Takrut Hnaa Bpaag Suea Luang Phu Bun Wat Klang Bang Gaew

The Legend of Bia Gae, Pong Ya Wasana Jindamanee, & Other Amulets, & the Lineage of Wat Klang Bang Kaew Amulets

Luang Phu Bun of Wat Klang Bang Gaew

Luang Phu Bun of Wat Klang Bang Gaew

From Past to Present; Luang Pu Bun, Luang Por Perm, Pra Ajarn Bai, Luang Por Kong (Sanya)

Wat Klang Bang Kaew – A Legacy of Dhamma, and Powerful Sacred Amulets

Pra Pid Ta Luang Phu Bun Wat Klang Bang Gaew in Gold CasingWat Klang Bang Kaew, located in Nakhon Chai Si District, Nakhon Pathom Province, is an ancient temple deeply rooted in Thai history, dating back to the Ayutthaya period. It is estimated to have been established in the late Uthong era. The temple’s antiquity is evident through the meticulously preserved and seemingly new renovations of its Vihara, Ubosot, and Sema stones, enduring through centuries. Currently, Wat Klang Bang Kaew is not merely a local Buddhist center but is widely recognized as the origin and repository of nationally renowned sacred amulets and charms, particularly “Bia Gae” and “Pong Ya Wasana Jindamanee” sacred powder amulets, which are extensively known and revered by collectors and devotees alike.

Wat Klang Bang Kaew functions akin to a university of sacred knowledge, where ancient texts and esoteric arts have been continuously passed down from masters to disciples over many generations. Each highly virtuous master (Gaeji Ajarn) has their own pantheon of mystical spiritually empowered and consecrated amulet,s imbued with tangible Buddhist virtues.

The primary amulets that have brought fame and uniqueness to this temple include Bia Gae, Phra Ya Wasana Jindamanee, and various Buddha images (Phra Phim) such as Rian Chao Sua and Phra Chaiwat, all of which have bestowed miraculous experiences upon countless devotees.

 

The fact that Wat Klang Bang Kaew boasts a history spanning centuries, traceable back to the Ayutthaya period, serves as a robust foundation for the continuous development and transmission of esoteric and Buddhist knowledge. The temple’s ancient lineage is not just a matter of time but a testament to the reliability and profound spiritual power of the inherited lineage of wisdom.

Pra Pid Ta Luang Phu Bun in Thai amulet publication

Such a long history indicates that the “Wicha” (sacred knowledge) passed down is not a mere modern invention but a wisdom that has been tested and refined over hundreds of years, a crucial factor in building faith among those who seek amulets imbued with pure and ancient power.

We shall now look deeply into the legend and the lineage of amulet creation at Wat Klang Bang Kaew, focusing primarily on “Bia Gae” and “Phra Ya Wasana Jindamanee,” as well as other related “Phra Phim” (Buddha images) and “Krueang Rang” (charms). This study will encompass the biographies and relationships of the Gaeji Ajarn within this lineage, starting from Phra Palad Pan of Wat Tukata, the progenitor, followed by Luang Pu Boon Khanthachoto, Luang Pu Perm Punyawasano, Luang Pu Juea Piyasiloe, and continuing to the present-day with Phra Ajarn Sanya (Kong) Kammasuttho. The narrative will strictly adhere to the authenticity of ancient texts and the established catalog of amulets recognized by national-level amulet connoisseurs.

The Genesis of the Lineage: Phra Palad Pan of Wat Tukata, the Grand Master of Transmission

Phra Palad Pan of Wat Tukata, officially known as Wat Phithai Tharam, is revered as the “Grand Master” of Luang Pu Boon of Wat Klang Bang Kaew. He was one of the renowned “Jatu-Ajarn” (four great masters) and was celebrated for his immense metta mahaniyom (charm and popularity), believed to be infused through the chanting of the Phra Jindamanee spell.

Phra Palad Pan’s most significant role was serving as the preceptor (Phra Upatcha) for Luang Pu Boon when the latter was ordained as a monk in B.E. 2412 (1869 CE). Although detailed biographical information about Phra Palad Pan is scarce in the available documents, his pivotal role in transmitting the sacred knowledge to Luang Pu Boon is widely acknowledged and respected.

Luang Pu Boon received his fundamental Dhamma teachings and various esoteric arts, especially the Wicha Bia Gae, directly from Phra Palad Pan, the abbot of Wat Tukata. This transmission formed a stable foundation, enabling Luang Pu Boon to continue, develop, and create the potent amulets of Wat Klang Bang Kaew, ensuring their continued prosperity.

The distinctive Wicha Bia Gae of Wat Klang Bang Kaew, inherited by Luang Pu Boon, has deep origins linked to ancient lineages. It is hypothesized that the Wicha Bia Gae of Luang Pu Boon and Luang Pu Rod of Wat Nai Rong might share a common source: the Wicha Bia Gae lineage of Somdet Phra Wanrat of Wat Pa Kaew, which inherited its Buddhist esoteric knowledge from the Wat Pradu Nai Song Tham school dating back to the Ayutthaya period. Phra Palad Pan is also known as the “foremost master of Luk Om (sacred pills) in the amulet circle,” further solidifying his mastery of esoteric arts.

The fact that Phra Palad Pan is referred to as the “Grand Master” of Luang Pu Boon demonstrates his exalted status and profound expertise in esoteric arts. Luang Pu Boon’s direct reception of “Dhamma foundations and esoteric knowledge” from Phra Palad Pan was not merely a transfer of general knowledge but a crucial spiritual and esoteric foundational laying. Furthermore, the likelihood that the Wicha Bia Gae of Wat Klang Bang Kaew (via Luang Pu Boon) originated from the “Wicha Bia Gae lineage of Somdet Phra Wanrat of Wat Pa Kaew, which inherited its Buddhist esoteric knowledge from the Wat Pradu Nai Song Tham school during the Ayutthaya period,” expands the scope of this lineage far beyond initial perceptions.

 

This connection reveals a profound truth about ancient Thai esoteric arts: these sciences did not arise in isolation but are part of a vast and interconnected spiritual network. Phra Palad Pan’s veneration as a “Grand Master” signifies not just an ordinary teacher but the source of sacred teachings held in the highest esteem. The clear links to “Wat Pa Kaew” and “Wat Pradu Nai Song Tham,” both significant academies since the Ayutthaya era, elevate the Wat Klang Bang Kaew lineage beyond the traditions of any single temple. Instead, it integrates with the ancient Buddhist esoteric heritage and wisdom of the nation, passed down through centuries. This deep historical and inter-temple connection enhances the authenticity, power, and sanctity of the amulets, making them highly sought after by collectors who value uninterrupted lineages and ancient foundations.

Luang Pu Boon Khanthachoto: The Great Master and Creator of Legends

Luang Pu Boon Khanthachoto, also known by his ecclesiastical title “Phra Phutthawithi Nayok,” was originally named Boon. He was born on July 3, B.E. 2391 (1848 CE), during the late reign of King Rama III, in Tha Mai sub-district, Krathum Baen District, Samut Sakhon Province. He was ordained as a novice (samanera) in B.E. 2406 (1863 CE) and as a monk (bhikkhu) on June 21, B.E. 2412 (1869 CE), with Phra Palad Pan of Wat Tukata, his grand master, serving as his preceptor.

Tiger Takrut LP Bun

Luang Pu Boon became the abbot of Wat Klang Bang Kaew in B.E. 2429 (1886 CE) and began creating amulets thereafter. He passed away on April 4, B.E. 2478 (1935 CE), during the reign of King Rama VIII, at the age of 86 years and 275 days, having served 66 monastic years. Throughout his life, Luang Pu Boon selflessly helped those in distress with boundless compassion, offering auspicious timings, fortune-telling, performing ceremonies to ward off bad luck, blessing with holy water, and providing medicinal remedies. His profound compassion and high virtues were widely recognized, attracting countless disciples who sought his blessings daily.

Luang Pu Boon’s Bia Gae

Bia Gae is considered Luang Pu Boon’s most renowned and iconic amulet. According to ancient texts, the creation of Bia Gae begins with selecting perfect “Bia Gae shells.” Mercury, weighing 1 baht, is then placed inside, believed to be a living substance with powers second only to Lek Lai (a mystical metallic substance). After filling with mercury, the shell’s opening is sealed with “Chan Rong Tai Din” (underground propolis), a naturally mystical substance known for its power to deflect weapons (maha ut), resist fire, and counter black magic.

Next, the shell is encased in “lead sheets,” believed to be sacred and to provide invincibility. The masters would flatten the lead into a shell shape, carefully wrapping it tightly and inscribing sacred Yantra characters to enhance its power. The final step involves wrapping it with string and applying “Nam Rak Si Dam” (black lacquer) or ‘Yang Makhwit’ (a type of tree resin), playing on the Thai word “Rak” (love) to imbue it with charm and popularity. The entire process is a delicate ritual that must follow precise ancient steps, including consecration with sacred incantations.

There are numerous accounts and records of Luang Pu Boon’s miraculous abilities, such as consecrating Bia Gae until they could “crawl” and chanting incantations that caused the mercury to move into the Bia Gae on its own, without manual intervention. When shaking his Bia Gae, a distinctive “khluk-khluk” sound of the mercury can be heard. The phenomenon of “mercury running” or the movement of mercury within the Bia Gae is not merely a physical property but a testament to the profound psychic power and Buddhist esoteric knowledge of the master.

In the intricate world of amulets, phenomena visible to the naked eye, or even perceptible through the meditative mind of the worshipper, elevate these amulets from ordinary objects to sacred items imbued with life. This “living” quality, where the mercury responds to the master’s incantations or even to the steadfast mind of the devotee, creates an unparalleled sense of connection and profoundly reinforces belief in the protective and miraculous power of Bia Gae. For serious collectors, this phenomenon is direct confirmation of unseen spiritual energy, making these Bia Gae highly desirable and valuable.

Luang Pu Boon’s Bia Gae possesses extraordinary, all-encompassing virtues, including healing various ailments, bestowing metta mahaniyom (charm and popularity), and transforming misfortune into good fortune. They are potent in preventing and counteracting black magic, evil spells, curses, and all forms of malevolent influences, including negative energies, poison, and venomous animal bites.

Furthermore, they bring auspiciousness to the wearer, provide invincibility, and enhance charm, popularity, and good fortune. His Bia Gae has no prohibitions regarding carrying; they are like gold, remaining gold no matter where they are. Luang Pu Boon’s Bia Gae are extremely popular within the Wat Klang Bang Kaew lineage and come in various forms, such as Bia Gae wrapped in string with embedded takrut and “running mercury.”

Ya Wasana Jindamanee Sacred Muan Sarn Powders

“Phra Ya Wasana Jindamanee” is another type of amulet that brought immense renown to Luang Pu Boon. It is an ancient herbal remedy described extensively in ancient texts as “Jindamanee Osot An Philat,” meaning a miraculous medicine composed of various herbs. The main ingredients, according to ancient scriptures, include “Dok Khlat,” “Dok Chan,” “Kaysorn Butsaban,” “Prao Horm,” “Kamyan,” “Kod Sor Kod Khema,” “Thong Nam Prasarn,” “Pleuak Kum Chonlatan,” and “Krung Khema,” all in equal proportions.

The process of creating Phra Ya Wasana Jindamanee powder is difficult and complex according to ancient texts. Luang Pu Boon created it only twice due to its arduous nature. The crucial step is to gather all the necessary herbs, some of which are extremely rare; if even one ingredient is missing, the process cannot proceed. Once all ingredients are collected, an auspicious “reuk yam” (auspicious time) is determined, usually performed on the full moon night of the twelfth lunar month.

Luang Pu Boon would conduct the ceremony in the Ubosot and personally oversee the grinding and mixing of the herbs. He would also inscribe sacred Yantra characters on both the grinding stone and the mortar. After grinding the various ingredients, Luang Pu Boon would personally mix the special herbal formula. Then, monks, novices, or lay practitioners observing the eight precepts would assist in shaping the medicine, chanting incantations continuously throughout the process. Once the medicine was properly dried, it would be presented to Luang Pu for consecration over “7 Saturdays and 7 Tuesdays” to complete the ancient ritual.

Phra Ya Wasana Jindamanee powder possesses supreme virtues. Anyone who consumes or applies it will experience prosperity and growth, fulfilling their desires, accumulating wealth, having a bright countenance, and a pure heart. It has the power to prevent and cure various illnesses, even severe or life-threatening ones, which can be alleviated or cured. It bestows high metta mahaniyom, making one beloved by all. If carried into the forest, it helps protect against black magic, wild animals, and malevolent spirits.

The consistent mention of “Phra Ya Wasana Jindamanee” as a “medicine” with properties to heal various ailments, including severe conditions, and simultaneously being crafted into “amulets” or “Buddha images” such as Phra Chao Sua and other Buddha images possessing protective, auspicious, and metta mahaniyom virtues, demonstrates the interconnected functionality of these items. This dual function highlights a profound and integrated perspective in ancient Thai healing, where physical health is inextricably linked to spiritual balance and protection from unseen forces.

This concept suggests that illnesses may not stem solely from physical causes but could also originate from karma, black magic, or malevolent spirits. By creating both “medicine” and “amulets” simultaneously, Luang Pu Boon offered a holistic approach that addressed both tangible symptoms and the spiritual roots of suffering. This approach solidified his reputation as a compassionate and knowledgeable grand master, showcasing his deep expertise in both herbal medicine and esoteric incantations, thereby making his amulets uniquely powerful and revered.

Various Buddha Images (Phra Phim) and Other Amulets of Luang Pu Boon

Key amulets created from Luang Pu Boon’s Phra Ya Wasana Jindamanee powder include the Phra Phim Sian Lon Prok Pho Sadung Glub (bald-headed Buddha under Bodhi tree with reversal power) in Jindamanee powder, and the Phra Phim Ratsamee (radiant Buddha image) in Jindamanee powder. Additionally, there are the Phra Phim Samathi Sum Waew – Lang Phra Pidta (meditating Buddha with hollow arch and covered-face Buddha back) in Jindamanee powder, and the Phra Phong Ya Wasana Jindamanee Phim Leb Mue Sadung Glub (fingernail-shaped Buddha image with reversal power), believed to possess the virtue of “turning bad into good.”

The Phra Chao Sua (Lord of Wealth) Amulet, Jindamanee Powder Edition (small print) from B.E. 2559 (2016 CE), created according to Luang Pu Boon’s tradition, is renowned for its virtues in wealth, trade, and protection from danger. Luang Pu Boon’s amulet catalog also includes Rian Pum Phra Phutthachinnarat (stamped Buddha Chinnarat coin), Rian Chao Sua (Lord of Wealth coin), and Jindamanee medicinal pellets.

Table 1: Key Amulets of Luang Pu Boon, Wat Klang Bang Kaew

Amulet Type Popular Mold/Series (Example) Unique Characteristics/Main Materials Primary Virtues
Bia Gae Bia Gae wrapped with string, embedded Takrut Shell, mercury (1 baht), underground propolis, lead, woven string, black lacquer Healing, metta mahaniyom, turning bad into good, protection from black magic, evil spells, curses, invincibility, good fortune
Phra Ya Wasana Jindamanee Jindamanee medicinal pellet (round) Ancient herbal formula (Dok Khlat, Dok Chan, Kaysorn Butsaban, Prao Horm, Kamyan, Kod Sor Kod Khema, Thong Nam Prasarn, Pleuak Kum Chonlatan, Krung Khema) Prosperity, fulfillment of desires, wealth, bright countenance, pure heart, healing, protection from black magic, wild animals, spirits
Phra Phim (Buddha Images) from Phra Ya Wasana Jindamanee Phim Sian Lon Prok Pho Sadung Glub, Phim Ratsamee, Phim Samathi Sum Waew – Lang Phra Pidta, Phim Leb Mue Sadung Glub, Phra Chao Sua (small print) Phra Ya Wasana Jindamanee powder, herbal Jindamanee powder Turning bad into good, good fortune, trade, protection from danger, metta mahaniyom, protection from harm
Rian (Coins) Rian Pum Phra Phutthachinnarat, Rian Chao Sua Various metals Good fortune, trade, protection from danger
Phra Chaiwat (Victory Buddha) Phra Chaiwat (freestanding) Various metals Outstanding Buddhist virtues
Phra Phim (Buddha Images) from Baked Clay (No specific mold mentioned) Baked clay Bestows experiences upon devotees

Other significant amulets by Luang Pu Boon include the Rian Chao Sua, an amulet that has long brought him fame. Phra Chaiwat is another prominent amulet, second to none. And baked clay Buddha images are highly sought after by collectors. Regarding “Takrut Na Phak Suea” (tiger forehead takrut), information indicates that an unknown number of pieces exist, but that they are very few in numbers. However, detailed information about the creation process or specific virtues of Takrut Na Phak Suea created by Luang Pu Boon is not clearly stated in the provided documents.

Luang Pu Perm Punyawasano: The Successor and Preserver of the Legend

Luang Pu Perm Punyawasano, also known as “Phra Phutthawithi Nayok,” was originally named Perm. He was born on January 28, B.E. 2430 (1887 CE), during the reign of King Chulalongkorn (Rama V). He was ordained as a novice in B.E. 2437 (1894 CE) at the age of 8 and as a monk on July 12, B.E. 2450 (1907 CE), at the ordination hall of Wat Klang Bang Kaew. Luang Pu Perm was a “senior disciple” of Luang Pu Boon of Wat Klang Bang Kaew and was appointed as the abbot of Wat Klang Bang Kaew on February 5, B.E. 2481 (1938 CE). He passed away on January 6, B.E. 2526 (1983 CE), at the age of 97 and 77 monastic years.

As a senior disciple, Luang Pu Perm directly inherited various esoteric knowledge and ancient texts from Luang Pu Boon. He created “Bia Gae” according to Luang Pu Boon’s tradition, which continued to possess extraordinary virtues, making them ultimate protective charms in all aspects, especially in warding off black magic.

In his later years, Luang Pu Perm showed concern for the preservation of the sacred lineage. He summoned “Phra Ajarn Bai” (Phra Palad Bai Khun Weero) and “Luang Pu Juea,” who came with flowers, incense, and candles, to transmit the Wicha Bia Gae and certain other knowledge to both disciples. He clearly stated, “If I am no longer here, the Wicha Bia Gae must not vanish from Wat Klang Bang Kaew,” and emphasized, “Let Bai do it first,” indicating the order of succession he had designated. Phra Ajarn Bai (Phra Palad Bai Khun Weero) served as the acting abbot of Wat Klang Bang Kaew from B.E. 2526-2527 (1983-1984 CE) and was the preceptor for the ordination of Phra Khru Srirot Suwannarak at Wat Klang Bang Kaew.

After Luang Pu Perm’s passing, Phra Ajarn Bai created Bia Gae for approximately one year before he also passed away. Then “Ajarn Seng” continued making Bia Gae for a short period before his passing. It was then Luang Pu Juea’s turn to take over the succession of the Wicha Bia Gae.

Luang Pu Perm’s act of specifically summoning two disciples, Phra Ajarn Bai and Luang Pu Juea, to transmit the Wicha Bia Gae was not merely a casual transfer of knowledge but a deliberate and formal act. He explicitly stated his intention that “If I am no longer here, the Wicha Bia Gae must not vanish from Wat Klang Bang Kaew,” which underscores his profound concern for the preservation of this sacred tradition. Furthermore, the specific instruction “Let Bai do it first,” and the historical progression of events (Phra Ajarn Bai creating Bia Gae, followed by Ajarn Seng, and finally Luang Pu Juea), indicate a systematically planned and perhaps even prescient management of the succession.

This operation reveals a deep and meticulous approach to safeguarding and maintaining sacred knowledge within the monastic tradition. It demonstrates that the transmission of “Wicha” is not a haphazard or purely spiritual process but a deliberate and systematic plan to ensure its continuity even after the passing of each grand master. The precise instruction “Let Bai do it first” and the disclosure of the succession order (Phra Ajarn Bai -> Ajarn Seng -> Luang Pu Juea) indicate a profound understanding of each disciple’s capabilities, spiritual readiness, and perhaps their destined roles. This meticulous planning and prescience of Luang Pu Perm are crucial factors that have allowed the Wat Klang Bang Kaew lineage to continue unbroken and to be highly esteemed by amulet collectors and scholars.

Luang Pu Juea Piyasiloe: The Propagator of Sacred Knowledge to the Public

Luang Pu Juea Piyasiloe, originally named Juea Netprapai, was born on May 14, B.E. 2468 (1925 CE – Year of the Ox) in Ban Tai Khung, Thai Yawad sub-district, Nakhon Chai Si District, Nakhon Pathom Province. He was ordained as a monk in B.E. 2494 (1951 CE) at the age of 26 at Wat Klang Bang Kaew, with Phra Phutthawithi Nayok (Luang Pu Perm Punyawasano) as his preceptor. Luang Pu Juea was a direct and close disciple of Luang Pu Perm. He passed the highest level of Dhamma studies (Nak Tham Ek) in B.E. 2499 (1956 CE) and received the appointment of Phra Samuh Juea, an ecclesiastical title under Luang Pu Perm, in B.E. 2504 (1961 CE).

Although he was invited to become the abbot in B.E. 2544 (2001 CE), he declined due to his advanced age, requesting instead to merely support the work of the Wat Klang Bang Kaew monastic community to the best of his ability. Luang Pu Juea passed away on May 14, B.E. 2552 (2009 CE), at the age of 84, having served 58 monastic years.

Luang Pu Juea inherited all the esoteric knowledge and ancient texts from Luang Pu Perm, including the creation of Phra Ya Wasana Jindamanee powder, Bia Gae, Takrut, and various other charms. He played a crucial role in creating Bia Gae according to Luang Pu Perm’s instructions, performing the rituals from filling with mercury, encasing the shell with lead, inscribing Yantra characters, and hand-weaving the string cover for the shells. After Phra Ajarn Bai and Ajarn Seng passed away, Luang Pu Juea continued the creation of Bia Gae in the order designated by Luang Pu Perm.

Catalog of Luang Pu Juea’s Amulets

  • Bia Gae: Luang Pu Juea created an immense number of Bia Gae, more than all other masters at Wat Klang Bang Kaew combined. He made at least 50 pieces per day, or over 18,000 per year, and continued this practice from B.E. 2532 (1989 CE) to B.E. 2550 (2007 CE), totaling no less than 300,000 pieces. The unique characteristic of Luang Pu Juea’s Bia Gae is their various forms of string wrapping and lacquer coating. During his 80th birthday merit-making celebration and throughout the following year, codes were stamped on both loops of the Bia Gae: “Na Khuen Yod” (Na ascending to the peak) and “Jor Jan Khuen Yod” (Jor Jan ascending to the peak) as specific identifiers.

His Bia Gae have widely recounted experiences across all directions, including protection from danger, metta mahaniyom, and warding off black magic. Many people sought Bia Gae from him, leading to the main raw material, Bia Gae shells, being sourced from the Andaman Sea region. Disciples would collectively purchase sacks of them, with some remarking that they “almost depleted the Andaman Sea.” Luang Pu Juea would sit making Bia Gae from dusk until nearly dawn before resting. Some days, people would chat with him until late, forcing him to make Bia Gae late into the night, often finishing only at sunrise, because in the morning, local disciples would be waiting to receive the Bia Gae he had filled for them to string-wrap, attach loops, and lacquer.

The labor cost for wrapping each Bia Gae was 50 baht, providing income for villagers, with some earning 500 baht a day by wrapping 10 pieces. The Bia Gae he offered for merit-making cost 400 baht, leaving almost no profit, as there were costs for mercury, shells, loops, and wrapping; sometimes, he even incurred losses. Yet, he gave them with compassion, never complaining or losing his temper. Many disciples thus called him “the Bodhisattva of Wat Klang Bang Kaew.”

  • Phra Ya Wasana Jindamanee: Luang Pu Juea created “Phra Ya Wasana Jindamanee” in the form of actual amulets for the first time when Her Royal Highness Princess Bajrakitiyabha Narendira Debyavati, the Princess Rajasarinisiribajra Maha Vajra Rajadhida, presided over the mixing and shaping ceremony on Sunday, November 26, B.E. 2549 (2006 CE).

This first edition of Phra Ya Wasana Jindamanee comprised 14 molds: Phim Chao Sua, Phim Nang Phaya Sadung Glub (Queen reversal), Phim Sian Lon Sadung Glub (bald-headed reversal), Phim Prok Pho Yai (large Bodhi tree), Phim Sum Laem Yai (large pointed arch), Phim Phra Chaiwat Phim Tor (small freestanding Victory Buddha), Phim Nang Phaya Kha Toe (Queen with table legs), Phim Leela Maha Setthi (Dancing Millionaire, miniature shadow puppet style), Phim Pai Tong Hu Kratai (miniature rabbit ear playing card), Phim Luang Por Tor, Phim Luang Pu Juea Krob Kaew (Luang Pu Juea with glass cover), Phra Pidta Phim Ngoen Lai Nong Thong (covered-face Buddha for flowing wealth), Phra Pidta Phim Metta Mahaniyom (covered-face Buddha for great charm), and Phim Pidta Metta Mahalarp (covered-face Buddha for great charm and fortune). Some batches of Luang Pu Juea’s Phra Ya Wasana Jindamanee amulets in B.E. 2550 (2007 CE) contained a mixture of Luang Pu Boon’s powder blended with plaster from the restoration of Luang Por Tor Buddha image, further enhancing their sacredness.

  • Other Amulets: Luang Pu Juea also created many other amulets, including Rian Sema Luang Pu Juea (sema-shaped coin) 1st Edition B.E. 2534 (1991 CE) (silver, gold-plated), freestanding Buddha images, worship statues, Phra Pikanet (Ganesha) worship statues (cast from mixed metals including remnants of Luang Pu Boon’s Phra Chaw Wat cluster), Phra Kring Naresuan Trueng Traiphop, Phra Phim Prok Pho (Bodhi tree Buddha image) in powder, Phra Nang Phaya Sadung Glub (Queen reversal) (consecrated turmeric powder, baked clay), Phra Phim Sian Lon (bald-headed Buddha image), Phra Phim Sum Laem (pointed arch Buddha image), Phra Khun Phaen Khleub (glazed Khun Phaen), and cast metal Rian Luang Pu Juea. Additionally, there are Takrut Phra Phutthaha Mahabarami (4 types: copper, Thong Thip, lead, silver), Phra Yan (sacred cloths, 4 main types), photographs, Thao Wessuwan (King of Ghosts), lockets, ritual knives (Meed Mor), and carved wooden Buddha images. Regarding “Takrut Na Phak Suea,” although there is information about their sale in online markets, there is no direct evidence linking Luang Pu Juea to the creation of Takrut Na Phak Suea specifically from Wat Klang Bang Kaew. Most available information attributes them to other masters, such as Luang Por Jong of Wat Na Tang Nok.

Luang Por Sanya (Kong) Kammasuttho: The Current Successor

In the lineage of Buddhist esoteric knowledge at Wat Klang Bang Kaew, besides Luang Pu Boon, Luang Pu Perm, and Luang Pu Juea, there is another revered monk who plays a crucial role in preserving the temple’s knowledge and amulets: Phra Khru Sangkharak Sanya Kammasuttho, also known as “Luang Por Sanya (Kong).” He is a direct disciple of Luang Pu Perm and is described as a virtuous and compassionate monk, humble and possessing a spirit no different from Luang Pu Perm and Luang Pu Juea.

Luang Por Sanya (Kong) continues to reside as one of the monks at Wat Klang Bang Kaew. He possesses profound expertise in compounding Phra Ya Wasana Jindamanee powder, having assisted Luang Pu Juea in creating amulets in the modern era. Furthermore, he is a direct inheritor of the Wicha Bia Gae from Luang Pu Perm.

His continued dedication to preserving the Wicha and assisting in amulet creation reflects his commitment to ensuring the legacy of Wat Klang Bang Kaew’s Dhamma endures. Although the current abbot of Wat Klang Bang Kaew is Phra Khru Pathom Wachirakom (Pira Apiwatthanu), Luang Por Sanya (Kong) remains a vital force in continuing and transmitting various branches of Wat Klang Bang Kaew’s Wicha to future generations, revered by his disciples and the general public alike.

LP Juea Wat Klang Bang Gaew

The Legacy of Dhamma and Buddhist Esoteric Knowledge at Wat Klang Bang Kaew

Wat Klang Bang Kaew is a center of sacred Buddhist esoteric knowledge and sciences that has been continuously passed down for centuries. From the genesis of the Wicha Bia Gae transmitted by Phra Palad Pan of Wat Tukata to Luang Pu Boon Khanthachoto, the great master and creator of renowned amulets such as Bia Gae and Phra Ya Wasana Jindamanee, Luang Pu Boon laid a strong foundation and crafted amulets with all-encompassing Buddhist virtues, including metta mahaniyom, invincibility, protection from danger, and healing.

The transmission of this sacred knowledge has continued seamlessly through Luang Pu Perm Punyawasano, the senior disciple who preserved the legend and systematically planned the transmission of the Wicha. He passed it on to Phra Ajarn Bai, Ajarn Seng, and ultimately to Luang Pu Juea Piyasiloe. Luang Pu Juea dedicated his body and mind to creating a vast number of Bia Gae and Phra Ya Wasana Jindamanee amulets, disseminating their potent Buddhist virtues to the public with boundless compassion. To this day, the lineage and legend of Wat Klang Bang Kaew continue to be upheld and preserved by Phra Ajarn Sanya (Kong) Kammasuttho, a direct disciple of Luang Pu Perm.

The Famous Tiger Takrut of Luang Phu Bun. of Wat Klang Bang Gaew, in Nakorn Pathom.

The legacy of Wat Klang Bang Kaew is therefore not merely tangible amulets but a continuous stream of wisdom, Buddhist esoteric knowledge, and compassion passed from masters to disciples across generations. Every amulet created at this temple is imbued with the power of faith and long-proven experiences, ensuring that Wat Klang Bang Kaew remains a spiritual sanctuary and a source of sacred amulets, nationally recognized and highly sought after by collectors and devotees alike.

Wat Klang Bang Gaew famous mainly with the Public for its great Master Luang Phu Bun, is an Ancient Temple in Nakorn Pathom. It is home to a Lineage History of 4 great Ordained Masters, 3 who have Passed On (Luang Phu Bun, Luang Por Perm & Luang Phu Juea), and the Current Master, Luang Por Kong (Sanya). Luang Por Sanya is proving to continue in the same Trajectory as his Predecessors, and has created a long History of Deeds and released a large Pantheon of Amulets in the Lineage tradition of his Mentors, Luang Phu Bun, Luang Por Perm and Luang Phu Juea.

The Wat Klang Bang Gaew Master Lineage is a fantastic choice for Hunters & Collectors of Fine Master Class Amulets. This is because the Amulets of this Temple, and its Masters, range from the present Day master Luang Por Kong (Sanya), back through Luang Phu Juea, Luang Por Perm, and on, to the Great Luang Phu Bun.

A powerful continued Lineage of Masters have brought Wat Klang Bang Gaew to the Forefront of both the Ancient and the Modern Amulet Scenes, stretching back to the times of Luang Phu Bun, through the Era of Luang Por Perm, and the Great Luang Phu Juea Bpiyasilo, to its present Abbot, Luang Phu Sanya (Kong).

Filters

Filters

 

 

 

 

 

 

Look Om Jet Paya Chang Sarn Luang Por Ding

One of the top Look Om of all Time; the Immortal Look Om Jet Paya Chang Sarn, of Luang Por Ding (Wat Bang Wua, Chachoengsao), in Nuea Dam Black Prai Powders and Gold Leaf coating, from the ancient times Abbot of of Wat Bang Wua: Luang Por Ding. LP Ding was highly renowned in his day, for his Palad Khik Ling Jab Hlak Vanora Monkey animist charms, and for his Sacred Powder Look Om wishing balls, made from his legendary Pong Ya Jet Paya Chang Sarn substance.
Look Om Luang Por Ding

The Sacred Jet Paya Chang Sarn Muan Sarn Sacred Powders were made from the Klai Pra Chedi (pieces of the ancient Chedi Stupas of 7 Temples), Klai Sema (ground up pieces of temple boundary stone) of 7 Temples, Pieces of stone from 7 Uposatha Shrinerooms, mixed with Pong Ittijae, & Pong Maharaj Yantra Powders.These substances were ground up in a mortar with incantations and molded into Look Om Sacred Powder Balls, of small size



The Look Om Jet Paya Chang Sarn of Luang Por Ding is noticeably dense and hard, for Luang Por Ding would let them harden first, and would mix the powders with Rak Herbal Lacquer resins. Some Look Om would be covered in gold leaf, and some would be left bare black colour.Luang Por Ding would keep the Muan Sarn Sacred Powders and the Look Om he had made for a long time in his Kuti Hut to empower them, and would only release them when he was completely certain of their power.

Luang Por Ding would release the Look Om to his devotees during temple ceremonies, and on his birthday celebrations.The Look Om Jet Paya Chang Sarn is spoken of in the Legend of the Great ‘Suea Khaw’ Invincible Gangster, who was a Looksit of Luang Por Ding. Suea Khaw maintained that he survived throughout the years of his gunmanship because of the Look Om Paya Jet Chang Sarn, which stopped many bullets from piercing his skin and killing him over the years. It is said to have given Suea Khaw the strength and imposing aura of invincibility, to overcome all his enemies.

The Look Om gained the name of ‘Jet Paya Chang Sarn’ because of its legendary power to increase the stamina and strength of the devotee over his or her adversaries. It is said that the wearer of the Look Om Jet Paya Chang Sarn is endowed with the strength of the Paya Chang Sarn Battle Elephant. The Look Om is said to both Protect against all Dangers, and Endow the wearer with Commanding Power and Strength. Suea Khaw was a Gangster who was reputed to have defeated and killed over 100 of his competitors, and who had a reputation for his bravery and strength. Because his sole chosen amulet of protection and power was the Look Om Jet Paya Chang sarn, and the fact that nobody cold defeat him or kill him, was the reason for Luang Por Ding’s Look Om Jet Paya Chang Sarn becoming so Legendary.

Look Om 7 Paya Chang Sarn exhibits in magazine

But one day, Luang Por Ding told Suea Khaw that he was too violent and that if he did not give up being a gangster, then he would surely encounter a violent and premature death. Suea Khaw had become very overconfident because no knives were able to penetrate his skin, and guns would not fire when aimed at him. Because of the invincibility which Suea Khaw had been enjoying, Suea Khaw did not listen to Luang Por Ding’s warnings.

Close Up Look Om Jet Paya Chang Sarn Luang Phor Ding

One day the Police Force special missions unit came to Wat Bang Wua to ask Luang Por Ding if it was true that Suea Khaw possessed ‘Hnang Hniaw (‘sticky skin’. a term meaning a person with Kong Grapan Chadtri Magic). Luang Por Ding admitted that it was true that Suea Khaw possessed Protective Magic, and that he was not able to be killed with knives or guns. But Luang Por Ding added that Suea Khaw would fall prey to his own Karma without need of guns or knives, because he refused to listen and change his ways. Luang Por Ding added “I cannot tell you though, by which way the gangster Suea Khaw can be killed, for it would break my Precepts”.

But at this moment, one of the Samanera Novice Monks was listening and butted in to say to the Police “If you want to kill Suea Khaw, you have to use a bullet that has the head of the bullet cast from metal taken from the blade of a Mitmor spirit knife from Luang Por Soke (Wat Pak Klong)”.

LP Ding Wat Bang Wua Thai Master Monk

Luang Por Soke was a colleague of Luang Por Ding and holder of the same Lineage Wicha, and would inscribe the Wicha of Luang Por Ding onto the Blades of his Mitmor. Some time later the Police caught Suea Khaw and he was sentenced to death, and was executed by Government Executioner, using Bullets cast from the blade of a Mitmor of Luang Por Soke.

Look Om LP Ding

Luang Por Ding was renowned for his expertise in the Wicha Hanuman and other Vanora Monkey Deities. He personally blessed numerous hand-carved talismans, with the most skillfully crafted ones being the most sought after. Luang Por Ding is also connected to the Cow symbol, stemming from the name of his temple, Wat Bang Wua. His Look Om Jet Paya Chang Sarn is highly regarded and is considered a powerful amulet for Kong Grapan Chadtri Maha Ud Klaew Klaad.

Luang Por Ding, was a Great Master of the Wicha Hanuman, and all Vanora Monkey Deities, for which he was extremely famous. He blessed many inimitable hand carved talismanic amulets (Krueang Rang), made from artisans of varied levels of skill, with of course the most masterfully carved attaining the highest level of preference. His Look Om Jet Paya Chang Sarn, by general consensus, to be one of the top Look Om of all Time and is also a high ranking amulet in the annals for Kong Grapan Chadtri Maha Ud Klaew Klaad Power.

Look Om Jet Paya Chang Sarn

The Look Om Jet Paya Chang Sarn amulet of Luang Por Ding, released in the Thai Buddhist Era of 2480 BE, was made using a traditional method of infusing sacred powder, which is believed to possess spiritual and protective properties.

The powder was collected from rare and magical forest herbs, earths, and sacred materials over decades of Tudong forest wandering, along with the ubiquitous pieces of the ancient Chedi Stupas of 7 Temples, Klai Sema,stone from 7 Uposatha Shrinerooms, mixed with Pong Ittijae, & Pong Maharaj Yantra Powders and meticulously prepared over time, performing incantations constantly throughout, often through a long and intensive process, and is infused with prayers and blessings. The resulting amulet, known as a Luang Por Ding Thai Sacred Powder Wishing Ball, is a powerful and meaningful symbol of faith and spirituality for many Buddhists around the world.

Bia Gae LP Kam Wat Po Bplam

Bia Gae amulets of  the Great Master Monk Luang Phu Kam, of Wat Po Bplam temple, in Ang Tong.

The Bia Gae of Luang Phu Kam of Wat Po Bplam, in Ang Tong Province, is counted as one of the five ‘Benjapakee’ Bia Gae of all time, along with the other 4 being the Bia Gae of LP Rod (Wat Nai Roeng), LP Bun (Wat Klang Bang Gaew), Luang Por Perm (Wat Klang Bang Kaew) and Luang Por Pak (Wat Bote). It is believed by devotees, that the Bia Gae of Luang Phu Kam, have immense power to ward off demons, ghosts and evil eye spells, as well as dissovle curses, and protect against poisonous beasts, and jungle fevers. They are said to also possess Maha Ud Gunstopper magic, and Metta Maha Niyom Mercy Charm, that recalls good luck into one’s life.

Pantheon of Bia Gaw amulets of LP Kam

In the early era of his Bia Gae making, Luang Phu Kam would be able to get his ‘Bia’ cowrie shells from the local area around the temple, but after the year 2493 BE, as his Bia Gae became increasingly famous and renowned for their power, it became necessary to send devotees to places by the ocean, in order to find enough cowrie shells to satisfy the needs of devotees.

Pantheon of Bia Gaw amulets of LP Kam 5

As to the Channaroeng and Krang Pastes used to seal the Bia Gae, it was taken from stingless beesnests found in the forest, or taken from Jom Pluak giant termite nests which were found in the vicinity around the temple. As the needs of devotees rose, there was not enough Muan Sarn available from these sources of magical ingredients, and Luang Phu Kam was forced to have to seek farther afield for the sacred ingredients necessary to continue making Bia Gae amulets in the numbers needed for his devotees.

Pantheon of Bia Gaw amulets of LP Kam 2

The Bia Gae of Luang Phu Kam differ from those of other masters in their making method; Luang Pu Kam would smelt sacred leaden alloy in a pot until it liquified, and then pour it into the interior of bamboo sticks about one foot in length. The bamboo was then sealed with simple cloth, and the bamboo was quicly shaken and agitated. This would cause the cooling leaden sacred alloy to form into small pellets. These leaden pellets were then used to ‘feed’ the Parort Mercurial Metal. This caused the Mercury to make a different sound when shaking the Bia Gae, more like a rattle than a soft ‘thud’ from the mercury sliding around within interior of the Bia shell.

Pantheon of Bia Gaw amulets of LP Kam 3

Luang Phu Kam would then take the Mercurial Alchemical substance and use Incantations to make the Parort Mercurial alloy flow into the Bia Gae shells. To do this, he would place the Bia Gae on a large tray, and use Ya Kaa grass to beat the tray whilst chanting Kata incantations, until the Parort Mercury would flow into the Bia shells of their own accord. Then they would be sealed with Chanaroeng, and a Takrut foil with Khom Agkhara inscriptions.

There are some special models, enclosed within a metallic casing, some oval with decorative borders, others shaped like a turtle. Very few special models (Dtua Kroo) were made, whereas most of them would be left bare, or cord wrapped with the shell poking out visibly. In the case of his Bia Gae that are not enclosed within metallic frames, the copper Takrut Tong Daeng is visibly affixed to the Channaroeng Paste which closes the mouth of the Bia shell. It is said that some devotees once removed the Parort Mercury, and that it was seen to glow with an aura, like neon light.

Once Luang Phu had finished the creation and primary empowerment process, he would take the Bia Gae into his Kuti hut and perform further solo empowerments in privacy.One can recognize the early, mid and later eras of Bia Gae, from the difference in Channaroeng paste found in the seal of the Bia.


Pantheon of Bia Gaw amulets of LP Kam 4

Early era amulets will have Channaroeng paste from the stingless bee or the giant termite nests around the temple. Mid era ramulets have Channaroeng paste with Ya Ruea, a herbal paste often used by fishermen and sailors to seal their wooden boats against leakage with. The third and later era, is seen to be made from Ya Ruea mixed with Pong Ittijae Yantra powders.

Devotees would often take the Bia Gae of Luang Phu Kam to be specially framed at an artisan, and framed with gold, silver or other brazen metal type frames. The Artisans would always stamp the enclosure of the Bia Gae frame with the Thai letters ‘Hor Mor Ngor’ (หมง), or sometimes the word ‘Kam’ (คำ), or ‘Heng’ (เฮง). In the case of exhibits which have the word ‘Heng’ stamped on the frame, this was the name of the Artisan. In the case of exhibits that have the letters ‘Hor Mor Ngor’ (หมง), this was and still is the code stamp of the firm of the Hor Mor Ngor Artisans, who to this day still use the same Hor Mor Ngor stamp to encase amulets with custom metal frames.

The World Famous Hun Payont amulet, of Ajarn Loi Po Ngern, Great Ayuttaya Master and direct lineage continuance of the Wicha of Luang Por Glan of Wat Prayatigaram. The Hun Payont of Ajarn Loi, are said to be the number one Hun Payont amulets of all time, and are the most sought after and desired items by devotees of this kind of amulet. Unfortunately, the amulets of this great olden days Master. Perhaps the number one Hun Payont in Historical Documentation, ancient and highly reputed for its power, the Hun Payont of the Great Ajarn Loi Po Ngern, Great Olden  Days Lay Master of the Ayuttaya Province.

Ajarn Loi was born in the month of February 2454 in Nakorn Sawan, but later moved to live in Bang Prahan in Ayuttaya. He became the apprentice of Luang Por Glan of Wat Prayat. After the passing of LP Glan, Ajarn Loi continued his practice of Magic with Luang Por Bpaen of Wat Sao Tong Mai in Ayuttaya.

Ajarn Loi learned many Wicha with Luang Por Bpaen of Wat Sao Tong Mai, who was well versed in Wicha Saiyasart, but Ajarn Loi himself was also Adept in Artisanry of the Chang Sip Moo Fine Arts level of prowess. He thus taught Ajarn Loi all of his Wicha, and methods of weaving the spellbound Hun Payont, Takrut and other amulets, and Ajarn Loi would make them in the finest fashion. Ajarn Loi was a fine artisan of the Chang Sip Moo group, and received Wicha from Luang Por Bpaen, Luang Por Glan, and other masters, but was the most Adept of all at weaving the Hun Payont Golems with his Artistic ability to make the effigies in all sorts of postures, and dress them with all kinds of regalia.

 

The Hun Payont comes from the word ‘Payont’ which means an effigy that has been brought to life by Sorcerous Magick. Hun Payont may be made in various forms, such as the form of a Human, or some other Magickal creature, or animal, depending on the needs of the user and intended uses of the Adept who makes them. Hun Payont are made from various substances, such as the Hun Hyaa Saan (Hay/Straw), Hun Gan Bai Mai San (leaves), Hun Thao Wan (magical vines), Hun Dtakua (mercurial lead), Hun Khee Pheung (wax), Bai Mai Ta (leaves), Hun Gae Salak (carved wood), Hun Daay (cord wrap), Hun Pha (cloth bound), Hun Din (molded claay), Hun Din Phao (baked clay), Hun Hin (carved stone), Hun Krabueang (ceramic), Hun Poon (cement), Hun Ngern/Tong (silver or gold), Hun Loha (Iron)

The Hun Payont, is an amulet that is found to date back to the times of the Kassapa Buddha. The Kassapa Buddha, is said to have made a Payont effigy, to protect his Relics, before he himself passed into Nibbana.

200 Years Later, King Asoka opened a shrine, to remove and preserve the relics, but the shrine was inhabited by a Hun Payont. King Asoka was forced to invoke and summon the God Indra, who manifested as a Brahman, and performed Incantations, enabling King Asoka to enter and remove the Saririkadhatu Relics.

In the world of Sorcery, all lineages believe in the existence of different kinds of spirits, which can be imbued within effigies or controlled, or beseeched to perform a multitude of tasks.

Hun Payont Ya San Mad Daay Daeng Akom Ajarn Loi

There are many Animist and Necromantic amulets which use different types of spirits which are Hoeng Prai Ghosts, Devas, Bhuta, Kumarn Tong, Rak Yom, In Jantr, Phu Some, In Gaew, Mae Takian, Ma Hoeng Prai, and many others such asYaksa Monsters, to inhabit an effigy.
Great Adepts are the only ones able to create Hun Payont Golem Effigies, which are then brought to life with Necromancy and imbued with any of a number of kinds of spirits.  All Hun Payont must be empowered by a Master who has Mastered the Wicha Akarn Sam Sip Sorng 32 invocationss of the 32 elements within a living being, to make the effigy able to displace itself (move around), and to emit magickal Miracles to protect wealth and possessions within its enclave. If intruders enter, the Hun Payont will create illusions that drive the thieves away, and will also scare away all kinds of demons and ghosts that enter the household to cause any havoc. Hun Payont are very protective of the belonging within the home and for this reason excellent guards.


Hun Payont differ from Kumarn Tong, in the sense that the Kroo Ba Ajarn would give life to the Hun Payont himself without necessity to call upon an existing spirit, whereas a Kumarn Tong is reanimated by calling a Bhuta, a Deva or Child Ghost to inhabit the effigy, to help humans, in exchange for an auspicious rebirth in the heavens after its lifetime within the Kumarn.

Ajarn Loi with his Hun Payont

The Hun Payont is also renowned to be able to bring wealth and attract good business, and is open to being asked for favors and to perform missions, such as chasing away your enemies. It is also believed to possess Metta Mahaniyom ‘Great Preference’ Magick, which we know in English, as ‘Mercy Charm’, as it is reputed to attract the compassion and favor, of those who approach and interact with you.

According to the ancient tradition, a Hun Payont should be rewarded and appeased through the Gruad Nam water pouring ceremony when performing prayers and Bucha.


Kochasri carved ivory Himapant Elephanmt-Lion Luang Por Heng

Large size Pim Yai Kochasri carved ivory elephant headed himapant lion LP Heng FIRST prize winning competition Master Class carved ivory amulet with certification, a most pristine well honed piece of Sacred Artisanry, and Master-Class Pra Niyom Classic of authenticity, great beauty, and true power, the Paya Kochasri hand carved Old Ivory Ancient Amulet from the Great Olden Days Guru master of Nakorn Sawan Province, Luang Por Heng, of Wat Khao Din (2402 – 2485 BE). The amulet is made from carved Ivory, and is carved in the image of a Kochasri Himapant Lion with Elephant Head, which represents various aspects of Maha Amnaj, Metta, Klaew Klaad, and Maha Pokasap Cornucopia Magic.

Free EMS Shipping is Included with this item. The Kochasri Lion itself, especially when carved from Ivory, is naturally imbued with the Sorcerous Powers of Maha Amnaj (commanding power and influence), Serm Yos Status Increase for positions of command, and opportunities of promotion, and Metta Mahaniyom Mercy Charm to lull your Subjects and Charm them into Obedience. Maha Pokasap treasure Accumulation and Cornucopia of Requisites is also Imbued.

Kochasri carved ivory elephant headed himapant lion LP Heng

This amulet comes with First Prize Trophy and Plasticized A4 size Certificate from the Amulets Association of Siam

 

1st prize trophy

Luang Por Heng

Luang Por Heng, of Wat Khao Din, was born in Ban Maha Po, Nakorn Sawan, as the son of Mr Sangkh, and Mrs. Biam. he was given the name ‘Heng’ which is an auspicious word, because of the meaning in Chinese (and Thai Colloquial), being ‘Good Luck’, or ‘Good Fortune’.

Luang Por Heng Wat Khao Din

Even as a child, he was always showing Mercy and Compassion to animals, and liked to do good deeds to alleviate their suffering. It was sometimes even a problem, when his Father sent him to watch over the farm fields. The birds would come to steal the rice, but the young Heng would not chase them away or shoot at them, because he considered it an act of Generosity to the Birds, to let them eat. The young boy Heng loved to educate himself, and would often travel to see Luang Por Tap at Wat Maha Po temple, to learn various Wicha with him, including the Wicha Paet Boran Traditional Medicine, Wicha Akom, and the Wicha Kochasart.

The Kocha Sastra (Kochasart), is an ancient Wicha found in the Wicha Dtrai Taep of the Brahman Hindu Faith. The Wicha Kochasart is related to Elephant Magic, and is Used for Protecting the Kingdom. The Dtamra is found to be split into two major Kampira Grimoires, as separate categories;

1. Dtamra Kochalaks – which deals with Invocation of the Tendencies and Character Powers of the Elephant, both the good and the bad parts, the merciful and the destructive.

2. Dtamra Kocha Gam – this Dtamra deals with Kata Waetmont Incantations to invoke various powers or magical effects, for various purposes, such as catching elephant, controlling an elephant, healing of ailments, or banishing evil curses and forest spirits, in order to protect elephants.


The Wicha of the Dtamra Kochasart tells of the Chang Mongkol which was created from the lotus which rose from the navel of Pra Narai Vishnu Avatar, when he gave birth to the Golden Kumarn, which he gave to Shiva at the beginning of Time. The elephant was split into four families of Magical Elephants, each with its own special qualities.

  1. The first elephant was made by the God Brahma, and was endowed with the power to bring success and prosperity and Glorious Achievements to the Nation and its People.
  2. The second elephant family was made by the God Shiva, and was endowed with the power to bring great Achievements of Powerful Status and Influence to the Kingdom or Nation, and fill its Coffers with Wealth.
  3. The third elephant was made by the God Vishnu himself, and was endowed with the power to bring Victory against all Enemies and Opponents, and will cause the Rains to fall at the proper time and season, without drought or flooding, and the harvest to be plentiful and ripe.
  4. The fourth elephant was made by the God of Fire, Agni, which was endowed with the Power to bring Plentiful Resources to the Nation, and Protect the Land and its Ruler from all forms of danger and disasters.

This was just one of the many powerful Wicha which Luang Por Heng learned to Master from a young age under his first Kroo Ba Ajarn long before he Ordained. Once the young boy Heng reached the age of 12 years old, his parents took him to be ordained as a Samanera Novice Monk at Wat Maha Po, where he remained and intensified his study and practice as an Ordained member of the Buddhist Sangha. After 4 years, he disrobed again, to help his parents on the farm. When he came of age, he reordained as a fully fledged Bhikkhu in the year 2423, once more at the temple of Wat Maha Po. Pra Kroo Gim, the abbot, was his Upachaya Ordaining Officer.

 


After his ordination, he studied the Dhamma Vinaya Buddhist Canon, Horasart (Astrology), and Wityakom (Occult Sciences), with ever increasing fervency, under the supervision of Luang Por Gim as Kroo Ba Ajarn. Wat Maha Po (Dtai) had one of the largest Bibliotheques of Kampira (Grimoires of Sorcery), and was an excellent place for Luang Por Heng to expand and develop his knowledge in Wityakom Occult Sciences. In addition, the Uposatha Shrineroom was imbued with Maha Ud, perfect for empowerment of amulets and talismans, and was very sacred, over 300 years Old. Luang Por Heng found himself in the perfect environment for developing his now Adept Skills.

 

Wat Maha Po Dtai lay on the banks of the rive Mae Ping, which meant that many Tudong Forest monks would pass by on their travels, to stay and practice (and teach their secrets). And so Luang Por Heng was able to access and receive Wicha from a large number of great Tudong Monks over the years, until one day, he decided to go on Tudong himself.

 

Luang Por Heng wandered in solitary through the wilderness, forests and caves of Thailand, Burma, Laos and Cambodia many times repeatedly over many years. He slept in the forest, the caves, the delapidated cemeteries, and meditated to develop his resilience of mind, and the powers which accompany such resilience developed their strength and intensity.

 

His mastery of the many Animist Wicha such as the Kochasart, allowed him to understand and intuit the true nature of animals, and he became able to call the spirits of dead animals to enter into carved or molded effigies, and inhabit them with their powers.

Below; Hand Written Spells in Khom Agkhara are visibly inscribed on the base of the Paya Kochasri Amulet

 

During his years of diligent Tudong Practice in the deep Jungles, he learned about the Magical foces within ivory, imbued with the four Magical Properties of the Dtamra Kochasart, and the Chang Mongkol of the Gods Brahma, Shiva, Vishnu and Agni. he mastered the knowledge through intuition and meditation, that this Elephant Magic within the Ivory has two branches of influence;

  1. Nga Gam Jad is the Ivory from a Bull Elephant who was in Mating Season Anger and attacked a tree breaking his tusk on the tree
  2. Nga Gam Jaay is ivory from an elephant who fought with another Bull for the leadership of the troupe, and broke his Tusk in the fight, in the depths of the Jungle.

Luang Por Heng would always collect and gather all the Magical ivory he found in the forests and Jungles during his years of Tudong, which had fallen from the two scenarios of Elephants in Rage, to use their powerful substance later, to shape into animist charms and talismans. Mostly his amulets are carved into the form of Suea (Tigers) Kochasri (elephant Head Lion Himapant Animal), Hmuu Pha (Wild Boar), and his own image. A few other forms are also found on rare occasions.

Luang Por Heng passed away in 2485 at the age of 83, after 63 years in the Ordained Sangha, leaving his pantheon of Krueang Rang for us, the Devotees and Aficionados, to appreciate, and be protected and prosper through their blessings.

Luang Por Heng possessed a special ability for Wicha using his magical ivory, and bone collected in the forests, and his immensely advanced and long trajectory in Buddhist Sorcery, making his amulets and talismans amongst the most highly sort after in this Genre. It is not possible to speak of ivory tiger amulets without mention of Luang Por Heng, who stands at the pinnacle of the Genre, along with the Great Luang Por Parn, Luang Por Derm, Luang Por Say and Luang Por Nok. His carved Ivory amulets are the most highly sought after, and considered to be powerful Kong Grapan Chadtri Klaew Klaad Protective amulets, with added Metta Mahaniyom, Maha Pokasap, and Maha Amnaj (commanding power and influence).

You can use the Kata Paya Rachasri for Kochasri and other Singha Type Himapant Lion Deities.


Lucky Goat Pae Maha Lap Luang Por Am

When speaking of the Pae Maha Lap lucky goat amulet, there is one name which stands above all others, and that is the name of Luang Por Am, of Wat Nong Grabork, in Ban Kaay Rayong. Luang Por Am was, along with Masters like Luang Por Horm of Wat Sak Hmak, Luang Por Rerm of Wat Juk Gacher, and Luang Por Chaem, considered among the top Masters of the Province, long before even the Great Luang Phu Tim of Wat Laharn Rai acheived his fame. Luang Por Am was the Kroo Ba Ajarn of the Great Luang Por Lat (Wat Nong Grabork), who is famed in his own right for his powerful Pae Maha Lap Hand Carved Goat Amuletsม which he of course mastered under the tutelage of Luang Por Am.

Pae Maha Lap Lucky Goat amulets of LP Am

Pae Maha Lap Lucky Goat and other carved amulets of LP Am

The male Goat is known for the fact that it is able to keep a whole herd of dozens of females under his ownership, through merciful and protective influence. It is thus believed that who wears the Pae Maha Lap Khao Kwai Gae Sacred buffalo horn Goat amulets of Luang Por Am, will be an owner and controller of great possessions and wealth, with grand entourage.

Below; Luang Por Am, of  Wat Nong Grabork

Luang Por Am

Luang Por Am, or ‘Pra Kroo Taep Sittaa, was one of the Great Masters of the Central-Eastern Provinces during His Era, and the ex abbot of Wat Nong Grabork from 2431 – 2490 BE. He was rrespected and revered all around the Province, and had Great fame around the Nation for his Powerful Wicha. During his lifetime he became known as the top Master for carved Lucky Goat amulets. What is less known, and is of immense interest to investigate the lineage Wicha of the Pae Maha Lap, is the fact that Luang Por Am himself received this Wicha from Luang Por Dtaeng of Wat Ang Sila.

Luang Por Am was abbot of Wat Nong Grabork between the years 2431 to 2490 BE, being a Gaeji Ajarn of around 150 years ago, and was the Kroo Ba Ajarn teacher of many other great names of the time, such as Luang Por Rerm of Wat Juk Gacher, and Luang Por Lat of Wat Nong Grabork (his successor and apprentice in magick). The Pae Maha Lap Nuea Khao Kwai Gae of Luang Por Am, is believed to possess the power to absorb Black Magick and protect the wearer/devotee from being affected.

It can be said that the Pae Maha Lap of Luang Por Am, Luang Por Lat, and now Pra Atigarn Surasit Akkawaro, the current abbot (written 2562 BE), are considered the ‘cream of the crop’, by serious devotees of the Pae Maha Lap, along with those other Great Chonburi Masters whose names carry fame for this Wicha such as Luang Phu Tim, uang Por Sakorn, Luang Phu Sin.

The Pae Maha Lap of Luang Por Am, was almost always made by carving a goat from ‘Khao Kwai Fa Pha Dtaay’, which is the horn of a buffalo which died struck by lightning in a field. It is an ancient magical belief that the horn of a lightning-struck bull or buffalo has the power of angelic beings in it, for indeed, the angelic beings of the elemental realms who control the weather, are who control these divine forces of Nature.

After the carving of the shape of the goat, Luang Por Am would then empower the Goats with incantations, and invocations of elemental powers and angelic beings, with Buddhist Blessings on top. Sometimes he would immerse them in aromatic sacred oils to consecrate them, mixed with herbal oils made from herbs and vines and flowers of the forest, with magical, healing, protective, and attraction powers. He would rebless them again and again until he felt the amulets were completely stuffed as full with magic as possible, and unable to insert any more. The magic within the amulets was hence always filled to the brim before distribution.

Pure Animist Kong Grapan Chadtri Maha Amnaj Magic inimitably carved into the shape of a tiger  and empowered with the Wicha Suea Maha Amnaj – Carved from powerful Graam Chang Nam Walrus Bone. An extremely rare and powerful Maha Amnaj Kong Grapan Chadtri Maha Pokasap ‘Krueang Rang’ Talismanic Animist Charm Amulet from the great Luang Phu Tim of Wat Laharn Rai in Rayong. The Suea Gae is hand carved from the jawbone of a ‘Chang Name’ (Water Elephant) Walrus. The amulet is intended for Kong Grapan Chadtri Invincibility, Metta Maha Niyom Mercy Charm, Klaew Klaad Evasion of Enemies, Maha Amnaj Commanding Power, and Serm Yos Status Increase.

Graam Chang (elephant jawbones) and Graam Chang Nam (walrus jawbones) are seen to be powerful magic according to the ancient Dtamra Saiyawaet of Animist Sorcery, and the Grimoires of Formulas of Powerful Magical Ingredients. The Graam Chang Nam Walrus Jawbone is carved into the shape of a tiger seated in regal poise looking out over his Kingdom, and keeping watch. The Graam Chang Nam can be seen to be ancient and have the typical porosity to its substance as is expected in authentic carvings of Graam Chang Nam amulets.

Graam Chang Nam is mnuch rarer to encounter than Graam Chang elephant jawbone, and it is said that Luang Phu Tim received the piece of Graam Chang in only small quantity, so not many of these amulets were carved in total. Luang Phu Tim was and remains one of the Greatest and most highly famed Guru Masters, right up to the present day, many decades after his passing. His amuletd are eminent members of the top master-class category amulet pantheons of all history, including his famous Rian Guru Monk Coins in many editions, and of course his Pra Khun Phaen and Look Om and other Pra Pong Prai Kumarn amulets, which are the stuff of legend.

Luang Phu Tim Issarigo, is of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders. Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Kring Chinabanchorn, his Pra Khun Phaen Pong Prai Kumarn, and Look Om powder balls.

Encyclopaedic work of the amulets of the Great Luang Phu Tim Issarigo of Wat Laharn Rai

As to the classic ‘Rian’ Monk coin Image amulets which have become all time favourites, and eternally, world famous classic amulets of the high end variety.As to the classic ‘Rian’ type coin image amulets which have become all time favourites, and eternally, world famous classic amulets of the high end variety. His Rian Jaroen Porn, and Rian Nakprok Paed Rorp, Rian Huang Chueam, Rian Mae Nam Koo, and Rian Sema are amongst the most highly sought after coin amulets of all. The Pra Kring Chinabanchorn amulet of Luang Phu Tim is one of his most expensive of all amulets, and extremely rare to find.

He has various direct lineage apprentices, Who are continuing to progress and spread his most powerful and world-famous Wicha. Of all of these masters, perhaps the most famous, preferred, is Luang Por Sakorn, of Wat Nong Grub (also now deceased). In second place one could possibly estimate the great Luang Phu Sin, of Wat Laharn Yai, and in third place, possibly, Pra Ajarn Somkid, of Wat Beung Tata (Rayong).




Presenting a very rare amulet just arrived in one of our affiliated stores at Thailand Amulet from the year 2519 BE, the Sing Dto Maha Lap sacred Himapant Lion of Power and Fortuitous Wealth, a Loi Ongk statuette in cast Brazen metal with Gilded surface and series code stamp, from the late great Luang Phu Bua Dtemiyo.

The Sing Dto Maha Lap Loi Ongk amulet is formed as a cast brazen metal Lion of Wealthy Fortunes amulet, and was blessed and released in the year 2519 BE by the Great Pra Ajarn Bua Dtemiyo, of Wat Hlak Sila Mongkol in Nakorn Panom.

The amulet was cast from Nuea Loha Aathan Galai Tong, and is forged in the form of a lion standing and roaring with pride and victory. Each leg of the lion has Sacred Khom Agkhara inscriptions of the Kata Hnun Tat See invocation of the four elements, which is part of the reanimation formula for empowerment of animist charms, which says ‘Na Ma Pa Ta’. A special limited edition code stamp is embossed on the stomach of the lion. The Singto Maha Lap of Ajarn Bua is a very rare item to encounter in this day and age.

Pra Ajarn  Bua Dtemiyo was a very highly revered Buddhist Monk of the Nakorn Panom Province, who practiced very diligently, and was known for never speaking much, for he preferred to practice in silence most of the time. He was very famous for his diligence in his practice, and considered to be a ‘Pra Subatibanno’ (correct practitioner with no visible signs of defilement)

Singto Maha Lap Lucky Lion Amulet with original temple box - Ajarn Bua 2519 BE

Singto Maha Lap Lucky Lion Amulet with original temple box – Ajarn Bua 2519 BE

Luang Phu Bua was a monk who practiced in the lineage of Luang Phu Mun Puritato and Luang Phu Sao, of the Kammathana Tudong Forest Tradition, who received direct teachings from both of these great forest Masters. Ajarn Bua developed his practice by method of Tudong Wandering in the style of his Mentors Luang Phu Mun and Sao, wandering the forests of the northeast Isan country and Laos. He also practiced Wicha under the tutelage of Luang Phu Jantr Khemiyo of Wat Sri Taep, and Luang Phu Rod of Wat Tung Sri Mueang in Ubon Rachathani. he was a very highly revered monk in the Province of Nakorn Panom until his passing in the year 2532 BE. This very rare and unusual amulet is featured on Thailand-Amulet.Com – please click the below image to visit the store and purchase this item from this trusted affiliate store.

Click to Buy Singto Maha Lap Amulet Ajarn Bua 2519 BE

Luang Phu Yen of Wat Sra Bprian

Presenting another rare featured Ancient Amulet, the Dtua Por Pan Pitsadarn ‘Wierd Letter P’ Wicha Luang Phu Taep Loke Udorn;  The Dtua Por Pan Pitsadarn wierd letter P of Luang Phu Yen, of Wat Sra Bprian (2445 BE –  2539 BE), is empowered with the Wicha of Luang Phu Taep Loke Udorn. The Dtua Por Pan Pitsadarn is an Ancient Animist Talisman from one of the great Olden days Guru masters of the Chainat Province. The Por Pan Pitsadarn of Luang Phu Yen is Inimitable, and an All Time Historical Classic, renowned for its Immense Puttakun Power.

Dtua Por Pan Pitsadarn by Luang Phu Yen, of Wat Sra Bprian (21/3/2445 BE - 12/5/2539 BE)

Dtua Por Pan Pitsadarn by Luang Phu Yen, of Wat Sra Bprian (21/3/2445 BE – 12/5/2539 BE)

It is said, that Luang Phu Taep Loke Udorn gave the method of making this Spell to Luang Phu Yen, who then shared it with his friend Luang Phu Yai, who passed it then onwards to both of their Looksit respectively, on to reach the current Wicha Holder, Luang Por Tong.Luang Phu Yen was a very famous Master for his Powerful Hun Payont effigies, which he would make in the shape of a Thai letter ‘P’ (Por Pan).

The Hun Payont Por Pan Pitsadarn is empowered with the Lineage blessings of Luang Phu Taep Loke Udorn and prayer to the Hun Payont Por Pan Pitsadarn will call the miracle powers of the Great Master down through the lineage and emanate from the amulet. One should ask both Luang Phu Yen and Luang Phu Taep Loke Udorn for the blessings you wish when praying.

The Por Pan Pitsadarn is a type of Hun Payont Effigy of the ‘Say Bon’ veriety (higher path – sai lang and say bon are the lower and upper paths, meaning white, or black magic). The meaning of the Por Pan effigy is ‘Triple Gem’ of Buddha, Dhamma and Sangha. It is therefore not simply an Animist Charm, but is in fact a Buddhist Sacred Artifact of the New Era. 

Magical properties;

The Por Pan Pitsadarn emits Countless Magical Properties, including Klaew Klaad, Kong Grapan, Maha Lap, Metta Mahaniyom. The letter P stands for ‘Por’ (father) and the great father of all Buddhists is of course the Lord Buddha.

Kata Bucha Por Pan Pitsadarn

Por Jong Maa Prode Look Kon Nee Hai Khao Kin Im Non Hlab

Por Jong Maa Prode Look Kon Nee Khao Ja Ao Arai Gor Khor Hai Chuay Khao Som Pratanaa

Pra Jao Por Jong Maa Prode Look Kon Nee Putta Dtaechaena Kwaam Dai Yaa Hai Thook Bpadtisaewaami

Putta Maedtaa Jidt Tamma Maedtaa Jidt Sangka Maedtaa Jidt

Na Maedtaa Mo Karunaa Put Bpraanee Taa Yin Dee Ya Aen Doo – Iswaa Su Suswaa I – Put Ta Bi Dti I