Takrut Maha Solos Mongkol Luang Phu Iam

The Sacred Takrut Maha Solos Mongkol: A Divine Amulet of Power and Fortune

An eternal classic and highly powerful amulet; the Takrut Maha Solos Mongkol Thak Chueak Long Long Rak Chart Jeen Boran (Dtamrab Luang Phu Iam), cord bound Yantra Scroll amulet of Luang Phu Iam, of  Wat Saphan Soong, with ancient red Chinese herbal lacquer (Rak Chart Jeen Boran).

Welcome, dear readers, to an enchanting journey into the realm of sacred amulets. Today, we delve into the mystical realm of the Takrut Maha Solos Mongkol, an amulet that exudes power, wealth, and divine protection. Crafted by the revered Luang Phu Iam of Wat Saphan Soong, this amulet is a timeless treasure sought after by devotees worldwide.

Takrut Tone Thak Chueak Long-Rak Luang Phu Iam

A Rare and Powerful Amulet

The Takrut Maha Solos Mongkol is a true gem among amulets, rivaling the renowned Takrut of the Great Luang Phu Sukh in rarity, price, and potency. Considered equally powerful, this amulet is particularly suited for those seeking status increase, wealth, good fortunes, and protection.

A Lifetime Companion

The Takrut Solos Mongkol of Wat Saphan Soong holds the title of a “Takrut Koo Cheewit,” meaning it is a “Lifetime Companion” amulet. Its remarkable property lies in its ability to bring constant improvements throughout one’s life, ensuring that its power never wanes. Wrapped in ancient Daay Dtra Sangkh Sinjana Cord and embellished with a ‘Cockroach Thorax‘ shape tips, this amulet possesses unique features that reflect its age and authenticity.

Takrut Maha Solos Mongkol Luang Phu Iam Wat Saphan Soong

An Ancient Yantra Spell

The Takrut Maha Solos Mongkol is not only an amulet but also an ancient and potent Sacred Yantra Spell. It holds a special place in the hearts of devotees, cherished by both Luang Phu Iam and his esteemed apprentices, including Luang Por Tong Sukh. These revered masters have spread the influence of this amulet around the globe, making it an eternal favorite among practitioners of sacred arts.

A Legacy Carried Forward

Luang Phu Iam, the originator of the Dtamra Pra Pid Ta and the Wicha Takrut Maha Solos Mongkol of Wat Saphan Soong, passed on his exceptional knowledge and skills to subsequent generations of esteemed masters. Ajarn Chuea, Luang Phu Glin, and Luang Por Tong Sukh, and now Luang Phu Waas, the current abbot, have all contributed to the legacy of this powerful amulet. Their mastery and dedication have ensured the continuity of this sacred tradition.

A Treasure for Devotees and Collectors

The Takrut Maha Solos Mongkol is a treasured alternative for those seeking the blessings of Luang Phu Iam’s amulets at a more affordable price. Crafted with invocations from all generations of the great master, empowered with the mastery of the Wicha Maha Solos Mongkol, these amulets carry immense value and authenticity. Their presence on the collector scene is unparalleled, making them highly sought after and revered.

Certificated Takrut Tone Thak Chueak Long-Rak Luang Phu Iam

Phra Pidta Luang Pu Bun

Pra Pid Ta Maekasit Hlang Hua Jai Pra Bpathamang – Luang Phu Bun Wat Klang Bang Gaew

An extremely rare Pra Pid Ta amulet of Luang Phu Bun, the Pra Pid Ta Hlang Tant Tu Sa Ma Ni, of Luang Phu Bun, of Wat Klang Bang Gaew. The Yant on rear face can be seen in the famous Pra Gleep Bua amulets of LP Bun, which were discovered some decades ago and found to be documented by the temple.

Below Exhibit – Pra Pid Ta Hlang Yant Tu Sa Ma Ni Nuea Maekasit See Tong Pla Hlai

Pra Pid Ta Luang Phu Bun Wat Klang Bang Gaew in Gold Casing


Not all models of metallurgical amulets are fully documented, but from what information is accumulated to date, it is known that Luang Phu Bun made Pra Pid Ta, and Pra Pim Samadhi Gleep Bua meditating Buddha amulets in Maekasit metals, and in more rare and fewer numbers, also in other metallurgical alchemical alloys. The Pra Pid Ta is rarer than the Pra Pim Gleep Bua, which were primarily all made from Maekasit, whereas the Pid Ta is also found in Lor Boran forged alchemical bronze alloy.

Rear Face Pra Pid Ta Hlang Tu Sa Ma Ni Luang Phu Bun Wat Klang Bang Gaew

The rear faces of these amulets are found to have a number of different designs on the rear face, and in the case of the Pim Gleep Bua lotus-petal shaped Maekasit versions, 7 different models are documented (which does not mean that there are no other models made, rather, that documentation is a continuous voyage of discovery, but by no means the be-and-end-all of a pantheon of amulets.

Pra Pid Ta LP Bun Pantheon Book
The Pid Ta Lor Boran and Gleep Bua Maekasit amulets were never released in any official edition, rather mostly handed out by Luang Phu Bun to his devotees himself, when they would come to pay respects and make merits. The documentation to date is constructed mostly from devotees who received amulets in their hand from LP Bun himself, and showed their amulets, but it coud be, that there are much more than the officially discovered, known and documented 7 Pim.

Below;  A decades old publication showing various Pra Pid Ta of Luang Phu Bun

Pra Pid Ta amulets of Luang Phu Bun Wat Klang Bang Gaew

 

In fact, with olden days masters, one can almost always assume, that not all of their amulets were documented, as in ancient times, there was much less attention to documenting the amulets of every monk in every year of their lives. This is also why those authors who study and uncover new information, and publish that which is known are important contributors to the preservation of knowledge about Thai Buddhist Amulets and their Makers.

Pra Pid Ta Maekasit LP Bun - examples of the various types found within the 7 major Pim

The Pra Pid Ta Khao Buang has many different appearances due to the olden days fcasting methods, and is still not fully documented as a pantheon. Not all models have yet been identified. However, for now, we can name and define at least seven models of Pim Pid Ta and Pra Gleep Bua.

Pra Pid Ta Luang Phu Bun in Thai amulet publication

Luang Phu Bun is said to have been a close accomplice, and often mutually visited with the Great Luang Phu Nak of Wat Huay Jorakhae, in Nakorn Pathom. LP Bun received the methodology and mastery of the Wicha Maekasit from LP Nak, which is the ancient science of Alchemical Metallurgy from the Dtamra Saiyawaet, used for casting powerful metallic magical amulets. For this reason, the majority of Luang Phu Bun’s Maekasit amulets have a dark black sheen to them, similar to Luang Phu Nak’s Maekasit. But in some very few exhibits one can see the see tong pla hlai greenish-golden sheen which is often also seen in the amulets of Luang Por Tap, of Wat Anongkaram in Nontaburi.

Luang Phu Bun of Wat Klang Bang Gaew

The seven major documented Pim are as follows; 1. Pra Pid Ta Maha Ud Hlang Agkhara Tu Sa Ma Ni (Hua Jai Pra Bpathamang***), 2. Pra Pid Ta Maha Ud Hlang Yant Dto, 3. Pra Pim Samadhi Gleep Bua Hlang Ppra Pid Ta, 4. Pra Pim Samadhi Gleep Bua Hlang Agkhara 4 Dtua (4 Khom Agkhara Syllables on rear face, seen to vary), 5. Pra Pim Samadhi Gleep Bua Sum Hlang Pra Pid Ta (Elongated pointed arch model), 6. Pra Pim Luang Por Dto Hlang Pra Pid Ta, and 7. Pra Pim Bua Met Hlang Yant Na Ma Pa Ta (with 4 Khom Pali Syllables on rear face NA MA PA TA representing the 4 Elements).

Pra Pid Ta Maekasit LP Bun 7 Pim

***Please note; The term ‘Hua Jai Pra Bpathamang, comes from the Dtamra Saiyawaet Magical Grimoires, but in Dhamma Sastra (Buddha Science), it has been falsely named by the amulet world as ‘Hua Jai Pra Bpathamang’ and lists the four syllables as ‘TU SA MA NI’ whereas if we list, the 4 Noble Truths in their proper order, and notice that ‘TU SA MA NI’, are the first syllables of each Pali Sanskrit word of the 4 Noble Truths (Hua Jai Pra Ariyasaj 4), then we can see that it should be ‘TU’ for ‘Tugkh; (Dhukkha – Suffering/Dissatisfactoriness), ‘SA’ for ‘Samutayaa’ (A Cause of Suffering/Dissatisfaction), then ‘NI’ for ‘Nirote’ (Nirodha – extinguishing of all external perceptions, and of Dhukkha/Dissatisfactoriness), and finally ‘MA” for ‘Maggha (The 8 Fold Path to the Cessation of all Suffering).

Bia Gae LP Kam Wat Po Bplam

Bia Gae amulets of  the Great Master Monk Luang Phu Kam, of Wat Po Bplam temple, in Ang Tong.

The Bia Gae of Luang Phu Kam of Wat Po Bplam, in Ang Tong Province, is counted as one of the five ‘Benjapakee’ Bia Gae of all time, along with the other 4 being the Bia Gae of LP Rod (Wat Nai Roeng), LP Bun (Wat Klang Bang Gaew), Luang Por Perm (Wat Klang Bang Kaew) and Luang Por Pak (Wat Bote). It is believed by devotees, that the Bia Gae of Luang Phu Kam, have immense power to ward off demons, ghosts and evil eye spells, as well as dissovle curses, and protect against poisonous beasts, and jungle fevers. They are said to also possess Maha Ud Gunstopper magic, and Metta Maha Niyom Mercy Charm, that recalls good luck into one’s life.

Pantheon of Bia Gaw amulets of LP Kam

In the early era of his Bia Gae making, Luang Phu Kam would be able to get his ‘Bia’ cowrie shells from the local area around the temple, but after the year 2493 BE, as his Bia Gae became increasingly famous and renowned for their power, it became necessary to send devotees to places by the ocean, in order to find enough cowrie shells to satisfy the needs of devotees.

Pantheon of Bia Gaw amulets of LP Kam 5

As to the Channaroeng and Krang Pastes used to seal the Bia Gae, it was taken from stingless beesnests found in the forest, or taken from Jom Pluak giant termite nests which were found in the vicinity around the temple. As the needs of devotees rose, there was not enough Muan Sarn available from these sources of magical ingredients, and Luang Phu Kam was forced to have to seek farther afield for the sacred ingredients necessary to continue making Bia Gae amulets in the numbers needed for his devotees.

Pantheon of Bia Gaw amulets of LP Kam 2

The Bia Gae of Luang Phu Kam differ from those of other masters in their making method; Luang Pu Kam would smelt sacred leaden alloy in a pot until it liquified, and then pour it into the interior of bamboo sticks about one foot in length. The bamboo was then sealed with simple cloth, and the bamboo was quicly shaken and agitated. This would cause the cooling leaden sacred alloy to form into small pellets. These leaden pellets were then used to ‘feed’ the Parort Mercurial Metal. This caused the Mercury to make a different sound when shaking the Bia Gae, more like a rattle than a soft ‘thud’ from the mercury sliding around within interior of the Bia shell.

Pantheon of Bia Gaw amulets of LP Kam 3

Luang Phu Kam would then take the Mercurial Alchemical substance and use Incantations to make the Parort Mercurial alloy flow into the Bia Gae shells. To do this, he would place the Bia Gae on a large tray, and use Ya Kaa grass to beat the tray whilst chanting Kata incantations, until the Parort Mercury would flow into the Bia shells of their own accord. Then they would be sealed with Chanaroeng, and a Takrut foil with Khom Agkhara inscriptions.

There are some special models, enclosed within a metallic casing, some oval with decorative borders, others shaped like a turtle. Very few special models (Dtua Kroo) were made, whereas most of them would be left bare, or cord wrapped with the shell poking out visibly. In the case of his Bia Gae that are not enclosed within metallic frames, the copper Takrut Tong Daeng is visibly affixed to the Channaroeng Paste which closes the mouth of the Bia shell. It is said that some devotees once removed the Parort Mercury, and that it was seen to glow with an aura, like neon light.

Once Luang Phu had finished the creation and primary empowerment process, he would take the Bia Gae into his Kuti hut and perform further solo empowerments in privacy.One can recognize the early, mid and later eras of Bia Gae, from the difference in Channaroeng paste found in the seal of the Bia.


Pantheon of Bia Gaw amulets of LP Kam 4

Early era amulets will have Channaroeng paste from the stingless bee or the giant termite nests around the temple. Mid era ramulets have Channaroeng paste with Ya Ruea, a herbal paste often used by fishermen and sailors to seal their wooden boats against leakage with. The third and later era, is seen to be made from Ya Ruea mixed with Pong Ittijae Yantra powders.

Devotees would often take the Bia Gae of Luang Phu Kam to be specially framed at an artisan, and framed with gold, silver or other brazen metal type frames. The Artisans would always stamp the enclosure of the Bia Gae frame with the Thai letters ‘Hor Mor Ngor’ (หมง), or sometimes the word ‘Kam’ (คำ), or ‘Heng’ (เฮง). In the case of exhibits which have the word ‘Heng’ stamped on the frame, this was the name of the Artisan. In the case of exhibits that have the letters ‘Hor Mor Ngor’ (หมง), this was and still is the code stamp of the firm of the Hor Mor Ngor Artisans, who to this day still use the same Hor Mor Ngor stamp to encase amulets with custom metal frames.

Phra Pidta Mekasit LP Nak

The Phra Pidta of LP Nak is a highly revered amulet created by the late great Thai monk Luang Phor Nak of Wat Huay Jorake temple in Nakhon Pathom, Thailand. The Phra Pidta, also known as “the closed-eye Buddha,” is a representation of the Lord Buddha in deep meditation, entering the state of Nirodha, and is believed to bring blessings of protection, good luck, and wealth to the wearer.

Pra Pid Ta Luang Pu Nak Wat Huay Jorake

The Phra Pidta amulet created by LP Nak was made usually in Nuea Mekasit alcemical metal, but also in sacred loha chanuan bronze and other brazen metal mixtures (less often seen). I is said that LP Nak himself was an adept master of alchemical metallurgy, and the Wicha Pra Pidta. It found in medium and small sizes (Pim Lek & Pim Yai) and has various models sch as the Pra Pid Ta Hoo Gradtay ‘Rabbit Ears’ model. It is believed that the Phra Pidta amulet of LP Nak has the power to protect its wearer from harm, bring good luck, and attract wealth and prosperity. Some of the Pra Pid Ta of Luang Pu Nak possess hand inscriptions scratched onto the surface of the metal, with Khom Agkhara and Sacred Yant.

Phra Pidta amulet represents a meditating Buddha entering into the state of Nirodha. Nirodha is the third of the Buddha’s Four Noble Truths and refers to the attainment of the cessation of suffering. The image of a meditating Buddha is representative of the amulet’s ability to bring peace and block out all forms of inauspicious events and bad luck, protect against all dangers and black magic. The amulet is believed to have the power to block out negative energy and to protect the wearer from harm due to the reputation of the creator and his spiritual energy.

Luang Pu Nak was a well-known Thai Buddhist monk and the abbot of Wat Huay Jorake temple in Nakhon Pathom, Thailand. He was well-known for his spiritual teachings and wisdom, as well as his ability to craft powerful amulets. His reputation as a powerful spiritual leader, combined with his ability to craft powerful amulets, ensures that his legacy lives on, and his amulets are highly sought after. He died in 1959, but his teachings and amulets are still revered and respected by many Thais and people all over the world.

Luang Pu Nak, of Wat Huay Jorake in Nakhon Pathom

Many people in Thailand and around the world believe that the Phra Pidta amulet of LP Nak is particularly powerful for Kong Grapan/Klaew Klaad Protection Magic, due to the reputation his Pidta developed over the years as many stories of lifesaving miracles were recounted by devotees who wore the Pidta of LP Nak. LP Nak was known for his deeply spiritual teachings, and his ability to create very powerful amulets, and many people believe that his amulets possess his spiritual mind energy even after his passing. The Phra Pidta amulet of LP Nak is also highly sought after by collectors and those interested in Thai Buddhism and culture. Many people consider it a valuable possession and it is often passed down from generation to generation as a family heirloom amulet.

The Phra Pidta amulet of LP Nak is a highly revered and powerful amulet created by the late Thai monk Luang Phor Nak of Wat Huay Jorake temple in Nakhon Pathom, Thailand. It is believed to bring blessings of protection, good luck, and wealth to the wearer, and is highly sought after by collectors and those interested in Thai Buddhism and culture. The reputation of LP Nak as a powerful spiritual leader, and his ability to create powerful amulets, makes this amulet particularly valuable and powerful.

Luang Pu Nak, was a Thai Buddhist monk who lived in the 19th- 20th century. He was the abbot of Wat Huay Jorake temple in Nakhon Pathom, Thailand. He was born in 2358 BE (1884) and passed away in 2452 BE (1972). Luang Pu Nak was known for his great compassion and spiritual wisdom, and was a great giver of spiritual teachings, as well as his skill in creating powerful amulets. He was highly respected by the local community and by other monks in Thailand. He was also known for his generosity and mercy, and his dedication to helping others.

During his tenure as abbot, he worked to strengthen the spiritual community at Wat Huay Jorake and to provide guidance and support to the local population. In addition to his work as an abbot, Luang Pu Nak was known for his skill in creating powerful amulets. He was able to create amulets using various materials, including clay, metal, and even human bone. His amulets were believed to possess spiritual power and provide protection to the wearer. They were often inscribed with sacred texts or mantras, and were highly sought after by the local population and by collectors. Luang Pu Nak’s amulets are very highly valued in the present day, and many people in Thailand and around the world believe that they possess spiritual power. His amulets are often passed down from generation to generation as a family heirloom, and are considered a valuable possession.

Luang Pu Nak may have passed away long ago, but his legacy continues to be felt in Thailand and around the world. He is remembered as a wise and compassionate spiritual leader, and his amulets are still highly sought after by aficionados, faithful devotees, collectors, and those interested in Thai Buddhism and Thai culture. To this very day, the lineage of abbots of Wat Huay Jorake still make and release Phra Pidta amulets of the Wicha passed down to them through a constant succession in the magical lineage of Luang Pu Nak. The Phra Pidta amulet of LP Nak, is believed to be particularly powerful because it is believed to possess the magical energy of the monk who created it. As Luang Pu Nak is considered a highly respected and powerful spiritual leader, it is believed that his Pidta amulets will always possess his spiritual energy even after his passing, without ever fading. Thew Pidta Mekasit amulet, is considered the most famous and powerful amulet created by Luang Pu Nak.

Old Photo of Luang Pu Nak Wat Huay Jorake

 

Background Info on Phra Pidta

Since very early times in Thailand, Pra Pid Ta amulets, as well as Pra Pid Ta in the shape of Pha Yant and Bucha sculptures, have been made as objects of adoration and protection. Using the Buddhist sculpture and art that was accessible at the time, the artisans of that era developed a variety of styles and interpretations. Various Buddhas, Bodhisattvas, or Deities are fashioned into the posture of Pra Pid ta, or Pid Tawarn (meaning “closing the orifices”), to create the Pid ta posture (‘Pid Ta’ means “covering the eyes”). Pid Tawarn can seal 7, or 9 orifices (the number 7 is referred to as Pra Pid Sadtatawarn, while the number 9 is known as Pra Pid Navatawarn). The Phra Pidta amulet, also known as “the closed-eye Buddha,” is believed to bring blessings of protection, good luck, and wealth to the wearer.

Pra Pid Ta Maekasit Pim Hoo Gradtay Luang Phu Nak Wat Huay Jorakahae
The Phra Pidta amulet, represents a meditating monk entering into the state of Nirodha. Nirodha is the third of the Buddha’s Four Noble Truths and it refers to the attainment of the cessation of suffering. In Buddhist teachings, Nirodha is understood as the state of being where all mental defilements, such as ignorance, greed, and hatred, have been completely eliminated. This state is reached through the practice of meditation and the cultivation of wisdom, and it is considered the ultimate goal of Buddhism.

Base of Pra Pid Ta Maekasit Pim Hoo Gradtay Luang Phu Nak

The third of the four noble truths according to Buddhist tradition is defined as Nirodha Sacca (also spelt Nirodha Sacca in Pali; Nirodha Satya in Sanskrit). Sacca denotes “truth” or “reality,” whereas Nirodha means cessation or extinction. Therefore, the translation of nirodha sacca is generally “truth of cessation” or “truth of the cessation of suffering.” It explicitly refers to the cessation of Dukkha (suffering) and its causes; the resultant experience is defined as nirvana. Nirodha can indicate a variety of things, such as release, cessation, extinction, the end of dukkha, and “control or restraint.” The cessation of all unsatisfactory experiences and their causes in a way that prevents them from occurring again is what Nirodha Sacca means. It is their elimination, complete absence, cessation, and ceasing from existing.

Rear Face Pra Pid Ta Maekasit Pim Hoo Gradtay Luang Phu Nak Wat Huay Jorakahae

The image of a meditating Buddha entering Nirodha, is representative of the amulet’s ability to bring peace and block out all forms of inauspicious events and bad luck. It is believed that by wearing the Phra Pidta amulet, the wearer will be protected against all dangers and black magic. The amulet is believed to have the power to block out negative energy and to protect the wearer from harm. Famouls for their Kong Grapan, Metta, Klaew Klaad, and Maha Lap Magic.

Kata Pra Pid Ta

Namo Puttassa Kawambadtissa Namo Tammassa Kawambadtissa Namo Sangkassa Kawambadtissa Sukha Sukha Warang Na Mo Puttaaya Ma A U Tugkhang Anijjang Anatta Jewa


Rian Luang Por Pring Thai Amulet

Presenting a very rare Rian Kanajarn Guru Monk coin amulet, the Rian Roop Khai Nuea Tong Daeng Rom Dam Run Sorng, (second ever edition coin amulet), of the Great Luang Por Pring Intachodto, of Wat Bang Bakork. This exhibit comes already encased in solid gold waterproof casing included in the price. A top Master Class Pra Niyom Category amulet of the High End variety, for serious devcotees and collectors of this great master, whose amulets are among the rarest to encounter.

Rian Luang Por Pring 2514

 

Luang Por Pring Intachodto, was well known to be a ‘Mor Ya’ Traditional Medicine annd Spiritual healing Master. He also had the honor of being Declared a Powerful Adept, by the great Master Monk Luang Phu Sukh, of Wat Pak Klong Makham Tao, and of receiving Kammathāna secrets from the Great Luang Por Parn, of Wat Bang Nom Kho.

A Great Master, whose magic was known in both the 2nd World War and Indo-China wars, as a protective amulet maker of great power. Luang Por Pring was one of the Great Tonburi Masters, whose amulets were highly favored by the miltary and police, and rescue forces, for protective powers during times of war or calamity.

Rear Face Rian Luang Por Pring 2514

The Rian Luang Por Pring is renowned for its Kong Grapan Chadtri and Klaew Klaad powers to save lives in extreme dangerous situations. Luang Por Pring, was one of the various Kroo Ba Ajarn of Grom Luang Chumporn. Even the great Luang Por Parn of Wat Bang Nom Kho came to Wat Bang Bakork to learn the Wicha Look Om from Luang Por Pring. These days the amulets of Luang Por Pring are extremely rare amulets to find anywhere.

 

Encyclopedia of the Amulets of Luang Por Pring

Luang Por Pring made many highly preferred amulets in many froms, ranging from Pra Somdej, Look Om, Buddha Images of various postures and styles,Takrut, and Look Om. LP Pring was famous for his Look Om Maha Gan, and Look Om See Chompoo sacred wishing balls, and many other Muan Sarn Sacred Powders amulets. Of course his most prized amulets with his top devotees are his Monk Coins, for the obvious connection with the Guru, through his image.

But it is perhaps his Look Om which are the most seen and talked about, perhaps because of the fact that many of his other amulets, are now very rare to find in the present day, and less people in general know of their existence, apart from the high-end collectors and devout followers of Luang Por Pring.

Luang Por Pring Intachodto Wat Bang Bakork

The Look Om Luang Por Pring was made mostly in both Gray and Brownish colored Sacred powders, and is an extremely rare and powerful amulet, most highly sought after by devotees of this Genre. In addition, a very small number of Black color, and some of these white colored Look Om are also found in existence, as well as some very rare pink colored models, both of which are most highly preferred of all from this Master along with his grayish ‘Nuea Pong Pasom Toop versions.

Look Om Luang Por Pring

It is assumed that the Wicha he received from making Pra Somdej according to the formula of Somdej Dto, may have influenced this particular mixture of Muan Sarn Sacred Powders used for his Pong Puttakun white versions, which indeed have many aspects which resemble the sacred clay of Pra Somdej Wat Rakang including Pong Bpathamang, Pong Puttakun, Pong Trinisinghae, Pong Ittijae, and Pong Maharach.

It is not every day that one can be lucky enough to encounter a sacred amulet of Luang Por Pring, a Classic Master-Class Kong Grapan Chadtri Klaew Klaad amulet, from a Master Geji Ajarn who carries the status of Kroo Ba Ajarn in Wicha, to the Great Luang Por Parn, of Wat Bang Nom Kho. Powerful Protection from a Niyom Category amulet, of Master-Class Status, of the Great Luang Por Pring.

During the Indojin (Indo-China Wartime) 3rd largest blessing ceremony of amulets in the History of Thai Buddhism at Wat Sutat, LP Pring was invited with a host of other master monks, to bless the world famous Pra Kring amulet, of the great Pra Sangkarach (Pae).

Below; Somdej Pra Sangkarach Pae, of Wat Sutat

Somdej Pra Sangkarach Pae Wat Sutat

All the Bhikkhus who attended the empowerment ritual, inscribed Magical Khom Agkhara Spells onto Sacred Yantra Foils. These sacred plates were smelted and poured into the molds.

When Luang Phor Pring’s Yantra Foil spells were placed inside the smelting furnace to be smelted intosacred ingots along with the other Yantra Foils from other Masters, it is told that it was not possible to get them to melt at that heat. This astonished those who witnessed this, and so Luang Por Pring was asked to assist in helping them to melt.

 

Rear Face Rian Luang Por Pring Wat Bang Bakork 2514

Luang Por Pring performed some special incantations, and cast some spells over the sacred furnace, and slowly but surely, the Yantra Foils began to melt and mix with the other Sacred chanuan metals.

Luang Por Pring’s protective magic was famous since around the 2nd World War and Indo-China Wartimes, when a Japanese Base was built nearby to the temple of Wat Bang Bakork. It was believed that lp Pring has made a protective Kata and Magical Shield around the area to protect the temple and the local inhabitants around it. So at that time, many people moved to live in tyhe surrounding area, in the belief that they would be safe from the bombing which was being performed by the Western Forces during that time of Japanese Occupation in Thailand.

Another story of his legendary magical powers, was the fact that the Great Magician and Looksit of Luang Phu Sukh, and Royal Prince, Admiral Grom Luang Chumporn Udomsak, sought out lpo Pring to beseech magical Wicha from him and his tutelage.

Below; Luang Phu Sukh  Wat Pak Klong Makham Tao

Luang Phu Sukh Wat Pak Klong Makham Tao

The legend tells, that LP Pring initiated him fully,and as a gift of Initiation, presented Grom Luang Chumporn with a Ban Neng (forehead of the skull), imbued with the spirit of the Mae Nak Pra Khanong Hoeng Prai Deva Spirit. The very same Mae Nak Pra Khanong which you can see in a shrine at Pra Khanong in Bangkok, on the Sukhumvit Road to this very day.

Below: Grom Luang Chumporn

Grom Luang Chumporn Udomsak

This is the very same spirit, who was so famously untamable, due to her anger at her unforeseen early death, and great desire to remain with her still living husband, that was bothering many people in the area. When Grom Luang Chumporn took the Ban Neng to the Palace, and various relatives within the Royal Palace witnessed seeing the ghost.

It is said that the great Somdej Pra Puttajarn (Dto) Prohmrangsri performed a ritual to subdue the spirit once and for all, by inscribing the forehead bone and inserting a spell to ‘sakot’ (bind) the spirit once and for all.

It is recorded in the diary of Pra Maha Saeni Wongs Na Ayuttaya, who authored the official documentational biography of Somdej Pra Puttajarn (Dto) Prohmrangsri, that, after the passing of Somdej Dto, the Ban Neng Forehead Bone of the Mae Pra Khanong Hoeng Prai Ghost, was handed down to Somdej Pra Puttajarn Tut, who in turn, gave the Ban Neng to Luang Por Pring. Luang Por Pring then, as already told, passed the Ban Neng on to Grom Luang Chumporn.


Luang Phor Pring was born on the Lunar Precession of 15 Kam (full moon), on a Sunday the fourth of April, in the year 2412 BE. He was hence born in the Chinese Horoscrope astrological year of the horse. He was ordained as a Samanera Novice Monk at a young age, and was educated at Wat Plab Officially known as Wat Rachasitaram), in Tonburi (then still countryside, but now part of Bangkok).

Look Om and other Amulets of Luang Por Pring

He remained ordained as a Samanera, until he reached age 20, in the year 2432. It was here that he began to study and practice Wicha Akom (Buddha Magic), and became adept, for Wat Plab was indeed always one of the main academies of Magical Arts. Wat Plab is known to have been the place where most of the Great master Monks of Olden days we all know and revere went, to develop and test their skills in psychic empowerment. Masters such as Luang Phu Sukh, Luang Por Ngern, Luang Phu To, Somdej Pra Puttajarn (Dto) Prohmrangsri, and the like, all passed the proving grounds of psychic adepthood at Wat Plab.

Side View of Rian Luang Por Pring 2514

It is said that only Great Masters can pass the test of the proving ground of Magic that is Wat Plab, and is part of where the Great Masters obtained their full cotrol of their powers. It was hear by monks close to Luang Por Pring, thaty he secretly learned the Wicha Long Hon (Invisibility spell), and became a Master Adept of Kong Grapan Chadtri Magic, as he was still a young Samanera Novice at Wat Plab.

He was then ordained on the 1st March in the year 2432 BE to become a fully-fledged Bhikkhu in the Buddha Sasana, at the temple of Wat Tong Noppakun, in Klong Sarn.

After ordination, he received the ‘Chaya’ (Monk’s name), of “Pra Kroo Prasas Sikij Intachodti” and moved to Wat Bang Bakork. After a mere 3 years or so, he was elected to become the Abbot, as at the time there were only a very few monks staying there, and the temple was in need of repair, and advancement, for the temple was in disrepair, and there were many things missing for the necessities of daily life.

Side View of Rear Face Rian Luang Por Pring 2514

Not all his works of development of Wat Bang Bakork are recorded, but one of the well known atainments he made was his restoration of the Uposatha Shrineroom, Kuti Huts for kore Bhikkhus to come and reside, and the many fracilitieds necessary such as refectory, prayer hall, meditation hall, temple bell, Chedi Stupa, and the like.

In the year 2479 BE, Luang Por Pring was elevated in status and given the Chaya name of ‘Pra Kroo Pra Sasana Sikij, for many of his devotees were Royal Courtiers, and he had a National Following of Devotees, that resounded around the country, for his great deeds and powerful magic. Members of Royal family and their Courtiers would often come to stay and keep precepts and practice meditation under Luang Por Pring. It is not documented as to the year of his passing, as far as our investigations have led to date.

Luang Por Pring was known both for his diligent practice and prowess in the Buddha-Dhamma Vinaya, as well as for ppossessing and developing many Magical Wicha, and methods of empowering different amulets, and the mastery of making powerful Muan Sarn Sacred Powders, and psychic empowerment.


Luang Por Dam

A Rare Loi Ongk Pra Pid Ta Thaan Sung (high Dais) Buddha Image Statuette amulet, in Nuea Pong Kluk Rak, with hand inscribed Yant Putto, and Khom Inscriptions, from the Great Luang Por Dam, of Wat Mai Nopparam, in Naratiwat Province, in the deep South of Thailand on the Malay border. Luang Por Dam was the first apprentice in the Wicha of Pra Pid Ta Magic, to the Great Luang Por Kron, of Wat Bang Sae. This exhibit differs from many, in the fact that it has had red Rak Chart Jeen Boran coated on the base.

Phra Pidta Luang Por Dam Wat Mai Nopparam15

The Pid Ta is made using the very same Muan Sarn Sacred Powders admixture, empowerment, and inscriptions, as those of the Great Luang Por Kron, and the Pra Pid Ta of Luang Por Dam himself, have now become legendary in their own right, and stand alone on their own merits as Pra Niyom master Class Category amulets.

 

LP Dam Wat Mai Nopparam

Highly revered and collected by Looksit (Devotees) of his Mentor Luang Por Kron, a Buddhist Master Monk from Malaysia. Luang Por Kron was Abbot of Wat Bang Sae in the province of Kalantan.

He made many Pid Ta amulets which were so very preferred (‘Niyom’). It is said in Thai Amulet circles that, in the same way that we prefer the Pra Somdej Wat Rakang as a Niyom amulet, so, in Malaysia and even Singapore, the Pra Pid Ta of Luang Por Dam, and his Mentor Luang Por Kron, became just as sought after and beloved. Malaysians know Luang Por Dam very well, for his temple is very close to the Malaysian border in Naratiwat, which is one of the reasons LP Dam was able to be a close accomplice of LP Kron, and receive and continue his Wicha.

Rear Face Pra Pid Ta Luang Por Dam

The Pra Pid Ta amulets of Luang Por Dam of Wat Mai Nopparam, have become ever more comparable and popular to those of his Mentor and Wicha Inheritance Kroo Ba Ajarn Luang Por Kron, for the fact that Luang Por Kron’s amulets are almost impossible to find anymore these days, and the Pra Pid Ta of Luang Por Dam have hence become the favored alternative, for they are considered to possess the magic of both Masters.

Below; Luang Por Kron – Wat Uttamaram (Kalimantan Malaysia)

Luang Por Kron of Wat Uttamaram Malaysia
As to Luang Por Dam’s Mentor, LP Kron, Malaysian Buddhists do not often call him Luang Por Kron as Thai people do, rather ‘Tok Racha‘, which means something similar to Thailand’s top Royal Monk always being called ‘Pra Sangkaracha’.

It is said that despite the fact that most of the surrounding households in the vicinity of Luang Por Krons temple were Muslim, that he earned their respect, and was an honored person. He was not called Luang Por Kron by Malays, as we call him in Thailand, rather, was named ‘Tok Raja’, which means ‘ as equal to the Sangha Raja’ .

The reason for this comes from a legend that the daughter of a powerful Sultan of Kalantan was cursed with a black magic spell, which caused his mind to become strangely affected, and even doctors and psychologists could not help to cure him, and even the Muslim witch doctors could not break the spell with their magic.

But Luang Por Kron was able to heal her, and return her to sanity. This caused LP Kron to recieve great respect from the Sultan who then gave him the honorary name of Tok Raja. His most preferred amulets are the Pra Pid Ta, which were mostly hand made molds, in Muan Sarn Sacred Powders with Lacquer (Nuea Pong Kluk Rak), some very few in carved wood, and a very few are sometimes seen in carved ivory.

Pra Pidta Luang Por Dam Nuea Pong Jarn Yant Putto


Luang Por Kron began making Pra Pid Ta amulets sometime around the year 2480 BE onwards, mostly making hand molded clay models, resulting in each one having a very original appearance, some with very wide legs, others less so. Most were made in Nuea Pong Kluk Rak herbal powders with lacquer mixed into the clay, and hand molded, to form an inimitable effect that has made his Pra Pid Ta amulets so original in design.

Many of his hand molded Pid Ta do not have a dais and have very wide legs, whereas others have a more standard form with inscription, and less wide legs, and usually with inscriptions of Unalome and Yant on the surface of the image. His other highly preferred amulets among devotees, are the Rian Roop Dork Jik 1st edition coin of 2500 BE, and the second edition coin, the Rian Roop Khai of 2505 BE.

A Top Master-Class amulet, from LP Dam, first apprentice of Malaysia’s Greatest Master of the Wicha Pra Pid Ta

The Pid Ta can be used as a Loi Ongk Statuette on the altar for Bucha, or be worn as an amulet encased. This exhibit is highly recommended to use for altar worship, as it has a wide sturdy base, and is fitting for placement on flat surfaces.


Authenticity Certificate Pra Somdej Hlang Yant Ha Nuea Wan Plai Dam 3 Takrut LP Tim

An Authenticated and Certificated Pra Somdej Hlang Yant Trai Pim Pised Fang Takrut Sam Kasat Fang Roop Muean Nuea Ngern – Muan Sarn Sacred Powders amulet of the Great LP Tim, in Nuea Pong Prai Kumarn Bone Powders, with Pong Wan Plai Dam Black Earthen Powders, Gesa Monk’s Hairs of LP Tim, triple Takrut spell inserts, in bronze, silver and gold (3 Kings/Sam Kasat), and a solid gold Roop Muean Bpam image of Luang Phu Tim. The front face has an immensely clear image with refined details and deep relief, which is unusually prominent for this Pim, adding to its inherent prominence, due to being an Ongk Kroo model with triple Takrut in front face, and solid gold Roop Muean inserted in rear face, as well as being made from the much rarer Nuea Wan Plai Dam.

Pra Somdej Hlang Yant Ha Nuea Wan Plai Dam 3 Takrut LP Tim

This Pra Somdej is extremely rare to find in black Wan Plai Dam powders, and especially in Ongk Kroo version. They are well prized for their Maha Lap and Maha Sanaeh, and Kong Grapan Powers, especially an exhibit such as this pristinely kept amulet, enchanting in its appearance, with the seductive shimmer of Sai Rae Tong Kam Pure Gold Flakes, filled with Pong Prai Kumarn Muan Sarn Powders. The special individuaity and Sacred Power of this amulet is enhanced by the Triple Takrut spells imbuing extra power, and the solid gold image of LP Tim on the rear face.

 Luang Phu Tim Issarigo, of Wat Laharn Rai, was renowned during his day, and remains just as highly renowned today, as one of the top Master Monks in Thai amulet making history, and as the master of the Wicha Pong Prai Kumarn. His amulets are highly varied, and more extensive than ever thought before, now that the pantheon is becoming fully documented, and authenticated. Luang Phu Tim Issarigo, was of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders.


Pra Somdej Hlang Yant Ha Nuea Wan Plai Dam 3 Takrut Gold Image LP Tim

The amulet is full of Pong Prai Kumarn with Plai Dam Powders, and has all features intact, having been kept in pristine condition by its original owner The Sacred Pra Pong Prai Kumarn of the Great Luang Phu Tim of Wat Laharn Rai is one of the most famous amulets of all time, and highly renowned for its true power to bring prosperity and good business, power of attraction and mercy charm to the wearer.

The Pra Somdej is rare to find in black Wan Plai Dam powders, known for their Maha Lap and Maha Sanaeh, and Kong Grapan Powers, especially an exhibit such as this pristinely kept amulet, enchanting in its appearance, with the seductive shimmer of Sai Rae Tong Kam Pure Gold Flakes, filled with Pong Prai Kumarn Muan Sarn Powders. The amulet has Luang Phu Tim’s inimitable and semi-ubiquitous Yant Trai Sacred Geometry Spell in Ancient Khmer ‘Pasa Khom‘ Pali Sanskrit Agkhara Sacred Script on the rear face, which is what lends the name ‘Somdej Hlang Yant Trai’ or Yant Maha Ud’ (Gunstopper Yantra), to the amulet.

Once seen as less known as the other famous Masters of his time such as Luang Por Horm, Luang Por Rung of Wat Ta Graber, and Luang Por Chern. LP Tim soon became more popular and powerful as the tale of him being the only Master able to make an amulet rise up in a water filled alms-bowl and start spinning around, when put to the test with the other great Masters, in a privately held competition of magical powers.

Since his passing, his devotees and apprenticed monks, have now become the world’s top living masters for the making of Pra Khun Phaen Pong Pra Kumarn, and literally dozens of encyclopedic books, have been printed, documenting both this great master monk, and his classic amulets of high esteem. The amulets of Lang Phu Tim have resided, among of the most popular amulets in the whole Pantheon of Thai Buddhist Amulets of the last century, and indeed, of all time. The amulets of Luang Phu Tim, are now almost impossible to encounter commonly anywhere in any amulet emporium, except for the most elite showrooms, and usually at a very elevated price.

The reason the Pong Prai Kumarn amulets of Luang Phu Tim became so world famous and popular, even in the time when Luang Phu Tim was still alive, is because everybody who owned one, recounted that business and personal success and prosperity had increased constantly and steadily since wearing the amulet.

Kata Luang Phu Tim  Wat Laharn Rai

Encyclopaedic work of the amulets of the Great Luang Phu Tim Issarigo of Wat Laharn Rai


Takrut Thak Chueak Gliaw Diaw Luang Por Sud Wat Ga Long (12)

Mid Era Takrut Klaew Klaad Kong Grapan Thak Chueak Gliaw 5 Inches A highly Revered Kong Grapan Klaew Klaad Maha Ud, top ‘Krueang Rang’ (Talisman) type amulet with Power of Protection; the Takrut Tone Nuea Tong Daeng Thak Chueak Gliaw Diaw Sacred Copper Yantra Foil Spell with single spiral bound cord wrap, from the great Luang Por Sud, of Wat Ka Long. The Takrut measures about 5 inches long. Estimated Circa 2490 BE.

 

Luang Por Sud was the legendary originator of the Wicha Yant Daktor rattan wicker ball Yantra spell, and also very famous for his Pra Somdej Khee Suea Buddha riding tiger sacred powder votive tablets. The amulets of Luang Por Sud were revered by the great ‘invincible’ gangsters of that Era, and the Somdej Sariga Suea Phaen was a favorite amulet with famous Gangsters of the time, such as Dtee Yai’. His amulets are prized possessions of those who seek Kong Grapan Klaew Klaad Invincibility and Evasion magic, as well as those who seek power and dominion over others, in professional and social status affairs.

 

Free Registered Air Parcel Shipping is Included with this amulet. The Takrut is made from Nuea Tong Daeng Sacred Copper Yantra foil, and bound with spellbound cords (using incantations whilst wrapping), as was traditional. This exhibit is estimated to have been made during the mid-era of his Wicha trajectory. The Takrut was known to have been made with yellow, beige, white, black or Green Cord.


Luang Por Sud was born in the year 2445 BE on the 7th of May. he ordained into the Sangha at the age of 16 as a Samanera Novice Monk. When he moved after becoming a fully fledged Bhikkhu to Samut Sakorn and stayed at Wat Ka Long, where he eventually became the Abbot through his long term diligence and meritorious acts.

He became famous for his Wicha Yant Look Takror Wicker ball Yantra, which he had Mastered through the use of Khmer Sorcery methods. Luang Por Sud made many different kinds of amulets, but it is perhaps the Takrut, and his Look Takror Wicha amulets (including the Pha Yant Takror) which are his most revered and famous for their Kong Grapan Chadtri and Klaew Klaad powers.

 

Luang Por Sud became even more famous after his death in the year of his cremation in 2545 BE, when his body would not burn, and seemed impermeable to fire. So the temple committee was forced to give up trying to cremate him, and placed his remains in a glass coffinThe Takrut contains a vast compendium of blessings, ranging from protection to wealthy fortunes, with strong leanings towards Klaew Klaad and Kong Grapan Chadtri beng the most prominent form of magic present. Luang Por Sud made Takrut throughout his lifetime as a Sorceror Monk.

Luang Por Sud, and his Amulets, and His famous Yant Takror and Takror Balls are amongst the Popular ‘Niyom’ Class of Preferred Guru Masters, of a High Class but with a still affordable pricetag, despite their ever increasing rarity and difficulty to encounter when seeking an item from this Master.

The Takrut of Luang Por Sud is said to have been the favor of the Great Highwaymen and Robbers, who used the Takrut, Pha Yant, and Look Hwaay Takror of this great Master to Protect themselves.

 

The famous Look Takror Wicker Ball of Luang Por Sud is the subject of a Legendary story that is said to have helped a Thief Escape hundreds of Police, as he was surrounded, and slip through their hands with the power of the Magic Amulet assisting.

 

This is a very rare item for the devotee collector of ‘Thai Krueang Rang’ (Buddhist, Occult, and Animist Charms), and is a matter of choice whether the owner wishes to preserve it in Museum Case or wear it for its Protective Powers. This Takrut belt is Please always Take Care with Authentic Sacred Ancient Amulets, and preserve their condition as best as possible, but also remember that amulets both Ancient and Modern, were designed and intended to be worn, more than they were intended to be kept in a Museum.

 

Below; Luang Por Sud (Wat Ka Long) 2445 – 2526 BE

Luang Por Sud of Wat Ka Long

Luang Por Sud was the continuation of and the disciple in Magic of the Great Luang Por Rung (Wat Ta Graber) and Luang Phu Mao (Wat Klang Panom Prai). A great mark of respect was given to Luang Por Sud by the great Luang Por Rung, who asked Luang Por Sud to come and assist in the empowerment of Luang Por Rung’s first edition Coin Amulet.

 

 

Luang Por Sud passed away on the 14th of August 2526 BE, and it was then that his already great fame became legendary around the country, as the miracle of his Cremation Ceremony occurred before the eyes of thousands of Devotees

 

The event fulfilled the Prophecy which had happened in the Dream of his first apprentice, Luang Por Chalong, where Luang Por Sud had appeared and told Luang Por Chalong that it would not be possible to light the Funeral Pyre, and that Luang Por Sud would do it himself, but that his bones would remain, for they could not be burned. This is a strange thing, because this kind of miracle also happened with the Arahant Saributra in the times of the Buddha, and it is said that the bones of Saributra cannnot be burned until the Future Buddha Maitreya comes, who shall burn them with Kasina Fire energy.

Below; The Famous Yant Takror Kong Grapan Chadtri Yantra of Luang Por Sud.

Yant Takror

The Famous Tiger Takrut of Luang Phu Bun. of Wat Klang Bang Gaew, in Nakorn Pathom.

The Immortally famous Takrut Hnaa Bpaag Suea Tiger Hide Forehead Hide Yantra Scroll Spell of Luang Phu Bun (Wat Klang Bang Gaew), hand inscribed and spellbound with Daay Dtra Sangkh Cords over 100 Years ago, and coated in Rak Chart Jeen Boran ancient Chinese red laquer, blackened over a century and more of ageing.

Free EMS Express Airmail Registered Shipping Worldwide is included with this amulet. A Master Class amulet from the great Master of Wicha Bia Gae, Wicha Pong Jindamanee, Wicha Takrut, and Wicha Suea, of Olden Days of the Nakorn Pathom Province; Luang Phu Bun, of Wat Klang Bang Gaew.

This exhibit is in extremely pristine condition, and shows the true qualities of ageing on its lacquered surface, to reveal an authentic model of the Takrut Hnaa Bpaag Suea tiger forehead amulet of Luang Phu Bun.

Tiger Takrut Luang Phu Bun

Luang Phu Bun released various styles of Tiger forehead Takrut (as well as other types of Takrut too), but this form is the most highly accepted and easily recognizable, and highly preferred for its extremely well reputed Kong Grapan, Maha Ud, Klaew Klaad, Metta and Maha Amnaj

 

 

A Centenarian Amulet of Immense Value for the Sacred Powerful Blessings of the Great LP Bun, its Historical Importance, and Rarity as an Ancient Amulet of Master-Class Status, as well as for being a masterpiece of antique magical heritage and Buddhist Historic importance, in a substance that is no longer to be found used in the making of modern amulets, due to the ban on ivory and tiger hide and teeth, which only permits antiques of ancient origins to continue to exist.

 

takrut types lp bun

The amulet is made from rolled up tiger forehead hide, and is inscribed with sacred spells with Wicha Suea Tiger Magick, which represents various aspects of Maha Amnaj Commanding Power, Invincibility, Chai Chana Victory Bringing Magic, Serm Yos Status Increase, Easy Living and Maha Pokasap Wealth Attraction. The tiger itself, especially when made from real Tiger Forehead, is naturally imbued with the Sorcerous Powers of Maha Amnaj (commanding power and influence), Serm Yos Status Increase for positions of command, Chai Chana Victory, and great opportunities of promotion, Metta Mahaniyom Mercy Charm is also present, to lull your Subjects and Charm them into Obedience.

 

 

This is an extremely Rare Ancient Amulet of the Pra Niyom Master-Class of Thai Buddhist Amulets. Luang Phu Bun is one of the Top Master Guru Monks of Thai Buddhist History in both Patipata (Dhamma Practice) as well as for his Magical Prowess in Amulet making, Puttasart, and Saiyasart (Occult Sorcery and Buddha Magic). The amulets of Luang Phu Bun are famous for their immense Klaew Klaad and Metta Mahaniyom Powers and their Power of ‘Serm Duang’ (improve fate and destiny).

Takrut LP Bun Wat Klang Bang Gaew

 

His amulets grace the pages of almost every famous catalog and amulet magazine in the High End Collector Publications, and are amongst the highest priced ranging from many hundreds of dollars for the most commonly found amulets, to hundreds of thousands of dollars for his rarest amulets.

 

Luang Phu Bun was a close friend and accomplice in Wicha with the Great Somdej Pra Sangkarach (Pae) of Wat Sutat fame, whose amulets belong to the priceless treasures category and are only to be found in the possession of wealthy, and high ranking persons of state importance, and a few lucky extreme collectors and devotees who have kept them throughout the generations, or inherited them as heirlooms from their family members. Almost anybody who owns such an amulet will be hard pressed to part with it in any circumstances.

Takrut Hnaa Bpaag Suea LP Bun

 

Below; The Takrut Hide is wrapped with Daay Dtra Sangkh thin cord and lacquered, as was ubiquitous in the olden days, where encasement was not yet an industry/profession, with devotees instead, wearing the amulet against the skin. The amulet can be encased in Waterproof Transparent Acrylic Casing, Steel Capped, or Gold Capped Transparent Tube Casing, or can be strapped to a waist cord if you prefer to wear the amulet touching your skin.

 

Luang Phu Bun was extremely famed for his Wicha of making Ya Wasana Jinda Manee. This Wicha was developed by Luang Phu from an Ancient Teaching through his Kroo Ba Ajarn, and has since his making the Muan Sarn famously powerful, has been inherited as a Wicha of Muan Sarn powder making for the amulets of the Wat Klang Bang Gaew lineage throughout the ages from Luang Phu Bun, to Luang Por Perm, to Pra Ajarn Bai, to Luang Phu Juea, and now the present holder of Luang Phu’s now ancient Wicha, Luang Por Kong (Sanya) at Wat Klang Bang Gaew.

The Bia Gae of Luang Phu Bun is considered the most famous and difficult to find of all Bia Gae that are of Master Class status. All following Masters of Luang Phu Bun’s temple have become famous Bia Gae Masters, and continue to rise in procession in line and following after those now immensely unaffordable Bia Gae from Luang Phu Bun. The famous Pong Ya Wasana Jinda Manee, and Pong Khamin Sek Muan Sarn Powders of Luang Phu Bun (also known as ‘Pra Ya Horm’), carry legendary status for their immensely powerful magical properties. These are two very Sacred Powders within the Dtamra, with Pong Khamin Sek having a pungent aroma, with Powers of Protection and Wealth Increase, and the legendary Pong Ya Wasana Jinda Manee having an aromatic Sacred Powder, which uses of course the famous ‘Ya Wasana (‘Wasana’ meaning Lucky Fortunes).

Tiger Takrut LP Bun

Pong Ya Wasana, and Pong Khamin Sek are the most famous Muan Sarn powders of Luang Phu Bun, and have become his Legendary ‘Dtamra’ (Traditonal Legend of Inheritance Wicha). For the sake of lineage magic preservation, and continued equal respect to all following lineage masters of Wat Klang Bang Gaew, It must be noted, that despite the fame of his world famous predecessors at Wat Klang Bang Gaew, LP Bun, LP Perm, Ajarn Bai, and Lp Juea, the present Wicha Holder LP Kong Sanya of Wat Klang Bang Gaew, now holds a Wicha that has been passed through a long lineage of already Great and Famous Guru Masters. All Masters inherited this Wicha from the Great Kroo Ba Ajarn Luang Phu Bun, and who have all passed away in sequence after their long lives and trajectory.

 

We are thus gazing avidly at an amulet of a True Olden Days Master, who is already 4 -5 generations the predecessor of the current Wicha holder and Sentinel of the Wicha, making his amulets truly worthy of the title ‘Ancient Amulet’.

Kata Suea – Invocation of Tiger Spirit (Chnanting Tutorial)

 

Below; Luang Phu Bun, of Wat Klang Bang Gaew, and his Tiger Takrut.

The Famous Tiger Takrut of Luang Phu Bun. of Wat Klang Bang Gaew, in Nakorn Pathom.

 

 

One of the rarest and most highly revered and sought after Palad Khik of all Time, the Palad Khik Gae Nuea Mai Paya Ngiw Dam Dong Jarn Mer, of Luang Por Fak, of Wat Nikom Prachasan. Hand carved from sacred Deva inhabited black Ngiw treewood. The Palad Khik of Luang Por Fak is considered amongst the top five Palad Khik of all time, and carries Supreme Eminence in the Thai Collector Scene of the Krueang Rang Category, and for all Devotees of Palad Khik amulets.

Palad Khik Mai Ngiw Dam Dong LP Fak with Hand Spell Inscriptions

Palad Khik Mai Ngiw Dam Dong LP Fak with Hand Spell Inscriptions

Little is known of his Biography or Life before ordination, but it is known that he was the apprentice in Wicha to the great Luang Por Soke (also top 5 Palad Khik Master), and was the4 Kroo Ba Ajarn who taught the Wicha Palad Khik to the Great Luang Por Yid, of Wat Nong Jork. This Palad Khik from Luang Por Fak is in Pristine condition and exquisitely carved in the classic uniquitious curved shape which has come to be a trademark with the Palad Khik of Luang Por Fak.

A hole is drilled through the base of the Palad Khick for threading a cord through and attaching to a waistcord belt, or can alternatively be encased in waterproof casing with pendant hoop for wearing on a neckchain or belt as preferred.

Hole drilled in base of Palad Khik Mai Ngiw Dam Dong LP Fak

Hole drilled in base of Palad Khik Mai Ngiw Dam Dong LP Fak, for threading a cord for attachment to a belt or neckchain  – Hand spell inscriptions can be seen on the surface of the sacred black Paya Ngiw Dam Dong Treewood.

The back of the Palad Khik has three holes where special Muan Sarn is inserted. The body of the the Palad Khik is formed in the clasic curved shape which has become known to be ubiquitous with the Palad Khik of this Master. This exhibit is extremely rare for the hand inscription of the Yant Dan Dta (Yant Dto) on the head of the Palad Khik, which is said to be found on only very rarely.

The Palad Khik of Luang Por Fak are highly renowned for Kong Grapan Chadtri (Invincibility), Klaew Klaad (Evasion of Deadly Accidents), Metta Maha Niyom n(Mercy Charm), Kaa Khaay (Selling Power), and Lai Phuudt Phii Pisaj (Chase Demons and Ghosts Away).

3 Muan Sarn Inserts in the Palad Khik Mai Ngiw Dam Dong LP Fak

3 Muan Sarn Inserts in the Palad Khik Mai Ngiw Dam Dong LP Fak

The Palad Khik is empowered with the Kata; NA HI HA HU JA CHA DAN DTA
And the Kata Hua Jai Taw Waes Suwan “WAE SA PU SA”, and the Kata Hua Jai Ittijae for Metta Maha Sanaeh “I TA KA MA”, as well as the Kata Hua Jai Metta Karaniya Sutta “AE DTANG SA DTING”, topped off with the Hua Jai Maha Ud “UT TANG AD TO”.

 

11 Kinds of Blessings are included within the Magic of the Palad Khik’s Wicha; 1. Sleep peacefully, 2. Awaken with Happiness, 3. Protection against all Deadly Weaponry, 4. Immunity to Poisons, 5. Mercy Charm, 6. Good Business and Wealth Increase, 7. Convincing Speech, 8. Ward off Evil Spirits and Ghosts, 9. Improve Karma, 10. Protect Household and Property, 11. Increase Popularity & Chances of Promotion.

Palad Khik Mai Ngiw Dam Dong LP Fak

Palad Khik Mai Ngiw Dam Dong LP Fak

The Palad Khik is an Ancient Wicha, whose development can be traced right back to the Vedic Brahman Occult practices of Thousands of Years ago. Palad Khik amulets must be empowered by the repetition of incantations, which Thais call ‘Kata Bucha’, derived from the Devanagari ‘ghata poojah’. The incantations depend on the creator’s lineage in each school of traditional non-Buddhist animist magic.

Kata Bucha Palad Khik

Ganha Neha Na Ma Pa Ta

or

Ja Pa Ga Sa Na Mo Put Taa Ya Gan Ha Nae Ha Na Ma Pa Ta

or

Om Siwaling Sabbha Metta Sabbha Pokaa Sabbha Laapo Sabbha Tanaa, Sabbha Yasa, Sabbha Pranee Sabbha Mangalaani Bhavantume.

 

or

Om Laluay Mahaa Laluay Samsip Sorng Hee Hae Hom Lorm Dtorm Kuay Khor Hai Guu Ram Ruay Pro Hua Kuay An Nii Da Daa Di Dii Duu Dii Hee Maa Kuay Maa Burut Maa Dii Sadtrii Mii Maa Swaa Home

 

chant any one, or all of the Kata 3 times holding the Palad Khik before wearing


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Carved Tooth Tiger Amulet LP Parn Wat Bang Hia (Wat Bang Bor)

Khiaw Gae Suea Jarn Mer Sacred Carved Tiger Amulet made from tooth, with hand inscription by the Great Luang Por Parn of Wat Klong Dan Previously ‘Wat Bang Hia’) – Kong Grapan Chadtri Maha Amnaj Talismanic Amulet of Master Class Status.

The amulet has a beautiful ochre Patina on the surface from aging through the many decades of time that have passed, and thorugh contact with the skin of devotees, and is a most pristine example of a suea Luang Por Parn.

Suea Gae Luang Por Parn Wat Bang Hia

Suea Gae Luang Por Parn Wat Bang Hia

Luang Por Parn is arguably the number one Master Gaeji Ajarn of all Living Memory when it comes to Wicha Khiaw Suea. Many Masters hold a high status for carved Khiaw Suea, but nobody in living memory has attained the same status as Luang Por Parn, except his famous apprentice, Luang Por Nok, of Wat Sangkasi.

 

Khiaw Suea are full of Maha Amnaj, Kong Grapan Chadtri and Metta Mahaniyom-Maha Sanaeh Magick, and possess Anti Black Magick Forces in their very nature. An excellent Status Increase Talisman to Impose your Superiority and Status and Rank over others, and to protect you from deadly Dangers and Weaponry, as well as to Increase Seductive Charm and Chances of Promotion.

The temple of Wat Kong Dan (Wat Bang Hia), is of course a World famous Historical Temple of Monumental Status in the Amulet Scene for the fact that this was the temple of Luang Por Parn, Master Wicha holder of making famous Tiger Tooth and Carved Tiger amulets, whose amulets are now of the ‘Maha Sethee’ Master Class, highly favored and collected by the wealthy collector, which has caused these amulets to become amongst the most expensive of their genre.

The tiger teeth of Luang Por Parn are perhaps the most sought after and rare of all Tiger Tooth amulets even more so than those of his predecessor Luang Por Ruean (also of Wat Bang Hia), especially those which are of the ‘Suea Kroeng’ tiger (large male tiger). Some circles of collectors may charge as much as 50,000$ for one, as can be seen in the below news article from the newspaper ‘Kom Chad Leuk’.

However, we wish to dispose of such exaggerated prices, which are indeed seen to be perpetuated, and certain marketplaces do continue to declare these prices, and get them from rich millionaires. But we do not pertain to such practices of price manipulation at such exaggerated levels, and maintain a realistic approach based on our ability to discover and obtain such items of authenticity at reasonable affordable prices.

Luang Por Parn – Wat bang Hia (Wat bang Bor)

Such prices are manipulated and highly exaggerated, despite their continued success in maintaining the myth of mega millionaire price tags. A tiger tooth from Luang Por Parn is indeed expensive, as are all tiger teeth from olden days masters, but not as expensive as such circles of aficionados like to insinuate.

Many people think that Luang Por Parn of Wat Klong Dan is a different Master to the Luang Por Parn of Wat bang Hia, but this is a Myth, that is perpetuated by people’s ignorance of the fact, that wat bang Hia, in Bang Bor, Samut Prakarn Province, is a different temple to the temple of Wat Klong Dan. The truth is however, that the word ‘Hia’ which means both ‘monitor lizard’ (which is the true reason for the temple being named Wat Bang Hia, due to a lot of Monitor Lizards being around in those days), also is a swear word, meaning ‘very bad person’. Because the name of the temple of Wat Bang Hia was seen as Inauspicous to some people’s ears, it was changed to ‘Wat Klong Dan’

This is why much confusion has occurred with those who have not studied the Dtamra of Luang Por Parn and related Masters of this Temple, may believe there are two Masters famous for Tiger Teeth both named Luang Por Parn, tow Masters famous for tiger teeth named Luang Por Say, for they are both sometimes stated to be of ‘Wat Bang Hia, and sometimes as coming from ‘Wat Klong Dan’

Luang Por Parn was one of the Great Master Guru Monks of his Era (2368 – 2543 BE), and the originator of the Wicha for Tiger Amulet empowerment of this Lineage, using the Wicha of Wat Bang Hia.

Size; 4 Cm Long x 1.5 Cm thick

Wat Bang Hia is of course a World famous Historical Temple of Monumental Status in the Amulet Scene for the fact that this was the temple of Luang Por Parn, Master Wicha holder of making famous Tiger Tooth and Carved Tiger amulets, whose amulets are now of the ‘Maha Sethee’ Millionaire master Class.

It was the Great Luang Por Parn who was the Mentor and Teacher in Wicha to Luang Por Nok of Wat Sangkasi, who is a Classic Olden Days Master of Legendary Status in his own right, and whose Tiger Teeth Talismans also carry immense Serm Baramee and Maha Amnaj Power.

Luang Por Nok practiced the Mastery of Wicha Saiyasart Buddha Sastra Occult magic under Luang Por Parn himself. He fast became Luang Por’s most elite apprentice for his fast wittedness, ease of learning and good memory.

Because of this he recieved the teachings and attained Mastery of the methods of Luang Por Parn in a very short space of time, and was soon considered to have a level of Mastery and Understanding that Thai people call ‘Dtaek Chan’, which means to Master a subject to the poin where one excels above all other practitioners.

Carved Tooth Tiger Amulet for Protection LP Parn

Luang Por Nok often followed Luang Por Parn out into the forest when he would wander on Tudong Practice. This is where Luang Por Parn revealed and taught the Master Wicha of the ‘Khiaw Suea’ Tiger tooth amulet. The Wicha of Luang Por Nok became so powerful, because he was receiving Wicha from perhaps the greatest Master in Living Memory for Tiger Tooth Talismans.

One can say that Khiaw Suea from Luang Por Parn and from his Apprentice, the Great Luang Por Nok, can be considered the top preferred Masters for this kind of Talismanic Charm. They are both immensely rare, and most often completely beyond availability. We pride ourself in our diligent quest to search far and wide to find the remaining exhibits around the country, to present them for your admiration and study, and to place some available to those who wish to possess one.

Luckily we are patient and vigilant, and try our best to seek both beautiful, sacred and authentic example that are also affordable. It can not happen very often, for good things are hard to find, and far and few between. The Powers of the Tiger Tooth are reputably said to possess Kong Grapan Chadtri, Klaew Klaad, and Maha Amnaj (commanding power and influence), as well as powerful Maha Sanaeh attraction power and Metta Mahaniyom Mercy Charm.

The hand inscription is inimitably inscribed in the handwriting of Luang Por Say, and hence easily recognizable for its style of Agkhara lettering, noticeabe for its ‘lightning flash’ like Agkhara inscription, which is ubiquitously present with tiger teeth of Luang Por Parn.

The tooth can be encased if desired in waterproof casing for attachment as a pendant. One could say that this exhibit is an extremely pristine and beautiful example of Khiaw Suea Kroeng, with most beautiful features, and highly visible inscription, revealing the authentic evidence of the hand of a preferred artisan of the great master Luang Por Parn

Kata Hua Jai Suea Maha Amnaj – Incantation for the Tiger of Commanding Dominion and Power.

Gur Ru Su Gu

The yellow patina which has developed through aging on the surface of the tooth, brings character and excellence to the amulet, revealing its evident age and distinguished status, adding to the Magick of Maha Amnaj Commanding Power, Dominion and Influence in its visual effect, which is Imposing in Itself at First Glimpse.

Incantation for Tiger and Rachasri Lion amulets from the Great Luang Por Guay of Wat Kositaram

The Pra Pid Ta Wat of Sapan Sung Temple, is a Dtamra (legendary series) that spans over various generations of abbots, all of whom have managed to gain equal fame and high repote for their Pra Pid Ta amulets, all of which preserve the style and methods of the original Wicha made so famous by Luang Phu Iam.

Ancient Amulet Proudly Presents the all time classic Pra Pid Ta Pim Chalud Nuea Pong Jum Rak amulet of Luang Por Tong Sukh. An Ancient Pra Niyom Master-Class Amulet made using Sacred Yantra Powders, and ‘Jum Rak’ lacquer dipped. An eternal favorite of devotees around the world, from Luang Por Tong Sukh of Wat Sapan Sung

All editions of Pra Pid Ta Wat Sapan Sung are highly sought after. and seen as preferred Master Class category amulets (Pra Niyom), regardless from which Master they came from.

Pra Pid Ta Pim Tapap Luang Por Tong Sukk Wat sapan Sung Nuea Pong Jum Rak

Pra Pid Ta Pim Chalud Luang Por Tong Sukk Wat sapan Sung Nuea Pong Jum Rak

The Pra Pid Ta Wat of Sapan Sung Temple, is a Dtamra (legendary series) that spans over various generations of abbots, all of whom have managed to gain equal fame and high repute for their Pra Pid Ta amulets, all of which preserve the style and methods of the original Wicha made so famous by Luang Phu Iam.

The Pra Pid Ta old amulets of Wat Sapan Sung is known in two major Pim (models), namely the Pim Chalud (Blind Man model), and the Pim Dtapap (Terrapin model). Mostly the amulets would be covered in Lacquer, with some very few exhibits in pure powders. Others can be found to have had the lacquer cleaned off them by devotees in later years. It is known that Luang Phu Glin, one of the Great Masters of the Wicha Pra Pid Ta Wat Sapan Sung, was allergic to Lacquer, and so his versions never had lacqer on them and were pure powders (except when a devotee applied the lacquer himself after receiving the amulet). Luang Por Tong Sukh and Luang Phu Iam however, would more often than not dip the Pra Pid Ta in lacquer as a protective layer.

All masters have followed the same design and method of lacquering, resulting in the amulets of each master being very similar in design, and mostly can only be differentiated by estimation of the age of the lacquer and Muan Sarn Sacred Powders in order to determine which Generation of Master the amulet came from.

Luang Por Tong Sukh Intasaro (Pra Kroo Nantagij Sope), was the abbot of Wat Sapan Sung during the years 2491 BE to 2525 BE, after Luang Phu Glin, and Luang Phu Iam. Much like his predecessors, he continued to preserve and nurture the Wicha Pra Pid Ta already made famous from this Temple by the great Luang Phu Iam, and Luang Phu Glin, and produced his own editions, using the Wicha bestowed upon him from his Kroo Ba Ajarn before him.

Luang Por Tong Sukh was born on the 11th March 2446 BE in the village of Nong Phai Hlueang in Petchburi and was the son of Mr. Kong and Mrs. Pae, and was the youngest of 5 sibliings. At age 11, he went to be educated at the temple of Wat Nong Wa in Petchburi, with Pra Ajarn Joy, Ajarn Say, and Ajarn Nim. When he reached age 13, he left with his uncle to help work to assist his family, and moved to work in Rachaburi.

Below; Luang Por Tong Sukh of Wat Sapan Sung

Luang Por Tong Sukh of Wat Sapan Sung

At age 20, he was called into the military service with the Infantry in Petchburi. After he finished his military service, he applied for a job in the Police force, and was employed as a Police Lieutenant in Petchburi for two years. After this, he was sent to work in the Southern Province of Naratiwat, and later to other Porvinces like Satun, Ban Pong, Rachaburi, Chayapum and Surin. He was eventually sent back to work in Petchburi, and after one single year working there, he began to develop immense boredom with the ways of the world, and left the Police force.

He ordained into the Sangha in the year 2470 at Wat Na Prohm in Petchburi. Pra Kroo Pit (Abbot) was his Upachaya Ordaining Officer, and Pra Ajarn Phong was his Gammawajajarn Prompt, and Pra Ajarn Up was his Anusawanajarn Witness. He stayed at Wat Nong Wa for one year, and then Pra Ajarn Peng of Wat Sapan Sung who passed by traveling on Tudong, invited him to join him to go stay at Wat Ta Gwian in Pak Kred in Nontaburi. Luang Por Tong Sukh stayed here for three years and then moved on to go study Pariyatti Dhamma at Wat Sapan Sung in the year 2474 BE.

At that time Pra Kroo Sopana Sasanagij (Luang Phu Glin) was the abbot, and his friend Ajarn Peng was the Pariyatti Dhamma teacher. In the year 2476 BE, Luang Phu Sukh gained his Doctorate in Dhamma studies, and Luang Phu Glin gave him the job of teaching Pariyatti Dhamma instead of Luang Por Peng.

Luang Por Tong Sukh then at this time began to study and practice the Dtamra Saiyawaet Grimoire of Buddha Magic and Occult Sorcery, and the various Kata which were pertinent to the Wicha of the Temple and Masters of Wat Sapan Sung, such as the Inscriptions for Takrut, the methods of making Pong Lob Yantra Powders, the Wicha of making Pra Pid Ta amulets, and Holy Water. He received all of these Wicha and Ritual methods from Luang Phu Glin, then the Abbot and Guardian Sentinel of the Wicha, passed down from Luang Phu Iam.

In the year 2482 BE, Luang Phu Glin passed away, and Luang Por Tong Sukh was given the emergency status of temporary Abbot until 2490 BE, after which he was officially instated by the Sangha Comittee as Abbot with full documentation and Royal decree. He performed his duties and continued the work of Luang Phu Iam and Luang Phu Glin, and was now the new Master and Guardian of the Wicha Pra Pid Ta Wat Sapan Sung, as the third important master of the lineage Wicha. In the year 2508 he was awarded status of Upachaya.

Luang Por Tong Sukh administrated the temple with great prowess, and brought many improvements to the enclave, and saw to the needs of the devotees. His kindness and strength of practice was legendary with the local devotees, for his strict adherence to the Dhamma Vinaya Buddhist Canon, and maintaining his purity as a Buddhist Monk.

His guidance to the younger Samanera novice monks was excellent, which led to the temple having only well practiced Monks residing, which brought even more reverence from the local community of devotees, for the temple was seen as a true place of practice, with only pure monks residing.

 

Luang Por Tong Sukh guided the fold and took care of the temple and its Bhikkhus with complete self renunciation for many years, serving the congregation, until he passed away on the 7th April 2525 BE at 8:00 am, at the age of 79 Years Old.

Luang Por Tong Sukh made the Pra Pid Ta Wat Sapan Sung throughout his trajectory, for devotees would come in throngs every day to seek out amulets, and so one can find Pra Pid Ta of this master coming from a range of time periods, ranging between about 2490 BE, up to his passing in 2525 BE, spanning a period of over 35 Years of amulet making.

 

His early era amulets will hence have similar appearance in ageing characteristics as those amulets from the latter Era of his Mentor Luang Phu Glin. It is hence a point of study to recognise the ageing characteristics of the Muan Sarn Sacred Powders and Lacquers of the Pra Pid Ta Wat sapan Sung amulets, to separate a late Era Luang Phu Iam amulet from an early Era Luang Phu Glin, and a late Era Luang Phu Glin amulet from an early Era Luang Por Tong Sukh. To master this aspect of amulet study of the Pra Pid Ta Wat sapan Sung, is to Master the Dtamra of amulets of three Generations of Masters in its entirety.

 

Luang Por Tong Sukh’s amulets are manyfold, ranging from his famous Pra Pid Ta, to Rian Kanajarn Monk Coins, and many talismanic charms such as Takrut, Look Om, and Pha Yant. Amongst his most preferred amulets are of course the Pra Pid Ta, and the Roop Lor Luang Phu Iam, and Roop Lor Luang Phu Glin Loi Ongk Statuettes (released in 2500 BE). Other preferred amulets are the Rian Sema Block Ueam, the Rian Luang Phu Glin, and Rian Khaw Hlam Dtad, as well as various other Rian Sema type coins. Some of his amulets can fetch thousands and even tens of thousands of dollars for rare preferred block presses.

 

The Pra Pid Ta of Luang Por Tong Sukh is a very poreferred and popular amulet, for its undisputed powers, which have been repeatedly confirmed over the years with so many stories in the newspapers about miraculous events happening to devotees who wore the Pra Pid Ta Wat Sapan Sung of Luang Por Tong Sukh. Luang Por Tong Sukh made the Pra Pid Ta exactly as passed down to him by Luang Phu Glin and his predecessor Luang Phu Iam.

Below; Luang Phu Glin, of Wat Sapan Sung

 

It is said that the Pra Pid Ta of Luang Por Tong Sukh is just as powerful and can be used instead of Pra Pid Ta by Luang Phu Glin or Luang Phu Iam, and the amulets of all three Masters are collected with equal fervency and preference by devotees, the only difference between the amulets of these three masters being the age and the price. Luang Por Tong Sukh would use old powders which were passed down from Luang Phu Gling, which Luang Phu Glin in turn had received from Luang Phu Iam.

It is said that Luang Por Tong Sukh made amulets from about the year 2490 BE onwards. Both the Pim Chalud and the Pim Tapap models are very highly revered and sought after, with his most preferred and rarest models being the Pim Sader Jun, and the Pim Sorng Sader (2 belly buttons), and the Pim Tapap (Terrapin Model).

 

The Pim Sader Jun is very rare, made in the year 2495 BE, and fetches very high prices on the marketplace, starting at about 1000$ and upwards. However, it is a fallicy that the Pim Sader Jun was only pressed in 2495 BE, as Luang Por Tong Sukh kept pressing the Sader Jun amulets with the very same block press until it broke sometime between the years 2510 BE and 2520 BE. The Pim sader Jun and Pim Sorng Sader remain his rarest and most highly valued models, fetching extremely high prices with collectors.

 

The Pra Pid Ta Wat Sapan Sung are highly renowned for their powers of Maha Pokasap Metta Maha Niyom Klaew Klaad Kong Grapan Chadtri, to bring great wealth and protection to the wearer.

Kata Pra Kawambadee

(This kata is for increasing ones wealth and belongings and good fortune);

Namo Puttassa Kawambadtissa

Namo Tammassa Kawambadtissa

Namo Sangkassa Kawambadtissa

Sukha Sukha Warang Na Mo Puttaaya Ma A U

Tugkhang Anijjang Anatta Jewa Segkhaa Tammaa Yataa Put Mo Na



Takrut Tone Kong Grapan Chadtri Metta Luang Por Yid Wat Nong Jork

Takrut Tone Tong Daeng Sacred Copper Yantra Foil scroll spell with yellow cord wrapping, for Kong Grapan Chadtri and Metta Maha Niyom, early era amulet from Luang Por Yid, of Wat Nong Jork. The Takrut measures 5 Inches long, weighing 25 Grams. This Takrut has used a long strip of Sacred Copper Yantra foil scroll, and contains a mass of incantations to empower with a large compendium of spells, for Metta Maha Niyom, Kong Grapan Chadtri, Klaew Klaad, Serm Yos, and Maha Lap.

 

Luang Por Yid made a great many amulets in his pantheon, but was most famous for his powerful Palad Khik amulets. Luang Por was famous for being able to chant and empower Palad Khik to the point where they stand up and dance around of their own accord, and has been seen to do this a hundred times or more with devotees witnessing the event.

 

One of Luang Por Yids close devotees, Ajarn Chaiya Am Sam Aang, who assisted him during his years as an ordained monk at the side of Luang Por Yid, and who published the book of Luang Por Yid’s Biography and catalogue of the Dtamra of his amulets, tells that he saw many occurrences of miraculous events as he was resident at Wat Nong Jork assisting Luang Por Yid.

 

He saw Luang Por make the Palad Khik and other Amulets, shake and even jump into the air on their own accord. At that time the only other Monk who was able to perform this show of power was Luang Por Phaew of Wat Tanode Luang, who was famous for having allowed testing of Klaew Klaad Kong Grapan Chadtri with the shooting of a 11 MM Gun that was shot until the whole magazine was empty, without any damage coming to the wearer of the Palad Khik at all.

 

successfully empowered them with great Kong Grapan Chadtri and Klaew Klaad Evasion Magic Powers. Both Luang Por Phaew and Luang Por Yid’s amulets are hence seen as equally powerful as protective amulets, in addition to the obvious Maha Sanaeh and Maha Lap Powers that are attributed to Palad Khik amulets.

As Ajarn Chaiya was at Wat Nong Jork around 2533 BE, he observed Luang Por Yid constantly with fascination, and great expectant hopes to see some Miraculous behavious. But after around 5 days had passed, he had not yet seen anything unusual and so asked to return back to his temple of residence.

 

Before the day he was to leave, at around 2 a.m. in the morning, hje heard some loud noises coming from Luang Por’s Kuti Hut room, which sounded like a cat catching mice. So he decided he would get up and go have a look, but when he tried to get out of bed, he was frozen paralysed rather like he was being smothered by the ‘Phii Am’. ‘Phii Am’, is an effect where you wake up, and cannot move and are completely paralysed, which Thai people blame on a kind of ghost that smothers you by sitting on top of you in the bed).

So Ajarn Chaiya then remained frozen in the same position until morning time, after which he was able to move, and got up to go and ask the other monks in the temple about his experience. They then told him that the previous evening was when Luang Por Yid was empowering amulets, and that this was why he had been so affected by strange power of paralysis.

Luang Por Yid Buddhist Master and Abbot of Wat Nong Jork

Luang Por Yid Buddhist Master and Abbot of Wat Nong Jork

 

Ajarn Chaiya says that it sounds incredible to believe when one hears that a Palad Khik can jump around of its own accord in the hand, and that one might think that it is a fictional story, and that Luang Por was using a trick or technique with is hand. But Ajarn Chaiya tells that the Palad Khik wold even still jump around when placed on the ‘Pan Kroo’ tray that was placed at a distance from Luang Por Yid.

Ajarn Chaiya says that he wished there had been mobile phones with cameras in those days as we have now, for he would have filmed it to show the proof. He says that if that had been possible, that Luang Por Yid would now be world news for the amazing ability.

 

Luang Por Yid’s ability is one which many other supposed Masters have tried to emulate but were not able to perform this effect from afar without touching the Palad Khik as Luang Por could do. Luckily, thanks to Ajarn Spencer’s Buddha Magic Project, we have some footage for you to enjoy, and witness the event for yourselves;

 

Kata Ārātanā Pra Krueang

Puttang Ārātanānang Tammang Ārātanānang Sangkang Ārātanānang

Make a Wish/Prayer and continue with;

Puttang Bprasittimē Tammang Bprasittimē Sangkang Bprasittimē

Takrut Tone Kong Grapan Chadtri Metta Luang Por Yid Wat Nong Jork

Takrut Tone Kong Grapan Chadtri Metta Luang Por Yid


Takrut Tone Luang Phu Nai Wat Ban Jaeng

Presenting a highly recommendable and powerful amulet from one of the great Masters, as equally powerful as many much higher priced alternatives of other great Masters of the time. The Takrut Tone Mad Chueak Sacred cord-bound Yantra scroll spell of Luang Phu Nai (Wat Ban Jaeng)

Takrut Tone Mad Chueak Luang Phu Nai Wat Ban Jaeng

It is indeed amazing that some of the amulets, such as the Takrut Tone of Luang Phu Nai, are still so highly affordable, for their power, distinction and status increasing magic are accepted by devotees of the amulet scene for many decades. When compared to those of his peers, one could find oneself paying up to ten times the price for a powerful amulet of the calibre of the Takrut Tone Luang Phu Nai, who is seen as one of the most powerful Sak Yant Master Monks of his Era, and who was Kroo Ba Ajarn to many of todays most famous Ajarn Sak Yant.

Luang Phu Nai Wat Ban Jaeng

A Master whose Jing-Jok Talismanic Animist Gecko Charms are considered the number one Gecko amulet of all time by most aficionados, and one whose Wicha Sak Yant was, and remains to this day, Legendary for its Powerful Magick. Luang Phu Nai was a very famous Sak Yant Tattoo Master of Ayuttaya, whose Wicha Jing-Jok Gecko Magic was known to be the most powerful of any Sorceror-Monk of his Time.

Takrut Tone Luang Phu Nai

His Jing Jok amulets are the most nationally and internationally famous Gecko amulet of all the Pantheon of Thai Classic Pra Niyom in HIstory to Date, belonging to the ‘Krueang Rang’ (Talismans and Charms) Category of High End Masterpieces.

Luang Phu Nai Made a large number of Krueang Rang Talismanic Charms, including this Pirod Khaen, as well as many forms of sacred Powder amulets, Monk Coins, Takrut, and of course the Jing Jok Gecko charms, made in many different substances, including Galabangha Dam (black coral), Mai Saksit(Sacred Tree woods), Nga Chang (Ivory), Khao Kwai (Horn) and Graduk Gae (bone).

Luang Phu Nai of Wat Bang Jaeng in Ayuttaya

Luang Phu Nai was a previous generation olden days master of Sak Yant Thai Temple Tattoos, and a master amulet maker, especially renowned for his carved sacred gecko charms, as well as many other Amulets. His life as a Buddhist Monk is highly documented, with many different authorships of his Biography and life’s works. His amulets are equally documented and highly prized with collectors of this Genre of Masterpiece Amulet.

The Jing Jok Luang Phu Nai can be found in almost every high class Amulet Magazine, and Encyclopedic Work of importance ever published. Apart from the famously powerful Gecko Charms from this Great Master Guru Monk, Luang Phu Nai has also great fame for his Takrut Tone and Takrut Maha Ud amulets, and his Pra Buddha Kotama (Pra Putta Kodom) and Pra Mokkhallā (Maugdalyana Arahant) amulets (both models in small and large versions) and his Metallic Monk Coin amulets.

All enjoy a highly revered and top rankiing position in the Amulet Appreciation Societies. His Sak Yant Thai Temple Tattoos were and still are legendary, for their authentic Maha Ud, Kong Grapan Chadtri, and Klaew Klaad power.



Pra Pid Ta Pong Graduk Phii Pra Ajarn Hnoo

Pra Pid Ta Pong Athi (Pra Pid Ta Graduk Phii) – Pra Ajarn Hnoo, Wat Po Ta Dtian (Wat Chetupon)

The legendary Pra Pong Athi (Graduk Phii) amulet of Pra Ajarn Hnoo Wat Po Ta Dtian became famous during the second world wartime as a powerful protector against deadly dangers, and has remained famous to this day. It was during the second world war and Indo-Chiina wartime era that many powerful sorceror monks in Thailand began to come out and create amulets to distribute to soldiers and the common folk, to protect them against the deadly dangers of wartime. In that time, the Japanese were occupying Thailand as ‘forced allies’, and so Thailand was being bombed by the allied nations, who were attacking the Japanese military installations. Very often bombs would miss the Japanese target, and hit a local village instead,n and innocent Thai people were killed. And so it was in this era than we came to see amulets like the Pra Pid Ta Pong Graduk Phii come into existence.

Pra Ajarn Hnoo of Wat Po Ta Dtian (Wat Chetupon)

Pra Ajarn Hnoo was a Master Gaeji Ajarn who was known for his intensive practice and mastery of Vipassana Kammathana, and Khmer Sorcery. he would not socialise with other monks, and only his most fearless and devote initiates would dare to enter his Kuti Hut, for it was known that he would ‘Liang Phii’ (take care of Ghosts in his hut).  In the year 2485 BE, Pra Ajarn Hnoo, of Wat Po Ta Dtian (or, ‘Wat Pra Chetupon Wimon Mangkalaram’), created a powerful amulet, in secret, and with his own hands, to help people survive the war and prosper in life. This amulet was to become a legend that has maintained its status into the modern era, and is even the subject of a documentary.

Pra Pid Ta Pong Athi (Pong Graduk Phii) - Pra Ajarn Hnoo (Wat Po)

Pra Pid Ta Pong Athi (Pong Graduk Phii) – Pra Ajarn Hnoo (Wat Po)


This amulet is of course the Pra Pid Ta Nuea Pong Athi (or better known as ‘Pra Pid Ta Pong Graduk Phii’ amulet. Pra Ajarn Hnoo was a Gaeji Ajarn of Khmer Origins, who possessed powerful Necromantic Wicha. He was not very old at the time, but already had a large following of respectful Devotees, who revered him for his powerful Magic. Pra Ajarn Hnoo liked to grow magical herbs around his Kuti Hut at the temple to use for making amulets and potions, holy water and bestowing blessings. Pra Ajarn Hnoo was often visited by devotees to perform spiritual healings with his holy water and herbal potions, and people would ask him for amulets and blessings. Pra Ajarn Hnoo hence began making amulets, in a very unusual manner compared to the usual Thai Buddhist Traditional methods, bringing in his Khmer Sorcery to add to the magical power of the amulet. He used ashes from the bones of cremated corpses, mixed with Puttakun Powders and Ittijae Powders, and Pong Wan Aathan (a mixture of powdered magical herbs and pollens)

[ecwid_product id=”95888049″ display=”picture title price options addtobag” version=”2″ show_border=”0″ show_price_on_button=”1″ center_align=”1″]

The use of the ashes of cremated bones in the amulets came from Pra Ajarn Hnoo’s Khmer Necromantic Sorcery training, which holds to the premise that the ashes or bone powders, funereal earths and corpse oils of the dead, possess immensely powerful magic.

The ashes of Phii Dtaay Hoeng were used, according to the Dtamra Saiasart Khmer Grimoires of Necromantic Sorcery, which specifies that only the ashes of a Hoeng Prai Ghost can be used if the Wicha is to be powerful. A Hoeng Prai is often known as a ‘screaming ghost’ because the word means a person who died in an accident prematurely, or through unforeseen circumstances. So often this will mean a person who died screaming. Hoeng Prai spirits are in Limbo and often angry, possessing immensely powerful psychic energy. The sorceror appeases the spirit in Limbo by agreeing to a collaborative effort, where the ghost of the spirit in Limbo agrees to use its psychic powers to aid the human who owns the amulet made from its ashes, and accumulate good Karma to achieve eventual release from Limbo.

Pra Pid Ta Pong Graduk Phii

One of the many Pim Song models of the famous Pra Pong Athi Pra Pid Ta Graduk Phii

In addition, astrological Necromancy states that a Hoeng Prai Ghost must die on a Saturday and be cremated on a Tuesday, for the full formula of Lucky Fortunes Magic to come into effect.

Pra Ajarn Hnoo saw to it that he fulfilled al of these Ritual requirements, and gathered the sacred ashes until he had enough to press amulets with them, and mixed them with his other prepared Muan Sarn Sacred Powder ingredients, the Pong Puttakun, Pong Ittijae, and Wan Aathan. In addition, Pra Ajarn Hnoo then added his special ingredient, ‘Wan Pong’, or more commonly known as ‘Wan Graser’. Wan Graser is a very rare herbal plant found in the deep rainforests, and is said in Folk Legends to be a bloodsucking ‘Vampire’ plant. If an animal gets entangled in it, it is said the plant can slowly suck the blood out of the animal until it dies. This herb is a very difficult herb to cultivate, as its true habitat is in the deepest rain forests, but Pra Ajarn Hnoo had managed to cultivate some around his hut at the temple, and he used them for the making of the Pra Pid Ta Pong Graduk Phi.

Pra Ajarn Hnoo made various different amulets from the Graduk Phii Hoeng Prai Ashes, including Pra Somdej, and Pra Pid Ta amulets.

Tamniab Wadthumongkol Pra Pong Graduk Phii

Tamniab Wadthumongkol Pra Pong Graduk Phii – Pantheon of Amulets in the series

In any case, despite the Muan Sarn Sacred Powders used by Pra Ajarn Hnoo to make the Pra Pid Ta Pong Athi amulets seeming very scary in their natural origins, Pra Ajarn Hnoo performed appeasement rituals and purification ceremonies over all the individual ingredients of the Muan Sarn Sacred Powders before the amulets were made, and removed any black magick or negative karmic influences and energies from them beforehand, leaving only the pure unstained magical power and energy remaining, to be re-empowered with its new purpose.

The power extracted through Necromancy was then imbued within the form of the Pra Pid Ta amulets, and blessed with Buddhist Blessings of the Buddha Abhiseka (Dhamma Chakra opening of the eyes of the Buddha), empowering the extremely powerful energies within the Muan Sarn Sacred Powders to be able to bring auspicious blessings and strong protective power to keep the wearer from harm, and lead to prosperity and happiness.

Pra Pid Ta Athi Nuea Pong Graduk Phii Pra Ajarn Hnoo

Pra Pid Ta Athi Nuea Pong Graduk Phii Exhibit B Pra Ajarn Hnoo – Wat Po

It is said of the Pra Pid Ta Pong Graduk Phii amulet, that its protective powers are incomparable, and that the traveller who wears one will pass through all his journeys safely. Another strange aspect of the magic of the Pra Pid Ta Pong Graduk Phii, is that people noticed not only that one remained safe whilst traveling, but that when the traveler wearing a Pra Pid Ta Pong Graduk Phii gets off the vehicle alone, people would ask the traveler ‘and aren’t the others going? coming with you?’ (as if they couldn’t imagine the wearer being alone). This shows powerful Metta Maha Niyom Mercy Charm present within the amulet too.’

Pra Pid Ta Athi Pong Graduk Phii Exhibit C

Pra Pong Graduk Phii Exhibit C – Pra Ajarn Hnoo – Wat Po

Many gamblers have found the Pra Pid Ta Pong Graduk Phii to be an exellent Luckbringer to turn the tables and odds in their favour, and to ‘whisper’ in the ear of the gambler to hint as to what bets should be placed. This is known as ‘Prai Grasip’ Ghost Whisperer Magick. Pra Ajarn gave a rule to gamblers however for this amuletl That ‘If your winnings are within reason, you should not push your luck too far’.

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A highly preferred amulet with those devotees who prefer less subtlety for a fast acting amulet that emanates Magickal Power without restraints, the Pra Pid Ta Pong Graduk Phii is a recommendable amulet, for protection, gambling and general prosperity. The Pra Pid Ta Pong Graduk Phii is by no means an easy amulet to find these days, and is a very powerful magickal amulet of great fame and renown in Thailand.

Pra Pid Ta Pong Graduk Phii Pra Ajarn Hnoo

Pra Pid Ta Pong Graduk Phii Pra Ajarn Hnoo

Kata Bucha Pra Pid Ta