A very ancient and beautifully carved Animist Charm in Sacred Ivory (highly Aged), of the Suea Morb Elephant-Lion, from the great ex Monk and Lay Master-Sorcerer, Ajarn Heng Praiwan
The Sacred Ivory shows its age through the crevices formed over time, and the agéd yellow patina which has evolved through many decades of contact with the skin. The Suea Morb is known for its power of Mercy Charm (attraction), and to evade Bad Karma and Deadly Accidents, as well as to be in constant readiness to pounce when opportunity for success knocks.
The Suea Morb in ancient ivory is an animist charm believed to be extremely powerful in its effect to attract the auspicious, and deflect the inauspicious. The Tiger is one of the most powerful creatures, and adept hunters on earth, and do not really have any predators above them in the food chain (except Humans!). Hence, the Lion and Tiger are seen as Kings of the Forest, and enjoy a life without having to fear too many dangers.
Free EMS / DHL / FedEx Express Shipping and the option of free solid silver Waterproof Casing is included with this item. An extremely rare to see, and exquisitely beautiful Ancient Ivory Carving, that is among the very rare amulets to encounter by Olden days Lay Master Ajarn Heng Praiwan. A Powerful and Highly Sought After amulet by high-end talismanic amulet, as well as an important historical and cultural religious artifact.
The Suea Morb, as all amulets of Ajarn Heng (due to his empowerment method), can not only protect from dangers, black magic and ill fate, but is also known to be a Wicha for invoking Great Mercy Charm (Metta Maha Niyom), to bring Great Preference to You above Others. The amulet is designed to Attract Helpfulness, Popularity and Success, Imbue power and influence (Serm Yos), Command over Others (Maha Amnaj) & clear the way of difficulties, whilst making all ventures successful.
An excellent choice for those increased ‘Dtaba Decha’ (Recieve Honors, Glory, Respect and Promotion, Dominion and influence), The Sacred Ivory shows its age through the crevices formed over time, and the agéd yellow patina which has evolved through many decades of contact with the skin. The Suea Morb differs from other Wicha Suea, in that, apart from increased Maha Amnaj, and Imposing Influence, protection and Invincibility, it is also known for immense power of Metta Mahaniyom.
If asking for assistance from the amulet, please do not be too greedy each time you pray to the amulet for things, rather set yourself reasonable goals. If you find the right balance, you will experience safe evasion from dangers and immunity to Black Magic, a constant rise in success and status, and standard of living. The Suea Morb can also use its Metta to assist in bringing Victory in Legal Battles, if you are in defense, or pleading of a Court Hearing, in order to receive merciful treatment.
This Hand carved amulet of Ajarn Heng Praiwan, was one of only two we could find over a long period of searching (4 years), and can be considered to be an eternal rarity, which is always sadly more in demand than available. We try to find them as fervently as possible, but even we end up losing the battle often. This is of course, due to the massive imbalance of availability, against demand, and the immense rarity, and small quantity of amulets made by this master.
Tigers, Lions, and other Big Cat type Himapant Animal Deities (such as the Suea Maha Amnaj, Paya Kochasri, Kilen, and Singha), especially when carved from Ivory, are naturally imbued with the Sorcerous Powers of Maha Amnaj (commanding power and influence), Serm Yos Status Increase for positions of command, Gae Aathan Anti Black Magic, and opportunities of promotion, and Metta Mahaniyom Mercy Charm, to lull your Subjects and Charm them into Obedience. Maha Pokasap treasure Accumulation and Cornucopia of Requisites is also Imbued. These powers are said to be present within the ivory itself, even without empowerment, and that people wore ivory in ancient times for this purpose, and over time, developed artistic designs to shape them into animals and other objects of reverence, Deities and the like, to add spiritual significance.
Below: an example of one of the various Roop Tai Kroo Ba Ajarn Ajarn Heng which were released during his Era
Ajarn Heng Praiwan was a great Lay Master and Adept Necromancer of olden days, of the Ayuttaya Province. Ajarn Heng was born in the year 2428 BE, and was ordained as a Buddhist Monk when he came of age, at Wat Suwan in Ayuttaya. During his ordained years, he studied many ancient magical Wicha of the grimoires of Wat Pradoo Rong Tam, which was a great library of ancient magical grimoires, perhaps the largest in the country. He became extremely able in the inscription of Khom Agkhara Sanskrit Spells, Kata Incantations, and Sacred Yant, and became very well known as a great Master of Sak Yant Thai Temple Tattoos.
Ajarn Heng Praiwan, studied the Wicha Grimoire of the Dtamra Radtana Mala, until attaining full Adept Mastery, after which he disrobed for a time, to help his parents. After which, he ordained again once more, at Wat Prayatigaram in Ayuttaya, with the Great LP Glan Tammachodti, Abbot of Wat Prayat, as his Upachaya Ordaining Monk. He spent a long period of time learning and mastering the full Dtamra of the Wicha of Luang Por Glan, after which he disrobed again, and became a lay-sorcerer until the end of his days, when he passed away at the age of 75, in the year 2502 BE.
It is said that Ajarn Heng’s father, was either a police officer, or a prison officer, and sent Ajarn Heng to Penang, and Singapore, to be educated. But Ajarn Heng did not finish his schooling, and left, because of his immense fascination and interest in the study of Saiyasart, & the Dtamra Saiyawaet Grimoires, of Thai Buddhist, Animist, and Necromantic Occult Practices. He even traveled to the South of Thailand to learn the most ancient Magical Practices of the Southern Khao or Sorcery Lineages.
After his time practicing and mastering the Southern Lineage Magical Practices, Ajarn Heng returned to his home Province of Ayuttaya, in Central Thailand. Ajarn Heng was now a Master of the Wicha of Luang Por Glan, and the Southern Wicha of Sorcery which dates back to the Sri Vichai Era of Siam. The Wicha Mastered in Entirety of Wat Pradoo, whgich Ajarn heng has undertook, came from the time when King Naresuan Maharach, ordered the Wicha Saiyasart Grimoire texts to be inscribed and stored at Wat Pradoo Roeng Tam.
The inscriptions were begin and finished between the years 2133 – 2148 BE. It was King Pra Mahesuan Maharach, who united the city Kingdoms of Siam and Unified the country into one Land, namely ‘Siam’, or ‘Thailand’, and made the city of Ayuttaya the first capital of the Kingdom (Later to be moved to Bangkok, for logistical and geo-political reasons).
Ajarn Heng began to serve the public and accept devotees, at first by only performing Sak Yant Tattoos, and became known as one of the Top Sak yant Masters in the Country of his Time. Another later Kroo Ba Ajarn and Friend in Dhamma, Luang Phu Si, of Wat Sakae in Ayuttaya (Temple of LP Doo), once told that during the time of King Rama the 3rd, during a time of military dispute, around the year 2475 BE, many regiments of Thai soldiers, of both high and lower standing went to Ajarn Heng for his protective Yant, due to the miraculous powers attributed to them, all one the same day. On this occasion, Ajarn Heng constructed the ritual place at Wat Hantra Temple. Ajarn Heng invited a host of powerful Monks with Psychic Powers to assist in the ceremony of Blessings.
In this occasion (around 2476 BE),Ajarn Heng had to work very hard to gather a large number of Master Monks to come and perform the Suad Nam Puttamont Chanting Ritual, and this was a very had task in those days in Ayuttaya, to travel around and fine enough top masters who knew the chanting of the Nam Pra Puttamont and the Putta Pisek (Buddha Abhiseka) ceremonie. He was assisted in this task, by the great Luang Phu See of Wat Sakae.
But on this occasion, Luang Phu Si could not attend as well, because he was busy with Dhamma Duties at Wat Liab. But, after this Ceremony, Ajarn Heng would always invite Luang Phu Si to attend all of his subsequent Blessing Ceremonies, and assist with empowerment.
Ajarn Heng was a relatively wealth person with two houses and land stakes, one in the countryside in Tung Hantra, and one in Bangkok. And so, he would have devotees seek him out in Bangkok and in Hantra, for Sak Yant Tattoos, and his powerful Takrut amulets. It became popular to get high class artisans to carve his amulets, as well as village people would carve animist charms from ivory, wood, and sometimes, necromantic Ban Neng skullbones, which are of course, along with his famous metallic, and inimitably designed Takrut Maha Jakkapat Metallic Scroll Spells, the most highly valued, rare, and sought after by devotees of the great anbcient Ayuttaya Lay Sorcerer. Finally, Ajarn Heng moved to stay in Suan Malee, until the Wars in Asia Broke Out, whereupon he left the Capital, and returned to his home Province of Ayuttaya.
During this time, there were many Gangsters and Highwaymen, and a lot of need for Sak Yant Tattoos for Kong Grapan Chadtri and Klaew Klaad protective Magic, and Ajarn Heng became a highly acclaimed master, renowned for his Yant Gao Yord (A Wicha Obtained from the Great LP Hrun). Ajarn Heng was able to receive additional Wicha from the famous temple of study of Sorcery, Wat Sam Jeen, as well as receiving Wicha from the great Luang Phu Tong, of Wat Rat Ayotaya, and Luang Phu Kam Wibun.
Ajarn Heng’s Kong Grapan magic was so famous, that it became popular for police and military to get his tattoos, but also that they did not like the fact that so many Gangsters had them too, and were impossible to shoot dead. His Takrut Jappapattirach was also both infamous, and those who wore one were feared to be invincible. There was once a time when Ajarn Heng was parked in a boat on the banks of the river at Wat Cherng Lane Temple, where the Police came, and had to forbid Ajarn Heng from tattooing more, because the area was overflowing with Gangs of Highwaymen, and his tattoos were making it impossible for the police to catch them.
Ajarn Heng was known to have been highly able himself with Buddhist Arts, and Carvings, in wood, ivory, bone, and skull Ban Neng, as well as being highly famed perhaps most of al, for his famous Takrut, and Carved Ban Neng. It is even said, that the Great Artist Kroo Hem Waechakorn said of Ajarn Heng that “If there is anyone who can draw the four faced Brahma Image better than anyone, it is Ajarn Heng Praiwan”. Ajarn Heng was extremely adept in Wicha Hanuman for Invincibility, Kong Grapan, Victory, and Loyalty, which were very popular of course with all devotees, be they Police, Civil Servants, Ganster Mafias, Triads, or Military. Ajarn Heng made so many different forms of carved amulets and animist charms, that it is very hard to catalogue all of them, but if one is to say ‘which amulets are the most well known?’ One would say perhaps his carved Ivory amulets and Necromantic Ban Neng, and his famous Rian See Hnaa 4 faced Brahma coin.
Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets
Ancient Amulet - Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets') Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days
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One famous story tells of how Luang Phu Nak’s devotees would notice that even buffaloes would cower in fear when they passed by, sensing the powerful magic of the Takrut Hnaa Bpaag Suea. This anecdote has become a testament to the amulet’s potency and Luang Phu Nak’s exceptional spiritual powers.
The Takrut Hnaa Bpaag Suea of Luang Phu Nak, Wat Arun, is a legendary amulet that has captured the hearts and imaginations of collectors and enthusiasts around the world. Its exceptional powers and benefits, combined with its rarity and historical significance, make it a truly unique and valuable talisman. This also reminds us of the importance of preserving the cultural heritage and spiritual traditions of Thailand, and the enduring legacy of Luang Phu Nak, a true master of the ancient Wicha, and grimoires of mystical arts.
