especially sought after and carries an immensely high market value in the present era. However, only a few were ever made, and so they are very rarely seen.

Luang Por Tap was also known to have been a close accomplice to Pra Sangkarach Pae of Wat Sutat, and Luang Phu Sukh ( Wat Pak Klong Makham Tao). it went on record many times that every time that Somdej Pra Sangkarach (Pae), would make an edition of the world famous Master Class Pra Kring and Pra Chayawat Wat Sutat, he would always invite Luang Por Tab to come and assist in the Buddha Abhiseka, and Nang Prok Empowerment Ceremonies, as a monk of Adept Sorcery.

Pra Pim Pra Put Son Ha Pim Detail 16

As to Luang Por Tap’s friendship with Luang Phu Sukh of Wat Pak Klong Makham Tao, it is said they were extremely intimate friends, as they were both from Chainat Province. Luang Por Tap was born in 2374 BE, amd was ordained at a young age as a Samanera Novice Monk, and then disrobed to help his family, and later ordained a second time as a fully fledged Bhikkhu, in the year 2413 BE.

Kata Bucha  Luang Por Tap Wat Anong

At first, he resided at the temple of Wat Raman, for the first year, and then he moved to stay at Wat Anongkaram. Every time the rainy season retreat was over, Luang Por Tap would leave the temple, and wander the forests on Tudong, practicing Vipassana Kammathana Mindfulness and Jhanic Meditation, every year for 40 years, developing immensely advanced self control and self mastery, which caused Powerful Wicha to arise within his mind.

Pra Pim Pra Put Son Ha Pim Detail 17

After 40 years of Tudong Practice, he became too old to continue, and stayed permanently at the temple of Wat Anong from 2457 BE onwards. It was in this time, that Luang Por Tap began to apply his Wicha, and make amulets with Maekasit Metallurgy, using Alchemical Parort Mercury, Silver, Gold, Lek Lai, and sacred Iron Alloys. Most of his amulets would be versions of Pra Pid Ta Nuea Maekasit, with a range of other amulets and talismanic charms, which are however found in much lesser numbers, and are extremely rare, such as the Pra Pim Son Ha, Pim Prapa Mondon Sum Rasamee, Pra Pim Nakprok, Look Om, Takrut, and Look Prort Gror.

Pra Pim Pra Put Son Ha Pim Detail 18

Luang Por Tap’s famous Pra Pid Ta amulets are found in Pim Chalud, and Pim Tammada models, both of which were made in Pim Lek, Klang and Yai (small, medium and large), Pim Dtaeng and Pim Mai Dtaeng (refined, or not refined with filing). A very few amulets are sometimes found with a Yant, or Khom Inscription on the rear face, which are among the rarest of all his amulets, and considered to be World-Class Pim Niyom Masterpieces.

Pra Pim Pra Put Son Ha Pim Detail 19

Luang Por Tap made his powerful Maekasit amulets up to his passing in the year 2480 BE, making his pantheon now a centenarian collection from over a Century ago. The Amulets of Luang Por Tap, are highly revered for Kong Grapan Chadtri Klaew Klaad Maha Lap Metta Mahaniyom Maha Ud power.

 


How to Pray to Thai Amulets (Chanting Kata);

How to Pray to Thai Amulets

Filters

Filters
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang KositaramPra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Free Shipping Worldwide (we do not state or declare true price to counter tarrifs tax on customers), & Offer of Free Solid Silver Casing Included
SKU 04783
$1,699
1 - 60 of 218 items

 

Hwaen Pirod Long Rak Chart Lacquer Coated Yant Cloth & Corpse Cord Warrior Ring of Fire Luang Por Muang Wat Ban Tuan

An early era and extremely beautiful Hwaen Pirod Long Rak Chart thick laquer coated Yantra Cloth and Corpse Cord Warrior Ring of Protection from the Great Luang Por Muang Pf Wat Ban Tuan. The Hwaen Pirod of LP Muang is a world famous Hwaen Pirod Ancient Warriors Ring of ancient lore, made from Corpse Cloth Yantra Sinjana Cords with Lacquer Ancient Amulet. An immensely rare and sought after amulet of Luang Por Muang, of Wat Ban Tuan.

Hwaen Pirod Long Rak Chart Detail 1

Hwaen Pirod Long Rak Chart Detail 2Free EMS Registered Airmail Worldwide is included with this amulet. Estimated Circa 2450 BE or earlier. Luang Por Muang Jantasaro of Wat Ban Tuan, Amper Ban Tuan, Kanjanaburi Province, is an Old Gaeji Ajarn Guru Monk of Great Fame who was in his Heyday during the First World War. He was around in the same era as the Great Luang Por Ngern of Wat Bang Klan, and was a very famous and revered Master during those days.

Hwaen Pirod Long Rak Chart Detail 3

His most famous and sought after ancient amulets were and are now more than ever, his Rian Pum Luang Por Muang (differing faces Hnaa Hnum and Hnaa gae/Young Old Face) of 2460 and also his Waen Pirod Warrior Rings of Protection, which are even more extremely rare to find these days. Even during the time he was still alive, is Waen Pirod were a most sought after item, and anybody who owned one would be unable to convince to part with it.

Hwaen Pirod Long Rak Chart Detail 4

Nowadays, his Waen Pirod are amongst some of the rarest items to be found in Thai Amulet collectorship, in the ‘Krueang Rang’ (Occult Talismans) Category of Amulets. Serious Collectors and Devotees of Essentially Rare amulets and Talismans in the Thai Collector scene are known to be very fervent about wanting to own a Waen Pirod of Luang Por Muang, which are so difficult to find, as to make them the dream of many a collector.

Hwaen Pirod Long Rak Chart Detail 5

Most ‘Sian Pra’ (expert collectors and traders) will not sell their Waen Pirod, but will only place it in competition or on show for admiration, but hardly ever are prepared to part with them for any price.

Hwaen Pirod Long Rak Chart Detail 6

This is because those in the know, are aware that Luang Por Muang did not make so many of these rings, for the fact that his method of making them adhered to the Ancient Wicha and that this meant, that the extremely complex methods used limited the amount he was able to make. So he never made that many, and would also not hand them out easily to just anybody, because he never made them in any mass quantities

Hwaen Pirod Long Rak Chart Detail 7

In those days, Guru masters would not allow their devotees to assist in making mass productions, and so each amulet would pass only through the hands of the master and be self made and self empowered (this rule of course, does not apply to the case of smelted coins of course, and is specifically true for talismans, Takrut and similar hand made amulets). Luang Por did not make them for fundraising or other reasons, and would only make them for special reasons in special circumstances, for specific persons or reasons.

Hwaen Pirod Long Rak Chart Detail 8

Their magic power is also unquestioned, for the way that Luang Por Muang would perform his Ritual Method of creating and empowering these rings of power in the ancient traditional method of applied Wicha (Sorcery).

Hwaen Pirod Long Rak Chart Detail 9

He would use ‘Pha Hor Sop Dtaay Hoeng’ (cloth used to wrap Hoeng Prai corpses who died in sudden circumstances – a prerequisite for Prai Necromantic Sorcery power to be at its most powerful) cloth for their making. He use the full and complete ‘Dtamra’ (formula of legend) of the Wicha used during the Ancient Ayuttaya period, which he had received passed down to him from his lineage Masters, which was used by the first Kings of Thailand (Pra Naresuan Maharaj).

Hwaen Pirod Long Rak Chart Detail 10

Once he has made and bound the rings into their shape and form, he would then perform Invocations, and Ritual Methods of Empowerment, and then throw the rings into the blazing ritual fire. If the ring would burn, then he would destroy it and not use it, for this would mean that not enough Samadhi Meditative Concentration had been applied, and would begin again and make a new ring. Only the rings which did not burn in the fire, would be used. Those rings which proved through the fire test that they possessed true power, would be taken and covered in herbal lacquer to make them last for centuries (Pirod means burning flame, hence ‘Waen Pirod’ means Flaming Ring – and is fireproof).

Hwaen Pirod Long Rak Chart Detail 11

Hwaen Pirod Long Rak Chart Detail 12

Luang Por would use a reddish lacquer similar to Chinese lacquer which was used in those days, but which turns black in time. He would dip the rings many times to get a thick coating, but this kind of lacquer would slowly crack and form small openings as the years passed by, which is part of the immense beauty and attraction of the Waen Pirod of Luang Por Muang.

Hwaen Pirod Long Rak Chart Detail 13

Hwaen Pirod Long Rak Chart Detail 14

Hwaen Pirod Long Rak Chart Detail 15

To authenticate and know what a real Hwaen Pirod (for indeed such a sought after item has many forgeries around) one should know to examinig the lacquer and see the slight cracks and the beige brownish sinjana cord and corpse cloth within that is visible through the cracks of the lacquer. One should also notice small areas of reddish tints where the original red lacquer color still resonates through the darkened lacquer surface.

Kata Pra Pirod for wearing and removal of the Magic Warrior Ring of  Protection and Power

Kata Waen Pirod

Om Pra Pirod Khord Pra Pinai

(Chant 9 Times when placing the ring on or hanging it on your neckchain for wearing)

Om Pra Pinai Klaay Pra Pirod

(Chant 9 times when removing the ring, or taking of your neck-chain or pendant holder)

Hwaen Pirod Long Rak Chart Detail 16

Luang Por Muang’s famous Waen Pirod is reputed to have many magical powers, among them are said to be invincibility and safety in dangerous situations, as well as in the olden days, as people would have to enter the deep jungle, that the ring will protect against all sorts of dangerous animals, ghosts and demons, and poisonous beats such as cobras, scorpions and hunting animals such as the tiger.

Hwaen Pirod Long Rak Chart Detail 17

Demons and Prai Hian Ghosts will not dare to approach. Maha Ud (Gun-Stopper), and protection agains all sorts of weaponry. This is a truly ancient amulet, and is is roughty one century old.

Hwaen Pirod Long Rak Chart Detail 18

Hwaen Pirod Long Rak Chart Detail 19


Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets

Ancient Amulet. Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets'). Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days

SIGN IN OR CREATE ACCOUNT


Filters

Filters
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang KositaramPra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Free Shipping Worldwide (we do not state or declare true price to counter tarrifs tax on customers), & Offer of Free Solid Silver Casing Included
SKU 04783
$1,699

 

 

Pra Pid Ta Maekasit Thak Khorb Luad See Tong Pla Hlai 2460 BE Pim Dtor Baeb Dtaeng Luang Por Tap Wat Anong

A rare version framed at the temple, and a Pristine condition Centenarian Amulet of immense rarity, and a very ancient and sacred Wicha, the Pra Pid Ta Nuea Maekasit Alchemical Leaden Mercurial-Metal amulet of LP Tap, in Pim Dtor (1.6 x 1.5 Cm). This exhibit has original wire frame with fixture encasement, in See Tong Pla Hlai Golden Rainbow Flamed color, and a highly preferred Master-Class Pra Niyom amulet from the great Luang Por Tap of Wat Anongkaram (commonly known as ‘Wat Anong’).

Pra Pid Ta Maekasit Thak Detail 1

Pra Pid Ta Maekasit Thak Detail 2
Free registered air parcel shipping worldwide is included with this item. This amulet comes with a free download of a high-res pdf of the 103 page ebook “Pra Pidta Loha Metallic Amulet Encyclopedia“, included for download after purchase.

The Pra Pid Ta Maekasit, along with the Look Om Maekasit, & Pra Pim Son Ha, are the most famous and outstanding amulets of the Pantheon of Luang Por Tap. The Pid Ta Maekasit was made in several small design variations, Pim Chalud, and Pim Tammada models, both of which were made in Pim Lek, Klang and Yai (small, medium and large).

Below; example of a Pid Ta Pim Chalud elongated model amulet (right page)

Pra Pid Ta Maekasit Thak Detail 3

Pra Pid Ta Maekasit Thak Detail 4

Below : example of a Pid Ta Tammada Pim Dtor Klang medium size model amulet

Pra Pid Ta Maekasit Thak Detail 5

Each model differs slightly depending on which block press. regardless of each block press, the amulets were released in two forms, ‘Baeb Dtaeng’ (filed down into a smooth and eloquent outer border), and ‘Baeb Mai Dtaeng’ (unfiled with wider irregular borders).

Pra Pid Ta Maekasit Thak Detail 6

The Pantheon is also split into subcategories of Pim Dtor (Dtaeng and Mai Dtaeng, in small medium and large), Pim Chalud (higher more tapered angular model), Pim Maha Ud (bowed arms and legs model), Pid Ta Nang Yong (squatting model), the very rare Pim Gradum (button shape), and the Pim Siarn Hlaem (pointy head model).

Pra Pid Ta Maekasit Thak Detail 7

Luang Por Tap was an Olden Days Master Monk of the previous Buddhist Century, who was highly renowned for his Mastery of Alchemy, and Kata Akom Spellcasting Methods.

Below: all of the best known accepted major models of Pid Ta Luang Por Tap

Pra Pid Ta Maekasit Thak Detail 8

At that time, Somdej Pra Puttajarn Nuam was the abbot of Wat Anongkaram, and Luang Por Tap was a ‘Look Wat’ (one of the temple monks), but in truth, Luang Por Tap was much an elder monk to the abbot himself, and much more advanced in his practices.

Pra Pid Ta Maekasit Thak Detail 9

Luang Por Tap became immersed in the Wicha Len Prae Taat (Alchemical Metallurgy), and Mastered it until he could produce the legendary substance known as ‘Maekasit’ metallic alchemical alloy.

The Wicha Maekasit of Luang Por Tap was so famously powerful, that even the great Luang Phu Sukh of Wat Pak Klong Makham Tao in Chainat came, to exchange sorcery methods with Luang Por Tap, in order to obtain the Wicha Maekasit.

Pra Pid Ta Maekasit Thak Detail 10

Luang Phu Sukh then took this Wicha back to Wat Pak Klong Makham Tao, and made many famous amulets of his pantheon using the Wicha Maekasit of Luang Por Tap, such as the oblong shaped Pra Somdej Prapa Mondon Sum Rasamee.

Pra Pid Ta Maekasit Thak Detail 11

Pra Pid Ta Maekasit Thak Detail 12

The Maekasit amulets of Luang Por Tap, are known to have different tones of color which shimmer through the metallic surface, tanging from silvery, to some most highly preferred exhibits with blue, golden or greenish metallic sheen, similar to the Bluebottle-Green-Purple metallic color of Lek Lai See Peek Malaeng Tap.

Pra Pid Ta Maekasit Thak Detail 13

 

There are a number of Great Master-Class amulets of Luang Por Tap, such as the Pra Pid Ta Maekasit, Look Om, and Prort Gror metallic Arahant Ball. Only very few Loom Prort Gror Were made, as they were used to place under the Uposatha Shrinerooms of Temples, and only handed out by Luang Por Tap on rare occasions.

Pra Pid Ta Maekasit Thak Detail 14

The most highly prized, rare and sought-after amulets of Luang Por Tap, were made during the time when both Luang Por Tap and the then abbot, Luang Por Nuam Puttasārō were both alive, and collaborating with amulets. Luang Por Tap’s amulet pantheon is one of the most fervently sought and collected in the high end amulet collector community, and are considered to be among the most powerful alchemical amulets of all Masters.

Pra Pid Ta Maekasit Thak Detail 15

Luang Por Tap made many models of amulets in Nuea Maekasit and Parort alchemical metals, some of the most well known being the Pra Pid Ta Maekasit, Pra Pim Pang Son Ha, Look Om Maekasit, the Look Prort Gror, and Pra Chayawat.

Luang Por Tap also inherited the Wicha Hung Nam Man Montra Saksit, for making Sacred Consecration Oil, from his Kroo Ba Ajarn Luang Por Nuam (6th abbot of Wat Anongkaram).

Luang Por Nuam’s amulets are even rarer to find than those of Luang Por tap himself, but it is Luang Por Tap who gained more National and International Attention. The first edition Rian Run Raek of Luang Por Nuam is especially sought after and carries an immensely high market value in the present era. However, only a few were ever made, and so they are very rarely seen.

Pra Pid Ta Maekasit Thak Detail 16

Luang Por Tap was also known to have been a close accomplice to Pra Sangkarach Pae of Wat Sutat, and Luang Phu Sukh ( Wat Pak Klong Makham Tao). it went on record many times that every time that Somdej Pra Sangkarach (Pae), would make an edition of the world famous Master Class Pra Kring and Pra Chayawat Wat Sutat, he would always invite Luang Por Tab to come and assist in the Buddha Abhiseka, and Nang Prok Empowerment Ceremonies, as a monk of Adept Sorcery.

Pra Pid Ta Maekasit Thak Detail 17

 

As to Luang Por Tap’s friendship with Luang Phu Sukh of Wat Pak Klong Makham Tao, it is said they were extremely intimate friends, as they were both from Chainat Province.

Luang Por Tap was born in 2374 BE, amd was ordained at a young age as a Samanera Novice Monk, and then disrobed to help his family, and later ordained a second time as a fully fledged Bhikkhu, in the year 2413 BE. At first, he resided at the temple of Wat Raman, for the first year, and then he moved to stay at Wat Anongkaram.

Pra Pid Ta Maekasit Thak Detail 18

 

Every time the rainy season retreat was over, Luang Por Tap would leave the temple, and wander the forests on Tudong, practicing Vipassana Kammathana Mindfulness and Jhanic Meditation, every year for 40 years, developing immensely advanced self control and self mastery, which caused Powerful Wicha to arise within his mind.

Pra Pid Ta Maekasit Thak Detail 19

After 40 years of Tudong Practice, he became too old to continue, and stayed permanently at the temple of Wat Anong from 2457 BE onwards. It was in this time, that Luang Por Tap began to apply his Wicha, and make amulets with Maekasit Metallurgy, using Alchemical Parort Mercury, Silver, Gold, Lek Lai, and sacred Iron Alloys.

Pra Pid Ta Maekasit Thak Detail 20

Most of his amulets would be versions of Pra Pid Ta Nuea Maekasit, with a range of other amulets and talismanic charms, which are however found in much lesser numbers, and are extremely rare, such as the Pra Pim Son Ha, Pim Prapa Mondon Sum Rasamee, Pra Pim Nakprok, Look Om, Takrut, and Look Prort Gror.

Pra Pid Ta Maekasit Thak Detail 21

 

Luang Por Tap’s famous Pra Pid Ta amulets are found in Pim Chalud, and Pim Tammada models, both of which were made in Pim Lek, Klang and Yai (small, medium and large), Pim Dtaeng and Pim Mai Dtaeng (refined, or not refined with filing).

Pra Pid Ta Maekasit Thak Detail 22

A very few amulets are sometimes found with a Yant, or Khom Inscription on the rear face, which are among the rarest of all his amulets, and considered to be World-Class Pim Niyom Masterpieces. Luang Por Tap made his powerful Maekasit amulets up to his passing in the year 2480 BE, making his pantheon now a centenarian collection from over a Century ago.
The Amulets of Luang Por Tap, are highly revered for Kong Grapan Chadtri Klaew Klaad Maha Lap Metta Mahaniyom Maha Ud power.

Pra Pid Ta Maekasit Thak Detail 23


How to Pray to Thai Amulets (Chanting Kata);

How to Pray to Thai Amulets

Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets

Ancient Amulet. Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets'). Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days

SIGN IN OR CREATE ACCOUNT


Filters

Filters
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang KositaramPra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Free Shipping Worldwide (we do not state or declare true price to counter tarrifs tax on customers), & Offer of Free Solid Silver Casing Included
SKU 04783
$1,699

 

 

Pra Pid Ta Ha Liam Hlang Yant Nuea Pong Kluk Rak 2430 BE Luang Phu Jiam Wat Kampaeng

One of the Great Classic Pra Pid Ta amulets of the Chonburi Province, from the Great Olden Days Gaeji Ajarn Master Monk, Luang Phu Jiam of Wat Kampaeng; The Pra Pid Ta Ha Liam 5 sided frame Nirodha Buddha amulet, in Nuea Pong Kluk Rak, Sacred Powders with Herbal Lacquer admixture, and Unalome on rear face.

Pra Pid Ta Ha Liam Hlang Yant Nuea Pong Kluk Rak 2430 Be Luang Phu Jiam Wat Kampaeng Detail 3

Pra Pid Ta Ha Liam Hlang Yant Nuea Pong Kluk Rak 2430 Be Luang Phu Jiam Wat Kampaeng Detail 2

Free Fed-Ex/DHL Shipping Worldwide Included Plus Offer of Free Casing with this exhibit. Luang Phu Jiam, was one of the Great and most highly revered and respected Monks of the Chonburi Province in his time, seen by both the Ordained Sangha, and his Devotees as a Maha Thera Master Monk with Miraculous Abilities.


Pra Pid Ta Ha Liam Hlang Yant Nuea Pong Kluk Rak 2430 Be Luang Phu Jiam Wat Kampaeng Detail 1

His Pra Pid Ta amulets are among the rarest and considered a highly niche collector scene type Pra Niyom Category amulet, that is highly renowned for its beautiful and inimitably original Artistic Design, and powerful effects, which have become attributed to this amulet.

Pra Pid Ta Ha Liam Hlang Yant Nuea Pong Kluk Rak 2430 Be Luang Phu Jiam Wat Kampaeng Detail 4

LP Jiam was born in the year 2398 BE, over a century and a half ago, during the time of His Majesty King Rama 4. He was ordained at Wat Kampaeng age 22, which is known by the fact that there is documentation in the Sangha records, that Pra Atigarn Jiam (LP Jiam), was the Upachaya Ordaining Monk of Wat Kampaeng, at age 44 after 22 years of ordination.

Pra Pid Ta Ha Liam Hlang Yant Nuea Pong Kluk Rak 2430 Be Luang Phu Jiam Wat Kampaeng Detail 5

The records also include the recording of his elevation in status on various occasions with Royal Deccrees, and eventualy became the Jao Kana (Archbishop) of all Temples in the Chonburi Province. He served the Faithful Buddhist Devotees of Wat Kampaeng, and indeed the temples of the whole Province, right up until his passing away during the reign of King Rama 6, in the year 2454 BE.

Pra Pid Ta Ha Liam Hlang Yant Nuea Pong Kluk Rak 2430 Be Luang Phu Jiam Wat Kampaeng Detail 6

The Pra Pid Ta of Luang Phu Jiam, is designed in the form of Pra Pid Ta Pakawambodee, and is classed as the No.4 top Pid Ta Amulet of all Chonburi Masters. Chonburi is perhaps the most famous {rrovince for its large number of great Masters of Wicha Pra Pid Ta, and most of the Great Pid Ta amulets of World Class Status are found to come from the Chonburi Masters. This makes it very difficult to explain just how popular a number 4 amulet is in the Pid Ta Category, due to the very many World Famous Pra Pid Ta Masters from this Province making such a large number of different Master-Class Pra Pid Ta , all of which are among the most collected and revered in the country.

Pra Pid Ta Ha Liam Hlang Yant Nuea Pong Kluk Rak 2430 Be Luang Phu Jiam Wat Kampaeng Detail 7

Kata Pra Pakawambodee

Kata Bucha Pra Pakawambodee Pid Ta Sangkajjai

Chanting this Kata, is Good for increasing wealth, attracting treasured possessions, popularity, business sales and promoted status. In addition, Pra Pid Ta amulets, have the special abstract magical quality of increasing your common sense, mindfulness and wisdom is also present within this amulet.

Pra Pid Ta Ha Liam Hlang Yant Nuea Pong Kluk Rak 2430 Be Luang Phu Jiam Wat Kampaeng Detail 8

The Pra Pid Ta amulet is considered to be an amulet with ‘Maha Ud’ and ‘Kong Grapan’ power (invincibility and gunstopping power), but is also made as a wealth bringer, in which case, the amulet will be called ‘Pra Pid ta Maha Lap’. In order to inflect a greater resonance for wealth attraction and auspicious blessings, in addition to the Maha Ud and Kong Grapan magic.

Pra Pid Ta Ha Liam Hlang Yant Nuea Pong Kluk Rak 2430 Be Luang Phu Jiam Wat Kampaeng Detail 9

KATA PRA PID TA

How to Chant Kata Pra Pid Ta

Pra Pid Ta Ha Liam Hlang Yant Nuea Pong Kluk Rak 2430 Be Luang Phu Jiam Wat Kampaeng Detail 10


How to Pray to Thai Amulets (Chanting Kata);

How to Pray to Thai Amulets

The Pra Pid Ta is one of the Great All Time Classics of Thai Amulets. Signifying the Buddha Entering Nirodha, this douses out all Sufferings. Some Pidta are for Maha Lap (Riches and Luck) and some are to remove debt (Plod Nee) and some are for Protection (Kong Grapan/Klaew Klaad, Maha Ud). Some people believe the Pid ta to be e bringer of 'Blind Luck' and Gambling Fortunes.

Filters

Filters
1 - 60 of 93 items

 

 

Hun Payont Dtamrap Ajarn Loi Hyaa San Mad Daay Khiaw Akom Ajarn Bee Saman Jaeng Jaroen Featured

A classic Necromantic Golem Ghost Soldier of the Lay Sorceror Ajarn Bee, The Hun Payong Sacred Whickerman Goilem Ghost, spellbound in sitting position, casting spells in meditation. This is an amulet that is immensely rare, and is an immortally famous Animist Spirit Charm amulet; The World Famous Hun Payont Hyaa San Mad Daay Daeng Akom Dtua Nang Raay Mont (Spellcasting Meditating Version) of Ajarn Bee, the first prime apprentice in Wicha Hun Payont to the great Ajarn Loi Po Ngern, the legendary Ayuttaya Lay Master and direct lineage continuance of the Wicha of Luang Por Glan of Wat Prayatigaram (Ayuttaya).

Ajarn Bee (or also known as Ajarn Bee Saman Jaeng Jaroen), was the closest and top apprentice in magical wicha to Ajarn Loi, who was and is considered the number one Master of Hun Payont Magic, and whose amulets reach into the thousands of dollars these days for large versions (both Ajarn Loi and Ajarn Bee are known to have made giant versions as house guardians).Ajarn Bee was born a local of Ayuttaya, and was the son of farmers.

His father was a close acquaintaance and friend of Ajarn Loi Po Ngern, annd through this, Ajarn Bee was able to be accepted as an apprentice in Magic to Ajarn Loi, through the great friendship he had with Ajarn Bee’s father.
Ajarn Bee was left to stay with and study under Ajarn Loi, and he spent the time learning Wicha, and when not, helping to watch and guard over Ajarn Loi’s boat. The boat was parked on the riverside next to Wat Panan Cherng Temple (Wat Jeen).

Because Ajarn Bee had great curiosity and interest if magic was real or not, he would secretly hide and listen to Ajarn Loi performing invocations and incantations, and watch his perform rituals and the making of Hun Payon. He kept observing and learning and absorbing the methods for a good ten years or so.

Ajarn Bee Mastered many ways of making different Hun Payont with different forms of magical powers, such as Hun Payont Raksa Roke for healing illnesses, removing black maguic and demonic possessions, Hun Payont Wicha Maha Sanaeh for Power of Attraction, and for Kong Grapan Maha Ud Klaew Klaad, Kaa Khaay Business Sales, Siang Choke Gambling Luck, and Metta Mercy Charm.

Ajarn Bee once hid and spied on Ajarn Loi in his evening practices, and saw him perform a ritual by casting spells into a piece of Pha Khaw Ma cloth, to enchant it into becoming a snake, which slithered off. He watched and learned the Wicha Sek Nam Mont Klord Look Ngaay Sacred Water Blessing for easy giving of birth.

Ajarn Loi’s Wicha Nam Mont Klord Lok Ngaay became famous when an older lady who went by the name of Yaay, who was pregnant and afraid of problematic birth, came to ask for a holy water blessing for this purpose. Ajarn Loi was playing chess at the time, so he got up and took the drinking water jug from beside where he was playing, performed incantations and blew into the jug, and gave it to the lady. The lady took the jug and left thinking “this cannot be sacred water, he was using it for drinking at the chess game”, and she upturned the jug to pour the water out onto the floor.

To her surprise and amazement, the water did not come out of the upturned jug, defying the laws of gravity. Mrs. Yaay then ran back to Ajarn Loi and got on her knees to beg forgiveness for her lack of faith. This then increased the legend of the magic of Ajarn Loi and his lineage apprentices, for this powerful Wicha that could empower any inanimate object, be it seen as sacred, or ordinary. Only a truly powerful Mage can achieve this kind of spellcasting, which is the mark of the Adept Sorceror.

Ajarn Bee was initiated with the Korn Kroo Ritual by Ajarn Loi Himself directly one on one (making Ajarn Bee a Looksit Aek first/prime apprentice).He is in the present day (written in 2020), the most popular living Laymaster for Hun Payont.

This version is medium size, measuring 3 x 2.5 Cm in casing, and is in pristine condition. The Hun Payont of Ajarn Bee are highly preferred, and considered the perfect affordable alternative to the Hun Payont of his predecessor, the Great Ajarn Loi Po Ngern (lovingly known as ‘Mor Loi’).Ajarn Bee immerses his Hun Payont in Nam Man Nga Sek and Nam Man Prai for extra empowerment imbued within the amulets, as part of the empowerment.

The Hun Payont Ajarn Bee (or also known as Ajarn Bee Saman Jaeng Jaroen), was the closest and top apprentice in magical wicha to Ajarn Loi, who was and is considered the number one Master of Hun Payont Magic, and whose amulets reach into the thousands of dollars these days for large versions (both Ajarn Loi and Ajarn Bee are known to have made giant versions as house guardians).Ajarn Bee was born a local of Ayuttaya, and was the son of farmers.His father was a close acquaintaance and friend of Ajarn Loi Po Ngern, annd through this, Ajarn Bee was able to be accepted as an apprentice in Magic to Ajarn Loi, through the great friendship he had with Ahjarn Bee’s father.

Ajarn Bee was left to stay with and study under Ajarn Loi, and he spent the time learning Wicha, and when not, helping to watch and guard over Ajarn Loi’s boat. The boat was parked on the riverside next to Wat Panan Cherng Temple (Wat Jeen).

Because Ajarn Bee had great curiosity and interest if magic was real or not, he would secretly hide and listen to Ajarn Loi performing invocations and incantations, and watch his perform rituals and the making of Hun Payon. He kept observing and learning and absorbing the methods for a good ten years or so.

Ajarn Bee Mastered many ways of making different Hun Payont with different forms of magical powers, such as Hun Payont Raksa Roke for healing illnesses, removing black magic and demonic possessions, Hun Payont Wicha Maha Sanaeh for Power of Attraction, and for Kong Grapan Maha Ud Klaew Klaad, Kaa Khaay Business Sales, Siang Choke Gambling Luck, and Metta Mercy Charm.

Below Pic; Ajarn Bee cutting herbs from his garden which are used for Healing Ailments, and for making Hun Payont, and Sacred Oils

Ajarn Bee once hid and spied on Ajarn Loi in his evening practices, and saw him perform a ritual by casting spells into a piece of Pha Khaw Ma cloth, to enchant it into becoming a snake, which slithered off. He watched and learned the Wicha Sek Nam Mont Klord Look Ngaay Sacred Water Blessing for easy giving of birth.

Below : 10 armed version of one of Ajarn Bee’s Hun Payont amulets. 12 armed versions were also made.

Ajarn Loi’s Wicha Nam Mont Klord Lok Ngaay became famous when an older lady who went by the name of Yaay, who was pregnant and afraid of problematic birth, came to ask for a holy water blessing for this purpose. Ajarn Loi was playing chess at the time, so he got up and took the drinking water jug frombeside where he was playing, performed incantations and blew into the jug, and gave it to the lady. The lady took the jug and left thinking “this cannot be sacred water, he was using it for drinking at the chess game”, and she upturned the jug to pour the water out onto the floor.

To her surprise and amazement, the water did not come out of the upturned jug, defying the laws of gravity. Mrs. Yaay then ran back to Ajarn Loi and got on her knees to beg forgiveness for her lack of faith. This then increased the legend of the magic of Ajarn Loi and his lineage apprentices, for this powerful Wicha that could empower any inanimate object, be it seen as sacred, or ordinary. Only a truly powerful Mage can achieve this kind of spellcasting, which is the mark of the Adept Sorceror.

Ajarn Bee was initiated with the Korn Kroo Ritual by Ajarn Loi Himself directly one on one (making Ajarn Bee a Looksit Aek first/prime apprentice).He is in the present day (written in 2020), the most popular living Laymaster for Hun Payont.

The Hun Payont of both Ajarn Loi and Ajarn Bee, are said to be the top Hun Payont amulets of all time, and are the most sought after and desired items by devotees of this kind of amulet.
and Indeed the Khun Phaen and other amulets of these masters are also in extreme demand and highly popular with South East Asians around the Subcontinent.

The Hun Payont of Ajarn Bee’s Master, Ajarn Loi, afe almost impossible to find in the present day, and can cost thousands of dollars. Unfortunately, the amulets of this great olden days Master, inheritor of the Wicha of Luang Por Glan Wat Prayat, and Luang Por Bpaen of Wat Sao Tong Mai, are so very hard to find in the present era because of their great popularity even during the time he was alive. Ajarn Loi made Hun Payont before the year 2500 BE, after which his apprentice, Ajarn Bee continued the tradition.

Bucha by offering a glass of liquor to empower with extra psychic strength, or to smear a small drop of consecrated oils once in a while for Bucha, and strengthening the power of the Hun Payont, and its emanating magic.

Bio : Ajarn Loi Po Ngern

Ajarn Loi was born in the month of February 2454 BE, in Nakorn Sawan, but later moved to live in Bang Prahan in Ayuttaya. He became a Novice Monk when he came of age, and the apprentice of Luang Por Glan of Wat Prayat. After the passing of LP Glan, Ajarn Loi continued his practice of Magic with Luang Por Bpaen of Wat Sao Tong Mai in Ayuttaya. Ajarn Loi learned many Wicha with Luang Por Bpaen, who was not only well versed in Wicha Saiyasart, but was also Adept in Artisanry of the Chang Sip Moo Fine Arts level of prowess. He thus taught Ajarn Loi all of his Wicha, and methods of weaving the spellbound Hun Payont, Takrut and other amulets in the finest fashion.

 

One must say that Ajarn Loi’s Hun Payont, and other amulets all attract the eye with their fine artisanry and filigrain attention to detail and ritual accuracy. LP Bpaen was alsop the Kroo Ba Ajarn of Luang Por Suang of Wat Chee Ba Khaw, who was also a close friend of Ajarn Loi. After the passing of LP Bpaen, Pra Ajarn Loi moved to stay at Wat Panan Cherng. Ajarn Loi knew many methods of Astrological Foretelling, Spiritual healing, and Powerful Amulets and Spells.

Below, an early era Hun Payont of Ajarn Loi – very old estimated circa 2480 BE

Because of this, he soon became the object of jealousy from the other monks, which he could sense strongly that he was making them feel inferior. So he moved away to not cause any inauspiciousness, and disrobed to become a Lay Master, and moved to stay at Wat Jeen temple. He later moved to Wat Suwandaoraram, where he remained practicing his path, and serving his devotees up to the day of his passing.

Below; amulets of Ajarn Loi

The Hun Payont (or ‘Hun Payont’), is an ancient reanimated Golem effigy, with far back reaching roots. Its name comes from the word ‘Payont’ which means an effigy that has been brought to life by Sorcerous Magick. Hun Payont may be made in various forms, such as the form of a Human, or some other Magickal creature, or animal, depending on the needs of the user and intended uses of the Adept who makes them.

 

Hun Payont are made from various substances, such as the Hun Hyaa Saan (Hay/Straw), Hun Gan Bai Mai an (leaves), Hun Thao Wan (magical vines), Mai Phai (bamboo), Hun Dtakua (mercurial lead), Hun Khee Pheung (wax), Bai Mai Ta (leaves), Hun Gae Salak (carved wood), Hun Daay (cord wrap), Hun Pha (cloth bound), Hun Din (molded clay), Hun Din Phao (baked clay), Hun Hin (carved stone), Hun Krabueang (ceramic), Hun Poon (cement), Hun Ngern/Tong (silver or gold), Hun Loha (metallic), Hun Mai (wood), Hun Hin (stone), Hun Nga Gae (Ivory), Graduk (bone), and so on.

The Hun Payont, is an amulet that is found to date back to the times of the Kassapa Buddha. The Kassapa Buddha, is said to have made a Payont effigy, to protect his Relics, before he himself passed into Nibbana. 200 Years Later, King Asoka opened a shrine, to remove and preserve the relics, but the shrine was inhabited by a Hun Payont. King Asoka was forced to invoke and summon the God Indra, who manifested as a Brahman, and performed Incantations, enabling King Asoka to enter and remove the Saririkadhatu Relics.

In the world of Sorcery, all lineages believe in the existence of different kinds of spirits, which can imbued within effigies or controlled, or beseeched to perform a multitude of tasks. There are many Animist and Necromantic amulets which use different types of spirits which are Hoeng Prai Ghosts, Devas, Bhuta, Kumarn Tong, Rak Yom, In Jantr, Phu Some, In Gaew, Mae Takian, Ma Hoeng Prai, and many others such as Yaksa Monsters, to inhabit an effigy. Great Adepts are the only ones able to create Hun Payont Golem Effigies, which are then brought to life with Necromancy and imbued with any of a number of kinds of spirits, depending on the nature and needs of the devotee, or the intentions of the master.

 

All Hun Payont Golems, must be empowered by an Adept, who has Mastered the Wicha Akarn Sam Sip Sorng; 32 invocations of the 32 elements within a living being, to make the effigy able to displace itself (move around), and to emit Magical powers, protecting wealth and possessions within its enclave. If intruders enter, the Hun Payont will create illusions that drive the thieves away, and will also scare away all kinds of demons and ghosts that enter the household to cause any havoc. Hun Payont are very protective of the belonging within the home and for this reason excellent guards.

 

The Hun Payont is used by those who believe, in the household, place of business, and even carried as an amulet or placed in one’s vehicle, to keep away alll dangers and inauspicious events and malicious entities. Hun Payont should be rewarded or appeased through Bucha with the Piti Gruad Nam Water Pouring Ceremony, in the same way as seen by Thai Buddhists after giving alms to the Monks, except that it is you who makes the prayer.

 

Alternatively, one can also use sacred or aromatic oils for consecration, or even liquor if wish to use for powerful Magic for Gambling and other matters of high risk. This is done, by laying down the amulet flat, and putting a few small drops of liquor or Prai/Aromatic Oil through the small hole drilled into the center of the window of the front of the casing, to fall onto the Hun Payont.

Kata Riak Hun Payont (Summoning Spell)

Om Na Ma Pa Ta Jaedta Phuudto Maha Phuudtang Hun Payondtang Nimidtang Gang Ruubpang Bpiyang Ma Ma Aehi Aehi Na Mo Put Taa Ya (chant 7 Times)

Kata Pluk Huan Payont (Invoke)

So Sa A Ni So Sa A Ni Sa A Ni So A So A So Ni Ni Sa A So Ni So A So A Ni Yo Sa A A Ni So Sa Sa Ma Su

 

Kata Khor Porn Hun Payont (ask for blessings)

Bprasitti Kātā Sitti Gammang Sitti Garisang

Kata Hun Payont Ajarn Loi

Om Pluk Mahaa Pluk Guu Ja Pluk Por Hun Payont Duay Ahang Tugang Na Ma Pa Ta

Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets

Ancient Amulet. Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets'). Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days

SIGN IN OR CREATE ACCOUNT


Filters

Filters
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang KositaramPra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Free Shipping Worldwide (we do not state or declare true price to counter tarrifs tax on customers), & Offer of Free Solid Silver Casing Included
SKU 04783
$1,699

 

Pra Pid Ta Maekasit Pim Hoo Gradtay with Certificate Hand Inscriptions - Luang Phu Nak Wat Huay Jorakhae Featured

Officially Certificated Pra Pid Ta (Pid Tawarn) Hoo Gradtay (rabbit eared) model of the sacred Maekasit alchemical metal amulet of the great Luang Phu Nak, of Wat Huay Jorakhae. Th Pid Ta Maekasit is a highly revered amulet created by the late great Thai monk Luang Phor Nak of Wat Huay Jorakhae temple in Nakhon Pathom, Thailand. The Pra Pid Ta, also known as “the closed-eye Buddha,” is a representation of the Lord Buddha in deep meditation, entering the state of Nirodha, and is believed to bring blessings of protection, good luck, and wealth to the wearer.

This item includes a free download of the Ebook “Pra Pid Ta Loha Ebook (printable version 212 MB)” and a 3 megabyte Light mobile version to carry on mobile phone for fast scrolling.

The Pra Pid Ta amulet created by Luang Phu Nak was made usually in Nuea Maekasit alcemical metal, but also in sacred loha chanuan bronze and other brazen metal mixtures (less often seen). I is said that Luang Phu Nak himself, was a great master of alchemical metallurgy, and the Wicha Pra Pid Ta. It found in medium and small sizes (Pim Lek & Pim Yai) and has various models sch as the Pra Pid Ta Hoo Gradtay ‘Rabbit Ears’ model.

It is believed that the Pra Pid Ta amulet of Luang Phu Nak has the power to protect its wearer from harm, bring good luck, and attract wealth and prosperity. Some of the Pra Pid Ta of LP Nak possess hand inscriptions scraped onto the surface of the metal, with Khom Agkhara and Sacred Yant.

Pra Pid Ta amulet represents a meditating Buddha entering into the state of Nirodha. Nirodha is the third of the Buddha’s Four Noble Truths and refers to the attainment of the cessation of suffering. The image of a meditating Buddha is representative of the amulet’s ability to bring peace and block out all forms of inauspicious events and bad luck, protect against all dangers and black magic. The amulet is believed to have the power to block out negative energy and to protect the wearer from harm due to the reputation of the creator and his spiritual energy.

LP Nak was a well-known Thai Buddhist monk and the abbot of Wat Huay Jorakhae temple in Nakhon Pathom, Thailand. He was well-known for his spiritual teachings and wisdom, as well as his ability to craft powerful amulets. His reputation as a powerful spiritual leader, combined with his ability to craft powerful amulets, ensures that his legacy lives on, and his amulets are highly sought after. He died in 1959, but his teachings and amulets are still revered and respected by many Thais and people all over the world.

Many people in Thailand and around the world believe that the Pra Pid Ta amulet of Luang Phu Nak is particularly powerful for Kong Grapan/Klaew Klaad Protection Magic, due to the reputation his Pid Ta developed over the years as many stories of lifesaving miracles were recounted by devotees who wore the Pid Ta of Luang Phu Nak. Luang Phu Nak was known for his deeply spiritual teachings, and his ability to create very powerful amulets, and many people believe that his amulets possess his spiritual mind energy even after his passing. The Pra Pid Ta amulet of Luang Phu Nak is also highly sought after by collectors and those interested in Thai Buddhism and culture. Many people consider it a valuable possession and it is often passed down from generation to generation as a family heirloom amulet.

The Pra Pid Ta amulet of Luang Phu Nak is a highly revered and powerful amulet created by the late Thai monk Luang Phor Nak of Wat Huay Jorakhae temple in Nakhon Pathom, Thailand. It is believed to bring blessings of protection, good luck, and wealth to the wearer, and is highly sought after by collectors and those interested in Thai Buddhism and culture. The reputation of Luang Phu Nak as a powerful spiritual leader, and his ability to create powerful amulets, makes this amulet particularly valuable and powerful.

LP Nak, was a Thai Buddhist monk who lived in the 19th- 20th century. He was the abbot of Wat Huay Jorakhae temple in Nakhon Pathom, Thailand. He was born in 2358 BE (1884) and passed away in 2452 BE (1972). LP Nak was known for his great compassion and spiritual wisdom, and was a great giver of spiritual teachings, as well as his skill in creating powerful amulets. He was highly respected by the local community and by other monks in Thailand. He was also known for his generosity and mercy, and his dedication to helping others.

During his tenure as abbot, he worked to strengthen the spiritual community at Wat Huay Jorakhae and to provide guidance and support to the local population. In addition to his work as an abbot, LP Nak was known for his skill in creating powerful amulets. He was able to create amulets using various materials, including clay, metal, and even human bone. His amulets were believed to possess spiritual power and provide protection to the wearer. They were often inscribed with sacred texts or mantras, and were highly sought after by the local population and by collectors. LP Nak’s amulets are very highly valued in the present day, and many people in Thailand and around the world believe that they possess spiritual power. His amulets are often passed down from generation to generation as a family heirloom, and are considered a valuable possession.

LP Nak may have passed away long ago, but his legacy continues to be felt in Thailand and around the world. He is remembered as a wise and compassionate spiritual leader, and his amulets are still highly sought after by aficionados, faithful devotees, collectors, and those interested in Thai Buddhism and Thai culture. To this very day, the lineage of abbots of Wat Huay Jorakhae still make and release Pra Pid Ta amulets of the Wicha passed down to them through a constant succession in the magical lineage of LP Nak.

The Pra Pid Ta amulet of Luang Phu Nak, is believed to be particularly powerful because it is believed to possess the magical energy of the monk who created it. As LP Nak is considered a highly respected and powerful spiritual leader, it is believed that his Pid Ta amulets will always possess his spiritual energy even after his passing, without ever fading. Thew Pid Ta Maekasit amulet, is considered the most famous and powerful amulet created by LP Nak.

Background Info on Pra Pid Ta

Since very early times in Thailand, Pra Pid Ta amulets, as well as Pra Pid Ta in the shape of Pha Yant and Bucha sculptures, have been made as objects of adoration and protection. Using the Buddhist sculpture and art that was accessible at the time, the artisans of that era developed a variety of styles and interpretations. Various Buddhas, Bodhisattvas, or Deities are fashioned into the posture of Pra Pid ta, or Pid Tawarn (meaning “closing the orifices”), to create the Pid ta posture (‘Pid Ta’ means “covering the eyes”). Pid Tawarn can seal 7, or 9 orifices (the number 7 is referred to as Pra Pid Sadtatawarn, while the number 9 is known as Pra Pid Navatawarn). The Pra Pid Ta amulet, also known as “the closed-eye Buddha,” is believed to bring blessings of protection, good luck, and wealth to the wearer.

The Pra Pid Ta amulet, represents a meditating monk entering into the state of Nirodha. Nirodha is the third of the Buddha’s Four Noble Truths and it refers to the attainment of the cessation of suffering. In Buddhist teachings, Nirodha is understood as the state of being where all mental defilements, such as ignorance, greed, and hatred, have been completely eliminated. This state is reached through the practice of meditation and the cultivation of wisdom, and it is considered the ultimate goal of Buddhism.

The third of the four noble truths, according to Buddhist tradition is defined as Nirodha Sacca (also spelt Nirodha Sacca in Pali; Nirodha Satya in Sanskrit). Sacca denotes “truth” or “reality,” whereas Nirodha means cessation or extinction. Therefore, the translation of nirodha sacca is generally “truth of cessation” or “truth of the cessation of suffering.” It explicitly refers to the cessation of Dukkha (suffering) and its causes; the resultant experience is defined as nirvana. Nirodha can indicate a variety of things, such as release, cessation, extinction, the end of dukkha, and “control or restraint.” The cessation of all unsatisfactory experiences and their causes in a way that prevents them from occurring again is what Nirodha Sacca means. It is their elimination, complete absence, cessation, and ceasing from existing.

The Pra Pid Ta image, is that of a meditating Buddha entering Nirodha, is representative of the amulet’s ability to bring peace, and block out all forms of inauspicious events and bad luck. It is believed that by wearing the Pra Pid Ta amulet, the wearer will be protected against all dangers and black magic. The amulet is believed to have the power to block out negative energy, and to protect the wearer from harm. The Pra Pid Ta Maekasit alchemical metal Norodha Buddha amulet, is a most famous amulet for self protection, with Kong Grapan Chadtri, Klaew Klaad, Metta, Maha Pokasap, and Maha Lap Magic.

<span id=”selection-marker-1″ class=”redactor-selection-marker”></span>

Kata Pra Pid Ta

Namo Puttassa Kawambadtissa Namo Tammassa Kawambadtissa Namo Sangkassa Kawambadtissa Sukha Sukha Warang Na Mo Puttaaya Ma A U Tugkhang Anijjang Anatta Jewa

Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets

Ancient Amulet. Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets'). Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days

SIGN IN OR CREATE ACCOUNT


Filters

Filters
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang KositaramPra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Free Shipping Worldwide (we do not state or declare true price to counter tarrifs tax on customers), & Offer of Free Solid Silver Casing Included
SKU 04783
$1,699

 

 

 

Hmak Tui Mad Chueak Sacred Areca Nut Cord Bound Lacquer Coated 2450 BE Luang Phu Iam Wat Hnang Featured

Sacred Hmak Tui Mad Chueak, cord bound lacquered Blessed Areca Nut, from the Great Luang Phu Iam, of Wat Hnang. The Hmak Tui Sacred Areca Nut amulet is one of the top World Famous Classic Pra Niyom Master Class Ancient Amulets from the Great Luang Phu Iam Suwannasarō (2375 – 2469 BE), of Wat Hnang (and Wat Ko Non). Estimated Mid Era Circa 2450 BE

Free Registered Air Parcel Shipping Worldwide is Included with this Amulet. The Hmak Tui is further eghanced in traditional fashion, with magical spellbound ritual cord wrap, with herbal laquer coating. This Hmak Tui is a very rare, but well documented model, which stands out for its classic and easy to recognize ageing characteristics, style of cord wrap, appearance of the lacquer, and of course, the emanation of the magical vibratyory energies imbued within the sacred areca nut amulet, by Luang Phu Iam.

Released in the Era that Luang Phu Iam was already abbot of Wat Hnang, in the decade between 2445 and 2450 BE. The amulet has been coated in Rak Dam Black Herbal lacquer, which was a common practice in Olden days, to preserve amulets and give them a long life. The Sacred Rak Boran ancient lacquer has gathered immense character in its surface appearance over the years, showing the natural aging characteristics, as is expected in that of an authentic Pra Niyom Class Ancient Amulet.

The Hmak Tui is estimated to have been made around 2440 – 2450 BE. Luang Phu Iam made amulets from an early stage, ever since the times he was still following his Mentor Luang Phu Rod, at Wat Ko Non. He began to make amulets long before his famous first edition Pra Pid Ta Yant Yung and Pra Pid Ta Pid Tawarn, which were released at Wat Hnang around 2440 – 2443 BE.

His famous and incredibly expensive Pra Pid Ta Yant Yung/Pid Tawarn were made from metallic alchemical metals, after Luang Phu Iam had moved there as abbot, and were made one by one, in the same method as Pra Pid Ta Wat Tong of Luang Por Tap (No.1 Pra Pid Ta Amulet of all Time).

Luang Phu Iam was a World Famous Master Monk of the previous Century, and maker of the Number 2 Amulet of the Top 5 ‘Benjapakee’ of Pra Pid Ta of all Thai Buddhist History, the Pra Pid Ta. His most famed of all were the Pra Pid Ta Yant Yung and Pra Pid Tawarn amulet.

Luang Phu Iam also made a large variety of other amulets, such as his famous hand carved Pra Pid Ta, many of them being originals from different artisans who hand carved them from various sacred woods, ivory, and other materials.

Luang Phu Iam is the No.2 Master of all History, renowned for Pra Pid Ta Amulets, and his Rare and Powerful First Edition 2467 BE Monk Coin, which fetches extremely high prices in auctions (Circa 100 Thousand Dollars).

Pra Pāwanā Gosol Thēra (Luang Phu Iam Suwannasārõ)

Luang Phu Iam was a born on Friday the 7th October 2375 BE. Luang Phu Iam was born a Citizen of Bang Khun Tian, whose household lived on the banks of the Klong Bang Hwa Canal, behind the temple of Wat Hnang. Luang Phu Iam was born during the reign of His Majesty Prabat Somdej Pra Nang Glao Jao Yuu Hua King Rama 3.

Luang Phu Iam was given the birthname of ‘Iam’ and his surname was ‘Tong U’. The devotees of Wat Hnang temple did not call him Luang Phu Iam, rather, preferred to call him ‘Luang Por Phu Tao’. People in General, and the collectors of the amulet appreciation societies like to refer to Luang Phu Iam as ‘Luang Por Wat Hnang’. His father and mother’s names were Mr. Tong, and Mrs. U, with the surname ‘Tong U’.

Luang Phu Iam’s family were market gardners, and were relatively prosperous. At the age of 9 years old, Luang Phu Iam was taken to the temple of Wat Hnang, to learn to read and write, and practice Khom Agkhara, under the tutelage of his first mentor, Luang Phu Rod, then Vice Abbot of Wat Hnang.

In the year 2387 BE, Luang Phu Rod then began to teach him Wicha Akom Buddha Magic and also to teach him in the Pali Sanskrit scripts, and the Khom Agkhara used for Magical Inscriptions. At the age of 11, in the year 2386 BE, Luang Phu Iam also went to study Pali Sanskrit with Pra Maha Yim at Wat Bovornives Voraviharn.

After he finished his studies with Pra Maha Yim, Luang Phu Rod then went to practice under the tutelage of Pra Pidok Gosol (Luang Por Chim), at Wat Liab. Thereafter, he returned to Wat Hnang, and ordained as a Samanera Novice Monk, and studied the Dhamma in his original place of learning at Wat Hnang. Luang Phu spent many years focused on study and practice, for about one decade, until the year 2394 BE.

Luang Phu was now coming of age where he should ordain from Samanera to become full status of an adult Bhikkhu, and had to go to the Royal Sanam Luang to take his Pali Sanskrit exams, which were at that time, done orally, answering in front of the teacher without any written questions to answer. Luang Phu did not pass the test. Because of failing his Pali exam, Luang Phu decided to disrobe and go to help his parents and relatives at home.

But Luang Phu only managed to remain a layman for three years, and his true calling became evident, and Luang Phu returned in the year 2397 BE to Re-Ordain as a Bhikkhu in the Buddha Sasanā at Wat Jom Tong, at the age of 22 years old.

Luang Por Gerd was his Upachaya Ordaining Officer, and gave Luang Phu Iam the Ordained Name of ‘Suwannasaro’. His Pra Gammawājājārn was Pra Tamma Chedi (Luang Por Jeen), with Pra Pawanā Gosol Thēra (Luang Phu Rod) as his Prompting Officer.

Once he had Re-Ordained again, Luang Phu Tao (Luang Phu Iam) went to stay at Wat Nang Nong, which was across the other side of the path to Wat Nang Nong. Here he continued his written studies of the Dhamma and Sorcery Grimoires, and Mastery of various Wicha, in the Samnak of Luang Por Jeen, with supplementary tuition from Pra Sangworn Wimol (Luang Por Hmen).

This time Luang Phu Iam went to finish his exams once more at Sanam Luang, and passed with flying colours. The ordained professor of Pali who was examining him, then said he had given very good translations, and invited Luang Phu Iam to come and practice at the same Samnak.

Luang Phu Iam however, refused, and continued with his usual trajectory. He then focused deeper on his practice of Vipassana Mindfulness Practice, and Puttakom (Buddha Magic) with Luang Phu Rod (who was now abbot of Wat Nang Nong).

Some time after the passing of his Mentor Luang Phu Rod, in the year 2441 BE, Luang Phu Iam was called upon by his Majesty King Prabat Somdej Pra Julajom Glao Jao Yu Hua (Rama 5), to become the abbot of Wat Hnang, and perform the duty of its maintenance and further development.

Luang Phu Iam proved to be a Great Abbot, and diligently restored and developed the temple and its facilities. Luang Phu Iam was a highly favoured Monk of His Majesty King Rama 5, and was more often than not always requested to attend the most important Blessing Ceremonies, and Buddhist Rituals of the Royal Palace. His name ‘Pra Pawana Gosol’ was bestowed upon him by his Majesty the King, at the time he was given the charge of Wat Hnang temple.

Luang Phu Iam then spent 27 Years working selflessly for the temple and devotees of Wat Hnang, for another 27 years, until his passing on the 26th April 2469 BE, at the age of 94.

LP Iam’s Pra Pid Ta Yant Yung metallic amulet, is equally highly regarded as top five, and revered for its Klaew Klaad Kong Grapan Chadtri Maha Ud power, and seen as the equal to the famous Pra Pid Ta Rae Bang Phai, and the Pra Pid Ta Wat Tong, and the Pra Pid Ta Pim Tapap of Wat Sapan Sung.

It can be seen from historical documentation, that Luang Phu Iam followed the footsteps of of Luang Phu Rod, in the same way that Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram had followed in the footsteps of his Mentor Pra Sangkarach (Sukh Gai Thuean). Luang Phu Iam hense masters the various Wicha with his diligence and unquestioning service to Luang Phu Rod as his Mentor.

This comparison is also extendible to the amulets of both Masters, just as Somdej Pra Puttajarn (Dto) Prohmrangsri learned the Wicha Pra Somdej from Somdej Pra Sangkarach Sukh (maker of the Pra Somdej Arahang Benjapakee Amulet), so, in turn, did Luang Phu Iam make powerful Pra Pid Ta and Pra Pid Tawarn amulets, in the same Dtamra (formula) of his Mentor Luang Phu Rod.

The third Comparison between the two Monks, reveals that both Somdej Pra Puttajarn (Dto) Prohmrangsri and Luang Phu Iam managed to attain the same fame and reverence as their Mentors, and their amulets became equally reputed for their magical power.

Luang Phu Iam created the same style of imagery as Luang Phu Rod for both kinds of Pid Ta amulets, his Bia Gae, Look Om, and Hmak Tui, and his Wicha is so equal in power to that of Luang Phu Rod, that one will often seen devotees collecting the amulets of both masters with equal fervency. It is not uncommon to see a high-end collector wearing a Luang Phu Iam amulet alongside one from Luang Phu Rod on the same necklace.

Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets

Ancient Amulet. Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets'). Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days

SIGN IN OR CREATE ACCOUNT


Filters

Filters
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang KositaramPra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Free Shipping Worldwide (we do not state or declare true price to counter tarrifs tax on customers), & Offer of Free Solid Silver Casing Included
SKU 04783
$1,699

 

Pra Pong Supan Pim Hnaa Gae Kru Wat Pra Sri Ratana Mahatat 700+Year Old Ancient Benjapakee Amulet and Authenticity Certificate Featured

A Truly Ancient Septa-Centenarian Pra Kru Amulet (over 700 years old in origin), the Pra Pong Supan Pim Hnaa Gae, in Nuea Din, with certificate of authenticity, this exhibit is in a dark colored sacred baked earthen clay. An all time ‘top 5’ classic amulet of the Benjapakee Family. A Master-Class status amulet of the High End Category of Pra Kru Hiding Place Ancient Amulets. The Pra Pong Supan amulet is known for its powerful Puttakun Metta Maha Niyom Merciful Blessings and Kong Grapan Klaew Klaad Protective Power.

This amulet comes with A4 size certificate of authenticity included. The Pra Pong Supan Kru Wat Pra Sri Mahatat is the Number One Amulet of all Time for the Province of Supanburi, and an eminent member of the top 5 Benjapakee Amulets of Historical Fame and Legend. The Pra Pong Supan of the highest preference is the Pra Pong Supan Nuea Din Phao baked clay amulet, made from sacred earths of the Supanburi Province, which were mixed with sacred magical herbal powders and bound into clay with holy water.

The amulets are seen to have been baked for a long time slowly, until the clay became hard, but smooth and dense like marble, which is a texture that modern ‘Nak Niyom Pra’ amulet aficionados call ‘Nuea Neuk Num Seung Jad’, which means ‘soft and smooth to the touch with highly refined features’.

There were also a very small amount (one potful) of leaden Pong Supan amulets found, which were found residing on the upper section of one pot, and are known as the Pong Supan Yord Tho, and are the rarest and most sought after of all Pra Pong Supan of the Kru Wat Pra Sri Mahatat.

Below : The extremely rare leaden version Pra Pong Supan Yord Tho Amulet, of which only very few were ever found

We shall be covering the documentation of the Pim Yord Tho in a different article on the pages of our website.


 

The method of baking the amulets resulted in a very hard and resilient amulet that does not break easily, which has contributed to its preservation over many centuries. The features of the Pra bordered edges and outer frame of the various models (Pim) of the Pra Pong Supan Amulet are highly varied, and cannot be said to fit any rigid form.

Some have four or five sided edges, some are completely cut to shape, some have wider edges, and others thinner edges, some are even others uneven. Some may be tapered, whereas others have the tapered top cut off flat.

The Pim is notable for its beautiful color tone to the surface of the Muan Sarn Sacred clay, accumulated over centuries,. This exhibit displays the presence of a very rich Muan Sarn admixture, and the surface sheen and detailed relief of the Buddha Image, combine to render an outstanding example of a Master-Class Pra Pong Supan amulet. The ears are elongated, with anomalous forms (‘Dtamni’), that reveal the authenticity of the amulet, through the inimitable idiosyncrasies of the block press, which are ever present despite the individuality of each amulet.

 

One thing most Pra Pong Supan have in common is that most often one finds the presence of thumb or fingerprint line markings, or thumb indents on the rear face. Another classic and essential feature of the Pra Pong Supan Wat Pra Sri Ratana Mahatat is that due to being buried under the earth for centuries, the Kraap Kru earth residues which are seen stuck to the surface of the amulets within the deeper recesses such as the armpits and ridges between finer detailed features.


Below : Encyclopaedic work documenting the ancient find of the Kru Wat Pra Sri Ratana Mahatat amulets

These residues are completely affixed and one and the same with the clay, and cannot be removed by simply scratching it off with a fingernail.
The Pra Pong Supan is a perfect choice of Amulet for Ladies or Children, but is also a very preferred and popular amulet for Males to wear. We have before us a Sacred Amulet whose Religious Value is of course that of a True sacred Amulet from the Master Class Category.

The Pra Pong Supan amulet is an image of the Buddha seated in the Mara Wichai posture of conquering the Demon Mara in the style of the U-Tong Periodic Era. The Buddha Image is seated on a single tiered dais, with a large head, graceful arms and protruding chest. There are various Pim (Models) of Pra Pong Supan, ranging from the Pim Hnaa Gae, Hnaa Num, Hnaa Klang, and other lesser known forms. Some very rare versions in black Nuea Bailan Powders are also found, but only very rarely

The Pim Hnaa Gae (old face) has one single type of face model but still has many different appearances, because of the various stages of heat during the baking process, which caused some amulets to experience shrinkage or curvature, or other anomalous reshaping during the process. Some may even have similar triangular appearance to the Pra Nang Paya, another Benjapakee amulet of Immortal fame. Various other amulets were also found including the Pra Mahesworn, Pra Ta Maprang, Pra Patum Mas, Pra Pim Lila (many versions), Pra Nakprok (small and large), and the Pra Sum Rakang.

The Pra Pong Supan and Benjapakee Class Amulets are truly world class amulets that receives the esteem and faithful reverence of all Thai Buddhist People of all social strata, and which is considered part of the Cultural and Historical heritage of the History of Siam.

 

 

They are amongst the most difficult of all amulets to find at any price, and are mostly already worn since generations by the same family members as handed down family heirlooms of their ancestors. The rest lie in the hands of the lucky, and of course the high end collector showrooms of Thailand’s Amulet Societies and Non Profit heritage Associations, as well as the museums of the state and of major temples.

Above; Macro Closeup of the Sacred Clay and the Kraap Kru earthen substance affixed to the muan sarn from centuries of burial within the hiding chamber. It is said that in the year 1265 BE, the Ruesi Hermit Pilalai decided to make a series of powerful amulets with truly effective powers. At that time the ruler of the Kingdom Pra Sri Tanmasokea Racha was a faithful devotee to the four great Ruesi Sages, who brought a large collection of magical herbs, minerals and summoned the angelic beings of the celestial realms to assist with the empowerment ceremony on the immaterial planes.

The great Pra Maha Thera Bpiya Dtassasisri Saributra was present to preside over the blessing ceremony, and assist with empowerment and the hand molding and pressing of the Pra Pong Supan. The muan sarn sacred clay was given the name of ‘Nuea Rae Sangkwanorn’.

Below : An example of a Pra Pong Supan amulet that has been treated with red Chinese Lacquer by a devotee

The great Pra Maha Thera Bpiya Dtassasisri Saributra was present to assist with empowerment and the hand molding and pressing of the Pra Pong Supan. The amulets were blessed during three whole months of rainy retreat (Traimas Blessing) as was traditional in ancient times and is still the practice to this very day. Once the Traimas empowerment was completed, the amulets were buried within the Chedi Stupas of Supanburi

example of Pra Pong Supan that has been treated with red Chinese Lacquer

The rediscovery of the Kru

In the year 2456 BE, a Tudong Monk was passing through and asked for the whereabouts of the temple of Wat Pra Sri Radtana Maha Tat. He asked a young boy named Pin, who pointed him in the right direction. The boy Pin heard later that this Forest Wanderer monk had hired some Chiinese-Thai devotees to dig up some holes in the temple, and that a horde of treasures were found along with a large repository of hiding place amulets (Pra Kru).

The Monk himself found a solid golden bowl which he took for preservation, but left all the rest of the contents of the Kkru within the Chedi. However, many of the Chinese devotees who were working on the opening of the Kru did take a large number of amulets rainging from the Pra Pong Supan to the Pra Gampeng Sork.

Once the authorities and Sangha Office heard of this, they ordered the Chedi Stupa to be hermetically sealed to prevent further theft of National heritage treasures.

Later the same year Praya Suntorn Buri (Also knownn as ‘Ee Gan Suudt’), who was the Minister of the Province of Supanburi invited his Majesty Pra Mongkut Glao Jao Yuu Hua to come and open the Kru Chamber. Once the chamber was opened, many ingots of solid gold and silver with Khom Agkhara inscriptions were found, and a large repository of amulets. The King was given a large number of the Pra Pong Supan and other amulets to his Majesty.

In olden days when the Pra Pong Supan was still very common and easy to find, many of the bullfighting arena players would like to grind up broken Pong Supan amulets and mix the powders into the hay they would give their fighting bulls to eat. This was seen to make the bull who ate hay with Pra Pong Supan powders fight more fiercely, evade the horns of its opponent and be impenetrable when taking a hit.

A very hardly known but ancient traditional way to Bucha Pra Pong Supan Amulets, is to immerse the amulet in perfume and chant Puttakun Tammakun Sangkakun 108 Times, then chant the Kata Pahung 3 times. The perfume can then be used to smear on oneself for Mercy Charm and Protection. If one wishes to empower further, one can chant the following Kata;

Ka Dtae Lig Gae Garanang Mahaa Chayyang Mangkalang Na Ma Pa Ta Gi Ri Mi Dt Gu Ru Mu Tu Gae Rae Mae Tae Ga Ra Ma Ta

Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets

Ancient Amulet. Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets'). Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days

SIGN IN OR CREATE ACCOUNT


Filters

Filters
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang KositaramPra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Free Shipping Worldwide (we do not state or declare true price to counter tarrifs tax on customers), & Offer of Free Solid Silver Casing Included
SKU 04783
$1,699

 

Suea Morb Nga Gae Crouching Tiger for Mercy Charm Protection Power and Invincibility Ajarn Heng Praiwan Featured

A very ancient and beautifully carved Animist Charm in Sacred Ivory (highly Aged), of the Suea Morb Elephant-Lion, from the great ex Monk and Lay Master-Sorcerer, Ajarn Heng Praiwan

The Sacred Ivory shows its age through the crevices formed over time, and the agéd yellow patina which has evolved through many decades of contact with the skin. The Suea Morb is known for its power of Mercy Charm (attraction), and to evade Bad Karma and Deadly Accidents, as well as to be in constant readiness to pounce when opportunity for success knocks.

The Suea Morb in ancient ivory is an animist charm believed to be extremely powerful in its effect to attract the auspicious, and deflect the inauspicious. The Tiger is one of the most powerful creatures, and adept hunters on earth, and do not really have any predators above them in the food chain (except Humans!). Hence, the Lion and Tiger are seen as Kings of the Forest, and enjoy a life without having to fear too many dangers.

Free EMS / DHL / FedEx Express Shipping and the option of free solid silver Waterproof Casing is included with this item. An extremely rare to see, and exquisitely beautiful Ancient Ivory Carving, that is among the very rare amulets to encounter by Olden days Lay Master Ajarn Heng Praiwan. A Powerful and Highly Sought After amulet by high-end talismanic amulet, as well as an important historical and cultural religious artifact.

The Suea Morb, as all amulets of Ajarn Heng (due to his empowerment method), can not only protect from dangers, black magic and ill fate, but is also known to be a Wicha for invoking Great Mercy Charm (Metta Maha Niyom), to bring Great Preference to You above Others. The amulet is designed to Attract Helpfulness, Popularity and Success, Imbue power and influence (Serm Yos), Command over Others (Maha Amnaj) & clear the way of difficulties, whilst making all ventures successful.

An excellent choice for those increased ‘Dtaba Decha’ (Recieve Honors, Glory, Respect and Promotion, Dominion and influence), The Sacred Ivory shows its age through the crevices formed over time, and the agéd yellow patina which has evolved through many decades of contact with the skin. The Suea Morb differs from other Wicha Suea, in that, apart from increased Maha Amnaj, and Imposing Influence, protection and Invincibility, it is also known for immense power of Metta Mahaniyom.

If asking for assistance from the amulet, please do not be too greedy each time you pray to the amulet for things, rather set yourself reasonable goals. If you find the right balance, you will experience safe evasion from dangers and immunity to Black Magic, a constant rise in success and status, and standard of living. The Suea Morb can also use its Metta to assist in bringing Victory in Legal Battles, if you are in defense, or pleading of a Court Hearing, in order to receive merciful treatment.

This Hand carved amulet of Ajarn Heng Praiwan, was one of only two we could find over a long period of searching (4 years), and can be considered to be an eternal rarity, which is always sadly more in demand than available. We try to find them as fervently as possible, but even we end up losing the battle often. This is of course, due to the massive imbalance of availability, against demand, and the immense rarity, and small quantity of amulets made by this master.

Tigers, Lions, and other Big Cat type Himapant Animal Deities (such as the Suea Maha Amnaj, Paya Kochasri, Kilen, and Singha), especially when carved from Ivory, are naturally imbued with the Sorcerous Powers of Maha Amnaj (commanding power and influence), Serm Yos Status Increase for positions of command, Gae Aathan Anti Black Magic, and opportunities of promotion, and Metta Mahaniyom Mercy Charm, to lull your Subjects and Charm them into Obedience. Maha Pokasap treasure Accumulation and Cornucopia of Requisites is also Imbued. These powers are said to be present within the ivory itself, even without empowerment, and that people wore ivory in ancient times for this purpose, and over time, developed artistic designs to shape them into animals and other objects of reverence, Deities and the like, to add spiritual significance.

Below: an example of one of the various Roop Tai Kroo Ba Ajarn Ajarn Heng which were released during his Era

 

Ajarn Heng Praiwan was a great Lay Master and Adept Necromancer of olden days, of the Ayuttaya Province. Ajarn Heng was born in the year 2428 BE, and was ordained as a Buddhist Monk when he came of age, at Wat Suwan in Ayuttaya. During his ordained years, he studied many ancient magical Wicha of the grimoires of Wat Pradoo Rong Tam, which was a great library of ancient magical grimoires, perhaps the largest in the country. He became extremely able in the inscription of Khom Agkhara Sanskrit Spells, Kata Incantations, and Sacred Yant, and became very well known as a great Master of Sak Yant Thai Temple Tattoos.

Ajarn Heng Praiwan, studied the Wicha Grimoire of the Dtamra Radtana Mala, until attaining full Adept Mastery, after which he disrobed for a time, to help his parents. After which, he ordained again once more, at Wat Prayatigaram in Ayuttaya, with the Great LP Glan Tammachodti, Abbot of Wat Prayat, as his Upachaya Ordaining Monk. He spent a long period of time learning and mastering the full Dtamra of the Wicha of Luang Por Glan, after which he disrobed again, and became a lay-sorcerer until the end of his days, when he passed away at the age of 75, in the year 2502 BE.

It is said that Ajarn Heng’s father, was either a police officer, or a prison officer, and sent Ajarn Heng to Penang, and Singapore, to be educated. But Ajarn Heng did not finish his schooling, and left, because of his immense fascination and interest in the study of Saiyasart, & the Dtamra Saiyawaet Grimoires, of Thai Buddhist, Animist, and Necromantic Occult Practices. He even traveled to the South of Thailand to learn the most ancient Magical Practices of the Southern Khao or Sorcery Lineages.

After his time practicing and mastering the Southern Lineage Magical Practices, Ajarn Heng returned to his home Province of Ayuttaya, in Central Thailand. Ajarn Heng was now a Master of the Wicha of Luang Por Glan, and the Southern Wicha of Sorcery which dates back to the Sri Vichai Era of Siam. The Wicha Mastered in Entirety of Wat Pradoo, whgich Ajarn heng has undertook, came from the time when King Naresuan Maharach, ordered the Wicha Saiyasart Grimoire texts to be inscribed and stored at Wat Pradoo Roeng Tam.

The inscriptions were begin and finished between the years 2133 – 2148 BE. It was King Pra Mahesuan Maharach, who united the city Kingdoms of Siam and Unified the country into one Land, namely ‘Siam’, or ‘Thailand’, and made the city of Ayuttaya the first capital of the Kingdom (Later to be moved to Bangkok, for logistical and geo-political reasons).

Ajarn Heng began to serve the public and accept devotees, at first by only performing Sak Yant Tattoos, and became known as one of the Top Sak yant Masters in the Country of his Time. Another later Kroo Ba Ajarn and Friend in Dhamma, Luang Phu Si, of Wat Sakae in Ayuttaya (Temple of LP Doo), once told that during the time of King Rama the 3rd, during a time of military dispute, around the year 2475 BE, many regiments of Thai soldiers, of both high and lower standing went to Ajarn Heng for his protective Yant, due to the miraculous powers attributed to them, all one the same day. On this occasion, Ajarn Heng constructed the ritual place at Wat Hantra Temple. Ajarn Heng invited a host of powerful Monks with Psychic Powers to assist in the ceremony of Blessings.

In this occasion (around 2476 BE),Ajarn Heng had to work very hard to gather a large number of Master Monks to come and perform the Suad Nam Puttamont Chanting Ritual, and this was a very had task in those days in Ayuttaya, to travel around and fine enough top masters who knew the chanting of the Nam Pra Puttamont and the Putta Pisek (Buddha Abhiseka) ceremonie. He was assisted in this task, by the great Luang Phu See of Wat Sakae.

Ajarn Heng Praiwan and amulets

But on this occasion, Luang Phu Si could not attend as well, because he was busy with Dhamma Duties at Wat Liab. But, after this Ceremony, Ajarn Heng would always invite Luang Phu Si to attend all of his subsequent Blessing Ceremonies, and assist with empowerment.

Ajarn Heng was a relatively wealth person with two houses and land stakes, one in the countryside in Tung Hantra, and one in Bangkok. And so, he would have devotees seek him out in Bangkok and in Hantra, for Sak Yant Tattoos, and his powerful Takrut amulets. It became popular to get high class artisans to carve his amulets, as well as village people would carve animist charms from ivory, wood, and sometimes, necromantic Ban Neng skullbones, which are of course, along with his famous metallic, and inimitably designed Takrut Maha Jakkapat Metallic Scroll Spells, the most highly valued, rare, and sought after by devotees of the great anbcient Ayuttaya Lay Sorcerer. Finally, Ajarn Heng moved to stay in Suan Malee, until the Wars in Asia Broke Out, whereupon he left the Capital, and returned to his home Province of Ayuttaya.

 

During this time, there were many Gangsters and Highwaymen, and a lot of need for Sak Yant Tattoos for Kong Grapan Chadtri and Klaew Klaad protective Magic, and Ajarn Heng became a highly acclaimed master, renowned for his Yant Gao Yord (A Wicha Obtained from the Great LP Hrun). Ajarn Heng was able to receive additional Wicha from the famous temple of study of Sorcery, Wat Sam Jeen, as well as receiving Wicha from the great Luang Phu Tong, of Wat Rat Ayotaya, and Luang Phu Kam Wibun.

Ajarn Heng’s Kong Grapan magic was so famous, that it became popular for police and military to get his tattoos, but also that they did not like the fact that so many Gangsters had them too, and were impossible to shoot dead. His Takrut Jappapattirach was also both infamous, and those who wore one were feared to be invincible. There was once a time when Ajarn Heng was parked in a boat on the banks of the river at Wat Cherng Lane Temple, where the Police came, and had to forbid Ajarn Heng from tattooing more, because the area was overflowing with Gangs of Highwaymen, and his tattoos were making it impossible for the police to catch them.

Ajarn Heng was known to have been highly able himself with Buddhist Arts, and Carvings, in wood, ivory, bone, and skull Ban Neng, as well as being highly famed perhaps most of al, for his famous Takrut, and Carved Ban Neng. It is even said, that the Great Artist Kroo Hem Waechakorn said of Ajarn Heng that “If there is anyone who can draw the four faced Brahma Image better than anyone, it is Ajarn Heng Praiwan”. Ajarn Heng was extremely adept in Wicha Hanuman for Invincibility, Kong Grapan, Victory, and Loyalty, which were very popular of course with all devotees, be they Police, Civil Servants, Ganster Mafias, Triads, or Military. Ajarn Heng made so many different forms of carved amulets and animist charms, that it is very hard to catalogue all of them, but if one is to say ‘which amulets are the most well known?’ One would say perhaps his carved Ivory amulets and Necromantic Ban Neng, and his famous Rian See Hnaa 4 faced Brahma coin.

 

Charms & Talismans

Thai Buddhist, Animist, and Occult Charms and Talismans, authentically blessed by the great Monks and Lay Masters of Old, and Present Day

Filters

Filters
1 - 60 of 803 items

 

Khun Phaen Nang Kumarn Tong Hlang Riab Nuea Khaw - Luang Por Guay Wat Kositaram Featured

A very rare occult amulet and variation of Khun Phaen model from the pantheon of Luang Por Guay, of Wat Kositaram, the Khun Phaen Nang Kumarn Tong Votive Tablet with Necromantic Hoeng Prai Child-Ghost below the throne of Khun Phaen, with this rare model being the ‘Hlang Riab’ smooth backed model, in Nuea Aathan Powerful Sacred Earths, Funereal Ashes, Ground Bones, with Pong Wosed Yantra Powders.

This exhibit is from the 2513 ‘Run Prasopgarn’ edition from the great Master Luang Por Guay, and is along with all his amulets, highly reputed for its very powerful magic. The Khun Phaen Hlang Kumarn Tong edition came to be known as the ‘Run Prasopgarn’ (Proved Powerful by Experience Edition), as it was given to many devotees who came to get Sak Yant Tattoos from Luang Por Guay. They would come to get four Hanuman tattoos (one on the back, chest, and each arm).

 

Most of Luang Por Guay’s Looksit were Nak Leng (Gangsters) and Suea (Mafia Bosses and Villains), and would be entering into deadly situations on a daily basis. And so the amulets of LP Guay had more than their share of chances to test their power, and it was this extremely high quota of lifesaviing miracles experienced by his devotees who wore his amulets, that brought the Khun Phaen Hlang Kumarn Tong Run Prasobgarn, and other amulets to such great favor.The front face features the image of a Buddha in the Mara Vichai Subduing Mara posture, with one hand touching the earth, calling the Dharani earth Goddess as Witness to his Merits.

 

The Buddha has elongated ears, and is seated within a crystalline arch. Below the Buddha is a Kumarn Tong Golden Child Ghost Deva. The rear face of the amulet isflat surface (Hpang Riab) one of two versions, the other having the image of a Kumarn Tong, seated with hands on his legs, with a plump well-fed stomach, and a happy mood of prosperous living.

 

Kata Hua Jai Khun Phaen

Su Na Mo Ro Mo Ro Su Na Na Ma Pa Ta Ja Pa Ga Sa Na Maa Mi Hang

 

How to Worship Kumarn Tong

Kata to call the Kumarn Tong (Kata Riak Gumarn Tong)

Aehi Kumaaro Aehi Kumaaree Aehi Rak Yom Aehi Prai Tong Bpiyang Ma Ma Bpudt-Dtang Wasaayadti Aaragkhaana Bpajjayo Rao Rak Yom Kumarn Tong Jong Maa Aehi Ma Ma

Alternative Version;

Om Pani jijeruni Pantang Aehi Ma Ma

When you go places or enter and leave buildings you should speak to the Kumarn in your heart to accompany you. When you eat, you should speak in your heart that the Kumarn should come to eat with you. Make a separate offering do not give from your own plate.

The Kumarn will call friends. customers and riches to you, lovers and admirers, and will chase away enemies and protect you and your household and family. When bringing the Kumarn into the home for the first time, you should tell the Kumarn that the people in the house are friends and that the Kumarn should accept and look after them too.

Kata for giving the Name to the Kuman (chant when giving him his name).

Naamaanang Samaa So Yudt Dta Tho Yudt Dta Tha” “In the Name of the Kroo Ba Ajarn – I name you (Name which you wish to give your Kuman Tong”.

Say this 3 times, and the next day chant only once. You must always remember his name and must introduce him to all people in the house, and ask him to also protect and lend prosperity to them all.

KATA FOR EMPOWERMENT OF KUMARN TONG

Aehi Gumaarang Udti Uni Na Ang Idti Putto

KATA FOR CALLING THE KUMARN TO EAT.

Jadturapuudtaanang Ahang Waayang Ammahaara Kumaarang Kumarn Tong Maa Rap Pochanaa Aakajchaahi Dtiwadtabpo Aakajchaaya Maa Look Maa

Kata Pluk Kumarn Tong

Na Ma Pa Ta Gumaara Phuudti Bpadti Ruu Bpang Naama Dtae Laapo Namo Hoemi (Chant 3 Times to Awaken the Kumarn)

Kata Perm Rit Kumarn Tong (Charge Up Power)

Dtaadta Paya Bpudt-Dta Aehi Jidt-Dtang Bpiyang Ma Ma

Kata Atithaan Kumarn Tong (Ask For Wishes To Be Granted)

(Maha Namasakara x 3 first)

Ja Pa Ga Sa Jid-Dta Mahaa Jidt-Dtang Bpiyang Ma Ma

 

Kata Gamgab Kumarn Tong (To Command the Kumarn on a Mission)

Gumaarang Bpadt Sandtang Plaay Yanaa Mahaa Su Wi Sae Tha Itti Rit Mutu Dtaanang Sud Suu Sang Mahaa Chanaa Dti

Kata Adtithaan Khor Lap

(Use to make wishes and ask for Lucky Blessings, or to win the Hearts of Others).

Aehi Jidt-Dtang Jidt-Dta Pantang Pakinimae Jidt-Dtang Pantang Bpiyang Ma Ma

Luang Por Guay Chudtintaro

Luang Por Guay’s amulets have reached the highest level of respect and collectorship in their history now, and are considered to have noticeable effects that are felt be everybody who owns and wears one of his amulets. The stories of confirmation of their power are more than can be counted, and his Great Patipata (practice), and Exceedingly Powerful applied methods of Sorcery, are a large part of what attributes to their power.

His amulets are now extremely rare to find because those who already own any will never wish to part with them again, and they are hence becoming one of the rarest kind of amulets to find these days. Usuallly this happens because of speculation by the collector scene, but in the case of Luang Por Guay’s amulets, it has happened primarily for their Sacred Value, much much more than for their collectorship and artistic value, which is of course also extremely high.

Luang Por Guay is famous for his immensely diligent and complex manner of empowering (Pluk Sek) amulets, which involved daily empowerments at various times of day namely at dawn, morning, midday, afternoon, evening and midnight. In addition, he would perform empowerments during the various ‘Reuks’ (Astrological Influential moments), to bring total coverage of protection and fortuitous blessings to all who might wear and Bucha his amulets.

This ritual involved the Adept knowledge of the ‘Reuks Mongkol’ Buddhist Auspicious alignments, the ‘Reuks Jone’ (Gangster Alignments), Inauspicious Alignments, and the ‘Reuks Bun Paya Marn’ Demonic Influential Alignments. This means that it did not matter who wore his amulets, Good people would wear them, Gangsters would wear them, anybody could wear them without loss of magical effect. Luang Por Guay was born on 2nd of November 2448 in the year of the snake. Luang Por Guay was already was already able to read the Dhammapada and Pali Prayers long before he ordained at the age of seven, having learned from Luang Por Khuad. Luang Por Guay was Ordained on the 5th of June 2467 at 15:17 pm.

He was aged 20 years old. Luang Por Guay was famous for his Mastery of many different Wicha, including the Wicha of Tattooing Sak Yant. Every single edition of amulets he ever made are now rare classics and highly revered for their Magical Power. On the 1st September 2491, Luang Por Guay was elected Abbot of Wat Ban Kae which was celebrated with delight by the local devotees.

Luang Por Guay saw that the folk of Ban Kae were very poor and many people did not have enough to eat, and thus took up the practice of only eating one meal a day instead of the two before midday which are normally allowed for a Maha Nikaya Buddhist monk, in support of the people and to consume less. He would help the poor and needy and heal the sick, give Buddha amulets to those who needed some confidence and something to help them fight on in life, and try his best to improve the life of local Folk in general. He was very loved for this by the local Folk. Luang Por was not a monk who liked to build things or develop, he liked simplicity and stillness.

Even his Kuti was old ‘Song Thai’ (Thai style wooden house), that he had given the temple lay committee and some Looksit the task of building it to save money, and only hired special craftsmen for the most difficult pieces of the building. The temple thus only had old rickety Kuti huts and no fancy buildings except for the Uposadha shrine room, the Kuti Chudtintaro (memorial Kuti hut for LP Guay), and the Sala Tam Bun building. Luang Por Guay passed away, on the 12 April 2522 at the age of 75 years old. He passed on in peaceful recline.

The year before he died, he fell ill, and was carried to Paya Tai hospital for examination. The examining Doctor concluded that Luang Por Guay was suffering from food deficiency since over 30 years, and gave him some protein supplements for a period of a whole month, which turned out to still not be enough for his physical needs.

But when Luang Por returned to the temple, he continued his habit of eating only one meal a day without paying attention to the warnings. It seemed that since his return from hospital though, that his casting of magic spells and empowerment of amulets had become even more effervescent and intense. He seemed very strong physically as far as outside appearances went. In the year 2522, Luang Por wrote down two notes in his calendar; Pra Luang Por Guay marked the day he would become ill with blue pen, and the day he died was marked in red pen.

The days were the 11th March, and the 11th April 2522 BE. Luang Por had written the Pra Kata Namo Dta Bord, and the words “I Pra Guay Na Dtandto Namo Dtandti Dtandti Dtandto Namo Dtan Dtan – will die on the 11th April at 7:55”. As the 11th came nearer, Luang Por Guay fell ill, but it was not possible to detect any fever or recognizable illness – he could not eat, and would even spit his rice out and refuse any more, instead grabbing a piece of Tkgrut Foil, and inscribing spells.

In the night he would hold the Sai Sincana cord and empower amulets. He would inscribe lottery numbers on the palm of his hand, and sometimes show to Looksit with Choke Lap who came to pay last respects. In the night he would hold the Sai Sincana cord and empower amulets. He would inscribe lottery numbers on the palm of his hand, and sometimes show to Looksit with Choke Lap who came to pay last respects. As the tenth arrived, everybody came to await his passing, but on the 11th he was still alive. Some of the temple committee suggested that his Kuti was full of magic and even images of the Kroo, perhaps no Deities could enter to take him.

So they moved Luang Por Guay to the chanting room, where he opened his eyes in farewell for the last time, placed his hands together, and then, something amazing happened; The temple bell fell down from where it was hanging, and crashed to the floor ringing out loud with a resounding echo. The Looksit then realised that Luang Por Guay had passed on in this moment, and tuned to look at the time. It was exactly 7:55 am on the 12th April. The 12th of April every year is the date for paying reverence to Luang Por Guay at Wat Kositaram, where Looksit gather each year to pray to Luang Por Guay and ask for his blessings to continue to protect them and improve their lives.

Luang Por Guay (2448–2522 B.E.)

Biographical Timeline

Event Date
Birth 2 Nov 2448 (Chainat)
Ordination 5 Jun 2467 (age 20)
Abbotship (Wat Ban Kae) 1 Sep 2491
Death 12 Apr 2522 (07:55)

Key Practices

  • Asceticism: Ate once daily to align with community poverty
  • Empowerment Rigor: Six daily Pluk Sek rituals synchronized to astrological phases
  • Terminal Vigor: Magical output intensified during final illness despite clinical malnutrition

Posthumous Veneration
Annual ceremonies at Wat Kositaram on April 12 commemorate:

  • His precise death prediction (noted in red ink)
  • The temple bell’s self-ringing at his passing

Legacy Significance

Luang Por Guay’s amulets remain scarce because:

  1. Functional Efficacy: Wearers retain them for verified protective benefits
  2. Ritual Investment: Multi-temporal enchantment protocols exceed standard consecration practices
  3. Biospheric Resonance: The monk’s life-death continuum reflects localized Buddhist engagement with materiality and transcendence

Classic Masterpiece Pra Khun Phaen Amulets from Thailands Greatest Guru Masters of History.

Filters

Filters
Sold out
Khun Phaen Prai 59 Dton Nuea Pong Wan 108 Pasom Pong Prai Ajarn Pleng Bun YernKhun Phaen Prai 59 Dton Nuea Pong Wan 108 Pasom Pong Prai Ajarn Pleng Bun Yern
Khun Phaen Prai 59 Dton Nuea Pong Wan 108 Pasom Pong Prai Ajarn Pleng Bun Yern
Khun Phaen Prai 59 Dton Nuea Pong Wan 108 Pasom Pong Prai Ajarn Pleng Bun Yern
Extremely Rare Necromantic Prai Khun Phaen amulet, highly preferred amongst the top Khun Phaen for their Magical Powers
SKU 04233
$329
Out of stock
1 - 60 of 162 items

 

 

 

Pra Somdej Pim Yai, in ‘Nuea Dtaek Lai Nga’ (marbled stone hard clay with Crackled Ivory surface effect ​) released in 2495 BE, made from ‘Nuea Pra Somdej Wat Rakang Gao’ (broken pieces of ancient Pra Somdej Wat Rakang Kositaram amulets of Somdej Pra Puttajarn (Dto) Prohmrangsri).

Pra Somdej Wat Rakang Luang Phu Nak Nuea Dtaek Lai Nga 2495 BE

Luang Pu Nak was a highly respected and virtuous monk. He used many broken pieces of Phra Somdej Wat Rakhang amulets from that era as ingredients in creating dozens of different Phra Somdej amulets. The amulet’s composition included a high proportion of lime and oil. For the consecration ceremonies, Luang Pu Nak invited many renowned monks of the time to participate. Older amulet collectors said that Luang Pu Nak’s Phra Somdej amulets could be used as substitutes for the old Phra Somdej Wat Rakhang amulets. In the past, he always gave amulets to people who came to make merit or pay respects at the temple. He didn’t create these amulets for commercial purposes; he made them to give away, as Wat Rakhang was a large temple with many people visiting daily. Therefore, he needed enough amulets to distribute to everyone.

Pra Somdej Wat Rakang Luang Phu Nak Nuea Dtaek Lai Nga 2495 BE Ancient Amulet

Luang Pu Nak’s Phra Somdej amulets from Wat Rakhang are made with a significant amount of fragments of broken Phra Somdej amulets from Wat Rakhang. These fragments were collected from people who left them at the temple and from the discovery of many broken amulets on the roof of the temple’s main hall. Luang Pu Nak combined these fragments with his own sacred powder, following the formula of Somdej Toh, resulting in his Phra Somdej amulets, especially those from the early period (1942-1952), having a rich and potent composition, making them highly desirable.

They are considered to contain the highest proportion of Wat Rakhang fragments in Phra Somdej amulets, rivaled only by the Phra Somdej of Phra Kru Moon of Wat Suthat, the 1942 Chedi-shaped amulet. Furthermore, their spiritual power is exceptionally high, particularly in attracting compassion and popularity. Therefore, they are highly sought after. However, because he created many different styles of Phra Somdej amulets, collectors tend to focus on only certain popular styles with distinctive characteristics, such as the Three-Tiered Angel with Bayasri Ears style. The most sought-after types are the Phra Somdej amulets with Bodhi leaf design, pumpkin-shaped design, Somdej Toh image design, and bell-shaped design.

Rear Face of Pra Somdej Wat Rakang Luang Phu Nak Nuea Dtaek Lai Nga 2495 BE

Other types are less popular. Phra Somdej amulets with a rich, concentrated Somdej powder composition, or those with embedded takrut (1, 2, or 3 takrut), are extremely rare and highly sought after, commanding prices many times higher than normal. Surprisingly, Luang Pu Nak’s Phra Somdej amulets from Wat Rakhang have become incredibly famous in Malaysia and Singapore. Many tourists from these countries are buying them in large quantities, significantly reducing the current supply. In the future, this series of amulets is likely to become as popular and valuable as the Phra Somdej Bang Khun Phrom 1966.

A very attractive votive tablet with Buddha in the ‘Khat Samati’ posture seated on a single tiered dais, within an arch. The Dais is shaped like a cushion, which is what gives the name to this model. Three different Masters of the Somdej Pra Puttajarn (Dto) Prohmrangsri lineage and makers of the Pra Somdej within the Dtamra of Somdej Pra Puttajarn (Dto) Prohmrangsri, have made this model of amulet, namely Luang Phu Nak, Luang Phu Hin, and Luang Por Supoj. Each Master pressed and blessed his own versions. LP HIn and LP Supoj would reputedly be present with LP Nak for the blessings of his amulets too.

Macro close up of Muan Sarn of Rear Face of Pra Somdej Wat Rakang Luang Phu Nak Nuea Dtaek Lai Nga 2495 BE

The clay of this exhibit can be classified as Nuea Graeng Dtaek Lai Nga (Crackled Ivory surface effect and Stonelike Hardened Muan Sarn Clay) and has visibly similar characteristics to the clay of Pra Somdej Wat Rakang Kositaram of Somdej Pra Puttajarn (Dto) Prohmrangsri, except the fact that the clay is visibly somewhat younger.

The study of the ageing characteristics of the clay is in itself, is part of the study of the Muan Sarn Sacred Powders of Pra Somdej Wat Rakang Kositaram, to see how authentic Pong Gao Wat Rakang Kositaram amulets made in different time periods develop their appearance and surface textures, and how to learn to recognise authentic Pra Somdej Wat Rakang Kositaram, by being able to estimate how old the clay is of a particular amulet. This exhibit is a perfect study model, as well as being a very rare and sacred votive tablet for Bucha.

Macro close up of Muan Sarn of Rear Face of Pra Somdej Wat Rakang Luang Phu Nak Nuea Dtaek Lai Nga 2495 BE 02

This pim is one of a pantheon of Pra Somdej amulets released around 2495 BE, by the great Luang Phu Nak of Wat Rakang Kositaram, and is a rare Pim that has its own special Niche group of devotees who collect and revere them especially.

A very rare authentic Ancient and Sacred amulet from Luang Phu Nak, one of the Great Abbots of Wat Rakang Kositaram temple. The Pra Somdej of Luang Phu Nak are extremely sought after by both Thai Buddhists and Foreign Devotees alike, for the fact that Luang Phu Nak used more old Pra Somdej amulets from LP Dto Prohmrangsri than any other masters of Wat Rakang History.

This exhibit has a smooth dense marble-like creamy clay, that is well hardened with age (Nuea Graeng), and is an extremely attractive exhibit for these features.

The 2495 BE edition is a highly recommendable amulet for devotees who seek a top class amulet at a still affordable price. that is prestigious, sacred, and of high Pedigree. Luang Phu Nak is known to have released editions in the years 2485 – 2495, 2499, 2500, 2504, 2507 and 2509 BE and his final edition Sae Yid 7 Rorb of 2511 BE, as well as releasing editions at other temples.

Close up of Muan Sarn through orifice in rear face of casing of Pra Somdej Wat Rakang Luang Phu Nak

These amulets are the perfect and best second choice to the Pra Somdej Wat Rakang amulets made by Somdej Dto Prohmrangsri which have now become either unavailable, or too expensive to even consider renting.

The amulets of Luang Phu Nak are also a perfect reference material for the study of Muan Sarn Sacred Powders of the Wat Rakang Kositaram amulet of Somdej Pra Puttajarn (Dto) Prohmrangsri, due to the presence of large quantity of original Pra Somdej Somdej Pra Puttajarn (Dto) Prohmrangsri within the sacred clay of Luang Phu Nak’s amulets.

Luang Phu Nak and the Pra Somdej Wat Rakang

Luang Phu Nak’s first edition of amulets was made in 2485 BE along with the Pra Somdej Song Taewada Ok Dtan, the Pra Somdej Sam Liam (triangle shape), and the Pra Somdej Dto Nang Borigam models.
The Pra Somdej amulets made by Luang Phu Nak contained a massive quantity of crushed up Pra Somdej amulets made by Somdej Dto Prohmrangsri of Wat Rakang.

The amulets were from a repository which Luang Phu Nak had collected over the years, from Looksit who brought their broken amulets to return to the Temple, as well as a sackful he found in the roof of the Prayer Room (‘Bote’ in Thai). They are thus the second choice of those wishing to posess the magic of Pra Somdej Wat Rakang LP Dto Prohmrangsri.

Pra Somdej Wat Rakang LP Nak

Luang Phu Nak believed that the Pra Somdej amulets made by Somdej Dto had inimitable magical qualities and special power within the Muan Sarn (sacred powder used to make the amulets), and because of the meditative power of Somdej Dto who blessed them.

Therefore apart from being made by one of Thailands great gaeji Ajarn, and being an authentic ancient Wat Rakang Amulet, it is also Sacred for the fact that it contaiins original Somdej Dto Wat Rakang Amulets in the Sacred Powder mixture, rendering them powerful through the incantations and Yantra Inscriptions of Somdej Pra Puttajarn (Dto) Prohmrangsri himself, through transmission of Muan Sarn Sacred Powders.

In our opinion, the only main difference between this amulet and an original Somdej Dto is the price, and the face that the Somdej Dto amulets are perhaps more of something to brag about, which is not really the intended reason for owning an amulet. Sacred Thai Amulets are intended primarily as Puttanussadti (remembrance and respect to the Buddha), especially Pra Somdej.

Pra Somdej Wat Rakang LP Nak 03

The surface of the amulet is smooth to touch, and shows authenticity through its dryness and the signs of aging when examined using the criteria used by experts for authentication of sacred ancient amulets. This exhibit has a very crisp and clear relief and is highly defined, which is referred to in the special vocabulary of the amulet community as ‘Nuea Graeng’, which is a more marble-like domino-dense admixture which despite dryness, tends to have a shiny ‘wet-look’ to it. The other main type of texture used in amulet communities is ‘Nuea Jad’ meaning something like ‘very crisp detailed relief’

This Pra Somdej, apart from being made by one of Thailands great Gaeji Ajarn, and being an authentic ancient Wat Rakang Amulet, it is also Sacred for the fact that it contaiins original Somdej Dto Wat Rakang Amulets in the Sacred Powder mixture too. This also makes complete sense, with Luang Phu Nak being a subsequent Gaeji Ajarn of Wat Rakang Kositaram, and a Looksit of Somdej Pra Puttajarn (Dto) Prohmrangsri.

Luang Phu Nak’s amulets are of great popularity because they are a great alternative to the original and extremely expensive Somdej Dto amulets, and are considered to be powerful and sacred through their use of the broken amulets and powders of Somdej Pra Puttajarn (Dto) Prohmrangsri, and the blessings of Luang Phu Nak.

The chances of owning an amulet like this are becoming less and less in recent years, and soon it will be practically impossible to obtain authentic old Wat Rakang amulets. There are ever more collectors and ever less amulets on the market, and there is no higher esteemed amulet than the Pra Somdej Wat Rakang Kositaram family. The amulets were made using the following ingredients

Powder from the chalk sticks used in the making of Pong Saksit (sacred powder for amulet making), Rice fragments kept by Luang Por Dto, the 5 Sacred Powders of; 1. Pong Putta Kun, 2. Pong Bpatamang, 3. Pong Trinisinghae, 4. Pong Maha Rach, 5. Pong Itti Jae Powder

The chalks used in the making of the Bpatamang, Trinisinghe Maharach and Itijae powders were mixed with sacred water that squeezed from the leaves of seven kinds of Thai plant including Bai Tamlueng , Yord Sawad, Yod Ga Hlong, Yod Raksorn,Chaiyapruek, Rachapreuk and Dork Mali (jasmine).

Pra Somdej Wat Rakang LP Nak 05

All of the ingredients of the Wat Rakang amulets were mixed with;

Nuea Pong (powder substances), Klee Saema (broken pieces of temple wall stones, Gaesorn Sut Bongot (pollen from the Bongot lotus flower), Kluay Nam Tai (a kind of Thai banana) mixed with sap from the rubber tree (Yang Madtum), Plueak Hoy (white clam shells), Nam Man Jantr (jasmine oil), Nam Man Dtang Iw (aromatic resinous oil used to congeal and cement the amulet mix with).

One hundred and eight kinds of flowers collected by LP Dto Prohmrangsri, Sacred powders and pollens (Pong Saksit), Pong Bpatamang – Klaew Klaad Kong Grapan, (protection from injury and accidents), Pong Puttakun – for great charm and avoid danger (Maha Sanaeh and Klaew Klaad magic), Pong Tri Ni Singhe – attractiveness…., Pong Maha Rach – power and respect.

Pra Somdej Wat Rakang - detail 6

Pong Itijae Powder – Metta Mahaniyom – this increases the likability of the wearer of this magic, Sacred Flowers and magical plants, Dork Sawad – Metta Mahaniyom, Sanaeh, Dork Gahlong – love charm., Dork Raksorn – love and metta, Dork Ga Fag Rak – love and attraction charm…., Dork Chayapruek – power and protection from danger, Dork Rachapruek – Amnaj and Klaew Klaad (commanding power and avoid accidents), Dork Waanangkurm -Kong Grapan Klaew Klaad, Dork Waan – Klaew Klaad, Dork Waan Sanah Junkhao – charm and protection from danger.

Pra Somdej Wat Rakang Luang Phu Nak - detail 7

​Dork Wan Sanah Jundum – charm and protection from danger, Dork Wan Sanah Jundang – charm and protection from danger, Dork Wannangkuak – charm, Waan Pra Buddha Jaoluang – charm and protection from danger, Bai Plu Ruam Jai – charm, Bai Plu Song Tang – charm and protection from danger, Pong Gaesorn Ha Bua – five lotus pollens, Kesorn 108 – charm and protection from danger.

Filters

Filters
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang KositaramPra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Free Shipping Worldwide (we do not state or declare true price to counter tarrifs tax on customers), & Offer of Free Solid Silver Casing Included
SKU 04783
$1,699

 

 

Life and Amulets of of Luang Por Jong, Wat Natang Nok

The Epitomy of Compassion and Protective Power  – An Immortal Legend That Never Fades

Luang Por Jong Wat Na Tang Nok

Within the circles of master amulet collectors, it is impossible to omit the name of Luang Por Jong Buddhāsaro of Wat Natang Nok when discussing the great monks of the Indochina War era. He was honored as one of the “Four Heavenly Masters” alongside Luang Por Jād, Luang Por Khong, and Luang Por Ī. Together, they were remembered under the legendary phrase “Jād – Jong – Khong – Ī.” Luang Por Jong’s reputation rested on both his mastery of invulnerability magic (khongkrapan chatri) and his extraordinary aura of loving-kindness, earning him the title “The God of Compassion.” This study therefore seeks to examine his life and influence in detail to deepen understanding of his legacy among experts.

Early Life and Background
Luang Por Jong, formally known as Phra Athikan Jong Buddhāsaro, was born on Thursday, March 6, 1872, in Ban Na Mai, Bang Sai District, Ayutthaya Province, during the early reign of King Rama V (King Chulalongkorn). He was the eldest child of Mr. Yot and Mrs. Klip, with two younger siblings: Mr. Nin and Ms. Plik. Later, Mr. Nin also became ordained and eventually became abbot of Wat Natang Nai.

Luang Por Jong, Ancient Master Monk of Wat Na Tang Nok

As a child, Luang Por Jong’s health was weak. He suffered from chronic parasites, poor eyesight, and partial hearing loss, and was thin and frail. However, unlike most children, he showed a natural inclination towards Buddhism, often visiting temples and engaging in merit-making. At the age of 11, his father arranged for him to be ordained as a novice monk at Wat Natang Nai. Remarkably, after ordination, all his illnesses disappeared. This was seen not only as a miraculous healing but also as evidence of accumulated merit from past lives, revealed through the act of ordination. The event greatly influenced local belief in his spiritual power, becoming the foundation of his later reputation as a miracle-working monk.

In 1892, at age 21, he was ordained as a monk at Wat Natang Nai. His preceptor was Luang Por Sun of Wat Bang Plamo, with Phra Ajahn In, abbot of Wat Natang Nok, serving as his kammawācācariya (reciter of the ordination formula). He also studied with other famous teachers, such as Luang Pu Pan of Wat Phikul Sokhan, who shaped him into a master of sacred Buddhist magic.

Miracles and Legendary Accounts: From Ghost Soldiers to Sacred Sand
Luang Por Jong’s powers became widely recognized during the Indochina War. Amulets blessed by him were distributed to Thai soldiers, leading to extraordinary battlefield experiences. The most famous tale was that of the “ghost soldiers.” Soldiers wearing his protective shirts or carrying his amulets reportedly survived gunfire unharmed; some who were shot down rose again to continue fighting, causing enemy troops to nickname them “ghost soldiers.”

Another well-known story was the legend of the “sacred sand.” During wartime, Luang Por Jong was invited to board an airplane and scatter consecrated sand to protect the land below. Pilots testified to this event, demonstrating the adaptation of traditional magic into modern contexts. These accounts cemented his reputation as a monk whose influence extended into the national history of Thailand.

Roop Tai LP Jong Sacred Blessed Photo

Roop Tai LP Jong Sacred Blessed Photo

Luang Por Jong passed away on February 17, 1965. His death was linked to a cryptic prophecy he once made: “When the lottery draws triple zero, that will be the day of my death.” On the very day of his passing, the winning number was indeed 000, confirming his words and strengthening faith in his supernatural insight.


Catalog of Sacred Objects – Forms, Materials, and Authenticating Marks

Introduction
For collectors, Luang Por Jong’s sacred objects are not merely charms but historical witnesses to miraculous experiences. Because they were directly connected to wartime survival stories, their value has soared; some coins now command prices from hundreds of thousands to millions of baht. With such demand came counterfeits, making knowledge of authentic features—shapes, materials, and flaws—an essential skill for any serious collector.

Rian Sema LP Jong 2485 BE Solid Gold

Rian Sema LP Jong 2485 BE Solid Gold

1. The Classic Coins

  • First-Era “Sema” Coin (1942)
    Created to commemorate a Buddha image casting and prayer hall construction. Two main versions exist: “large face” and “small face.” The most prized are those with the rear inscription “B.E. 2485” (1942) arched along the edge, known as “arched BE.” Made mostly in copper, the rarest pieces retain their original reddish “fire-skin” patina, fetching up to millions of baht. Silver- and gold-plated versions also exist. Authentication requires checking facial details, fine hairlines, overlapping edge lines, and the “pan depression” (a concave surface caused by traditional pressing). Genuine coins also show “protruding rim metal” and gear-like edge cuts from old presses.

  • Six-Cycle “Sema” Coin with Lion Reverse (1944)
    Struck to celebrate his 72nd birthday, often called the “novice face” coin due to its youthful portrait of the master. Thin copper and alpaca were used, and pieces typically display a “pan depression” and filing marks along the rim, proving authenticity.

  • Seven-Cycle Coin with Inscription Reverse (1956)
    Created to fund the construction of a new school building at Wat Natang Nai, initiated by his younger brother, Luang Por Nin. This marked a shift from wartime amulets to educational patronage. Exactly 500 silver and 5,000 copper coins were produced. The coin’s front bears protective mantras including the essence of Buddhist sutras, symbolizing the deep integration of doctrine into the consecration ritual.

2. Esteemed Talismans

  • Takrut (scroll charms): Made in different sets, such as single takrut ton, sets of 4, 12, or 16, and the special Maha Rud takrut. Believers used them differently: worn in front for invulnerability or at the back for escape and avoidance. Materials included copper, lead, and in rare cases tiger forehead skin.

  • Yantra Shirts and Cloths: Particularly popular during wartime, such as the Lion Power shirt and the 16-lotus Lion yantra cloth. They were believed to grant invulnerability, protection, and authority. Red and white versions existed, with long-sleeved examples being the rarest.

  • Other Charms: These included woven fish talismans in silver or gold, the “Rak-Yom” figures for attraction, the Chimphalee flag for prosperity, and consecrated waist cords made by villagers and blessed by him.


Lessons for Modern Collectors

Studying Amulets in the Digital Age: “Sharp Eyes Before Gentle Ears”
Today’s market is flooded with counterfeits, making it dangerous to rely only on hearsay. Collectors speak of fakes as “bullets” ready to strike careless buyers, leading them to be “cheated” or “burned.” To advance in the field, one must develop sharp visual discernment (ta thueng) rather than being easily swayed (hu mai bao). The surest path is to memorize the authentic features of genuine amulets, especially flaws that counterfeiters cannot reproduce, such as edge cuts, protruding rims, and pan depressions.

Rian Sema LP Jong

Summary Table: Popular Coins of Luang Por Jong, Wat Natang Nok

Model Year Features Materials Key Authenticators
First Sema 1942 Large/Small Face, “Arched BE” Copper, Silver, Gilt Sharp portrait, fine hairlines, pan depression, protruding rim
Six-Cycle 1944 Lion reverse, “Novice Face” Copper, Alpaca Youthful face, pan depression, filed rim
Seven-Cycle 1956 Inscription reverse 500 Silver, 5000 Copper Protective mantras on front, detailed script on back

The Beauty of Buddhist Art and the Power of Sacred Merit

The sacred objects of Luang Por Jong are significant not only for their legendary spiritual power, attested to in tales of ghost soldiers and sacred sand, but also for their historical value. They reflect the deep faith of people seeking spiritual refuge in wartime. Studying these amulets is not only about spotting authentic flaws but also about understanding the beliefs, way of life, and history of an era.

Ultimately, according to Buddhist tradition, any amulet—whether priceless or ordinary—becomes truly effective only if the devotee has sincere faith, practices virtue, and remembers the spiritual guidance of their master. Through this, the sacred objects of Luang Por Jong continue to serve as true sources of inspiration and refuge.

Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets

Ancient Amulet. Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets'). Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days

SIGN IN OR CREATE ACCOUNT


Filters

Filters
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang KositaramPra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Free Shipping Worldwide (we do not state or declare true price to counter tarrifs tax on customers), & Offer of Free Solid Silver Casing Included
SKU 04783
$1,699

 

The Khun Phaen Nang Kumarn Tong Votive Tablet by Luang Por Guay

The Khun Phaen Nang Kumarn Tong tablet occupies a unique place among the votives created by Luang Por Guay of Wat Kositaram. Fashioned in 2513 B.E. as part of the Run Prasopgarn (“Proved Powerful by Experience”) series, it is composed of Nuea Aathan, a sacral blend of consecrated earth, funerary ashes, powdered bone and Pong Wosed yantra powders. This smooth-backed Hlang Riab variant incorporates the necromantic image of a Hoeng Prai, or child-ghost beneath Khun Phaen’s throne, lending the model an unusual ritual potency within Luang Por Guay’s pantheon.

in hand khun phaen nang kumarn luang por guay hlang riab

The tablet features the image the Buddha in the Mara Vichai posture, one with both hands placed together performing incantations. The figure is enclosed within a crystalline arch and bears elongated earlobes, a classical signifier of awakened wisdom. Beneath this scene rests the Kumarn Tong, the Golden Child Deva, depicted in youthful plenitude. The reverse may appear as an unadorned smooth surface or, in its alternate form, as a seated Kumarn Tong whose rounded belly and serene expression evoke prosperity and well-being.

These amulets were principally bestowed upon disciples who sought Sak Yant tattoos from Luang Por Guay, most famously receiving four Hanuman designs across the back, chest and each arm. Many recipients belonged to the Nak Leng and Suea circles, individuals engaged daily in perilous ventures. Their survival and the numerous accounts of life-saving interventions came to serve as empirical testimony to the amulets’ efficacy, thereby cementing their reputation among both lay practitioners and those immersed in the criminal underworld.

in hand rear face of amulet khun phaen nang kumarn luang por guay hlang riab

Rituals of Empowerment
Luang Por Guay’s methods of Pluk Sek (amulet empowerment) were remarkably intricate. He conducted daily ceremonies at dawn, morning, midday, afternoon, evening and midnight, aligning each rite with auspicious Reuks—including Mongkol (astrological), Jone (gangster) and Bun Paya Marn (demonic) influences—to envelop the wearer in comprehensive protection and blessing. Owners were encouraged to invoke the Kumarn Tong through dedicated kata, spoken silently in the heart when entering buildings, eating or naming the spirit. Offerings were to be made separately, rather than from one’s own plate, so that the Kumarn Tong might attract prosperity, companionship and protection, driving away adversaries and safeguarding household harmony.

macro close up top front face Khun Phaen Nang Kumarn Luang Por Guay Nuea Khaw Hlang Riab

Life of Luang Por Guay
Born on November 2, 2448 B.E. in the Year of the Snake, Luang Por Guay demonstrated precocious mastery of the Dhammapada and Pali incantations long before his ordination at age seven under Luang Por Khuad. Elevated to abbot of Wat Ban Kae on September 1, 2491 B.E., he adopted a life-style of simplicity and austerity, restricting himself to a single daily meal to empathize with the impoverished villagers he served. Renowned for his healing ministrations, daily empowerments of amulets and mastery of multiple wicha—including Sak Yant tattooing—he forged a legacy of both spiritual and material support for his community.

macro close up lower front face Khun Phaen Nang Kumarn Luang Por Guay Nuea Khaw Hlang Riab

Final Years and Posthumous Reverence
In April 2522 B.E., after a prolonged illness attributed to years of self-denial in sustenance, Luang Por Guay passed away in peaceful repose at age seventy-five. His final days were marked by continued magical labor, as he inscribed yantra on palm and foil, empowered amulets by midnight rituals and even foretold the moment of his own departure. When he breathed his last, the temple bell fell as though in salute, tolling exactly at 7:55 a.m. on April 12. Each year since, devotees assemble at Wat Kositaram to offer reverence on that date, calling upon his enduring blessings and celebrating the profound potency of his amulets.

Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets

Ancient Amulet. Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets'). Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days

SIGN IN OR CREATE ACCOUNT


Filters

Filters
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang KositaramPra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Free Shipping Worldwide (we do not state or declare true price to counter tarrifs tax on customers), & Offer of Free Solid Silver Casing Included
SKU 04783
$1,699