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13Jul

Pra Pong Supan Kru Wat Pra Sri Mahatat Benjapakee Hiding Place Amulet

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Pra Pong Supan Kria Wat Phra Sri Mahatat Certificated Amulet

An all time ‘top 5’ classic amulet of the Benjapakee Family; Pra Pong Supan Pim Hnaa Gae, in Nuea Din, with certificate of authenticity in red sacred baked clay. A Master-Class status amulet of the High End Category of Pra Kru Hiding Place Ancient Amulets. The Pra Pong Supan amulet is known for its powerful Puttakun Metta Maha Niyom Merciful Blessings and Kong Grapan Klaew Klaad Protective Power.

This amulet comes with A4 size certificate of authenticity included. The Pra Pong Supan Kru Wat Pra Sri Mahatat is the Number One Amulet of all Time for the Province of Supanburi, and an eminent member of the top 5 Benjapakee Amulets of Historical Fame and Legend. The Pra Pong Supan of the highest preference is the Pra Pong Supan Nuea Din Phao baked clay amulet, made from sacred earths of the Supanburi Province, which were mixed with sacred magical herbal powders and bound into clay with holy water.

The amulets were baked until the clay became hard but smooth and dense like marble, which is a texture that modern ‘Nak Niyom Pra’ amulet aficionados call ‘Nuea Neuk Num Seung Jad’, which means ‘soft and smooth to the touch with highly refined features’.

There were also a very small amount (one potful) of leaden Pong Supan amulets found, which were found residing on the upper section of one pot, and are known as the Pong Supan Yord Tho, and are the rarest and most sought after of all Pra Pong Supan of the Kru Wat Pra Sri Mahatat.

Below; The extremely rare leaden Pong Supan Yord Tho Amulet

We shall be covering the documentation of the Pim Yord Tho in a different article on the pages of our website.

 

The method of baking the amulets resulted in a very hard and resilient amulet that does not break easily, which has contributed to its preservation over many centuries. The features of the Pra bordered edges and outer frame of the various models (Pim) of the Pra Pong Supan Amulet are highly varied, and cannot be said to fit any rigid form.

Some have four or five sided edges, some are completely cut to shape, some have wider edges, and others thinner edges, some are even others uneven. Some may be tapered, whereas others have the tapered top cut off flat.

The Pim is notable for its wide nose and slanted large eyes, with the tip of the nose almost reaching the subtly smiling mouth of the Buddha image. The ears have a notably humanlike shape with anomalous forms (‘Dtamni’), that reveal the authenticity of the amulet, through the inimitable idiosyncrasies of the block press, which are ever present despite the individuality of each amulet.

 

One thing most Pra Pong Supan have in common is the presence of thumb or fingerprint markings. Another classic and essential feature of the Pra Pong Supan Wat Pra Sri Ratana Mahatat is that due to being buried under the earth for centuries, the Kraap Kru earth residues which are seen stuck to the surface of the amulets within the deeper recesses such as the armpits and ridges between finer detailed features.

Below; Encyclopaedic work documenting the ancient find of the Kru Wat Pra Sri Ratana Mahatat amulets

These residues are completely affixed and one and the same with the clay, and cannot be removed by simply scratching it off with a fingernail.
The Pra Pong Supan is a perfect choice of Amulet for Ladies or Children, but is also a very preferred and popular amulet for Males to wear. We have before us a Sacred Amulet whose Religious Value is of course that of a True sacred Amulet from the Master Class Category.

The Pra Pong Supan amulet is an image of the Buddha seated in the Mara Wichai posture of conquering the Demon Mara in the style of the U-Tong Periodic Era. The Buddha Image is seated on a single tiered dais, with a large head, graceful arms and protruding chest. There are various Pim (Models) of Pra Pong Supan, ranging from the Pim Hnaa Gae, Hnaa Num, Hnaa Klang, and other lesser known forms.

The Pim Hnaa Gae (old face) has one single type of face model but still has many different appearances, because of the various stages of heat during the baking process, which caused some amulets to experience shrinkage or curvature, or other anomalous reshaping during the process. Some may even have similar triangular appearance to the Pra Nang Paya, another Benjapakee amulet of Immortal fame. Various other amulets were also found including the Pra Mahesworn, Pra Ta Maprang, Pra Patum Mas, Pra Pim Lila (many versions), Pra Nakprok (small and large), and the Pra Sum Rakang.

The Pra Pong Supan and Benjapakee Class Amulets are truly world class amulets that receives the esteem and faithful reverence of all Thai Buddhist People of all social strata, and which is considered part of the Cultural and Historical heritage of the History of Siam.

 

They are amongst the most difficult of all amulets to find at any price, and are mostly already worn since generations by the same family members as handed down family heirlooms of their ancestors. The rest lie in the hands of the lucky, and of course the high end collector showrooms of Thailand’s Amulet Societies and Non Profit heritage Associations, as well as the museums of the state and of major temples.

Above; Macro Closeup of the Sacred Clay and the Kraap Kru earthen substance affixed to the muan sarn from centuries of burial within the hiding chamber. It is said that in the year 1265 BE, the Ruesi Hermit Pilalai decided to make a series of powerful amulets with truly effective powers. At that time the ruler of the Kingdom Pra Sri Tanmasokea Racha was a faithful devotee to the four great Ruesi Sages, who brought a large collection of magical herbs, minerals and summoned the angelic beings of the celestial realms to assist with the empowerment ceremony on the immaterial planes.

The great Pra Maha Thera Bpiya Dtassasisri Saributra was present to preside over the blessing ceremony, and assist with empowerment and the hand molding and pressing of the Pra Pong Supan. The muan sarn sacred clay was given the name of ‘Nuea Rae Sangkwanorn’.

Below; An example of a Pra Pong Supan amulet that has been treated with red Chinese Lacquer by a devotee

The great Pra Maha Thera Bpiya Dtassasisri Saributra was present to assist with empowerment and the hand molding and pressing of the Pra Pong Supan. The amulets were blessed during three whole months of rainy retreat (Traimas Blessing) as was traditional in ancient times and is still the practice to this very day. Once the Traimas empowerment was completed, the amulets were buried within the Chedi Stupas of Supanburi

example of Pra Pong Supan that has been treated with red Chinese Lacquer

The rediscovery of the Kru

In the year 2456 BE, a Tudong Monk was passing through and asked for the whereabouts of the temple of Wat Pra Sri Radtana Maha Tat. He asked a young boy named Pin, who pointed him in the right direction. The boy Pin heard later that this Forest Wanderer monk had hired some Chiinese-Thai devotees to dig up some holes in the temple, and that a horde of treasures were found along with a large repository of hiding place amulets (Pra Kru).

The Monk himself found a solid golden bowl which he took for preservation, but left all the rest of the contents of the Kkru within the Chedi. However, many of the Chinese devotees who were working on the opening of the Kru did take a large number of amulets rainging from the Pra Pong Supan to the Pra Gampeng Sork.

Once the authorities and Sangha Office heard of this, they ordered the Chedi Stupa to be hermetically sealed to prevent further theft of National heritage treasures.

Later the same year Praya Suntorn Buri (Also knownn as ‘Ee Gan Suudt’), who was the Minister of the Province of Supanburi invited his Majesty Pra Mongkut Glao Jao Yuu Hua to come and open the Kru Chamber. Once the chamber was opened, many ingots of solid gold and silver with Khom Agkhara inscriptions were found, and a large repository of amulets. The King was given a large number of the Pra Pong Supan and other amulets to his Majesty.

In olden days when the Pra Pong Supan was still very common and easy to find, many of the bullfighting arena players would like to grind up broken Pong Supan amulets and mix the powders into the hay they would give their fighting bulls to eat. This was seen to make the bull who ate hay with Pra Pong Supan powders fight more fiercely, evade the horns of its opponent and be impenetrable when taking a hit.

A very hardly known but ancient traditional way to Bucha Pra Pong Supan Amulets, is to immerse the amulet in perfume and chant Puttakun Tammakun Sangkakun 108 Times, then chant the Kata Pahung 3 times. The perfume can then be used to smear on oneself for Mercy Charm and Protection. If one wishes to empower further, one can chant the following Kata;

Ka Dtae Lig Gae Garanang Mahaa Chayyang Mangkalang Na Ma Pa Ta Gi Ri Mi Dt Gu Ru Mu Tu Gae Rae Mae Tae Ga Ra Ma Ta

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26Sep

Pra Kru Wat Suwan Nuea Takua Sanim Daeng Ancient Leaden Hiding Place Amulet

Categories: Ancient Amulet Metal Amulet Pra-Kru
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A very rare exhibit of the Pra Kru Wat Suwan amulet find blessing ceremony, an ancient burial place amulet, classed as an official model of the pantheon of amulets attributed to the great Luang Por Niam of Wat Noi. This exhibit is the Pra Pim Nakprok Klong Takian Nuea Chin Takua Sanim Daeng, A very valuable addition for collectors of the Pra Kru Wat Suwan Hiding Place Find amulet, and Luang Por Niam. The amulets were blessed at Wat Suwan along with the series he made at Wat Noi (which are in truth, one and the same and of equal value, and only differ academically, but otherwise, are equal to each other).

 

Luang Por Niam was the number one Kroo Ba Ajarn and Ordaining Officer of the great Master Monk Luang Por Parn of Wat Bang Nom Kho, who was witnessed to have died in complete happiness and relaxation, in meditative bliss, as an attained ascended Master. For this reason, Luang Por Noi has many faithfull devotees around the world, who worship him and his teachings, and revere his attainments, and wish to wear one of his blessed amulet.

Luang Phor Niam

Luang Por Parn is worshiped as one of the Top 10 Greatest Guru Monks of present-day in Thailand & many worshippers all around the world. He was the closest disciple of Luang Por Niam

KATA PRA NAKPROK

Kata Pra Nakprok, and the chanting it to Pra Nakprok amulets and Buddha statues, is the Thai Buddhist Method for Praying to the Pra Nakprok Naga Canopy Buddha. Pray to on Saturdays or for those Born on Saturday.This Bpaang is of the Buddha sitting in Samamadhi (concentrative meditation), on top of a Naga, the Naga’s head is raised over Buddha’s to form a canopy. It is known as “Bpaang Nakprok”

The Buddha remained in blissful rapture under the Acabhalanikaroda for seven days, whereupon he moved to the Mucalinda tree to the Southeast side of the Bodhi tree. A terrible rainstorm began, pouring down on the forest for a whole seven days without stopping. Payanaga Mucalinda, who was King of the Nagas, came up from the naga Realm in the underworld and coiled himself underneath the Buddha, making a cushion seven stories high, to keep him dry.

He rose up and leaned his head over the Lord opening his neck canopy to shade the Buddha from the rain, as well as keeping watch to protect him from all sorts of parasitic, poisonous and preying animals and creatures. As the rains ceased to fall, the Naga King uncoiled and changed into a Human form and raised his hands in reverence to Buddha.

In this moment, the Buddha uttered the following Kata (words);
Sukhoewiwego Dtudtassa Sudtadhammassa Bpassadtoe Abhayaabpach-chang Sukhang Loke Bpaanapuudtesuu Sanyamosukhaa Wiraakadtaa Loke Gaamaanang Smadtiggamo Asmimaanassa Winayo Edtang We Bparamang Sukhang.

 

“Tranquility is the pleasure of he who has listened to and understood the Dharma intently, who sees conditioned things for what they really are, and does not seek to harm others. Of he who has abolished his passions and cravings, lust and desires, he who has stepped beyond all craving for sensual pleasures and endured in his efforts to do away with self conceited attitudes, has the greatest pleasure”.
The statue of Buddha sitting on seven coils of the Naga King snake was created to remember this occasion of the Naga paying reverence to Lord Buddha, and the representation of him sitting on top of the coils as if seated upon a royal throne is used for two reasons; 1. Aesthetics, 2. Brahmin influence.

 

A more authentic and historical version of this Buddha image is sometimes seen in the form of the Nagas coils wrapped around and covering the Buddha’s body with four or five coils around him. The only part of the body visible being Lord Buddha’s shoulders, neck and head, which is also semi enclosed by the head and canopy of the Naga leaning over him.

Luang por Niam, was responsible for blessing the many amulets found in the Kru Wat Suwan in Ang Tong, and added his own amulets from Wat Noi,, which are despite being the same amulets, received a second blessing (making their slightly cheaper price hard to understand). The two different releases are easily and visibly different, due to the surface effects from being hidden within a Kru Chamber.. This exhibit of the Pra Sangkajjai is evidently a direct release from Wat Noi, due to the slightly greenish-black tone, with white Kraap mildew, whereas the exhibit which he buried at Wat Suwan.

The Pra Gru Wat Suwan Series

The Pra Kru Wat Suwan Pantheon of amulets were discovered, around the Year 2500 Buddhist Era, and were found at Wat Suwan, located in the Province of Ang Tong, above Ayuttaya, and adjacent to Lopburi and Singhburi Provinces in North Central Thailand. The amulets were then also reblessed in celebration of the find, and the great Luang Por Niam of Wat Noi in Supannburi was invited to preside over, and empower the amulets during the 2506 Kru Discovery amulet find Celebration Ceremony.

 

The natural appearance of an authentic Pra Kru Wat Suwan leaden amulets, is that they have a fine layer of Kraap Kru arising on portios ofthe surface, showing red rust from oxidisation. It is also important to note that the Pra Kru Wat Suwan amulets did not have their edges filed off into perfect frames, and have rough unfiled edges because of this factor. This is one of the first things to look for when collecting authentic Pra Kru Wat Suwan artifacts.

According to historical records, the great master Monk of Wat Noi in Supannburi, Luang Por Niam, was invited to assist in the making, casting, and empowerment of the additional amulets which were being made. This makes the Pra Kru Wat Suwan enter into the Pantheon of aficionados of this Monk and his Amulets, and their popularity has become ever more legendary, to the point where the Pra Kru Wat Suwan is now a piece of National Historical Heritage.

 

The age of the ancient burial find models ranges up to 700 years to 1000 years old, and the edition added by Luang Por Noi is dated around the Mid-Ratanakkosin Era, making them past the Multi-Centenarian level (more than a few Centuries Old).

Many different Pim (models) of amulets were found in lesser and greater numbers, all differing slightly, due to the ancient casting methods used during olden days, making it impossible to make thousands of identical amulets as seen in the modern era, with modern block press engineering technology. The amulets were cast from ancient mercurial leaden sacred alloy, & also were found in reddish baked Eearthen sacred clay. The amulets exist in many forms;

Such as the Pra Upakut, Pra Sangkajjai, Pra Rod Lampun, Pra Ruang Rang Pern, Pra Lila Laweng, Pra Lila Kampaeng Gaew walking Buddha votive tablets, Pra Pratummaas, Pra Supann Hlang Pra,Pra Mahesworn Nuea Chin Ngern silver leaden amulets, Pra Pong Supan Benjapakee amulets, identical to those found at the Kru Wat Pra Sri Mahatat find, Pra Lor Pim Pra Pratan Buddha Immages (in small and large sizes), and Pra Paruhnang Loi Ongk Buddha statuette amulets, Pra Pim Mokkhala Saribut (Maugdalyayana and Saributra) Buddha amulet, the Pra Tham Suea Ruesi Amulet in both Pim Hnaa Gae and Pim Hnaa Ruesi, Pra Kum Nakorn Khosa, Pra Pim Wat Rachadesa, Pra Put Pim Siarn Hlaem pointed head Buddha votive tablet in leaden alloy, The Pra Kong Lampun Benjapakee amulet, all versions of the Khun Phaen Ban Krang earthen amulets in all models, such as the Pim Khaen Orn, Pim Bai Mayom, Pim Pra Pratan, Pim Lueay, Pim Song Pon Yai, Pim Plai Dtat Diaw, Pim Plai Koo, Khun Phaen Pim Pha Seek, and so on.

 

 

This amulet is highly recommended for those born on Saturdays, as their auspicious ‘Birthday Buddha’ to increase Good Karma (Serm Duang). The front face of the amulet features the Buddha sat in Meditation on a coiled 7 headed Naga Throne, depicting the moment a Naga rose over the buddha to make a canopy for him to shelter from the rain.

 

The rear face of the amulet has the typical Yant Dtp found on Ayutthaya Kru find era Klong Takian odel type amuets.

 

Extra Goodie for enjoyment! – Amulet school. Maybe you may find an amulet you own in this video!

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9Apr

Khun Phaen Song Pol Luang Phu Tim Early Era Pra Kroo

Categories: Ancient Amulet Powder Amulet Pra-Kru
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Pra Khun Phaen Song Pol Yai Fak Kru No 1000 Luang Phu Tim

Khun Phaen Prai Kumarn Pim Song Pol Yai Takrut Koo No.1000 with Authenticity Certificate Silver Casing Luang Phu Tim. This amulet is one of a batch which was placed in Kru Burial Chamber (Hence ‘Pra Kroo’), and has Kraap Kru midlew, adding to its beauty and sacredness. The Song Pol Yai is said to possess powerful Serm Yos Magic to increase chances of promotion of status.

This amulet (Official registry number #1000) comes with certificate of authenticity from the November Amulet competition of the Luead Ban Kaay Luang Phu Tim amulet association, which we will send with the amulet for you to keep, This Pim Song Pol Yai Long Kru was made both with single Takrut Maha Bpraab, and with twin Takrut Koo Sariga version. This exhibit has a Takrut sariga Koo twin Takrut inserted in rear face.

A most exquisitely beautiful Pra Khun Phaen Prai Kumarn Pim Song Pol Yai (Fak Kru – hidden in burial chamber), in Nuea Khaw Hniaw Sukh Pasom Pong Prai Kumarn Long Sai Rae Tong, with twin Takrut Koo Sariga in rear face, by Luang Phu Tim, of Wat Laharn Rai. This Pra Khun Phaen has been authenticated and issued with Certificate of Authenticity from the Samakom Pra Krieang Luang Phu Tim Luead Ban Kaay Amulet Association of Rayong, with signature of its President Dr. Pisek.

This exhibit has Kraap Kru from dwelling for years within a hiding place Kru Chamber, with highly refined details and features, and worthy of show and is accepted for presentation in many official competitions, such as the Glum Anuraks Pra Krueang Luang Phu Tim Luead Ban Kaay, of Rayong, which is headed by Ajarn Doctor Pisek Sri Sawad, top expert of Luang Phu Tim amulets, and President of the Luead Ban Kaay Amulet appreciation society.

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16Nov

Khun Phaen Kru Tap Khaw 200 Year OId Hiding Place Amulet of Somdej Dto

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Khun Phaen Kru Tap Khaw 200 Year OId Hiding Place Amulet of Somdej Dto

Presenting an eminent and extremely rare Pim from the highly preferred and sought after Kru Tap Khaw amulet pantheon; The Pra Khun Phaen Pim Ha Liam Kru Wat Tap Khaw Sukhothai, of Somdej Pra Puttajarn Dto Prohmrangsri (Wat Rakang Kositaram). An amulet that is older than Somdej Dto’s Masterwork, the Pra Somdej Wat Rakang, which dates at about 40 years younger than the Khun Phaen Tap Khaw.

The Khun Phaen Kru Wat Tap Khaw, is considered an ‘Ongk Kroo’ (teacher model), for reference study of the Pra Somdej Wat Rakang amulet, and is evaluated as such for the following reasons 1. The amulet was almost certainly made by Somdej Dto Prohmrangsri, 2. This amulet is visibly older than the Pra Somdej Wat Rakang, and hence is a good teacher as to how sacred clay that is more than 150 – 200 years old should look under the eye loupe. And, 3. The Muan Sarn Sacred Clay is almost identical in its appearance and ageing characteristics to the clay found in the Pra Somdej Wat Rakang amulet.

Khun Phaen Kru Tap Khaw 200 Year OId Hiding Place Amulet of Somdej Dto

Khun Phaen Kru Tap Khaw 200 Year OId Hiding Place Amulet of Somdej Dto

These amulets are compared to the Pra Somdej Wat Rakang of Somdej Dto Prohmrangsri , but are much more affordable in the current time. However, the Pra Kru Wat Tap Khaw series hiding place amulets are now becoming extremely rare, and have entered the Master-Class Pra Niyom Category. These amulets are yet another priceless possession of the devotee and collector of the Pra Dtragun Somdej Dto (Pantheon of amulets that are directly or indirectly associated with Somdej Dto in their making).

The Kru Wat Tap Khaw was discovered in 2480 by a Mr. Dteng (Surname not known), who found them whilst digging around the temple grounds. The Kru was found to have amulets buried which were made during three different Eras of History;

The first era was created in the Sukhothai Era, and were made from fine Nuea Pong Puttakun powders. A large number of different models were found, such as the Pra Pratan Porn, the Pra Ruang Nang, Pra Rueang Yern, Pra Lila. The amulets of this era have a creamy milky white clay hardened like stone, extremely similar in Muan Sarn to the Pra Somdej Wat Rakang Kositaram and to the amulets of Wat Plab.

Khun Phaen Kru Tap Khaw Pim Ha Liam

Khun Phaen Kru Tap Khaw Pim Ha Liam

The amulets of the second era found were from the early Ratanakosin period (somewhere around the time of King Rama 3), and are hence roughly of an age between 150 and 200 years old. This group of amulets were also made from Nuea Pong Puttakun, which have an almost identical appearance with the sacred clay of the Pra Somdej Wat Rakang Kositaram of Somdej Pra Puttajarn (Dto) Prohmrangsri.

Below; Gallery of  Close up Macro Images of the Features and Aspects of the Muan Sarn Clay of the Khun Phaen Kru Tap Khae amulet

A very large number of different kinds of amulet designs were found in this batch, some in greater numbers than others. Amongst the many Pim found in this batch were the Pra Luang Por Dto, Pra Khun Phaen Ha Liam, Pra Khun Phaen Khai Pa Seek, Pra Sam, Pra Narai Song Pern, and Pra Ruang, which were all obviously made in reverence to the previous periods of Thai Buddhist Arts of History.

Close up Macro Image of the Features and Aspects of the Muan Sarn Clay

Close up Macro Image of the Features and Aspects of the Muan Sarn Clay

When all aspects of these amulets are considered and the amulets themselves are examined in all their aspects, it is the common conclusion with experts that the Great Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram must have played a part in their making. Somdej Pra Puttajarn (Dto) Prohmrangsri is known to have hidden amulets in temples around the country, mostly in Central Thailand and in the North, and the amulets themself do not differ in ‘Nuea Ha’ (content), to the Pra Somdej Wat Rakang Kositaram. This makes the amulets of course a perfect reference study teacher model (Ongk Kroo) for training the eyes to recognise a true ancient Pra Somdej Wat Rakang Kositaram amulet.

These amulets have also been found in the Kru hiding place of the Kru Pra Yern Luang Por Dto of Wat Intrawiharn (Wat Bang Khun Prohm) of Somdej Pra Puttajarn (Dto) Prohmrangsri, which strengthens the evidence that Somdej Pra Puttajarn (Dto) Prohmrangsriwas responsible for their making. Below is a video in HD with an unbiased narrative on the Kru Wat Tap Khaw amulets, given by Ajarn Spencer Littlewood

The amulets found in the Kru which came from the third era, were made and hidden during the time of King Rama 6, reaching up to the time of His Majesty Rama 9. This amulets of this batch were found in many forms and reminiscent or straight replicas of amulets of the great Masters of those times, such as the Pra Pim of Luang Por Ao, and Luang Phu Phueak, of Wat Ging Gaew.

Khun Phaen Kru Wat Tap Khaw 200 Year OId Amulet

Khun Phaen Kru Wat Tap Khaw

The Muan Sarn Sacred Powder clay of this third group of amulets, do not have the same agédness or appearance to its substance as the previous two batches mentioned, and have a much younger appearance in the features of the sacred clay. Some amulets even copied the Pim Song (models) found in the previous two eras of amulets found in the Kru, which causes suspicion about this third batch.

Because of the much younger age and appearance of this batch which was buried at a later era, and the replicas found in the batch, confusion arose, causing the whole Kru Wat Tap Khaw find to come under scrutiny and suspicion about their true age, and for quite a long time the amulets were overlooked, due to the fact that few people realised that the amulets of the two other eras were indeed much more ancient.

Khun Phaen Kru Tap Khaw 200 Year OId Hiding Place Amulet of Somdej Dto Prohmrangsri Wat Rakang

The educated collector and student hence must have selectiveness when examining the amulets of the Kru Wat Tap Khaw, because of the three different batches found, which have similar Pim Song in all of them. An experienced collector should hence use his experience to estimate the age of the clay of the amulet to define which of the three batches/eras the amulet came from (especially between second and third eras).

One does not however need to have immense expertise to tell the difference, because the second era amulets (the ones assumed to be made by Somdej Pra Puttajarn (Dto) Prohmrangsri), have a much older appearance, and a much harder stone-like clay. In the case of the Kru Wat Tap Khaw amulets, one should place higher value on recognising the age of the clay, than recognising the Pim Song (design model), because the model is found in more than one era batch. In short, the designs were replicated in all batches, but the age of each amulet cannot be replicated, and is the definitive measure.

Khun Phaen Kru Tap Khaw - Somdej Dto Prohmrangsri Wat Rakang

Close up of the face features and hardened clay (Nuea graeng) of Khun Phaen Kru Tap Khaw amulet – Somdej Pra Puttajarn Dto Prohmrangsri Wat Rakang

The inner circle aficionados of this series of Hiding Place Amulets have various beliefs depending on which group of aficionados;
The main group assume that it was the Great Khrua Ta Saeng of Wat Mani Chonlakhant in Lopburi who made the first batch during the time or Rama the 3rd. Khrua Ta Saeng was the Kroo Ba Ajarn of the Great Somdej Pra Puttajarn (Dto) Prohmrangsri, who encountered him on Tudong forest wandering in the Ayuttaya region.

Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram

Somdej Dto with the famous Pra Somdej Gang Pla amulet of the Kru Tap Khaw Hiding Place Find

This was during the time that Somdej Pra Puttajarn (Dto) Prohmrangsri went missing from Wat Rakang Kositaram and spent 15 Years in the forests around the Northern regions of Thailand and could not be found, and it was during this time that Somdej Dto received the Wicha Pra Somdej and other methods of making Sacred Powders from Khrua Ta Saeng, and Kata Akom for subduing Maras, Ghosts and Demonic Spirits.

Khrua Ta Saeng liked to make amulets in the ancient Sukhothai and Ayuttaya periodic styles of artistic interpretation. He would make many kinds of ancient amulets and hide them in Kru in temples around both Sukhothai and Ayuttaya Regions. One very famous and recognisable amulet of Khrua Ta Saeng is the Hlang Hoo Hai, which has two holes in the back face of the amulet. The first era batch of the Kru Wat Tap Khaw amulet find has also examples of Pra Luang Por Dto Hlang Hoo Hai, which is very rare and highly preferred.

Khun Phaen Kru Tap Khaw Amulet

The rarest amulet of all of the first era batch of Wat Tap Khaw from Khrua Ta Saeng is the Pra Somdej Pim Gang Pla, theTri Gaay (Pra Sam), the Pra Khun Phaen Ha Liam, Pra Khun Phaen Khai Pa Seek, and the Pra Narai Song Pern.

There is written documentation form Luang Phu Kam of Wat Amarint, who was a Gaeji Ajarn who lived at the same time as, and who was a close friend of Somdej Dto, that amulets had been made by these masters. It is written that Luang Phu Kam had asked Somdej Pra Puttajarn Dto to make some sacred powder amulets in the style and fashion that was known and popular to the people of Ayuttaya, Sukhothai and Lopburi.

The very same models (Pim Song) of amulet which were found in the Kru Wat Tap Khaw are mentioned in this documentation as having been made by Somdej Dto, and so there is little doubt remaining in the origins of the second era batch of the Kru Wat Tap Khaw.

Below; The written documentation from Luang Phu Kam regarding Somdej Pra Puttajarn (Dto) Prohmrangsri’s involvement in the Kru Wat Tap Khaw amulets.

The Kru Wat Tap Khaw first and second era batch amulets are most certainly the best remaining chance to own an original amulet of Somdej Pra Puttajarn (Dto) Prohmrangsri, as well as being a perfect study reference pice, as Ongk Kroo teacher for the study of the Muan Sarn clay of the Immortal Pra Somdej Wat Rakang Kositaram of Somdej Pra Puttajarn (Dto) Prohmrangsri, Wat Rakang Kositaram.

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13Aug

Pra Kru Amulet Categories

Categories: Ancient Amulet Pra-Kru
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Pra Kong Lampun Kru Wat Tap Khaw

Ancient Amulet has now expanded the Pra Kru section of the Store with some Subcategories for easy research, when seeking to study one particular type of Pra Kru from one particular amulet hiding place find. Just surf to the Pra Kroo Section to see the subcategories, which will grow as we document each particular Hiding Place Find Edition.

Pra Pim Pra Rod Kru Tap Khaw Ancient Amulet Find

Right now there are three new categories added to Ancient Amulet Pra Kru Section, which we have also made separate info pages about, and can be read on the following links;

Pra Kru Wat Sadter Amulets

Pra Kru Wat Tap Khaw Amulets

Pra Kru Wat Khao Pra Dtai Amulets

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26Apr

Ancient Hiding Place Amulets Wat Geng Jeen

Categories: Ancient Amulet Metal Amulet Pra-Kru
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Pra Kru Wat Geng Jeen Amulets Ayuttaya Period

The Pra Kru Wat Geng Jeen amulet find was discovered in the year 2515 BE (approximately), in the old deserted temple of Wat Geng Jeen, in Rayong Province. Despite the fact the temple was in disrepair and without any resident monks, the history of this temple is known and documented. It is known hence, from historical reasearch, that Pra Ajarn Geng was the abbot at the time of the burial of the amulets and made them in over 70 models, all made from cast alchemical lead artifact alloy.

The Pra Kru Wat Geng Jeen amulet find occurred around the year 2515 BE, at the abandoned temple of Wat Geng Jeen, in Rayong, when a large batch of leaden amulets were discovered at the temple. The amulets were created towards the end of the Ayuttaya period, just before the Ratanakosin Era. The amulets were created by Pra Ajarn Geng, who was then the abbot of Wat Geng Jeen. The amulets were found in many different designs and images, numbering over 70 different Pim in all. Some are very common to find still, and others are much rarer.

The Kru Wat Geng Jeen amulets are known for their ‘Sanim Daeng’ reddish beige rust forming as ‘Kraap Kru on the front, and that most of them were originally coated in gold leaf in manu cases. The rear faces of the amulets have a fine layer of white cement from the Kru chamber adhering to the surface, which is one of the criteria used for recognising this particula Pra Kru, for they all have some to greater or lesser degree on the rear face.

The rarer and more highly sought after models include the Pim Mara Wichai Thaan Pha Tip, the Pim Samati Thaan Song Chan, the Pim Mokkhallana or Saributra (Pim Sawok – praying monk listening to the Buddha – can be seen as either Maugalyayana Arahant, or Sariputra Arahant), and the various models of which only few were found, and are extremely rare, such as the Pra Sangkajjai, Prajam Wan Birthday Buddhas, Pim Pra Nakprok, and the Pim Pra Pratan Thaan Tip.

Below; One of the Preferred Models of the Kru Wat Geng Jeen Amulet Find; the Pim Samati Thaan Sorng Chan

Pim Samati Wat Geng Jeen

Pra Ajarn Geng, the maker of the amulets back in the late Ayuttaya period, was a famous Kammathana Master Monk of his time. It is believed by experts that Pra Ajarn Geng, the maker of the Pra Kru Wat Geng Jin amulets, was the original Kroo Ba Ajarn who bestowed his magical Wicha onto some of the Great Masters of Olden days we know, such as Luang Por Dto of Wat Khao Bor Tong, Luang Por Am, of Wat Nong Grabork, the Great Luang Phu Tim of Wat Laharn Rai, and Luang Por Tarb of Wat Nong Grabok Kheun Pheung.

Below; One of the other preferred models of the Kru Wat Geng Jeen; the Pim Thaan Pha Tip

Pra Kru Wat Geng Jeen Pim Thaan Pha Tip Niyom

Here we can see a preferred Pim Niyom model of the Pra Kru Wat Geng Jeen Cast Leaden hiding place amulet find, from the Ayuttaya Period, this model being popularly called the Pim Pra Sawok, also known as ‘Pim Pra Mokkhalla’ and ‘Pim Pra Saribut’

Pra Kru Wat Geng Jeen Nuea Chin Pim Pra Sawok Niyom - Sacred Leaden Ancient Hiding Place Amulet Late Ayuttaya Period

The words ‘Pra Sawok’ means ‘Savaka’, or ‘disciple’ of the Buddha. It refers in this case to the Arahants Sariputra and Mokkhallana (also called Maugdalyāyāna, and Maha-Moggallana).The image can indeed be used for either of these Arahants, as they are both mostly featured in this sideways praying posture seated either side of the Dais the Buddha sits on under the Bodhi tree.

Pim Pra Prajam Wan Birthday Buddha

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14Jul

Ancient Amulet Pra U-Tong Awk Seuk Pong Supan 2510 BE

Categories: Ancient Amulet Powder Amulet
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Pra U-Tong Awk Seuk (Pra Pong Supan)

Pra U-Tong Awk Seuk – Jong Ang Seuk Edition 2510 BE – Wat Pra Sri Radtana Maha Tat (Supanburi)

The ‘Pra U-Tong Awk Seuk’ amulet, was made and first blessed in the year 1510 BE in a large Buddha Abhiseka Blessing ceremony at Wat Pra Sri Radtana Maha Tat temple, in Supanburi. One can see that the amulet is indeed the same features as the classic Pra Kru Pong Supan, ancient Pra-Kru hiding place amulet of Supanburi Province, whose original archeological find of U-Tong Era amulets was of course also at Wat Pra Sri Radtana Maha Tat. This is of course intentional, but in the case of this edition, was given the special name of Pra U-Tong Awk Seuk’

The amulet is known as the ‘Jong Ang Seuk’ edition, because a large number of them (25,700 amulets) were sent to distribute to the soldiers who had travelled to fight in the Vietnam War, to protect them in battle. The remainder of the amulets which were not sent to the warriors on the front lines, were not distributed at first, and were passed through a further 2 Buddha Abhiseka blessing ceremonies. The first of those further two ceremonies was held between the 2nd and 10th March 2511 Be, and the second extra blessing ceremony was held on the 13th April 2511 BE. Thereafter, most of the remaining amulets were distributed to civil servants and those in governmental offices, and the last remaining amulets were then kept stored away in the Kru Hiding Chamber in the year 2512 BE

The Pra U-Tong Awk Seuk is a classic and historically famous edition of Wat Pra Sri Radtana Mahatat, in Supannburi, that is modelled in similarity to the Pra Pong Supan’Pim Hnaa Gae’ Benjapakee amulet of Supreme Fame and Reverence. Although this edition is commonly known to have the Pim Hnaa Gae Nang Samadhi Khat Paetch Meditating Buddha Image (both hands clasped together facing upwards on the lap), there were actually also some models made, which have a Buddha Image seated in the Mara Vichai (Conquering Mara) Posture, with one hand reaching down to touch the earth.

The Muan Sarn and features of the amulet are rich in Nuances, and provide and excellent exhibit for viewing as study material for the Pra Pong Supan Pim Hnaa Gae type amulet, and its features.

Klaew Klaad Maha Amnaj, Serm Yos, Kong Grapan Chadtri, Maha Ud Power for those in lines of duty where the ability to instil confidence and trust, convince others of your will, and survive great dangers, increase status and chances of promotion. Such are the powers of the Pra U-Tong Awk Seuk Jong Ang Seuk Pong Supan amulet, and all Pra Pong Supan of the Benjapakee Class family of amulets.

Monks present in the ceremony included Luang Por Mui (Wat Don Rai), Luang Por Thin (Wat Pa Lelai, in Supanburi), Luang Por Khom (Wat Rong Phai Wua, Supanburi), Luang Por Huad, (Wat Don Po Tong), Luang Por Pae (Wat Pikul Tong), Luang Por An (Wat Prayatikaram, Ayuttaya), Luang Por Tim (Wat Pra Khaw, Ayuttaya), Luang Por Ngern (Wat Don Yai Horm),and Luang Por Noi (Wat Dhamma Sala, Nakorn Pathom), amongst a total of 69 Guru Masters present in all.

Pra U-Tong Awk Seuk (Pra Pong Supan)

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23Feb

Pra Sum Gor Chud Somg Wat Pai Lom release – Luang Phu Tim (Wat Laharn Rai)

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Pra sum gor ancient amulet

Pra Sum Gor Chud 2 – Luang Phu Tim (Wat Laharn Rai) – ‘Nuea Pong Pasom Jinda Manee‘ – This Pra Sum Gor blessed by the Great Luang Phu Tim, was released in aid of the Dhamma, due to needed funds for the temple of Wat Pai Lom, in Amper Ban Kay (Rayong) close to the temple of Luang Phu Tim. 

It was the case with this great master, as is the case with almost all of his surviving apprentice masters such as Luang Por Sakorn, and Luang Phu Sin that, The masters would not release Amulets at his own great temple, but would agree to release Amulets for smaller temples around the area and in other areas, to help in their development for the cause of Buddhism. 

For this reason, most of his famous amulets were released at a large variety of different temples and for many different funding projects which is part of what makes this great master, and his apprenticed masters who are still still alive today, so great, and meritorious. 

Pra Sum Gor Luang Phu Tim

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