20Apr

Rian Yord Khun Pol 2516 BE Nuea Tong Daeng Rom Dam 5000 Made Luang Por Chaem Wat Don Yai Horm

A rare limited edition early era amulet, the Rian Yord Khun Pol Buddha Image coin, in Nuea Tong Daeng Rom Dam, with Solid Gold Casing included, from the Great Luang Por Chaem Thanussago of Wat Don Yai Horm. Only 5000 of these amulets were ever made in this edition, making this amulet a very rare acquisition to find indeed, so many years after its release. The amulets of Luang Por Chaem, are known as powerful Metta Mercy Charm, Serm Duang Karma Improvement, Serm Yos Promotion, Kong Grapan Chadtri Klaew Klaad protection, and Maha Amnaj commanding power and influence. A classic amulet, from the Wat Don Yai Horm Lineage Master, Luang Por Chaem, inheritor of the Wicha of Luang Por Ngern (Wat Don Yai Horm). Empowered with the famous Kong Grapan Chadtri, Metta Maha Lap Magick of a true Lineage Master of One of Thailand’s Most Revered and Respected Temples, who has attained equal fame and popularity as his foregoer and Kroo Ba Ajarn Luang Por Ngern himself, which is most certainly a sign of his great Merits as a Guru Monk.

The Rian Yord Khun Pol amulet was released in 2516 BE, with only 500 amulets made, making this a very rare editon indeed. On the rear face is the Yant Nam Tao Gourd Yantra. The Rian Yord Khun Pol received two separate Putta Pisek Blessing Ceremonies. The first blessing ceremony was made at Wat Rai Khing, with many great monks present to empower and bless the amulets. Among the monks present werel Luang Phu To, of Wat Prado Chimplee, Luang Por Te (Wat Sam Ngam), the Kroo Ba Ajarn of LP Chaem, and still aboot of Wat Don Yai Horm; Luang Por Ngern, who was still alive at the time, Luang Por Perm of Wat San Paetch, Luang Por Lek, of Wat Nong Din Daeng, Luang POr Phon, of Wat Tian Dtad, Luang Por Tong Yoo (Wat Nong Mai Pa-Ong), Luang Por Sud (Wat Ka Long), among many other famous names.

It is believed by the devotees of LP Chaem, that he had achieved Dtecho Kasin (Fire Kasina elemental control) and varous forms of Abhinya Powers. He was very renowned for his Metta Maha Niyom Magic and Nam Mont Holy Water Blessings, as well as his powerful Takrut Kong Grapan, and the lineage Wicha amulets of Wat Don Yai Horm. It is said that 9th December 2536 BE, LP Chaem asked the temple checked by devotees to see if any debts remained for the temple, and if any reparations were needed? Once it was confirmed that the temple had neither debts, nor was in need of any restorations, Luang Por Chaem went to his Kuti for the evening, closed the door, and was not seen to emerge again.

The devotees later found that Luang Por had passed away laying in the Sayasana Posture (passing into Nibbana), and was found laying peacefully in his side. Devotees to this very day believe that Luang Por Chaem died wilfully knowing that his work was over, and that he had made the temple fully restored and without debts. He is hence considered to be a worker of Miracles, and an ascended master by his devotees.

Luang Por Chaem was the Abbot of Wat Don Yai Horm, after the Great Luang Por Ngern. Luang Por Chaem became abbot in 2520 BE after the passing of Luang Por Ngern. He was born in the year 2449 BE on the 16th March. After becoming Abbot of Wat Don Yai Horm in 2520 BE, he raised funds to perform Merits and Restoration buildings at the temple until the day of his passing on the 9th of December 2536 BE, at the age of 87 years Old.

LP Chaem was extremely famous for his powerful Takrut and Monk Coin amulets, Pra Pong (Muan Sarn Sacred Powder amulets), and Pha Yant, of which he made a large pantheon over the years to raise funds for the temple.

This Takrut was made during the early Era of Luang Por Chaem’s trajectory, estimated around the year 2517-2518 BE. He made many talismans and charms, not all of which are documented in the official temple releases, for of course, he would also make individual amulets for his closest Looksit to Bucha. The Takrut Tone Long Rak Pid Tong is however included in the ‘Dtamniap Wadtumongkol’ Official listings of his amulets. Because he would make this kind of amulet throughout his trajectory, there is not official date registered in the Dtamniap, as is the case with his limited edition coins, which are more accurately documented.

Amulets of Luang Por Chaem

The amulets of Luang Por Chaem are officially catalogued split into three different Eras, the ‘Yuk Dton (early Era), Yuk Klang (Middle Era) and Yuk Play (late Era).

His officially recorded trajectory as an Amulet maker began in the year 2513, before he became Abbot, which is catalogued as the ‘Yuk Dton’ early Era, which spans the time period between 2513 BE, and 2519 BE. In this period he made the following editions;

Yuk Dton Amulets (2513 BE – 2519 BE)

Pra Somdej Run Raek First Edition which was released on the 12th September 2513, with 5 different models made.
Pra Pid Ta Maha Lap Nuea Pong Sacred Powder Amulet in the year 2514 BE
Rian Roop Khai Run Raek Dtok Code ๖๗ Guru Monk Coin (oval shape) with code 67 Stamp in the year 2515 BE which were blessed for a period of one whole year, in various Sacred metals, namely; Nuea Samrit (21 coins made), Nuea Tong Daeng (1800 coins made) with two different block presses used to make two different ‘Pim’ (models), the Pim Kor L (L shaped neck), and the Pim Kor Dtrong (straight neck)
Rian Yord Khun Pol amulet 2516 BE
First Edition Rian Roop Khai Sorng Hnaa 2 sided amulet 2516 BE with the Thai number 1 (๑) code stamp on the side which had Luang Por Chaem’s face on it
First Edition Rian Sema Lek shield shaped coin amulet 2516 BE with the Thai number 1 (๑) code stamp on the side which had Luang Por Chaem’s face on it
Rian Roop Khai Huang Chueam coin amulet with soldered pendant hoop 2517 BE
Rian Roop Muean Cameo Coin 2519 BE

Yuk Klang Amulets (2520 BE – 2527 BE)

The middle era amulets began to take on a large Public Interest, as the Devotees of Wat Don Yai Hormhad gathered a large quantity of Sacred Muan Sarn Sacred Powders and Chanuan Sacred Metallic substances from Great Guru masters around Thailand to donate to Luang Por Chaem for the making of amulets to smelt into Sacred Alchemical Chanuan Muan Sarn Substances for the making of Luang Por Chaem’s next editions;

Pra Roop Lor Boran 1st Edition Statuette 2521 BE
Pra Pid Ta Maha Ud Yant Yung Nuea Rae 1st Edition closed eyes Buddha amulet in Sacred Mineral Kayasiddhi substance 2521 BE
Rian Lor Hoo Nai Dtua with one piece pendant ring (not soldered) pendant hoop 1st Edition 2522 BE
Pra Pid Ta Nam Tao Gourd Shaped Buddha amulet 2524 BE
Pra Pid ta Song Serd Chee Bo 1st Edition amulet 2524 BE
Pra Kring Yord Khun Pol amulet 2526 BE
Pra Bua Khem (Upakut) amulet 2526 BE first edition
Pra Pid Ta Nuea Pong Kluk rak lacquer covered powder closed eyes Buddha amulet 2526 BE
Pra Kring Arahang Buddha Statuette amulet 2526 BE
Pra Chayawat 1st Edition amulet 2526 BE
Rian Lor Pra Jao Ha Pra Ongk 5 Dhyani Buddhas amulet 2526 BE
Pra Kring Takataen Buddha Statuette amulet 2527 BE
Rian Lor Han Khang sideways facing Monk Cameo coin amulet with Thai number Code 77 (๗๗) 2527 BE
Pra Mongkol Jakrawal Nuea Samrit bronze amulet 2527 BE
Pra Pid Ta Pong Metta closed eyes Buddha amulet 2527 BE

Yuk Play (2528 BE – 2536 BE)

Pra Roop Lor Gon Dtok Pim Niyom 2529 BE
Pra Roop Muean Bpam statuette 2535 BE
Rian Run Sang Rong Payaban Nakorn Pathom amulet from the Nakorn Pathom Hospital Building Fund Edition 2535 BE
Rian Lor Kor Nam Tao Gourd Neck coin amulet 2536 BE
Rian Lor Hnaa Suea Tiger face amulet 2536 BE
Rian Lor Jao Sua Millionaire amulet 2536 BE
Rian Lor Pim Tawarn Yern amulet 2536 BE
Rian Luang Por Chaem Bucha Kun Luang Ah amulet 2536 BE (reverence to the Upachaya Kong Monk of Wat Bang Gaporm)
Pra Pid Ta Nuea Rae 2nd edition closed eyes Buddha amulet 2536 BE

Apart from these amulets of course, a host of subdivisions of amulets were released with each edition, such as Takrut, Pha Yant, sacred powder amulets, cast metallic and hand carved images and other items.

Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets

Ancient Amulet - Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets') Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days

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14Apr

Pra Pong Supan Kru Wat Pra Sri Ratana Mahatat 700 Year Old Ancient Benjapakee Thai Amulet

Categories: Ancient Amulet Everything Powder Amulet Pra-Kru

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Pra Pong Supan Pim Hnaa Gae Kru Wat Pra Sri Ratana Mahatat 700+Year Old Ancient Benjapakee Amulet and Authenticity Certificate Featured

A Truly Ancient Septa-Centenarian Pra Kru Amulet (over 700 years old in origin), the Pra Pong Supan Pim Hnaa Gae, in Nuea Din, with certificate of authenticity, this exhibit is in a dark colored sacred baked earthen clay. An all time ‘top 5’ classic amulet of the Benjapakee Family. A Master-Class status amulet of the High End Category of Pra Kru Hiding Place Ancient Amulets. The Pra Pong Supan amulet is known for its powerful Puttakun Metta Maha Niyom Merciful Blessings and Kong Grapan Klaew Klaad Protective Power.

This amulet comes with A4 size certificate of authenticity included. The Pra Pong Supan Kru Wat Pra Sri Mahatat is the Number One Amulet of all Time for the Province of Supanburi, and an eminent member of the top 5 Benjapakee Amulets of Historical Fame and Legend. The Pra Pong Supan of the highest preference is the Pra Pong Supan Nuea Din Phao baked clay amulet, made from sacred earths of the Supanburi Province, which were mixed with sacred magical herbal powders and bound into clay with holy water.

The amulets are seen to have been baked for a long time slowly, until the clay became hard, but smooth and dense like marble, which is a texture that modern ‘Nak Niyom Pra’ amulet aficionados call ‘Nuea Neuk Num Seung Jad’, which means ‘soft and smooth to the touch with highly refined features’.

There were also a very small amount (one potful) of leaden Pong Supan amulets found, which were found residing on the upper section of one pot, and are known as the Pong Supan Yord Tho, and are the rarest and most sought after of all Pra Pong Supan of the Kru Wat Pra Sri Mahatat.

Below : The extremely rare leaden version Pra Pong Supan Yord Tho Amulet, of which only very few were ever found

We shall be covering the documentation of the Pim Yord Tho in a different article on the pages of our website.

The method of baking the amulets resulted in a very hard and resilient amulet that does not break easily, which has contributed to its preservation over many centuries. The features of the Pra bordered edges and outer frame of the various models (Pim) of the Pra Pong Supan Amulet are highly varied, and cannot be said to fit any rigid form.

Some have four or five sided edges, some are completely cut to shape, some have wider edges, and others thinner edges, some are even others uneven. Some may be tapered, whereas others have the tapered top cut off flat.

The Pim is notable for its beautiful color tone to the surface of the Muan Sarn Sacred clay, accumulated over centuries,. This exhibit displays the presence of a very rich Muan Sarn admixture, and the surface sheen and detailed relief of the Buddha Image, combine to render an outstanding example of a Master-Class Pra Pong Supan amulet. The ears are elongated, with anomalous forms (‘Dtamni’), that reveal the authenticity of the amulet, through the inimitable idiosyncrasies of the block press, which are ever present despite the individuality of each amulet.

One thing most Pra Pong Supan have in common is that most often one finds the presence of thumb or fingerprint line markings, or thumb indents on the rear face. Another classic and essential feature of the Pra Pong Supan Wat Pra Sri Ratana Mahatat is that due to being buried under the earth for centuries, the Kraap Kru earth residues which are seen stuck to the surface of the amulets within the deeper recesses such as the armpits and ridges between finer detailed features.

Below : Encyclopaedic work documenting the ancient find of the Kru Wat Pra Sri Ratana Mahatat amulets

These residues are completely affixed and one and the same with the clay, and cannot be removed by simply scratching it off with a fingernail.
The Pra Pong Supan is a perfect choice of Amulet for Ladies or Children, but is also a very preferred and popular amulet for Males to wear. We have before us a Sacred Amulet whose Religious Value is of course that of a True sacred Amulet from the Master Class Category.

The Pra Pong Supan amulet is an image of the Buddha seated in the Mara Wichai posture of conquering the Demon Mara in the style of the U-Tong Periodic Era. The Buddha Image is seated on a single tiered dais, with a large head, graceful arms and protruding chest. There are various Pim (Models) of Pra Pong Supan, ranging from the Pim Hnaa Gae, Hnaa Num, Hnaa Klang, and other lesser known forms. Some very rare versions in black Nuea Bailan Powders are also found, but only very rarely

The Pim Hnaa Gae (old face) has one single type of face model but still has many different appearances, because of the various stages of heat during the baking process, which caused some amulets to experience shrinkage or curvature, or other anomalous reshaping during the process. Some may even have similar triangular appearance to the Pra Nang Paya, another Benjapakee amulet of Immortal fame. Various other amulets were also found including the Pra Mahesworn, Pra Ta Maprang, Pra Patum Mas, Pra Pim Lila (many versions), Pra Nakprok (small and large), and the Pra Sum Rakang.

The Pra Pong Supan and Benjapakee Class Amulets are truly world class amulets that receives the esteem and faithful reverence of all Thai Buddhist People of all social strata, and which is considered part of the Cultural and Historical heritage of the History of Siam.

They are amongst the most difficult of all amulets to find at any price, and are mostly already worn since generations by the same family members as handed down family heirlooms of their ancestors. The rest lie in the hands of the lucky, and of course the high end collector showrooms of Thailand’s Amulet Societies and Non Profit heritage Associations, as well as the museums of the state and of major temples.

Above; Macro Closeup of the Sacred Clay and the Kraap Kru earthen substance affixed to the muan sarn from centuries of burial within the hiding chamber. It is said that in the year 1265 BE, the Ruesi Hermit Pilalai decided to make a series of powerful amulets with truly effective powers. At that time the ruler of the Kingdom Pra Sri Tanmasokea Racha was a faithful devotee to the four great Ruesi Sages, who brought a large collection of magical herbs, minerals and summoned the angelic beings of the celestial realms to assist with the empowerment ceremony on the immaterial planes.

The great Pra Maha Thera Bpiya Dtassasisri Saributra was present to preside over the blessing ceremony, and assist with empowerment and the hand molding and pressing of the Pra Pong Supan. The muan sarn sacred clay was given the name of ‘Nuea Rae Sangkwanorn’.

Below : An example of a Pra Pong Supan amulet that has been treated with red Chinese Lacquer by a devotee

The great Pra Maha Thera Bpiya Dtassasisri Saributra was present to assist with empowerment and the hand molding and pressing of the Pra Pong Supan. The amulets were blessed during three whole months of rainy retreat (Traimas Blessing) as was traditional in ancient times and is still the practice to this very day. Once the Traimas empowerment was completed, the amulets were buried within the Chedi Stupas of Supanburi

example of Pra Pong Supan that has been treated with red Chinese Lacquer

The rediscovery of the Kru

In the year 2456 BE, a Tudong Monk was passing through and asked for the whereabouts of the temple of Wat Pra Sri Radtana Maha Tat. He asked a young boy named Pin, who pointed him in the right direction. The boy Pin heard later that this Forest Wanderer monk had hired some Chiinese-Thai devotees to dig up some holes in the temple, and that a horde of treasures were found along with a large repository of hiding place amulets (Pra Kru).

The Monk himself found a solid golden bowl which he took for preservation, but left all the rest of the contents of the Kkru within the Chedi. However, many of the Chinese devotees who were working on the opening of the Kru did take a large number of amulets rainging from the Pra Pong Supan to the Pra Gampeng Sork.

Once the authorities and Sangha Office heard of this, they ordered the Chedi Stupa to be hermetically sealed to prevent further theft of National heritage treasures.

Later the same year Praya Suntorn Buri (Also knownn as ‘Ee Gan Suudt’), who was the Minister of the Province of Supanburi invited his Majesty Pra Mongkut Glao Jao Yuu Hua to come and open the Kru Chamber. Once the chamber was opened, many ingots of solid gold and silver with Khom Agkhara inscriptions were found, and a large repository of amulets. The King was given a large number of the Pra Pong Supan and other amulets to his Majesty.

In olden days when the Pra Pong Supan was still very common and easy to find, many of the bullfighting arena players would like to grind up broken Pong Supan amulets and mix the powders into the hay they would give their fighting bulls to eat. This was seen to make the bull who ate hay with Pra Pong Supan powders fight more fiercely, evade the horns of its opponent and be impenetrable when taking a hit.

A very hardly known but ancient traditional way to Bucha Pra Pong Supan Amulets, is to immerse the amulet in perfume and chant Puttakun Tammakun Sangkakun 108 Times, then chant the Kata Pahung 3 times. The perfume can then be used to smear on oneself for Mercy Charm and Protection. If one wishes to empower further, one can chant the following Kata;

Ka Dtae Lig Gae Garanang Mahaa Chayyang Mangkalang Na Ma Pa Ta Gi Ri Mi Dt Gu Ru Mu Tu Gae Rae Mae Tae Ga Ra Ma Ta

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12Apr

Kanha Jali Pim Lek Hua Gleung Niyom 2491 Blessings by Luang Por Chaeng Luang Por Jong Luang Por Chuan and Luang Por Phueak

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Kanha Jali Pim Lek Hua Gleung Niyom 2491 Blessings by Luang Por Chaeng, Luang Por Jong, Luang Por Chuan, and Luang Por Phueak, Featured

Kanha Jali Loi Ongk Sattuette,’Pim Hua Gleung Niyom’ (preferred pointed head model), in smaller Pim Lek version, released 2491 BE with Blessings by Luang Por Chaeng, Luang Por Jong, Luang Por Chuan, and Luang Por Phueak, of Wat Molee. The Kanha-Jali amulet (Ganha-Chali), is in the form of Prince Jali and Princess Kanha as children, embracing each other shoulder to shoulder.

The image radiates the potent energy of Metta Maha Niyom Mercy Charm. Kanha and Jali were born to the Royal Prince Vessantara (a previous life of the Buddha), and their story, is to reveal the profound generosity and sacrifices made by the Buddha, on the path to enlightenment.This amulet, is usually catalogued within the pantheon of amulets of LP Chaeng, despite the collaborative ceremony.

The story of Prince Vessantara’s last incarnation plays a significant role in the Wicha for this amulet, Thai Buddhism. In this tale, Jali and Kanha, were the son and daughter of Prince Vessantara and Queen Maddi. Eventually, the generous Prince Vessantara gives away his children to the Brahmin Jujaka as part of his ultimate act of generosity before attaining Buddhahood.

In the tale of Vessantara, part of Buddhism’s revered Jataka stories, Kanha and Jali play a central role in their father’s pursuit of Dhāna Paramī—the tenth and culminating perfection required for attaining Buddhahood. Their father faced the challenging decision of giving away his own family to the greedy Beggar Jujaka, (‘Choo Chok‘ in Thai). Jujaka, a Brahmin from a distant village, heard tales of Prince Vessantara’s unparalleled generosity and selflessness.

Jataka tales are especially important in Theravada Buddhism, more than other traditions.

Intrigued by these stories, he set off to find the prince and test the limits of his benevolence. As Jujaka arrived at the secluded wilderness where Vessantara resided with his wife Maddi and their two children, Jali and Kanha, he marveled at the austere surroundings. Approaching Vessantara with humility, Jujaka revealed his desire, “O benevolent prince, I have traveled far seeking a gift from someone as virtuous as you. Grant me the extraordinary boon of receiving your children, Jali and Kanha, into my care.” The words hung in the air, creating an undeniable tension.

Kanha Jali Vessantara's children

Vessantara, torn between his commitment to unconditional giving and the natural instincts of a father, hesitated. Maddi, sensing the internal struggle, clutched their children protectively. The surrounding forest seemed to hold its breath as Vessantara grappled with the monumental decision.Finally, after a heavy pause, Vessantara spoke with a heavy heart, “Brahmin, I am bound by my principles of generosity.

Prince Vessantara gives away the State Elephant to the Brahmans

Prince Vessantara gives away the State Elephant to the Brahmans

If this is your earnest request, I shall fulfill it, though it pains me deeply.” The weight of his words echoed through the wilderness. As Jujaka took custody of Jali and Kanha, the atmosphere shifted from serenity to sorrow. Maddi, with tearful eyes, whispered words of reassurance to her children.

Vessantara, suppressing his emotional turmoil, maintained composure, realizing that this act of unparalleled sacrifice was a crucial step on his path toward enlightenment. Jujaka, with the children in tow, disappeared into the depths of the forest, leaving behind a somber silence. The echoes of Vessantara’s sacrifice lingered, setting the stage for the unfolding of a profound narrative on the virtues of selfless giving and the spiritual journey toward Buddhahood.

As Kanha and Jali questioned their father’s choice, Prince Vessantara explained the profound purpose behind this act of supreme generosity. Giving away one’s own family represented the final and most challenging step in achieving the perfection of Dhāna Paramī. Kanha and Jali, understanding the greater purpose, willingly accepted their fate as slaves to Jujaka, supporting their father in completing this ultimate act of selflessness.

The Kanha Jali Loi Ongk Statuette, infused with Metta Maha Niyom, stands as a powerful reminder of the unwavering spirit of generosity and compassion that defined Prince Vessantara’s journey towards enlightenment.

This sacred amulet, mostly attributed within the pantheon of amulets of Luang Por Chaeng, was actually blessed by various Great Monks in unison. Originally commissioned by Pra Luang Por Kloy, the abbot of Wat Bang Kra Nok, Nonthaburi Province.

The first model was released in the year 2491 BE. During the consecration ceremony, Pra Kloy, along with other respected monks, invoked blessings, making it a powerful and sought-after amulet. The Kanha Jali is renowned for its remarkable efficacy, believed to bring prosperity, charm, and success to its bearer. The amulet is imbued with a Magical Kata Spell which contains the sacred chant: Chaalee Ganhaa Maa Laew Hrueyang Sangkadtang Lokawituu. This Kata is to invoke blessings and communication between the amulet and its wearer, and should be used when performing Bucha or asking for blessings, and daily to empower the amulet before wearing.

Devotees who have experienced success often choose to encase the amulet in gold. It is believed that successful ventures and accomplishments are likely when this practice is followed. This statuette is not only a treasured amulet with historical and religious significance, but also a symbol of compassion, generosity, and the pursuit of enlightenment in the story of Prince Vessantara.

Here is a Basic Breakdown of the Thai Jataka Tale;

1. Prince Vessantara, known for his extreme generosity, gives away everything he owns, including a magical white elephant that brings rain.

2. The kingdom suffers without the elephant, and Vessantara is banished with his wife, Maddi, and their children, Kanha (daughter) and Jali (son).

3. A cunning beggar named Jujaka demands Vessantara’s children as slaves.Despite the pain, Vessantara, determined to practice perfect generosity, gives his children away. The children are eventually rescued by the king, Vessantara’s father, who recognizes them.

4. The story emphasizes the importance of generosity in Buddhism, even if it comes at a great personal cost.

5. There are many variations of the tale depending on the region. In Thailand, for instance, the story of Vessantara is a popular festival (Jataka tales are especially important in Theravada Buddhism).

6. Prince Vessantara, known for his extreme generosity, gives away everything he owns, including a magical white elephant that brings rain.

7. The kingdom suffers without the elephant, and Vessantara is banished with his wife, Maddi, and their children, Kanha (daughter) and Jali (son).

8. A cunning beggar named Jujaka demands Vessantara’s children as slaves. Despite the pain, Vessantara, determined to practice perfect generosity, gives his children away. The children are eventually rescued by the king, Vessantara’s father, who recognizes them. The story emphasizes the importance of generosity in Buddhism, even if it comes at a great personal cost. There are many variations of the tale depending on the region. In Thailand, for instance, the story of Vessantara is a popular festival.

The Vessantara Jataka, considered one of the most significant stories in Thai Buddhist literature, narrates the final and tenth life of Prince Vessantara before his incarnation as Siddhartha Gautama, who would later become the Buddha. The tale emphasizes the perfection of generosity and self-sacrifice. Here is a summary:

Key Events:

Vessantara’s Generosity: Prince Vessantara was known for his extreme generosity, which led him to give away anything asked of him. His charitable acts gained immense popularity and admiration.

The Gift of White Elephant: Vessantara’s father, King Sanjaya, became concerned about the prince’s habit of giving away possessions. To prevent potential issues, Vessantara gave away a magical white elephant meant for royal rain ceremonies. This act angered the people, leading to his exile.

Life in the Wilderness: Vessantara, along with his wife Maddi and their two children, Jali and Kanha, lived in the wilderness, where he continued to practice generosity. However, circumstances led to their separation.

Jujaka’s Request: The family encountered a Brahmin named Jujaka, who, learning about Vessantara’s generosity, approached him requesting the gift of his children. Vessantara, upholding his commitment to give anything asked, reluctantly agreed.

Suffering and Return: The children, Jali and Kanha, were taken by Jujaka, leading to immense suffering for the family. Eventually, the hardships and divine intervention revealed Vessantara’s true identity. The family was reunited, and Vessantara returned to his kingdom.

Moral of the Story: The Vessantara Jataka illustrates the perfection of generosity (Dāna) as an essential quality on the path to enlightenment. Vessantara’s unwavering commitment to giving, even at the cost of personal sacrifice and the well-being of his family, underscores the selfless nature of true generosity. The tale teaches that the journey towards Buddhahood involves overcoming attachments, practicing unconditional giving, and embodying compassion for all beings. The moral encourages individuals to cultivate the virtue of generosity as a means to attain spiritual enlightenment and benefit others.

Luang Por Chaeng

Luang Por Chaeng, Silapanya, born on December 18, 2428 BE, was ordained as a Samanera Novice Monk at 12 and became a fully ordained Bhikkhu Monk at 20. A notable figure in Thai history, he served as the second abbot of Wat Bang Pang in Nontaburi, Bangkok, succeeding Luang Por Pra Atigarn Jaroen. Renowned as a Pra Gaeji Ajarn Master Monk during the Second World War, Luang Por Chaeng was a highly respected exponent of Vipassana Kammathana practice, attracting devotees nationwide. His expertise extended to empowering amulets, making him a sought-after participant in significant Buddha Abhiseka ceremonies, including those for the Thai Military’s magical protective items. In the era of the second world and Indo-China wars, Luang Por Chaeng, along with other revered monks, stood out for their magical prowess. Notable among them were Luang Por Jong of Wat Na Tang Nork, Luang Por Jad of Wat Bang Grabao, and Luang Por Opasi.

During the Indochina War, a ceremony was conducted to empower protective items for the Thai Military, including Pha Prajiad Sipsee Pan Tong by Luang Por Chaeng. The consecrated items, worn by soldiers, became legendary for rendering them impervious to bullets, earning the Thai Military the moniker ‘Taharn Phi’ (Ghost Soldiers) by the French Military. Luang Por Chaeng inherited Wicha from esteemed Kroo Ba Ajarn, such as Luang Por Parn of Wat Bang Nom Kho, Ph Khai of Wat Cherng Lane, Luang Phu Chay of Wat Panan Cherng, Pra Kanajarn Say (Luang Por Say), Luang Phu Sukh of Wat Pak Klong Makham Tao, and Luang Por Jong of Wat Na Tang Nork. Devotees sought Luang Por Chaeng for blessings, amulets, and healing. He welcomed all requests and, for those aspiring to learn his Wicha, emphasized moral development and meditative skills before revealing the secrets of incantations.

With influence from Luang Por Parn, Luang Por Chaeng’s amulets, particularly the Buddha riding animal models, gained popularity. He crafted a variety of amulets, including Monk Coins, Pha Yant Tong Yantra Flags, Sai Sek blessed sandgrains, Pra Kring, Pra Chaiyawat Loi Ongk Statuettes, and Pra Sivali metallic Loi Ongk Statuettes.

In 2484 BE, Luang Por Chaeng released powerful amulets to protect devotees during wartime. These amulets became a world famous historic edition, and were distributed for free during a large ceremony attended by numerous devotees. Luang Por Chaeng passed away peacefully on July 26 (some say 22nd), 2500 BE, at the age of 72. His legacy endures through his teachings and the amulets he created, cherished by those seeking protection and blessings in Thai Buddhism.

Central Thailand Masters

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Amulets from the Masters of Central Region of Thailand

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Blue Khun Phaen Prai Kumarn Pim Yai 2515 BE Nuea Khaw Hniaw Sukh Rarest Blue Version with Certificate

Free Shipping worldwide and offer a free solid silver waterproof casing included

SKU 04815

$2,199

Takrut Hnang Hnaa Bpaag Suea Tiger Forehead Spell 2475 BE 1.5 Inches Luang Phu Nak Wat Arun

Free Express Shipping & Optional Waterproof Casing Included

SKU 04812

$599

Khiaw Suea Tiger Tooth Amulet - Luang Por Parn Wat Bang Hia Kong Grapan Chadtri Maha Amnaj Talismanic Amulet of Master Class Status

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SKU 04811

$899

Phra Somdej Prok Po Wat Rakang Rare Pim Plaek 7-Tiered Base Kaes Chaiyo Style Mid to Late King Rama IV Era (Circa 2400 – 2411 B.E.

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SKU 04810

$1,799

Rian Roop Khai Pim Khor Bet Niyom 2473 BE 1st Edition Nuea Tong Daeng First Prize Competition Winner Luang Por Ee Wat Sattaheeb

Free Fed-Ex/DHL Express Shipping, 1st Prize Trophy, Certificate & Heavy 7.8 Gram Solid Gold Casing Included

SKU 04805

$3,499

Bia Gae Aathan Tak Chueak Perd Hlang Sorng Hoo Luang Phu Kam Wat Po Bplam

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SKU 04804

$449

Pra Somdej Prok Po Luang Por Supoj Wat Suthat ( 2484 or 2497 B.E.)

Free shipping included

SKU 04802

$220

Nang Kwak Na Pokasap 2548 BE Nuea Pong Wised Pasom Pong Prai Kumarn - Luang Por Sakorn Wat Nong Grub

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SKU 04799

$120

Pra Khun Phaen Ongk Kroo Nuea Pong Prai Kumarn Pasom Wan Dork Tong Takrut Koo Pha Pha Edition Luang Por Sakorn 254ุ6 BE

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SKU 04798

$399

Khiaw Hmoo Dtan Suea Palad Carved Boars Tusk Tiger Amulet Spell Inscriptions by Luang Por Sawai Wat Bridaram

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SKU 04797

$399

Pra Somdej Pim Yai Dtaek Lai Nga Nuea Pong Somdej Wat Rakang Gao 2495 BE - Luang Phu Nak

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SKU 04795

$299

Pra Somdej Chedi Norn Wat Lakorn Tam Nuea Pong Somdej Wat Rakang Gao 2495 BE - Luang Phu Nak

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SKU 04794

$299

Hwaen Lor Boran Ngu Giaw Sap See Gler 2460 BE 4 Entwined Snakes Magic Ring for Protection & Wealth Luang Por Im Wat Hua Khao

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SKU 04792

$199

Rahu Om Jantr Wicha Lanna Nuea Kala Ta Diaw Long Rak Chart Jeen Boran Circa 2465 BE Kroo Ba Nanta Wat Tung Man Dtai

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SKU 04791

$599

Khun Phaen Prai Kumarn Pim Yai Niyom 2nd Prize Winner Nuea Wan Dork Tong 5 Chanuan Beads & Authenticity Certificate Luang Phu Tim

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SKU 04789

$1,649

Pong Roop Muean Jao Khun Nor Hlang Yant Ongk Pra 2515 BE Nuea Wan Wat Silakhant Blessed by Luang Phu To Wat Pradoo Chimplee

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SKU 04787

$69

Pra Pong Rasamee Putta Chinarat 2475 BE Nuea Pong - Tan Jao Chuy Wat Sam Plerm

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SKU 04785

$999

Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram

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SKU 04783

$1,699

Rian Tong Daeng Jaroen Porn Lang (Rare Model) 2517 BE Code 9 Gammagarn & Certificate Luang Phu Tim

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SKU 04782

$1,199

Pra Roop Muean Pim Siarn Lek Nuea Pong Prai Kumarn Pid Tong - Luang Por Sakorn 2548 BE Only 1626 Made

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SKU 04780

$199

Khun Phaen Prai Kumarn Nuea Khaw Hniaw Sukh Ta Bronze 2 Takrut Sariga Code Sala Code 2 x Code 3 Gold - 3rd Prize Certificate Luang Phu Tim

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SKU 04779

$1,699

Khun Phaen Prai Kumarn 2515 BE Pim Yai Nuea Chompoo Ta Bronze 7 Takrut Sariga & 2 Chin Aathan With Certificate Luang Phu Tim

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SKU 04778

$1,599

Somdej Long Rak Chart Pim Gaes Talu Sum Block Chang Luang Wijarn with Authenticity Certificate Somdej Dto Prohmrangsri Wat Rakang Kositaram

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SKU 04776

$1,499

Bia Gae Hum Dtakua Long Rak Daeng Hand Spell Inscription Luang Pu Tong 1st Master of Wat Klang Bang Gaew Circa 2395 2418

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SKU 04771

$799

Khun Phaen Nang Kumarn Tong Hlang Riab Nuea Khaw - Luang Por Guay Wat Kositaram

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SKU 04770

$230

Rahu Om Jantr Wicha Lanna Nuea Kala Ta Diaw Long Rak Chart Jeen Boran Circa 2465 BE Kroo Ba Nanta Wat Tung Man Dtai

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SKU 04755

$599

Pra Pid Ta Maekasit Pim Dtor Baeb Dtaeng Jarn Mer 2460 BE Luang Por Tap Wat Anong

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SKU 04750

$399

Takrut Maha Ud Nuea Dtakua Thak Chueak Lai Jorakhae Fan Khob 2460 BE Luang Phu Sukh Wat Pak Klong Makham Tao

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SKU 04744

$999

Rahu Om Jantr Wicha Lanna Nuea Kala Ta Diaw Long Rak Chart Jeen Boran Circa 2465 BE Kroo Ba Nanta Wat Tung Man Dtai

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SKU 04734

$599

Somdej Long Rak Chart Pim Gaes Talu Sum Block Chang Luang Wijarn with Authenticity Certificate Somdej Dto Prohmrangsri Wat Rakang Kositaram

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SKU 04705

$1,499

Kanha Jali Pim Lek Hua Gleung Niyom 2491 Blessings by Luang Por Chaeng, Luang Por Jong, Luang Por Chuan, and Luang Por Phueak,

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SKU 04687

$135

Rian Jao Khun Nor Bua Sorng Khang 2515 BE Nuea Galai Tong Blessed by Luang Phu Tim of Wat Laharn Rai

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SKU 04683

$79

Look Om Jindamanee Nuea Chompoo Pra Palad Parn Wat Tukata Circa 2460 BE (Kroo Ba Ajarn of Luang Phu Bun)

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SKU 04672

$159

Pra Pid Ta Maekasit Pim Hoo Gradtay with Certificate Hand Inscriptions - Luang Phu Nak Wat Huay Jorakhae

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SKU 04671

$449

Event	Date
Birth	2 Nov 2448 (Chainat)
Ordination	5 Jun 2467 (age 20)
Abbotship (Wat Ban Kae)	1 Sep 2491
Death	12 Apr 2522 (07:55)

Monk (Thai name)	Position	Approx. Period	Notes
Luang Pu Tong (Wat Klang Bang Gaew)	First known master of the craft	Early 20th c.	Teacher of Luang Pu Bun
Luang Pu Bun (Wat Klang Bang Gaew)	Main exponent, popularized the amulet	Mid‑20th c.	Produced many Bia‑Gæ for laypeople
Luang Pu Perm (Wat Klang Bang Gaew)	Continued Luang Pu Bun’s method	Late 20th c.	Same potency as his predecessor
Luang Pu Bai (Wat Klang Bang Gaew)	Received the technique from Luang Pu Perm	Late 20th c.–early 21st c.	Served as the bridge to the current master
Luang Pu Juea (Wat Klang Bang Gaew)	Current holder of the secret method	Present day	Works together with Luang Pu Perm when filling the amulet

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The rediscovery of the Kru

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Jataka tales are especially important in Theravada Buddhism, more than other traditions.

Here is a Basic Breakdown of the Thai Jataka Tale;

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Palad Khik Hua Chamot Dtua Kroo 10 Inch Jumbo Size Luang Por Pina

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Luang Por Guay (2448–2522 B.E.)

Legacy Significance

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2. The Lineage of Masters

3. Materials & Requirements (as explained by Luang Pu Bun)

4. The Ritual Process (as performed by Luang Pu Bun)

5. Continuation after Luang Pu Bun

6. Purpose & Buddhist Merit of the Bia‑Gæ

7. Suggested Use & Prayers

8. Historical Background of Wat Klang Bang Gaew

9. List of Abbots (as far as records allow)

10. Buddhist Merit & Modern Appeal

11. Concluding Note

Suggested Use and Prayers

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The Legacy of Somdet Phra Phutthācāriya (Toh) and the Sacred Somdet Amulet: “Kesa Thalu Sum” (Topknot Piercing the Arch)

Understanding the Term “Gaes (Kesa) Talu Sum”

Who Was Chāng Luang Wichān (ช่างหลวงวิจารณ์)?

The Wichān Block vs. Other Blocks

“Gaes Talu Sum” as One of Many Pīm within Dtamrā

The Chang Sip Mū (ช่างสิบหมู่): Ten Royal Artisans of Siam

Three Eras of Phra Somdej Production at Wat Rakang Kositaram

1. Yuk Ton (ยุคต้น / Early Era, c. 1860s)

2. Yuk Klang (ยุคกลาง / Middle Era, c. 1870s–1880s)

3. Yuk Plāi (ยุคปลาย / Late Era, c. 1890s until Somdet Toh’s passing in 1872)

Rak Jeen Borān (ลงรักชาดจีนโบราณ): Ancient Red Lacquer

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Kata Bucha Nok Sariga

“Wanna Wannaa Saligaayo Puttang Siro Waa Ha”.

Kata Bucha Luang Por Sawai of Wat Bridaram.

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Luang Phu Gaew (Wat Pak Tale/Wat Kruea Wan)

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Ahang Wantaami Siiwaliitaadtuyo Ahang Wantaami Sappaso

Bpuchidtang Sappalaapang Bprasitti Mae Thaerassa Aanupaawaena Sappa So Thee Pawandtu Mae

Katas for Pra Sivali for each day of the week

“Saatu Siwalii Ja Mahaa Thaero Ugaasa”

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3. Materials & Requirements (as explained by Luang Pu Bun)

4. The Ritual Process (as performed by Luang Pu Bun)

5. Continuation after Luang Pu Bun

8. Historical Background of Wat Klang Bang Gaew