Pra Yord Khun Pol Wat Bang Pra 2541 BE

Pra Pim Khun Phaen Yord Khun Pol: A Sacred Amulet of Protection and Blessings

In the world of Thai amulets, few hold as much prestige and power as the Pra Pim Khun Phaen Yord Khun Pol. Crafted from Nuea Pong Toop Sacred Incense Powders, this amulet originates from the revered Luang Por Phern Tidtakuno of Wat Bang Pra temple in Nakorn Pathom.

Pra Yord Khun Pol Luang Por Phern front face

Pra Yord Khun Pol Luang Por Phern front face

(Above Image: Pra Yord Khun Pol Hlang Suea Run Udom Prachanat 2541 BE – Nuea Pong Toop – Luang Por Phern Wat Bang Pra)

This exquisite amulet has undergone a sacred process to accumulate the blessings of Buddhakhun Power. It’s noteworthy for the mildew formation (‘Kraap Kru’) on the surface, a testament to its sacredness. The rear face features the powerful Yant Suea Maha Amnaj Tiger of Commanding Power, inscribed in Khom Agkhara.

The Pra Pim Khun Phaen Yord Khun Pol holds a special place in the world of Thai amulets. This amulet is renowned for its multifaceted benefits, including Serm Yos (Increase Status), Maha Amnaj Commanding Power, Kong Grapan Chadtri Invincibility, Klaew Klaad Evasion, and Maha PokasapMaha Lap Wealth Increasing powers.

Pra Yord Khun Pol Luang Por Phern Rear Face with Yant Suea Maha Amnaj

Pra Yord Khun Pol Luang Por Phern Rear Face with Yant Suea Maha Amnaj



The amulets created by Luang Por Phern Tidakuno (Wat Bang Pra) are highly esteemed for their exceptional powers. They are highly sought after by collectors and devotees worldwide. The Pra Pim Khun Phaen Yord Khun Pol belongs to the ‘Benja Pakee’ Family of Five Regional Top Yord Khun Pol preferred Models.

The five kinds of Yord Khun Pol amulet within the five top Benjapakee of the Yord Khun Pol Niche are:

  1. Pra Ruang Rang Pern – Wat Pra Sri Radtana Maha Tat (Sukhothai Province)
  2. Pra Huu Yaan – from the Kru Burial Chamber find at Wat Pra Sri Radtana Maha Tat in Lopburi
  3. Pra Chinarat Bai Sema, from the Kru Burial find at Wat Pra Sri Radtana Maha Tat, in Pitsanuloke
  4. Pra Mahesworn, from the Kru burial archeological find at Wat Pra Sri radtana Maha Tat, in Supanburi
  5. Pra Ta Gradan from the famous Kru Burial find at Sri Sawad, considered to be an amulet that is over 500 years old.
Pra Yord Khun Pol Luang Por Phern bottom edge view'

Pra Yord Khun Pol Luang Por Phern bottom edge view’

Luang Por Phern (Pra Udom Prachanat) is a revered and internationally famous monk known for his promotion of Sak Yant Sacred Tattoos and his powerful amulets. Devotees from around the world revere him for the miracles attributed to his amulets.

Image of the great Luang Por Phern Tidtakuno of Wat Bang Pra Buddhist Temple - master of Sak Yant Thai Temple Tattoos

Luang Por Phern’s amulets, like the Pra Pim Khun Phaen Yord Khun Pol, are highly valued for their Kong Grapan Chadtri, Maha Pokasap, Metta Mahaniyom, Serm Duang Klaew Klaad, and Maha Amnaj powers. For those who revere the Great Luang Por Phern, the Pra Pim Khun Phaen Yord Khun Pol is a symbol of auspicious blessings. The connection between the devotee’s faith and the Metta of the Guru Master often leads to miraculous events attributed to amulets.

Attributed Powers: Kong Grapan Chadtri, Maha Pokasap, Metta Mahaniyom, Serm Duang Klaew Klaad, Maha Amnaj.

Pra Yord Khun Pol Luang Por Phern Tidtakuno Wat Bang Pra 2541 BE

Pra Yord Khun Pol Luang Por Phern Tidtakuno Wat Bang Pra 2541 BE



Wai Kroo Master Day Luang Por Phern Tidtakuno Wat Bang Pra 2545 BE

Suea Yant Kong Grapan Chadtri Maha Ud Sacred Yantra Shirt - an Immensely rare item of the Great Luang Por Lae, of Wat Pra Song in petchburi

An exceptionally rare and ancient Suea Yant Kong Grapan Chadtri Klaew Klaad Maha Ud Serm Yos, impeccably preserved, adorned with a plethora of Sacred Yant. This sacred yantra shirt, an undergarment symbolizing protection, invincibility, commanding power, mercy, and evasion of perilous circumstances, is a remarkable find. It hails from the illustrious master of Sak Yant Thai Temple Tattoos, Luang Por Lae of Wat Pra Song in Petchburi.

Suea Yant Kong Grapan Chadtri Maha Ud Luang Por Lae

Suea Yant Kong Grapan Chadtri Maha Ud Luang Por Lae

Luang Por Lae was a revered Thai Buddhist monk renowned for his expertise in creating Sak Yant tattoos, deeply significant in Thai culture and spirituality. His mastery was honed through guidance from various accomplished masters in the field, and his tattoos were sought after for their spiritual significance and protective qualities.

The Suea Yant is crafted from Ochre (Jivara Monk Robe Silken fine-weave Linen Cloth), boasting incredibly sharp and intricate details of the Sacred Yant. Each Yant features complex Buddhist and Occult Formulas inscribed in ancient Khom Agkhara script, enveloping and surrounding each Yantra spell. This amalgamation forms an adamantine spiritual barrier featuring Buddhas, Bodhisattvas, Herukas, Dakinis, Devas, Himapant Protective Deities, Ruesi, and the Hindu Trinity, providing protection and blessings in all aspects of life.

Suea Yant - Sacred Yantra Shirt of Luang Por Lae Wat Pra Song

Suea Yant – Sacred Yantra Shirt of Luang Por Lae Wat Pra Song

Luang Por Lae Tidtappo of Wat Pra Song in Petchburi was a direct disciple in Dhamma and Sorcery to two of the most esteemed Masters of bygone eras—the legendary Luang Por Tong Sukh of Wat Tanode Luang and Luang Por Plern of Wat Nong Mai Luang. Luang Por Lae was born on June 19, 2459 BE, in Tambon Rai Makham, Ban Lard, Petchburi Province. He entered the Buddhist Sangha at almost 20 years old on May 24, 2499 BE.

Luang Por Lae was a Thai Buddhist monk renowned for his expertise in creating Sak Yant tattoos. Sak Yant tattoos featured sacred designs, often representing Buddhist symbols, traditionally inked onto the skin. Luang Por Lae was well-known for his proficiency in this art form and had received training from respected teachers, especially in the field of high-level spiritual tattoos.

Luang Por Lae Tidtathappo, of Wat Pra Song

He had learned and honed his skills in Sak Yant from several accomplished Ajarns (masters), particularly those who specialized in enhancing spiritual insight through tattoos. Luang Por Lae had created various Sak Yant designs, which were typically intricate patterns with deep spiritual significance in the Buddhist tradition. These tattoos were considered to be a form of protection and carried spiritual power.

Luang Por Lae’s mastery in Sak Yant had earned him a prominent place in the realm of Thai Buddhism and culture. His work had been highly regarded for its artistic and spiritual value, and his tattoos were often sought after by those seeking spiritual guidance and protection.

Luang Por Lae studied Sorcery with a total of 14 different Masters; LP Plern (Wat Nong Mai Lueang), LP Tong Sukh (Wat Tanode Luang), LP Chit (Wat Maha Tat Petchburi), LP Soke (Wat Pak Klong), LP Pan, LP Te, LP Chaem, LP Bun, LP Rod (Wat Nai Roeng), LP Rod (Wat Bang Nam Won), LP Rung Wat Ta Graber, LP Jong (Wat Na Tang Nork), LP Derm (Wat Nong Po), and Luang Por Ee (Wat Sattaheeb).

The 14 Kroo Ba Ajarn Mentors in Wicha to Luang Por Lae

The 14 Kroo Ba Ajarn Mentors in Wicha to Luang Por Lae

Luang Por Chit of Wat Mahatat taught him the adept levels of Wicha Horasart (Astrology and Fortune Telling), and it is said that Luang Por Lae attained the 6th sense in this Wicha, able to foresee future events. Luang Por Soke of Wat Pak Klong in Ban Laem taught Luang Por Lae the Wicha Pra Khan (Scepter, Ritual Dagger, and Wand Magic). Luang Por Pan of Wat Mahatat Voravihanr taught Luang Por Lae the Wicha of Takrut Tone and Takrut Faed amulets.

The Great Luang Por Plern of Wat Nong Mai Luang, Famous for Wicha Hwaen Pirod, and Kong Grapan Magic passed on his magical secrets to Luang Por Lae. Luang Por Tong Sukh, Wat Tanode Luang, who taught him to perform Wicha Sak Yant Kroo, which was the most powerful Yant in his particular Magical Dtamra, namely the Yant Hua Jai Pra Ram (Heart of Rama Yantra), which controls the powers of all other Yant tattooed thereafter on the devotee, including the Ling Lom Vanora, Hanuman, & Gold and Silver Hongsa Swans.

Yant Bua Gaew Paed Tidt

Yant Bua Gaew Paed Tidt

He was taught the Wicha Sak Yant Maha Maekh from Luang Por Dtor and Kun Por Jantr of Wat Khao Wang in Petchburi, and after their passing, for a long time, Luang Por Lae remained the only Monk able to perform this Wicha.

In the year 2489 BE, an event happened that caused Luang Por Lae to receive a shock. He was staying at Wat Maha Tat when he received terrible news about his family home being broken into by marauders, who killed his mother and siblings (his father had already passed away beforehand). The only thing left in the home was a piece of gold weighing 100 grams, which the thieves had dropped as they fled the house. Luang Por Lae used this gold to pay for the funerals of his mother and siblings.

Yant Rachasri

Yant Rachasri

This tragic event led Luang Por Lae to embark on a journey of solitary forest wandering, traveling by foot across the land. His aim was to master potent Wicha, enabling him to help prevent such dreadful events in the future and to perform magical miracles for the protection of others, as his own family had suffered.

During his wanderings through the wild and undeveloped areas between Petchburi and as far as Nakorn Pathom province, Luang Por Lae met and practiced various forms of Wicha with numerous great Masters of that time. Notably, he learned the Wicha Kala ta Diaw Rahu Om Jantr (one-eyed coconut Pra Rahu Maha Ud Gunstopper spell) and the Wicha Serm Duang Karma Improver spell from Luang Por Chaem of Wat Ta Gong.

Yant Ongk Pra, which has inscriptions saying; "I believe in the Buddha in the Center of the Lotus"

Yant Ongk Pra, which has inscriptions saying; “I believe in the Buddha in the Center of the Lotus”

He furthered his travels, mastering Wicha Choo Chok with Luang Phu Rod of Wat Bang Nam Won as he passed by Tonburi. As he ventured into Ayuttaya Province, he learned the Wicha Takrut Puang and the Wicha of the Yant Hua Jai Pla Tapian Maha Lap from the Great Luang Por Jong of Wat Na Tang Nork. He continued northwards to Nakorn Sawan, mastering the Wicha Sastra Mitmor Ritual Knife making with the Legendary Luang Por Derm of Wat Nong Po.

Returning to Petchburi, Luang Por Lae studied the Wicha Palad Khik with his Kroo Ba Ajarn Luang Por Ee of Wat Sattaheeb. He subsequently used his acquired Wicha to assist the local devotees and later became the Abbot of Wat Pra Song.

Luang Por Lae, sat in his Kuti at Wat pra Song

Luang Por Lae passed away in the Year 2551 BE on March 10th, at the age of 92.

Wicha Sak Yant LP Lae

Luang Por Lae Performing Sak Yant Thai Temple Tattoos

Luang Por Lae Performing Sak Yant Thai Temple Tattoos at Wat Pra Song as he was stlil alive.

Luang Por Lae was famed for his Sak Yant tattoos, featuring his unique formula of Nine types of Hanuman/Vanora. However, it’s worth noting that after tattooing a ‘very important person,’ he ceased tattooing the 9th Hanuman and Hanuman number 10. He would only tattoo up to 8 of them on any single individual. His amulets are coveted collector’s items in a niche market and are often challenging to find. Devotees in Petchburi and surrounding provinces are known for their possessiveness and non-commercial nature regarding these amulets. As a result, only a few amulets from this master ever leave the locality and are primarily held within his circle of devotees.

Yant Grao Paetch from Yantra Shirt Luang Por Lae

Luang Por Lae holds a special place in the hearts of Sak Yant tattoo enthusiasts and those enamored with the diverse range of amulets he crafted during his lifetime, including Hanuman amulets, Ganesha, Taw Waes Suwan, and Por Gae Lersi amulets, all meticulously hand-carved from ivory. His collection boasts an array of attractive amulet designs, considered fine works of Buddhist art in their own right.

Yant Pra Pid Ta Paed Tidt

Additionally, his historical prominence is attributed to his tutelage in Sorcery and Dhamma under the guidance of 14 revered Guru Master Ajarns, who imparted their profound Wicha to him.



Takrut Maha Solos Mongkol Luang Phu Iam

The Sacred Takrut Maha Solos Mongkol: A Divine Amulet of Power and Fortune

An eternal classic and highly powerful amulet; the Takrut Maha Solos Mongkol Thak Chueak Long Long Rak Chart Jeen Boran (Dtamrab Luang Phu Iam), cord bound Yantra Scroll amulet of Luang Phu Iam, of  Wat Saphan Soong, with ancient red Chinese herbal lacquer (Rak Chart Jeen Boran).

Welcome, dear readers, to an enchanting journey into the realm of sacred amulets. Today, we delve into the mystical realm of the Takrut Maha Solos Mongkol, an amulet that exudes power, wealth, and divine protection. Crafted by the revered Luang Phu Iam of Wat Saphan Soong, this amulet is a timeless treasure sought after by devotees worldwide.

Takrut Tone Thak Chueak Long-Rak Luang Phu Iam

A Rare and Powerful Amulet

The Takrut Maha Solos Mongkol is a true gem among amulets, rivaling the renowned Takrut of the Great Luang Phu Sukh in rarity, price, and potency. Considered equally powerful, this amulet is particularly suited for those seeking status increase, wealth, good fortunes, and protection.

A Lifetime Companion

The Takrut Solos Mongkol of Wat Saphan Soong holds the title of a “Takrut Koo Cheewit,” meaning it is a “Lifetime Companion” amulet. Its remarkable property lies in its ability to bring constant improvements throughout one’s life, ensuring that its power never wanes. Wrapped in ancient Daay Dtra Sangkh Sinjana Cord and embellished with a ‘Cockroach Thorax‘ shape tips, this amulet possesses unique features that reflect its age and authenticity.

Takrut Maha Solos Mongkol Luang Phu Iam Wat Saphan Soong

An Ancient Yantra Spell

The Takrut Maha Solos Mongkol is not only an amulet but also an ancient and potent Sacred Yantra Spell. It holds a special place in the hearts of devotees, cherished by both Luang Phu Iam and his esteemed apprentices, including Luang Por Tong Sukh. These revered masters have spread the influence of this amulet around the globe, making it an eternal favorite among practitioners of sacred arts.

A Legacy Carried Forward

Luang Phu Iam, the originator of the Dtamra Pra Pid Ta and the Wicha Takrut Maha Solos Mongkol of Wat Saphan Soong, passed on his exceptional knowledge and skills to subsequent generations of esteemed masters. Ajarn Chuea, Luang Phu Glin, and Luang Por Tong Sukh, and now Luang Phu Waas, the current abbot, have all contributed to the legacy of this powerful amulet. Their mastery and dedication have ensured the continuity of this sacred tradition.

A Treasure for Devotees and Collectors

The Takrut Maha Solos Mongkol is a treasured alternative for those seeking the blessings of Luang Phu Iam’s amulets at a more affordable price. Crafted with invocations from all generations of the great master, empowered with the mastery of the Wicha Maha Solos Mongkol, these amulets carry immense value and authenticity. Their presence on the collector scene is unparalleled, making them highly sought after and revered.

Certificated Takrut Tone Thak Chueak Long-Rak Luang Phu Iam

Religious Rights Banned in Singapore

The Illegalization of Phra Pidta Amulets in Singapore in the 1970s: An Affront to Religious Freedom

Singapore is world famous for its Human Rights impingements, but this Thai Amulet story puts the icing on the cake, to make the leaders of Singapore look like a bunch of total nincompoops, as well as revealing them as committing crimes against Religious Beliefs. In the 1970s, Singapore passed a law that made it illegal to wear or own Thai Phra Pidta amulets. This move was seen as an impingement on religious freedom and was met with worldwide criticism. The Phra Pidta amulet is a symbol of the Buddhist faith and is believed to offer protection to the wearer.

The Thai Pidta amulet features a monk sitting in a half-lotus position with his hands covering his eyes. The literal translation of “Pidta” means closed eyes, signifying the closure of the six senses where ultimate focus and peace can be attained. I do ponder perhaps if the Singapore Government were more afraid that criminals might perhaps truly have powerful magic that can beat their systems, more than being afraid of having to catch criminals wearing an amulet that they believe does not work! It seems to me, that the Singapore Government is afraid of the power of Thai amulets, for it empowers its people tto overcome the difficulties their own government set on them, and rise above the working class breadline level, to find true wealth and success.

The amulet is popular both in Thailand and around the world, with many top Thai monks producing their own versions. The value of Phra Pidta amulets fluctuates due to a handful of factors such as the materials used, the monk who produced them, and the rarity of the piece, with some fetching upwards of two million Thai baht (64,000 USD).

Despite the amulet’s popularity, the Singaporean government felt that it was inspiring youth to commit crimes without fear of getting caught. According to them, followers also believed they could get into fights without feeling pain, thus inspiring criminal acts and violence. However, this view is not shared by many, and the law was seen as an impingement on religious freedom and an affront to human rights.

It is not the object that is at fault but rather the wrong views of the criminal-minded wearer. In fact, one of the rules of wearing a Phra Pidta amulet is to keep the five Buddhist precepts, otherwise, the amulet is said to not work for evildoers. Moreover, in the case of criminals, most would commit a crime with or without such a Phra Pidta amulet.


The move by the Singaporean government to illegalize the wearing of the Phra Pidta amulet was seen as absurd by many. After all, there are endless objects that people may consider ‘invincibility’ inducing. Should we illegalize all of them? This law was a clear affront to religious freedom and the human right to wear an object of religious faith.

Pra Pid Ta LP Bun Pantheon Book

The Phra Pidta amulet is a symbol of Thai Buddhist culture and miniature Buddhist arts. It is a sacred object that holds deep meaning to the Buddhist faith. To illegalize its wearing is to deny the religious rights of individuals who hold this amulet dear to their hearts. The Singaporean government, in this case, failed to understand the significance of the amulet to its followers.

In conclusion, the illegalization of Phra Pidta amulets in Singapore in the 1970s was a clear affront to religious freedom and human rights. The move was seen as absurd by many, and it is not the object that is at fault but rather the wrong views of the criminal-minded wearer. The Phra Pidta amulet is a symbol of Thai Buddhist culture and miniature Buddhist arts, and to illegalize its wearing is to deny the religious rights of individuals who hold this amulet dear to their hearts. We must ensure that such a move is not repeated anywhere in the world and that religious freedom is respected at all times.


Luang Por Ngern Run Fa Kamron

Roop Lor Luang Phor Ngern Fa Kamron Edition Amulet – Wat Bang Klan

Luang Phor Ngern Wat Ban Klan, Pim Fa Kamron, sacred metal Guru Monk amulet cast with chanuan sacred metal alloy made from old temple bell brass, and previous editions of ancient amulets, of various periods unearthed under the base of the principal Buddha image. in the old church Luang Phor Ngern era which remains from pouring the cast of the broken gun model in 1985, pouring gold before the Buddhist Lent day at the Sema Wat temple boundary. The amulets were principally consecrated individually by Luang Phor Chua, a famous monk of the times, throughout the rainy season (quarter 3 months), after which it was brought into the Maha Phuttha Phisek ceremony on November 17, 1991, which had monks The following Kroo Ba Ajarn Mentors present : Luang Por Chuea, Bang Khlan Dtai Temple, Luang Phor Prueang Wat Bang Khlan Nuea (the creator of Luang Phor Ngern 2515 BE amulet), Luang Por Juan of Nong Sum Temple, Luang Por Phon of Dakkan Temple, Luang Phor Nhon of Wat Phutthabat Khao Ruak, etc.

Roop Lor Luang Por Ngern Fa Kamron

The Power of the Roop Lor Fa Kamron Edition Amulet

The Roop Lor Fa Kamron edition amulet is highly sought after for its reputed magical power. It is believed to provide protection against harm and danger, as well as to bring good luck and prosperity. The amulet is often worn by those who seek spiritual guidance and protection, as well as by those who believe in the miraculous power of Luang Por Ngern.

Both large and small prints on the front Sangkati cloth are inscribed with “U” as a symbol. But some of them are not stuck. Because of the ancient method Underneath the base of the Buddha image, is the word ‘Ngern’ on the base. The surface effect of the chanuan muan sarn is evidently cast using precious editions of Luang Por Ngern amulets, including of course the Pern Dtaek broken gun edition. There is a stain of the socket that sticks so tightly that it turns black. The texture is the same as the broken gun model. famous throughout the amulet world Because it’s the same formula. The Buddha’s outstanding virtue It has been famous for a long time.

Rear fface Luang Por Ngern Fa Kamron amulet

Pra Luang Por Ngern Broken Gun Edition 2528 BE Wat Bang Klan

A Miracle event

While Wat Bang Klan Tai performed the ceremony of pouring gold to Phra Luang Por Ngern There was a loud noise. Clear sky without rain clouds It was terrifyingly dark and gloomy, and then the lightning struck the middle of the ceremony canopy. Thunder roared throughout the area. like the soul of Luang Por Ngern in the heavens and as though he had attended the consecration ceremony that event tens of thousands of people They criticized each other in various ways at the thunder and the sky in the midst of the ceremonial canopy. even though there is not even a slight rain cloud The people of Bang Khlan therefore dubbed the sacred object In this ceremony, Dua said that the Fa Kamron generation

Luang Por Ngern Run Fa Kamron base of amulet

But there are villagers who call this Luang Por Ngern Fa Kamron model, another name is ‘Fan Pla’ fish tooth model because there are villagers who took the Fa Kamron amulet, and inserted into the mouth of the fish, then used a knife to stab it. The first time didn’t go in. The second time, increasing the strength again, it didn’t go in. The third time, he increased his strength and did not enter again. until the Roop Lor Luang Por Ngern monk amulet was thrown out of the mouth of the fish So the villagers call this version of the amulet, ‘Pim Fan Pla’, meaning; ‘the fish tooth version’.

Kata Ārātanā Luang Por Ngern Wat Bang Klan

Pra Luang Por Ngern Fa Kamron Edition Amulet

The Pra Luang Por Ngern Fa Kamron edition amulet is a rare and highly revered amulet from the legendary Thai Buddhist master-monk, Luang Por Ngern of Wat Bang Klan. This edition of amulet is particularly special because it was created using the sacred metal admixture of Pern Dtaek broken gun edition amulet.

Luang Por Ngern Run Fa Kamron Thai Amulet

The Sacred Metal Admixture

Pern Dtaek broken gun is a sacred metal admixture that is created by melting down old and broken guns that have been used in battles. The metal from these guns is said to have powerful protective properties that can shield the wearer from harm and danger. Luang Por Ngern was a master of creating amulets using this sacred metal admixture, and the Pra Luang Por Ngern Fa Kamron edition is one of the most famous.

The Roop Lor Fa Kamron Edition Amulet

The Pra Luang Por Ngern Fa Kamron edition amulet is a Roop Lor amulet, which means it is a small image or statue of Luang Por Ngern that is meant to be worn as a protective talisman. The amulet features the image of Luang Por Ngern seated on a lotus throne, with one hand raised in a blessing gesture and the other hand holding a magical sword. The amulet is cast from the sacred metal admixture of Pern Dtaek broken gun, and is said to have powerful protective properties.

Rear Face Luang Por Ngern Run Fa Kamron Thai Amulet

The Roop Lor Fa Kamron edition amulet is highly sought after by collectors and devotees alike. It is considered one of the most powerful amulets created by Luang Por Ngern, and is said to have the ability to protect the wearer from harm, ward off evil spirits, and bring good luck and fortune.

Luang Por Ngern and Wat Bang Klan

Luang Por Ngern was a highly respected and revered Thai Buddhist monk who lived from 2431 BE to 2462 BE. He is known for his exceptional magical abilities and psychic mind powers, which have earned him a worldwide following of devoted followers to this day. One of his most famous creations is the Roop Lor Fa Kamron edition amulet, which is highly sought after by collectors and enthusiasts.

Pra Kru Luang Por Ngern Wat Khao Pra Dtai Luang Por Ngern Wat Bang Klan

The Magical Wicha of Luang Por Ngern

Luang Por Ngern was famous for his magical Wicha, which included the creation of powerful amulets and talismans. His amulets are known for their ability to provide protection, bring good luck and fortune, and ward off evil spirits. Luang Por Ngern’s Wicha was so powerful that he was known to have psychic mind powers, including the ability to read people’s thoughts and predict the future.

Kata Bucha Incantations for Luang Por Ngern

Devotees of Luang Por Ngern often recite Kata Bucha incantations to pay homage and seek blessings from the master-monk.

Kata Ārātanā Luang Por Ngern Wat Bang Klan

Phra Pidta Luang Pu Bun

Pra Pid Ta Maekasit Hlang Hua Jai Pra Bpathamang – Luang Phu Bun Wat Klang Bang Gaew

An extremely rare Pra Pid Ta amulet of Luang Phu Bun, the Pra Pid Ta Hlang Tant Tu Sa Ma Ni, of Luang Phu Bun, of Wat Klang Bang Gaew. The Yant on rear face can be seen in the famous Pra Gleep Bua amulets of LP Bun, which were discovered some decades ago and found to be documented by the temple.

Below Exhibit – Pra Pid Ta Hlang Yant Tu Sa Ma Ni Nuea Maekasit See Tong Pla Hlai

Pra Pid Ta Luang Phu Bun Wat Klang Bang Gaew in Gold Casing


Not all models of metallurgical amulets are fully documented, but from what information is accumulated to date, it is known that Luang Phu Bun made Pra Pid Ta, and Pra Pim Samadhi Gleep Bua meditating Buddha amulets in Maekasit metals, and in more rare and fewer numbers, also in other metallurgical alchemical alloys. The Pra Pid Ta is rarer than the Pra Pim Gleep Bua, which were primarily all made from Maekasit, whereas the Pid Ta is also found in Lor Boran forged alchemical bronze alloy.

Rear Face Pra Pid Ta Hlang Tu Sa Ma Ni Luang Phu Bun Wat Klang Bang Gaew

The rear faces of these amulets are found to have a number of different designs on the rear face, and in the case of the Pim Gleep Bua lotus-petal shaped Maekasit versions, 7 different models are documented (which does not mean that there are no other models made, rather, that documentation is a continuous voyage of discovery, but by no means the be-and-end-all of a pantheon of amulets.

Pra Pid Ta LP Bun Pantheon Book
The Pid Ta Lor Boran and Gleep Bua Maekasit amulets were never released in any official edition, rather mostly handed out by Luang Phu Bun to his devotees himself, when they would come to pay respects and make merits. The documentation to date is constructed mostly from devotees who received amulets in their hand from LP Bun himself, and showed their amulets, but it coud be, that there are much more than the officially discovered, known and documented 7 Pim.

Below;  A decades old publication showing various Pra Pid Ta of Luang Phu Bun

Pra Pid Ta amulets of Luang Phu Bun Wat Klang Bang Gaew

 

In fact, with olden days masters, one can almost always assume, that not all of their amulets were documented, as in ancient times, there was much less attention to documenting the amulets of every monk in every year of their lives. This is also why those authors who study and uncover new information, and publish that which is known are important contributors to the preservation of knowledge about Thai Buddhist Amulets and their Makers.

Pra Pid Ta Maekasit LP Bun - examples of the various types found within the 7 major Pim

The Pra Pid Ta Khao Buang has many different appearances due to the olden days fcasting methods, and is still not fully documented as a pantheon. Not all models have yet been identified. However, for now, we can name and define at least seven models of Pim Pid Ta and Pra Gleep Bua.

Pra Pid Ta Luang Phu Bun in Thai amulet publication

Luang Phu Bun is said to have been a close accomplice, and often mutually visited with the Great Luang Phu Nak of Wat Huay Jorakhae, in Nakorn Pathom. LP Bun received the methodology and mastery of the Wicha Maekasit from LP Nak, which is the ancient science of Alchemical Metallurgy from the Dtamra Saiyawaet, used for casting powerful metallic magical amulets. For this reason, the majority of Luang Phu Bun’s Maekasit amulets have a dark black sheen to them, similar to Luang Phu Nak’s Maekasit. But in some very few exhibits one can see the see tong pla hlai greenish-golden sheen which is often also seen in the amulets of Luang Por Tap, of Wat Anongkaram in Nontaburi.

Luang Phu Bun of Wat Klang Bang Gaew

The seven major documented Pim are as follows; 1. Pra Pid Ta Maha Ud Hlang Agkhara Tu Sa Ma Ni (Hua Jai Pra Bpathamang***), 2. Pra Pid Ta Maha Ud Hlang Yant Dto, 3. Pra Pim Samadhi Gleep Bua Hlang Ppra Pid Ta, 4. Pra Pim Samadhi Gleep Bua Hlang Agkhara 4 Dtua (4 Khom Agkhara Syllables on rear face, seen to vary), 5. Pra Pim Samadhi Gleep Bua Sum Hlang Pra Pid Ta (Elongated pointed arch model), 6. Pra Pim Luang Por Dto Hlang Pra Pid Ta, and 7. Pra Pim Bua Met Hlang Yant Na Ma Pa Ta (with 4 Khom Pali Syllables on rear face NA MA PA TA representing the 4 Elements).

Pra Pid Ta Maekasit LP Bun 7 Pim

***Please note; The term ‘Hua Jai Pra Bpathamang, comes from the Dtamra Saiyawaet Magical Grimoires, but in Dhamma Sastra (Buddha Science), it has been falsely named by the amulet world as ‘Hua Jai Pra Bpathamang’ and lists the four syllables as ‘TU SA MA NI’ whereas if we list, the 4 Noble Truths in their proper order, and notice that ‘TU SA MA NI’, are the first syllables of each Pali Sanskrit word of the 4 Noble Truths (Hua Jai Pra Ariyasaj 4), then we can see that it should be ‘TU’ for ‘Tugkh; (Dhukkha – Suffering/Dissatisfactoriness), ‘SA’ for ‘Samutayaa’ (A Cause of Suffering/Dissatisfaction), then ‘NI’ for ‘Nirote’ (Nirodha – extinguishing of all external perceptions, and of Dhukkha/Dissatisfactoriness), and finally ‘MA” for ‘Maggha (The 8 Fold Path to the Cessation of all Suffering).

The Most Sacred and Potent Dao Nai Pan Nai Pon Lucky Star Amulet, crafted by the revered Luang Por Pina – a Sacred Charm of Karma Improvement, and a Fortunate Star of Protection, Wealth, Elevated Status, Advancement, and Propitious Destiny. This specimen is of medium size, referred to as Pim Klang, measuring 3.2 x 2 cm. The face of the five-pointed star is painted a radiant red, while the back of the eight-pointed star gleams in silver, a common trait of this particular model. This is the two-faced amulet featuring both a five and eight-pointed pentacle, coated with lustrous silver-orange hued Muan Sarn Sacred Powders. This particular piece is imbued with extra potency, as it contains Mai Gon Fa Pha – the essence of lightning-struck treewood – within its base.

The Dao Nai Pan is a unique amulet, featuring two distinct stars, each with its own significance. On one side lies a five-pointed star, reminiscent of the Military Star, while the other boasts an eight-pointed pentacle, reminiscent of the Police Force emblem. Though these symbols hold great meaning within the context of the military and police force, the true spiritual significance imbued within each star design runs much deeper.

This amulet is often revered for its abilities to enhance wealth through its potent Maha Lap Magick. Yet, it contains within its confines a vast collection of hallowed Buddhist blessings, exerting powerful and propitious effects on the forces of karma. It is tradition to wear the amulet with the pendant ring inclined, as prescribed by the original edition of the Mae Nuea Horm Lucky Star (which was larger in size and featured a crescent moon below the star).


Rian Luang Por Pring Thai Amulet

Presenting a very rare Rian Kanajarn Guru Monk coin amulet, the Rian Roop Khai Nuea Tong Daeng Rom Dam Run Sorng, (second ever edition coin amulet), of the Great Luang Por Pring Intachodto, of Wat Bang Bakork. This exhibit comes already encased in solid gold waterproof casing included in the price. A top Master Class Pra Niyom Category amulet of the High End variety, for serious devcotees and collectors of this great master, whose amulets are among the rarest to encounter.

Rian Luang Por Pring 2514

 

Luang Por Pring Intachodto, was well known to be a ‘Mor Ya’ Traditional Medicine annd Spiritual healing Master. He also had the honor of being Declared a Powerful Adept, by the great Master Monk Luang Phu Sukh, of Wat Pak Klong Makham Tao, and of receiving Kammathāna secrets from the Great Luang Por Parn, of Wat Bang Nom Kho.

A Great Master, whose magic was known in both the 2nd World War and Indo-China wars, as a protective amulet maker of great power. Luang Por Pring was one of the Great Tonburi Masters, whose amulets were highly favored by the miltary and police, and rescue forces, for protective powers during times of war or calamity.

Rear Face Rian Luang Por Pring 2514

The Rian Luang Por Pring is renowned for its Kong Grapan Chadtri and Klaew Klaad powers to save lives in extreme dangerous situations. Luang Por Pring, was one of the various Kroo Ba Ajarn of Grom Luang Chumporn. Even the great Luang Por Parn of Wat Bang Nom Kho came to Wat Bang Bakork to learn the Wicha Look Om from Luang Por Pring. These days the amulets of Luang Por Pring are extremely rare amulets to find anywhere.

 

Encyclopedia of the Amulets of Luang Por Pring

Luang Por Pring made many highly preferred amulets in many froms, ranging from Pra Somdej, Look Om, Buddha Images of various postures and styles,Takrut, and Look Om. LP Pring was famous for his Look Om Maha Gan, and Look Om See Chompoo sacred wishing balls, and many other Muan Sarn Sacred Powders amulets. Of course his most prized amulets with his top devotees are his Monk Coins, for the obvious connection with the Guru, through his image.

But it is perhaps his Look Om which are the most seen and talked about, perhaps because of the fact that many of his other amulets, are now very rare to find in the present day, and less people in general know of their existence, apart from the high-end collectors and devout followers of Luang Por Pring.

Luang Por Pring Intachodto Wat Bang Bakork

The Look Om Luang Por Pring was made mostly in both Gray and Brownish colored Sacred powders, and is an extremely rare and powerful amulet, most highly sought after by devotees of this Genre. In addition, a very small number of Black color, and some of these white colored Look Om are also found in existence, as well as some very rare pink colored models, both of which are most highly preferred of all from this Master along with his grayish ‘Nuea Pong Pasom Toop versions.

Look Om Luang Por Pring

It is assumed that the Wicha he received from making Pra Somdej according to the formula of Somdej Dto, may have influenced this particular mixture of Muan Sarn Sacred Powders used for his Pong Puttakun white versions, which indeed have many aspects which resemble the sacred clay of Pra Somdej Wat Rakang including Pong Bpathamang, Pong Puttakun, Pong Trinisinghae, Pong Ittijae, and Pong Maharach.

It is not every day that one can be lucky enough to encounter a sacred amulet of Luang Por Pring, a Classic Master-Class Kong Grapan Chadtri Klaew Klaad amulet, from a Master Geji Ajarn who carries the status of Kroo Ba Ajarn in Wicha, to the Great Luang Por Parn, of Wat Bang Nom Kho. Powerful Protection from a Niyom Category amulet, of Master-Class Status, of the Great Luang Por Pring.

During the Indojin (Indo-China Wartime) 3rd largest blessing ceremony of amulets in the History of Thai Buddhism at Wat Sutat, LP Pring was invited with a host of other master monks, to bless the world famous Pra Kring amulet, of the great Pra Sangkarach (Pae).

Below; Somdej Pra Sangkarach Pae, of Wat Sutat

Somdej Pra Sangkarach Pae Wat Sutat

All the Bhikkhus who attended the empowerment ritual, inscribed Magical Khom Agkhara Spells onto Sacred Yantra Foils. These sacred plates were smelted and poured into the molds.

When Luang Phor Pring’s Yantra Foil spells were placed inside the smelting furnace to be smelted intosacred ingots along with the other Yantra Foils from other Masters, it is told that it was not possible to get them to melt at that heat. This astonished those who witnessed this, and so Luang Por Pring was asked to assist in helping them to melt.

 

Rear Face Rian Luang Por Pring Wat Bang Bakork 2514

Luang Por Pring performed some special incantations, and cast some spells over the sacred furnace, and slowly but surely, the Yantra Foils began to melt and mix with the other Sacred chanuan metals.

Luang Por Pring’s protective magic was famous since around the 2nd World War and Indo-China Wartimes, when a Japanese Base was built nearby to the temple of Wat Bang Bakork. It was believed that lp Pring has made a protective Kata and Magical Shield around the area to protect the temple and the local inhabitants around it. So at that time, many people moved to live in tyhe surrounding area, in the belief that they would be safe from the bombing which was being performed by the Western Forces during that time of Japanese Occupation in Thailand.

Another story of his legendary magical powers, was the fact that the Great Magician and Looksit of Luang Phu Sukh, and Royal Prince, Admiral Grom Luang Chumporn Udomsak, sought out lpo Pring to beseech magical Wicha from him and his tutelage.

Below; Luang Phu Sukh  Wat Pak Klong Makham Tao

Luang Phu Sukh Wat Pak Klong Makham Tao

The legend tells, that LP Pring initiated him fully,and as a gift of Initiation, presented Grom Luang Chumporn with a Ban Neng (forehead of the skull), imbued with the spirit of the Mae Nak Pra Khanong Hoeng Prai Deva Spirit. The very same Mae Nak Pra Khanong which you can see in a shrine at Pra Khanong in Bangkok, on the Sukhumvit Road to this very day.

Below: Grom Luang Chumporn

Grom Luang Chumporn Udomsak

This is the very same spirit, who was so famously untamable, due to her anger at her unforeseen early death, and great desire to remain with her still living husband, that was bothering many people in the area. When Grom Luang Chumporn took the Ban Neng to the Palace, and various relatives within the Royal Palace witnessed seeing the ghost.

It is said that the great Somdej Pra Puttajarn (Dto) Prohmrangsri performed a ritual to subdue the spirit once and for all, by inscribing the forehead bone and inserting a spell to ‘sakot’ (bind) the spirit once and for all.

It is recorded in the diary of Pra Maha Saeni Wongs Na Ayuttaya, who authored the official documentational biography of Somdej Pra Puttajarn (Dto) Prohmrangsri, that, after the passing of Somdej Dto, the Ban Neng Forehead Bone of the Mae Pra Khanong Hoeng Prai Ghost, was handed down to Somdej Pra Puttajarn Tut, who in turn, gave the Ban Neng to Luang Por Pring. Luang Por Pring then, as already told, passed the Ban Neng on to Grom Luang Chumporn.


Luang Phor Pring was born on the Lunar Precession of 15 Kam (full moon), on a Sunday the fourth of April, in the year 2412 BE. He was hence born in the Chinese Horoscrope astrological year of the horse. He was ordained as a Samanera Novice Monk at a young age, and was educated at Wat Plab Officially known as Wat Rachasitaram), in Tonburi (then still countryside, but now part of Bangkok).

Look Om and other Amulets of Luang Por Pring

He remained ordained as a Samanera, until he reached age 20, in the year 2432. It was here that he began to study and practice Wicha Akom (Buddha Magic), and became adept, for Wat Plab was indeed always one of the main academies of Magical Arts. Wat Plab is known to have been the place where most of the Great master Monks of Olden days we all know and revere went, to develop and test their skills in psychic empowerment. Masters such as Luang Phu Sukh, Luang Por Ngern, Luang Phu To, Somdej Pra Puttajarn (Dto) Prohmrangsri, and the like, all passed the proving grounds of psychic adepthood at Wat Plab.

Side View of Rian Luang Por Pring 2514

It is said that only Great Masters can pass the test of the proving ground of Magic that is Wat Plab, and is part of where the Great Masters obtained their full cotrol of their powers. It was hear by monks close to Luang Por Pring, thaty he secretly learned the Wicha Long Hon (Invisibility spell), and became a Master Adept of Kong Grapan Chadtri Magic, as he was still a young Samanera Novice at Wat Plab.

He was then ordained on the 1st March in the year 2432 BE to become a fully-fledged Bhikkhu in the Buddha Sasana, at the temple of Wat Tong Noppakun, in Klong Sarn.

After ordination, he received the ‘Chaya’ (Monk’s name), of “Pra Kroo Prasas Sikij Intachodti” and moved to Wat Bang Bakork. After a mere 3 years or so, he was elected to become the Abbot, as at the time there were only a very few monks staying there, and the temple was in need of repair, and advancement, for the temple was in disrepair, and there were many things missing for the necessities of daily life.

Side View of Rear Face Rian Luang Por Pring 2514

Not all his works of development of Wat Bang Bakork are recorded, but one of the well known atainments he made was his restoration of the Uposatha Shrineroom, Kuti Huts for kore Bhikkhus to come and reside, and the many fracilitieds necessary such as refectory, prayer hall, meditation hall, temple bell, Chedi Stupa, and the like.

In the year 2479 BE, Luang Por Pring was elevated in status and given the Chaya name of ‘Pra Kroo Pra Sasana Sikij, for many of his devotees were Royal Courtiers, and he had a National Following of Devotees, that resounded around the country, for his great deeds and powerful magic. Members of Royal family and their Courtiers would often come to stay and keep precepts and practice meditation under Luang Por Pring. It is not documented as to the year of his passing, as far as our investigations have led to date.

Luang Por Pring was known both for his diligent practice and prowess in the Buddha-Dhamma Vinaya, as well as for ppossessing and developing many Magical Wicha, and methods of empowering different amulets, and the mastery of making powerful Muan Sarn Sacred Powders, and psychic empowerment.


Luang Por Dam

A Rare Loi Ongk Pra Pid Ta Thaan Sung (high Dais) Buddha Image Statuette amulet, in Nuea Pong Kluk Rak, with hand inscribed Yant Putto, and Khom Inscriptions, from the Great Luang Por Dam, of Wat Mai Nopparam, in Naratiwat Province, in the deep South of Thailand on the Malay border. Luang Por Dam was the first apprentice in the Wicha of Pra Pid Ta Magic, to the Great Luang Por Kron, of Wat Bang Sae. This exhibit differs from many, in the fact that it has had red Rak Chart Jeen Boran coated on the base.

Phra Pidta Luang Por Dam Wat Mai Nopparam15

The Pid Ta is made using the very same Muan Sarn Sacred Powders admixture, empowerment, and inscriptions, as those of the Great Luang Por Kron, and the Pra Pid Ta of Luang Por Dam himself, have now become legendary in their own right, and stand alone on their own merits as Pra Niyom master Class Category amulets.

 

LP Dam Wat Mai Nopparam

Highly revered and collected by Looksit (Devotees) of his Mentor Luang Por Kron, a Buddhist Master Monk from Malaysia. Luang Por Kron was Abbot of Wat Bang Sae in the province of Kalantan.

He made many Pid Ta amulets which were so very preferred (‘Niyom’). It is said in Thai Amulet circles that, in the same way that we prefer the Pra Somdej Wat Rakang as a Niyom amulet, so, in Malaysia and even Singapore, the Pra Pid Ta of Luang Por Dam, and his Mentor Luang Por Kron, became just as sought after and beloved. Malaysians know Luang Por Dam very well, for his temple is very close to the Malaysian border in Naratiwat, which is one of the reasons LP Dam was able to be a close accomplice of LP Kron, and receive and continue his Wicha.

Rear Face Pra Pid Ta Luang Por Dam

The Pra Pid Ta amulets of Luang Por Dam of Wat Mai Nopparam, have become ever more comparable and popular to those of his Mentor and Wicha Inheritance Kroo Ba Ajarn Luang Por Kron, for the fact that Luang Por Kron’s amulets are almost impossible to find anymore these days, and the Pra Pid Ta of Luang Por Dam have hence become the favored alternative, for they are considered to possess the magic of both Masters.

Below; Luang Por Kron – Wat Uttamaram (Kalimantan Malaysia)

Luang Por Kron of Wat Uttamaram Malaysia
As to Luang Por Dam’s Mentor, LP Kron, Malaysian Buddhists do not often call him Luang Por Kron as Thai people do, rather ‘Tok Racha‘, which means something similar to Thailand’s top Royal Monk always being called ‘Pra Sangkaracha’.

It is said that despite the fact that most of the surrounding households in the vicinity of Luang Por Krons temple were Muslim, that he earned their respect, and was an honored person. He was not called Luang Por Kron by Malays, as we call him in Thailand, rather, was named ‘Tok Raja’, which means ‘ as equal to the Sangha Raja’ .

The reason for this comes from a legend that the daughter of a powerful Sultan of Kalantan was cursed with a black magic spell, which caused his mind to become strangely affected, and even doctors and psychologists could not help to cure him, and even the Muslim witch doctors could not break the spell with their magic.

But Luang Por Kron was able to heal her, and return her to sanity. This caused LP Kron to recieve great respect from the Sultan who then gave him the honorary name of Tok Raja. His most preferred amulets are the Pra Pid Ta, which were mostly hand made molds, in Muan Sarn Sacred Powders with Lacquer (Nuea Pong Kluk Rak), some very few in carved wood, and a very few are sometimes seen in carved ivory.

Pra Pidta Luang Por Dam Nuea Pong Jarn Yant Putto


Luang Por Kron began making Pra Pid Ta amulets sometime around the year 2480 BE onwards, mostly making hand molded clay models, resulting in each one having a very original appearance, some with very wide legs, others less so. Most were made in Nuea Pong Kluk Rak herbal powders with lacquer mixed into the clay, and hand molded, to form an inimitable effect that has made his Pra Pid Ta amulets so original in design.

Many of his hand molded Pid Ta do not have a dais and have very wide legs, whereas others have a more standard form with inscription, and less wide legs, and usually with inscriptions of Unalome and Yant on the surface of the image. His other highly preferred amulets among devotees, are the Rian Roop Dork Jik 1st edition coin of 2500 BE, and the second edition coin, the Rian Roop Khai of 2505 BE.

A Top Master-Class amulet, from LP Dam, first apprentice of Malaysia’s Greatest Master of the Wicha Pra Pid Ta

The Pid Ta can be used as a Loi Ongk Statuette on the altar for Bucha, or be worn as an amulet encased. This exhibit is highly recommended to use for altar worship, as it has a wide sturdy base, and is fitting for placement on flat surfaces.


Authenticity Certificate Pra Somdej Hlang Yant Ha Nuea Wan Plai Dam 3 Takrut LP Tim

An Authenticated and Certificated Pra Somdej Hlang Yant Trai Pim Pised Fang Takrut Sam Kasat Fang Roop Muean Nuea Ngern – Muan Sarn Sacred Powders amulet of the Great LP Tim, in Nuea Pong Prai Kumarn Bone Powders, with Pong Wan Plai Dam Black Earthen Powders, Gesa Monk’s Hairs of LP Tim, triple Takrut spell inserts, in bronze, silver and gold (3 Kings/Sam Kasat), and a solid gold Roop Muean Bpam image of Luang Phu Tim. The front face has an immensely clear image with refined details and deep relief, which is unusually prominent for this Pim, adding to its inherent prominence, due to being an Ongk Kroo model with triple Takrut in front face, and solid gold Roop Muean inserted in rear face, as well as being made from the much rarer Nuea Wan Plai Dam.

Pra Somdej Hlang Yant Ha Nuea Wan Plai Dam 3 Takrut LP Tim

This Pra Somdej is extremely rare to find in black Wan Plai Dam powders, and especially in Ongk Kroo version. They are well prized for their Maha Lap and Maha Sanaeh, and Kong Grapan Powers, especially an exhibit such as this pristinely kept amulet, enchanting in its appearance, with the seductive shimmer of Sai Rae Tong Kam Pure Gold Flakes, filled with Pong Prai Kumarn Muan Sarn Powders. The special individuaity and Sacred Power of this amulet is enhanced by the Triple Takrut spells imbuing extra power, and the solid gold image of LP Tim on the rear face.

 Luang Phu Tim Issarigo, of Wat Laharn Rai, was renowned during his day, and remains just as highly renowned today, as one of the top Master Monks in Thai amulet making history, and as the master of the Wicha Pong Prai Kumarn. His amulets are highly varied, and more extensive than ever thought before, now that the pantheon is becoming fully documented, and authenticated. Luang Phu Tim Issarigo, was of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders.


Pra Somdej Hlang Yant Ha Nuea Wan Plai Dam 3 Takrut Gold Image LP Tim

The amulet is full of Pong Prai Kumarn with Plai Dam Powders, and has all features intact, having been kept in pristine condition by its original owner The Sacred Pra Pong Prai Kumarn of the Great Luang Phu Tim of Wat Laharn Rai is one of the most famous amulets of all time, and highly renowned for its true power to bring prosperity and good business, power of attraction and mercy charm to the wearer.

The Pra Somdej is rare to find in black Wan Plai Dam powders, known for their Maha Lap and Maha Sanaeh, and Kong Grapan Powers, especially an exhibit such as this pristinely kept amulet, enchanting in its appearance, with the seductive shimmer of Sai Rae Tong Kam Pure Gold Flakes, filled with Pong Prai Kumarn Muan Sarn Powders. The amulet has Luang Phu Tim’s inimitable and semi-ubiquitous Yant Trai Sacred Geometry Spell in Ancient Khmer ‘Pasa Khom‘ Pali Sanskrit Agkhara Sacred Script on the rear face, which is what lends the name ‘Somdej Hlang Yant Trai’ or Yant Maha Ud’ (Gunstopper Yantra), to the amulet.

Once seen as less known as the other famous Masters of his time such as Luang Por Horm, Luang Por Rung of Wat Ta Graber, and Luang Por Chern. LP Tim soon became more popular and powerful as the tale of him being the only Master able to make an amulet rise up in a water filled alms-bowl and start spinning around, when put to the test with the other great Masters, in a privately held competition of magical powers.

Since his passing, his devotees and apprenticed monks, have now become the world’s top living masters for the making of Pra Khun Phaen Pong Pra Kumarn, and literally dozens of encyclopedic books, have been printed, documenting both this great master monk, and his classic amulets of high esteem. The amulets of Lang Phu Tim have resided, among of the most popular amulets in the whole Pantheon of Thai Buddhist Amulets of the last century, and indeed, of all time. The amulets of Luang Phu Tim, are now almost impossible to encounter commonly anywhere in any amulet emporium, except for the most elite showrooms, and usually at a very elevated price.

The reason the Pong Prai Kumarn amulets of Luang Phu Tim became so world famous and popular, even in the time when Luang Phu Tim was still alive, is because everybody who owned one, recounted that business and personal success and prosperity had increased constantly and steadily since wearing the amulet.

Kata Luang Phu Tim  Wat Laharn Rai

Encyclopaedic work of the amulets of the Great Luang Phu Tim Issarigo of Wat Laharn Rai


The World Famous Hun Payont amulet, of Ajarn Loi Po Ngern, Great Ayuttaya Master and direct lineage continuance of the Wicha of Luang Por Glan of Wat Prayatigaram. The Hun Payont of Ajarn Loi, are said to be the number one Hun Payont amulets of all time, and are the most sought after and desired items by devotees of this kind of amulet. Unfortunately, the amulets of this great olden days Master. Perhaps the number one Hun Payont in Historical Documentation, ancient and highly reputed for its power, the Hun Payont of the Great Ajarn Loi Po Ngern, Great Olden  Days Lay Master of the Ayuttaya Province.

Ajarn Loi was born in the month of February 2454 in Nakorn Sawan, but later moved to live in Bang Prahan in Ayuttaya. He became the apprentice of Luang Por Glan of Wat Prayat. After the passing of LP Glan, Ajarn Loi continued his practice of Magic with Luang Por Bpaen of Wat Sao Tong Mai in Ayuttaya.

Ajarn Loi learned many Wicha with Luang Por Bpaen of Wat Sao Tong Mai, who was well versed in Wicha Saiyasart, but Ajarn Loi himself was also Adept in Artisanry of the Chang Sip Moo Fine Arts level of prowess. He thus taught Ajarn Loi all of his Wicha, and methods of weaving the spellbound Hun Payont, Takrut and other amulets, and Ajarn Loi would make them in the finest fashion. Ajarn Loi was a fine artisan of the Chang Sip Moo group, and received Wicha from Luang Por Bpaen, Luang Por Glan, and other masters, but was the most Adept of all at weaving the Hun Payont Golems with his Artistic ability to make the effigies in all sorts of postures, and dress them with all kinds of regalia.

 

The Hun Payont comes from the word ‘Payont’ which means an effigy that has been brought to life by Sorcerous Magick. Hun Payont may be made in various forms, such as the form of a Human, or some other Magickal creature, or animal, depending on the needs of the user and intended uses of the Adept who makes them. Hun Payont are made from various substances, such as the Hun Hyaa Saan (Hay/Straw), Hun Gan Bai Mai San (leaves), Hun Thao Wan (magical vines), Hun Dtakua (mercurial lead), Hun Khee Pheung (wax), Bai Mai Ta (leaves), Hun Gae Salak (carved wood), Hun Daay (cord wrap), Hun Pha (cloth bound), Hun Din (molded claay), Hun Din Phao (baked clay), Hun Hin (carved stone), Hun Krabueang (ceramic), Hun Poon (cement), Hun Ngern/Tong (silver or gold), Hun Loha (Iron)

The Hun Payont, is an amulet that is found to date back to the times of the Kassapa Buddha. The Kassapa Buddha, is said to have made a Payont effigy, to protect his Relics, before he himself passed into Nibbana.

200 Years Later, King Asoka opened a shrine, to remove and preserve the relics, but the shrine was inhabited by a Hun Payont. King Asoka was forced to invoke and summon the God Indra, who manifested as a Brahman, and performed Incantations, enabling King Asoka to enter and remove the Saririkadhatu Relics.

In the world of Sorcery, all lineages believe in the existence of different kinds of spirits, which can be imbued within effigies or controlled, or beseeched to perform a multitude of tasks.

Hun Payont Ya San Mad Daay Daeng Akom Ajarn Loi

There are many Animist and Necromantic amulets which use different types of spirits which are Hoeng Prai Ghosts, Devas, Bhuta, Kumarn Tong, Rak Yom, In Jantr, Phu Some, In Gaew, Mae Takian, Ma Hoeng Prai, and many others such asYaksa Monsters, to inhabit an effigy.
Great Adepts are the only ones able to create Hun Payont Golem Effigies, which are then brought to life with Necromancy and imbued with any of a number of kinds of spirits.  All Hun Payont must be empowered by a Master who has Mastered the Wicha Akarn Sam Sip Sorng 32 invocationss of the 32 elements within a living being, to make the effigy able to displace itself (move around), and to emit magickal Miracles to protect wealth and possessions within its enclave. If intruders enter, the Hun Payont will create illusions that drive the thieves away, and will also scare away all kinds of demons and ghosts that enter the household to cause any havoc. Hun Payont are very protective of the belonging within the home and for this reason excellent guards.


Hun Payont differ from Kumarn Tong, in the sense that the Kroo Ba Ajarn would give life to the Hun Payont himself without necessity to call upon an existing spirit, whereas a Kumarn Tong is reanimated by calling a Bhuta, a Deva or Child Ghost to inhabit the effigy, to help humans, in exchange for an auspicious rebirth in the heavens after its lifetime within the Kumarn.

Ajarn Loi with his Hun Payont

The Hun Payont is also renowned to be able to bring wealth and attract good business, and is open to being asked for favors and to perform missions, such as chasing away your enemies. It is also believed to possess Metta Mahaniyom ‘Great Preference’ Magick, which we know in English, as ‘Mercy Charm’, as it is reputed to attract the compassion and favor, of those who approach and interact with you.

According to the ancient tradition, a Hun Payont should be rewarded and appeased through the Gruad Nam water pouring ceremony when performing prayers and Bucha.


A very rare exhibit of the Pra Kru Wat Suwan amulet find blessing ceremony, an ancient burial place amulet, classed as an official model of the pantheon of amulets attributed to the great Luang Por Niam of Wat Noi. This exhibit is the Pra Pim Nakprok Klong Takian Nuea Chin Takua Sanim Daeng, A very valuable addition for collectors of the Pra Kru Wat Suwan Hiding Place Find amulet, and Luang Por Niam. The amulets were blessed at Wat Suwan along with the series he made at Wat Noi (which are in truth, one and the same and of equal value, and only differ academically, but otherwise, are equal to each other).

 

Luang Por Niam was the number one Kroo Ba Ajarn and Ordaining Officer of the great Master Monk Luang Por Parn of Wat Bang Nom Kho, who was witnessed to have died in complete happiness and relaxation, in meditative bliss, as an attained ascended Master. For this reason, Luang Por Noi has many faithfull devotees around the world, who worship him and his teachings, and revere his attainments, and wish to wear one of his blessed amulet.

Luang Phor Niam

Luang Por Parn is worshiped as one of the Top 10 Greatest Guru Monks of present-day in Thailand & many worshippers all around the world. He was the closest disciple of Luang Por Niam

KATA PRA NAKPROK

Kata Pra Nakprok, and the chanting it to Pra Nakprok amulets and Buddha statues, is the Thai Buddhist Method for Praying to the Pra Nakprok Naga Canopy Buddha. Pray to on Saturdays or for those Born on Saturday.This Bpaang is of the Buddha sitting in Samamadhi (concentrative meditation), on top of a Naga, the Naga’s head is raised over Buddha’s to form a canopy. It is known as “Bpaang Nakprok”

The Buddha remained in blissful rapture under the Acabhalanikaroda for seven days, whereupon he moved to the Mucalinda tree to the Southeast side of the Bodhi tree. A terrible rainstorm began, pouring down on the forest for a whole seven days without stopping. Payanaga Mucalinda, who was King of the Nagas, came up from the naga Realm in the underworld and coiled himself underneath the Buddha, making a cushion seven stories high, to keep him dry.

He rose up and leaned his head over the Lord opening his neck canopy to shade the Buddha from the rain, as well as keeping watch to protect him from all sorts of parasitic, poisonous and preying animals and creatures. As the rains ceased to fall, the Naga King uncoiled and changed into a Human form and raised his hands in reverence to Buddha.

In this moment, the Buddha uttered the following Kata (words);
Sukhoewiwego Dtudtassa Sudtadhammassa Bpassadtoe Abhayaabpach-chang Sukhang Loke Bpaanapuudtesuu Sanyamosukhaa Wiraakadtaa Loke Gaamaanang Smadtiggamo Asmimaanassa Winayo Edtang We Bparamang Sukhang.

 

“Tranquility is the pleasure of he who has listened to and understood the Dharma intently, who sees conditioned things for what they really are, and does not seek to harm others. Of he who has abolished his passions and cravings, lust and desires, he who has stepped beyond all craving for sensual pleasures and endured in his efforts to do away with self conceited attitudes, has the greatest pleasure”.
The statue of Buddha sitting on seven coils of the Naga King snake was created to remember this occasion of the Naga paying reverence to Lord Buddha, and the representation of him sitting on top of the coils as if seated upon a royal throne is used for two reasons; 1. Aesthetics, 2. Brahmin influence.

 

A more authentic and historical version of this Buddha image is sometimes seen in the form of the Nagas coils wrapped around and covering the Buddha’s body with four or five coils around him. The only part of the body visible being Lord Buddha’s shoulders, neck and head, which is also semi enclosed by the head and canopy of the Naga leaning over him.

Luang por Niam, was responsible for blessing the many amulets found in the Kru Wat Suwan in Ang Tong, and added his own amulets from Wat Noi,, which are despite being the same amulets, received a second blessing (making their slightly cheaper price hard to understand). The two different releases are easily and visibly different, due to the surface effects from being hidden within a Kru Chamber.. This exhibit of the Pra Sangkajjai is evidently a direct release from Wat Noi, due to the slightly greenish-black tone, with white Kraap mildew, whereas the exhibit which he buried at Wat Suwan.

The Pra Gru Wat Suwan Series

The Pra Kru Wat Suwan Pantheon of amulets were discovered, around the Year 2500 Buddhist Era, and were found at Wat Suwan, located in the Province of Ang Tong, above Ayuttaya, and adjacent to Lopburi and Singhburi Provinces in North Central Thailand. The amulets were then also reblessed in celebration of the find, and the great Luang Por Niam of Wat Noi in Supannburi was invited to preside over, and empower the amulets during the 2506 Kru Discovery amulet find Celebration Ceremony.

 

The natural appearance of an authentic Pra Kru Wat Suwan leaden amulets, is that they have a fine layer of Kraap Kru arising on portios ofthe surface, showing red rust from oxidisation. It is also important to note that the Pra Kru Wat Suwan amulets did not have their edges filed off into perfect frames, and have rough unfiled edges because of this factor. This is one of the first things to look for when collecting authentic Pra Kru Wat Suwan artifacts.

According to historical records, the great master Monk of Wat Noi in Supannburi, Luang Por Niam, was invited to assist in the making, casting, and empowerment of the additional amulets which were being made. This makes the Pra Kru Wat Suwan enter into the Pantheon of aficionados of this Monk and his Amulets, and their popularity has become ever more legendary, to the point where the Pra Kru Wat Suwan is now a piece of National Historical Heritage.

 

The age of the ancient burial find models ranges up to 700 years to 1000 years old, and the edition added by Luang Por Noi is dated around the Mid-Ratanakkosin Era, making them past the Multi-Centenarian level (more than a few Centuries Old).

Many different Pim (models) of amulets were found in lesser and greater numbers, all differing slightly, due to the ancient casting methods used during olden days, making it impossible to make thousands of identical amulets as seen in the modern era, with modern block press engineering technology. The amulets were cast from ancient mercurial leaden sacred alloy, & also were found in reddish baked Eearthen sacred clay. The amulets exist in many forms;

Such as the Pra Upakut, Pra Sangkajjai, Pra Rod Lampun, Pra Ruang Rang Pern, Pra Lila Laweng, Pra Lila Kampaeng Gaew walking Buddha votive tablets, Pra Pratummaas, Pra Supann Hlang Pra,Pra Mahesworn Nuea Chin Ngern silver leaden amulets, Pra Pong Supan Benjapakee amulets, identical to those found at the Kru Wat Pra Sri Mahatat find, Pra Lor Pim Pra Pratan Buddha Immages (in small and large sizes), and Pra Paruhnang Loi Ongk Buddha statuette amulets, Pra Pim Mokkhala Saribut (Maugdalyayana and Saributra) Buddha amulet, the Pra Tham Suea Ruesi Amulet in both Pim Hnaa Gae and Pim Hnaa Ruesi, Pra Kum Nakorn Khosa, Pra Pim Wat Rachadesa, Pra Put Pim Siarn Hlaem pointed head Buddha votive tablet in leaden alloy, The Pra Kong Lampun Benjapakee amulet, all versions of the Khun Phaen Ban Krang earthen amulets in all models, such as the Pim Khaen Orn, Pim Bai Mayom, Pim Pra Pratan, Pim Lueay, Pim Song Pon Yai, Pim Plai Dtat Diaw, Pim Plai Koo, Khun Phaen Pim Pha Seek, and so on.

 

 

This amulet is highly recommended for those born on Saturdays, as their auspicious ‘Birthday Buddha’ to increase Good Karma (Serm Duang). The front face of the amulet features the Buddha sat in Meditation on a coiled 7 headed Naga Throne, depicting the moment a Naga rose over the buddha to make a canopy for him to shelter from the rain.

 

The rear face of the amulet has the typical Yant Dtp found on Ayutthaya Kru find era Klong Takian odel type amuets.

 

Extra Goodie for enjoyment! – Amulet school. Maybe you may find an amulet you own in this video!


Luang Phu Mun Puritatto

Rian Lai Ganok Sacred Guru Monk Coin with ‘Ganok’ flamed embellishments around the edges, and the Image of Luang Phu Mun Puritadto, of Wat Pha Sutawas emblazoned. This is a limited series Gammagarn version, with series code stamp, which is seen on the Sangkati sash of the Guru Monk, bearing the Code Met Nga Sesame seed shaped stamp, with a Khom Sanskrit Letter embossed.

Luang Phu Mun Thai amulet

The amulet has the images of an almsbowl, a kettle and a Glod Umbrella, the basic traveling necessities of the Thai Tudong Forest Tradition Lineage of LP Mun. The amulet was released in 2520 BE, and is first edition, after Luang Por Kinaree released his own first edition coin with his own image in the year 2519 BE. This series of amulets were fashioned in the same shape, but with the image of Luang Phu Mun Puritatto, blessed by Lineage Master, and Abbot of Wat Gantasilawas, Luang Por Kinaree Jantiyo, in Grand Buddha Abhisekha ceremony. The ceremony was held directly at Wat Gandtasilawas in Nakorn Phanom, with a host of other great Tudong Masters of the Luang Phu Mun Thai Forest Tradition.

The amulet has the Kata ‘namo Wmudtaanang Namo Wimudtiyaa’ on the rear face below the almsbowl, the Kata of LP Mun, representing the heart of the Tudong Kammathana Practice. The amulet is forged from Nuea Tong Daeng Sacred Copper Brazen Alloy, and was blessed on the 13th April 2520 BE after Traimas three month nightly empowerments at the temple beforehand. The amulet has the words ‘Puritadto’ on the front of the base of the amulet, with Luang Phu Mun seated in meditation above.


The amulets were released in the year 2513-2514 BE in a very special Buddha Abhiseka, at the temple of Wat Gantasilaram, with a large number of some of the greatest Guru Masters of the time present to empower, from the lineage of Luang Phu Mun

Ajarn Mun Bhuridatta Thera (Thai: มั่น ภูริทตฺโต, rtgs: Ajarn Mun Phurithatto; Lao: ຫຼວງປູ່ມັ່ນ ພູຣິທັຕໂຕ), 1870–1949, was a Thai bhikkhu of Lao descent who is credited, along with his mentor, Ajarn Sao Kantasīlo, with establishing the Thai Forest Tradition or “Kammaṭṭhāna tradition” that subsequently spread throughout Thailand and to several countries abroad. Ajarn Mun was born in Baan Kham Bong, a farming village in Ubon Ratchathani Province, Isan.
Ordained as a monk in 1893, he spent the remainder of his life wandering through Thailand, Burma, and Laos, dwelling for the most part in the forest, engaged in the practice of meditation. He attracted an enormous following of students and, together with his teacher, Sao Kantasīlo (1861–1941), established the Thai Forest Tradition (the kammaṭṭhāna tradition) that subsequently spread throughout Thailand and to several countries abroad. He died at Wat Suddhavasa, Sakon Nakhon Province.

Ajarn Mun was born in Baan Kham Bong, a farming village in Ubon Ratchathani Province, Isan. Ordained as a monk in 1893, he spent the remainder of his life wandering through Thailand, Burma, and Laos, dwelling for the most part in the forest, engaged in the practice of meditation. He attracted an enormous following of students and, together with his teacher, Sao Kantasīlo (1861–1941), established the Thai Forest Tradition (the Kammaṭhāna tradition) that subsequently spread throughout Thailand and to several countries abroad. He died at Wat Pha Sutawas, Sakon Nakhon Province. (Wikipedia)

We would like to share a passage written by Luang Por Thanissaro Bhikkhu (Ajarn Geoffrey de-Graaf), who wrote a most explanatory essay of the role of the Great Ajarn Mun in the revival of the true Buddhist Practice and the Rise of the Thai Tudong Kammathana Forest tradition;

Throughout its history, Buddhism has worked as a civilizing force. Its teachings on karma, for instance — the principle that all intentional actions have consequences — have taught morality and compassion to many societies. But on a deeper level, Buddhism has always straddled the line between civilization and wilderness. The Buddha himself gained Awakening in a forest, gave his first sermon in a forest, and passed away in a forest.

The qualities of mind he needed in order to survive physically and mentally as he went, unarmed, into the wilds, were key to his discovery of the Dhamma. They included resilience, resolve, and alertness; self-honesty and circumspection; steadfastness in the face of loneliness; courage and ingenuity in the face of external dangers; compassion and respect for the other inhabitants of the forest.

These qualities formed the “home culture” of the Dhamma.
Periodically, as Buddhism spread and adapted to different societies, some practitioners felt that the original message of the Dhamma had become diluted. So they returned to the wilderness in order to revive its home culture. Many wilderness traditions are still alive today, especially in the Theravada countries of Sri Lanka and Southeast Asia. There, mendicant ascetic monks continue to wander through the remaining rainforests, in search of Awakening in the same environment where the Buddha found Awakening himself.

Among these wilderness traditions, the one that has attracted the largest number of Western students, and is beginning to take root in the West, is the Kammatthana (Meditation) Forest tradition of Thailand.

The Kammatthana tradition was founded by Ajarn Mun Bhuridatto in the early decades of this century. Ajarn Mun’s mode of practice was solitary and strict. He followed the Vinaya (monastic discipline) faithfully, and also observed many of what are known as the thirteen classic dhutanga (ascetic) practices, such as living off almsfood, wearing robes made of cast-off rags, dwelling in the forest, eating only one meal a day.

Searching out secluded places in the wilds of Thailand and Laos, he avoided the responsibilities of settled monastic life and spent long hours of the day and night in meditation. In spite of his reclusive nature, he attracted a large following of students willing to put up with the hardships of forest life in order to study with him.
He also had his detractors, who accused him of not following traditional Thai Buddhist customs. He usually responded by saying that he wasn’t interested in bending to the customs of any particular society — as they were, by definition, the customs of people with greed, anger, and delusion in their minds. He was more interested in finding and following the Dhamma’s home culture, or what he called the customs of the noble ones: the practices that had enabled the Buddha and his disciples to achieve Awakening in the first place.

This phrase — the customs of the noble ones — comes from an incident in the Buddha’s life: not long after his Awakening, he returned to his home town in order to teach the Dhamma to the family he had left six years earlier. After spending the night in a forest, he went for alms in town at daybreak. His father the king learned of this and immediately went to upbraid him. “This is shameful,” the king said. “No one in the lineage of our family has ever gone begging. It’s against our family customs.”
“Your majesty,” the Buddha replied, “I now belong, not to the lineage of my family, but to the lineage of the noble ones. Theirs are the customs I follow.” Ajarn Mun devoted many years of his life to tracking those customs down. Born in 1870, the son of rice farmers in the northeastern province of Ubon, he was ordained as a monk in the provincial capital in 1892. At the time of his ordination, there were two broad types of Buddhism available in Thailand; Maha Nikkaya and the Dhammayut Movements.

The first can be called Customary Buddhism — the mores and rites handed down over the centuries from teacher to teacher with little, if any, reference to the Pali canon. For the most part, these customs taught monks to live a sedentary life in the village monastery, serving the local villagers as doctors or fortune tellers. Monastic discipline tended to be loose. Occasionally, monks would go on a pilgrimage they called “dhutanga” which bore little resemblance to the classic dhutanga practices. Instead, it was more an undisciplined escape valve for the pressures of sedentary life. Moreover, monks and lay people practiced forms of meditation that deviated from the path of tranquillity and insight outlined in the Pali canon. Their practices, called vichaa aakhom, or incantation knowledge, involved initiations and invocations used for shamanistic purposes, such as protective charms and magical powers. They rarely mentioned nirvana except as an entity to be invoked for shamanic rites. The second type of Buddhism available at the time, was Reform Buddhism, based on the Pali canon and begun in the 1820’s by Prince Mongkut, who later became King Rama IV (and still later was portrayed in the musical The King and I).

Prince Mongkut was ordained as a monk for twenty-seven years before ascending the throne. After studying the canon during his early years as a monk, he grew discouraged by the level of practice he saw around him in Thai monasteries. So he reordained among the Mons — an ethnic group that straddled the Thai-Burmese border and occupied a few villages across the river from Bangkok — and studied Vinaya and the classic dhutanga practices under the guidance of a Mon teacher. Later, his brother, King Rama III, complained that it was disgraceful for member of the royal family to join an ethnic minority, and so built a monastery for the Prince-Monk on the Bangkok side of the river. There, Mongkut attracted a small but strong following of like-minded monks and lay supporters, and in this way the Dhammayut (lit., In Accordance with the Dhamma) movement was born.

In its early years, the Dhammayut movement was an informal grouping devoted to Pali studies, focusing on Vinaya, the classic dhutanga practices, a rationalist interpretation of the Dhamma, and the revival of meditation techniques taught in the Pali canon, such as recollection of the Buddha and mindfulness of the body. None of the movement’s members, however, could prove that the teachings of the Pali canon actually led to enlightenment. Mongkut himself was convinced that the path to nirvana was no longer open, but he felt that a great deal of merit could be made by reviving at least the outward forms of the earliest Buddhist traditions. Formally taking a bodhisattva vow, he dedicated the merit of his efforts to future Buddhahood. Many of his students also took vows, hoping to become disciples of that future Buddha.

Upon disrobing and ascending the throne after his brother’s death in 1851, Rama IV was in a position to impose his reforms on the rest of the Thai Sangha, but chose not to. Instead, he quietly sponsored the building of new Dhammayut centers in the capital and the provinces, which was how — by the time of Ajarn Mun — there came to be a handful of Dhammayut monasteries in Ubon.
Ajarn Mun felt that Customary Buddhism had little to offer and so he joined the Dhammayut order, taking a student of Prince Mongkut as his preceptor. Unlike many who joined the order at the time, he wasn’t interested in the social advancement that would come with academic study and ecclesiastical appointments. Instead, his life on the farm had impressed on him the sufferings inherent in the cycle of life and death, and his single aim was to find a way out of the cycle. As a result, he soon left the scholarly environment of his preceptor’s temple and went to live with a teacher named Ajarn Sao Kantasilo (1861-1941) in a small meditation monastery on the outskirts of town.

Ajarn Sao was unusual in the Dhammayut order in that he had no scholarly interests but was devoted to the practice of meditation. He trained Ajarn Mun in strict discipline and canonical meditation practices, set in the context of the dangers and solitude of the wilderness. He could not guarantee that this practice would lead to the noble attainments, but he believed that it headed in the right direction.
After wandering for several years with Ajarn Sao, Ajarn Mun set off on his own in search of a teacher who could show him for sure the way to the noble attainments. His search took nearly two decades and involved countless hardships as he trekked through the jungles of Laos, central Thailand, and Burma, but he never found the teach
er he sought.

Gradually he realized that he would have to follow the Buddha’s example and take the wilderness itself as his teacher, not simply to conform to the ways of nature — for nature is samsara itself — but to break through to truths transcending them entirely. If he wanted to find the way beyond aging, illness, and death, he would have to learn the lessons of an environment where aging, illness, and death are thrown into sharp relief. At the same time, his encounters with other monks in the forest convinced him that learning the lessons of the wilderness involved more than just mastering the skills of physical survival.

 

He would also have to develop the acuity not to be misled by dead-end sidetracks in his meditation. So, with a strong sense of the immensity of his task, he returned to a mountainous region in central Thailand and settled alone in a cave.
In the long course of his wilderness training, Ajarn Mun learned that — contrary to Reform and Customary beliefs — the path to nirvana was not closed. The true Dhamma was to be found not in old customs or texts but in the well-trained heart and mind. The texts were pointers for training, nothing more or less. The rules of the Vinaya, instead of simply being external customs, played an important role in physical and mental survival. As for the Dhamma texts, practice was not just a matter of confirming what they said. Reading and thinking about the texts could not give an adequate understanding of what they meant — and did not count as showing them true respect. True respect for the texts meant taking them as a challenge: putting their teachings seriously to the test to see if, in fact, they are true. In the course of testing the teachings, the mind would come to many unexpected realizations that were not contained in the texts. These in turn had to be put to the test as well, so that one learned gradually by trial and error to the point of an actual noble attainment. Only then, Ajarn Mun would say, did one understand the Dhamma.

 

This attitude toward the Dhamma parallels what ancient cultures called “warrior knowledge” — the knowledge that comes from developing skills in difficult situations — as opposed to the “scribe knowledge” that people sitting in relative security and ease can write down in words. Of course, warriors need to use words in their training, but they view a text as authoritative only if its teachings are borne out in practice. The Canon itself encourages this attitude when it quotes the Buddha as teaching his aunt, “As for the teachings of which you may know, ‘These teachings lead to dispassion, not to passion; to being unfettered, not to being fettered; to divesting, not to accumulating; to modesty, not to self-aggrandizement; to contentment, not to discontent; to seclusion, not to entanglement; to aroused persistence, not to laziness; to being unburdensome, not to being burdensome’: You may definitely hold, ‘This is the Dhamma, this is the Vinaya, this is the Teacher’s instruction.'”
Thus the ultimate authority in judging a teaching is not whether the teaching can be found in a text. It lies in each person’s relentless honesty in putting the Dhamma to the test and carefully monitoring the results.
When Ajarn Mun had reached the point where he could guarantee that the path to the noble attainments was still open, he returned to the northeast to inform Ajarn Sao and then to continue wandering.

 

Gradually he began to attract a grassroots following. People who met him were impressed by his demeanor and teachings, which were unlike those of any other monks they had known. They believed that he embodied the Dhamma and Vinaya in everything he did and said. As a teacher, he took a warrior’s approach to training his students. Instead of simply imparting verbal knowledge, he put them into situations where they would have to develop the qualities of mind and character needed in surviving the battle with their own defilements. Instead of teaching a single meditation technique, he taught them a full panoply of skills — as one student said, “Everything from washing spittoons on up” — and then sent them into the wilds.
It was after Ajarn Mun’s return to the northeast that a third type of Buddhism emanating from Bangkok — State Buddhism — began to impinge on his life. In an effort to present a united front in the face of imperialist threats from Britain and France, Rama V (1868-1910) wanted to move the country from a loose feudal system to a centralized nation-state. As part of his program, he and his brothers — one of whom was ordained as a monk — enacted religious reforms to prevent the encroachment of Christian missionaries. Having received their education from British tutors, they created a new monastic curriculum that subjected the Dhamma and Vinaya to Victorian notions of reason and utility.

 

Their new version of the Vinaya, for instance, was a compromise between Customary and Reform Buddhism designed to counter Christian attacks that monks were unreliable and lazy. Monks were instructed to give up their wanderings, settle in established monasteries, and accept the new state curriculum. Because the Dhammayut monks were the best educated in Thailand at the time — and had the closest connections to the royal family — they were enlisted to do advance work for the government in outlying regions.
In 1928, a Dhammayut authority unsympathetic to meditation and forest wanderers took charge of religious affairs in the northeast. Trying to domesticate Ajarn Mun’s following, he ordered them to establish monasteries and help propagate the government’s program. Ajarn Mun and a handful of his students left for the north, where they were still free to roam. In the early 1930’s, Ajarn Mun was appointed the abbot of an important monastery in the city of Chieng Mai, but fled the place before dawn of the following day.

He returned to settle in the northeast only in the very last years of his life, after the local ecclesiastical authorities had grown more favorably disposed to his way of practice. He maintained many of his dhutanga practices up to his death in 1949.
It wasn’t until the 1950’s that the movement he founded gained acceptance in Bangkok, and only in the 1970’s did it come into prominence on a nationwide level. This coincided with a widespread loss of confidence in state monks, many of whom were little more than bureaucrats in robes. As a result, Kammatthana monks came to represent, in the eyes of many monastics and lay people, a solid and reliable expression of the Dhamma in a world of fast and furious modernization.
Buddhist history has shown that wilderness traditions go through a very quick life cycle.

 

As one loses its momentum, another often grows up in its place. But with the wholesale destruction of Thailand’s forests in the last few decades, the Kammatthana tradition may be the last great forest tradition that Thailand will produce. Fortunately, we in the West have learned of it in time to gather lessons that will be help in cultivating the customs of the noble ones on Western soil and establishing authentic wilderness traditions of our own.
Perhaps the most important of those lessons concerns the role that the wilderness plays in testing and correcting trends that develop among Buddhists in cities and towns. The story of the Kammatthana tradition gives lie to the facile notion that Buddhism has survived simply by adapting to its host culture. The survival of Buddhism and the survival of the Dhamma are two different things. People like Ajarn Mun — willing to make whatever sacrifices are needed to discover and practice the Dhamma on its own terms — are the ones who have kept the Dhamma alive.

Of course, people have always been free to engage in Buddhist traditions in whatever way they like, but those who have benefited most from that engagement are those who, instead of reshaping Buddhism to fit their preferences, reshape themselves to fit in with the customs and traditions of the noble ones. To find these customs isn’t easy, given the bewildering variety of traditions that Buddhists have spawned over the centuries. To test them, each individual is thrown back on his or her own powers of relentless honesty, integrity, and discernment.

There are no easy guarantees. And perhaps this fact in itself is a measure of the Dhamma’s true worth. Only people of real integrity can truly comprehend it. As Ajarn Lee, one of Ajarn Mun’s students, once said, “If a person isn’t true to the Buddha’s teachings, the Buddha’s teachings won’t be true to that person — and that person won’t be able to know what the Buddha’s true teachings are”.

Source; The Customs of the Noble Ones”, by Thanissaro Bhikkhu. Access to Insight (Legacy Edition), 7 June 2010, http://www.accesstoinsight.org/lib/authors/thaniss… ©1999 Thanissaro Bhikkhu


Kochasri carved ivory Himapant Elephanmt-Lion Luang Por Heng

Large size Pim Yai Kochasri carved ivory elephant headed himapant lion LP Heng FIRST prize winning competition Master Class carved ivory amulet with certification, a most pristine well honed piece of Sacred Artisanry, and Master-Class Pra Niyom Classic of authenticity, great beauty, and true power, the Paya Kochasri hand carved Old Ivory Ancient Amulet from the Great Olden Days Guru master of Nakorn Sawan Province, Luang Por Heng, of Wat Khao Din (2402 – 2485 BE). The amulet is made from carved Ivory, and is carved in the image of a Kochasri Himapant Lion with Elephant Head, which represents various aspects of Maha Amnaj, Metta, Klaew Klaad, and Maha Pokasap Cornucopia Magic.

Free EMS Shipping is Included with this item. The Kochasri Lion itself, especially when carved from Ivory, is naturally imbued with the Sorcerous Powers of Maha Amnaj (commanding power and influence), Serm Yos Status Increase for positions of command, and opportunities of promotion, and Metta Mahaniyom Mercy Charm to lull your Subjects and Charm them into Obedience. Maha Pokasap treasure Accumulation and Cornucopia of Requisites is also Imbued.

Kochasri carved ivory elephant headed himapant lion LP Heng

This amulet comes with First Prize Trophy and Plasticized A4 size Certificate from the Amulets Association of Siam

 

1st prize trophy

Luang Por Heng

Luang Por Heng, of Wat Khao Din, was born in Ban Maha Po, Nakorn Sawan, as the son of Mr Sangkh, and Mrs. Biam. he was given the name ‘Heng’ which is an auspicious word, because of the meaning in Chinese (and Thai Colloquial), being ‘Good Luck’, or ‘Good Fortune’.

Luang Por Heng Wat Khao Din

Even as a child, he was always showing Mercy and Compassion to animals, and liked to do good deeds to alleviate their suffering. It was sometimes even a problem, when his Father sent him to watch over the farm fields. The birds would come to steal the rice, but the young Heng would not chase them away or shoot at them, because he considered it an act of Generosity to the Birds, to let them eat. The young boy Heng loved to educate himself, and would often travel to see Luang Por Tap at Wat Maha Po temple, to learn various Wicha with him, including the Wicha Paet Boran Traditional Medicine, Wicha Akom, and the Wicha Kochasart.

The Kocha Sastra (Kochasart), is an ancient Wicha found in the Wicha Dtrai Taep of the Brahman Hindu Faith. The Wicha Kochasart is related to Elephant Magic, and is Used for Protecting the Kingdom. The Dtamra is found to be split into two major Kampira Grimoires, as separate categories;

1. Dtamra Kochalaks – which deals with Invocation of the Tendencies and Character Powers of the Elephant, both the good and the bad parts, the merciful and the destructive.

2. Dtamra Kocha Gam – this Dtamra deals with Kata Waetmont Incantations to invoke various powers or magical effects, for various purposes, such as catching elephant, controlling an elephant, healing of ailments, or banishing evil curses and forest spirits, in order to protect elephants.


The Wicha of the Dtamra Kochasart tells of the Chang Mongkol which was created from the lotus which rose from the navel of Pra Narai Vishnu Avatar, when he gave birth to the Golden Kumarn, which he gave to Shiva at the beginning of Time. The elephant was split into four families of Magical Elephants, each with its own special qualities.

  1. The first elephant was made by the God Brahma, and was endowed with the power to bring success and prosperity and Glorious Achievements to the Nation and its People.
  2. The second elephant family was made by the God Shiva, and was endowed with the power to bring great Achievements of Powerful Status and Influence to the Kingdom or Nation, and fill its Coffers with Wealth.
  3. The third elephant was made by the God Vishnu himself, and was endowed with the power to bring Victory against all Enemies and Opponents, and will cause the Rains to fall at the proper time and season, without drought or flooding, and the harvest to be plentiful and ripe.
  4. The fourth elephant was made by the God of Fire, Agni, which was endowed with the Power to bring Plentiful Resources to the Nation, and Protect the Land and its Ruler from all forms of danger and disasters.

This was just one of the many powerful Wicha which Luang Por Heng learned to Master from a young age under his first Kroo Ba Ajarn long before he Ordained. Once the young boy Heng reached the age of 12 years old, his parents took him to be ordained as a Samanera Novice Monk at Wat Maha Po, where he remained and intensified his study and practice as an Ordained member of the Buddhist Sangha. After 4 years, he disrobed again, to help his parents on the farm. When he came of age, he reordained as a fully fledged Bhikkhu in the year 2423, once more at the temple of Wat Maha Po. Pra Kroo Gim, the abbot, was his Upachaya Ordaining Officer.

 


After his ordination, he studied the Dhamma Vinaya Buddhist Canon, Horasart (Astrology), and Wityakom (Occult Sciences), with ever increasing fervency, under the supervision of Luang Por Gim as Kroo Ba Ajarn. Wat Maha Po (Dtai) had one of the largest Bibliotheques of Kampira (Grimoires of Sorcery), and was an excellent place for Luang Por Heng to expand and develop his knowledge in Wityakom Occult Sciences. In addition, the Uposatha Shrineroom was imbued with Maha Ud, perfect for empowerment of amulets and talismans, and was very sacred, over 300 years Old. Luang Por Heng found himself in the perfect environment for developing his now Adept Skills.

 

Wat Maha Po Dtai lay on the banks of the rive Mae Ping, which meant that many Tudong Forest monks would pass by on their travels, to stay and practice (and teach their secrets). And so Luang Por Heng was able to access and receive Wicha from a large number of great Tudong Monks over the years, until one day, he decided to go on Tudong himself.

 

Luang Por Heng wandered in solitary through the wilderness, forests and caves of Thailand, Burma, Laos and Cambodia many times repeatedly over many years. He slept in the forest, the caves, the delapidated cemeteries, and meditated to develop his resilience of mind, and the powers which accompany such resilience developed their strength and intensity.

 

His mastery of the many Animist Wicha such as the Kochasart, allowed him to understand and intuit the true nature of animals, and he became able to call the spirits of dead animals to enter into carved or molded effigies, and inhabit them with their powers.

Below; Hand Written Spells in Khom Agkhara are visibly inscribed on the base of the Paya Kochasri Amulet

 

During his years of diligent Tudong Practice in the deep Jungles, he learned about the Magical foces within ivory, imbued with the four Magical Properties of the Dtamra Kochasart, and the Chang Mongkol of the Gods Brahma, Shiva, Vishnu and Agni. he mastered the knowledge through intuition and meditation, that this Elephant Magic within the Ivory has two branches of influence;

  1. Nga Gam Jad is the Ivory from a Bull Elephant who was in Mating Season Anger and attacked a tree breaking his tusk on the tree
  2. Nga Gam Jaay is ivory from an elephant who fought with another Bull for the leadership of the troupe, and broke his Tusk in the fight, in the depths of the Jungle.

Luang Por Heng would always collect and gather all the Magical ivory he found in the forests and Jungles during his years of Tudong, which had fallen from the two scenarios of Elephants in Rage, to use their powerful substance later, to shape into animist charms and talismans. Mostly his amulets are carved into the form of Suea (Tigers) Kochasri (elephant Head Lion Himapant Animal), Hmuu Pha (Wild Boar), and his own image. A few other forms are also found on rare occasions.

Luang Por Heng passed away in 2485 at the age of 83, after 63 years in the Ordained Sangha, leaving his pantheon of Krueang Rang for us, the Devotees and Aficionados, to appreciate, and be protected and prosper through their blessings.

Luang Por Heng possessed a special ability for Wicha using his magical ivory, and bone collected in the forests, and his immensely advanced and long trajectory in Buddhist Sorcery, making his amulets and talismans amongst the most highly sort after in this Genre. It is not possible to speak of ivory tiger amulets without mention of Luang Por Heng, who stands at the pinnacle of the Genre, along with the Great Luang Por Parn, Luang Por Derm, Luang Por Say and Luang Por Nok. His carved Ivory amulets are the most highly sought after, and considered to be powerful Kong Grapan Chadtri Klaew Klaad Protective amulets, with added Metta Mahaniyom, Maha Pokasap, and Maha Amnaj (commanding power and influence).

You can use the Kata Paya Rachasri for Kochasri and other Singha Type Himapant Lion Deities.


Takrut Thak Chueak Gliaw Diaw Luang Por Sud Wat Ga Long (12)

Mid Era Takrut Klaew Klaad Kong Grapan Thak Chueak Gliaw 5 Inches A highly Revered Kong Grapan Klaew Klaad Maha Ud, top ‘Krueang Rang’ (Talisman) type amulet with Power of Protection; the Takrut Tone Nuea Tong Daeng Thak Chueak Gliaw Diaw Sacred Copper Yantra Foil Spell with single spiral bound cord wrap, from the great Luang Por Sud, of Wat Ka Long. The Takrut measures about 5 inches long. Estimated Circa 2490 BE.

 

Luang Por Sud was the legendary originator of the Wicha Yant Daktor rattan wicker ball Yantra spell, and also very famous for his Pra Somdej Khee Suea Buddha riding tiger sacred powder votive tablets. The amulets of Luang Por Sud were revered by the great ‘invincible’ gangsters of that Era, and the Somdej Sariga Suea Phaen was a favorite amulet with famous Gangsters of the time, such as Dtee Yai’. His amulets are prized possessions of those who seek Kong Grapan Klaew Klaad Invincibility and Evasion magic, as well as those who seek power and dominion over others, in professional and social status affairs.

 

Free Registered Air Parcel Shipping is Included with this amulet. The Takrut is made from Nuea Tong Daeng Sacred Copper Yantra foil, and bound with spellbound cords (using incantations whilst wrapping), as was traditional. This exhibit is estimated to have been made during the mid-era of his Wicha trajectory. The Takrut was known to have been made with yellow, beige, white, black or Green Cord.


Luang Por Sud was born in the year 2445 BE on the 7th of May. he ordained into the Sangha at the age of 16 as a Samanera Novice Monk. When he moved after becoming a fully fledged Bhikkhu to Samut Sakorn and stayed at Wat Ka Long, where he eventually became the Abbot through his long term diligence and meritorious acts.

He became famous for his Wicha Yant Look Takror Wicker ball Yantra, which he had Mastered through the use of Khmer Sorcery methods. Luang Por Sud made many different kinds of amulets, but it is perhaps the Takrut, and his Look Takror Wicha amulets (including the Pha Yant Takror) which are his most revered and famous for their Kong Grapan Chadtri and Klaew Klaad powers.

 

Luang Por Sud became even more famous after his death in the year of his cremation in 2545 BE, when his body would not burn, and seemed impermeable to fire. So the temple committee was forced to give up trying to cremate him, and placed his remains in a glass coffinThe Takrut contains a vast compendium of blessings, ranging from protection to wealthy fortunes, with strong leanings towards Klaew Klaad and Kong Grapan Chadtri beng the most prominent form of magic present. Luang Por Sud made Takrut throughout his lifetime as a Sorceror Monk.

Luang Por Sud, and his Amulets, and His famous Yant Takror and Takror Balls are amongst the Popular ‘Niyom’ Class of Preferred Guru Masters, of a High Class but with a still affordable pricetag, despite their ever increasing rarity and difficulty to encounter when seeking an item from this Master.

The Takrut of Luang Por Sud is said to have been the favor of the Great Highwaymen and Robbers, who used the Takrut, Pha Yant, and Look Hwaay Takror of this great Master to Protect themselves.

 

The famous Look Takror Wicker Ball of Luang Por Sud is the subject of a Legendary story that is said to have helped a Thief Escape hundreds of Police, as he was surrounded, and slip through their hands with the power of the Magic Amulet assisting.

 

This is a very rare item for the devotee collector of ‘Thai Krueang Rang’ (Buddhist, Occult, and Animist Charms), and is a matter of choice whether the owner wishes to preserve it in Museum Case or wear it for its Protective Powers. This Takrut belt is Please always Take Care with Authentic Sacred Ancient Amulets, and preserve their condition as best as possible, but also remember that amulets both Ancient and Modern, were designed and intended to be worn, more than they were intended to be kept in a Museum.

 

Below; Luang Por Sud (Wat Ka Long) 2445 – 2526 BE

Luang Por Sud of Wat Ka Long

Luang Por Sud was the continuation of and the disciple in Magic of the Great Luang Por Rung (Wat Ta Graber) and Luang Phu Mao (Wat Klang Panom Prai). A great mark of respect was given to Luang Por Sud by the great Luang Por Rung, who asked Luang Por Sud to come and assist in the empowerment of Luang Por Rung’s first edition Coin Amulet.

 

 

Luang Por Sud passed away on the 14th of August 2526 BE, and it was then that his already great fame became legendary around the country, as the miracle of his Cremation Ceremony occurred before the eyes of thousands of Devotees

 

The event fulfilled the Prophecy which had happened in the Dream of his first apprentice, Luang Por Chalong, where Luang Por Sud had appeared and told Luang Por Chalong that it would not be possible to light the Funeral Pyre, and that Luang Por Sud would do it himself, but that his bones would remain, for they could not be burned. This is a strange thing, because this kind of miracle also happened with the Arahant Saributra in the times of the Buddha, and it is said that the bones of Saributra cannnot be burned until the Future Buddha Maitreya comes, who shall burn them with Kasina Fire energy.

Below; The Famous Yant Takror Kong Grapan Chadtri Yantra of Luang Por Sud.

Yant Takror

The Famous Tiger Takrut of Luang Phu Bun. of Wat Klang Bang Gaew, in Nakorn Pathom.

The Immortally famous Takrut Hnaa Bpaag Suea Tiger Hide Forehead Hide Yantra Scroll Spell of Luang Phu Bun (Wat Klang Bang Gaew), hand inscribed and spellbound with Daay Dtra Sangkh Cords over 100 Years ago, and coated in Rak Chart Jeen Boran ancient Chinese red laquer, blackened over a century and more of ageing.

Free EMS Express Airmail Registered Shipping Worldwide is included with this amulet. A Master Class amulet from the great Master of Wicha Bia Gae, Wicha Pong Jindamanee, Wicha Takrut, and Wicha Suea, of Olden Days of the Nakorn Pathom Province; Luang Phu Bun, of Wat Klang Bang Gaew.

This exhibit is in extremely pristine condition, and shows the true qualities of ageing on its lacquered surface, to reveal an authentic model of the Takrut Hnaa Bpaag Suea tiger forehead amulet of Luang Phu Bun.

Tiger Takrut Luang Phu Bun

Luang Phu Bun released various styles of Tiger forehead Takrut (as well as other types of Takrut too), but this form is the most highly accepted and easily recognizable, and highly preferred for its extremely well reputed Kong Grapan, Maha Ud, Klaew Klaad, Metta and Maha Amnaj

 

 

A Centenarian Amulet of Immense Value for the Sacred Powerful Blessings of the Great LP Bun, its Historical Importance, and Rarity as an Ancient Amulet of Master-Class Status, as well as for being a masterpiece of antique magical heritage and Buddhist Historic importance, in a substance that is no longer to be found used in the making of modern amulets, due to the ban on ivory and tiger hide and teeth, which only permits antiques of ancient origins to continue to exist.

 

takrut types lp bun

The amulet is made from rolled up tiger forehead hide, and is inscribed with sacred spells with Wicha Suea Tiger Magick, which represents various aspects of Maha Amnaj Commanding Power, Invincibility, Chai Chana Victory Bringing Magic, Serm Yos Status Increase, Easy Living and Maha Pokasap Wealth Attraction. The tiger itself, especially when made from real Tiger Forehead, is naturally imbued with the Sorcerous Powers of Maha Amnaj (commanding power and influence), Serm Yos Status Increase for positions of command, Chai Chana Victory, and great opportunities of promotion, Metta Mahaniyom Mercy Charm is also present, to lull your Subjects and Charm them into Obedience.

 

 

This is an extremely Rare Ancient Amulet of the Pra Niyom Master-Class of Thai Buddhist Amulets. Luang Phu Bun is one of the Top Master Guru Monks of Thai Buddhist History in both Patipata (Dhamma Practice) as well as for his Magical Prowess in Amulet making, Puttasart, and Saiyasart (Occult Sorcery and Buddha Magic). The amulets of Luang Phu Bun are famous for their immense Klaew Klaad and Metta Mahaniyom Powers and their Power of ‘Serm Duang’ (improve fate and destiny).

Takrut LP Bun Wat Klang Bang Gaew

 

His amulets grace the pages of almost every famous catalog and amulet magazine in the High End Collector Publications, and are amongst the highest priced ranging from many hundreds of dollars for the most commonly found amulets, to hundreds of thousands of dollars for his rarest amulets.

 

Luang Phu Bun was a close friend and accomplice in Wicha with the Great Somdej Pra Sangkarach (Pae) of Wat Sutat fame, whose amulets belong to the priceless treasures category and are only to be found in the possession of wealthy, and high ranking persons of state importance, and a few lucky extreme collectors and devotees who have kept them throughout the generations, or inherited them as heirlooms from their family members. Almost anybody who owns such an amulet will be hard pressed to part with it in any circumstances.

Takrut Hnaa Bpaag Suea LP Bun

 

Below; The Takrut Hide is wrapped with Daay Dtra Sangkh thin cord and lacquered, as was ubiquitous in the olden days, where encasement was not yet an industry/profession, with devotees instead, wearing the amulet against the skin. The amulet can be encased in Waterproof Transparent Acrylic Casing, Steel Capped, or Gold Capped Transparent Tube Casing, or can be strapped to a waist cord if you prefer to wear the amulet touching your skin.

 

Luang Phu Bun was extremely famed for his Wicha of making Ya Wasana Jinda Manee. This Wicha was developed by Luang Phu from an Ancient Teaching through his Kroo Ba Ajarn, and has since his making the Muan Sarn famously powerful, has been inherited as a Wicha of Muan Sarn powder making for the amulets of the Wat Klang Bang Gaew lineage throughout the ages from Luang Phu Bun, to Luang Por Perm, to Pra Ajarn Bai, to Luang Phu Juea, and now the present holder of Luang Phu’s now ancient Wicha, Luang Por Kong (Sanya) at Wat Klang Bang Gaew.

The Bia Gae of Luang Phu Bun is considered the most famous and difficult to find of all Bia Gae that are of Master Class status. All following Masters of Luang Phu Bun’s temple have become famous Bia Gae Masters, and continue to rise in procession in line and following after those now immensely unaffordable Bia Gae from Luang Phu Bun. The famous Pong Ya Wasana Jinda Manee, and Pong Khamin Sek Muan Sarn Powders of Luang Phu Bun (also known as ‘Pra Ya Horm’), carry legendary status for their immensely powerful magical properties. These are two very Sacred Powders within the Dtamra, with Pong Khamin Sek having a pungent aroma, with Powers of Protection and Wealth Increase, and the legendary Pong Ya Wasana Jinda Manee having an aromatic Sacred Powder, which uses of course the famous ‘Ya Wasana (‘Wasana’ meaning Lucky Fortunes).

Tiger Takrut LP Bun

Pong Ya Wasana, and Pong Khamin Sek are the most famous Muan Sarn powders of Luang Phu Bun, and have become his Legendary ‘Dtamra’ (Traditonal Legend of Inheritance Wicha). For the sake of lineage magic preservation, and continued equal respect to all following lineage masters of Wat Klang Bang Gaew, It must be noted, that despite the fame of his world famous predecessors at Wat Klang Bang Gaew, LP Bun, LP Perm, Ajarn Bai, and Lp Juea, the present Wicha Holder LP Kong Sanya of Wat Klang Bang Gaew, now holds a Wicha that has been passed through a long lineage of already Great and Famous Guru Masters. All Masters inherited this Wicha from the Great Kroo Ba Ajarn Luang Phu Bun, and who have all passed away in sequence after their long lives and trajectory.

 

We are thus gazing avidly at an amulet of a True Olden Days Master, who is already 4 -5 generations the predecessor of the current Wicha holder and Sentinel of the Wicha, making his amulets truly worthy of the title ‘Ancient Amulet’.

Kata Suea – Invocation of Tiger Spirit (Chnanting Tutorial)

 

Below; Luang Phu Bun, of Wat Klang Bang Gaew, and his Tiger Takrut.

The Famous Tiger Takrut of Luang Phu Bun. of Wat Klang Bang Gaew, in Nakorn Pathom.

 

 

Lucky Goat Pae Maha Lap Luang Por Am

When speaking of the Pae Maha Lap lucky goat amulet, there is one name which stands above all others, and that is the name of Luang Por Am, of Wat Nong Grabork, in Ban Kaay Rayong. Luang Por Am was, along with Masters like Luang Por Horm of Wat Sak Hmak, Luang Por Rerm of Wat Juk Gacher, and Luang Por Chaem, considered among the top Masters of the Province, long before even the Great Luang Phu Tim of Wat Laharn Rai acheived his fame. Luang Por Am was the Kroo Ba Ajarn of the Great Luang Por Lat (Wat Nong Grabork), who is famed in his own right for his powerful Pae Maha Lap Hand Carved Goat Amuletsม which he of course mastered under the tutelage of Luang Por Am.

Pae Maha Lap Lucky Goat amulets of LP Am

Pae Maha Lap Lucky Goat and other carved amulets of LP Am

The male Goat is known for the fact that it is able to keep a whole herd of dozens of females under his ownership, through merciful and protective influence. It is thus believed that who wears the Pae Maha Lap Khao Kwai Gae Sacred buffalo horn Goat amulets of Luang Por Am, will be an owner and controller of great possessions and wealth, with grand entourage.

Below; Luang Por Am, of  Wat Nong Grabork

Luang Por Am

Luang Por Am, or ‘Pra Kroo Taep Sittaa, was one of the Great Masters of the Central-Eastern Provinces during His Era, and the ex abbot of Wat Nong Grabork from 2431 – 2490 BE. He was rrespected and revered all around the Province, and had Great fame around the Nation for his Powerful Wicha. During his lifetime he became known as the top Master for carved Lucky Goat amulets. What is less known, and is of immense interest to investigate the lineage Wicha of the Pae Maha Lap, is the fact that Luang Por Am himself received this Wicha from Luang Por Dtaeng of Wat Ang Sila.

Luang Por Am was abbot of Wat Nong Grabork between the years 2431 to 2490 BE, being a Gaeji Ajarn of around 150 years ago, and was the Kroo Ba Ajarn teacher of many other great names of the time, such as Luang Por Rerm of Wat Juk Gacher, and Luang Por Lat of Wat Nong Grabork (his successor and apprentice in magick). The Pae Maha Lap Nuea Khao Kwai Gae of Luang Por Am, is believed to possess the power to absorb Black Magick and protect the wearer/devotee from being affected.

It can be said that the Pae Maha Lap of Luang Por Am, Luang Por Lat, and now Pra Atigarn Surasit Akkawaro, the current abbot (written 2562 BE), are considered the ‘cream of the crop’, by serious devotees of the Pae Maha Lap, along with those other Great Chonburi Masters whose names carry fame for this Wicha such as Luang Phu Tim, uang Por Sakorn, Luang Phu Sin.

The Pae Maha Lap of Luang Por Am, was almost always made by carving a goat from ‘Khao Kwai Fa Pha Dtaay’, which is the horn of a buffalo which died struck by lightning in a field. It is an ancient magical belief that the horn of a lightning-struck bull or buffalo has the power of angelic beings in it, for indeed, the angelic beings of the elemental realms who control the weather, are who control these divine forces of Nature.

After the carving of the shape of the goat, Luang Por Am would then empower the Goats with incantations, and invocations of elemental powers and angelic beings, with Buddhist Blessings on top. Sometimes he would immerse them in aromatic sacred oils to consecrate them, mixed with herbal oils made from herbs and vines and flowers of the forest, with magical, healing, protective, and attraction powers. He would rebless them again and again until he felt the amulets were completely stuffed as full with magic as possible, and unable to insert any more. The magic within the amulets was hence always filled to the brim before distribution.

Pra Somdej Bang Khun Prohm Pim Sen Daay Kru Gao 3rd Prizewinner Ancient BenjapakeeAmulet (38)

A 3rd Prize winning Competition Standard Master-Class amulet of the Benjapakee Immortal Classic Family, the Pra Somdej Wat Bang Khun Prohm Kru Gao (Chedi Yai), Pim Sen Daay Kru Gao. An Immortal Classic and one of the most famous Thai Buddhist Amulets of all time, as well as being amongst the top preferred amulets of the serious devotee and wealthy collector of the accepted amulets of Somdej Pra Puttajarn (Dto) Prohmrangsri, of Wat Rakang Kositaram.

Pra Somdej Bang Khun Prohm Pim Sen Daay Kru Gao 3rd Prizewinner Ancient Benjapakee Amulet - Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang.

Pra Somdej Bang Khun Prohm Pim Sen Daay Kru Gao 3rd Prizewinner Ancient Benjapakee Amulet – Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang.

The Pra Somdej of Somdej Dto are the number one amulets of all time, be they from Wat Rakang, Wat Bang Khun Prohm,or Wat Gaes Chaiyo. Made in the period between 2411 and 2413 BE, three years before the passing of Somdej Dto himself, and buried in the Stupa until their distribution in 2500 BE

Rear face view of Pra Somdej Bang Khun Prohm Pim Sen Daay Kru Gao 3rd Prizewinner

Rear face view of Pra Somdej Bang Khun Prohm Pim Sen Daay Kru Gao 3rd Prizewinner

This amulet comes with its third prize winning certificate micro-chipped certificate card of the Chomrom Pra Tae Mueang Siam Amulet Appreciation society and complimentary box with third prize ribbon sticker. We offer free Gold, Waterproof or Solid Silver Casing with this amulet. whichever you prefer. Free EMS Shipping is also included in the price

The rear face shows the presence of all the classic features and muan sarn ingredients of a true Pra Somdej Bang Khun Prohm of Somdej Dto, with Kraap Kru on the front face revealing it to have been placed within the larger Chedi Stupa of the 2500 BE Opening. The Kru Gao (Chedi Yai) amulets are more highly preferred than the Kru Hmai (small Chedis) amulets, which were found later within the nine smaller Chedi Stupas surrounding the main central Stupa.

Pra Somdej Bang Khun Prohm is one of the classic Pra Somdej amulets available and is along with Pra Somdej Wat Gaes Chaiyo perhaps the next in line to the Pra Somdej Wat Rakang amulet as far as popularity, beauty, sacredness of Puttapisek ceremony and price range.

 

 

Pra Somdej Bang Khun Prohm Kru Pra Chedi Yai (Large Chedi Kru amulets)
The Pra Somdej Bang Khun Prohm amulets classified as a Kru Pra Chedi Yai, have 9 different Pim Song, and were made in the period between 2411 and 2413 BE. Not all of the Pra Somdej Bang Khun Prohm were placed in the Kru, it took many years to create and press them and many would be in a receptacle in the Kuti and would be handed out by him during the time he created and empowered them.

 

This explains the absence of Kraap Kru in some exhibits, as well as being purely logical and the most probable chain of events to have occurred. The Thaan Saem is one of the 5 Pim Song of Pra Somdej, which exist in both the Kru Wat Rakang and Kru Bang Khun Prohm amulets. Pra Somdej Wat Rakang have Five major category of Pim Song, whereas the Pra Somdej has four more Pim Song, making it nine major Pim in all.

 

 

These 9 Pim are; Pim Yai, Pim Sangkati, Pim Song Chedi, Pim Prok Po, Pim Gaes Bua Dtum, Pim Thaan Koo, Pim Sen Dai, Pim Ok Krut.

History records that, in the year of the Dragon 2411 BE, Samian Tra Duang Tongoses made restoration work Wat Bang Khun Prohm Nai (Wat Mai Amataros), and renewed the temple along with the building of a new Chedi Stupa, in order to place Pra Somdej amulets, which Samian Tra Duang invited Jao Prakhun Somdej Pra Puttajarn (Toh) Prohmrangsri, of Wat Rakang Kositaram to place there, as well as to empower. The amulets were made in the Pra Somdej Traditional formula of 84,000 pieces (same as the number of suttas of the Pra Tammakhant).

 

After Somdej Dto had blessed and empowered them, Samian Tra Duang was allowed to place then in the Kru hiding place within the Chedi Stupa behind the Upopsadha shrine room. During the time from then, the Chedi was sometimes accessed and amulets were removed from time to time, and even some thieves dug holes and stole some.

 

This became so bothersome that the Kru had to be broken open officially on 24th November in 2500 BE.

 

The opening took all day, until at approximately 8 pm, the very last Pra Somdej amulets were removed. Many of them were very thickly coated with ‘Kraap Kru’ (residues and growths). The amulets were allowed to be rented out by devotees, until the year 2509. The total amount of money raised from the rental of these amulets amounted to about 4 Million Thai Baht.

 

This money was used to construct the new Uposadha shrineroom, and the renovate and restore the old Chedi Stupa, as well as making a bronze statue of Tan Jao Prakhun Somdej Toh, which was completed and celebrated in 2509 at the same time as celebrating the building of the Putta Sima (temple walls), and the burial of the ‘Look Nimit’ (all Uposadha shrine rooms must have a Look Nimit ball buried under it).

Micro Chipped Certificate of 3rd Prize Pra Somdej Bang Khun Prohm Pim Sen Daay Kru Gao

Micro Chipped Certificate of 3rd Prize Pra Somdej Bang Khun Prohm Pim Sen Daay Kru Gao

The depletion of this series led to the creation of yet another immortal legend of the Pra Somdej Niche in 2509, namely the Pra Somdej Wat Bang Khun Prohm 09 Edition, which is in itself one of the most highly collected amulets of serious collectors and devotees, and also carry relatively elevated prices.

This Classic edition of Somdej Bang Khun Prohm, are considered to have extremely powerful Buddha magic in them due to the richness of sacred powders and powerful blessings contained within from great master Somdej Dto.