Khunphaen Bai Sema LP Tim

Pra Khun Phaen Pong Prai Kumarn Nuea Wan Plai Dam Pim Bai Sema Amulet – Luang Phu Tim Issarigo, Wat Laharn Rai (Rayong)

This amulet, is a classic original Khun Phaen Bai Sema early era design, which is extremely rare, and known only to those who have studied the amulets of Luang Phu Tim with great fervor, and to those older devotees of the area around Wat Laharn Rai. This amulet comes with Certificate series No 1449 of the 11th August 2562 BE Luead Ban Kaay Luang Phu Tim Amulet Conservation Association Meeting. The amulet was entered for certification, but not competition, due to lack of other competitors with the same amulet (This was the only one in the whole show).

Certificate Pra Khun Phaen Pim Bai Sema Luang Phu Tim

This exhibit allows viewing of all the fine details of the design, and is visibly authentic to the naked eye. The Muan Sarn Sacred Powder Clay is Highly Attractive to the Eye. An amulet of great beauty, and rarity, and in the highly preferred, and rare to find black Plai Dam powders, for serious collectors/devotees of the amulets of Luang Phu Tim. Perhaps a once in a lifetime chance to find this extremely rare Pim Bai Sema.

This exhibit is in excellent condition and well kept, with highly refined details and features, and most certainly worthy of show in the allocated competitions of its genre. The surface texture of the Muan Sarn Sacred Powders has developed the classic fluffy appearance that reveals high Pong Prai Kumarn content within the black Pong Wan Plai Dam Sacred clay.

Pra Khun Phaen Pim Bai Sema Luang Phu Tim


Our proprietor Ajarn Spencer, states that this is the first and only exhibit he ever managed to find, during his years collecting and studying in the Chonburi-Rayong area around Wat Laharn Rai, and that he considers it perhaps the rarest one he has had to seek out. This Pim is a very well preserved exhibit, of a highly sought after Pra Niyom Master Class Amulet, that is now extremely rare to find, since the massive revival in interest in Luang Phu Tim’s amulets, after the truth of his early amulet editions, and the now famous Pra Khun Phaen Pong Prai Kumarn 2515 BE Edition ‘forbidden history’ amulets were revealed to the Public.

Most of the amulets of Luang Phu Tim which were previously untalked of, and unheard of, due to lack of documentation till recently, have been snapped up during recent years, since their dramatic discovery and appearance in the international public eye.

It is very rare to find Luang Phu Tim’s Nuea Wan Plai Dam black powder Khun Phaen amulets, because many people take a great preference to the appearance of the Khun Phaen in black color, and more so, because of the famously powerful magic found within Pong Plai Dam Black Sacred Magical Earths, which is also mysteriously magnetic. Nuea Wan Plai Dam is known for both power of attraction, and Kong Grapan invincibility magic.

Yant Ha on Rear Face of Pra Khun Phaen Pim Bai Sema Luang Phu Tim

This all-time classic Pra Khun Phaen Pong Prai Kumarn of the Great Luang Phu Tim, of Wat Laharn Rai, is one of the most famous amulets of all time, and highly renowned for its true power to bring prosperity, good business, power of attraction, and mercy charm to the wearer. The reason this amulet became so world famous and popular, even in the time when Luang PhuTim was still alive, is because everybody who owned one, recounted that business and personal success and prosperity had increased constantly and steadily since wearing the amulet.

Luang Phu made other editions throughout the years, and most definitely made between 2505 BE, right up to his passing in 2518 BE. The early era and especially the 2515 BE Pra Khun Phaen Pong Prai Kumarn edition, are now the most preferred of all, overtaking the 2517 BE ‘Block Raek’ series, which is now considered by most to have been made by conmen. We must however add, that the official document of permission signed by Luang Phu Tim for the Bangkokian Association Owners, did list all the famous amulets we know from this edition, but that the Pra Khun Phaen was not on the list, and omitted. This means that Luang Phu gave permission for them to make (and take most back to Bangkok with them to monopolize).

Pra Khun Phaen Pim Bai Sema with Certificate

We believe that Luang Phu Tim began making amulets at least 35 years before he passed away (which would be around 2483-2485 BE), as most Master Monks begin distributing their amulets around age 50 if not long before (usually long before), and it is not credible to believe the Bangkokian Monopolists, that Luang Phu Tim only made Pra Khun Phaen amulets in 2517, the final year before he passed away (Impossible!). This is underlined by the fact that there is photographic evidence that Luang Phu Tim was already a notionally acclaimed Master, invited as one of the 245 top masters to bless amulets in the Wat Prasat 2506 BE 4th biggest blessing ceremony in the history of Thai Buddhism, and many other important ceremonies in the years from 2500 BE onwards.

It is hence impossible that if Luang Phu Tim was already being asked to assist with other Great Masters ike Luang Phu To Wat Pradoo Chimplee, Luang Por Jong, Por Tan Klai, Luang Por Ngern Wat Don Yai Horm, and the like, that he would not already have attained fame for empowerment with his own amulets beforehand. It is merely that the bangkokian Monopokist showroom owners and book publishers, only first ever heard news and traveled to Wat Laharn Rai when it was already almost too late, in the final year of Luang Phu’s life. This is also proved by the fact that these Bangkokian 2518 BE-Only monopolists publish books showing Luang Phu Tim’s first edition Samanasak Monk Coin, from 2510 BE, as he was given a Royally Decreed Title of Pra Kroo, which is an act of State Recognition of his merits and a raising of status to be a Royally Accepted and Decreed Monk.

Rear Face Pra Khun Phaen Pim Bai Sema with Certificate

Hence, if Luang Phu Tim was elevated to a Royal Decree status in 2510 BE, and count were made to celebrate the occasion, how can the Bangkokian Monopolists dare to claim that Luang Phu Tim only ever made amulets in 251`7, and that the only Pra Khun Phaen he made were in 2517, the last year of his life. This makes no sense, considering, the reason the Bangkokians sponsored the 2517 BE edition, was because Luang Phu’s fame for his mastery of Wicha Pra Khun Phaen Pong Prai Kumarn had reached their ears.

For it to reach their ears sitting on their butts in Bangkok, it seems to have taken at least 17 to 35 years at least for them to actually get the wax out of their ears. Lazy traders in lazy seats in lazy Bangkok showrooms. They do not travel all the time, and they were not at the temple of Wat Laharn Rai through all the years Luang Phu was there. These Bangkokains merely turned up in Luang Phu’s final year and sponsored an edition, and used book publishing to suppress knowledge of the previous editions they never got to monopolize (by buying them all and waiting till they get rare, sitting on them to speculate).

The Pra Khun Phaen Pong Prai Kumarn is a preferred choice of both the wise investor and devotee, as well as the perfect choice for those Devotees who seek the immense power of Luang Phu Tim’s now Legendary amulets. The Muan Sarn Sacred Powders of the Khun Phaen Pong Prai Kumarn Luang Phu Tim, are renowned for their power, made from the skullbone of a Hoeng Prai. Luang Phu Tim’s Pra Khun Phaen Pong Prai Kumarn, Pim Yai, and Pim Lek amulets are amongst the rarest and most highly sought after amulets in Thailand, and are very difficult to encounter, due to having been made in small number editions, which is nowhere near enough to provide for the masses of devotees around the world who seek such an amulet as this.

Pra Khun Phaen Pim Bai Sema Amulet in Box

One can see a very fluffy and rich texture of the clay visibly on the surface of the amulet, in reaction with the Muan Sarn Sacred Powders. It is a part of the amulet appreciation society expert’s method of authentication to examine and study the appearance of how the Muan Sarn Sacred Powder develops in surface texture, tonality and porosity of the surface, as well as the appearance of Luang Phu Tim’s famous Pong Prai Kumarn which rises up and through the surface.

We ourselves feel that all of Luang Phu Tim’s amulets are equally Sacred and Powerful in their own way, regardless of which edition or which temple he blessed them at, but we do, as do all Amulet Appreciation Fanatics, recognise the categories of preference within the hierarchies of different editions, which is for us one of the more subtle and fascinating parts of the study of high end amulets within the collector scene, and part of the fine art of learning how to recognise and value Sacred Amulets of High Preference and Rarity.

The Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim amulet, has has been one of the most popular amulets in the whole Pantheon of Thai Buddhist Amulets of the last century, and of all time, and is now almost impossible to encounter commonly anywhere in any amulet emporium, except for the most elite showrooms, and at elevated prices. This Pra Pra Khun Phaen Pong Prai Kumarn Pim Bai Sema, is even rarer than the Pra Khun Phaen 15, and a highly desirable exhibit, that is among the rarest amulets in the pantheon of this master.

The Sacredness of the Pra Khun Phaen Pong Prai Kumarn is legendary and unquestioned in Thailand, and its magical power is commonly accepted by all. The Muan Sarn Sacred Powders of the Pra Khun Phaen Pong Prai Kumarn are considered to be amongst the most powerful powders to empower amulets in existence. This amulet is a wonderful opportunity for devotees who seek the true power of a world class amulet from a world class Master-Monk, and a wonderful Ongk Kroo reference study exhibit to peruse under the eye loupe. The amulet is a perfect and authentic study material, to train the eyes as to the appearance of the Muan Sarn and Surface textures of the Classic amulets of Luang Phu Tim Hence, the amulet is also a perfect ‘Ongk Kroo’ reference study material for students of the Pantheon, and will increase your chances of spotting an essential rarity at the right price, and without danger of risking a fakery.

The making of the Muan Sarn Sacred Pong Prai Kumarn powders Luang Phu Tim, came from the Wicha which Luang Phu had inherited through apprenticeship form one of his high Kroo Ba Ajarn, Kroo Ba Sangkh Tao, who was also his true Uncle. Part of the formula included Pong Prai Maha Phuudt, which was made from the Skull of a male Kumarn who died in the Womb, and who died on a Saturday and was cremated on a Tuesday. This is part of the ancient Khmer Necromantic Formula for Authentic Powerful Prai Occult Magic, as practiced in Ancient Times. It is said that Pra Kroo Sangkh Tao’s Wicha Akom was so powerful that when he spat on the floor, the floor would crack where his spit would fall.

Due to the fact that Monks are not allowed to seek and find this Sacred and Extremely Powerful Necromantic Substance, Luang Phu would perform Korb Kroo Initiation for protection against Black Magic and the Phuudtaa Spirit Phantoms, so they could go forth to seek and find the substances to donate to him for the making of the Pong Prai Kumarn. The Initiated Lay Devotees and Apprentices to his sorcery, would then wait for the news of the right circumstances of death of Kumarn Ghosts, and go out to collect the substances and prepare them as instructed with the Wicha. They would seek the permission of the relatives of the dead, to obtain the substances to enable the ghosts of the deceased to receive merits to free them from their Karmic residues by donation of their mortal remains to be made into amulets.

They would receive the ceremonial ritual liberation of their souls from Luang Phu Tim, who would speak with the spirits of the dead to receive their acknowledgement for the process of transformation through the Nibbana Sutra, and the Muan Sarn would then be prepared according to the Dtamra Saiyasart of Necromancy, to make the Pong Prai Kumarn.

Luang Phu instructed his apprentices and the relatives of the Funerals to take care not to incinerate the whole skeleton, but to keep the skulls to bring to Luang Phu to use them for the making of the Pong Prai Kumarn. This is one of the reasons why his Pong Prai Kumarn is so powerful, because it does not contain the skeleton bone powders, rather, only those of the skulls. As a result, Luang Phu Tim’s Pong Prai Kumarn has been recorded by experience of devotees to posses the highest Maha Pokasap Power of all Pong Prai Kumarn ever made, with Immense Metta Maha Niyom and Klaew Klaad Power, to induce Mercy Charm, Attract Lucky Fortunes (e.g. Lottery Winnings), and to Protect from Deadly Accidents and Disasters.

Luang Phu Tim Issarigo, is of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders. Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Khun Phaen Pong Prai Kumarn, and Look Om powder balls. As to the classic ‘Rian’ type coin image amulets which have become all time favorites, and eternally, world famous classic amulets of the high end variety. His Rian Jaroen Porn, and Rian Nakprok Paed Rorp are among the most highly sought after coin amulets of all.

Since his passing, his devotees and apprenticed monks, have now become the world’s top living masters for the making of Pra Khun Phaen Pong Pra Kumarn, and literally dozens of encyclopedic books, have been printed, documenting both this great master monk, and his classic amulets of high esteem. Buddhist monk coins with his image and others with Buddha images and other deities and imagery are amongst the most highly collected amulets and most expensive of all of the great Luang Phu Tim. He has various direct lineage apprentices, Who are continuing to progress and spread his most powerful and world-famous Wicha.
Of all of these masters, certainly the most famous, preferred and highly respected Looksit, was Luang Por Sakorn, of Wat Nong Grub, who is also now deceased, and whose amulets are fast becoming just as highly sought after. Following this Master one could possibly estimate the great Luang Phu Sin, of Wat Laharn Yai, Luang Por Rat of Wat Pha Hwaay, Luang Por Foo of Wat Bang Samak, and Pra Ajarn Somkid, of Wat Beung Tata (Rayong).

Kata Pra Khun Phaen Prai Kumarn Luang Por Tim

Puttang Ārātanānang Tammang Ārātanānang Sangkang Ārātanānang

Na Maedtaa Ja Mahaa Raachaa Taewiraacha Budtra Dtraa Budtra Dtrii Sa Ma Na Praahm Chiitaasaa Taasii Grasadtrii Paab Raacha Idthii Naarii Sappa Aehi Much-Chi Sappang Sappa Grotang Winaasandti Bpiyo Taewa Manussaanang Bpiyo Prahmma Namudt-dtamo Bpiyo Naaka Subannaanang Bpinintriyang Namaa Mihang Wikring Karae


Pra Sivali Luang Phu Hmun

Presenting a rarely-seen Master-Class Amulet of the Great Luang Phu Hmun; the Muan Sarn Sacred Powders Variety, the Pra Sivali Ruay Tan Jai Pim See Liam Hlang Yant – Nuea Pong Puttakun Pasom Wan 2543 BE. Only about 3000 amulets were made in this series, which considering the popularity of Luang Phu Hmun’s amulets and the passage of time since their release, means that almost all of them already reside with devotees who refuse to part with them.

Pra Sivali LP Hmun 2543 BE Ruay Tan Jai Edition

This is hence, a rare chance to admire the highly prized limited edition Pra Sivali Hlang Yant amulet. of LP Hmun Tidtasilo (Wat Ban Jan), in Nuea Pong Pasom Wan. This is a very perfectly well preserved exhibit, which was released during the famous 2543 BE ‘Ruay Tan Jai’ (Rich as Your Heart Desires) edition, at Wat Pha Nong Lom.

Rear Face Pra Sivali Amulet LP Hmun 2543 BE Ruay Tan Jai Edition


The front face of the amulet depicts Pra Sivali (also called ‘Pra Chimplee’ in Thai Buddhist Etymology), carrying a Glod Umbrella and Alms-Bowl, on Tudong, wandering through the forest.

Pra Sivali LP Hmun 2543

The Rear Face of the amulet has a Sacred Yant embossed upon it, with the Sacred Kata Hua Jai Heart Mantra of Pra Sivali, in Ancient Khmer Sanskrit (Khom); ‘NA CHAA LEE DTI’. Below the Yant, are the four elements invoked, with the syllables ‘NA MA PA TA’

Yant on Rear Pra Sivali LP Hmun 2543

Yant on Rear Pra Sivali LP Hmun 2543


Kata Phra Sivali 7 Day Chanting คาถาพระฉิมพลี๗วัน

Luang Phu Hmun was born in the year 2437 BE, and was ordained as a young boy aged 14 into the Sangha, as a Samanera Novice. He was later then ordained as a fully fledged Bhikkhu, when he came of age, in the year 2460 BE. He remained Ordained throughout his life.

Luang Phu Hmun Wat Ban Jan
Luang Phu Hmun was a Maha Thaera Guru Monk of great age and who received Great reverence and Respect from the people of Tambon Ban Jan for his Diligence and Purity in practicing the Vinaya as a Buddhist Monk.

His predictions and instructions for ceremonial empowerment of amulets after his physical death, have been followed to the letter since his passing, for he gave special instructions to inform as to when and how he would return with his spiritual presence to empower amulets posthumously.
His Miracle Powers are Legendary, with so many stories of Miraculous events related to this Monk, who has seen the Reign of Five Kings in his Lifetime. For this reason he is known as the ‘Pra Maha Thaera Ha Phaen Din’ (Great Senior Master-Monk of 5 Kingdoms)

Luang Phu passed away. on the 11th March of the year 2546 BE, at the age of 109 Years old, after 87 years in the Sangha, serving Buddhism throughout almost his complete lifetime.

LP Moon Wat Ban Jan

Luang Por MoonIt is said, that just before the moment of his passing, LP Hmun was heard to recite these words;

“Whoever wears my amulets, and has an ethical life andf profession, will see their assets increase steadily, have luck and good fortunes in Busines. Gain fame and respect in the profession, and high likeability socially. The Devas will smile kindly upon you and protect you, and point the way forward to success and happiness.

Luang Phu Hmun Tidtasilo Wat Ban Jan

But these blessings will only come to those who do good, think good, and have good intention, and respect the Buddhist Precepts”.

The word ‘Hmun’ means to turn and increase (revolve). Luang Phu Hmun always foretold that those who Bucha his amulets, would turn their luck and fortunes around, and increase their Business Success.

Luang Pu Hmun (LP Moon), of Wat Ban Jan

Luang Phu is known to have foretold. that those who Bucha his amulets will be protected from ‘Dtaay Hoeng (premature deadly accidents), and that the Devas will Protect the wearer of his amulets.

Bucha to Luang Phu Hmun. should be performed on a Thursday, and should include offerings of;

  • 16 Incense stick, 2 candles (lit), white flowers, or one puang malai garland.
  • Hmak Plū Betel-Areca Nut with chewing paste (5 or 16 portions).
  • A glass of sweet drink such as fizzy drinks,
  • One roasted catfish, some rice or sticky rice, or fermented rice, or even steamed rice pudding.

Luang Phu Hmun Tidtasilo

Kam Ārātanā Buchā Luang Phu Hmun Tidtasīlō

  1. Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa
  2. Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa
  3. Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa

Luang Phu Hmun Tidtasīlō Ma A U Luang Phu Hmun Tidtasīlō U A Ma

Kata Bucha Luang Phu Hmun

Dtua Gū Lūk Pra Putta Ongk Krū Sit Tudong Ong Āj Mai Bpramāt Krū Pob Roi Gom Dū Jer Krū Grāb Hwai

Kata Bucha Luang Phu Hmun (L.P. Moon) Chanting Tutorial

Luang Por Dam

A Rare Loi Ongk Pra Pid Ta Thaan Sung (high Dais) Buddha Image Statuette amulet, in Nuea Pong Kluk Rak, with hand inscribed Yant Putto, and Khom Inscriptions, from the Great Luang Por Dam, of Wat Mai Nopparam, in Naratiwat Province, in the deep South of Thailand on the Malay border. Luang Por Dam was the first apprentice in the Wicha of Pra Pid Ta Magic, to the Great Luang Por Kron, of Wat Bang Sae. This exhibit differs from many, in the fact that it has had red Rak Chart Jeen Boran coated on the base.

Phra Pidta Luang Por Dam Wat Mai Nopparam15

The Pid Ta is made using the very same Muan Sarn Sacred Powders admixture, empowerment, and inscriptions, as those of the Great Luang Por Kron, and the Pra Pid Ta of Luang Por Dam himself, have now become legendary in their own right, and stand alone on their own merits as Pra Niyom master Class Category amulets.

 

LP Dam Wat Mai Nopparam

Highly revered and collected by Looksit (Devotees) of his Mentor Luang Por Kron, a Buddhist Master Monk from Malaysia. Luang Por Kron was Abbot of Wat Bang Sae in the province of Kalantan.

He made many Pid Ta amulets which were so very preferred (‘Niyom’). It is said in Thai Amulet circles that, in the same way that we prefer the Pra Somdej Wat Rakang as a Niyom amulet, so, in Malaysia and even Singapore, the Pra Pid Ta of Luang Por Dam, and his Mentor Luang Por Kron, became just as sought after and beloved. Malaysians know Luang Por Dam very well, for his temple is very close to the Malaysian border in Naratiwat, which is one of the reasons LP Dam was able to be a close accomplice of LP Kron, and receive and continue his Wicha.

Rear Face Pra Pid Ta Luang Por Dam

The Pra Pid Ta amulets of Luang Por Dam of Wat Mai Nopparam, have become ever more comparable and popular to those of his Mentor and Wicha Inheritance Kroo Ba Ajarn Luang Por Kron, for the fact that Luang Por Kron’s amulets are almost impossible to find anymore these days, and the Pra Pid Ta of Luang Por Dam have hence become the favored alternative, for they are considered to possess the magic of both Masters.

Below; Luang Por Kron – Wat Uttamaram (Kalimantan Malaysia)

Luang Por Kron of Wat Uttamaram Malaysia
As to Luang Por Dam’s Mentor, LP Kron, Malaysian Buddhists do not often call him Luang Por Kron as Thai people do, rather ‘Tok Racha‘, which means something similar to Thailand’s top Royal Monk always being called ‘Pra Sangkaracha’.

It is said that despite the fact that most of the surrounding households in the vicinity of Luang Por Krons temple were Muslim, that he earned their respect, and was an honored person. He was not called Luang Por Kron by Malays, as we call him in Thailand, rather, was named ‘Tok Raja’, which means ‘ as equal to the Sangha Raja’ .

The reason for this comes from a legend that the daughter of a powerful Sultan of Kalantan was cursed with a black magic spell, which caused his mind to become strangely affected, and even doctors and psychologists could not help to cure him, and even the Muslim witch doctors could not break the spell with their magic.

But Luang Por Kron was able to heal her, and return her to sanity. This caused LP Kron to recieve great respect from the Sultan who then gave him the honorary name of Tok Raja. His most preferred amulets are the Pra Pid Ta, which were mostly hand made molds, in Muan Sarn Sacred Powders with Lacquer (Nuea Pong Kluk Rak), some very few in carved wood, and a very few are sometimes seen in carved ivory.

Pra Pidta Luang Por Dam Nuea Pong Jarn Yant Putto


Luang Por Kron began making Pra Pid Ta amulets sometime around the year 2480 BE onwards, mostly making hand molded clay models, resulting in each one having a very original appearance, some with very wide legs, others less so. Most were made in Nuea Pong Kluk Rak herbal powders with lacquer mixed into the clay, and hand molded, to form an inimitable effect that has made his Pra Pid Ta amulets so original in design.

Many of his hand molded Pid Ta do not have a dais and have very wide legs, whereas others have a more standard form with inscription, and less wide legs, and usually with inscriptions of Unalome and Yant on the surface of the image. His other highly preferred amulets among devotees, are the Rian Roop Dork Jik 1st edition coin of 2500 BE, and the second edition coin, the Rian Roop Khai of 2505 BE.

A Top Master-Class amulet, from LP Dam, first apprentice of Malaysia’s Greatest Master of the Wicha Pra Pid Ta

The Pid Ta can be used as a Loi Ongk Statuette on the altar for Bucha, or be worn as an amulet encased. This exhibit is highly recommended to use for altar worship, as it has a wide sturdy base, and is fitting for placement on flat surfaces.


Pra Upakut BE Wat Pra Singh

The Pra Kring Upakut Muang Ngay Loi Ongk Statuette Buddha was released in the year 2512 BE, at Wat Pra Singh, in Chiang Mai, North Thailand. The Pra Kring Upakut was cast and forged in Sacred Chanuan Alloy, along with the equally famed and sought-after Pra Ruang Rang Pern, Rian Somdej Pra Naresuan Maharaj Royal King Coin, and Pra Chayawat Naresuan amulets. At that time, the blessing ceremony for these amulets became the largest mass blessing ceremony of Northern Thai Lanna Amulet History, funded and organised by Commanding Police officer, and Mayor of Chiang Mai Province, Pan Tamruaj Aek Nirand Chaynam. In addition, His Majest King Bhumipol Adulyadej Rama 9 attended the ceremony to perform the ‘Te Tong’ gold pouring ceremony part of the forging ritual of the amulets.

Pra Upaku (Pra Bua Khem) 2512 BE Wat Pra Singh

Many Great Master Monks from around Thailand were invited to come and assist in the empowerment and blessing of the amulets, which were made in order to raise funds to build the Pra Naresuan Stupa Chedi Reliquary as a Memorial Monument to the first King of Thailand, who united the Kingdoms of the various city states to defeat the Burmese, and unite the nation. Once the funds were raised after release of the amulets, a Chedi Stup was built dedicated to King Naresuan Maharaj, at Mueang Ngay In Chiang Daw, as a monument of the city. The statuettes were made from Nava Loha (9 Sacred Metals), in numbers of 2512 amulets only, making these amulets extremely rare to find in the present day. The Grand Putta Pisek (Buddha Abhiseka), was performed on the 15th January 2512 BE at the Worawiharn Pra Singh Wora Maha Wiharn shrine-room in Chiang Mai.

Rear Face Pra Upakut Wat Pra Singh 2512 BE Ble4ssed by 40 Great Master Monks

Among the great number of 40 Powerful Master-Monks present to empower the amulets in the Putta Pisek ceremony, were; Oor Tan Klai of Wat Suan Khan, Luang Por Nam of Wat Don Sala, Luang Phu To of Wat Pradoo Chimplee, Luang Por Nor, of Wat Ta Ruea, Luang Por Tiam, of Wat Gasatrirat, Luang Por Tong Yoo, of Wat Mai Nong Pra Ongk, Luang Por Tiang, of Wat Khao Roop Chang, Luang Por Pring, of Wat Bote Goeng Tanu, Kroo Ba Wang, of Wat Ban Den, Luang Por Chaem, of Wat Wang Daeng Nuea, Luang Por Chern, of Wat Dtamnak Nuea, Luang Por Mueang of Wat Ta Haen, and the great Luang Por Tim, of Wat Chang Hai.

Kata Bucha Pra Upakut - Pra Bua Khem Buddhist Chanting Tutorial

For this reason, this edition of mulets is seen as highly sacred and powerful, for the blessings of these Great Masters and many others, with a powerful and Grand Ritual Ceremony. The Pra Kring Naresuan, Upakut, are seen as the number one Pra Kring amulets of the Lanna Region of this Era. The Pra Kring Naresuan is known around the Nation for its power and sacred blessings, and rarity, and is revered, and soigh-after by many Thai Buddhist People. Although for most, this is a mere hope and dream, for the chances of encountering one, are far and few between, due to the small numbers made of each amulet.
Base of Pra Upakut Amulet Wat Pra Singh

Pra Ajarn Sawai (Abbot of Wat Racha Nadda in Bangkok), was the Monk presiding over the Putta Pisk Ceremony. Before the Forging of the Sacred Chanuan Metallic Alloys, and Casting of the amulets, a host of Gold, Silver and Bronze Yantra Foils were inscribed with Magical Spells in both KHom and Agkhara Lanna script, within ancient Sacred Geometry designs, which were distributed to the most powerful monks around the Nation, and blessed during a whole year, before returning them to Wat Pra Singh, for the forging ceremony, to empower the Sacred Chanuan Metals. T.ese Yantra Foild were smelted together with many other kinds of Sacred Metallic Artifacts,

Amulet Pantheon released in this edition;

  • 1. Pra Kring Naresuan Mueang Ngay Nuea Nava Loha (2512 Made). 2 different models were made, the Pim Dto, and the Pim Yom
  • 2. Pra Kring Naresuan Mueang Ngay Pim Pised special model (9 made)
  • 3. Pra Chayawat Naresuan Mueang Ngay Nuea Nava Loha (2512 made)
  • 4. Pra Ruang Rang Pern Nuea Tong Daeng Rom Dam (95,000 made)
  • 5. Pra Ruang Rang Rang Pern Pimp Hlang Baeb (2 sided version), which were made in numbers of only 2000 amulets.

Rian Somdej Naresuan Maharat Nuea Tong Daeng Rom Dam, and Nuea Tong Daeng Phiw Fai (100,000 made, with much less being made in Nuea Tong Daeng Rom Dam, making these versions rarer).

Pra Upaku (Pra Kring Opakut 2512 BE Wat Pra Singh Chiang Mai

There were also the following models released for donation to the 33rd Regimental Army Legion;

  • 1. Pra Putta Sihingk 5, 7, 9, and 12 inch wide lap Bucha Statues. These Bucha statues were made in 2 different Sacred Chanuan substances 1. Nuea Sam Gasat (Gold, Silver and Bronze), and in Nuea Samrit (Bronze Alchemical Alloy)(, which were only made in limited numbers, according to how many pre orders were made.
  • 2. Pra Put Chiang Saen Singh Bucha Statue 5 inches wide lap in Nuea Sam Kasat.
  • 3. Badtr Nam Pra Putta Mont in Nuea Tong Daem Rom Dam Blackened Copper Alloy, composed of a Holy Water Bowl, Embellished Lid, with a Pra Kring Upakut Buddha amulet embeded within the Holy Water Bowl. There were two different kinds of lids made for the Badtr Nam Mont; 1. With Pra Kring inserted 2. With Lotus Flower Embossed. Only 100 of these Sacred Holy Water-Making bowls were made in total.
  • 4. Pra Kring Upakut, in Nuea Tong Lueang Rom Dam Sacred Brass Alchemicl Blackened Alloy.
  • 5. Pra Sivali 2 Inch High Statuettes, in Nuea Tong Lueang Sacred Brass.
  • 6. Rian Pra Jao Kawila in Nuea Tong Daeng Rom Dam.

This model is one of the rarer models to find, as they belonged to the special set set apart for donation to Thai Official Officers of the Regimental Army, and so very few ever fell out of the possession of the people who received one from the temple, allowing serious devotees and collectors to be able to obtain one.


Pidta Luang Por Toh Pim Jumbo 2

Proudly presenting a classic Masterpiece Amulet of World Famous International Fame and Acclaim, the Pra Pid Ta Maha Lap Jumbo Hlang Yant Duang Amulet, with Takrut insert in Nuea Gaesorn (Sacred Pollen Powders), from the Great and Inimitable Luang Phu To, of Wat Pradoo Chimplee.

 

This model is ‘Chae Nam Montr’ (Received Prayer Water Spray and Immersion), which gives the Sacred Powders of the amulet a special fluffy texture, and white mildew. This exhibit exudes Sacred Power with the visible presence of plentiful quantity of Gesa hairs of the Great Master-Monk LP To, which should always be present in greater or lesser proportions with his Pra Pidta Amulets

free ems worldwideFree EMS Shipping Worldwide is included with this amulet. The Pra Pid ta Jumbo 2 amulets were Released in 2523 BE, after three years of consecutive (Traimas) Buddha Abhiseka Ceremonies, with empowerment from Luang Phu To, who presided over all three Blessing Ceremonies between 2521-2523 BE, with many other great monks in attendance during the ceremonies, and the solo empowerment of LP To during the whole 3 years.

The empowerment sessions occurred between 2521 BE, and 2523 BE. Luang Phu would also empower the amulets in his Kuti Hut every night he was at the temple even between the Rainy Season Trimesters each year, spraying them with Holy Water blessings. The Pid Ta Maha Lap Jumbo Amulet was made in various Block Mold pressings, with the first and second block being the most documented.

The first block has pointy feet, with no toes detailed and more outward pointing earlobes, whereas the block 2 has highly defined toes and upward pointing soles in three dimensional details, with a raised line traveling over the left foot joint of the meditating Buddha Image.

The surface of the Sacred Powders of the Votive Tablet, are highly distinguished and evidently authentic Sacred Powders of Luang Phu To Wat Pradoo Chimplee – the amulet has very clear features, and respectable aging features to the Muan Sarn. The rear face has the Yant Duang Yai round sacred Yantra Embossed on the surface

This Pid Ta is a Pra Niyom Category Amulet (Preferred Master Class Status), and belongs to the Classic Preferred Editions which were blessed and released at Wat Pradoo Chimplee. There are many other Pra Pid Ta amulets from this great master which were released in other smaller temples, some of which are more affordable, and others are also rare and highly revered and worshiped.

Before making a choice with Pra Niyom amulets from World Famous Masters, it is important to study, and know which editions and which block mold pressings are the preferred amulets, in order to know which ones are carry a higher price tag and which ones a lower price. In principle, any amulet blessed by the same Master should be equally powerful and Sacred. However, the Pra Pid Ta 2521 – 2523 BE three year Blessings series is of course, for those whose budgets can afford it, a most recommendable amulet for both protection and wealth.

The Pra Pid ta Jumbo 2 is also very useful for Practitioners of Buddhism, as Buddhanussati Buddhist Remembrance to practice the Mindfulness Taught by the Buddha, and especially useful meditation amulet for those who are practicing Dhyana Meditation, and seeking Nirodha, the extinguishing of all suffering.

 

meditating Buddha or Yogi entering into the state of Nirodha, and covering its orifices, which represents the stilling of all the perceptions of the outer world through looking within, and closing all the senses to the outer disturbances, and entering the 4th state of absorption known as Arupa Jhana, where no suffering or excitement of heart is present.

However, due to certain editions having Miraculous Events in the News making them more famous and popular, as well as the Collectorship Scene and the Appreciation Societies who Value and Catalogue the various editions, have caused certain models and series editions to become extremely expensive for their Master Class Status.

Below; The ‘gesa’ (Hairs) of Luang Phu To are visible in the Muan Sarn Sacred Powders of the amulet. this is an essential aspect of investigating the Muan sarn of Luang Phu To Pra Pid Ta amulets, which always have a certain quantity of the hair of Luang Phu To in their mixture and visible on the surface to greater or lesser extent.

It is therefore not necessary for somebody who merely seeks a powerful amulet, to buy the more expensive models, and with a bit of effort to study and make wise decisions, one should choose always what is within one’s own budget.

For those who seek a Sacred Powerful Amulet blessed by this Master, there are many more affordable alternative editions to the Pra Niyom Master Class editions, which we hope to provide ever increasingly along with detailed explanations of each edition and series, so that you can distinguish the differences and make your choices accordingly.

A Takrut spell is inserted into the base of the amulet. A defined ridge is seen where the legs cross at the ankle lines. The Sangkati Sash drapes over the left forearm of the Buddha Image with clearly defined lines, and blends with the chest in subtle fashion. The fingers are clearly defined and elongated.

The surface of the Muan Sarn Sacred Powders has developed a very fluffy texture from the Holy Water sprayed over it, increasing the beauty of the amulet, which is a classic effect of the changing humidities of the atmosphere, and this has given the amulet is distinguished look of authenticity.

Those who seek Sacredness but do not wish to speculate on increasing value, or enter into show competitions for first prize, do not need to spend their money on a Master Class Level Series Amulet, rather, can seek alternatives blessed by the same Master at lower price. Diligent study and research will assist you in making the wise choice according to your personal wishes and needs.

Luang Phu To of Wat Pradoo Chimplee was one of the greatest Masters of the Last Century, and a Highly revered Monk around the whole Kingdom of Thailand. he was Respected and revered by His Majesty Our great King, who was a close friend and companion.

Below; the Gesa (hairs) of the Great Monk, are visibly present in high proportion within the Muan Sarn Sacred Powder Clay of the amulet.

His Majesty Attends Luang Phu To

This Great Monk achieved his status through his Great deeds and his great Diligence in his Patipatā (Practice of Purity and Renunciation), and in his Great Attainments in Dhamma Pariyatti and Dhamma Patipatā. Luang Phu To was born on the 27th March 2429 BE in Ban Klong Bang Noi in Samutr Prakarn and passed away on 5th March 2524 BE. His many honorable awards of status reflect his great practice and diligence, since beginning to studdy the Dhamma Vinaya at Wat Pradoo as a Samanera Novice monk, through to become the Bishop of the Ta Pra Municipality (2463 BE), to becoming awarded the charge of being the Pra Kroo Sangka Wichit for the Abbot of Wat Maha Tat in 2457 BE.

In 2463 BE, Luang Phu To became ascended to the status of Pra Kroo Sanya Badtr Chan Dtri (Third Level, tantamount to Batchelor of Arts in Dhamma). In 2497 BE, Luang Phu then became promoted to Pra Kroo Sana Badtr Chan Toe (Second Level, tantamount to a Doctorate in Dhamma), of Royal Category. In the year 2500 BE, Luang Phu was then given the additional status of Upachaya Ordaining Officer.

In the year 2506 BE, Luang Phu attained the status of Pra Kroo Sanya Badtr Chan Ek (tantamount to a Masters Degree in Dhamma). In 2510 BE Luang Phu To was given the charge of being the Gammagarn treasurer of the Temples of Ta Pra Minicipality.Then, in 2511 BE, Luang Phu To was promoted once more to Pra Kroo Chan Kroo Pised (tantamount to an Honors degree in Dhamma).

In 2516 Luang Phu became Pra Racha Kana (Royal Appointment Sangha Comittee) and head officer of the General Affairs of Vipassana Practice. In 2521, Luang Phu To received the status of Pra Racha Kana Chan Rach (tantamount to being an Archbishop of the Royal Decree). His Blessings are believed to possess the most powerful protective power, and to increase success and prosperity. His amulets are both highly revered for their sacred Power of Protection and Prosperity, but also as a connection and Buddhanissati reminder of the Great Guru master, to beseech his blessings through the amulet. One of the most highly sought after Pra Niyom Category Amulets, which is seen to grace the pages of any and every important amulet encyclopedia, and the highly prized and jealously guarded talisman of the high end collector and devotee.


Pra Putta Mongkol Maha Lap Amulets Mae

The Pra Somdej Mongkol Maha Lap amulet series of 2499 BE, was released at Wat Sarnath, in Rayong, to fund the creation and installment of the Pra Putto Pas Chinarat Jom Muni Buddha statue, which was made at Wat Sapmant Wongs, in Bangkok, and donated to be installed at Wat Sarnath, as the Pra Pratan main Central Buddha image within the Uposatha shrine room.

Below; a rare version of Pra Somdej Nakprok Mongkol Maha Lap Nuea Pong Maha Solos Daeng 2499 BE Mae Chee Bun Ruean Wat Awut
in Nuea Daeng

Somdej Mongkol Maha Lap Pim Prok Po Mae Chee Bun Ruean

Somdej Mongkol Maha Lap Pim Prok Po Mae Chee Bun Ruean Wat Awut.

The amulets were made in various powders, white nuea solos, brown nuea wan, and red nuea wan sabu luead, as well as nuea bailan and other admixtures. Some received the inscription of the Yant Putto, or the Yant Dto Rasamee, of Mae Chee Bun Ruean, and others were left with ‘Hlang Riab’ ‘smooth faced’ rear sides. All versions contain the famous pong Maha Solos Maha Lap (Pong Guubose), which is legendary for its powers

This amulet comes with the existing Stainless Steel Casing – The alternative of Free Waterproof Casing is also an Optional Offer with this Amulet, if you wish to encase with Waterproof Casing at no extra cost. Free Registered Airmail Shipping Worldwide is offered included with this amulet, as is the case with all amulets in Ancient Amulet Store.


There was never a ceremony to invite the Devas so majestic as the ceremony performed by Mae Chee Bun Ruean, which included not only the ubiquitous incenses, puffed rice, flower garlands in 7 different colors, but also a total of 375 Kinds of Food Offerings! The Benja and 9 Saewadta Chadtras offered, 5 sork high (‘sork’being a Thai form of measurement, meaning ‘5 elbows’, slightly over 2 Feet per ‘sork’). Five Golden and Silver Bai Sri were place in offering, also 5 sork high in stature.

The chanting ceremonyn to bless the holy water with the assistance of the attendiing Devas, was then mixed with the sacred powders used for the muan sarn clays of the amulets. Many great and psychically attained monks were invited to empower and bless the sacred ingredients for the amulets, and the amulets themself after their pressing;

1. Pra Prohm Muni (LP Phin Suwajo), of Wat Bovornives Vora Viharn, 2. Pra Worawaet Kunajarn (LP MIan Bpappasaro), of Wat Pra Chetupon Wimon Manghalaram, 3. Pra Maha Racha Manghalajarn, 4. Pra Kroo Winaiton (LP Fueang Yana Bpaheebpo), 5. Pra Sa-Ard Apiwattano, of Wat Sampant Wongs, 6. Pra Kroo Nor, of Wat Klang Ta Ruea, in Ayuttaya, 7. Pra Ajarn Bung, of Wat Mai Nong Sen, and 8. Pra Luang Por Chorp Sammajaree, of Wat Awut Wigasitaram in Thonburi, as well as the prior and later blessings and empowerments made by Mae Chee Bun Ruean Herself.
In Addition, during the Deva Abhiseka, the Ruesi Yogi Ajarn Rerb (Ajarn Chern Jantr Paetch), who was a very powerful and famous Ruesi of the Era, assisted in empowering the amulets.

Then a second empowerment session was performed, with the amulets pressed and placed covered with 7 layers of 7 green and 7 white cloths covering them, placed upon an altar in the center of the shrine room.

Many people in the amulet world have been interested in knowing what was used in the making of the sacred powder admixtures, and so we find it impportant to document and list them in this article, for posterity and study;
1. Sacred Powders from a Host of Great Masters of that Era and Previous Eras, through the lineage of each Master who donated and empowered the powders.

2. Powders from Wat Chetupon, Wat Sri Totsataep, Wat Sampant Wongs(Wat Sampantawongs).

3. Broken powdered pieces of ancient sacred amulets.

4. Powdered up herbal ingredients with magical properties, ground up to make a brownish herbal powder.

5. Earths from 7 Prosperous Ports, and the banks of 7 Sacred Lakes. 6. Powders made from taking ancient Kampir Grimoires of Sorcery (Sacred in themself), of both the Bailan Beige Parchmnent variety, and the Samut Khoi black Parchment variety of Grimoire, and burn them and grind into powders, with 5 repetitions of admixture, adding powders from previous editions of amulets.

6. Earths from sacred Pilgrimage Places of the Life of the Buddha in India, brought back to be used for the admixture, to bring Sacred Buddhakhun Power to the amulets, with earths from the important places of the Buddha’s Life, such as the Buddha’s birth, earths from around the Bodhi Tree where the Buddha’s Enlightenment occurred, the place where he gave his first sermon in Varanasi (the Dhamma Chakra), and earths from the place of the Buddha’s Passing into Nibbana.

7. Earths from important places where the Buddha performed great Sermon, or Important Events in his Life occurred, and which are to this day, all sacred places and shrines to the Buddha.

8. Pong Poon Khaw Hin Rachaburi powders.

9. Sacred Talcs invoked with Negative Space inscribed Yantra Spells.

10. Nam Oy Sugarcane Juice.

The amulets are made from a Muan Sarn Sacred Powders composed of a large variety of sacred clay earths, herbal pollens and powders, and Puttakun powder. Herbs and Sacred ingredients with all sorts of different blessings and powers were added to give a complete range of blessings.

All these Muan Sarn ingredients were ground into fine powders, and separated into different admixtures, and mixed with holy water from the first Buddha Abhiseka and Deva Abhiseka Blessing Ceremony. The amulets were pressed as the Pra Somdej Pra Putta Mongkol Maha Lap (Buddha Manghala), Pra Nakprok, Pra Putto, and other forms such as various kinds of Pra Somdej, Nang Kwak, and other amulets.

Above and beyond this, the amulet is a Sacred Artifact of Buddhanussati, an authentic Sacred Buddha Image Votive Tablet, blessed and made in 2499 by Kun Mae Chee Bun Ruean, in two ceremonies held at Wat Sampantwongs and Wat Sarnath, both Mae Chee Bun Ruean Lineage Temples.

The amulets were handed out to devotees during a later ceremony who came to donate and support the installation of the Putta Sima temple boundary of Wat Sarnath, and many of the amulets were of course held for burial within shrine rooms and Chedi Stupas of choice, for later distribution, or accidental rediscovery long into the future.

This is a common practice with amulets, where they are placed in a hiding place chamber (Kru), or buried under the ground or under the floor of sacred places, as a way of preserving the fact that there was once a Buddha who walked upon this earth. Hiding Place amulets are also stored in Kru Chambers as a repository to use for fundraising by removing a number and distributing them to devotees who donate to the temple (Note; The placement and removal of amulets from Kru for providing a method of creating fundraisers only became a practice during the last century, after Buddhist amulets became a source of fundraising).

According to the written documentation of Luang Phu Tet Nitesago, the Pong Solos powders made by Mae Chee Bun Ruean to make the amulets, were made using the Wicha Prohmasat (Brahma Sastra), which invokes High Brahmas and Ariya Sangha (Enlughtened Beings), of the Sutawas celestial level, to empower the powders. They were made to distribute to devotees, and fund the installation of the Pra Putto Chinarach Jom Muni Buddha statue of Wat Sarnath.

The amulets have become very famed for their miraculous powers, due to many stories of miraculous events connected with devotees and the amulets. Mae Chee Bun Ruean invoked the spiritual Connections of the angelic beings of the Buddhist, Christian and Islamic Faiths to imbue their blessings, to protect people of all religions, who keep the precepts of goodness and abstention from evil acts. The real name of the powders is ‘Pong Maha Prohm Ariya Bodhisattva Phuu Bpen Jao’ (Powders of the Enlightened Brahmas who are Lords of their Existence’).

This was because of Ajarn Seng, who taught and revealed that all three religions, speak of the same one Super-consciousness or ‘God’ (Buddha-hood for Buddhists), but which different cultures over time split and adapted into their own social structures, and changed them according to their needs, but that all three are derived from the same fact that enlightened beings gave teachings to unenlightened humans, and were worshiped for it as messiahs, prophets, or gods, and became founders of these religions.

The great Luang Por Lee is said to have found the 2499 BE Somdej Mongkol Maha Lap so powerful that he basked for some of the broken ones to be given to him to mix into the sacred clay of his famous sacred Pra Bai Po Jak amulets of the 2500 BE 25 Centuries of Buddhism Mega Nationwide Amulet Ceremony.

Pra Bai Po Jakr LP Lee Wat Asokaram

Pra Bai Po Jakr LP Lee Wat Asokaram

According to the Pra Tamma Khant, all Somdej amulets must be made in numbers of 84,000, but it is rumored that the Pra Putta Mongkol maha lap amulets were made in much less numbers, which is an unconfirmed rumor, and would be dubious considering Mae Chee Bun Ruean’s tendency to be a stickler for proper ritual and adhere to the dtamrta of the Wicha.

The Pra Putta Mongkol Maha Lap amulet is often used as a substitute for the Pra Pong Solos of Luang Phu Tim (much more difficult to find and much more expensive). Luang Phu Tim himself was also invited to perform Nang Prok meditative empowerment on thje amulets, as he was 70 years old. Considered one of the best amulets of the 2500 BE Era of Thai Buddhist Amulets.

Pra Somdej Putta Mongkol Maha Lap various sizes in white Pong Solos Powders.

Pra Somdej Putta Mongkol Maha Lap various sizes in white Pong Solos Powders.

Anothjer version of the Pra Somdej Putta Mongkol Maha Lap Nuea Solos

Another version of the Pra Somdej Putta Mongkol Maha Lap Nuea Solos


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Pra Somdej Bang Khun Prohm Pim Sen Daay Kru Gao 3rd Prizewinner Ancient BenjapakeeAmulet (38)

A 3rd Prize winning Competition Standard Master-Class amulet of the Benjapakee Immortal Classic Family, the Pra Somdej Wat Bang Khun Prohm Kru Gao (Chedi Yai), Pim Sen Daay Kru Gao. An Immortal Classic and one of the most famous Thai Buddhist Amulets of all time, as well as being amongst the top preferred amulets of the serious devotee and wealthy collector of the accepted amulets of Somdej Pra Puttajarn (Dto) Prohmrangsri, of Wat Rakang Kositaram.

Pra Somdej Bang Khun Prohm Pim Sen Daay Kru Gao 3rd Prizewinner Ancient Benjapakee Amulet - Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang.

Pra Somdej Bang Khun Prohm Pim Sen Daay Kru Gao 3rd Prizewinner Ancient Benjapakee Amulet – Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang.

The Pra Somdej of Somdej Dto are the number one amulets of all time, be they from Wat Rakang, Wat Bang Khun Prohm,or Wat Gaes Chaiyo. Made in the period between 2411 and 2413 BE, three years before the passing of Somdej Dto himself, and buried in the Stupa until their distribution in 2500 BE

Rear face view of Pra Somdej Bang Khun Prohm Pim Sen Daay Kru Gao 3rd Prizewinner

Rear face view of Pra Somdej Bang Khun Prohm Pim Sen Daay Kru Gao 3rd Prizewinner

This amulet comes with its third prize winning certificate micro-chipped certificate card of the Chomrom Pra Tae Mueang Siam Amulet Appreciation society and complimentary box with third prize ribbon sticker. We offer free Gold, Waterproof or Solid Silver Casing with this amulet. whichever you prefer. Free EMS Shipping is also included in the price

The rear face shows the presence of all the classic features and muan sarn ingredients of a true Pra Somdej Bang Khun Prohm of Somdej Dto, with Kraap Kru on the front face revealing it to have been placed within the larger Chedi Stupa of the 2500 BE Opening. The Kru Gao (Chedi Yai) amulets are more highly preferred than the Kru Hmai (small Chedis) amulets, which were found later within the nine smaller Chedi Stupas surrounding the main central Stupa.

Pra Somdej Bang Khun Prohm is one of the classic Pra Somdej amulets available and is along with Pra Somdej Wat Gaes Chaiyo perhaps the next in line to the Pra Somdej Wat Rakang amulet as far as popularity, beauty, sacredness of Puttapisek ceremony and price range.

 

 

Pra Somdej Bang Khun Prohm Kru Pra Chedi Yai (Large Chedi Kru amulets)
The Pra Somdej Bang Khun Prohm amulets classified as a Kru Pra Chedi Yai, have 9 different Pim Song, and were made in the period between 2411 and 2413 BE. Not all of the Pra Somdej Bang Khun Prohm were placed in the Kru, it took many years to create and press them and many would be in a receptacle in the Kuti and would be handed out by him during the time he created and empowered them.

 

This explains the absence of Kraap Kru in some exhibits, as well as being purely logical and the most probable chain of events to have occurred. The Thaan Saem is one of the 5 Pim Song of Pra Somdej, which exist in both the Kru Wat Rakang and Kru Bang Khun Prohm amulets. Pra Somdej Wat Rakang have Five major category of Pim Song, whereas the Pra Somdej has four more Pim Song, making it nine major Pim in all.

 

 

These 9 Pim are; Pim Yai, Pim Sangkati, Pim Song Chedi, Pim Prok Po, Pim Gaes Bua Dtum, Pim Thaan Koo, Pim Sen Dai, Pim Ok Krut.

History records that, in the year of the Dragon 2411 BE, Samian Tra Duang Tongoses made restoration work Wat Bang Khun Prohm Nai (Wat Mai Amataros), and renewed the temple along with the building of a new Chedi Stupa, in order to place Pra Somdej amulets, which Samian Tra Duang invited Jao Prakhun Somdej Pra Puttajarn (Toh) Prohmrangsri, of Wat Rakang Kositaram to place there, as well as to empower. The amulets were made in the Pra Somdej Traditional formula of 84,000 pieces (same as the number of suttas of the Pra Tammakhant).

 

After Somdej Dto had blessed and empowered them, Samian Tra Duang was allowed to place then in the Kru hiding place within the Chedi Stupa behind the Upopsadha shrine room. During the time from then, the Chedi was sometimes accessed and amulets were removed from time to time, and even some thieves dug holes and stole some.

 

This became so bothersome that the Kru had to be broken open officially on 24th November in 2500 BE.

 

The opening took all day, until at approximately 8 pm, the very last Pra Somdej amulets were removed. Many of them were very thickly coated with ‘Kraap Kru’ (residues and growths). The amulets were allowed to be rented out by devotees, until the year 2509. The total amount of money raised from the rental of these amulets amounted to about 4 Million Thai Baht.

 

This money was used to construct the new Uposadha shrineroom, and the renovate and restore the old Chedi Stupa, as well as making a bronze statue of Tan Jao Prakhun Somdej Toh, which was completed and celebrated in 2509 at the same time as celebrating the building of the Putta Sima (temple walls), and the burial of the ‘Look Nimit’ (all Uposadha shrine rooms must have a Look Nimit ball buried under it).

Micro Chipped Certificate of 3rd Prize Pra Somdej Bang Khun Prohm Pim Sen Daay Kru Gao

Micro Chipped Certificate of 3rd Prize Pra Somdej Bang Khun Prohm Pim Sen Daay Kru Gao

The depletion of this series led to the creation of yet another immortal legend of the Pra Somdej Niche in 2509, namely the Pra Somdej Wat Bang Khun Prohm 09 Edition, which is in itself one of the most highly collected amulets of serious collectors and devotees, and also carry relatively elevated prices.

This Classic edition of Somdej Bang Khun Prohm, are considered to have extremely powerful Buddha magic in them due to the richness of sacred powders and powerful blessings contained within from great master Somdej Dto.

Pra Khun Phaen Song Pol Yai Fak Kru No 1000 Luang Phu Tim

Khun Phaen Prai Kumarn Pim Song Pol Yai Takrut Koo No.1000 with Authenticity Certificate Silver Casing Luang Phu Tim. This amulet is one of a batch which was placed in Kru Burial Chamber (Hence ‘Pra Kroo’), and has Kraap Kru midlew, adding to its beauty and sacredness. The Song Pol Yai is said to possess powerful Serm Yos Magic to increase chances of promotion of status.

This amulet (Official registry number #1000) comes with certificate of authenticity from the November Amulet competition of the Luead Ban Kaay Luang Phu Tim amulet association, which we will send with the amulet for you to keep, This Pim Song Pol Yai Long Kru was made both with single Takrut Maha Bpraab, and with twin Takrut Koo Sariga version. This exhibit has a Takrut sariga Koo twin Takrut inserted in rear face.

A most exquisitely beautiful Pra Khun Phaen Prai Kumarn Pim Song Pol Yai (Fak Kru – hidden in burial chamber), in Nuea Khaw Hniaw Sukh Pasom Pong Prai Kumarn Long Sai Rae Tong, with twin Takrut Koo Sariga in rear face, by Luang Phu Tim, of Wat Laharn Rai. This Pra Khun Phaen has been authenticated and issued with Certificate of Authenticity from the Samakom Pra Krieang Luang Phu Tim Luead Ban Kaay Amulet Association of Rayong, with signature of its President Dr. Pisek.

This exhibit has Kraap Kru from dwelling for years within a hiding place Kru Chamber, with highly refined details and features, and worthy of show and is accepted for presentation in many official competitions, such as the Glum Anuraks Pra Krueang Luang Phu Tim Luead Ban Kaay, of Rayong, which is headed by Ajarn Doctor Pisek Sri Sawad, top expert of Luang Phu Tim amulets, and President of the Luead Ban Kaay Amulet appreciation society.


The Pra Pid Ta Wat of Sapan Sung Temple, is a Dtamra (legendary series) that spans over various generations of abbots, all of whom have managed to gain equal fame and high repote for their Pra Pid Ta amulets, all of which preserve the style and methods of the original Wicha made so famous by Luang Phu Iam.

Ancient Amulet Proudly Presents the all time classic Pra Pid Ta Pim Chalud Nuea Pong Jum Rak amulet of Luang Por Tong Sukh. An Ancient Pra Niyom Master-Class Amulet made using Sacred Yantra Powders, and ‘Jum Rak’ lacquer dipped. An eternal favorite of devotees around the world, from Luang Por Tong Sukh of Wat Sapan Sung

All editions of Pra Pid Ta Wat Sapan Sung are highly sought after. and seen as preferred Master Class category amulets (Pra Niyom), regardless from which Master they came from.

Pra Pid Ta Pim Tapap Luang Por Tong Sukk Wat sapan Sung Nuea Pong Jum Rak

Pra Pid Ta Pim Chalud Luang Por Tong Sukk Wat sapan Sung Nuea Pong Jum Rak

The Pra Pid Ta Wat of Sapan Sung Temple, is a Dtamra (legendary series) that spans over various generations of abbots, all of whom have managed to gain equal fame and high repute for their Pra Pid Ta amulets, all of which preserve the style and methods of the original Wicha made so famous by Luang Phu Iam.

The Pra Pid Ta old amulets of Wat Sapan Sung is known in two major Pim (models), namely the Pim Chalud (Blind Man model), and the Pim Dtapap (Terrapin model). Mostly the amulets would be covered in Lacquer, with some very few exhibits in pure powders. Others can be found to have had the lacquer cleaned off them by devotees in later years. It is known that Luang Phu Glin, one of the Great Masters of the Wicha Pra Pid Ta Wat Sapan Sung, was allergic to Lacquer, and so his versions never had lacqer on them and were pure powders (except when a devotee applied the lacquer himself after receiving the amulet). Luang Por Tong Sukh and Luang Phu Iam however, would more often than not dip the Pra Pid Ta in lacquer as a protective layer.

All masters have followed the same design and method of lacquering, resulting in the amulets of each master being very similar in design, and mostly can only be differentiated by estimation of the age of the lacquer and Muan Sarn Sacred Powders in order to determine which Generation of Master the amulet came from.

Luang Por Tong Sukh Intasaro (Pra Kroo Nantagij Sope), was the abbot of Wat Sapan Sung during the years 2491 BE to 2525 BE, after Luang Phu Glin, and Luang Phu Iam. Much like his predecessors, he continued to preserve and nurture the Wicha Pra Pid Ta already made famous from this Temple by the great Luang Phu Iam, and Luang Phu Glin, and produced his own editions, using the Wicha bestowed upon him from his Kroo Ba Ajarn before him.

Luang Por Tong Sukh was born on the 11th March 2446 BE in the village of Nong Phai Hlueang in Petchburi and was the son of Mr. Kong and Mrs. Pae, and was the youngest of 5 sibliings. At age 11, he went to be educated at the temple of Wat Nong Wa in Petchburi, with Pra Ajarn Joy, Ajarn Say, and Ajarn Nim. When he reached age 13, he left with his uncle to help work to assist his family, and moved to work in Rachaburi.

Below; Luang Por Tong Sukh of Wat Sapan Sung

Luang Por Tong Sukh of Wat Sapan Sung

At age 20, he was called into the military service with the Infantry in Petchburi. After he finished his military service, he applied for a job in the Police force, and was employed as a Police Lieutenant in Petchburi for two years. After this, he was sent to work in the Southern Province of Naratiwat, and later to other Porvinces like Satun, Ban Pong, Rachaburi, Chayapum and Surin. He was eventually sent back to work in Petchburi, and after one single year working there, he began to develop immense boredom with the ways of the world, and left the Police force.

He ordained into the Sangha in the year 2470 at Wat Na Prohm in Petchburi. Pra Kroo Pit (Abbot) was his Upachaya Ordaining Officer, and Pra Ajarn Phong was his Gammawajajarn Prompt, and Pra Ajarn Up was his Anusawanajarn Witness. He stayed at Wat Nong Wa for one year, and then Pra Ajarn Peng of Wat Sapan Sung who passed by traveling on Tudong, invited him to join him to go stay at Wat Ta Gwian in Pak Kred in Nontaburi. Luang Por Tong Sukh stayed here for three years and then moved on to go study Pariyatti Dhamma at Wat Sapan Sung in the year 2474 BE.

At that time Pra Kroo Sopana Sasanagij (Luang Phu Glin) was the abbot, and his friend Ajarn Peng was the Pariyatti Dhamma teacher. In the year 2476 BE, Luang Phu Sukh gained his Doctorate in Dhamma studies, and Luang Phu Glin gave him the job of teaching Pariyatti Dhamma instead of Luang Por Peng.

Luang Por Tong Sukh then at this time began to study and practice the Dtamra Saiyawaet Grimoire of Buddha Magic and Occult Sorcery, and the various Kata which were pertinent to the Wicha of the Temple and Masters of Wat Sapan Sung, such as the Inscriptions for Takrut, the methods of making Pong Lob Yantra Powders, the Wicha of making Pra Pid Ta amulets, and Holy Water. He received all of these Wicha and Ritual methods from Luang Phu Glin, then the Abbot and Guardian Sentinel of the Wicha, passed down from Luang Phu Iam.

In the year 2482 BE, Luang Phu Glin passed away, and Luang Por Tong Sukh was given the emergency status of temporary Abbot until 2490 BE, after which he was officially instated by the Sangha Comittee as Abbot with full documentation and Royal decree. He performed his duties and continued the work of Luang Phu Iam and Luang Phu Glin, and was now the new Master and Guardian of the Wicha Pra Pid Ta Wat Sapan Sung, as the third important master of the lineage Wicha. In the year 2508 he was awarded status of Upachaya.

Luang Por Tong Sukh administrated the temple with great prowess, and brought many improvements to the enclave, and saw to the needs of the devotees. His kindness and strength of practice was legendary with the local devotees, for his strict adherence to the Dhamma Vinaya Buddhist Canon, and maintaining his purity as a Buddhist Monk.

His guidance to the younger Samanera novice monks was excellent, which led to the temple having only well practiced Monks residing, which brought even more reverence from the local community of devotees, for the temple was seen as a true place of practice, with only pure monks residing.

 

Luang Por Tong Sukh guided the fold and took care of the temple and its Bhikkhus with complete self renunciation for many years, serving the congregation, until he passed away on the 7th April 2525 BE at 8:00 am, at the age of 79 Years Old.

Luang Por Tong Sukh made the Pra Pid Ta Wat Sapan Sung throughout his trajectory, for devotees would come in throngs every day to seek out amulets, and so one can find Pra Pid Ta of this master coming from a range of time periods, ranging between about 2490 BE, up to his passing in 2525 BE, spanning a period of over 35 Years of amulet making.

 

His early era amulets will hence have similar appearance in ageing characteristics as those amulets from the latter Era of his Mentor Luang Phu Glin. It is hence a point of study to recognise the ageing characteristics of the Muan Sarn Sacred Powders and Lacquers of the Pra Pid Ta Wat sapan Sung amulets, to separate a late Era Luang Phu Iam amulet from an early Era Luang Phu Glin, and a late Era Luang Phu Glin amulet from an early Era Luang Por Tong Sukh. To master this aspect of amulet study of the Pra Pid Ta Wat sapan Sung, is to Master the Dtamra of amulets of three Generations of Masters in its entirety.

 

Luang Por Tong Sukh’s amulets are manyfold, ranging from his famous Pra Pid Ta, to Rian Kanajarn Monk Coins, and many talismanic charms such as Takrut, Look Om, and Pha Yant. Amongst his most preferred amulets are of course the Pra Pid Ta, and the Roop Lor Luang Phu Iam, and Roop Lor Luang Phu Glin Loi Ongk Statuettes (released in 2500 BE). Other preferred amulets are the Rian Sema Block Ueam, the Rian Luang Phu Glin, and Rian Khaw Hlam Dtad, as well as various other Rian Sema type coins. Some of his amulets can fetch thousands and even tens of thousands of dollars for rare preferred block presses.

 

The Pra Pid Ta of Luang Por Tong Sukh is a very poreferred and popular amulet, for its undisputed powers, which have been repeatedly confirmed over the years with so many stories in the newspapers about miraculous events happening to devotees who wore the Pra Pid Ta Wat Sapan Sung of Luang Por Tong Sukh. Luang Por Tong Sukh made the Pra Pid Ta exactly as passed down to him by Luang Phu Glin and his predecessor Luang Phu Iam.

Below; Luang Phu Glin, of Wat Sapan Sung

 

It is said that the Pra Pid Ta of Luang Por Tong Sukh is just as powerful and can be used instead of Pra Pid Ta by Luang Phu Glin or Luang Phu Iam, and the amulets of all three Masters are collected with equal fervency and preference by devotees, the only difference between the amulets of these three masters being the age and the price. Luang Por Tong Sukh would use old powders which were passed down from Luang Phu Gling, which Luang Phu Glin in turn had received from Luang Phu Iam.

It is said that Luang Por Tong Sukh made amulets from about the year 2490 BE onwards. Both the Pim Chalud and the Pim Tapap models are very highly revered and sought after, with his most preferred and rarest models being the Pim Sader Jun, and the Pim Sorng Sader (2 belly buttons), and the Pim Tapap (Terrapin Model).

 

The Pim Sader Jun is very rare, made in the year 2495 BE, and fetches very high prices on the marketplace, starting at about 1000$ and upwards. However, it is a fallicy that the Pim Sader Jun was only pressed in 2495 BE, as Luang Por Tong Sukh kept pressing the Sader Jun amulets with the very same block press until it broke sometime between the years 2510 BE and 2520 BE. The Pim sader Jun and Pim Sorng Sader remain his rarest and most highly valued models, fetching extremely high prices with collectors.

 

The Pra Pid Ta Wat Sapan Sung are highly renowned for their powers of Maha Pokasap Metta Maha Niyom Klaew Klaad Kong Grapan Chadtri, to bring great wealth and protection to the wearer.

Kata Pra Kawambadee

(This kata is for increasing ones wealth and belongings and good fortune);

Namo Puttassa Kawambadtissa

Namo Tammassa Kawambadtissa

Namo Sangkassa Kawambadtissa

Sukha Sukha Warang Na Mo Puttaaya Ma A U

Tugkhang Anijjang Anatta Jewa Segkhaa Tammaa Yataa Put Mo Na



Pra Gleep Bua Amulet with Yant Trinisinghae Luang Phu To Wat Pradoo Chimplee

The Pra Pratan Gleep Bua Hlang Yant Trinisinghae Muan Sarn Sacred Powders amulet, was released after Buddha Abhiseka Blessing Ceremony at Wat Pradoo Chimplee in the year 2521 BE, blessed by the Great Luang Phu To who presided over the Grand Blessing Ceremony. This edition recieved 3 months of immersion in Holy Prayer Water with blessings from Luang Phu To throughout the whole Trimester. This model is rare for being in the much rarer Pong Gesorn Gae ANam Man oily pollens sacred clay.

The amulet was released in two ‘Pim’ (versions); Pim Yai (large, 22,875 amulets made), and Pim Lek (small, 20,805 amulets made). This amulet is in perfect condition, without any flaws or wear and tear, making it very eligible for show in competition.

This amulet is considered to be one of the more easily reachable (affordable) amulets of the Pantheon of Famous Classics, and is very popular amulet with middle and upper middle-class devotees of Luang Phu To, who seek an authentically blessed amulet of esteem and respectable value from this master, but that won’t necessarily cost them the deeds to their house to be able to afford.  The Sacred Yant Trinisinghae is Embossed on the rear face of the Amulet for Metta Mahaniyom and Maha Lap Blessings.

The amulet is a Pim Yai large version measuring 3.5 x 2.5 Cm,, and is in pristine condition. The Muan Sarn Sacred Powders are made from Puttakun Yantra Powders of Luang Phu To, with Gesorn Pollens and Incenses. The powerful magic and spellcasting abilities of Luang Phu To are of course one of the major influential factors as to why his amulets have become such priceless Masterpieces, and his special Muan Sarn Sacred Powders are another highly influential aspect of their popularity and fame. The Yant Trinisinghae was often inscribed on Yantra foils for devotees who would bring a foil with them and Luang Phu would inscribe it. The devotees would then take the foil home for Bucha, or roll it into a Takrut to wear as an amulet.

This Yantra was first used on the rear face of an official amulet edition, with the first edition Rian Run Raek Guru Monk Coins. The Yant Trinisinghae is not only powerful for Maha Lap and Serm Duang (improve fate and destiny), but also for being highly effective against Black Magick, Ghosts and Demons.

Luang Phu To is said to have been able to grab the Sincana cord which monks use to attach to amulets in blessing ceremonies, and sense immediately which monks along the line of the Sincana cords had psychic powers, and which ones didn’t. Luang Phu To Wat Pradoo Chimplee performing Nang Prok Meditation for Empowerment of Amulets

Luang Phu To of Wat Pradoo Chimplee, Empowering Amulets

Luang Phu To of Wat Pradoo Chimplee, Empowering Amulets

Above; Luang Phu To Wat Pradoo Chimplee performing Nang Prok Meditation for Empowerment of Amulets

This resulted in Luang Phu always choosing the best most powerful Masters to invite to attend his empowerment ceremonies to assist in the Blessing of amulets and Buddha Images. Luang Phu To remains to this day one of the top 10 Guru Masters in the recorded History of Thai Buddhist Amulet making, and most certainly one of the top 5 Monks of recent History, on an equal Par with the Great Luang Phu Tim (Wat Laharn Rai).His amulets belong to the Master-Class status category, and carry immense status in the world of the amulet appreciation society, for their Authentic Sacred Power, and the Purity of the Monk who Blessed them.

The amulets of Luang Phu To are famed and revered by devotees around the country and around the whole world, for the proven history of Metta Mahaniyom Maha Lap Klaew Klaad Kaa Khaay power to bless the devotee with lucky fortunes, safety, success and prosperity. Luang Phu To began to make Muan Sarn Sacred Powders amulets first in the year 2470 BE, using the main ingredient of Pong Lob, which is the residue chalks fallen from the inscription of five rounds of 108 Sacred yantra spells, to create five different concentrates of Sacred Powders.

These five powders are of course known as; Pong Bpathamang, Pong Ittijae, Pong Puttakun, Pong Trinisinghae, and Pong Maharach. It is also known that Luang Phu To would use broken up amulets from Wat Plab, and also broken up pieces of Pra Somdej Wat Rakang Kositaram of the great Somdej Pra Puttajarn (Dto) Prohmrangsri, are known to be present within the Muan Sarn Sacred Powders of Luang Phu To’s amulets.

Other Muan Sarn used for the amulets include Pong Puttakun from Por Tan Klai (Wat Hongs, Thonburi), and of course Luang Phu To would bless the amulets in Nam Montr Prayer Water, using a Clay Holy Water bowl in his Kuti Hut, with a Dragon design on the bowl.

He would immerse the amulets in the holy water bowl, and When devotees would donate flowers to Luang Phu, he float the flowers in the prayer water bowl and use the offering to empower the amulets further. This in fact, is one of the reasons that some amulets have different holy water stains on their surfaces than others, due to the different flowers Luang Phu would immerse in the holy water bowl where the amulets were soaking.

Luang Phu would empower the amulets for the time of the Rainy season retreat (3 months), and repeatedly empower and bless them throughout this time. Some amulets were also released without immersion in prayer water. Of the 28,875 Pim Yai amulets made, 10,000 of them were donated to Princess Julaporn, to distribute as a gift to the people who made merits donating to build the Sirirat Hospital.

The Pra Pratan Gleep Bua Pim Yai and Pim Lek amulets are very popular with Devotees, for they are made from precisely the same Muan Sarn Sacred Powders as was used for the Pra Pid Ta Jumbo 2 Traimas Masterclass edition, which can cost up to even 40 times the price of a Pra Pratan Gleep Bua. It is hence obvious why this amulet is such a popular amulet with the devotee of Luang Phu This Votive Tablet is an Absolute Rarity and Eternal Classic, and extremely sought after spiritual item.The perfect choice for aesthetic beauty, spiritual value, and magic power, and top choice for the Serious Collector.

This beautiful amulet is most definitely a very fine acquisition, as a Sacred Votive Tablet of Pra Niyom Preferred Classic Category, that has been well looked after and maintained in its original state, and is a very well-kept amulet, that is worthy of competition entry for its clear features.

Luang Phu To of Wat Pradoo Chimplee was one of the greatest Masters of the Last Century, and a Highly revered Monk around the whole Kingdom of Thailand. he was Respected and revered by His Majesty Our great King, who was a close friend and companion.

Luang Phu To Wat Pradoo Chimplee
This Great Monk achieved his status through his Great deeds and his great Diligence in his Patipatā (Practice of Purity and Renunciation), and in his Great Attainments in Dhamma Pariyatti and Dhamma Patipatā.

Luang Phu To was born on the 27th March 2429 BE in Ban Klong Bang Noi in Samut Prakarn and passed away on 5th March 2524 BE. His many honourable awards of status reflect his great practice and diligence.

Pra Gleep Bua Amulet Hlang Yant Trinisinghae Luang Phu To Wat Pradoo Chimplee

Pra Gleep Bua Amulet Hlang Yant Trinisinghae Luang Phu To Wat Pradoo Chimplee

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Pra Prajam Wan Amulet Luang Phu To Wat Pradoo Chimplee Traimas Edition Bailan Powders

Ancient Amulet Classics  amulet blog series presents The Pra Pim Pra Put Prajam Wan Hlang Yant Trinisinghae Birthday Buddha amulet for your study. The Pra Pong Pim pra Prajam Wan Hlang Yant Trinisinghaem is one more sacred and rare Pim of the pantheon of amulets of Luang Phu To (Wat Pradoo Chimplee), which is very seldom seen, and was part of the 2521 – 2523 BE three year Traimas empowerment ceremony, which came to be Luang Phu To’s most famous blessing ceremony, and which spurned some of the most preferred classic Pra Niyom category amulets within the scene.

The Pra Pim Pra Put Prajam Wan amulet was created by Luang Phu To in the shape of a Bodhi Leaf, inspired by the time he went to India and meditated under the Bodhi tree where the Buddha is said to have become enlightened. only 10,412 amulets were made in two different kinds of Muan Sarn Sacred Powders; Nuea Bailan, and Nuea Gesorn.

Pra Prajam Wan Luang Phu To Wat Pradoo Chimplee Traimas Nuea Bailan

Pra Prajam Wan Luang Phu To Wat Pradoo Chimplee Traimas Nuea Bailan

This amulet is shaped in the form of a Bodhi Leaf, and pressed from Black Bailan Powders, mixed with Gesorn Pollens, and has the image of a Buddha in Meditation on the front face (Thursday Buddha), with the sacred Yant Trinisinghae on the rear face, which is reputed to be one of the most powerful sacred Yantra spells in the Dtamra Yant 108.

Luang Por To, of Wat Pradoo Chimplee, was a Master who gained the respect and reverence of the Royal Family, and especially his Majesty King Bhumipol Adulyadej (Rama 9), and whose attaimnents both in the academic field of Pariyatti and of the on hands practice of Patipatā, were exceptional.

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His powers and blessings were, and still are considered amongst the most powerful, along with the other greats such as Luang Phu Sukh ( Wat Pak Klong Makham Tao), Luang Por Vheun (Wat Mab Kha) Luang Por Parn (Wat Bang Nom Kho), Luang Phu Tim (Wat Laharn Rai), Luang Por Jong (Wat Na Tang Nork) and so many others.

The Amulets of Luang Phu To (Wat Pradoo Chimplee)

The Amulets of Luang Phu To (Wat Pradoo Chimplee)



The Amulets of Luang Por Chaeng Wat Bang Pang

Presenting a look at some of the most classic ancient amulets of the great Luang Por Chaeng, of Wat Bang Pang, beginning with the Pra Pong Nam Man series, which Thai Buddhist Folk of Olden days (and the present day), consider the best alternative choice to the incredibly expensive Pra Putta Jao pratap Sadtw Buddha Riding Animal Steeds amulets of the great Luang Por Parn, of Wat Bang Nom Kho; Namely the Pra Somdej Buddha Riding animals amulets of Luang Por Chaeng, of Wat Bang Pang in Nontaburi

Pra Somdej Khee Sadtw, is an ancient amulet of classic fame, released in the year 2484 BE, from one of the Great Guru Masters of the World War II and Indo-China Wartime Era, Luang Por Chaeng (2428 – 2500 BE), of Wat Bang Pang. The Pra Somdej Khee Sadtw amulets consisted of  a range of different Buddha images, seated on different animal steeds made by Luang Por Chaeng.

Pra Somdej Khee Singh - Buddha Riding a Singha Rachasri Himapant Lion

Pra Somdej Khee Graisorn – Buddha Riding a Singha Graisorn Himapant Lion-Eagle

The Buddha riding animals series are considered to be his most popular amulets in present times, followed by the Pra Kring, and his famous Pra Sivali, and the Ganha Chali, which are also only rarely to find in the public auctions, as devotees and collectors have gathered most of the last remaining amulets in circulation..

Roop Lor Pra Sivali Loi Ongk Statuette Luang Por Chaeng

Roop Lor Pra Sivali Loi Ongk Statuette Luang Por Chaeng

The Pra Somdej Khee Sadtw Buddha Riding Animals amulets of Luang Por Chaeng are considered to be the perfect alternative to the much more expensive Pra Putta Jao Pratab Sadtw amulets of Luang Por Parn (Wat Bang Nom Kho), and are indeed seen to be equally powerful, but much less expensive.

 

Pra Somdej Song Suea – Buddha Riding a Tiger

The front face of the amulet below features an image of a Buddha seated in the Samadhi posture meditating on the branch of a tree, above a tiger, who is prowling around in the forest below the Buddha. The amulet is made from Nue Pong Nam Man Oily Herbal Pollens, with Pong Lob Yantra Powders.

Pra Somdej Song Suea Buddha Riding Tiger Amulet in Nuea Pong Nam Man

Pra Somdej Song Suea Buddha Riding Tiger Amulet in Nuea Pong Nam Man

Biography of Luang Por Chaeng Sīlapanyā, of Wat Bang Pang

Luang Por Chaeng, Silapanya was born on a Friday on the 18th December 2428 BE. He was ordained in 2440 at the age of 12 as a Samanera Novice Monk, and remained ordained until the age of 20, when he was then ordained up one level to the status of a fully fledged adult Bhikkhu Monk. Luang Por Chaeng was a Pra Gaeji Ajarn Master Monk of the second World Wartime, of great importance in Thai History. He was highly reputed Master of Vipassana Kammathana practice, whose Mastery was heard of far and wide.

Luang Por Chaeng was the second abbot of Wat Bang Pang, in Nontaburi, Bangkok, after his predecessor Luang Por Pra Atigarn Jaroen. His powerful psychic abilities to empower amulets was highly reputed within the Sangha on a National Level, and he was always an invited member of the greatest and most important ‘Putta Pisek’ (Buddha Abhiseka) blessing ceremonies in History, including the Great HIstorical Ceremony of empowerment of Magical Protective Yantra cloths and ‘Suea Yant’ Yantra shirts for the Thai Military.

 


Luang Por Chaeng Wat Bang Pang

In the times of the second world and Indo-China wars, there were a few great Monks who stood out above all others for their Kong Grapan Chadtri, Klaew Klaad and Maha Ud Magic, whom the Thai Buddhist Folk of all Provinces knew and revered, no matter how remote the village. These great wartime Era Monks of great Magical Power were of course, Luang Por Jong, of Wat Na Tang Nork in Ayuttaya, Luang Por Jad of Wat Bang Grabao Luang Por and the great Luang Por Chaeng, of Wat Bang Pang, Luang Por Juan, and Luang Por Opasi

During the Indochina War, the Thai Military was ordered into battle, and a great ceremony to make Pha Prajiad Sipsee Pan Tong of Luang Por Chaeng, and Yantra Shirts of Luang Por Jad to protect them in the War, was held with a great blessing ritual, empowered by four of thee great monks, Luang Por Jong, Luang Por Chaeng, Luang Por Jad, and Luang Por Chuan.

The famous Pha Yant Prajiad were given to some soldiers to test with three point blank range shots, all of which failed. these Yantra cloths of Luang Por Chaeng, and the Yantra Shirts of Luang Por jad (Wat Bang Grabao) were worn into battle, and became the famous story of the French Military seeing Thai soldiers shot with bullets, who were knocked to the ground by the bullets, and immediately stood up again and went back into battle as if nothing had hit them. The French Military then called the Thai Military ‘Taharn Phi’ (Ghost Soldiers).

Below; Rian Luang Por Chaeng 2493 BE


Luang Por Chaeng held the Wicha of a number of Kroo Ba Ajarn, who bestowed him with their lineage secrets, including the Great Luang Por Parn of Wat bang Hia (Wat Klong Dan), ;ph Khai of Wat Cherng Lane, Luang Phu Chay of Wat Panan Cherng,, Pra Kanajarn Say (Luang Por Say), Luang Phu Sukh, of Wat Pak Klong Makham Tao, Luang Por Parn of Wat Bang Nom Kho, and the Great Luang Por Jong of Wat Na Tang Nork.

As Luang Por Chaeng was alive and abbot of Wat Bang Pang, he would receive many devotees each day with numerous requests, none of whom he would refuse. Some would come for Blessings, some for Amulets, and others to heal their Illnesses, and some devotees who had heard of his Magical Prowess, came to beseech the secrets of his Wicha, to become Sorcerors themselves, and help those in their hometowns.

Somdej Song Gai Nuea Pong Luang Por Chaeng Wat Bang Pang 2484 BE

Somdej Song Gai Nuea Pong Luang Por Chaeng Wat Bang Pang 2484 BE

Luang Por Chaeng would bless, distribute amulets, and heal his devotees without exception. As to those devotees who beseeched apprenticeship to learn to cast spells with Kata Akom Incantations, Luang Por Chaeng would always first make the Looksit learn to develop their meditative skill, and to allow them to develop moral fibre and the five precepts. Only then, when they had risen above the base temptations, would he allow them the secrets of the Incantations, their sequences and methods. He would teach his students how to cure ailments and banish curses, and expunge ghosts and spirits from possessed souls.

 


Luang Por Chaeng had a great respect for Luang Por Parn of Wat Bang Nom Kho, and had received a lot of influence from him in the art of amulet making. So when he would make his amulets, he would often make models which resembled and paid reverence to the famous Pra Pim Pra Putta Jao Pratap Sadtw Buddha riding Animals amulets. He made original designs which resembled those of Wat Bang Nom Kho, with differences in design to distinguish them. This caused his amulets to become very popular, as this was the preferred type of amulet at the time in Central Thailand.

Below; Rian Pim Sam Chai 2497 BE – Luang Por Chaeng (Wat Bang Pang)

Rian Pim Sam Chay 2497 BE Luang Por Chaeng Wat Bang Pang

Rian Pim Sam Chay 2497 BE Luang Por Chaeng Wat Bang Pang

Luang Por Chaeng made a large number of different amulets, ranging from the Buddha riding animals, and other sacred powder amulets in many forms, in small (Pim Lek), medium (Pim Klang) and large (Pim Yai), Monk Coins, the world famous Pha Yant Tong Yantra Flags, Sai Sek blessed sandgrains, the highly preferred and now rare Pra Kring, and Pra Chaiyawat Loi Ongk Statuettes, Pra Prajam Wan (Birthday Buddha amulets), Nang Kwak beckoning lady, Pra Putta Kwak beckoning Buddha, Pra Sam Lia, (triangular amulet), and of course, his famous and extremely popular Pra Sivali metallic Loi Ongk Statuette amulets, which were made in ancient casting methods, in various forms and sizes, for Bucha on the altar as well as for wear as amulets.

Below; Rian Lor Pra Mokkhallana Maugdalyayana Arahant Coin Amulet 2485 BE

Rian Lor Pra Mokkhallana Saribut

Rian Lor Pra Mokkhallana Saributr Buddha-Maugdalyayana-Sariputra Arahant Coin, from the year 2485 BE

His sacred powder amulets were made from a number of different Muan Sarn substance clays, including Puttakun (Yantra Powders), Nuea Din (Earthen Clay), and Pong Nam Man (Oily Herbal Powders). The amulet appreciation society and the aficionados tend to prefer the Pong Nam Man Oily powder models above the other Muan Sarn Sacred Powders, but there is not a very large difference in their price compared to the difference in their rarity.

In the year 2484 BE, Many devotees gathered to officially ask Luang Por Chaeng to make some powerful amulets to protect them during the War. So Luang Por Por Chaeng made a very large release of amulets of different types, with extreme power and effort after many years of preparation.

Luang Por Chaeng Wat Bang Pang

 

He empowered them for Kong Grapan Chadtri Klaew Klaad and Maha Ud to protect the Thai Buddhist people, in that time of Wars around South East Asia and the whole World. None of the multitudes of amulets blessed in the ceremony were rented out for money, instead, all were handed out for free to the devotees at the ceremony.

The Buddha riding animal amulets of Luang Por Chaeng are used as a second choice for those who do not possess the funds to obtain a Luang Por Parn Wat Bang Nom Kho model, and are said to be equally powerful protective amulets.

Below; Roop Lor Luang Por Chaeng Loi Ongk statuette released sometime around 2494 BE

Roop Lor Luang Por Chaeng Loi Ongk

Roop Lor Luang Por Chaeng Loi Ongk

Luang Por Chaeng did not bake the clay in his edition, preferring to make them from an admixture which contained Poon Plueak Hoi (ground seashell), which results in a smoother and lighter colour and texture than Luang Por Parn’s clay models. Otherwise, his powder amulets contain the same 5 Sacred Yantra Powders Pong Bpathamang, Pong Puttakun, Pong Ittijae (sometimes called ‘Ittajae’), Pong Trinisinghae, and Pong Maharach. Luang Por Chaeng’s formula also included Gesorn flower pollens, Sai Sek enchanted sand, Khaw Suk cooked rice (from monks almsbowls)

Below; Luang Por Chaeng’s immensely rare and highly sought after ‘Khan Nam Mont Mongkol Gao’ Prayer Water Bowl

Khan Nam Mont Mongkol Gao Holy Water Receptacle Luang Por Chaeng

Khan Nam Mont Mongkol Gao Holy Water Receptacle Luang Por Chaeng


Luang Por Chaeng passed away peacefully on 26th July 2500 BE at the age of 72 years old, after 52 years in the ordained Sangha. His body was cremated in the year 2501 BE after being moved to Wat Makut Kasatriyaram. A series of ‘Rian Khaw Hlaam’ four sided Monk coins with the image of Luang Por Chaeng were handed out to the devotees during the cremation ceremony as a sacred memento of Luang Por Chaeng.

His amulets have become a classic preferred sacred religious artifact of the pre 2500 BE Era, and a guaranteed auspicious Buddhist Votive Tablet that can be treasured and revered for generations to come. A truly sacred ancient amulet from one of the most powerful masters of the World War II Era.

Pra Kring Prajam Krob Nam Mont Mongkol Gao Luang Por Chaeng

Pra Kring Prajam Krob Nam Mont Mongkol Gao Luang Por Chaeng – used to place within the Khan Nam Mont Mongkol Gao Holy Water Receptacle

Luang Por Chaeng was an important monk present called for the empowerment of amulets in many great ceremonies, particularly notable the Wat Rachabopit Indojin Ceremony of 2481 BE, considered to be the largest Blessing Ceremony of all History., the 25 Centuries of Buddhism Ceremony of 2500 BE (second of three largest ceremonies in History) and his presence was beseeched to assist in empowering the world famous historical edition of Pra Kring Wat Sutat.


Pra Pruhnang Klueab - Luang Por An of Wat Prayat

Todays post brings you a look at a classic amulet from the Great Luang Por An, of Wat Prayat, with Muan Sarn Sacred Powders from the Kroo Ba Ajarn of Luang Por An, Luang Por Glan, preceding Abbot of Wat Prayat. 

The Pra Pruhnang Amulet is a Historic Buddha Image of immensely tasteful artistic design, and made using sacred clay with added powders of Luang Por Glan, and a host of other ancient amulets from the Ayuttaya period broken down into the powders. Luang Por An was the Looksit Aek first Initiate of Luang Por An inherited the Sorcery Wicha of Luang Por Glan (Wat Prayat), and his special Muan Sarn Sacred Powders, and who blessed these amulets with the invocations of his Lineage Master Luang Por Glan.

Pra Pruhnang Luang Por An Wat Prayat

Pra Pruhnang Luang Por An Wat Prayat

 

Luang Por An was one of the Great Gaeji Ajarn Masters of His Era, considered one of the Great Ayuttaya Master Monks, whose amulets are extremely favoured throughout all circles of collectors. The Pra Pruhnang Klueab, along with the Pra Khun Phaen Klueab glazed baked Sacred Clay amulets are amongst his most famous and preferred amulets of the pantheon. Most devotees of Wat Prayat will collect and Bucha amulets from both Luang Por An, and his Kroo Ba Ajarn Luang Por Glan (hard to find), for the magic of both Masters is seen to be second to none for Klaew Klaad Kong Grapan Chadtri Metta Maha Niyom power.

Pra Pruhnang Luang Por An Wat Prayat Ayuttaya

Close up of Pra Pruhnang Amulet

Luang Por Glan was the abbot of Wat Prayat in Ayuttaya, and the Kroo Ba Ajarn of the Great Luang Por An, who succeeded Luang Por Glan as abbot of Wat Prayat after his passing. In turn, Luang Por An was also a Great Master of Olden Days, whose amulets were immensely famous during the Wartime Era, for their Kong Grapan Chadtri Klaew Klaad power. Luang Por An inherited and learned most of his Wicha from Luang Por Glan, who was one of the top ten Masters with the most powerful psychic powers of his Era.

Luang Por An Gaeji Ajarn of Wat Prayat

Luang Por An – Gaeji Ajarn Master Monk of Wat Prayat

The Pra Pruhnang, which features an image of the Buddha in Mara Vichai (subduing Mara), is seated touching the earth, calling the Dharani Earth Goddess as his Witness. The two Savaka Pra Mokkhallana and Pra Saributra are standing to either side of the Buddha, who is surrounded by a decorative Arch. 

Pra Pruhnang Klueab

The Pra Pruhnang Amulet is an ancient Amulet of the Ayuttaya Kingdom which is a Historical Artifact, and a Highly revered Votive Tablet. The original Pra Pruhnang is found at Wat Putai Sawan and was discovered hidden at other Temples in the Ayuttaya Region too.

Pra Pruhnang

Pra Pruhnang Leaden Amulet, Ayuttaya Era

It is a famous fact that both the Great Khun Pantagij Rachadech (creator of the Jatukam Ramathep Amulet) and his Unkillable Enemy the Bandit ‘Suea Fai’, were both known to highly rever the Pra Pruhang amulet, and wore more than one of them on the same neck chain around their necks.

Khun Pantagij Rachadech

Even after retiring from hunting Bandits, Khun Pan still wore the amulets for protection until his old age. The Pra Pruhnang is one of the most famous amulets for its power of Kong Grapan Chadtri and Klaew Klaad protective magic, and also for its healing powers.

The Pra Pruhnang is one of the more highly prized amulets of collectors and devotees of Luang Por An, and of Thai Buddhist People everywhere, for its beauty, and the presence of three Arahants, in one amulet. The muan sarn clay was made from an admixture of various ancient amulets of the Ayuttaya Era, such as Pra Nai Putsa, Pra Wat Tagrai, Pra Kring Klong Takian, Pra Kone Samor, Pra Luang Por Dto Wat Bang Grating, Pra Luang Por Parn, and amulets from Wat Koo Salort, as well as a large number of other Ancient Pra Kru hiding place amulets from around the Ayuttaya province.

Luang Por An was born in the year 2435 BE, and ordained into the Sangha at Wat Prayatigaram on the 26th May 2456 BE, with the Great Luang Por Glan Tammachoti as his Ordaining Upachaya,Luang Por Chaay (Wat Dtong Pbu) as his Gammawajajarn prompting officer. The name of his Anusawanajarn witness is no longer recorded, but most devotees assume it to be Pra Ajarn Rod Widtuyo of Wat Ayotaya (also called Wat Gasankh), or a few historians believe his Anusawanajarn witness to have been Luang Por Lueang, of Wat Pradoo Song Tam.

The Great Luang Por An passed away in 2512 BE as he was on travels visiting Wat Pra Singh in Chiang Mai, for a Buddha Abhiseka Blessing. His body was kept for devotees to worship at Wat Prayat for 25 years before he was cremated in the year 2536 BE.

Presenting a classic all time famous  amulet of immense repuite for Maha Lap and Kong Grapan Chadtri Klaew Klaad powers, and a Pra Niyom Master-Class Category amulet of the Highest Status and Esteem. Pra Pid Ta Pim Pung Bpong potbellied Nirodha Buddha amulet of the Legendary Luang Phu Sukh, of Wat Pak Klong Makham Tao, in Nuea Pong Kluk Rak.

The Pra Pid Ta Pim Pung Bpong was made by hand pressing by Luang Phu Sukh in the years 2460 BE to 2463 BE, to be handed out in the Funeral Ceremony of Luang Phu Sukh’s Mother. The artisan’s design shows itself to be the work of a local artisan, for its basic appearance. The Buddha has a pot belly and two hands raised to cover the face. The amulet is made from Nuea Pong Kluk Rak Muan Sarn Sacred Powders mixed with herbal lacquer. This edition has identical Muan Sarn clay to the ‘Jaek Mae Krua’ edition. The examination of the Pra Pid Ta Pung Bpong is not performed by looking at the Pim Song (design) because the hand made nature means that each amulet is slightly different in appearance, so the standard method of confirming its origins, is to look at the Muan Sarn Clay, and to know its appearance and textures

Pra Pid Ta Pum Bpong Luang Phu Sukh Wat Pak Klong Makham Tao

The rear face is curved from the curvature of the thumb or finger that pressed it, and this is a noticeable feature of all Pra Pid Ta Pim Pung Bpong amulets.

Rear face of Pra Pid Ta Pum Bpong Luang Phu Sukh

Rear face of Pra Pid Ta Pum Bpong Luang Phu Sukh


The amulets of this, perhaps the greatest of all Master Monks with Wicha Akom, are amongst the most sought after and valued in the world of Thai Buddhist Amulets. Be it his Rian Roop Muean, Somdej Rasamee and Somdej Prapa Mondon, or his Pra Pid Ta, Prok Bai Makham, Takrut, Prakam Rosaries, and other Talismanic Charms, the spiritual value and magical power is equally regarded as being of the most powerful and truly magical amulets one could afford.

Luang Phu Sukh is one of the greatest Magic Monks of all Thai History, for which reason this is an amulet more to keep and Bucha than anything else, although it is also a good investment as the price will become ever more expensive. This is already an extremely rare and hard to find amulet. A most sacred and desirable addition to anyones collection indeed. Few amulets at this price can compare considering the sacredness, the maker and the beauty and age of this amazing amulet.

Luang Phu Sukh, who was so famous for his Magical Powers and Miraculous Feats, which included having been seen to blow into Tamarind tree leaves and transform them into Bees, or turn Banana Flowers into live Rabbits, fly through the sky, and breathe underwater. Luang Phu Sukh was the Kroo Ba Ajarn of his Lordly Highness, Admiral Grom Luang Chumporn, who was an apprentice to Luang Phu Sukh in Sorcery, and one of his greatest Devotees.

Luang Phu Sukh had many Wicha such as the Wicha Suea Saming, able to transform into a Tiger, and the Wicha Look Pern Sakot, which was to perform incantations into a bullet of a single shot firing gun, and the bullet would always find its mark on target, without fail. One could say that Luang Phu Suk is one of the greatest masters of the History of Thai Guru Monks, and is one of the top Ten Legendary Monks of all time.

There are so any legends told about his miraculous powers and feats. His Mastery of Traditional healing and herbal Medicine has led his written works on the subject to become the greatest Thai Occult herbalism Recipe Grimoire in all existence. He was the Kroo Ba Ajarn of a great number of the most powerful Master Monks of the last Century, and his powerful Magic remains second to no other Guru Monk in Thai History.

Luang Phu Sukh Wat Pak Klong Makham Tao

It is said that Luang Phu Sukh became the Kroo Ba Ajarn of Grom Luang Chumporn, a Royal Courtier, an Admiral, and a Great Sorceror of his time. This happened as Grom Luang Chumporn’s navy boat had broken and he was forced to park the bloat close to Wat Pak Klong Makham Tao. Grom Luang went to make reverence to Luang Phu Sukh, by pretending that he was just a simple commoner, and not a member of the Lordly Family, but Luang Phu Sukh addressed him by his name, surprising Grom Luang Chumporn.

Pra Pid Ta Pum Bpong amulet made by Luang Phu Sukh Wat Pak Klong Makham Tao released in 2463 BE

Pra Pid Ta Pum Bpong amulet made by Luang Phu Sukh Wat Pak Klong Makham Tao released in 2463 BE

Grom Luang went to make reverence to Luang Phu Sukh, by pretending that he was just a simple commoner, and not a member of the Lordly Family, but Luang Phu Sukh addressed him by his name, surprising Grom Luang Chumporn. Grom Luang Chumporn asked Luang Phu Sukh how he knew who he was?

Below; Grom Luang Chumporn

Grom Luang Chumporn

Luang Phu Sukh told him that he saw his Aura approaching, and that it was brighter than that of the normal commoners, and that it told him already who he was. Grom Luang Chumporn asked to learn Wicha with Luang Phu Sukh, and was bestowed with many Magical Wicha, such as the ability to remain under the water for hours and breathe as if he was on land.

Kata Luang Phu Sukh

Sadthā Tēwa Manussānang Puttō Pakawādti Ma-A-U

 

Kata Maha Sanaeh Luang Phu Sukh

Agkhōhamassami Lōkassa

Idti Bpāramidtādtingsā

Idtisappanyū Mākadtā

Idti Pōti Manubpadtō

Idtibpisō Jadtē Namō

Arahang Lāpō Puttō

Lāpang Nachā Lidti

Na Ma Pa Ta

Sappē Chanã Pahū Chanā

Rāchā Bpurisō Idthīyō Māpang

Ēhi Jidt-Dtang Bpiyang Ma-Ma

Ēhi Mārē Sōmāmā

Ākajchāya Ākajchāhi

Kata Pra Pid Ta

Pra Pid Ta Pong Graduk Phii Pra Ajarn Hnoo

Pra Pid Ta Pong Athi (Pra Pid Ta Graduk Phii) – Pra Ajarn Hnoo, Wat Po Ta Dtian (Wat Chetupon)

The legendary Pra Pong Athi (Graduk Phii) amulet of Pra Ajarn Hnoo Wat Po Ta Dtian became famous during the second world wartime as a powerful protector against deadly dangers, and has remained famous to this day. It was during the second world war and Indo-Chiina wartime era that many powerful sorceror monks in Thailand began to come out and create amulets to distribute to soldiers and the common folk, to protect them against the deadly dangers of wartime. In that time, the Japanese were occupying Thailand as ‘forced allies’, and so Thailand was being bombed by the allied nations, who were attacking the Japanese military installations. Very often bombs would miss the Japanese target, and hit a local village instead,n and innocent Thai people were killed. And so it was in this era than we came to see amulets like the Pra Pid Ta Pong Graduk Phii come into existence.

Pra Ajarn Hnoo of Wat Po Ta Dtian (Wat Chetupon)

Pra Ajarn Hnoo was a Master Gaeji Ajarn who was known for his intensive practice and mastery of Vipassana Kammathana, and Khmer Sorcery. he would not socialise with other monks, and only his most fearless and devote initiates would dare to enter his Kuti Hut, for it was known that he would ‘Liang Phii’ (take care of Ghosts in his hut).  In the year 2485 BE, Pra Ajarn Hnoo, of Wat Po Ta Dtian (or, ‘Wat Pra Chetupon Wimon Mangkalaram’), created a powerful amulet, in secret, and with his own hands, to help people survive the war and prosper in life. This amulet was to become a legend that has maintained its status into the modern era, and is even the subject of a documentary.

Pra Pid Ta Pong Athi (Pong Graduk Phii) - Pra Ajarn Hnoo (Wat Po)

Pra Pid Ta Pong Athi (Pong Graduk Phii) – Pra Ajarn Hnoo (Wat Po)


This amulet is of course the Pra Pid Ta Nuea Pong Athi (or better known as ‘Pra Pid Ta Pong Graduk Phii’ amulet. Pra Ajarn Hnoo was a Gaeji Ajarn of Khmer Origins, who possessed powerful Necromantic Wicha. He was not very old at the time, but already had a large following of respectful Devotees, who revered him for his powerful Magic. Pra Ajarn Hnoo liked to grow magical herbs around his Kuti Hut at the temple to use for making amulets and potions, holy water and bestowing blessings. Pra Ajarn Hnoo was often visited by devotees to perform spiritual healings with his holy water and herbal potions, and people would ask him for amulets and blessings. Pra Ajarn Hnoo hence began making amulets, in a very unusual manner compared to the usual Thai Buddhist Traditional methods, bringing in his Khmer Sorcery to add to the magical power of the amulet. He used ashes from the bones of cremated corpses, mixed with Puttakun Powders and Ittijae Powders, and Pong Wan Aathan (a mixture of powdered magical herbs and pollens)

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The use of the ashes of cremated bones in the amulets came from Pra Ajarn Hnoo’s Khmer Necromantic Sorcery training, which holds to the premise that the ashes or bone powders, funereal earths and corpse oils of the dead, possess immensely powerful magic.

The ashes of Phii Dtaay Hoeng were used, according to the Dtamra Saiasart Khmer Grimoires of Necromantic Sorcery, which specifies that only the ashes of a Hoeng Prai Ghost can be used if the Wicha is to be powerful. A Hoeng Prai is often known as a ‘screaming ghost’ because the word means a person who died in an accident prematurely, or through unforeseen circumstances. So often this will mean a person who died screaming. Hoeng Prai spirits are in Limbo and often angry, possessing immensely powerful psychic energy. The sorceror appeases the spirit in Limbo by agreeing to a collaborative effort, where the ghost of the spirit in Limbo agrees to use its psychic powers to aid the human who owns the amulet made from its ashes, and accumulate good Karma to achieve eventual release from Limbo.

Pra Pid Ta Pong Graduk Phii

One of the many Pim Song models of the famous Pra Pong Athi Pra Pid Ta Graduk Phii

In addition, astrological Necromancy states that a Hoeng Prai Ghost must die on a Saturday and be cremated on a Tuesday, for the full formula of Lucky Fortunes Magic to come into effect.

Pra Ajarn Hnoo saw to it that he fulfilled al of these Ritual requirements, and gathered the sacred ashes until he had enough to press amulets with them, and mixed them with his other prepared Muan Sarn Sacred Powder ingredients, the Pong Puttakun, Pong Ittijae, and Wan Aathan. In addition, Pra Ajarn Hnoo then added his special ingredient, ‘Wan Pong’, or more commonly known as ‘Wan Graser’. Wan Graser is a very rare herbal plant found in the deep rainforests, and is said in Folk Legends to be a bloodsucking ‘Vampire’ plant. If an animal gets entangled in it, it is said the plant can slowly suck the blood out of the animal until it dies. This herb is a very difficult herb to cultivate, as its true habitat is in the deepest rain forests, but Pra Ajarn Hnoo had managed to cultivate some around his hut at the temple, and he used them for the making of the Pra Pid Ta Pong Graduk Phi.

Pra Ajarn Hnoo made various different amulets from the Graduk Phii Hoeng Prai Ashes, including Pra Somdej, and Pra Pid Ta amulets.

Tamniab Wadthumongkol Pra Pong Graduk Phii

Tamniab Wadthumongkol Pra Pong Graduk Phii – Pantheon of Amulets in the series

In any case, despite the Muan Sarn Sacred Powders used by Pra Ajarn Hnoo to make the Pra Pid Ta Pong Athi amulets seeming very scary in their natural origins, Pra Ajarn Hnoo performed appeasement rituals and purification ceremonies over all the individual ingredients of the Muan Sarn Sacred Powders before the amulets were made, and removed any black magick or negative karmic influences and energies from them beforehand, leaving only the pure unstained magical power and energy remaining, to be re-empowered with its new purpose.

The power extracted through Necromancy was then imbued within the form of the Pra Pid Ta amulets, and blessed with Buddhist Blessings of the Buddha Abhiseka (Dhamma Chakra opening of the eyes of the Buddha), empowering the extremely powerful energies within the Muan Sarn Sacred Powders to be able to bring auspicious blessings and strong protective power to keep the wearer from harm, and lead to prosperity and happiness.

Pra Pid Ta Athi Nuea Pong Graduk Phii Pra Ajarn Hnoo

Pra Pid Ta Athi Nuea Pong Graduk Phii Exhibit B Pra Ajarn Hnoo – Wat Po

It is said of the Pra Pid Ta Pong Graduk Phii amulet, that its protective powers are incomparable, and that the traveller who wears one will pass through all his journeys safely. Another strange aspect of the magic of the Pra Pid Ta Pong Graduk Phii, is that people noticed not only that one remained safe whilst traveling, but that when the traveler wearing a Pra Pid Ta Pong Graduk Phii gets off the vehicle alone, people would ask the traveler ‘and aren’t the others going? coming with you?’ (as if they couldn’t imagine the wearer being alone). This shows powerful Metta Maha Niyom Mercy Charm present within the amulet too.’

Pra Pid Ta Athi Pong Graduk Phii Exhibit C

Pra Pong Graduk Phii Exhibit C – Pra Ajarn Hnoo – Wat Po

Many gamblers have found the Pra Pid Ta Pong Graduk Phii to be an exellent Luckbringer to turn the tables and odds in their favour, and to ‘whisper’ in the ear of the gambler to hint as to what bets should be placed. This is known as ‘Prai Grasip’ Ghost Whisperer Magick. Pra Ajarn gave a rule to gamblers however for this amuletl That ‘If your winnings are within reason, you should not push your luck too far’.

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A highly preferred amulet with those devotees who prefer less subtlety for a fast acting amulet that emanates Magickal Power without restraints, the Pra Pid Ta Pong Graduk Phii is a recommendable amulet, for protection, gambling and general prosperity. The Pra Pid Ta Pong Graduk Phii is by no means an easy amulet to find these days, and is a very powerful magickal amulet of great fame and renown in Thailand.

Pra Pid Ta Pong Graduk Phii Pra Ajarn Hnoo

Pra Pid Ta Pong Graduk Phii Pra Ajarn Hnoo

Kata Bucha Pra Pid Ta

Pra Kong Lampun Kru Wat Tap Khaw

Ancient Amulet has now expanded the Pra Kru section of the Store with some Subcategories for easy research, when seeking to study one particular type of Pra Kru from one particular amulet hiding place find. Just surf to the Pra Kroo Section to see the subcategories, which will grow as we document each particular Hiding Place Find Edition.

Pra Pim Pra Rod Kru Tap Khaw Ancient Amulet Find

Right now there are three new categories added to Ancient Amulet Pra Kru Section, which we have also made separate info pages about, and can be read on the following links;

Pra Kru Wat Sadter Amulets

Pra Kru Wat Tap Khaw Amulets

Pra Kru Wat Khao Pra Dtai Amulets


Pra Somdej Pim Chedi Norn Wat Lakorn Tam by Luang Phu Nak of Wat Rakang, and Luang Por Supoj, of Wat Sutat

Presenting a new video with narrative by Ajarn Spencer Littlewood in our new series of videos ‘Amulet Talk’ which present you with the first of many insightful videos with narratives, to increase your awareness, and to bring interesting aspects of the topic of Thai Buddhist Amulets to you for your enjoyment. We hope this new series of videos provides you with useful study material. This episode of Amulet Talk provides a look at two Pra Somdej Pim Chedi Norn Wat Lakorn Tham, from two great master monks, which feature Buddha images seated over one of the horizontal ‘sleeping’ chedi stupas of Wat Lakorn Tam. We invite you to enjoy the HD Video and Narrative by Ajarn Spencer Littlewood, which gives a basic look at these two amulets which have a semi tenuous relationship to each other, but which are also completely distinct from each other. The Pra Somdej Chedi Norn Wat Lakorn Tham amulets of Luang Phu Nak (Wat Rakang Kositaram) and The Pra Somdej Hwaek Man Pim Chedi Norn of Luang Por Supoj (Wat Sutat).

The amulets represent the two chedi stupas at Wat Lakorn Tam temple, which were built and installed by the great Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram. The two amulets are made by Luang Phu Nak of Wat Rakang Kositaram in the year 2495 BE (left side in white Puttakun Powders), and from Jao Khun Sri Sonti (Luang Por Supoj) of Wat Sutat, for the Indojin Indo-China Wartime Blessing ceremony, made in Nuea Wan Pasom Pong Gao. There were actually three different masters who made Pra Somdej Pim Chedi Norn, the third being Luang Phu Hin of Wat Rakang Kositaram, whose amulet is not shown in this vide, but which we will show when we obtain an example, in a future video.

Pra Somdej Pim Chedi Norn amulets by Luang Phu Nak of Wat Rakang, and Luang Por Supoj, of Wat Sutat

Both amulets from both masters (who were colleagues of each other), were made using broken pieces of ancient Pra Somdej Wat Rakang Kositaram amulets from the time of Somdej Pra Puttajarn (Dto) Prohmrangsri. The amlets are however distinct, and made at different times, with different designs, the only things in common truly being the Muan Sarn Sacred Powder content using ancient Pra Somdej Wat Rakang Kositaram, and the imagery of the sleeping Chedi Stupas of Wat Sutat. otherwise, the Buddha images and their outer arches, and daises, are distinct and apart from each other. For example, the Buddha on the Pra Somdej Chedi Norn Luang Phu Nak has a single tiered dais, whereas the Buddha on the Pra Somdej Chedi Norn Luang Por Supoj, has four tiered dais.


Pra Kru Wat Geng Jeen Amulets Ayuttaya Period

The Pra Kru Wat Geng Jeen amulet find was discovered in the year 2515 BE (approximately), in the old deserted temple of Wat Geng Jeen, in Rayong Province. Despite the fact the temple was in disrepair and without any resident monks, the history of this temple is known and documented. It is known hence, from historical reasearch, that Pra Ajarn Geng was the abbot at the time of the burial of the amulets and made them in over 70 models, all made from cast alchemical lead artifact alloy.

The Pra Kru Wat Geng Jeen amulet find occurred around the year 2515 BE, at the abandoned temple of Wat Geng Jeen, in Rayong, when a large batch of leaden amulets were discovered at the temple. The amulets were created towards the end of the Ayuttaya period, just before the Ratanakosin Era. The amulets were created by Pra Ajarn Geng, who was then the abbot of Wat Geng Jeen. The amulets were found in many different designs and images, numbering over 70 different Pim in all. Some are very common to find still, and others are much rarer.

The Kru Wat Geng Jeen amulets are known for their ‘Sanim Daeng’ reddish beige rust forming as ‘Kraap Kru on the front, and that most of them were originally coated in gold leaf in manu cases. The rear faces of the amulets have a fine layer of white cement from the Kru chamber adhering to the surface, which is one of the criteria used for recognising this particula Pra Kru, for they all have some to greater or lesser degree on the rear face.

The rarer and more highly sought after models include the Pim Mara Wichai Thaan Pha Tip, the Pim Samati Thaan Song Chan, the Pim Mokkhallana or Saributra (Pim Sawok – praying monk listening to the Buddha – can be seen as either Maugalyayana Arahant, or Sariputra Arahant), and the various models of which only few were found, and are extremely rare, such as the Pra Sangkajjai, Prajam Wan Birthday Buddhas, Pim Pra Nakprok, and the Pim Pra Pratan Thaan Tip.

Below; One of the Preferred Models of the Kru Wat Geng Jeen Amulet Find; the Pim Samati Thaan Sorng Chan

Pim Samati Wat Geng Jeen

Pra Ajarn Geng, the maker of the amulets back in the late Ayuttaya period, was a famous Kammathana Master Monk of his time. It is believed by experts that Pra Ajarn Geng, the maker of the Pra Kru Wat Geng Jin amulets, was the original Kroo Ba Ajarn who bestowed his magical Wicha onto some of the Great Masters of Olden days we know, such as Luang Por Dto of Wat Khao Bor Tong, Luang Por Am, of Wat Nong Grabork, the Great Luang Phu Tim of Wat Laharn Rai, and Luang Por Tarb of Wat Nong Grabok Kheun Pheung.

Below; One of the other preferred models of the Kru Wat Geng Jeen; the Pim Thaan Pha Tip

Pra Kru Wat Geng Jeen Pim Thaan Pha Tip Niyom

Here we can see a preferred Pim Niyom model of the Pra Kru Wat Geng Jeen Cast Leaden hiding place amulet find, from the Ayuttaya Period, this model being popularly called the Pim Pra Sawok, also known as ‘Pim Pra Mokkhalla’ and ‘Pim Pra Saribut’

Pra Kru Wat Geng Jeen Nuea Chin Pim Pra Sawok Niyom - Sacred Leaden Ancient Hiding Place Amulet Late Ayuttaya Period

The words ‘Pra Sawok’ means ‘Savaka’, or ‘disciple’ of the Buddha. It refers in this case to the Arahants Sariputra and Mokkhallana (also called Maugdalyāyāna, and Maha-Moggallana).The image can indeed be used for either of these Arahants, as they are both mostly featured in this sideways praying posture seated either side of the Dais the Buddha sits on under the Bodhi tree.

Pim Pra Prajam Wan Birthday Buddha

Pra Put Chin Dtakua Luang Por Dam Wat Kuti

Ancient Amulet Presents the legendary and extremely rare Pra Pim Pra Put Nuea Chin Dtakua Fang Khiaw Hmaa Pha, Leaden Buddha Amulet with Magic Spell and Wolf’s Tooth Inserts.

The Pra Pim Pra Put Dtakua Fang Khiaw Hmaa Pha, was one of a variety of different Pim (models), wich Luang Por Dam created by taking already pre-existing designs from other great temples and masters, and using them to make these amulets, forging them with alchemical metallurgy into leaden statuettes. Empowered with insertion of a magic spell in Sacred Khom Agkhara, on a piece of parchment paper, and a wolf’s canine tooth.

It is a legend that when Luang Por Dam traveled on Tudong from Cambodia, to stay at Wat Kuti, there were two leaden Singha Lions in front of the Uposatha Shrineroom.  One time, the local temple orphans would drag to the middle of the rice field and play with them every day for days on end.  The children would go hoome and leave the lions in the field.

However, Lions would somehow find their own way back to the front of the Uposatha, without anyone having to go and get them. Nobody in the temple knew how they got back in place. The lions wold return to their original place every evening without anyone ever seeing them being brought back.

It was these lions which Luang Por Dam took, to use as the base leaden Chanuan metal for the forging of the mercurial alloy, to be cast into amulets.

Luang Por Dam was an olden days Khmer Sorceror Monk who stayed at Wat Kuti in the Pre Modern Era (passed before 2500 BE). He is said to have been of the same Generation and approximate age of the Great Luang Phu Suk of  Wat Pak Klong Makham Tao. Nobody has ever been able to compile a full biography of this monk, whose Khmer past is obscured from history. Luang Por Dam made his amulets in his own inimitable way with his own particular metho, which came from his Khmer Sorcery Wicha. He was able to manipulate alchemical metals and to ‘riak parort’, which means ‘to call alchemical mercury’. He would make the amulets by bthe alchemical method of using Incantations and meditative prowess to call the mercury to flow to him and guide them into the casting molds with magical spellcasting.

Ancient Leaden Buddha Amulet with Wolf Tooth Luang Por Dam

Apart from being famous for Kong Grapan Chadtri Klaew Klaad and ‘Gan Sadtw Pit Raay’ (protect against poisonous beasts), the amulets of Luang Por Dam are known for their power to erase Black Magick. It is said that if a house is cursed, or there are any sorcerous magical spells influencing the house, to walk in with one of Luang Por Dam’s amulets will dispel the curse or Black Magick Immediately, dispersing it and banishing it.

In those olden times, as Luang Por Dam would make amulets for the devotees at the temple, he became famous from many stories of miraculous lifesaving events connected with his amulets. Ranging from people being attacked by bandits and shot at at point blank range, but the guns would not fire, to surviving deadly accidents in the face of certain death.

But his amulets also then became famous outside of his locality and to spread around the provinces, because of Rice. Luang Por Dam’s temple needed rice, and Luang Por Dam would also have to go to Sara Buri township often to get rice for the temple, and would take his amulets to exchange with the market farmers for rice.

In the beginning, not many people took much notice, but he would exchange one amulet for a cart of rice with some traders. But after some time, there were some devotees who payed reverence and gave alms to Luang Por Dam, and recieved an amulet as a gift from him for their kindness. The devotees took the amulet and hung it up against a tree to test it with a revolver, by shooting at it, but however they tried, the gun wold not shoot when pointed at the amulet.

The amulets of Luang Por Dam of Wat Kuti are now extremely rare to encounter, and are highly renowned for their powerful Kong Grapan Chadtri, Maha Ud, Klaew Klaad and Gan Sadtw Pit Raay Powers.

His first edition came to be, because of the Thai devotees of the area hearing of Luang Por Dam being from the Khmer side of the order, and that he was a Tudong Forest Monk, so they came to ask him for a way to prevent the Black Magick spells which were being placed on them using Khmer Necromancy and Black Magick.

Luang Por Dam then made his first edition, using the wolf’s teeth inserts, which are now so rare and famously powerful, with Anti Black Magick and Kong Grapan Chadtri Maha Ud Klaew Klaad Protective Sorcery to keep his devotees safe and banish any evil curses they may have had afflicting them.

The wolfs teeth were obtained by Luang Por Dam, as he was wandering through the forests of the Khao Gaew Jungle, and he came upon the scene of a pile of skeletons of wolves, and a couple of tiger skeletons, all in one area. He concluded that the wolves must have died in their struggle with the tigers, but that the wolves, despite being much smaller, were as brave and fearless and just as much a fierce hunter as the much larger tiger himself. He took the teeth and empowered them throughout his Tudong wandering times with Maha Amnaj, Maha Ud, Klaew Klaad and Kong Grapan Chadtri Magic, for later use, in these amulets.

He made the amulets in various models, including the Pra Put Buddha image, the Pra Pid Ta Pra Pim Pak Pao (single Pidta) up to the Pra Pid Ta Pim Haa Gler (5 sided Pidta), which is known in the present day as ‘Pid Ta Piang Chompoo Haa Gler’.

Ancient Amulet Pra Put Dtakua Fang Khiaw Hmaa Pha


Pra_Somdej_Kaiser_Ok_Krut_Siarn_Badtr_Lai_Sen_Luang_Por_Pae

Ancient Amulet presents the first in a new series of V-Logs, called ‘Amulet Talk’, introducing you to the various ways of examining amulets, to help you develop your skills and powers of observation. This first episode begins with a basic look at the front face of the Pra Somdej Pim Kaiser Ok Krut Siarn Badtr, Lai Sen Edition, by the Late Great Luang Por Pae, of Wat Pikul Tong, in Singhburi.

 

Pra Somdej Kaiser Ok Krut Siarn Badtr Lai Sen Luang Por Pae Wat Pikul Tong

Pra Somdej Kaiser Ok Krut Siarn Badtr Lai Sen Luang Por Pae Wat Pikul Tong

 

The Pra Somdej Lai Sen Edition is a very early era edition from Luang Por Pae, and a very rare model within his large pantheon of amulets. This exhibit is in pristine condition and an extremely attractive example, hence even more rare for its excellence. Its features and ageing characteristics are perfect for study and appreciation.

 

Rear face Pra Somdej Kaiser Luang Por Pae Lai Sen

Rear face Pra Somdej Kaiser Luang Por Pae Lai Sen

 

The rear face of the amulet has the Cameo image of Luang Por Pae (side view), with his signature underneath, in his handwriting, which is why this edition became known as the ‘signature’ edition. The base of the amulet has some Pong Wised Sacred Powder Paste inserted into the Muan Sarn Sacred Powders of the amulet, according to Luang Por Pae’s Traditional Wicha. This edition is highly revered for the presence of hair of Luang Por Pae within the sacred Clay mixture.

 

Special Magic Powders inserted into base of amulet

Special Magic Powders inserted into base of amulet

 Amd so on to the V-Log, for your enjoyment and perusal, amd hopefully, your satisfaction for our work to bring you kncreasd knowledge and research material for the Ancient Amulet Genre;

Please subscribe to the above youtube channel for more updates on Amulet Talk, to remain informed of our upcoming episodes of ‘Amulet Talk’