Takrut Mai Kroo Maha Ud Yut Majurach Thak Chueak Lai Jorakhae Long Rak 2460 BE Luang Por Ta Wat Paniang Dtaek

Large version ( 5 Cm Long x 3 Cm Diameter) Takrut Mai Kroo, Drum Shaped Talismanic Charm, with ‘Thak Lai Jorakhae‘ (crocodile markings) cord wrap and lacquered surface, from the Great Olden days Master of Kong Grapan Chadtri Magic, Luang Por Ta, of Wat Paniang Dtaek. The Takrut Luang Por Ta has a piece of sacred twisted bamboo within, with three lines of spells written in Khom Sanskrit Agkhara script and Gradat Sa Takrut inserted within the Bamboo, inscribed with a pantheon of spells.

Luang Por Ta’s Khom is known to be beautiful, which is of course not visible in the cord lacquered covered Takrut. The laquer has the classic look of ancient red chinese lacquer (Rak Chart Jeen Boran), that has blackened, and is consistent with the look of lacquer that has had a century of time to endure.

Free Express Shipping Worldwide is included with this amulet. Luang Por Ta was a Nakorn Pathom Province Master, at his height of fame during the years 2430 to 2460 BE, and was known to be so powerful in character that even the biggest Gangsters were too fearful to disrespect him, for fear of his powerful magic cursing them, and knowledge that it was not possible to harm him with weapons, for his Psychic Powers and Kong Grapan Magic were too Great.

For the same reason however, they sought his amulets, as invincibility and evasion Magic to protect their lives. In Thailand, Gangsters and Gunmen, are known as ’Suea’ (Tigers), for their fearlessness. Luang Por Ta was known to Gangsters as ‘Luang Por Suea’ for his powerful and commanding enigmatic personality. Some would also call him ‘Por Suea Graben Yord Duan’, because he liked to make and was a master of Wicha Hang Graben Stingray Skin and Sting Talisman Making.

Luang Por Ta’s Kong Grapan Invincibility Magic was highly renowned with Military, and the Gangster Scene, who used his amulets as gunstoppers and evasive magical talismans to avoid bullets and blades. Luang Por Ta of Wat Paniang Dtaek was born in 2397 BE, and passed away in the year 2493 BE.

He ordained at the age of 15 years, and studied Buddha Magic with the Great Luang Por Daeng of Wat Tung Kork, Luang Por Chaem of Wat Ta Gong, Luang Por Tiang, of Wat Muang Chum, and Luang Por Wongs of Wat Phak Goot. He was famed for his Rian Lor Coins, Takrut, Look Sakot, and Pra Pid Ta Yant Yung amulets. The Takrut Mai Kroo Maha Yut Majurach is one of the highly revered and sought after items. He made many amulets between the years 2430 to 2480 BE, and continued making at a lesser pace thereafter until his passing in 2493 BE

Kata Bucha for Luang Por Ta Wat Paniang Dtaek

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Takrut Tone Ying Mai Ork Pork Nuea Krang 2 x 1.2 Cm Luang Por Tong Sukh 2470 BE
Takrut Tone Ying Mai Ork Pork Nuea Krang 2 x 1.2 Cm Luang Por Tong Sukh 2470 BE
Takrut Tone Ying Mai Ork Pork Nuea Krang 2 x 1.2 Cm Luang Por Tong Sukh 2470 BE
Small Version of Luang Por Tong Sukh's Legendary Takrut Pork Krang Amulet, that is extremely rare to find in this size.
SKU 04228
$135
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Pra Pim Pra Put Son Ha Pim Gaes 3 Plaay Nuea Maekasit See Tong Pla Hlai 2460 BE Luang Por Tap Wat Anong

One of the rarest models of this great olden days master of alchemical metallurgy, hand inscribed, and a Pristine condition Centenarian Amulet of immense rarity, and a very ancient and sacred Wicha, the Pra Put Pim Son Ha Gaes Sam Plaay, in Nuea Maekasit See Tong Pla Hlai Golden Alchemical Brazen Mercurial-Metal amulet of LP Tap (2.5 x 1.5 Cm). This exhibit is in in the extremely rare and beautiful See Tong Pla Hlai Golden Rainbow Flamed color, and a highly preferred Master-Class Pra Niyom amulet from the great Luang Por Tap of Wat Anongkaram (commonly known as ‘Wat Anong’). The rear face has received hand made Khom Agkhara spell inscriptions from the hand of Luang Por Tap


Free registered air parcel shipping worldwide is included with this item. The Pra Put Pim Son Ha Nuea Maekasit, along with the Look Om Maekasit, & Pra Pid Ta, are the most famous and outstanding amulets of the Pantheon of Luang Por Tap, as well as his ultra rare oblong shaped Pim Luang Phu Sukh. Both the Pra Put Pim Son Ha and Pid Ta Maekasit was made in multiple design variations, some of which were made in Pim Lek, Klang and Yai (small, medium and large).

Below; various models of Buddha images from the pantheon of Luang Por Tap


Luang Por Tap was an Olden Days Master Monk of the previous Buddhist Century, who was highly renowned for his Mastery of Alchemy, and Kata Akom Spellcasting Methods.

Below: all of the best known accepted major models of Pid Ta Maekasit Luang Por Tap

At that time, Somdej Pra Puttajarn Nuam was the abbot of Wat Anongkaram, and Luang Por Tap was a ‘Look Wat’ (one of the temple monks), but in truth, Luang Por Tap was much an elder monk to the abbot himself, and much more advanced in his practices. Luang Por Tap became immersed in the Wicha Len Prae Taat (Alchemical Metallurgy), and Mastered it until he could produce the legendary substance known as ‘Maekasit’ metallic alchemical alloy.

The Wicha Maekasit of Luang Por Tap was so famously powerful, that even the great Luang Phu Sukh of Wat Pak Klong Makham Tao in Chainat came, to exchange sorcery methods with Luang Por Tap, in order to obtain the Wicha Maekasit. This is perhaps how and why Luang Por Tap was able to also make Luang Phu Sukh’s famous Pra Pim Prapa MOndon R$asamee amulets so similarly to Luang Phu Sukh himself.

Luang Phu Sukh then took this Wicha back to Wat Pak Klong Makham Tao, and made many famous amulets of his pantheon using the Wicha Maekasit of Luang Por Tap, such as the oblong shaped Pra Somdej Prapa Mondon Sum Rasamee.

The Maekasit amulets of Luang Por Tap, are known to have different tones of color which shimmer through the metallic surface, tanging from silvery, to some most highly preferred exhibits with blackish, blue-green, golden (see tong pla hlai), or greenish metallic sheen, similar to the Bluebottle-Green-Purple metallic color of Lek Lai See Peek Malaeng Tap. There are a number of Great Master-Class amulets of Luang Por Tap, such as the Pra Pid Ta Maekasit, Look Om, and Prort Gror metallic Arahant Ball. Only very few Loom Prort Gror Were made, as they were used to place under the Uposatha Shrinerooms of Temples, and only handed out by Luang Por Tap on rare occasions. The most highly prized, rare and sought-after amulets of Luang Por Tap, were made during the time when both Luang Por Tap and the then abbot, Luang Por Nuam Puttasārō were both alive, and collaborating with amulets. Luang Por Tap’s amulet pantheon is one of the most fervently sought and collected in the high end amulet collector community, and are considered to be among the most powerful alchemical amulets of all Masters. Luang Por Tap made many models of amulets in Nuea Maekasit and Parort alchemical metals, some of the most well known being the Pra Pid Ta Maekasit, Pra Pim Pang Son Ha, Look Om Maekasit, the Look Prort Gror, and Pra Chayawat.

 

Luang Por Tap also inherited the Wicha Hung Nam Man Montra Saksit, for making Sacred Consecration Oil, from his Kroo Ba Ajarn Luang Por Nuam (6th abbot of Wat Anongkaram). Luang Por Nuam’s amulets are even rarer to find than those of Luang Por tap himself, but it is Luang Por Tap who gained more National and International Attention. The first edition Rian Run Raek of Luang Por Nuam is especially sought after and carries an immensely high market value in the present era. However, only a few were ever made, and so they are very rarely seen.

Luang Por Tap was also known to have been a close accomplice to Pra Sangkarach Pae of Wat Sutat, and Luang Phu Sukh ( Wat Pak Klong Makham Tao). it went on record many times that every time that Somdej Pra Sangkarach (Pae), would make an edition of the world famous Master Class Pra Kring and Pra Chayawat Wat Sutat, he would always invite Luang Por Tab to come and assist in the Buddha Abhiseka, and Nang Prok Empowerment Ceremonies, as a monk of Adept Sorcery.

As to Luang Por Tap’s friendship with Luang Phu Sukh of Wat Pak Klong Makham Tao, it is said they were extremely intimate friends, as they were both from Chainat Province. Luang Por Tap was born in 2374 BE, amd was ordained at a young age as a Samanera Novice Monk, and then disrobed to help his family, and later ordained a second time as a fully fledged Bhikkhu, in the year 2413 BE.

Kata Bucha  Luang Por Tap Wat Anong

At first, he resided at the temple of Wat Raman, for the first year, and then he moved to stay at Wat Anongkaram. Every time the rainy season retreat was over, Luang Por Tap would leave the temple, and wander the forests on Tudong, practicing Vipassana Kammathana Mindfulness and Jhanic Meditation, every year for 40 years, developing immensely advanced self control and self mastery, which caused Powerful Wicha to arise within his mind.

After 40 years of Tudong Practice, he became too old to continue, and stayed permanently at the temple of Wat Anong from 2457 BE onwards. It was in this time, that Luang Por Tap began to apply his Wicha, and make amulets with Maekasit Metallurgy, using Alchemical Parort Mercury, Silver, Gold, Lek Lai, and sacred Iron Alloys. Most of his amulets would be versions of Pra Pid Ta Nuea Maekasit, with a range of other amulets and talismanic charms, which are however found in much lesser numbers, and are extremely rare, such as the Pra Pim Son Ha, Pim Prapa Mondon Sum Rasamee, Pra Pim Nakprok, Look Om, Takrut, and Look Prort Gror.

Luang Por Tap’s famous Pra Pid Ta amulets are found in Pim Chalud, and Pim Tammada models, both of which were made in Pim Lek, Klang and Yai (small, medium and large), Pim Dtaeng and Pim Mai Dtaeng (refined, or not refined with filing). A very few amulets are sometimes found with a Yant, or Khom Inscription on the rear face, which are among the rarest of all his amulets, and considered to be World-Class Pim Niyom Masterpieces.

Luang Por Tap made his powerful Maekasit amulets up to his passing in the year 2480 BE, making his pantheon now a centenarian collection from over a Century ago. The Amulets of Luang Por Tap, are highly revered for Kong Grapan Chadtri Klaew Klaad Maha Lap Metta Mahaniyom Maha Ud power.

 


How to Pray to Thai Amulets (Chanting Kata);

How to Pray to Thai Amulets

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Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Free Shipping Worldwide (we do not state or declare true price to counter tarrifs tax on customers), & Offer of Free Solid Silver Casing Included
SKU 04783
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Hwaen Pirod Long Rak Chart Lacquer Coated Yant Cloth & Corpse Cord Warrior Ring of Fire Luang Por Muang Wat Ban Tuan

An early era and extremely beautiful Hwaen Pirod Long Rak Chart thick laquer coated Yantra Cloth and Corpse Cord Warrior Ring of Protection from the Great Luang Por Muang Pf Wat Ban Tuan. The Hwaen Pirod of LP Muang is a world famous Hwaen Pirod Ancient Warriors Ring of ancient lore, made from Corpse Cloth Yantra Sinjana Cords with Lacquer Ancient Amulet. An immensely rare and sought after amulet of Luang Por Muang, of Wat Ban Tuan.

Free EMS Registered Airmail Worldwide is included with this amulet. Estimated Circa 2450 BE or earlier. Luang Por Muang Jantasaro of Wat Ban Tuan, Amper Ban Tuan, Kanjanaburi Province, is an Old Gaeji Ajarn Guru Monk of Great Fame who was in his Heyday during the First World War. He was around in the same era as the Great Luang Por Ngern of Wat Bang Klan, and was a very famous and revered Master during those days.

His most famous and sought after ancient amulets were and are now more than ever, his Rian Pum Luang Por Muang (differing faces Hnaa Hnum and Hnaa gae/Young Old Face) of 2460 and also his Waen Pirod Warrior Rings of Protection, which are even more extremely rare to find these days. Even during the time he was still alive, is Waen Pirod were a most sought after item, and anybody who owned one would be unable to convince to part with it.

Nowadays, his Waen Pirod are amongst some of the rarest items to be found in Thai Amulet collectorship, in the ‘Krueang Rang’ (Occult Talismans) Category of Amulets. Serious Collectors and Devotees of Essentially Rare amulets and Talismans in the Thai Collector scene are known to be very fervent about wanting to own a Waen Pirod of Luang Por Muang, which are so difficult to find, as to make them the dream of many a collector.

Most ‘Sian Pra’ (expert collectors and traders) will not sell their Waen Pirod, but will only place it in competition or on show for admiration, but hardly ever are prepared to part with them for any price.

This is because those in the know, are aware that Luang Por Muang did not make so many of these rings, for the fact that his method of making them adhered to the Ancient Wicha and that this meant, that the extremely complex methods used limited the amount he was able to make. So he never made that many, and would also not hand them out easily to just anybody, because he never made them in any mass quantities

In those days, Guru masters would not allow their devotees to assist in making mass productions, and so each amulet would pass only through the hands of the master and be self made and self empowered (this rule of course, does not apply to the case of smelted coins of course, and is specifically true for talismans, Takrut and similar hand made amulets). Luang Por did not make them for fundraising or other reasons, and would only make them for special reasons in special circumstances, for specific persons or reasons.

Their magic power is also unquestioned, for the way that Luang Por Muang would perform his Ritual Method of creating and empowering these rings of power in the ancient traditional method of applied Wicha (Sorcery).

He would use ‘Pha Hor Sop Dtaay Hoeng’ (cloth used to wrap Hoeng Prai corpses who died in sudden circumstances – a prerequisite for Prai Necromantic Sorcery power to be at its most powerful) cloth for their making. He use the full and complete ‘Dtamra’ (formula of legend) of the Wicha used during the Ancient Ayuttaya period, which he had received passed down to him from his lineage Masters, which was used by the first Kings of Thailand (Pra Naresuan Maharaj).

Once he has made and bound the rings into their shape and form, he would then perform Invocations, and Ritual Methods of Empowerment, and then throw the rings into the blazing ritual fire. If the ring would burn, then he would destroy it and not use it, for this would mean that not enough Samadhi Meditative Concentration had been applied, and would begin again and make a new ring. Only the rings which did not burn in the fire, would be used. Those rings which proved through the fire test that they possessed true power, would be taken and covered in herbal lacquer to make them last for centuries (Pirod means burning flame, hence ‘Waen Pirod’ means Flaming Ring – and is fireproof).

Luang Por would use a reddish lacquer similar to Chinese lacquer which was used in those days, but which turns black in time. He would dip the rings many times to get a thick coating, but this kind of lacquer would slowly crack and form small openings as the years passed by, which is part of the immense beauty and attraction of the Waen Pirod of Luang Por Muang.

To authenticate and know what a real Hwaen Pirod (for indeed such a sought after item has many forgeries around) one should know to examinig the lacquer and see the slight cracks and the beige brownish sinjana cord and corpse cloth within that is visible through the cracks of the lacquer. One should also notice small areas of reddish tints where the original red lacquer color still resonates through the darkened lacquer surface.

Kata Pra Pirod for wearing and removal of the Magic Warrior Ring of  Protection and Power

Kata Waen Pirod

Om Pra Pirod Khord Pra Pinai

(Chant 9 Times when placing the ring on or hanging it on your neckchain for wearing)

Om Pra Pinai Klaay Pra Pirod

(Chant 9 times when removing the ring, or taking of your neck-chain or pendant holder)

Luang Por Muang’s famous Waen Pirod is reputed to have many magical powers, among them are said to be invincibility and safety in dangerous situations, as well as in the olden days, as people would have to enter the deep jungle, that the ring will protect against all sorts of dangerous animals, ghosts and demons, and poisonous beats such as cobras, scorpions and hunting animals such as the tiger.

Demons and Prai Hian Ghosts will not dare to approach. Maha Ud (Gun-Stopper), and protection agains all sorts of weaponry. This is a truly ancient amulet, and is is roughty one century old.


Charms & Talismans

Thai Buddhist, Animist, and Occult Charms and Talismans, authentically blessed by the great Monks and Lay Masters of Old, and Present Day

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Palad Khik Hua Manus Met Prakam 8 Cm Nuea Mai Gae Fang Ploi With Takrut Luang Por Pina

Palade Khik Hua Manus Human Lingam with Met Prakam Bead and Takrut on spellbound cord, with gemstone and met galam inserts, from the Great Luang Por Pina. This model is a form of Paetch Payatorn Deva. The Palad Khik of LP Pina are among the Most Famous Palad Khik amulets of all time, and one of the rarest and most sought after.

The Palad Khik Mai Gae carved wooden Palad Khik of Luang Por Pina (Wat Sanom Lao), is found in a multitude of forms, and are recognisable for his saecret Sacred na inscription, and the hand inscriptions of the Sacred Yant Na Ok Dtaek, and the invocation of the four elements.

 

These amulets are highly regarded for their power to invoke the power to attract others, treasured possessions, and ward off black magick. They are also full of Metta Mahaniyom, Maha Lap Klaew Klaad and Maha Pokasap Powers as well as the obvious Power of Serm Duang ability to improve fate and destiny.

Free EMS Registered Airmail Worldwide is included with this amulet The Palad Khik is in truth symbolic of the Shiva Lingam; The belief in the Shiva Lingam, or ‘Leungk’ (Thai pronunciation) phallic energy of the Palad Khik, is derived from the Brahman influence which has been inflected on Thai Theravada Buddhism, since both belief systems came to Siam more than one or two thousand years ago. It is believed that the Palad Khik Lingam energy is the source of all life forms in the Universe. This is the root of the act of reverence (Bucha/Poojah) to the Palad Khik as a Shiva Lingam, which honors Shiva as the Lord of the World.

In India, not only is the Shiva Lingam worshiped, bit there exists also a
cult which reveres the female sex organ, which is called the ‘Yoni’(Vulva, female counterpart). The same thought is applied as that used to revere the Palad Khik Shiva Lingam, that is to say, that all created things must spring out of the Yoni instead of the Lingam. Luang Por Pina made both Palad Khik Lingams and Yoni Vulvas, as well as Shiva Eye amulets.

The practice of making Palad Khik as a portable amulet, for ‘Bucha Siwalingk’ (praying to Shiva Lingam phallic Deity), entered Siam with the influence of the Khom race, whose language and alphabet the Thais absorbed and adapted into their own personalized fashion.

Some have said that the integration of Pre-Buddhist beliefs and traditions, into the Thai Theravada Buddhist practice of the common Folk, such as worshiping amulets like the Palad Khik, is not in contradiction to the practice of Buddhism and presents no obstacles.

In fact it is believed that since Buddhism sprang out of the roots of
Brahman Cosmology, and that the people of Siam adopted Pre-Buddhist
Brahman traditions and incorporated them, that this is even a benefit to
the preservation of ancient knowledge, and of Thai history and
tradition. Most of these ceremonies do not come into any kind of dispute
with Buddhist thought. In fact, Buddhist Thought bases itself on many
concepts found in Hinduism, and in Thailand, the two Beleif Systems can
hardly be separated.

This amulet is ‘Doo Ngaay’ (easy to see it is real), for its clearly recognisable from its inscriptions and appearance. It is hence considered Ongk Kroo (usable as a teacher), as a reference model for further study to increase the powers of recognition of authenticity of the top preferred Palad Khik amulets of Luang Por Pina. However, the Pantheon of amulets of LP Pina is one of the more difficult genres to study, for many were hand made, each individual, and only a small percentage of all the amulets he made has been officially documented to date.

This is for its easily recognisable features, which allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognize Luang Por’s famous amulets, as well as the effects of aging over the years (especially important with Sacred Powder amulets).

Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion. Below you can see another Sacred Amulet from this Master, the Famous Pra Pim Tao Wua Luang Por Pina.

It is said that Luang Por Pina was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs, and also can be beseeched and prayed to, for wish fulfillment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets, which have been recounted around the country over the years, which have also brought his name to the ears of people around the world.

Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.

But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.

Above Pic; The corpse of Luang Por Pina which was found in meditation posture, dead since over 12 Hours, but was still warm, and not stiff, to the immense surprise of those who found him. The surprise was because a corpse that is dead for over 12 hours, should be stiff as a board and cold.. his body was not mummified or given any special treatment according to his wishes and placed in his mausoleum.

How to Bucha Palad Khik

Below; Silver Takrut spell as tongue of the Chamot Civet Cat, and reat teeth tips are visibly inserted into the mouth of the Palad Khik Hua Chamot of Luang Por Pina, revealing an attention to detail and adherence to the Ancient Wicha of Empowerment of the Palad Khik Hua Chamot, that is both impressive, and faith instilling in its certain magical power.

Kata Luang Por Pina

Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Below; the Sacred Yant Hua Jai Na Ok Dtaek Heartbreaker spell inscribed on the Palad Khik, which is an essential aspect of the true Wicha Palad Khik of the Dtamra Saiyasart Thai Grimoires of Sorcery

Then chant the Kata for Luang Por Pina (3 times);

Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi

Kata Pluk Khong (Call the power within the amulet)

Puttang Gandtang Saranang Haa

Puttang Gandtang Saranang Hae

Puttaaa Namo Ya

Kata Pra Som Hwang (Fulfilment of Wishes)

Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)

Nadtae Sudtae

The last repetition, change the words to

Mahaa Sudtae Nachaa

As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;

Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa

If you wish to know more about another famous amulet of Luang Por Pina, then you can listen to the three quarter of an hour talk and explanation of the Sacred Daw Aathan along with a short Biography of Luang Por Pina, recounted and narrated by Amulet Expert Ajarn Spencer Littlewood in the below Podcast. In the podcast, You will be amazed to learn about the very deep meanings contained within the Daw Aathan Hnun Duang Lucky Star amulets of Luang Por Pina.

Please Enjoy the Biography, and Explanation of another very famous Amulet of Luang Por Pina, revealed; Perd Dtamnan Daw Athan Hnun Duang, and increase your knowledge of the amulets of Luang Por Pina.

Buddha Magic - Secrets of Luang Por Pina's Lucky Star Amulets

How to Bucha Palad Khik Amulets

Kata Paetch Payatorn LP Moon

Kata Bucha Palad Paetch Payatorn Tewada Hlong Hong

Analysis of Khom Agkhara in Yant Paetch Payatorn

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Pra Pid Ta Maekasit Thak Khorb Luad See Tong Pla Hlai 2460 BE Pim Dtor Baeb Dtaeng Luang Por Tap Wat Anong

A rare version framed at the temple, and a Pristine condition Centenarian Amulet of immense rarity, and a very ancient and sacred Wicha, the Pra Pid Ta Nuea Maekasit Alchemical Leaden Mercurial-Metal amulet of LP Tap, in Pim Dtor (1.6 x 1.5 Cm). This exhibit has original wire frame with fixture encasement, in See Tong Pla Hlai Golden Rainbow Flamed color, and a highly preferred Master-Class Pra Niyom amulet from the great Luang Por Tap of Wat Anongkaram (commonly known as ‘Wat Anong’).


Free registered air parcel shipping worldwide is included with this item. This amulet comes with a free download of a high-res pdf of the 103 page ebook “Pra Pidta Loha Metallic Amulet Encyclopedia“, included for download after purchase.

The Pra Pid Ta Maekasit, along with the Look Om Maekasit, & Pra Pim Son Ha, are the most famous and outstanding amulets of the Pantheon of Luang Por Tap. The Pid Ta Maekasit was made in several small design variations, Pim Chalud, and Pim Tammada models, both of which were made in Pim Lek, Klang and Yai (small, medium and large).

Below; example of a Pid Ta Pim Chalud elongated model amulet (right page)

Below : example of a Pid Ta Tammada Pim Dtor Klang medium size model amulet

Each model differs slightly depending on which block press. regardless of each block press, the amulets were released in two forms, ‘Baeb Dtaeng’ (filed down into a smooth and eloquent outer border), and ‘Baeb Mai Dtaeng’ (unfiled with wider irregular borders).

The Pantheon is also split into subcategories of Pim Dtor (Dtaeng and Mai Dtaeng, in small medium and large), Pim Chalud (higher more tapered angular model), Pim Maha Ud (bowed arms and legs model), Pid Ta Nang Yong (squatting model), the very rare Pim Gradum (button shape), and the Pim Siarn Hlaem (pointy head model).

Luang Por Tap was an Olden Days Master Monk of the previous Buddhist Century, who was highly renowned for his Mastery of Alchemy, and Kata Akom Spellcasting Methods.

Below: all of the best known accepted major models of Pid Ta Luang Por Tap

At that time, Somdej Pra Puttajarn Nuam was the abbot of Wat Anongkaram, and Luang Por Tap was a ‘Look Wat’ (one of the temple monks), but in truth, Luang Por Tap was much an elder monk to the abbot himself, and much more advanced in his practices.

Luang Por Tap became immersed in the Wicha Len Prae Taat (Alchemical Metallurgy), and Mastered it until he could produce the legendary substance known as ‘Maekasit’ metallic alchemical alloy.

The Wicha Maekasit of Luang Por Tap was so famously powerful, that even the great Luang Phu Sukh of Wat Pak Klong Makham Tao in Chainat came, to exchange sorcery methods with Luang Por Tap, in order to obtain the Wicha Maekasit.

Luang Phu Sukh then took this Wicha back to Wat Pak Klong Makham Tao, and made many famous amulets of his pantheon using the Wicha Maekasit of Luang Por Tap, such as the oblong shaped Pra Somdej Prapa Mondon Sum Rasamee.

The Maekasit amulets of Luang Por Tap, are known to have different tones of color which shimmer through the metallic surface, tanging from silvery, to some most highly preferred exhibits with blue, golden or greenish metallic sheen, similar to the Bluebottle-Green-Purple metallic color of Lek Lai See Peek Malaeng Tap.

 

There are a number of Great Master-Class amulets of Luang Por Tap, such as the Pra Pid Ta Maekasit, Look Om, and Prort Gror metallic Arahant Ball. Only very few Loom Prort Gror Were made, as they were used to place under the Uposatha Shrinerooms of Temples, and only handed out by Luang Por Tap on rare occasions.

The most highly prized, rare and sought-after amulets of Luang Por Tap, were made during the time when both Luang Por Tap and the then abbot, Luang Por Nuam Puttasārō were both alive, and collaborating with amulets. Luang Por Tap’s amulet pantheon is one of the most fervently sought and collected in the high end amulet collector community, and are considered to be among the most powerful alchemical amulets of all Masters.

Luang Por Tap made many models of amulets in Nuea Maekasit and Parort alchemical metals, some of the most well known being the Pra Pid Ta Maekasit, Pra Pim Pang Son Ha, Look Om Maekasit, the Look Prort Gror, and Pra Chayawat.

Luang Por Tap also inherited the Wicha Hung Nam Man Montra Saksit, for making Sacred Consecration Oil, from his Kroo Ba Ajarn Luang Por Nuam (6th abbot of Wat Anongkaram).

Luang Por Nuam’s amulets are even rarer to find than those of Luang Por tap himself, but it is Luang Por Tap who gained more National and International Attention. The first edition Rian Run Raek of Luang Por Nuam is especially sought after and carries an immensely high market value in the present era. However, only a few were ever made, and so they are very rarely seen.

Luang Por Tap was also known to have been a close accomplice to Pra Sangkarach Pae of Wat Sutat, and Luang Phu Sukh ( Wat Pak Klong Makham Tao). it went on record many times that every time that Somdej Pra Sangkarach (Pae), would make an edition of the world famous Master Class Pra Kring and Pra Chayawat Wat Sutat, he would always invite Luang Por Tab to come and assist in the Buddha Abhiseka, and Nang Prok Empowerment Ceremonies, as a monk of Adept Sorcery.

 

As to Luang Por Tap’s friendship with Luang Phu Sukh of Wat Pak Klong Makham Tao, it is said they were extremely intimate friends, as they were both from Chainat Province.

Luang Por Tap was born in 2374 BE, amd was ordained at a young age as a Samanera Novice Monk, and then disrobed to help his family, and later ordained a second time as a fully fledged Bhikkhu, in the year 2413 BE. At first, he resided at the temple of Wat Raman, for the first year, and then he moved to stay at Wat Anongkaram.

 

Every time the rainy season retreat was over, Luang Por Tap would leave the temple, and wander the forests on Tudong, practicing Vipassana Kammathana Mindfulness and Jhanic Meditation, every year for 40 years, developing immensely advanced self control and self mastery, which caused Powerful Wicha to arise within his mind.

After 40 years of Tudong Practice, he became too old to continue, and stayed permanently at the temple of Wat Anong from 2457 BE onwards. It was in this time, that Luang Por Tap began to apply his Wicha, and make amulets with Maekasit Metallurgy, using Alchemical Parort Mercury, Silver, Gold, Lek Lai, and sacred Iron Alloys.

Most of his amulets would be versions of Pra Pid Ta Nuea Maekasit, with a range of other amulets and talismanic charms, which are however found in much lesser numbers, and are extremely rare, such as the Pra Pim Son Ha, Pim Prapa Mondon Sum Rasamee, Pra Pim Nakprok, Look Om, Takrut, and Look Prort Gror.

 

Luang Por Tap’s famous Pra Pid Ta amulets are found in Pim Chalud, and Pim Tammada models, both of which were made in Pim Lek, Klang and Yai (small, medium and large), Pim Dtaeng and Pim Mai Dtaeng (refined, or not refined with filing).

A very few amulets are sometimes found with a Yant, or Khom Inscription on the rear face, which are among the rarest of all his amulets, and considered to be World-Class Pim Niyom Masterpieces. Luang Por Tap made his powerful Maekasit amulets up to his passing in the year 2480 BE, making his pantheon now a centenarian collection from over a Century ago.
The Amulets of Luang Por Tap, are highly revered for Kong Grapan Chadtri Klaew Klaad Maha Lap Metta Mahaniyom Maha Ud power.


How to Pray to Thai Amulets (Chanting Kata);

How to Pray to Thai Amulets

The Pra Pid Ta is one of the Great All Time Classics of Thai Amulets. Signifying the Buddha Entering Nirodha, this douses out all Sufferings. Some Pidta are for Maha Lap (Riches and Luck) and some are to remove debt (Plod Nee) and some are for Protection (Kong Grapan/Klaew Klaad, Maha Ud). Some people believe the Pid ta to be e bringer of 'Blind Luck' and Gambling Fortunes.

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Gradong Paya Tao Ruean Gae Hanuman Carved Shell Hand Khom Spell Inscriptions - Unknown Sorcerer

A Sacred Blessed Paya Tao Ruean Tortoise Shell with Hand Carved Lai Thai style Hanuman, Vanora Deity in the Thai Ramakien (Ramayana) and general of the Simian soldiers of Prince Rama, the Vishnu Avatar Deity of Ramayana. This hand carved and empowered Tao Ruean shell is embellished with Ancient Khmer Sanskrit Khom Agkara hand made spell inscriptons etched into the surface, and the Head of Hanuman, carved with immensely filigrain fine details, Most certainly a highly powerful and inimitable Master-Class Occult Magical Item of the ‘Krueang Rang’ Talismanic Variety, and is a master class carving from a top artisan. The exquisitely filigrain carved details of the images of Hanuman the Albino Vanora Monkey God, has outstanding decorative Lai Thai embellishments. This carving is so visibly, finely carved, that it can only have been made by a very accomplished Master Artisan, with the highest level of prowess. I the author (Ajarn Spencer), estimate this item to be about 60-80 Years Old (written in 2022). This fits with the late Era of the Great Ajarn Heng Praiwan, which is a highly probable origin of this exhibit, although unprovable.

The Tao Ruean Maha Pokasap is in itself considered to be imbued with Natural magical Power for Long Life, and Prosperity. But when such a Magical object is further empowered with the Wicha Yant Paya Tao Ruean, then the power of Maha Lap Maha Pokasap becomes immensely amplified, through the invocations which call upon the Great World Turtle, with its great compassion.

A Turtle/Toroise Yant would give long life, protection as well as riches, because tortoises and turtles live very long, have a hard shell for protection, and are considered lucky emblems. The Astrological meanings within both the Shell, and the Yant Paya Tao Ruean Spell, are also immensely powerful; It is well known that the number of lunar months are embodied in the number of plates of a turtle shell: “13 moons on Turtle’s back.” Turtle amulets have of course the special magical quality of generating long life. All achievements will come steadily, if perhaps not rapidly but surely and secure growth will be certain.

The Tao Ruean, is a very special animal, for it represents the Lord Buddha in one of his past lifetimes, as he was born as a Turtle. It is recounted in the ‘Ha Roi Chati’ (500 Lives of Buddha) story. The Buddha was alive as a turtle, who lived on a desert island on top of a mountain, practicing purity and morality. The turtle grew so large to be as big as the size of a house over the years. One day some sailors were shipwrecked on his island, and began to starve. They tried to eat the Areca nuts, which are of course inedible, and then when one of them died, they trussed the dead man up and roasted him to eat his flesh for survival. But this did not feed them for long, and they began to starve again.

As time passed and they got desperate and looked like they were going to begin killing each other and turn cannibal, the turtle looked down from the mountain and was filled with mercy. He thought ‘I do not have anything to give these poop humans to eat, except for my own body. May i donate my large body and its meat for these humans to survive, and may i attain Nibbana one day for this deed. The turtle then threw itself off the cliff, and fell bouncing down hitting the walls of the cliff, breaking its shell open, to land dead at the foot of the mountain on the beach in front of the sailors. The sailors then celebrated and paid respects to the great Paya Tao Ruean Turtle for his Mercy and Self Sacrifice, and survived until they were rescued by a passing ship.

When the people got safely back to port and came home, they began to fashion turtles from clay or metal or carved from wood and place as an object of reverence in their homes, to pay respect and as a memorial of the Paya Tao Ruean who saved their lives, and to remind them to practice compassion, and to keep them protected from Danger, and bring them Long Life.

Kata Bucha

Think of the Buddha, and all the Enlightened Buddhas of all the Three Times, in the Three Worlds, and their Great Attainments, and call upon their merits to Protect and bring you Prosperity, Health, Happiness, Wealth and Long Life. Then Chant the Maha Namasakara 3 times before the Kata for the amulet, to Revere and Invoke the Buddha first. This is necessary to perform before chanting any Kata to any Buddhist amulets.

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Kata Bucha Paya Tao Ruean

Na Ma Pa Ta Naa Sang Si Mo – Sang Si Mo Naa – Si Mo Naa Sang – Mo Naa Sang Si – Na U Ta Ga Mae Ma A U – A

The turtle is also a very meaningful Spiritual Symbol in many other Cultures of the World, such as the American Indian Belief system; Many Eastern North American aboriginal peoples tell how Sky Woman, Atanaesic, fell from heaven to land on the back of Turtle. Water-divers like Otter, Beaver and Muskrat tried to bring up mud to form the earth. Traditions vary as to which one was successful. Sky Woman dies there, giving birth to her twins who embody the principles of Good and Evil. The Buddha used a sea turtle to illustrate the precious rarity of opportunity afforded by our human birth. The turtle example appears in the scripture called in Pali, the Chiggala Sutta that is classified as LVI.48 of the Samyutta Nikaya. It is a metaphor known in English as The Hole:

  • “Monks, suppose that this great earth were totally covered with water, and a man were to toss a yoke with a single hole there. A wind from the east would push it west, a wind from the west would push it east. A wind from the north would push it south, a wind from the south would push it north. And suppose a blind turtle were there. It would come to the surface once every one hundred years. Now what do you think – Would that blind turtle, coming to the surface once every one hundred years, stick his neck into the yoke with a single hole?”
  • “It would be a sheer coincidence, Lord, that the blind turtle, coming to the surface once every one hundred years, would stick his neck into the yoke with a single hole.”
  • “It’s likewise a sheer coincidence that one obtains the human state.
  • It’s likewise a sheer coincidence that a Tathagata, worthy and rightly self-awakened, arises in the world.
  • It’s likewise a sheer coincidence that doctrine and discipline expounded by a Tathagata appears in the world.
  • Now, this human state has been obtained. A Tathagata, worthy and rightly self-awakened, has arisen in the world. A doctrine and discipline expounded by a Tathagata appears in the world.
  • “Therefore your duty is the contemplation: `This is stress (Suffering) . . . . This is the origination of stress . . . . This is the cessation of stress . . . . This is the path of practice leading to the cessation of stress (Suffering).”

Wicha Yant Paya Tao Ruean (Dtao Luean)

The Yant Paya Tao Ruean spell has so many different applications; you can inscribe it on a cake of Talc face powder/foundation, and use to powder your face with; People will feel pleased to see you, and you will be protected from people becoming unfriendly to you; even if your Boss at work is extremely angry with you, his anger will disappear immediately.

  • Use it to powder your face before entering a Court Case, and Your opponent will be silenced. Inscribe the name of the Person desired to be affected by the yant in the place where the letter “Pu” is (The centre square) write the person’s name first, then the letter “PU” on top of it.
  • If you wish to use this Yant to help you in an Exhibition/competition, inscribe the Yant on a sugar palm leaf along with the name of the targeted person. Place the yant under running water (such as a stream, fountain etc).Our opponent will be useless against us.
  • Another application is as a love charm; Inscribe the Yant on a sugar palm leaf along with the name of targeted person. Use the leaf to roll a cigarette with, blow the smoke towards the person we wish to lure, and they will fall in love with us.
  • If there is a matter to be solved inscribe Yant Paya Tao Ruean on candle paper (sai tien) and write the name of the other person/people involved, plus the name of the matter to be solved (write all over the Yant). Use the paper to wrap a candle with and light it:- Chant the kata until the candle goes out, take the ash residue from the candle and mix it together with some cooked rice (using your hand) – make 3 cakes out of it.
  • Give the rice to dogs to eat and chant the following:-

Ta Hmaa Pood Dai; Hai Man Wa Kwam Chana Gae Rao – Ta Hmaa Pood Midai Ya Hai Man Wa Kwam Chana Rao Dai Ley

The Kata means; “If the dog can speak – let him speak out against us and win – if the dog can’t speak – forbid him to speak out against us and win”. Then take your foot and tap the dog’s mouth 3 times, whilst saying; “A” (3 times = “A, A, A”).

Kata Paya Tao Ruean
  • Chant the “A” Syllable three times whilst sewing.
  • Pierce the catfish with a skewer and roast it on a grill fire whilst chanting the following;

Pla Nan Pen Yang Rai, Khor Hai Man Pen Yang Nan Terd.

  • Once the fish is roasted, give it to a dog to eat.You can give the dog one fish a day for three days and your problem will disappear. If your employer is angry with you; Inscribe the Yant on candle wrapping (thin paper) along with your employer’s name. Soak it in perfumed oil and light the candle in the same manner as one does when praying to Buddha. The person targeted will be unable to be angry with us.
  • If someone is making accusations (legal for example), take the yant on paper and a “Khong” seashell (a kind of clam). close the lid of the clam again, and for Paya Dtao Luean/Ruean. Your accuser will be powerless to speak out against us. If you are competing in an exhibition or test or competition of some kind, inscribe Yant Paya Dtao Ruean on a sugar palm leaf.
  • If it is a very serious matter to be dealt with; inscribe the Yant on paper along with the name of the other person involved. Roll the Yant up and stuff it in the mouth of a “Pla Duk” (Catfish), take the hair of a corpse who died a violent death or drowning and use it to sew up the mouth of the catfish (use exactly three stitches to sew it up).

  • Inscribe the name of Your competitor in the middle and the letter Pu in Khom on top of it. Place the Yant under running water (a brook, stream or waterfall for example). As the water flows offer the Leaf, our competitor will become weak and powerless. Can also be inscribed on a Banana leaf, rolled up into a cigarette using “Yaa Sen” (a thai tobacco alternative). Light the cigarette and blow the smoke towards the person we wish to charm; they will fall in love with us increasingly.
  • Please take heed that if you use a love charm on somebody and it works, there is a very strict rule you have to follow; namely that if the spell works you must never break up with him/her! If you make them love you they will be unable to live without you. Throwing that person away may lead to them killing themselves, or at least undergoing pain and sadness, more than the normal level that humans can usually withstand! So please be very considerate towards your newly gained lover if you use this kind of spell. abuse of a love spell on a person will bring you extremely bad Karma.

 

Kata Chants for Praying to Hanuman

The Hanuman Deity brings not only Invincibility and Protection, Charm and Victory, but also induces Lucky Fortunes for Serm Yos (Promotion of Status), and Increase in Intelligence and Fast-Wittedness. Hanuman will protect against evil, and prevent wealth loss, as well as attracting prosperity, and bring peacefulness to the household. Empowered with the powers and qualities of the great Vanora God Hanuman, to bring success in one’s endeavors, and with the protective Klaew Klaad and Wealth attracting Ud Sap Magic. Imbued with mercy charm, the Hanuman amulet is also reputed to subdue enemies, and increase popularity.

The Hanuman Vanora Monkey General God was a Denizen of the HImapant Forest, the son of the God Vayu (God of the Wind), and Nang Lady Swaaha, and has appeared in a multitude of Thai Buddhist and vedic Myths and Legends, including the Ramayana, The story of Ruesi Kotama (Lersi Kodom) and how his uncles Paya Pali and Chompoopan were turned into monkeys, and the Thai Ramakien Epic. His great Metta as well as his Loyalty and Bravery is always revealed in the legends, as well as the fact that he was immortal, as whenever he was killed, and the wind blew upon him, he would be brought back to Life, by the Breath of his Father Vayu the God of the Wind, Vayu. The Hanuman Vanora God is featured both in ancient Vedic literature, as well as in the Cosmological Pantheonon of Gods, as an Animist Deity from Vedic Lore that has been an integral part of Thai Buddhist People’s belief since the advent of Buddhism.

Kata Pluk Hanuman

Na Mang Pae Ling Mo Mang Bpaag Grabork Ya Mi Hai Ork Udtang To Ud Tang Ad Asang Wisulo Busapupa Ma A U Om Ya Puttaa Tayo Sadtrii Nisangho

Kata Sri Hanuman (Brahman)

Maruta Nandana Namo Namaha Kashta Bhanjana Namo Namaha Asura Nikandana Namo Namaha Shri Rama Dhuutang Namo Namaha

Kata Hanuman

Na Ma Pa Ta Hanumaana Waa To No A Ma Ma Wa

Kata Hua Jai Hanuman (Heart Mantra)

Ha Nu Maa Na (3 times)

There are a multitude of different specialized Kata for chanting to the Hanuman Deity in Thai Buddha Magic. Each Kata can be used for your different needs or time available.The Hanuman Deity brings not only Invincibility, Charm and Victory, but also induces Lucky Fortunes for Serm Yos (Promotion of Status), and Increase in Intelligence and Fast-Wittedness. Hanuman is the symbol of Loyalty, for his unwavering dedication and selfless service to Prince Rama as told in the Ramayana. He is charming, super strong, invincible, cannot die, wily and clever, and is the commander of all the Vanora Devas as their General.

Kata Hanuman Kluk Fun Kicking Up Dust Spell for Muay Thai Warriors

Hanuman can not only protect from dangers, black magic and ill fate, he can also bring winners luck to gambling tables, is an able seducer of maidens and nymphs, and is more or less a winner in every walk of life. His strength is immense and second to no God, for which reason he is the mascot and revered Deithy of Muay Thai Warriors, who call upon the power of Hanuman to defeat their contestants and opponents in battle in the ring. The Winning Power of Hanuman, will clear the way of difficulties, whilst making all ventures successful.

This item can only be stated as ‘Unknown Master’ because such Talismanic Bucha Occult Items are very individualistic, one-off, or if more than one made, each individual exhibit is always so different, that is is truly difficult to prove the origins. However, if i were to make an educated guess, i would recognize this Artisan’s work as probably having been carved by one of the Artisans of the Bangkok Ministry of Buddhist Arts, and most probably an Artisan of the Ayuttaya Region, judging from previous acquired items of similar style, which i know the origins of, being Ayuttaya. The similarity with this exhibit is so alike, that i wold assume this Paya Tao Ruean Bucha to be most probably from the Ancient Ayuttaya Lay Master, Ajarn Heng Praiwan. However, this is hard to prove, except that the inscriptions seem identical to those of Ajarn Heng. However, many of Ajarn Heng’s carved amulets were not of such fine quality Artisanry, except for a few of his most impressive exhibits. This leaves hence an element of uncertainty in my mind.

What I am most certain of however, is the fact that to obtain the shell, create the carving, inscribe and empower the Tao Ruen, is such a tedious procedure, and tiring in the performing of the Paya Ta Ruean Magic Spell and Ritual Empowerment, that it can only have been made by an Adept Sorcerer of the Highest Level. An extremely rare, and exquisitely beautiful carving, that is among the finest one could encounter. Carvings of this level of fine detail, adherent to the ancient rules of Lai Thai Ramakien Thai fine line art traditional design, are in themself, even when not powerfully blessed by great Masters (which this exhibit most definitely has been), also a piece of historical and cultural religious art, that is of the museum curation level.


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Takrut Hnang Hnaa Bpaag Suea Tiger Forehead Spell 2475 BE  1.5 Inches Luang Phu Nak Wat Arun

A classic Pra Niyom Category amulet that is extremely rare to encounter, and highly renowned for its Maha Amnaj, Klaew Klaad, and Kong Grapan Magic, the world famous Takrut Hnaa Bpaag Suea Tiger Takrut, of Luang Phu Nak (Pra Pimontam), of Wat Arun Rachaworaram. As a point of interest, Wat Arun is also known as the Temple of the Dawn, also known as ‘Wat Jaeng’, because both ‘Arun’ and ‘Jaeng’, mean ‘the Dawn’). Luang Phu Nak was a Guru Master-Monk of immense Status in the eyes of the community, with Great Merits to his name, and was renowned for his powerful mind and meditative ability.

Free Express Airmail Registered Shipping Worldwide is included with this amulet. He was said to be both full of Spiritual Merit, but also highly endowed with Wicha powerful Magical abilities, which arise as side effects of the diligent practice of a meditative Monk of high purity of mind.

He is considered to be the Master of all Tiger Forehead scroll Takrut of all history (arguably comparable by some, with the Takrut of LP Jong of Wat Na Tang Nork, LP Parn of Wat Bang Hia, and LP Bun of Wat Klang Bang Gaew).

 

It is It is said that in olden days during Luang Phu Nak’s time, his devotees would notice how when they passed a cowshed, even the Buffaloes would cower in fear at their sensing of the Magic of the fearsome Tiger emitted by the Takrut Hnaa Bpaag Suea of LP Nak. They would run to escape, as if a real tiger was hunting them.

Luang Phu Nak was extremely famous for various amulets, especially his Takrut, and above all, his Takrut Hnaa Bpaag Suea Tiger Forehead skin spell composed of Sinjana cord wrapped and lacquer covered skin of the forehead of a Suea Kroeng Tiger.

The Takrut Hnaa Bpaag Suea of Luang Phu Nak, is believed to posses immense Kong Grapan Chadtri Invincibility Magic of the Ancient Warriors, Maha Ud Gunstopper Magic, and Klaew Klaad Evasive Magic to Evade Death by Accidents, as well as powerful Anti Black Magic, and Metta Maha Niyom mercy Charm, with Maha Amnaj Commanding Power and Superiority Magic.

 

Kata Suea - Invocation of Tiger Spirit

Biography of Luang Phu Nak (Wat Arun)
Luang Phu Nak was born on the 3rd of January 2415 BE, in Ban Bang Poon, in the province of Pathum Thani. His father was named Mr. Nuan, and his mother was named Mrs. Luean.

When he was a young boy, he was sent to be educated by Pra Ajarn Kroo Forn, until he reached the age of 12 years old. At age 12, he was ordained as a Samanera Novice Monk at Wat Sarapat Chang. Pra Atigarn Hwang Tamma Chodti was his Upachaya Ordaining Officer Monk, who thereafter taught the young Samanera, who was to become the Great Gaeji Ajarn LP Nak, in the Dhamma Vinaya, until he came of age.

Luang Phu Nak was then reordained as a fully fledged Bhikkhu, through Pra Atigarn Hwang taking Luang Phu Nak to Luang Por Pra Tamma Warodom (Luang Por Daeng), of Wat Sutat in Bangkok (Royal Decree Monk and Abbot of the Temple at that time. This was the year of the Dragon in 2435 BE, when LP Nak was Ordained as a fully fledged adult Bhikkhun(Buddhist Monk) at the Great Temple of Wat Sutat.

He was Ordained by Somdej pra Wanaratana (LP Daeng) as Upachaya, and Pra Kroo Tamma Saree (Luang Por Hwang), of Wat Tian Thawaay in Pathum Thani as his ‘Koo Suad’ (Prompter, for one must memorize 45 minutes worth of Pali Language Chanting to Ordain, and cannot use the book to assist you, and therefore need a Prompting Officer to assist when you forget your lines). He was given the ‘Chaayaa’ (Monk’s name), of ‘Sumananaakoe’ (Companion of the Nagas), and in fact, his common name of Luang Phu Nak, means ‘Reverend Grandfather Naga’ .

Once he was fully Ordained, he began to study the Dhamma Pariyatti (Theoretical Dhamma) in the Samnak of Somdej Pra Wanaratana (LP Daeng), his first Kroo ba Ajarn. He also studied at the Samnak Praya Dhamma Breechaa Tim, and became Genial in his knowledge of this aspect of the study of the teachings of the Buddhist Canon.

In the Year 2433 he translated the Pariyatti Dhamma from Pali to Thai reaching the level of Prayoke 4 9 (four paragraphs), in O-Level/College Degree Grammatical Accuracy (no mean feat at such an early stage).
In the Year 2437, he translated the Pariyatti Dhamma from Pali to Thai reaching the level of Prayoke 6 University Entry level degree of Grammatical Accuracy, which was for Monks of that Era an Immensely Grand Achievement and proof of immense mental Intelligence. In the Year 2441, he translated the Pariyatti Dhamma from Pali to Thai reaching the level of Prayoke 7 in Grammatical Accuracy.

In the Year 2442, Luang Phu nak was awarded the status of Pra Racha Kana Tee Pra Racha Kana Kroo Sompoche (Royally Comissioned Advisor to the Abbot and Sangha Comittee) of Somdej Pra Wanaratana Luang Por Daeng. In the Year 2461 BE he was elevated to status of Pra Racha Kana Chan Rach Pra Racha Suree. In the Year 2464 BE, he was Royally Beseeched to become the Abbot of Wat Arun Racha Woraram, and Awarded status of Pra Upachaya (Able to Ordain others – a status given only to those monks who can recite the 1 hour long Patimokkha from memory).

In the Year 2467 BE, he was awarded the Royal Name and Status of Pra Tama Dilok. In the Year 2476, Luang Phu Nak was awarded the Name ‘Pra Upasika Kunupamajarn’ as a mark of national respect. In the Year 2482, he was raised once again in status to have the title of ‘Pra Racha Kana Chan Hiranyabadtr Pra Pimon Tam’.

Luang Phu Nak was hence a Genius in both the Pariyatti Dhamma (knowwledge of all the teachings of the Buddha), as well as the Practical side of Vipassana Kammathana Internal Undirected and Directed Mindfulness Practices, and Samatha Meditation, and Jhanic Kasina directed Meditations. He was also highly learned in the Wicha Puttasart and Saiyasart Buddha magic and Occult Sorcery, and was seen to possess the ability to empower amulets through his Vipassana Kammathana practices.

He learned most of his initial Wicha from Luang Por Hwang of Wat Tian Thawaay, who is the Master who initiated Luang Phu Nak into the secrets of the Wicha Takrut Hnang Hnaa Bpaag Suea, and the Wicha Long Yant Pha Prajiad Daeng (red Yantra Cloth Sacred Geometry magic), which was the most famous Wicha of Luang Por Hwang. There were many stories of guns refusing to fire upon those who wore these amulets, which only served to increase the faith of the devotees in the power of Maha Ud Kong Grapan Chadtri maha Amnaj within the Takrut Hnang Hnaa Bpaag Suea tiger forehead skin Yantra scroll spell, and the red Pha Yant Prajiad Yantra cloth.

In the year 2475 BE, Luang Phu Nak reached the age of 60, and the Sangha and Devotees, decided to make some Roop Tai Ad Grajok Khaw Hlaam Dtat(glass sealed photos in rhombus shape), as an official edition of amulets, to protect and increase the wealth and wellness of the local devotees and those near and far. In truth, Luang Phu Nak himself never issued the order or intention to make any amulets in his own image, and told the Devotees and the Committee that, if they were to do so, he didn’t want anything to do with it, and that they should go and see Pra Ajarn Pa of Wat Rakang, to ask him for advice and assistance in the making of the amulets.

Pra Ajarn Pa hence assisted, and issued them in the year 2471 BE. Once the amulets were made and blessed at Wat Rakang, the Devotees took the batch of amulets to Luang Phu Nak, who then performed empowerment over them, for distribution during the 50th ordained anniversary (60th Birth year) of Luang Phu Nak. Before the Ceremony of release and final Putta Pisek Blessing Ceremony, Luang Phu Nak made some hand made inscribed Takrut Hnaa Bpaag Suea Tiger Forehead Skins, bound and lacquered with gold leaf (some with, some not).

He only made a limited number, for handing out to his closest Devotees, which is one reason why the takrut Hnaa Bpaag Suea Luang Phu Nak is so rare to find, and therefefore, also highly valued. Luang Phu Nak would not hand these Takrut out frivolously, and would choose carefully who he gave one to, and would only issue them in small numbers. This was because the Wicha Takrut Hnaa Bpaag Suea he had inherited from Luang Por Hwang of Wat Tian Thawaay, required the Takrut to be made and completed on occasions of 5th Lunar Saturdays only, which are rare, and therefore made it impossible to make his Takrut in any large numbers.

The Devotees of the time would go to buy Tiger skin from the Jao Grom Ber shop in fromt of Wat Sam Plerm, as in those days, hunters and collectors of animal hides, bone, teeth and the like would take their wares to sell through this shop. (hides and parts, many of which are now prohibited to sell, but which in those days was common to see on the market). Luang Phu Nak would usually make his Takrut somewhere between 1 to 2 Inches long, which allowed for only a few Takrut to be made from one forehead skin, which was why his Takrut were rarely seen over 2 Inches long.

He would first immerse the forehead skin in holy water to soften the dry skin, and then scrape off the fur, to leave bare skin, and then use the skin to wrap into Takrut scrolls, which he would inscribe and empower with Wicha Maha Ud. He would also then once the skin was soft through immersion, inscribe further Khom Agkhara Sanskrit spells, to invoke the spirit of the tiger, using the Wicha Akarn 32, and the Wicha Hnun Taat 4, to reanimate the power and spirit within the tiger forehead. Luang Phu would then tie the wrapped Hnaa Bpaag Suea hide scroll with holy Sinjana cords, to prevent the scrolls from unwinding as they dried over the decades. The Takrut are seen to be lacquered, many with flakes of gold leaf visible. Most will have the Sinjana cord wrapping, but there are also some exhibits which do not have the Sinjana cord binding too (rarer).

Once the Takrut had been made on a 5th Lunar Saturday, Luang Phu would then keep them to empower in his Kuti hut until the next 5th Lunar Saturday occurred (however long that may be). And then, he would give a final Buddha Abhiseka empowerment and blessing to the Takrut, and issue them to his devotees thereafter one at a time during visits. The Takrut Hnaa Bpaag Suea of Luang Phu Nak Wat Arun, os a very rare amulet to behold in this day and age, and is one of the most preferred Maha Ud Kong Grapan amulets of all time.

Pra Pimon Tam Luang Phu Nak passed away in the year 2485 BE during the reign of his Majesty King Rama 5 at the age of 72 years and 6 months. Luang Phu Nak remains perhaps the most well remembered and respected, and revered monk of Wat Arun in the minds of Thai people of the last Century.


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Pra Pid Ta Ha Liam Hlang Yant Nuea Pong Kluk Rak 2430 BE Luang Phu Jiam Wat Kampaeng

One of the Great Classic Pra Pid Ta amulets of the Chonburi Province, from the Great Olden Days Gaeji Ajarn Master Monk, Luang Phu Jiam of Wat Kampaeng; The Pra Pid Ta Ha Liam 5 sided frame Nirodha Buddha amulet, in Nuea Pong Kluk Rak, Sacred Powders with Herbal Lacquer admixture, and Unalome on rear face.

Free Fed-Ex/DHL Shipping Worldwide Included Plus Offer of Free Casing with this exhibit. Luang Phu Jiam, was one of the Great and most highly revered and respected Monks of the Chonburi Province in his time, seen by both the Ordained Sangha, and his Devotees as a Maha Thera Master Monk with Miraculous Abilities.


His Pra Pid Ta amulets are among the rarest and considered a highly niche collector scene type Pra Niyom Category amulet, that is highly renowned for its beautiful and inimitably original Artistic Design, and powerful effects, which have become attributed to this amulet.

LP Jiam was born in the year 2398 BE, over a century and a half ago, during the time of His Majesty King Rama 4. He was ordained at Wat Kampaeng age 22, which is known by the fact that there is documentation in the Sangha records, that Pra Atigarn Jiam (LP Jiam), was the Upachaya Ordaining Monk of Wat Kampaeng, at age 44 after 22 years of ordination.

The records also include the recording of his elevation in status on various occasions with Royal Deccrees, and eventualy became the Jao Kana (Archbishop) of all Temples in the Chonburi Province. He served the Faithful Buddhist Devotees of Wat Kampaeng, and indeed the temples of the whole Province, right up until his passing away during the reign of King Rama 6, in the year 2454 BE.

The Pra Pid Ta of Luang Phu Jiam, is designed in the form of Pra Pid Ta Pakawambodee, and is classed as the No.4 top Pid Ta Amulet of all Chonburi Masters. Chonburi is perhaps the most famous {rrovince for its large number of great Masters of Wicha Pra Pid Ta, and most of the Great Pid Ta amulets of World Class Status are found to come from the Chonburi Masters. This makes it very difficult to explain just how popular a number 4 amulet is in the Pid Ta Category, due to the very many World Famous Pra Pid Ta Masters from this Province making such a large number of different Master-Class Pra Pid Ta , all of which are among the most collected and revered in the country.

Kata Pra Pakawambodee

Kata Bucha Pra Pakawambodee Pid Ta Sangkajjai

Chanting this Kata, is Good for increasing wealth, attracting treasured possessions, popularity, business sales and promoted status. In addition, Pra Pid Ta amulets, have the special abstract magical quality of increasing your common sense, mindfulness and wisdom is also present within this amulet.

The Pra Pid Ta amulet is considered to be an amulet with ‘Maha Ud’ and ‘Kong Grapan’ power (invincibility and gunstopping power), but is also made as a wealth bringer, in which case, the amulet will be called ‘Pra Pid ta Maha Lap’. In order to inflect a greater resonance for wealth attraction and auspicious blessings, in addition to the Maha Ud and Kong Grapan magic.

KATA PRA PID TA

How to Chant Kata Pra Pid Ta


How to Pray to Thai Amulets (Chanting Kata);

How to Pray to Thai Amulets

The Pra Pid Ta is one of the Great All Time Classics of Thai Amulets. Signifying the Buddha Entering Nirodha, this douses out all Sufferings. Some Pidta are for Maha Lap (Riches and Luck) and some are to remove debt (Plod Nee) and some are for Protection (Kong Grapan/Klaew Klaad, Maha Ud). Some people believe the Pid ta to be e bringer of 'Blind Luck' and Gambling Fortunes.

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Takrut Sangwal Luang Por Derm Wat Nong Po

Takrut Sangwal Hok Dork Wicha Pla Tapian composed of five hand inscribed Takrut Tone Tong Daeng, bound as a cord , from LP Derm Wat Nong Po, with highly unusual folded origami Takrut Foil Yantra spells in the form of Tapian Fish for good business and wealth, connecting the Takrut, and Metallic Met Prakam Rosary beads interspersed.

An Immense rarity to see from the Great Luang Por Derm of Wat Nong Po.The discoloration of the copper of the Takrut, the connecting segments, and the worn look of the cord from passage of time, reveals the authenticity, and true age of the amulet. This exhibit easily reaches the Era of Luang Por Derm’s Early-Mid Era, and is truly ancient.

Free Fed-Ex/DHL Worldwide Registered Express Airmail Shipping is included with this amulet. This is an amulet that will not have been made in mass, and is hand inscribed, and blessed by Luang Por Derm. Luang Por Derm blessed and empowered a great many different kinds of Talismanic Charms, and was very famous for his carved wood and ivory, and tooth amulets, for example his world famous ‘Singh Sam Khwan’ carved Himapant Lion amulets. This Sangwal takrut is one of the rarest items to encounter, especially in such beautiful condition, balanced composition, and honed with such fine artisanry. The Sangwal takrut Luang Por Derm is found in various forms, often with Pla Tapian Lucky Barbfish Attached, or other animist charms.

Luang Por Derm began to release these Takrut necklaces in the year 2457 BE, after he was nominated for a raise iin status. One thing to note about these Takrut, is that Luang Por Derm would adhere to the principle of ‘if the takrut are in Tong Daeng Copper, then all components of the takrut were also in copper. If silver, then all components should be in silver’. Meaning, that authentic Sangwal Takrut Luang Por Derm will have the Takrut and the connecting yantra foils made from the same material.

This exhibit has a 5 Takrut in Sacred Copper, with the hand inscription of the 5 Dhyani Buddha Yantra spell by Luang Por Derm. This Takrut is from mere naked eyesight easily authenticated for its obvious maker The Takrut are empowered to bring Protection, Evade Dangers, Commanding Power, Anti Black Magick, Good Karma, Increase Status, Remove Obstacles, and the Pla Tapian Entice Financial Business and Professional Success, Job Promotion, and Wage Rises.

About Pla Tapian

Pla Tapian is a Sacred Fish that appears in Vedic legends. Pla Tapian are seen as very lucky fish and are related to a story about the Sacred bird Nok Garawaek, in a story where the Ruesi in the Deva world sent a Garawaek bird to retrieve a magical tome from a Pla Tapian fish. Pla Tapian have been used as lucky charms since centures by both Thai and Chinese people.

Kata Pla Tapian

Sappae Chanaa Pahu Chanaa Prahma Sivang Namaa Mi Hang Ehi Jidtang Biyang Ma Ma

This is a great and also very widespread Kata to be used for Metta Mahaniyom and Choke Laap purposes. It is Brahmin Origin and calls upon Lord Brahma and Lord Shiva to make all people wish to come and buy goods from you, as well as bring great fortunes luck and popularity to you. Takrut and Yant Pla Tapian is also an invoked spell that invites the presence of the Tapian fish (a legendary Bodhisattva like entity from Vedic legend) to be present in the Yant.

Kata for chanting when making food offerings to the Pla Tapian;

Sappae Chanaa Pahu Chanaa Biyaa Yandti Aakaj ChaeyaAakaj Chaahi Aehi Aehi Jadt Dtang Bpiyang Ma Ma

The Great Luang Por Derm was Born on Wednesday 6 February 2403 BE and Died on Tuesday 22 June 2494 BE. He was one of the Greatest Masters of Thai Buddhist History, whose amulets, and famous ‘Mitmor’ ritual spirit knives are legendary around the whole wide world, for their authentic power, and Master Class Status. The Wicha of Luang Por Derm is continued to this day through his Looksit of the various Master Lineages.

 

HIs carved ivory, and wooden amulets are rare items, for they were made by individual Artisans who were Initiated and had received the Wicha, and ‘Korb Kroo’ Ritual Empowerment as permission from Luang Por Derm himself. Only such Lineage Master Initiates were allowed to perform carving or knife forging for Luang Por Derm, and even to this day after his passing, all the Posthumous Editions of amulets which derive from Masters who are Initiates of Luang Por Derm, must use only amulets and Artisanry which has been made by an Initiated Artisan.

This great Master and Abbot of Wat Nong Po, is believed to have chosen to be born on Earth in the village of Nong Po, to lighten the sufferings of Buddhist People, and to bestow them with Blessings to lead them on their way towards Happiness, and Alleviate their Sufferings, and Poverty. Legend tells that Luang Por Derm is believed to have been born once before with the same parents in Nong Po Village, but he died at an early age. The mother and father were so sad, and at the burial, it is said that they took a ritual knife, and made some marks on the feet of the corpse of the child.

They prayed for the child to be reborn with them, and that if this miracle would truly happen, that the newborn return of the child, would be marked on the feet with these marks. It is said that when Luang Por Derm was born, that he had the very same lines marking his feet, exactly where his parents had made marks on the feet of their deceased son. It is hence believed that this was the first Miracle of Luang Por Derm.

Luang Por Derm did not study much at school during his childhood, but after he ordained into the Sangha as a Buddhist Monk, he gave intense efforts and great interest to learn Bariyatti Dhamma (Theoretical Dhamma) with Luang Por Chom the then Abbot of Wat Nong Po at that time. He never stopped practicing and studying the various aspects of Dhamma Practice, Vinaya, Wicha Akom (Sorcery) and Lekh Yant Agkhara Khom, which He studied with Nai Pan Choo Pan, who was an Adept Sorceror who was resident within the enclave of Wat Nong Po Temple.

 

Nai Pan was a direct looksit of Luang Por Tao of Wat Nong Po who was an ancient Master Sorceror and Abbot of Wat Nong Po. He studied for seven years with this Master Sorceror, until his passing.. When his teacher Nai Pan passed away, Luang Por Derm then continued to practice and study Wicha with Luang Por Mee at Wat Bang Bon, another temple of the district in Nakorn Sawan, where he remained for a period of 2 Years. He also learned Tripitaka with Luang Por Num of Wat Khao Tong.

 

He also learned with Ajarn Yaem (a Lay Master who was Genius at both Dhamma Sermon Giving, and Wicha Akom). Luang Por Derm learned how to Preach Dharma, until he became an expert Preacher of Dhamma, and became recognized for his Immense Ability to interpret the difficult Dhamma Lessons and simplify them to explain to the Local Folk. Devotees would beseech him from all around the Province to come and Preach Dhamma to them.

Below; Hand Folded Origami Style Yantra Foil with Inscriptions are used as one of the connecting segments of the six Takrut Tone Tong Daeng on the Sangwal Necklace.

 

Luang Por spent many years performing Preachings. until one day he stopped, and said that every time he would go to tell others how to practice, and they wold give donations, that he thought it would be better to stop, and focus on teaching himself. he would send his apprentices who had learned well from him in his stead, and retired from this practice sometime around his eleventh year of ordination. he then focused on developing Vipassana Kammathana methods of self transformation, and dedicated himself extrememly diligently to develop the causes of enlightenment (Arahantship). he became famous for his ability to sit erect for many many hours, beyond the ability of other Masters.

 

It was here that Luang Por’s ability in Wicha Akom began to ascend to a very high level, and his magical abilities began to take form and become extremely powerful.The fruits of his practice and studies which began with Nai Pan, and the many Kroo Ba Ajarn who had passed Wicha on to him flourished.

Below; The Sacred Inscriptions of Luang Por Derm are visible on the Takrut

 

Luang Por still continued throughout this time to study with many other Masters, most of whose names are not known, for Luang Por Derm never really told others about his secret Masters, nor did he brag about the things he had learned and the places he went too learื them. It is however known that Luang Por did learn intensive Wicha Akom Saiyawaet with Luang Por Saban and Luang Por Taes of Wat Sap Tale, and Luang Por Wat Khao Nor.

The amulets of Luang Por Derm are far and few between to be found, for indeed the many devotees of Luang Por derm, are never prone to part with their amulets, which are highly revered as Buddhanussati Remembrance of the Great Master, and considered irreplaceabble for their Great Magical Power to Protect from Danger, Evade Hardships, and Nurture Success in LIfe’s Undertakings.


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Paya Kochasri Carved Ivory Elephant Lion Amulet

The Paya Kochasri of Luang Por Heng Wat Khao Din

Among the legendary non-Buddha amulets known as Krueang Rang in the Thai amulet scene, the hand-carved ivory talismans of Luang Por Heng of Wat Khao Din in Nakhon Sawan Province are recognized as masterclass creations. Of these, the Paya Kochasri, a mythological Himapant beast featuring the head of an elephant and the body of a lion, is highly sought after by serious collectors. Carved from naturally shed sacred ivory, these amulets represent a combination of commanding authority, known as Maha Amnaj, and protective and prosperity-bringing powers.

Paya Kochasri Carved Ivory Amulet Luang Por Heng Wat Khao Din

The Historical Context of Luang Por Heng and Wat Khao Din

Luang Por Heng was born in 2402 BE in Ban Maha Po, Nakhon Sawan, as the son of Mr. Sangkh and Mrs. Biam. He was given the auspicious name Heng, meaning good luck or good fortune in Chinese and Thai colloquial usage. From a young age, Heng demonstrated compassion for animals, often allowing birds to feed freely on his family’s farm fields, viewing it as a practice of generosity. He began his studies under Luang Por Tap at Wat Maha Po, mastering traditional medicine, known as Wicha Paet Boran, incantations, known as Wicha Akom, and the ancient elephant magic known as Wicha Kochasart.

Heng was ordained as a novice monk at Wat Maha Po at the age of twelve. After four years, he disrobed to assist his family on the farm. Upon reaching adulthood in 2423 BE, he reordained as a bhikkhu at Wat Maha Po with Pra Kroo Gim as his Upachaya. He studied the Dhamma Vinaya, astrology, and occult sciences under Luang Por Gim. Wat Maha Po possessed a significant repository of ancient grimoires, providing an ideal environment for his studies. The sacred, three-hundred-year-old Uposatha shrineroom, built with Maha Ud protective properties, was highly suited for empowering talismans.

Side View of Paya Kochasri Amulet

Situated on the Mae Ping River, Wat Maha Po received many visiting Tudong forest monks. Luang Por Heng learned various specialized Wicha from these traveling practitioners before embarking on his own Tudong wanderings. He traveled through the forests and caves of Thailand, Burma, Laos, and Cambodia over many years, practicing solitary meditation in dilapidated cemeteries and wilderness settings to strengthen his mental concentration. This intense practice allowed him to master animist magic, enabling him to invoke spiritual energies to inhabit his carved ivory talismans.

Luang Por Heng became the abbot of Wat Maha Po Dtai in 2434 BE. In 2449 BE, he was appointed abbot of Wat Khao Din. During his northern river tour that same year, King Chulalongkorn, Rama V, stopped at Wat Khao Din to pay respects to Luang Por Heng. Deeply impressed by the monk’s practice and scholarship, the King appointed him as a special prelate with the title Pra Kroo Pisish Somatokun. Luang Por Heng served the Buddhist Sangha for sixty-three years until his passing in 2485 BE at the age of eighty-three.

Luang Por Heng Wat Khao Din

Naturally Sacred Materials: Nga Gam Jad and Nga Gam Jaay

Luang Por Heng was highly selective about the materials used for his carvings, completely avoiding ivory from slaughtered animals. During his Tudong travels, he collected naturally shed ivory from two specific occult sources:

Nga Gam Jad is the ivory broken off by a male elephant in mating season when charging a tree in a state of high energy, leaving the tip embedded in the trunk. Nga Gam Jaay is ivory broken off during a battle between two herd leaders fighting for dominance deep in the jungle. In the Thai occult scene, these materials are classified as Tonsit, meaning naturally sacred substances that possess built-in spiritual force and protective properties even before formal consecration. Luang Por Heng used his mental concentration to purify these substances, inviting benevolent spiritual entities to inhabit the carved forms.

Pristine Carving Details of Luang Por Heng Kochasri

Paya Kochasri Amulet Luang Por Heng Front View

The Ancient Vedic Science of Wicha Kochasart

Wicha Kochasart is an ancient elephant magic system originating in the Vedic treatises of the Hindu Dtrai Taep. It is split into two major grimoires. The Dtamra Kochalaks deals with the spiritual and physical attributes of the elephant, identifying beneficial and destructive traits. The Dtamra Kocha Gam contains the mantras and incantations used for protection, healing, and control of elephants and forest spirits.

According to this lore, the sacred elephant, known as Chang Mongkol, arose from a lotus that emerged from the navel of Vishnu. It was split into four major families, each created by a deity to bring specific blessings:

The Brahma family elephant brings success, prosperity, and achievements to the nation and its inhabitants. The Shiva family elephant brings powerful status, command, and wealth. The Vishnu family elephant secures victory over adversaries, ensuring balanced rains and successful harvests. The Agni family elephant brings resources and protects the land from disasters.

Wicha Kochasart Elephant Lore details

Traditional Carving Art and Khom Agkhara Spells

This specific Kochasri is a Pim Yai, or large size, presenting the defined and crisp hand-carved lines characteristic of old Nakhon Sawan temple craft. Over decades, the ivory has aged naturally, acquiring a rich, honey-colored patina. On the base of the piece, hand-written Khom Agkhara spells are inscribed. These characters were personally written and empowered by Luang Por Heng to secure the amulet’s protective and wealth-bringing energies.

Khom Agkhara Spells Inscribed on Base of Amulet

The Paya Kochasri combines the spiritual qualities of the elephant and the King Lion, or Rachasri. The elephant represents intelligence, endurance, and royal status. The lion represents fearless bravery and Maha Amnaj, commanding power and influence. Carved from sacred ivory, the beast is endowed with powers of status increase, known as Serm Yos, aiding in career promotion and command, alongside Metta Mahaniyom mercy charm and Maha Pokasap wealth accumulation.

This pristine piece has been validated by specialists and was awarded the Second Prize Certificate of Authenticity at the official competition meeting of the Association of Amulets of Siam Thailand, held on November 25, 2561 BE. This certificate confirms its authenticity and masterclass status in the Pra Niyom category.

2nd Prize Certificate of Authenticity Association of Amulets of Siam Thailand

Luang Por Heng’s Standing in the Krueang Rang Pantheon

In the study of historic Thai ivory carvings, Luang Por Heng is considered a peak figure of the genre, standing alongside other masters such as Luang Por Parn of Wat Bang Hia, Luang Por Derm of Wat Nong Pho, Luang Por Say, and Luang Por Nok. His talismans are highly prized for their strong protective properties, particularly Kong Grapan Chadtri and Klaew Klaad, combined with Metta and Maha Amnaj.

Detailed View of Carved Ivory Amulet

Devotees can use the Kata Paya Rachasri for Kochasri and other Singha type Himapant lion deities. An instructional video is provided below for reference:


Ajarn Spencer Littlewood & Agent Gemini Unleashed for ancientamulet.com
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An ultra-rare, and, the most highly sought after amulet of all of this Great Master, and a most eminent and beautiful exhibit, of the top Preferred Masterclass amulet; The Rian Roop Khai Dtem Ongk, Pim Khor Bet Niyom (fish hook block press). with first prize trophy competition winning status, and certificate of authenticity, from the great Luang Por Ee, of Wat Sattaheeb.

Free Shpping EMS / FED-EX / DHL with this amulet. The amulets of Luang Por Ee are now almost impossible to find. Luang Por Ee is known of worldwide for his Palad Khik, but with serious students and aficionados, and Thai Devotees of this Guru, most famous for this First Edition Rian Roop Khai of 2473 BE (Most Highly Valued and sought after above all his other amulets, along with his Famous Palad Khik Charms, and Met Prik Chili Pepper amulets), as well as the later releases of 2485, 2504, 2511, and 2515 BE Monk Coins, his Palad Khik amulets, Hmak Tui, Takrut and Pid Tawarn amulets.

His Palad Khik and Pid Ta, and Wicha for making carved wooden, and other natural substance based amulets, and his Alchemical metal amulets, are believed to be among the most powerful of all Palad Khik. The Met Prik Chilli Pepper amulet is also one of his most highly soufght after and rarest Talismanic Charms, and is found in Pure Metal, and in Galabangha Dam Black Coral, and is a most inimitable, and finely crafted amulet of Pure Eminence.

This amulet won first prize trophy in Association of Amulets of Siam on 15th November 2561 BE, which was a competition that left Ancient Amulet triumphant with two exhibits of this most rare Master-Class amulet, which were entered into competition by Ajarn Spencer, this one winning first prize trophy, and one other we had collected over the years, which won second prize.

The Rian Run Raek Pim Roop Khai LP Ee of 2473 BE, is a top Pim Niyom Master Class amulet of Ultra Rarity, and Immense Spiritual Value, Magical Power, and a beautiful Antique Historical Buddhist amulet, as remembrance of the Guru, from one of the Greatest Masters in Thai Amulet History, that can only be considered an Ultra-Rarity, and highly desirable item for the devotee of LP Ee. The Rian Run Raek, is of course the most costly amulet in the Pantheon of amulets of Luang Por Ee, as well as the most highly regarded and revered, posessing World Class Status in the Amulet World.

The amulet is the first ever edition of Rian kanajarn Monk Coins which Luang Por Ee made in his long trajectory, The amulet comes with free  express  Shipping, & First Prizewinner Trophy, and certificate of 1st prize status and authenticity included, as well as custom made waterproofed solid gold casing in heavy gauge.

The special Custom Made Solid Gold Encasement was made by our best (and most costly) artisan, for only the best casing is fitting for this World Class Status 1st Prizewinning Coin of Ultimate Rarity and Sacred Value.

Luang Por Ee was one of the Great Olden Days Masters of Thai Buddhist History, and one of the Top 5 Gaeji Ajarn Guru Monks of the Chonburi Region. His amulets are as rare as they are popular with Thai Buddhist people, especially in Central Thailand. His amulets are highly recommended for their Sacred Value and High End Status, for they are as highly regarded and powerful as many amulets of other Masters of the same Era, and are known for their Powerful Metta Mahaniyom Klaew Klaad Maha Lap and Kong Grapan Chadtri Power.

Luang Por Ee Wat Sataheeb

The power of Luang Por Ee’s amulets goes unquestioned in the world of Thai Amulets, and the Amulet appreciation societies all acknowledge Luang Por Ee, fas a Grand Master of all time for the Wicha Pid Ta, and Wicha Palad Khik.

Many devotees over the years have reported immense successes after revering his Palad Khik, and it is said that the Palad Khik of Luang Por Ee are extremely powerful In those days, Luang Por Ee would allow his Looksit to carve Palad Khik and taught them to inscribe them with their own hand, before giving them to Luang Por Ee for empowerment and blessing.

However, the Met Prik Yoni amulets were made in much less numbers, black coral being rare to find and always only available in small amounts, and were carved in various shapes depending on each piece of coral, ranging from chili pepper shape, bullet shape, and three sided triangular shape.

The Palad Khik of Luang Por Ee are also categorised differently by their inscriptions;
1. Luang Por Ee’s own hand 2. Luang Por Lang’s Inscriptions 3. Luang Ta Pan’s Inscriptions (Luang Por Ee’s Nephew) 4. Ajarn Hngun’s Inscriptions 5. Ajarn Naen’s Inscriptions 6. Kroo Sukh’s Inscriptions – these were the most similar Inscriptions to those of Luang Por Ee.

Kroo Sukh was a teacher of the temple orphans and local poor children, who then ordained and apprenticed under Luang Por Ee, becoming a very close companion.
Pra Kroo Wora Waet Muni, or as popularly known by Thai Buddhist Folk, ‘Luang Por Ee’, is a name that is never confused identity, because Luang Por Ee was the first monk on historical record to go under this name. And so any mention of the name Luang Por Ee, can only be referring to the ‘One and Only’
Pra Kroo Wora Waet Muni.

Why did LP Ee make the Chili Pepper Amulet?

Many people have asked in the past ‘Why did Luang Por Ee make a chili pepper amulet?”. The truth is, that the name ‘Met Prik’ is a polite name for what the amulet truly represents. Luang Por Ee made the Palad Khik to represent the Shiva Lingam Male sexual organ, and the Met Prik, was made to represent the Yoni Vulva of Kali/Parvati.

Biography of Luang Por Ee

Luang Por Ee, was born to parents whose names were Mr. Kham, and Mrs. Iang Tong Kham, on Sunday the first October 2408 BE, which was the 11th Lunar Phase of the Year of the Ox. When he reached the age of 25 years old, he was ordained into the Sangha at Wat Ang Sila Nork, which is in the present day now incorporated with Wat Ang Sila Nai, into one temple called ‘Wat Ang Sila’.

Below; the famous Pra Pid Tawarn Yant Won Nuea Maekasit of Luang Por Ee – renowned for its Maha Ud and Maha Pokasap Power

Luang Por Pra Ajarn Jan Jantasō was His Upachaya Ordaining Officer. His Pra Gammawajajarn Prompting Officer was Pra Ajarn Tim. His Pra Anusawanajarn Witness was Pra Ajarn Daeng. His Upachaya Ordained him with the ‘Chāyā’ Monks Name of ‘Puttasārō’. In that very same time, Luang Por Ee submitted himself for service and apprenticeship in Wicha to the Great Luang Por Parn, or Wat Bang Hia, the Great Master of Wicha Suea (Tiger Magic). He also received apprenticeship to the two great olden days Master Monks Luang Por Daeng and Luang Por Hmuean.

Wat Sattaheeb is the temple which Luang Por Ee constructed with his own merits in the year 2442 BE, now well over a Century ago, and Luang Por Ee was of course the very first Abbot of the temple when it was built. Luang Por Ee was reputably able in Samatha meditation and Vipassana mindfulness practices. He was adept at entering, remaining in, and departing from the Kasina and Jhanic mindstates at will, and change his inner state of consciousness to dwell in whichever state was appropriate to the practice.

He stood out for his adepthood, which was noticeably superior to that of his peers in the Sangha, for his behaviour was impeccable. This was because of his ability to raise his mind above the powers of the vedhana (emotions), and not let them flood his mind with anger, sadness, stress, suspicions, and all the other manifestations of emotional and mental impediments and hindrances which arise within the psyche of a common unpracticed human being.

He was able to extinguish the negative emotions or afflictive emotions which arise from suffering the cold, the heat, hunger, thirst, aches and pains, and self created mental worries. Luang Por Ee is known to have never complained about anything, or say that he was suffering or displeased about anything. Even if he was ill, he never complained or moaned and groaned, or even told anybody about it. he would always remain in the same peaceful state, with full equilibrium. Luang Por Ee placed great importance on the value of a good education, and built the Rong Rian Ban Na Sattaheeb public school for the local folk of Sattaheeb.

Luang Por Ee created many different amulets and occult talismanic charms during his trajectory, including of course his legendary Palad Khik, which is considered co-leader of the status of top Palad Khik of all time, along with the Palad Khik of Luang Por Hluea. His Takrut are amongst the rarest and most highly favoured talismans, along with his Suea Yant (Yantra Shirts), Rian Kanajarn Monk Coins, Pra Pid Ta, ‘Pra Sam’ (Pra Tri Gaay), and ‘Pra Prohm See Hnaa’ (4 Buddhas in one votive tablet).

In the years 2483 – 2486 BE, Luang Por Ee released many powerful amulets during the Indo-China Wartime Era. He and his amulets received great acclaim for their powers, and attained equal fame with that of Luang Por Jad of Wat Bang Grabao, and Luang Por Jong (Wat Na Tang Nork). His Pra Sam and Pra See three and four sided Buddha amulets in maekapat Alchemical Lek Lai based magical alloy because very famous during the wartime era for Kong Grapan Chadtri Klaew Klaad protective/evasive powers.

In the latter years of his life, Luang Por Ee became afflicted with a large boil infection on his throat. This became noticeable in the year 2489 BE, but Luang Por Ee did not pay much attention to it. He once said in conversation when asked, that the boil had come to take his life. The boil became worse and worse until he was unable to leave the temple.

One day the boil spread to other boils and the sickness began to spread, and the devotees took Luang Por Ee to the hospital to operate. But Luang Por Ee said to his devotees ‘Never mind do not worry, it is my old Karma from the Deer of Hnong Gai Dtia, in a Previous Lifetime i killed a deer by shooting it in its throat. It is now catching up on me as Karma, and it is essential to work it off, and let it run its course’.

He had once told a close devotee that in a previous life, he had hunted deer in Hnong Gai Dtia forests, and shot an arrow into its neck in the spot where Luang Por Ee’s boils were forming. This was the reason Luang Por Ee gave for the boil on his neck, and the reason he accepted it as ‘deserved payback’.

Luang Por Ee believed this to be his Karma, and wished to end it by letting it run its course, and so ignored the idea of medical treatment in hospital. As time passed the ailment became very large, and Luang Por Ee was also weak from old age. Then, on the 20th September 2489 BE, Luang Por Ee called some monks to help him sit up, and then forbade anybody to touch him further. He entered the meditation posture, and began to meditate. And then something surprising happened; a Blackboard used by Luang Por Ee to make inscriptions which had been affixed to the walls of the Kuti and been hanging there for a long time without use, suddenly fell to the floor with a crash, and a mirror also fell at the same moment some meters distant from the Mai Gradan blackboard, and smashed into pieces.

As soon as the monks attending in Luang Por Ee’s Kuti Hut got over the shock, they noticed that Luang Por Ee, had stopped breathing and passed away in meditation at the very moment. The time was 21:05 Pm. The news of his death spread fast, that Luang Por Ee had passed away at the age of 82 years old, and the devotees rushed to the temple to attend and pay final reverences.

Below; Luang Por Ee

Even though Luang Por Ee is long since passed away, his fame remains for his great merits in building the temple of Wat Sattaheeb, and the Ban Na Public School, and his many other charitable deeds both for the Sangha, Buddhism and for the Local Folk, and his Devotees. His deeds are visible as the edifices he built in Sattaheeb, and in the amulets seen worn by his devotees, and those which stand in elevated positions within the great amulet showrooms, competitions, encyclopaedic works and and auction places

 

Ajarn Spencer Littlewood & Sovereign Amulet Agent (SAA) for ancientamulet.com
All rights reserved.

Rian (Metal Coins)

Sacred Coins and Medallions

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Masterpiece of Wat Phra Yat: Phra Pru Nang Pok Pho (2495 BE)

In the sacred lineage of Ayutthaya master monks, Wat Phra Yat stands as a beacon of alchemical wisdom and spiritual protection. Today, we unveil a truly exceptional artifact that challenges common misconceptions and offers a glimpse into the personal mastery of Luang Phor An Khantaro: the Phra Pru Nang (Pok Pho) Trial-Press Amulet of 1952 (B.E. 2495).

Phra Pru Nang Front Face

The exquisite front face of the Phra Pru Nang Pok Pho – Wat Phra Yat

The Lineage of Wat Phra Yat: From Master to Disciple

To grasp the significance of this amulet, one must understand the spiritual heritage of Wat Phra Yat. It begins with Luang Phor Klan Thammathoti, the foremost master of Ayutthaya and a legend of both Vipassana meditation and the occult sciences. His fishhook-type 1926 coins remain among the most sought-after in Thailand, known for their powers of invulnerability and protection.

His top disciple, Luang Phor An Khantaro, inherited the entirety of this sacred knowledge. In 1952, Luang Phor An decided to perpetuate the temple’s traditions by creating a new series of amulets. The miracle of this series lies in the base materials: sacred powders and fragments of broken 400-year-old Khun Paen amulets from the ancient Wat Yai Chai Mongkhon hoard.

Phra Pru Nang Rear Face

The rear face revealing the hand-inscribed Yantra and sacred additions.

Deciphering the Mystery: The “Trial-Press” Rarity

Collectors often believe that all of Luang Phor An’s 1952 series must be glazed. However, the truth known only to advanced specialists is that a “trial-press” (testing the mold) was always conducted before the final glazing. Some of these test pieces turned out so exceptionally sharp and perfect that the master set them aside to be specially consecrated and given to his closest disciples.

This uncoated specimen is one such rarity. It represents “original purity” that mass-produced glazed pieces cannot match. Under magnification, the clay body reveals a dense texture with natural oxidation patterns from the firing process, interspersed with white and orange sacred powder particles from the Wat Yai Chai Mongkhon hoard.

Sacred Details Close-up

The Three Sacred Elements on the Reverse

What elevates this piece to a one-of-a-kind masterpiece are the three elements on its back:

  1. Hand-Inscribed “Thao” Yantra: The master Yantra of the Wat Phra Yat line. The inscription is fluid, deep, and weighted, matching the specific curves passed down from Luang Phor Klan.
  2. Victory Candle Wax (Hyod Tian Chai): The orange-yellow stain is wax from the large candles used in the consecration ceremony, which has fully absorbed the power of the prayers and seals the sacred energy.
  3. Monk’s Robe Fragment (Jivara): Affixing a piece of the master monk’s robe is considered the highest form of blessing, representing purity, moral discipline, and an ultimate safeguard for the wearer.
Macro Detail

Conclusion: A Worthy Possession

Possessing this amulet means holding a “Chronicle of Sacred Art.” It documents the trial-press process and the personal benevolence of Luang Phor An. The owner is blessed by the lineage of Wat Phra Yat, gaining protection, immense charm, and prosperity in all endeavors.

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Wat Prayat, or, 'Wat Prayatikaram' was built during the Ayuttaya Era and was earlier known as 'Wat Pob Yaat', which means 'The Temple of Meeting with Relatives'. Wat Prayat became nationally famous temple through the merits and amulets of two great Abbots, namely the Great Luang Por Glan, and his antecedent Luang Por An.

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The Rarest Blue Khun Phaen Prai Kumarn

Luang Phu Tim’s 2515 BE Masterpiece

In the high-end pantheon of Thai Buddhist amulets, few items command as much reverence as the Pra Khun Phaen Pong Prai Kumarn of Luang Phu Tim Isarigo (Wat Laharn Rai). Today, we are presenting a truly exceptional and rare exhibit: the Blue Khun Phaen 2515 BE Pim Yai. This certificated competition-class amulet represents the absolute pinnacle of the Nuea Khaw Hniaw Sukh (Sacred Sticky Rice) category, enhanced by an incredibly rare light blue jungle vine tincture.

The Alchemy of Sacred Materials

The foundation of this masterpiece is the Pong Prai Kumarn powder, a substance formulated through ancient Khmer necromantic Wicha. Luang Phu Tim instructed his lay disciples to procure specific sacred ingredients, including the skull of a woman who died in childbirth—a spirit known as Tai Tang Klom. Through profound Samadhi and Buddhist meditation, Luang Phu purified this lingering spirit, elevating it to the status of a “Half-Deity, Half-Prai,” capable of rapid worldly intervention while remaining entirely benevolent.

What makes this specific exhibit (SKU 04815) so rare is the admixture of alms rice and sticky rice from the master’s own alms bowl, combined with the rare blue herbal tint (Ya Wan See Fa). This tincture was made from a specific jungle vine and is much harder to find than the more common bronze or white versions.

Technical Markers and Authentication

This exhibit is a Block 2 (Block Tong Hlueang) press. A critical feature for collectors is the Takrut Maha Bpraab (a single large protective spell scroll) inserted into the rear face. Authentic examples with this single large Takrut are significantly rarer than those featuring the twin Takrut Sariga Koo.

Rear Face Blue Khun Phaen Prai Kumarn 2515 BE Luang Phu Tim
Rear face with Takrut Maha Bpraab inserted

Under the eye loupe, the surface reveals a “fluffy” and rich texture—a natural reaction of the Muan Sarn Sacred Powders over decades. The blue tincture has aged into a deep, bone-dry patina that is almost impossible to replicate with modern fakes.

Side View Blue Khun Phaen Prai Kumarn 2515 BE Luang Phu Tim

Miraculous Power and Blessings

The blessings of Luang Phu Tim’s Khun Phaen are world-famous for their effectiveness in:

  • Maha Pokasap: Attracting immense wealth and commercial success.
  • Metta Maha Niyom: Compelling mercy, charm, and kindness from others.
  • Klaew Klaad: Protection from deadly accidents and spiritual obstacles.
  • Maha Saneh: Seductive attraction and professional charisma.

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Certified Authenticity

This exhibit comes with a full Authenticity Certificate from the Associates of Amulets of Siam Thailand. The certificate includes a digital ID that can be scanned to verify the record on the society’s official database, ensuring your investment is 100% genuine.

Rear Face Blue Khun Phaen Prai Kumarn 2515 BE Luang Phu Tim
Certificate of Authenticity for Blue Khun Phaen 04815

Note: This amulet includes free express shipping worldwide and a custom handmade waterproof silver casing.


The Pra Khun Phaen Prai Kumarn of Luang Phu Tim is the most highly esteemed and world famous of all Pra Khun Phaen amulets. In recent years, the 2515 BE Series Took the Amulet World by Surprise and has now become the most sought after and preferred amulet of Luang Phu Tim in the present age, above and beyond the 2517 BE edition, with a whole new genre and world of amulet societies that have sprung up around this classic, and now legendary edition, along with various other classics such as the Pra Khun Phaen Song Pol (released between 2510 and 2515 BE).

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Bia Gae Aathan Mee Khorb Tao Ruean Hum Luang Phu Kam Wat Po Bplam Featured

Bia Gae Cowry Shell Animist Charm with Turtle Casing from the Great Luang Phu Kam, of Wat Po Bplam

A very rare and beautiful example of the turtle shape encased version of the Bia Gae Aathan, of the Great Luang Phu Kam, of Wat Po Bplam. The Bia Gae of Luang Phu Kam of Wat Po Bplam, in Ang Tong Province, is counted as one of the five ‘Benjapakee’ Bia Gae of all time, along with the other 4 being the Bia Gae of LP Rod (Wat Nai Roeng), LP Bun (Wat Klang Bang Gaew), Luang Por Perm (Wat Klang Bang Kaew) and Luang Por Pak (Wat Bote). It is believed by devotees, that the Bia Gae of Luang Phu Kam, have immense power to ward off demons, ghosts and evil eye spells, as well as dissovle curses, and protect against poisonous beasts, and jungle fevers. They are said to also possess Maha Ud Gunstopper magic, and Metta Maha Niyom Mercy Charm, that recalls good luck into one’s life. This particular exhibit is encased within the form of the Paya Tao Ruean Turtle

In the early era of his Bia Gae making, Luang Phu Kam would be able to get his ‘Bia’ cowrie shells from the local area around the temple, but after the year 2493 BE, as his Bia Gae became increasingly famous and renowned for their power, it became necessary to send devotees to places by the ocean, in order to find enough cowrie shells to satisfy the needs of devotees. As to the Channaroeng and Krang Pastes used to seal the Bia Gae, it was taken from stingless beesnests found in the forest. or taken from Jom Pluak giant termite nests which were found in the vicinity around the temple.

As the needs of devotees rose, there was not enough Muan Sarn available from these sources of magical ingredients, and Luang Phu Kam was forced to have to seek farther afield for the sacred ingredients necessary to continue making Bia Gae amulets in the numbers needed for his devotees.

The Bia Gae of Luang Phu Kam differ from those of other masters in their making method; Luang Pu Kam would smelt sacred leaden alloy in a pot until it liquified, and then pour it into the interior of bamboo sticks about one foot in length. The bamboo was then sealed with simple cloth, and the bamboo was quicly shaken and agitated. This would cause the cooling leaden sacred alloy to form into small pellets. These leaden pellets were then used to ‘feed’ the Parort Mercurial Metal. This caused the Mercury to make a different sound when shaking the Bia Gae, more like a rattle than a soft ‘thud’ from the mercury sliding around within interior of the Bia shell.

Luang Phu Kam would then take the Mercurial Alchemical substance and use Incantations to make the Parort Mercurial alloy flow into the Bia Gae shells. To do this, he would place the Bia Gae on a large tray, and use Ya Kaa grass to beat the tray whilst chanting Kata incantations, until the Parort Mercury would flow into the Bia shells of their own accord. Then they would be sealed with Chanaroeng, and a Takrut foil with Khom Agkhara inscriptions.

There are some special models, enclosed within a metallic casing, some oval with decorative borders, others shaped like a turtle. Very few special models (Dtua Kroo) were made, whereas most of them would be left bare, or cord wrapped with the shell poking out visibly. In the case of his Bia Gae that are not enclosed within metallic frames, the copper Takrut Tong Daeng is visibly affixed to the Channaroeng Paste which closes the mouth of the Bia shell. It is said that some devotees once removed the Parort Mercury, and that it was seen to glow with an aura, like neon light.

Once Luang Phu had finished the creation and primary empowerment process, he would take the Bia Gae into his Kuti hut and perform further solo empowerments in privacy.One can recognize the early, mid and later eras of Bia Gae, from the difference in Channaroeng paste found in the seal of the BIa.

Early era amulets will have Channaroeng paste from the stingless bee or the giant termite nests around the temple. Mid era ramulets have Channaroeng paste with Ya Ruea, a herbal paste often used by fishermen and sailors to seal their wooden boats against leakage with. The third and later era, is seen to be made from Ya Ruea mixed with Pong Ittijae Yantra powders.

Devotees would often take the Bia Gae of Luang Phu Kam to be specially framed at an artisan, and framed with gold, silver or other brazen metal type frames. The Artisans would always stamp the enclosure of the Bia Gae frame with the Thai letters ‘Hor Mor Ngor’ (หมง), or sometimes the word ‘Kam’ (คำ), or ‘Heng’ (เฮง). In the case of exhibits which have the word ‘Heng’ stamped on the frame, this was the name of the Artisan. In the case of exhibits that have the letters ‘Hor Mor Ngor’ (หมง), this was and still is the code stamp of the firm of the Hor Mor Ngor Artisans, who to this day still use the same Hor Mor Ngor stamp to encase amulets with custom metal frames.

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ABOUT PAYA TAO RUEAN

The Paya Tao Ruean, as far as amulets are concerned, is associated with the powers of luck, long life, good health, good fortune , kong grapan and klaew klaad. Long life is insinuated due to the long lifespan of the Turtle. Metta, because of the Turtle’s pleasant and non-agressive disposition. The Tao Ruean Magic imbues the elemental qualities of both Water and Earth, due to the amphibian reptilian nature of this creature. The Paya Tao Ruean Turtle is indeed a significant part of Thai folklore and Buddhist beliefs. The turtle is considered sacred and holds a special place in Thai culture. While I cannot confirm every detail of the story you mentioned, I can provide information based on the general understanding of the Tao Ruean Turtle in Thai mythology and Buddhism. The Tao Ruean Turtle is believed to be an embodiment of Lord Buddha in one of his past lives. According to the story you mentioned from the ‘Ha Roi Chati’ (500 Lives of Buddha), the turtle lived on a desert island atop a mountain, where he dedicated his life to practicing purity and morality.

In the tale, when sailors were shipwrecked on the turtle’s island and faced starvation, they resorted to desperate measures, including attempting to eat inedible Areca nuts. Eventually, they turned to cannibalism, with one of them dying and the others contemplating killing each other for survival. Moved by compassion, the Tao Ruean Turtle decided to sacrifice himself by offering his own body as food to save the starving sailors. His act of selflessness and mercy is considered a profound demonstration of the Buddhist virtue of compassion. The turtle’s noble deed allowed the sailors to safely return to port and survive. As a gesture of gratitude and reverence, people began creating replicas of turtles, either made from clay, metal, or carved from wood, to serve as objects of worship and remembrance. These turtle representations are often placed in homes, temples, or sacred spaces as a way to pay respect to the Tao Ruean Turtle and to remind individuals to cultivate compassion and uphold moral values. They are also believed to provide protection from dangers and bring blessings such as long life.

The story of the Paya Tao Ruean Turtle exemplifies the Buddhist teachings of compassion, selflessness, and the potential for spiritual growth and enlightenment through virtuous actions. It has become an integral part of Thai cultural and religious traditions, inspiring people to emulate the turtle’s virtues in their own lives.

Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets

Ancient Amulet - Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets') Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days

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Bia Gae Thak Chueak Perd Hlang Mee Hoo Luang Por Tat Intachodto Wat Karuhabodee Circa 2480 BE Featured

Bia Gae Thak Chueak Perd Hlang Mee Hoo Luang Por Tat Intachodto Wat Karuhabodee, Sacred Cowrie Shell with 32 teeth Mercury Filled, and wrapped with cord. This exhibit is a Pim Perd Hlang Mee Hoo (opened hole, with pendant hoop), which is one of the preferred versions made by Luang Por Tat.

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Free EMS Express Airmail Shipping Wiorldwide is Included. Ancient Bia Gae Cowrie Shell Cord Bound amulet, of the Great Luang Por Tat, of Wat Karuhabodee, (first apprentice of Luang Phu Rod of Wat Nai Rong). This exhibit is a perfect ‘Dtua Kroo’ example for examination, for it possesses all the necessary facets and aspects of authenticity for students to examine and train the eyes with, and is hence not only a powerful amulet of immense repute, but also, most certainly a Dtua Kroo (Teacher Exhibit for Reference Study).

Luang Por Tat Intachoto was the 7th Abbot of Wat Karuhabodee temple in Bang Yee Chan in Bang Plad (Now part of Bangkok, then still countryside). He was ordained by the Great Luang Phu Rod of Wat Nai Roeng.

Luang Por Tat became the first apprentice in Wicha Saiyawaet and Puttasart Occult Magic and Buddha Magic to Luang Phu Rod, especially the Wicha Bia Gae, which was his first and foremost Wicha. He developed his methods of sorcery so far as to equal those of his Kroo Ba Ajarn Luang Phu Rod, and became equally recognised for his powerful Bia Gae amulets.

 

Both Luang Phu Rod of Wat Nai Rong, and Luang Por Tat himself have little recorded history about their biographical details, apart from what has been retold by aged members of devotees in olden days. Both Luang Phu Rod the Mentor, and Luang Por Tat himself, were equally highly renowned for Wicha Bia Gae Cowrie Shell amulets, and Hmak Tui.

The Bia Gae of Luang Phu Rod and Luang Por Tat, are considered among the legendary Talismanic Charms of Historical fame, and classed among the members of the ‘Benjapakee’ Top 5 Bia Gae amulets of all time, along with LP Bun, LP Kam, LP Perm and LP Pak.

Kata Bucha Bia Gae

He distributed them to his devotees constantly throughout his trajhectory, which resulted in many tales of success, miraculous ending of indebtment, lucky windfalls, and wondrous tales of lifesaving miracles from those who wore them.

This caused Luang Por Tat’s Bia Gae to become renowned around the whole nation, and eventially his fame and popularity spread devotees in other South East Asian countries, especially with those who were seekers of powerful magic, and serious collectors of authentic magical amulets of authentic Masters of Old.

When Luang Por Tat passed away (exact Date Unknown), the Wicha had already been passed down to his own apprentice Luang Phu Ploi, who also made many Bia Gae during his trajectory onwards after LP Tat, until the year 2491, when Luang Por PLoi made his last edition, and decided to leave Wat Karuhabodee, and passed the secrets of the Wicha of LP Tat on, to reside within the Grimoires of the temple of Wat Karuhabodee.

Luang Phu Ploi left Wat Karuhabodee, to return to his birth-land of Nakorn Sri Tammarat, leaving the Wicha Bia Gae of Luang Phu Rod. passed through Luang Por Tat, to remain at the temple of Wat Karuhabodee.

The Bia Gae of Luang Por Tat (and his Looksit LP Ploi) are said to be highly powerful protectors against black magic and poisonous animals, and to evade debts, and attract wealth, as well as for their evasive and protective powers, and the power to heal.

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Pra Pid Ta Maekasit Pim Hoo Gradtay with Certificate Hand Inscriptions - Luang Phu Nak Wat Huay Jorakhae Featured

Officially Certificated Pra Pid Ta (Pid Tawarn) Hoo Gradtay (rabbit eared) model of the sacred Maekasit alchemical metal amulet of the great Luang Phu Nak, of Wat Huay Jorakhae. Th Pid Ta Maekasit is a highly revered amulet created by the late great Thai monk Luang Phor Nak of Wat Huay Jorakhae temple in Nakhon Pathom, Thailand. The Pra Pid Ta, also known as “the closed-eye Buddha,” is a representation of the Lord Buddha in deep meditation, entering the state of Nirodha, and is believed to bring blessings of protection, good luck, and wealth to the wearer.

This item includes a free download of the Ebook “Pra Pid Ta Loha Ebook (printable version 212 MB)” and a 3 megabyte Light mobile version to carry on mobile phone for fast scrolling.

The Pra Pid Ta amulet created by Luang Phu Nak was made usually in Nuea Maekasit alcemical metal, but also in sacred loha chanuan bronze and other brazen metal mixtures (less often seen). I is said that Luang Phu Nak himself, was a great master of alchemical metallurgy, and the Wicha Pra Pid Ta. It found in medium and small sizes (Pim Lek & Pim Yai) and has various models sch as the Pra Pid Ta Hoo Gradtay ‘Rabbit Ears’ model.

It is believed that the Pra Pid Ta amulet of Luang Phu Nak has the power to protect its wearer from harm, bring good luck, and attract wealth and prosperity. Some of the Pra Pid Ta of LP Nak possess hand inscriptions scraped onto the surface of the metal, with Khom Agkhara and Sacred Yant.

Pra Pid Ta amulet represents a meditating Buddha entering into the state of Nirodha. Nirodha is the third of the Buddha’s Four Noble Truths and refers to the attainment of the cessation of suffering. The image of a meditating Buddha is representative of the amulet’s ability to bring peace and block out all forms of inauspicious events and bad luck, protect against all dangers and black magic. The amulet is believed to have the power to block out negative energy and to protect the wearer from harm due to the reputation of the creator and his spiritual energy.

LP Nak was a well-known Thai Buddhist monk and the abbot of Wat Huay Jorakhae temple in Nakhon Pathom, Thailand. He was well-known for his spiritual teachings and wisdom, as well as his ability to craft powerful amulets. His reputation as a powerful spiritual leader, combined with his ability to craft powerful amulets, ensures that his legacy lives on, and his amulets are highly sought after. He died in 1959, but his teachings and amulets are still revered and respected by many Thais and people all over the world.

Many people in Thailand and around the world believe that the Pra Pid Ta amulet of Luang Phu Nak is particularly powerful for Kong Grapan/Klaew Klaad Protection Magic, due to the reputation his Pid Ta developed over the years as many stories of lifesaving miracles were recounted by devotees who wore the Pid Ta of Luang Phu Nak. Luang Phu Nak was known for his deeply spiritual teachings, and his ability to create very powerful amulets, and many people believe that his amulets possess his spiritual mind energy even after his passing. The Pra Pid Ta amulet of Luang Phu Nak is also highly sought after by collectors and those interested in Thai Buddhism and culture. Many people consider it a valuable possession and it is often passed down from generation to generation as a family heirloom amulet.

The Pra Pid Ta amulet of Luang Phu Nak is a highly revered and powerful amulet created by the late Thai monk Luang Phor Nak of Wat Huay Jorakhae temple in Nakhon Pathom, Thailand. It is believed to bring blessings of protection, good luck, and wealth to the wearer, and is highly sought after by collectors and those interested in Thai Buddhism and culture. The reputation of Luang Phu Nak as a powerful spiritual leader, and his ability to create powerful amulets, makes this amulet particularly valuable and powerful.

LP Nak, was a Thai Buddhist monk who lived in the 19th- 20th century. He was the abbot of Wat Huay Jorakhae temple in Nakhon Pathom, Thailand. He was born in 2358 BE (1884) and passed away in 2452 BE (1972). LP Nak was known for his great compassion and spiritual wisdom, and was a great giver of spiritual teachings, as well as his skill in creating powerful amulets. He was highly respected by the local community and by other monks in Thailand. He was also known for his generosity and mercy, and his dedication to helping others.

During his tenure as abbot, he worked to strengthen the spiritual community at Wat Huay Jorakhae and to provide guidance and support to the local population. In addition to his work as an abbot, LP Nak was known for his skill in creating powerful amulets. He was able to create amulets using various materials, including clay, metal, and even human bone. His amulets were believed to possess spiritual power and provide protection to the wearer. They were often inscribed with sacred texts or mantras, and were highly sought after by the local population and by collectors. LP Nak’s amulets are very highly valued in the present day, and many people in Thailand and around the world believe that they possess spiritual power. His amulets are often passed down from generation to generation as a family heirloom, and are considered a valuable possession.

LP Nak may have passed away long ago, but his legacy continues to be felt in Thailand and around the world. He is remembered as a wise and compassionate spiritual leader, and his amulets are still highly sought after by aficionados, faithful devotees, collectors, and those interested in Thai Buddhism and Thai culture. To this very day, the lineage of abbots of Wat Huay Jorakhae still make and release Pra Pid Ta amulets of the Wicha passed down to them through a constant succession in the magical lineage of LP Nak.

The Pra Pid Ta amulet of Luang Phu Nak, is believed to be particularly powerful because it is believed to possess the magical energy of the monk who created it. As LP Nak is considered a highly respected and powerful spiritual leader, it is believed that his Pid Ta amulets will always possess his spiritual energy even after his passing, without ever fading. Thew Pid Ta Maekasit amulet, is considered the most famous and powerful amulet created by LP Nak.

Background Info on Pra Pid Ta

Since very early times in Thailand, Pra Pid Ta amulets, as well as Pra Pid Ta in the shape of Pha Yant and Bucha sculptures, have been made as objects of adoration and protection. Using the Buddhist sculpture and art that was accessible at the time, the artisans of that era developed a variety of styles and interpretations. Various Buddhas, Bodhisattvas, or Deities are fashioned into the posture of Pra Pid ta, or Pid Tawarn (meaning “closing the orifices”), to create the Pid ta posture (‘Pid Ta’ means “covering the eyes”). Pid Tawarn can seal 7, or 9 orifices (the number 7 is referred to as Pra Pid Sadtatawarn, while the number 9 is known as Pra Pid Navatawarn). The Pra Pid Ta amulet, also known as “the closed-eye Buddha,” is believed to bring blessings of protection, good luck, and wealth to the wearer.

The Pra Pid Ta amulet, represents a meditating monk entering into the state of Nirodha. Nirodha is the third of the Buddha’s Four Noble Truths and it refers to the attainment of the cessation of suffering. In Buddhist teachings, Nirodha is understood as the state of being where all mental defilements, such as ignorance, greed, and hatred, have been completely eliminated. This state is reached through the practice of meditation and the cultivation of wisdom, and it is considered the ultimate goal of Buddhism.

The third of the four noble truths, according to Buddhist tradition is defined as Nirodha Sacca (also spelt Nirodha Sacca in Pali; Nirodha Satya in Sanskrit). Sacca denotes “truth” or “reality,” whereas Nirodha means cessation or extinction. Therefore, the translation of nirodha sacca is generally “truth of cessation” or “truth of the cessation of suffering.” It explicitly refers to the cessation of Dukkha (suffering) and its causes; the resultant experience is defined as nirvana. Nirodha can indicate a variety of things, such as release, cessation, extinction, the end of dukkha, and “control or restraint.” The cessation of all unsatisfactory experiences and their causes in a way that prevents them from occurring again is what Nirodha Sacca means. It is their elimination, complete absence, cessation, and ceasing from existing.

The Pra Pid Ta image, is that of a meditating Buddha entering Nirodha, is representative of the amulet’s ability to bring peace, and block out all forms of inauspicious events and bad luck. It is believed that by wearing the Pra Pid Ta amulet, the wearer will be protected against all dangers and black magic. The amulet is believed to have the power to block out negative energy, and to protect the wearer from harm. The Pra Pid Ta Maekasit alchemical metal Norodha Buddha amulet, is a most famous amulet for self protection, with Kong Grapan Chadtri, Klaew Klaad, Metta, Maha Pokasap, and Maha Lap Magic.

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Kata Pra Pid Ta

Namo Puttassa Kawambadtissa Namo Tammassa Kawambadtissa Namo Sangkassa Kawambadtissa Sukha Sukha Warang Na Mo Puttaaya Ma A U Tugkhang Anijjang Anatta Jewa

The Pra Pid Ta is one of the Great All Time Classics of Thai Amulets. Signifying the Buddha Entering Nirodha, this douses out all Sufferings. Some Pidta are for Maha Lap (Riches and Luck) and some are to remove debt (Plod Nee) and some are for Protection (Kong Grapan/Klaew Klaad, Maha Ud). Some people believe the Pid ta to be e bringer of 'Blind Luck' and Gambling Fortunes.

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Look Om Jindamanee Nuea Chompoo Pra Palad Parn Wat Tukata Circa 2460 BE (Kroo Ba Ajarn of Luang Phu Bun) Featured

A rare small version of the immortal Look Om Jinda Manee Montr, in Nuea Chompoo Pink Tone, of Pra Palad Parn, of Wat Tukata, (Nakorn Pathom). This exhibit is made in Luang Por Pra Palad Parn’s World Famous Jinda Manee Powders, in small Pim Lek size (Circa 1.2 cm), in perfect condition, and a very fine exhibit of this Great Master.

Pra Palad Parn, was an Adept at Muan Sarn Sacred Powders and the Wicha JInda Maha Mani Montr.He was also Kroo Ba Ajarn of such World Famous Top Masters as the Great Luang Phu Bun of Wat Klang Bang Gaew.

The Look Om of Pra Palad Parn, is considered by many to be among the Top 5 Look Om of all time, undisputedly by most aficionados. However, we must add, that for us, the ‘top 5, top 10’ are human opinionated concepts, and are matter of opinion and general trending thought more than a measure of magical power.

Hence, one may see different publications name different top master amulets Pra Palad Parn was the Kroo Ba Ajarn of the Great Luang Phu Bun of Wat Klang Bang Gaew, who received and perpetuated the famous Wicha Jinda Manee Montr, which he received from Pra Palad Parn, and passe down the lineage further at Wat Klang Bang Gaew to give to Luang Por Perm, Ajarn Bai, Luang Phu Juea, and Luang Por Kong (Sanya) thoughout the ages.

Pra Palad Parn was a Master of the Wicha Jinda Manee Montr, and known for his power of Metta Maha Niyom, and was reputedly able to call crows and vultures to land on his arm and stroke their heads, as well as being able to call the fish up to the surface of the water in the Kong Bang Gaew river. He would call the animals and fish, to appear during the Kathina robe offering ceremony, which Thai Buddhists perform every year, to donate robes to the Monks.

 

The Look Om of Pra Palad Parn, are considered one of the top 5 Look Om of all time, along with the Look Om Yant Grao Patch of Luang Por Parn (Wat Bang Nom Kho), Look Om Maha Gan of Luang Por Kong (Wat Bang Gaporm), Look Om Jet Paya Chang Sarn of Luang Por Ding (Wat Bang Wua), and the Look Om of Luang Por Pring (Wat Bang Bakork). One of the most difficult Look Om amulets of all to find in the present day.

Below; A study and synopsis, of the Look Om Muan Sarn Sacred Powder Ball amulets of Pra Palad Parn, of Wat Tukata, in Nakorn Pathom, with Information about both Pra Palad Parn, and authentication factors of the Look Om, Narrated by Ajarn Spencer Littlewood.

Look Om Sacred Powder Balls, Look Gaew Sarapat Neuk wishing Crystal Balls, and Look Sakot Power Bead Talismanic Amulets

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Hmak Tui Mad Chueak Sacred Areca Nut Cord Bound Lacquer Coated 2450 BE Luang Phu Iam Wat Hnang Featured

Sacred Hmak Tui Mad Chueak, cord bound lacquered Blessed Areca Nut, from the Great Luang Phu Iam, of Wat Hnang. The Hmak Tui Sacred Areca Nut amulet is one of the top World Famous Classic Pra Niyom Master Class Ancient Amulets from the Great Luang Phu Iam Suwannasarō (2375 – 2469 BE), of Wat Hnang (and Wat Ko Non). Estimated Mid Era Circa 2450 BE

Free Registered Air Parcel Shipping Worldwide is Included with this Amulet. The Hmak Tui is further eghanced in traditional fashion, with magical spellbound ritual cord wrap, with herbal laquer coating. This Hmak Tui is a very rare, but well documented model, which stands out for its classic and easy to recognize ageing characteristics, style of cord wrap, appearance of the lacquer, and of course, the emanation of the magical vibratyory energies imbued within the sacred areca nut amulet, by Luang Phu Iam.

Released in the Era that Luang Phu Iam was already abbot of Wat Hnang, in the decade between 2445 and 2450 BE. The amulet has been coated in Rak Dam Black Herbal lacquer, which was a common practice in Olden days, to preserve amulets and give them a long life. The Sacred Rak Boran ancient lacquer has gathered immense character in its surface appearance over the years, showing the natural aging characteristics, as is expected in that of an authentic Pra Niyom Class Ancient Amulet.

The Hmak Tui is estimated to have been made around 2440 – 2450 BE. Luang Phu Iam made amulets from an early stage, ever since the times he was still following his Mentor Luang Phu Rod, at Wat Ko Non. He began to make amulets long before his famous first edition Pra Pid Ta Yant Yung and Pra Pid Ta Pid Tawarn, which were released at Wat Hnang around 2440 – 2443 BE.

His famous and incredibly expensive Pra Pid Ta Yant Yung/Pid Tawarn were made from metallic alchemical metals, after Luang Phu Iam had moved there as abbot, and were made one by one, in the same method as Pra Pid Ta Wat Tong of Luang Por Tap (No.1 Pra Pid Ta Amulet of all Time).

Luang Phu Iam was a World Famous Master Monk of the previous Century, and maker of the Number 2 Amulet of the Top 5 ‘Benjapakee’ of Pra Pid Ta of all Thai Buddhist History, the Pra Pid Ta. His most famed of all were the Pra Pid Ta Yant Yung and Pra Pid Tawarn amulet.

Luang Phu Iam also made a large variety of other amulets, such as his famous hand carved Pra Pid Ta, many of them being originals from different artisans who hand carved them from various sacred woods, ivory, and other materials.

Luang Phu Iam is the No.2 Master of all History, renowned for Pra Pid Ta Amulets, and his Rare and Powerful First Edition 2467 BE Monk Coin, which fetches extremely high prices in auctions (Circa 100 Thousand Dollars).

Pra Pāwanā Gosol Thēra (Luang Phu Iam Suwannasārõ)

Luang Phu Iam was a born on Friday the 7th October 2375 BE. Luang Phu Iam was born a Citizen of Bang Khun Tian, whose household lived on the banks of the Klong Bang Hwa Canal, behind the temple of Wat Hnang. Luang Phu Iam was born during the reign of His Majesty Prabat Somdej Pra Nang Glao Jao Yuu Hua King Rama 3.

Luang Phu Iam was given the birthname of ‘Iam’ and his surname was ‘Tong U’. The devotees of Wat Hnang temple did not call him Luang Phu Iam, rather, preferred to call him ‘Luang Por Phu Tao’. People in General, and the collectors of the amulet appreciation societies like to refer to Luang Phu Iam as ‘Luang Por Wat Hnang’. His father and mother’s names were Mr. Tong, and Mrs. U, with the surname ‘Tong U’.

Luang Phu Iam’s family were market gardners, and were relatively prosperous. At the age of 9 years old, Luang Phu Iam was taken to the temple of Wat Hnang, to learn to read and write, and practice Khom Agkhara, under the tutelage of his first mentor, Luang Phu Rod, then Vice Abbot of Wat Hnang.

In the year 2387 BE, Luang Phu Rod then began to teach him Wicha Akom Buddha Magic and also to teach him in the Pali Sanskrit scripts, and the Khom Agkhara used for Magical Inscriptions. At the age of 11, in the year 2386 BE, Luang Phu Iam also went to study Pali Sanskrit with Pra Maha Yim at Wat Bovornives Voraviharn.

After he finished his studies with Pra Maha Yim, Luang Phu Rod then went to practice under the tutelage of Pra Pidok Gosol (Luang Por Chim), at Wat Liab. Thereafter, he returned to Wat Hnang, and ordained as a Samanera Novice Monk, and studied the Dhamma in his original place of learning at Wat Hnang. Luang Phu spent many years focused on study and practice, for about one decade, until the year 2394 BE.

Luang Phu was now coming of age where he should ordain from Samanera to become full status of an adult Bhikkhu, and had to go to the Royal Sanam Luang to take his Pali Sanskrit exams, which were at that time, done orally, answering in front of the teacher without any written questions to answer. Luang Phu did not pass the test. Because of failing his Pali exam, Luang Phu decided to disrobe and go to help his parents and relatives at home.

But Luang Phu only managed to remain a layman for three years, and his true calling became evident, and Luang Phu returned in the year 2397 BE to Re-Ordain as a Bhikkhu in the Buddha Sasanā at Wat Jom Tong, at the age of 22 years old.

Luang Por Gerd was his Upachaya Ordaining Officer, and gave Luang Phu Iam the Ordained Name of ‘Suwannasaro’. His Pra Gammawājājārn was Pra Tamma Chedi (Luang Por Jeen), with Pra Pawanā Gosol Thēra (Luang Phu Rod) as his Prompting Officer.

Once he had Re-Ordained again, Luang Phu Tao (Luang Phu Iam) went to stay at Wat Nang Nong, which was across the other side of the path to Wat Nang Nong. Here he continued his written studies of the Dhamma and Sorcery Grimoires, and Mastery of various Wicha, in the Samnak of Luang Por Jeen, with supplementary tuition from Pra Sangworn Wimol (Luang Por Hmen).

This time Luang Phu Iam went to finish his exams once more at Sanam Luang, and passed with flying colours. The ordained professor of Pali who was examining him, then said he had given very good translations, and invited Luang Phu Iam to come and practice at the same Samnak.

Luang Phu Iam however, refused, and continued with his usual trajectory. He then focused deeper on his practice of Vipassana Mindfulness Practice, and Puttakom (Buddha Magic) with Luang Phu Rod (who was now abbot of Wat Nang Nong).

Some time after the passing of his Mentor Luang Phu Rod, in the year 2441 BE, Luang Phu Iam was called upon by his Majesty King Prabat Somdej Pra Julajom Glao Jao Yu Hua (Rama 5), to become the abbot of Wat Hnang, and perform the duty of its maintenance and further development.

Luang Phu Iam proved to be a Great Abbot, and diligently restored and developed the temple and its facilities. Luang Phu Iam was a highly favoured Monk of His Majesty King Rama 5, and was more often than not always requested to attend the most important Blessing Ceremonies, and Buddhist Rituals of the Royal Palace. His name ‘Pra Pawana Gosol’ was bestowed upon him by his Majesty the King, at the time he was given the charge of Wat Hnang temple.

Luang Phu Iam then spent 27 Years working selflessly for the temple and devotees of Wat Hnang, for another 27 years, until his passing on the 26th April 2469 BE, at the age of 94.

LP Iam’s Pra Pid Ta Yant Yung metallic amulet, is equally highly regarded as top five, and revered for its Klaew Klaad Kong Grapan Chadtri Maha Ud power, and seen as the equal to the famous Pra Pid Ta Rae Bang Phai, and the Pra Pid Ta Wat Tong, and the Pra Pid Ta Pim Tapap of Wat Sapan Sung.

It can be seen from historical documentation, that Luang Phu Iam followed the footsteps of of Luang Phu Rod, in the same way that Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram had followed in the footsteps of his Mentor Pra Sangkarach (Sukh Gai Thuean). Luang Phu Iam hense masters the various Wicha with his diligence and unquestioning service to Luang Phu Rod as his Mentor.

This comparison is also extendible to the amulets of both Masters, just as Somdej Pra Puttajarn (Dto) Prohmrangsri learned the Wicha Pra Somdej from Somdej Pra Sangkarach Sukh (maker of the Pra Somdej Arahang Benjapakee Amulet), so, in turn, did Luang Phu Iam make powerful Pra Pid Ta and Pra Pid Tawarn amulets, in the same Dtamra (formula) of his Mentor Luang Phu Rod.

The third Comparison between the two Monks, reveals that both Somdej Pra Puttajarn (Dto) Prohmrangsri and Luang Phu Iam managed to attain the same fame and reverence as their Mentors, and their amulets became equally reputed for their magical power.

Luang Phu Iam created the same style of imagery as Luang Phu Rod for both kinds of Pid Ta amulets, his Bia Gae, Look Om, and Hmak Tui, and his Wicha is so equal in power to that of Luang Phu Rod, that one will often seen devotees collecting the amulets of both masters with equal fervency. It is not uncommon to see a high-end collector wearing a Luang Phu Iam amulet alongside one from Luang Phu Rod on the same necklace.

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