A very rare and Highly Preferred Pra Niyom class Rian Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U, from Isan Master Monk, Luang Por Phang Jidtakudto, of Wat Kongka Kirikhaet Temple, in Khon Kaen.

The coin is cast with the cameo image of Luang Por Phang Jidtakudto, of Wat Kongka Kirikhaet, seated within a round frame. This edition released and blessed at the temple of Wat Chaiyasathan, in Chiang Mai, to assist in funding the restorations and improvements of the temple.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

The amulets were released after the ceremony, and distributed to devotees from 2520 BE onwards. This is a Pra Niyom amulet of the Tamniab Wadthumongkol (official pantheon), and is a highly desirable acquisition for serious collectors and devotees of Luang Por Phang amulets, and for collectors of Guru Monk Coins.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

Below; some of the other amulets of Luang Por Phang

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

The year of 2519 BE saw Luang Por Phang release a large pantheon of amulets, many of which are now extreme rarities and highly valued in the collector scene, but are very hard to come across due to the fact that Luang Por Phang’s devotees are never prone to letting go of their amulets. The reluctance of devotees to sell has made Luang Por Phang’s amulets one of the more difficult pantheons to collect.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto


Luang Por Phang Jidtakudto was born under the name of ‘Phang Krong Yudti’ on Tuesday 2445 BE in Ban Gudtakasian, in Tambon Khuean, Amper Khuang Nai in Ubon Rachathani. He had two siblings
The young Phang was Ordained into the Sangha at the age of 20 years old in 2465 into the Maha Nikaya sect, and Wat Khueang Klang, Ubon Rachathani.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

His Upachaya was Pra Kroo Luang Por Duan, Pra Ajarn dee was his Gammawājājarn. After his Ordination, Luang Por Phang then studied Dhamma Vinaya with Luang Por Somkuan, . After one year of Ordination, Luang Por Disrobed, and at the age of 23, he married with Miss Jan dee Say Sema, a girl from Ban Daeng Mor, Ubon Rachathani. They remained married for a period of 23 Years, but never had any children, except for taking care of an orphan whose parents had passed away.

As Luang Por Phang reached the age of 43, both Luang Por Phang, and his Wife, ordained, Luang Por Phang becoming a Bhikkhu, and his wife went to Ordain as a Buddhist Nun (Mae Chee).
They gave all of their possessions to their adopted child Miss Noo Pan, who was married with family already.
Luang Por Phang was reordained back into the Maha Nikaya lineage sect, this time at Wat Koo Khad, in Ban Sri Sukh township, in Ubon Rachathani.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

This time Pra Kroo Sri Sydtaporn (Luang Por Dter) was his Upachaya. His Pra Gammawājājarn’s name is undocumented. Luang Por stayed officially at Wat Koo Khad, but in fact also learned to practice Kammathāna Vipassana at Wat Pha Warin Chamrab, with Pra Ajarn Singh and Pra Ajarn Maha Bpin.

When Luang Por Phang reached the age of 47 however, he changed sect lineages to enter into the Tammayut Forest Monk Lineage and was Ordained as a Tammayut Monk at Wat Ban None (also known as Wat Tung) with Pra Maha Orn as his Upachaya and Pra Maha Sai as his Pra Gammawājājārn, and Pra Maha Luang Por Jantr as his Pra Anusāwanājārn.

His Ordination as a Tammayut Monk took place on Wednesday the 23rd of May 2491 BE, marking his third and final Ordination.
Luang Por Phang then continued to practice the Kamathāna Vipassana method with Pra Ajarn Singh, for some years, and finally set out in solitary to practice Tudong (Tudhanka) Forest wandering on his own, to develop in his skills and powers.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

It was then that he was able to find and learn to practice under the tutelage of the Great Pra Ajarn Mun Puritadto, the founder of the Thai Kamathāna Forest Tradition lineage at Wat Ban Namon in Sakon Nakorn. After receiving tutelage from Ajarn Mun, he continued with his solitary Tudong Forest wandering. During his forest
wanderings, he came to stay at Wat Pha Ballanksilatip in Ban Taen, Khon Kaen, and stopped to stay there for one year. Once the rainy season retreat was over, Luang Por Phang then wandered out again and came past the municipality of Manja Kiri in Ban Soke Nam Khun.

The local devotees of the area saw Luang Por Phang was staying in the forest, and beseeched him to stay for a while, asking him to stay and practice at the foot of the Pu Pa Daeng mountain. This place was considered very sacred to the local folk, and there was a water spring where water flowed out all the year round.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

Luang Por Phang saw the place, and was astounded to see that it was the place he had been having visions of in meditation for many years already, and so decided it was destined for him to stay there. Until Luang Por Phang’s appearance, no monk had ever been able to stay iin this place, for its powerful local spirits and magic present, but Luang Por Phang was able to remain there quite easily.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

Luang Por Phang then invited the local devotees to help him to build a temple there. The locals of this area used to call this sacred mountain water source ‘Doon’, and so in those days as the temple was rising up into existence, they called it ‘Wat Doon. Luang Por Phang stayed on building the temple of Wat Doon, occasionally traveling out into the forest on Tudong, and had various miraculous adventures during those journeys he made in solitary into the deep forests, and mastered his Wicha.

He remained faithful to the simple ways of a Bhikkhu and endured the hardships of a Tudong Monk, and was thus a well attained ‘Pra Subattibanno’ (Good Bhikkhu of High Endurance, Renunciation and Purity). The temple of Wat Doon was given the official name as we know it today of Wat Udom Kongka Kirikhaet.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

Other Meritorious Deeds of Luang Por Phang;

In the year 2505 BE Luang Por Phang constructed yet another temple in Ban Jaeng Tab Ma, in Manja Kiri Municipality, Khon Kaen, a small distance away from Wat Udom Kongka Kirikhaet, about 4 Kilometers to the east. This temple was given the name ‘Wat Pha Pattana Kiri’, or commonly known by the local devotees as ‘Wat Ban Jaeng’

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

Another great Meritorious deed of Luang Por Phang, was that he built a road (widening of the road) which was too thin and impossible for the local farmers and other traffic to navigate along without difficulty, withough any need of government funding, and presided over the whole construction process, to lessen the problems of locals of the area, and solve the problem of lack of funds of the local provincial government.

Luang Por Phang also pestered the local Government in the department of public highways to build another road widening and lengthening to bring devotees to the temple (for there was no real road to speak of for devotees to come to the temple), which took him constant efforts writing to the government offices, between the years 2507 BE, and 2523 BE. Finally, the Government assisted to build the road in the year 2523 BE, after his letters to them and requests were finally heard. His patience and persistence won out in the end, to give the locals a road to be able to use for their needs, and to reach the temple without having to cross wild territory

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

In the year 2523 BE, Luang Por Phang sponsored the building of the Pratat Kham Kaen Sirodom Relic Stupa Shrine which stands before the Central Municipal Building of Khon Kaen City, with the assistance and donations of the local devotees, to celebrate two hundred years of the Ratanakosin Era. On the 31st march 2525, Somdej Pra Sangkarach Sakol Maha Sangka Barinayok (Somdej Prayan Sangworn Pra Sangkaracha Royal Head Monk, came to perform the Inauguration of the Pratat relic Shrine for the Local Buddhist Folk to be able to perform Bucha and Revere the shrine.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

 

On the 28th of November, Luang Por Phang was admitted to Hospital and was found to have Cancer of the Gall Bladder. On the 23rd of February 2525, Luang Por was readmitted to the Paet Banya hospital because he felt rather weak, and was suffering internal bleeding, and his heart muscles were having problems pumping his heart.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

On 16th March 2525 Luang Por felt a bit better, and the Comittee of Devotees of Luang Por Phang came to take Luang Por Phang back to the temple, but after a few days of having returned to his temple, he felt ill again, and was unable to eat or drink, or pass water. Then, on the 24th of March 2525, at 16:45 PM, Luang Por Phang finally passed away peacefully, at the age of 80 years Old, which was a very sad occasion for the devotees of this highly beloved Monk, who never sought recognition and always worked hard for the welfare of the devotees and his temple, and to spread the Buddha Dhamma.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

He was known for having always said “I don’t want my name to be known famously’ ‘I don’t want to receive honors or status’ ‘I don’t wish people to speak highly of me’ – But these wishes seem to have been in vain, for indeed, Luang Por Phang, is one of the ost highly revered Monks of Udorn Rachathani, and his Goodness and Generosity, and Tireless Work to help his People, is Legendary, even now long after his passing.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

The final cremation ceremony to bid farewell to Luang Por Phang was held on Tuesday 24th March 2528 at 16:00 PM with thousands of devoptees from around the counrty who came to attend and pay their last respects to Luang Por Phang Jidtakudto
Satu! May Luang Por Phang and his great Merits, remain in our memory forever, and may his great blessings remain with us, through the Buddhanussati of keeping his memory and reverence to Luang Por Phang in our hearts, with the amulets in his image which we wear and revere, in ‘Putta Bucha’!

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

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How to Pray to Thai Amulets

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Roop Tai Blesséd photograph of the Great Tudong Forest Tradition Kroo Ba Ajarn, Pra Ajarn Fan (Fun) Ajaro, of Wat Pha Udom Somporn, from the year 2518 BE.

Roop Tai Nang Dto Moo 76th Year Edition Luang Phu Fan Ajaro 2518 BE – This image is a Niyom Class documented amulet of Ajarn Fan and is listed in the Tamniab Wadthumongkol (list of officially recognised editions) of Ajarn Fan’s Pantheon of Amulet. It is a very well known amulet that is highly favored by devotees of this Monk, as well as by pracitioners of the Tudong Forest Tradition practice of Vipassana Kammathana Meditation, for Buddhanussati, More powerful practice, and reverence to the Guru. This photo is a ‘Hlang Riab’ meaning no stamps on rear face. a lesser number were issued with rubber ink stamps, donated by the devotee Yome Kasem, which are rarer and higher in value.

Roop Tai Nang Dto Moo Blessed Guru Monk Image 2518 BE 76th Anniversary Edition Pra Ajarn Fan Ajaro Wat Pha Udom Somporn

The Roop Tai of this 76th Birthday 2518 BE edition were released both with, and without rubber ink stamps on the back face, and in a couple of different photographic images, not all of which are documented officially. This Nang Dto Moo photo is avery well documented amulet and an essential part of the Pantheon.

Ajarn Fan Ajaro (commonly spelled ‘Ajahn Fun’) was born on 20th August 2442 BE, in the Pasanikom Municipality of Sakon Nakorn. He was born into a family of status with lineage. As a young boy he was already very orderly and well kept, and was very diligent and engaged in all his duties and chores. He would have great patience to endure obstacles and would remain patient, and keep working at whatever he was doing without getting frustrated.

Roop Tai Nang Dto Moo Blessed Guru Monk Image 2518 BE 76th Anniversary Edition Pra Ajarn Fan Ajaro Wat Pha Udom Somporn

Ajarn Fan began his primary education at Wat Po Chai Temple in Muang Khai village, and accompanied his older cousin to further education at Khon Kaen Town. However, as he grew older he began to see the impermanence of seeking honourable status in the profession and in education, and decided he wanted to ordain as a Samanera Novice Monk, to follow the teachings of the Buddha. He was ordained as a samanera at Wat Pone Tong in Ban Batong, which was a Maha Nikai Lineage Temple (there are two major lineages in Thai Buddhism, Maha Nikai, and Tammayut).

Roop Tai Nang Dto Moo Blessed Guru Monk Image 2518 BE 76th Anniversary Edition Pra Ajarn Fan Ajaro Wat Pha Udom Somporn

Some time later, in the year 2463 BE he was able to ask for apprenticeship under the Great Tudong Forest Master Ajarn Mun Puritadto , and asked to change lineage traditions to become a Tammayut Nikai lineage Monk. On the 21st May 2468 BE, Ajarn Fan was reordained as a Samanera Novice, into the Tammayut Nikai at Wat Po Somporn in Udorn Thani, with Tan Jao Khun Tamma Chedi (Luang Por Joom) as his Upachaya Ordaining Officer.

When Ajarn Fan reached the age of 20 i then took the second level of ordination as a fully fledged Bhikkhu Monk at Wat Sit Bangkom in Pananikom, Sakon Nakorn Province, with Pra Kroo Bpong as Upachaya and Kroo Ba Ajarn Mentor.

Roop Tai Nang Dto Moo Blessed Guru Monk Image 2518 BE 76th Anniversary Edition Pra Ajarn Fan Ajaro Wat Pha Udom Somporn

He learned to practice Kammathana Vipassana methods of Mindfulness Meditation throughout the first year of his ordination there with Pra Kroo Bpong, and when the rainy retreat was over, he traveled back to Wat Pone Tong, where Pra Kroo Samonagij was the abbot at the time, who was a Vipassana Master.

Pra Kroo Samonagij took Ajarn Fan on Tudong Forest wandering and taught him the Tudong Kammathana methods of practice, exposing him to the ordeals of meditation in the Jungle, Caves and Wildernessess, and Haunted Cemeteries.

Roop Tai Nang Dto Moo Blessed Guru Monk Image 2518 BE 76th Anniversary Edition Pra Ajarn Fan Ajaro Wat Pha Udom Somporn

Ajarn Fan continued this practice continually, wandering the forests and preaching the Dhamma to the local folk wherever he went. Tis caused Ajahn Fan to be known and revered by faithful devotees around the land, and was a household name to the people of many provinces. He is considered to be one of the great Arya Sangha of Thai Buddhist History, of Great Attainments and Purity.

Roop Tai Nang Dto Moo Blessed Guru Monk Image 2518 BE 76th Anniversary Edition Pra Ajarn Fan Ajaro Wat Pha Udom Somporn

Ajarn Fan became the Abbot of Wat Pha Udon Somporn, and performed great works there until his final passing away, on the 4th January 2520 BE. He is considered one of the top great Tudong Forest Masters of the Ajarn Mun lineage, and remains an Iconic Legend of the Temple of Wat Pha Udom Somporn, whose name is synonymous with Ajarn Fan’s himself.

Roop Tai Nang Dto Moo Blessed Guru Monk Image 2518 BE 76th Anniversary Edition Pra Ajarn Fan Ajaro Wat Pha Udom Somporn

The teachings of Ajarn Fan are some of the most profound and understandable Dhamma Teachings, and are valued to be amongst the most essential teachings of the Thai Forest tradition Masters, along with those of Ajarn Mun, Ajarn Chah, Ajarn Lee, and the other Great Arya Sangha of this Lineage.

Roop Tai Nang Dto Moo Blessed Guru Monk Image 2518 BE 76th Anniversary Edition Pra Ajarn Fan Ajaro Wat Pha Udom Somporn

Ajarn Fan would always teach that all of us will have to face a great battle one day, the battle with our own hearts, when the day of death arrives. Each one of us will have to come to terms with our lives, and battle to overcome our regrets, fears and reluctancy to accept the way things truly are. We will have to pass through that battle alone. He taught that if we resist with one thing or another, all we will find is dismay, and that the only true weapon with which we can overcome in the face of death, is with Sati (calm concentration and focused diligent one pointedness).

Roop Tai Nang Dto Moo Blessed Guru Monk Image 2518 BE 76th Anniversary Edition Pra Ajarn Fan Ajaro Wat Pha Udom Somporn

He would teach more or less the following;

“The only true Merits we can make of any long term value, are those of the practice of Sila, Samadhi, and Bhavana’ – with Moral Precepts (Sila), Concentration (Samadhi), and the Practice of Vipassana (Bhavana), leads to the power to let go of clinging to things, notions, beliefs, assumptions, and suffering.

He who can let go a lot, will heal suffering a lot, he who can only let go a little bit, will only heal suffering a little bit, and he who knows not how to let go, his sufferings will not heal”

Roop Tai Nang Dto Moo Blessed Guru Monk Image 2518 BE 76th Anniversary Edition Pra Ajarn Fan Ajaro Wat Pha Udom Somporn

When Luang Phu Fan passed away in 2520 BE, his devotees were heartbroken, and the whole country went into mourning, including the Royal Family. in 2521 his body was finally exhumed and cremated in a Royal Funeral Ceremony, with masses of devotees, the King and Queen to attend. His Majesties then performed the Ceremonial honours.

Roop Tai Nang Dto Moo Blessed Guru Monk Image 2518 BE 76th Anniversary Edition Pra Ajarn Fan Ajaro Wat Pha Udom Somporn

Roop Tai Nang Dto Moo Blessed Guru Monk Image 2518 BE 76th Anniversary Edition Pra Ajarn Fan Ajaro Wat Pha Udom Somporn

Roop Tai Nang Dto Moo Blessed Guru Monk Image 2518 BE 76th Anniversary Edition Pra Ajarn Fan Ajaro Wat Pha Udom Somporn

Roop Tai Nang Dto Moo Blessed Guru Monk Image 2518 BE 76th Anniversary Edition Pra Ajarn Fan Ajaro Wat Pha Udom Somporn

Roop Tai Nang Dto Moo Blessed Guru Monk Image 2518 BE 76th Anniversary Edition Pra Ajarn Fan Ajaro Wat Pha Udom Somporn

A great number of some of the Greatest Monks of Purity and Attainment of the Kammathana Lineages and Tammayut Nikai to pay respects and mourn his passing, including the Sangkaracha Sondej Prayan Sangworn, present to chant Abhidhamma, and many other Great Monks.

Roop Tai Nang Dto Moo Blessed Guru Monk Image 2518 BE 76th Anniversary Edition Pra Ajarn Fan Ajaro Wat Pha Udom Somporn

Roop Tai Nang Dto Moo Blessed Guru Monk Image 2518 BE 76th Anniversary Edition Pra Ajarn Fan Ajaro Wat Pha Udom Somporn

Roop Tai Nang Dto Moo Blessed Guru Monk Image 2518 BE 76th Anniversary Edition Pra Ajarn Fan Ajaro Wat Pha Udom Somporn

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Luang Por Ngern Pim Khee Dta Wat Bang Klan 2537 BE - Nuea Tong Pasom Gao - Luang Por Nong - Wat Tung Noi Casing included.

Examination of the Pim Khee Dta Wat Bang Klan 2537 BE Amulet

The study of sacred amulets within Theravada Buddhism, particularly in Thailand, represents a complex intersection of art history, religious practice, occult tradition, and social anthropology. This monograph undertakes a comprehensive analysis of a specific and notable exemplar: the Luang Por Ngern Pim Khee Dta Wat Bang Klan 2537 BE, crafted by Luang Por Nong of Wat Tung Noi. Identified by the SKU 04200, this amulet, made from Nuea Tong Pasom Gao, stands as a testament to the enduring veneration of Luang Por Ngern and the continuous transmission of sacred Wicha through generations of monastic practitioners. This particular edition, released in 2537 BE, carries profound historical, alchemical, and theological significance, emerging as Luang Por Nong’s inaugural self-created series. Its genesis was rooted in the pragmatic necessity of funding temple refurbishment and the construction of a Sala Rest Podium at Wat Tung Noi, yet its spiritual resonance extends far beyond its material origins, embodying a living lineage of power and devotion. The incorporation of original Luang Por Ngern amulets within its metallic composition and its direct replication from an ancient Pim Khee Dta model imbues it with an intrinsic connection to its illustrious predecessor, making it a critical subject for scholarly inquiry into Thai Buddhist occultism.

Introduction and Theological Importance

The veneration of sacred amulets (Pra Krueang) in Thai Theravada Buddhism constitutes a foundational element of popular religious practice, integrating seamlessly with the more formal doctrinal aspects of the faith. These objects are not merely decorative or symbolic; they are imbued with perceived spiritual potency, acting as conduits for blessings, protection, and miraculous assistance. The Luang Por Ngern Pim Khee Dta Wat Bang Klan 2537 BE amulet exemplifies this tradition, deriving its theological weight from the revered figure of Luang Por Ngern, one of Thailand’s most legendary monks. Luang Por Ngern (Phra Kru Adisai Khunaporn, 1810–1919 BE) was the abbot of Wat Bang Klan in Phichit Province, renowned for his advanced meditative attainments and potent Wicha. His original amulets are among the most sought-after and expensive in the Thai market, signifying immense spiritual power and historical gravitas.

The spiritual cosmology underpinning the efficacy of such amulets posits that the concentrated merit and meditative power (baramee) of a highly attained monk can be transferred or infused into material objects. This process, known as ‘pluk sek’ or empowerment, transforms an ordinary object into a ‘Pra Krueang,’ an object capable of interceding beneficially in the lives of its wearers. The 2537 BE Pim Khee Dta, crafted by Luang Por Nong, enters this established theological framework not as a mere imitation, but as a deliberate continuation of a sacred lineage. Its importance is amplified by its direct material and conceptual link to Luang Por Ngern’s own creations. The act of pressing an original Pra Luang Por Ngern Pim Khee Dta amulet to create a casting mold for the 2537 BE edition establishes a direct physical and energetic replica, ensuring iconographical fidelity and spiritual resonance.

Reverse side of the Luang Por Ngern Pim Khee Dta amulet, showing potential back details or a smooth finish.

Furthermore, the deliberate inclusion of smelted fragments from various famous editions of Luang Por Ngern amulets, including first edition and the celebrated ‘Pern Dtaek’ Edition, into the Chanuan Metallic Muan Sarn of this 2537 BE series, elevates its theological status considerably. This practice is not merely recycling; it is a profound act of spiritual inheritance and augmentation. It is believed that by incorporating the very material of previously empowered amulets, the new creations inherit and concentrate the cumulative blessings and Wicha of the originals. This amalgamation effectively bridges temporal gaps, linking the contemporary devotee directly to the foundational power of Luang Por Ngern himself.

The reported ‘Miraculous Assistance’ experienced by numerous devotees associated with this edition serves as empirical validation within the belief system, reinforcing its perceived spiritual potency. These narratives, often disseminated through informal networks and, as noted, through media attention, contribute significantly to the amulet’s veneration and affirm its place within the ‘Classic Edition’ pantheon of the Luang Por Ngern temples of Pijit Province. The 2537 BE Pim Khee Dta is thus not only a devotional object but also a tangible manifestation of a living spiritual tradition, embodying hope, protection, and a deep connection to a revered spiritual ancestor. Its designation as a ‘perfect Heirloom Amulet’ underscores its perceived enduring value, not merely monetary, but as a repository of familial and spiritual legacy, passed down through generations.

The intrinsic link of Wat Tung Noi to Luang Por Ngern, being one of the “family of lp Ngern Temples of Pijit Province, and indeed as refurbished and assisted by Luang Por Ngern Himself,” further solidifies the theological justification for this amulet’s spiritual efficacy. This historical patronage by Luang Por Ngern imbues Wat Tung Noi with a special aura, suggesting that the blessings and Wicha of the great master perpetually reside within its grounds, ready to be invoked by worthy successors like Luang Por Nong. This contextual framework is crucial for understanding the amulet’s position within the broader sacred geography and spiritual economy of Thai Buddhism.

The Master and Lineage: Luang Por Nong (Jamnong)

The creation of the Luang Por Ngern Pim Khee Dta Wat Bang Klan 2537 BE is inextricably linked to the monastic figure of Luang Por Nong (Jamnong), the revered Abbot of Wat Tung Noi. While the provided data does not offer an exhaustive biography of Luang Por Nong’s early life or ascetic training, it illuminates critical aspects of his spiritual lineage, devotional character, and the circumstances surrounding his creation of this significant amulet edition. Luang Por Nong’s profound reverence for Luang Por Ngern stands as a central pillar of his spiritual identity and informs his entire approach to amulet creation within the Dtamra Luang Por Ngern.

Luang Por Nong’s role as Abbot of Wat Tung Noi is pivotal. Wat Tung Noi is specifically identified as one of the temples intimately associated with Luang Por Ngern, having benefited from his refurbishment efforts and direct assistance. This established historical connection grants Luang Por Nong a unique position within the broader spiritual network of Phichit Province, allowing him to claim a legitimate inheritance of the Wicha and spiritual authority derived from Luang Por Ngern. His act of constructing various Luang Por Ngern statues and shrines within Wat Tung Noi is not merely an act of memorialization; it represents a conscious and deliberate effort to maintain and harness the spiritual presence and power of his predecessor. Through these sacred effigies, Luang Por Nong reportedly engages in a form of spiritual communication, beseeching the “transmission of his Power to the amulets he makes in the Dtamra Luang Por Ngern.” This practice highlights a specific aspect of Thai Buddhist occultism, where the spiritual essence and Wicha of a departed master are believed to be accessible and transmissible through devotional acts and consecrated representations.

Close-up of the Luang Por Ngern Pim Khee Dta amulet, showcasing its metallic texture and intricate details.

The 2537 BE edition holds particular significance as Luang Por Nong’s “first ever self made Edition.” This designation marks a crucial juncture in his monastic career, signaling his emergence as a prominent creator of sacred amulets. The motivation behind this inaugural release was practical: to generate funds for the essential refurbishments of Wat Tung Noi and the construction of a much-needed Sala Rest Podium for temple practitioners and devotees. This demonstrates a monastic leader deeply committed to the welfare of his temple and its community, utilizing his spiritual authority and artistic skill in amulet creation as a means to serve the Sangha and the lay followers. Such pragmatic motivations for amulet creation are common in Thai Buddhism, where the production and distribution of amulets often serve as a primary mechanism for fundraising for temple construction, renovation, and charitable works.

The empowerment process for these amulets was not a singular event but a prolonged and dedicated endeavor. Luang Por Nong performed “a long series of daily and nightly empowerments,” indicating an intensive and sustained meditative practice focused on infusing the amulets with spiritual energy. This commitment underscores the traditional Theravada understanding that the efficacy of an amulet is directly proportional to the purity, concentration, and accumulated merit of the monk who blesses it. Furthermore, Luang Por Nong extended this process by involving other respected monastic figures, specifically “Luang Por Somkuan and Luang Por Pimpa,” who provided “additional empowerment and blessings.” This practice of collaborative empowerment, or ‘Puttapisek’ (blessing ceremony), is a well-established tradition, believed to exponentially amplify the spiritual potency of the amulets by combining the Wicha and baramee of multiple enlightened masters. The participation of these additional monks signifies a broader consensus of spiritual authority and validates the legitimacy and power of Luang Por Nong’s creation within the monastic community. Their involvement enhances the collective spiritual energy, making the amulets even more formidable in their protective and benevolent attributes.

Alchemical Composition and Sacred Powders

The material composition of sacred amulets in Thai Buddhist tradition is rarely arbitrary; it is a meticulously curated alchemical process imbued with profound spiritual significance. The Luang Por Ngern Pim Khee Dta Wat Bang Klan 2537 BE amulet, specifically fabricated from “Nuea Tong Pasom Gao,” exemplifies this intricate interplay of material science and spiritual intent. Nuea Tong Pasom Gao translates to “Ancient Brazen Metal Alchemical Alloy,” denoting a complex metallic matrix derived from ancient and sacred sources. This nomenclature itself signifies an inherent veneration for antiquity and the perceived potency associated with aged, previously consecrated materials.

The primary constituents of this alchemical alloy are delineated with specificity: “old Luang Por Ngern amulets, Yantra Foils, Gold and Silver, and a long list of other Sacred Ingredients.” The inclusion of “old Luang Por Ngern amulets,” particularly from “first edition and the famous ‘Pern Dtaek’ Edition Amulets,” is a critical element. This practice, known as ‘Chanuan Muan Sarn,’ involves the smelting and re-casting of existing sacred objects. It is not merely an act of material recycling but a highly symbolic and energetically charged process. The belief is that the original amulets, having been consecrated by Luang Por Ngern himself and having served their purpose, retain their spiritual power. By melting them down and incorporating them into new creations, that foundational power is transferred and multiplied. This creates a direct energetic lineage, effectively imbuing the new amulet with the essence of its predecessors. The “Brazen Metals” are explicitly stated to “reveal a high content of ancient original first edition Luang Por Ngern Wat Bang Klan Amulets,” underscoring the substantial integration of these revered components.

“Yantra Foils” constitute another vital component of the Chanuan Muan Sarn. These are metallic sheets, typically copper, brass, or silver, upon which sacred geometric designs and protective incantations (Kata) are inscribed by monks. The foils are then ritually blessed and melted down, allowing the spiritual energies and protective properties of the Yantra to become molecularly integrated into the metallic alloy. This process is believed to imbue the entire batch of metal with the cumulative power of countless individually blessed Yantra. The ‘sacred geometry’ of the Yantra, combined with the power of the inscribed Kata, provides a structural template for the spiritual forces to reside within the amulet.

The presence of “Gold and Silver” within the alloy is also significant. Beyond their intrinsic material value, these precious metals hold symbolic and alchemical importance in many spiritual traditions, including Thai occultism. Gold is often associated with purity, divine light, prosperity, and the indestructible nature of the Buddha’s teachings (Dhamma). Silver, conversely, is linked to lunar energies, purification, wisdom, and protective qualities. Their combination in a sacred alloy is believed to create a harmonized matrix that enhances the amulet’s overall spiritual potency and benevolent attributes, attracting auspiciousness and warding off negativity.

The phrase “long list of other Sacred Ingredients” suggests a further array of consecrated materials, which could include rare earths, mineral dusts from sacred sites, ash from incense burned before revered Buddha images, ground medicinal herbs, or even fragments of robes from venerated monks. While unspecified, their presence underscores the comprehensive and holistic approach to constructing a potent sacred object, where every component contributes to the overall spiritual charge and protective efficacy. This meticulous selection and amalgamation of materials transforms the amulet from a mere metal casting into a highly charged spiritual artifact, functioning as a microcosm of sacred power and a tangible link to a rich alchemical and spiritual heritage. The resultant alloy is not simply a mix of metals, but a `Chanuan Muan Sarn` — a sacred concoction embodying generations of spiritual essence, ready to receive further blessings.

Sacred Empowerment and Wicha

The spiritual efficacy of the Luang Por Ngern Pim Khee Dta Wat Bang Klan 2537 BE amulet is fundamentally predicated upon the meticulous process of sacred empowerment, known as `Puttapisek` or `pluk sek` in Thai. This ritualistic infusion of spiritual energy, or `Wicha`, transforms a material object into a potent talisman. Luang Por Nong’s approach to empowering this particular edition reflects a deep understanding of traditional Theravada occult practices and a profound respect for the lineage of Luang Por Ngern.

The foundational layer of empowerment for these amulets involved Luang Por Nong performing “a long series of daily and nightly empowerments.” This intensive regimen highlights the commitment and discipline required in monastic spiritual practice. Such empowerments typically involve deep meditative states, where the monk concentrates his accumulated merit (`baramee`), wisdom, and spiritual attainments into the objects. This process can include `Samatha` (calm-abiding) meditation to stabilize the mind and generate powerful concentration, followed by `Vipassana` (insight) meditation to purify consciousness and imbue the objects with liberating wisdom. The repetition of sacred incantations, or `Kata`, often specific to the desired effects of the amulet (e.g., protection, prosperity, charisma), is central to this daily and nightly ritual. Each `Kata` is a formulaic utterance, believed to invoke specific deities, elemental powers, or the blessings of the Buddha and Arhats. The continuous chanting over an extended period charges the amulets with a sustained and concentrated spiritual force.

A significant aspect of the `Wicha` employed by Luang Por Nong involves the concept of ‘transmission of Power.’ As Abbot of Wat Tung Noi, a temple intrinsically linked to Luang Por Ngern, Luang Por Nong leveraged the existing spiritual infrastructure. His establishment of various Luang Por Ngern statues and shrines within the temple serves as more than just a memorial. These consecrated representations act as focal points for spiritual energy, allowing Luang Por Nong to “communicate and beseech transmission of his Power to the amulets he makes in the Dtamra Luang Por Ngern.” This suggests a ritualistic invocation, where Luang Por Nong acts as a conduit, drawing upon the enduring spiritual presence and blessings of the original master, Luang Por Ngern, and channeling them into the newly created amulets. This reinforces the notion of a living lineage where the spiritual authority of the predecessor continues to empower the efforts of the successor. The `Dtamra Luang Por Ngern` refers to the specific teachings, methods, and spiritual legacy associated with Luang Por Ngern, indicating that Luang Por Nong’s amulet creation adheres strictly to these established traditions and techniques.

The empowerment process was further enhanced through the involvement of other venerable monks. Luang Por Nong “passed them on to Luang Por Somkuan and Luang Por Pimpa, to give additional empowerment and blessings.” This practice of inviting multiple high-ranking or spiritually advanced monks to participate in `Puttapisek` ceremonies is a venerable tradition. Each participating monk contributes their unique `Wicha`, their accumulated `baramee`, and their specific meditative attainments to the collective blessing. This synergistic approach is believed to create a multifaceted protective and benevolent field around the amulets, making them exponentially more potent than if empowered by a single monk. The collective energy of these masters strengthens the amulet’s ability to confer protection, prosperity, and spiritual guidance upon the wearer. The presence of multiple respected figures also lends immense credibility and authority to the edition within the wider devotee community.

Angled view of the Luang Por Ngern Pim Khee Dta amulet, highlighting its metallic sheen and relief details.

The `Wicha` involved is not static; it is a dynamic process of continuous spiritual engagement. The efficacy of the amulets, as evidenced by reports of ‘Miraculous Events,’ stands as a testament to the perceived success of these empowerment rituals. These events often encompass protection from danger, unexpected financial gains, improved health, or resolution of personal dilemmas, which are widely interpreted as direct manifestations of the amulet’s inherent `Wicha` and the blessings of the monks. The meticulous daily and nightly empowerments by Luang Por Nong, combined with the additional blessings from Luang Por Somkuan and Luang Por Pimpa, thus form the crucial spiritual foundation upon which the 2537 BE Pim Khee Dta amulet’s reputation and efficacy are built.

Iconographical and Aesthetic Appreciation

The iconographical and aesthetic characteristics of the Luang Por Ngern Pim Khee Dta Wat Bang Klan 2537 BE amulet offer critical insights into its spiritual lineage, artistic replication, and material integrity. The designation “Pim Khee Dta,” translating to “Sleepy Eyes Model,” refers to a specific and highly recognizable iconic representation of Luang Por Ngern. This particular posture or facial expression is one of the most revered and sought-after forms of his original amulets. The subtle portrayal of relaxed, somewhat closed eyes suggests a monk in deep meditative absorption, embodying a state of profound inner peace and spiritual attainment. This artistic choice is not accidental; it conveys the essence of Luang Por Ngern’s reputed meditative prowess and his tranquil, wise disposition, qualities that devotees seek to emulate or draw upon.

A defining feature of this 2537 BE edition is its method of creation: Luang Por Nong “made these Pim Khee Dta… by pressing original Pra Luang Por Ngern Pim Khee Dta amulet… and then making a casting mold out of it.” This technique positions an original amulet as the “Master Blueprint for the Casting,” ensuring an exceptional degree of “great similarity to the first ever lp Ngern amulets of Wat Bang Klan.” Such direct replication from an original exemplar guarantees iconographical authenticity, maintaining the precise contours, facial features, monastic robes, and any other distinctive marks present on the ancient prototype. This fidelity is paramount in the realm of sacred amulets, where slight deviations can alter perceived authenticity or spiritual efficacy. The resulting physical form of the 2537 BE amulet thus serves as a faithful aesthetic homage to its illustrious predecessor.

Another close-up of the Luang Por Ngern Pim Khee Dta amulet, focusing on the monk's tranquil face and the texture of the metallic alloy.

The aesthetic appreciation of the 2537 BE Pim Khee Dta is further enriched by its material composition, “Nuea Tong Pasom Gao.” This ancient brazen metal alchemical alloy lends the amulet a distinctive appearance. The high content of original Luang Por Ngern Wat Bang Klan amulets within the Chanuan Muan Sarn metallic alloy means that the visual texture, patination potential, and even the subtle coloration of the metal will intrinsically reflect characteristics of the ancient, revered materials. Over time, the alloy is expected to develop a unique patina, a highly valued attribute in antique amulets, further enhancing its visual appeal and connecting it aesthetically to the aged originals. The “Brazen Metals” revealing their high content of ancient components signifies a visual richness that serious collectors and devotees appreciate as evidence of its sacred pedigree.

Beyond the primary figure, the specific design elements, such as the shape of the amulet (often an elongated bell shape or a broad, rounded form), the presence or absence of a decorative border, and any inscriptions or code marks on the reverse, contribute to its iconographical narrative. While not explicitly detailed, such elements would align with the traditional `Pim Khee Dta` format. The overall artistic impression is one of solemnity and spiritual gravitas, reflective of Luang Por Ngern’s revered status.

The Luang Por Ngern Pim Khee Dta amulet displayed within its original temple box, emphasizing its presentation and authenticity.

The presentation of the amulet includes the detail that it “comes with original box from the temple” and “can be encased if desired.” The temple box serves as proof of provenance and authentication, signifying that the amulet was issued directly from Wat Tung Noi and, by extension, within the legitimate Dtamra Luang Por Ngern. The option for encasing (e.g., in clear acrylic or waterproof plastic, often with a metallic frame) is a practical and aesthetic consideration. Encasing protects the amulet from environmental damage and wear, ensuring its preservation as a “perfect Heirloom Amulet to keep in the family for generations.” The inclusion of “Casing included” within the SKU description further indicates that this practical aspect has been considered for the devotee, ensuring longevity and wearability. The aesthetic integrity, combined with its historical material lineage and the explicit intent of replication, firmly establishes the 2537 BE Pim Khee Dta as a significant object for both religious devotion and scholarly study of Thai Buddhist art.

Ritual Practice and Worship

The ritual practice and worship of sacred amulets like the Luang Por Ngern Pim Khee Dta Wat Bang Klan 2537 BE are integral to maximizing their perceived spiritual benefits within the framework of Thai Theravada Buddhism. This involves a set of prescribed actions and recitations, collectively known as `Bucha` (reverence or worship), which establish a spiritual connection between the devotee, the amulet, and the enlightened beings it represents. The monograph delineates the “Traditional Thai Buddhist Method for Bucha” as a three-step process, each component bearing profound significance.

The first step is to “Chant Maha Namasakara (3 Times).” Maha Namasakara is the universal homage to the Triple Gem, beginning with “Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa” recited thrice. This profound invocation expresses reverence to the Blessed One, the Worthy One, the Perfectly Self-Enlightened One. By reciting this, the devotee acknowledges the supreme virtues of the Buddha, setting a reverent and purified mental state conducive to engaging with sacred objects. It is a foundational prayer, clearing the mind of distractions and focusing intent on the spiritual path.

Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa

Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa

Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa

The Luang Por Ngern Pim Khee Dta amulet, photographed to show fine details of its casting and material.

The second step requires chanting “Trai Soranakom (3 Times).” The Trai Soranakom, or the Triple Gem Refuge, involves formally taking refuge in the Buddha, the Dhamma (his teachings), and the Sangha (the monastic community). Each refuge is recited three times, emphasizing the depth of commitment:

Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tudtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tudtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tudtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Dtadtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Dtadtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Dtadtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

This declaration signifies the devotee’s formal adherence to the core tenets of Buddhism, reaffirming their identity as a Buddhist practitioner. It is understood that by taking refuge, one opens oneself to the protective and guiding influence of the Triple Gem, thereby enhancing the receptivity to the blessings embodied in the amulet. The invocation “Cheewidtang Yaawa Nipaanang Saranang Kajchaami” translates to “I go for Refuge until the attainment of Nibbana,” indicating a lifelong commitment.

A shot of the Luang Por Ngern Pim Khee Dta amulet with additional lighting to highlight its metallic properties and craftsmanship.

The final step is to “Chant Kata Aaraatanaa Pra Krueang (3 Times).” This specific `Kata` is an invitation to the amulet, requesting its blessings and protection. It is a direct address to the spiritual power residing within the amulet, making explicit the devotee’s desires for its benevolent intervention. The `Kata` provided is:

How to Pray to Thai Amulets

Puttang Aaraatanaanang

Tammang Aaraatanaanang

Sangkang Aaraatanaanang

Puttang Prasittimae

Tammang Prasittimae

Sangkang Prasittimae

This `Kata` explicitly invites the Buddha, Dhamma, and Sangha, through the medium of the amulet, to grant blessings (`Prasittimae`). This final step personalizes the ritual, focusing the accumulated merit and protective energies directly towards the needs of the individual.

A detailed close-up of the Luang Por Ngern Pim Khee Dta amulet's face, highlighting the 'sleepy eyes' feature and intricate casting.

Beyond these formal recitations, the ethical conduct of the devotee is paramount. Amulets are not typically viewed as ‘magical’ objects that grant wishes unconditionally. Instead, their efficacy is often believed to be enhanced by the wearer’s adherence to the Five Precepts, cultivation of loving-kindness, and performance of good deeds. Miraculous events are frequently seen as consequences of both the amulet’s inherent power and the devotee’s accumulated good karma and pure intentions. Respectful handling of the amulet, treating it as a sacred object rather than a mere trinket, and placing it in an elevated, clean position when not worn, are also standard practices. The inclusion of an original temple box and the option for encasing underscore the importance of proper preservation and respectful presentation, ensuring the amulet can be revered as a potent spiritual heirloom across generations. The entire ritual practice, therefore, functions as a holistic engagement, combining verbal invocation, mental purification, and ethical living to maximize the spiritual benefits derived from the sacred object.

A collection of three Luang Por Ngern Pim Khee Dta amulets, displayed together to show variations and overall quality.

Author: Ajarn Spencer Littlewood.

Schematics: Antigravity CLI Unleashed

Homepage: www.ajarnspencer.com

Github Dev Page: www.github.com/AjarnSpencer

Citation Reqiured

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Locket Ud Muan Sarn Hlang Roop Tai Fang Chanuan & 5 Code Sala 2515 BE & Authenticity Certificate Luang Phu Tim Wat Laharn Rai

Pim Yai large size Photographic Guru Monk Locket, encased in a Tao Ruean Turtle shaped frame, in the image of Luang Phu Tim with A4 size Certificate of Authenticity, filled with Pong Prai Kumarn Muan Sarn Powders, with 2 Met Chanuan beads, 1 Met Khaw Sarn sacred Rice Grain, 4 Code Sala stamps, and a miniature Roop Tai photograph of Luang Phu Tim (hand inscribed).

Locket Ud Muan Sarn Hlang Detail 1

Free Express Airmail Shipping Worldwide is Included. The Lockets were released in varous forms around 2515 BE, in the now famous and most preferred and accepted ‘Chud Pi 15’ series, 2 years before the monopolist financed 2517 BE series of amulets, which are now of much less popularity than the Chud Pi 15 series, due to new information resurging over the years between 2558 BE and 2560 BE, which revealed the true history of the amulets of Luang Phu Tim, dating from around 2495 BE to 2515, and opened up the doorway to the documentation of almost the full pantheon of amulets of Luang Phu Tim.

Locket Ud Muan Sarn Hlang Detail 3

The rear face of the Locket is full of Pong Prai Kumarn with Yantra Powders. The Sacred Pra Pong Prai Kumarn of the Great Luang Phu Tim of Wat Laharn Rai is one of the most famous amulets of all time, and highly renowned for its true power to bring prosperity and good business, power of attraction and mercy charm to the wearer.

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The Sacredness of the Pra Pong Prai Kumarn is legendary and unquestioned in Thailand, and its magical power is commonly accepted by all, and are considered to be amongst the most powerful powders in existence. Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Kring Chinabanchorn, his Pra Khun Phaen Pong Prai Kumarn, and Look Om powder balls. As to the classic ‘Rian’ Monk coin Image amulets which have become all time favorites, and eternally, world famous classic amulets of the high end variety.

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Luang Phu Tim Issarigo, is of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders.

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We of course guarantee authenticity with this item, as we do with all amulets in our showroom. Luang Phu Tim Issarigo, is of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders.


The reason the Pong Prai Kumarn amulets of Luang Phu Tim became so world famous and popular, even in the time when Luang Phu Tim was still alive, is because everybody who owned one, recounted that business and personal success and prosperity had increased constantly and steadily since wearing the amulet.

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This amulet comes with official
authenticity certificate made in the month of August of the 2562 BE Samakom Glum Anuraks Luead Ban Kaay Luang Phu Tim Amulet Preservation Society meeting, with signature of confirmation from its president Ajarn Dr. Phisek. Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Kring Chinabanchorn, his Pra Khun Phaen Pong Prai Kumarn, and Look Om powder balls. As to the classic ‘Rian’ Monk coin Image amulets which have become all time favorites, and eternally, world famous classic amulets of the high end variety.

Locket Ud Muan Sarn Hlang Detail 10

His Rian Jaroen Porn, and Rian Nakprok Paed Rorp, Rian Huang Chueam, Rian Mae Nam Koo, and Rian Sema are among the most highly sought after coin amulets of all. The Pra Kring Chinabanchorn amulet of Luang Phu Tim is one of his most expensive of all amulets, and extremely rare to find. He has various direct lineage apprentices, Who are continuing to progress and spread his most powerful and world-famous Wicha. Of all of these masters, perhaps the most famous, preferred, is Luang Por Sakorn, of Wat Nong Grub (also now deceased.

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The next order of preference, one could possibly estimate the great Luang Phu Sinof Wat Laharn Yai, and equally so Luang Por Rat of Wat Pha Hwaay (Now taking first preference in place of Luang Por Sin, for his adherence to lower prices, and his large repository of Pong Prai Kumarn and See Pheung Khiaw LP Tarb, which is the largest remaining repository of Muan Sarn of all afilliated temples), Luang Por Rat (Wat Pha Hwaay), and Pra Ajarn Somkid, of Wat Beung Tata (Rayong).

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KATA LUANG PHU TIM

Kata Luang Phu Tim  Wat Laharn Rai

Below Pic; The rear face of the locket is filled with Sacred Powders, including a large dose of LP Tim’s Pong Prai Kumarn, 2 Chanuan Metallic Blessed Beads, 5 Code Sala stamps with purple ink, met khaw sarn sacred rice grain, and a miniature Blessed photograph of Luang Phu Tim.

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Luang Phu Tim made many famous amulets of immense esteem, such as the Pra Kring Chinabanchorn, Rian Semam Rian Jaroen Porn, Pra Sivali, Siarn Dto and Siarn Lek, Carved Krueang Rang (Talismans), Takrut, and other amulets, but was most famous of all for his Pra Khun Phaen Pong Prai Kumarn amulets.

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The Lockets were released in the same series as the Khun Phaen 2515 BE edition. The Khun Phaen Luang Phu Tim has been one of the most popular amulets in the whole Pantheon of Thai Buddhist Amulets of the last century, and of all time. The amulets of Luang Phu Tim, are now almost impossible to encounter commonly anywhere in any amulet emporium, except for the most elite showrooms, and at elevated prices.

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Below : the rear face of the Locket reveals ftwo Chanuan beads, 5 Code Sala stamps, Met Khaw Sarn, and a small Locket Roop Khai with image of Luang Phu Tim, embedded into the Muan Sarn Sacred Clay.

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Below; Met Khaw Sarn Sacred Rice Grain inserted nto the Muan Sarn Sacred Powders

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Below; Code Sala Ink Stamp, and Met Chanuan bead inserted nto the Muan Sarn Sacred Powders

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Below; A Podcast from the ‘Amulet Talk’ Series, talking about the later, highly discussed and now top hit 2515 BE Edition Block 2 Pra Khun Phaen Pong Prai Kumarn of Luang Phu Tim, another top preferred and now number one amulet of the Muan Sarn Sacred Powders type amulets of Luang Phu Tim, since the “Block 2” 2515 BE series overtook the popularity of the ‘Block Raek’ 2517 BE series

Amulet Talk Pro Podcast Series 01 Khun Phaen 15 LP Tim

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Kata Bucha Luang Phu Tim

Chant to the Triple Gem first (Namo Tassa Bhagavato Arahato Sammaa Sambuddhassa) 3 times before Chanting specific Kata to Buddhist Amulets.

Then Chant :

Arahang Samma Samputto Nachaa Lidti – Anadtaa Agusalaa Tammaa Namoputtaaya Idti Sukadto Arahang Putto Namo Puttaaya – Ma A U Tugkhang Anijjang Anadtaa Putto Putto
(3 times)

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Kata Luang Phu Tim, for calling Khun Phaen, Prai Diaw, Prai Koo, and other Prai deities (such as Kuman Tong)

(chant the Refuge to the Triple Gem first (Namo Tassa) 3 times)

Puttang Aaraatanaanang, Tammang Aaraatanaanang, Sangkang Aaraatanaanang

 

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Then Chant :

Na Maedtaa Ja Mahaa Raachaa Taewiraacha Budtraa Budtree


Samana Prahmchee Taasaa Taasee Gasadtree


Paab Raach-Cha Idthee Naaree


Sappa Aehimuchisappang


Sappa Grotang Winaassandti


Bpiyo Taewamanussaanang


Bpiyo Prahmmaa Namudt-Dtamo


Bpiyo Naaka Subannaanang


Bpinintriyang Namaamihang


(the word ‘Bpinintriyang, is pronounced ‘Bpininsiyang’, because ‘tr’ in Thai becomes an ‘S’)

Be it his Roop Muean, Look Om Pong Prai Kumarn, Pra Khun Phaen, or the many models of Pra Pong Prai Kumarn Pim Boran, the Muan Sarn Sacred Powders of Luang Phu Tim and his empowerments are among the most highly regarded of all.

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How to Pray to Thai Amulets (Chanting Kata);

How to Pray to Thai Amulets

Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets

Ancient Amulet. Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets'). Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days

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Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
Free Shipping Worldwide (we do not state or declare true price to counter tarrifs tax on customers), & Offer of Free Solid Silver Casing Included
SKU 04783
$1,699

 

 

 

An ultra-rare, and, the most highly sought after amulet of all of this Great Master, and a most eminent and beautiful exhibit, of the top Preferred Masterclass amulet; The Rian Roop Khai Dtem Ongk, Pim Khor Bet Niyom (fish hook block press). with first prize trophy competition winning status, and certificate of authenticity, from the great Luang Por Ee, of Wat Sattaheeb.

Free Shpping EMS / FED-EX / DHL with this amulet. The amulets of Luang Por Ee are now almost impossible to find. Luang Por Ee is known of worldwide for his Palad Khik, but with serious students and aficionados, and Thai Devotees of this Guru, most famous for this First Edition Rian Roop Khai of 2473 BE (Most Highly Valued and sought after above all his other amulets, along with his Famous Palad Khik Charms, and Met Prik Chili Pepper amulets), as well as the later releases of 2485, 2504, 2511, and 2515 BE Monk Coins, his Palad Khik amulets, Hmak Tui, Takrut and Pid Tawarn amulets.

His Palad Khik and Pid Ta, and Wicha for making carved wooden, and other natural substance based amulets, and his Alchemical metal amulets, are believed to be among the most powerful of all Palad Khik. The Met Prik Chilli Pepper amulet is also one of his most highly soufght after and rarest Talismanic Charms, and is found in Pure Metal, and in Galabangha Dam Black Coral, and is a most inimitable, and finely crafted amulet of Pure Eminence.

This amulet won first prize trophy in Association of Amulets of Siam on 15th November 2561 BE, which was a competition that left Ancient Amulet triumphant with two exhibits of this most rare Master-Class amulet, which were entered into competition by Ajarn Spencer, this one winning first prize trophy, and one other we had collected over the years, which won second prize.

The Rian Run Raek Pim Roop Khai LP Ee of 2473 BE, is a top Pim Niyom Master Class amulet of Ultra Rarity, and Immense Spiritual Value, Magical Power, and a beautiful Antique Historical Buddhist amulet, as remembrance of the Guru, from one of the Greatest Masters in Thai Amulet History, that can only be considered an Ultra-Rarity, and highly desirable item for the devotee of LP Ee. The Rian Run Raek, is of course the most costly amulet in the Pantheon of amulets of Luang Por Ee, as well as the most highly regarded and revered, posessing World Class Status in the Amulet World.

The amulet is the first ever edition of Rian kanajarn Monk Coins which Luang Por Ee made in his long trajectory, The amulet comes with free  express  Shipping, & First Prizewinner Trophy, and certificate of 1st prize status and authenticity included, as well as custom made waterproofed solid gold casing in heavy gauge.

The special Custom Made Solid Gold Encasement was made by our best (and most costly) artisan, for only the best casing is fitting for this World Class Status 1st Prizewinning Coin of Ultimate Rarity and Sacred Value.

Luang Por Ee was one of the Great Olden Days Masters of Thai Buddhist History, and one of the Top 5 Gaeji Ajarn Guru Monks of the Chonburi Region. His amulets are as rare as they are popular with Thai Buddhist people, especially in Central Thailand. His amulets are highly recommended for their Sacred Value and High End Status, for they are as highly regarded and powerful as many amulets of other Masters of the same Era, and are known for their Powerful Metta Mahaniyom Klaew Klaad Maha Lap and Kong Grapan Chadtri Power.

Luang Por Ee Wat Sataheeb

The power of Luang Por Ee’s amulets goes unquestioned in the world of Thai Amulets, and the Amulet appreciation societies all acknowledge Luang Por Ee, fas a Grand Master of all time for the Wicha Pid Ta, and Wicha Palad Khik.

Many devotees over the years have reported immense successes after revering his Palad Khik, and it is said that the Palad Khik of Luang Por Ee are extremely powerful In those days, Luang Por Ee would allow his Looksit to carve Palad Khik and taught them to inscribe them with their own hand, before giving them to Luang Por Ee for empowerment and blessing.

However, the Met Prik Yoni amulets were made in much less numbers, black coral being rare to find and always only available in small amounts, and were carved in various shapes depending on each piece of coral, ranging from chili pepper shape, bullet shape, and three sided triangular shape.

The Palad Khik of Luang Por Ee are also categorised differently by their inscriptions;
1. Luang Por Ee’s own hand 2. Luang Por Lang’s Inscriptions 3. Luang Ta Pan’s Inscriptions (Luang Por Ee’s Nephew) 4. Ajarn Hngun’s Inscriptions 5. Ajarn Naen’s Inscriptions 6. Kroo Sukh’s Inscriptions – these were the most similar Inscriptions to those of Luang Por Ee.

Kroo Sukh was a teacher of the temple orphans and local poor children, who then ordained and apprenticed under Luang Por Ee, becoming a very close companion.
Pra Kroo Wora Waet Muni, or as popularly known by Thai Buddhist Folk, ‘Luang Por Ee’, is a name that is never confused identity, because Luang Por Ee was the first monk on historical record to go under this name. And so any mention of the name Luang Por Ee, can only be referring to the ‘One and Only’
Pra Kroo Wora Waet Muni.

Why did LP Ee make the Chili Pepper Amulet?

Many people have asked in the past ‘Why did Luang Por Ee make a chili pepper amulet?”. The truth is, that the name ‘Met Prik’ is a polite name for what the amulet truly represents. Luang Por Ee made the Palad Khik to represent the Shiva Lingam Male sexual organ, and the Met Prik, was made to represent the Yoni Vulva of Kali/Parvati.

Biography of Luang Por Ee

Luang Por Ee, was born to parents whose names were Mr. Kham, and Mrs. Iang Tong Kham, on Sunday the first October 2408 BE, which was the 11th Lunar Phase of the Year of the Ox. When he reached the age of 25 years old, he was ordained into the Sangha at Wat Ang Sila Nork, which is in the present day now incorporated with Wat Ang Sila Nai, into one temple called ‘Wat Ang Sila’.

Below; the famous Pra Pid Tawarn Yant Won Nuea Maekasit of Luang Por Ee – renowned for its Maha Ud and Maha Pokasap Power

Luang Por Pra Ajarn Jan Jantasō was His Upachaya Ordaining Officer. His Pra Gammawajajarn Prompting Officer was Pra Ajarn Tim. His Pra Anusawanajarn Witness was Pra Ajarn Daeng. His Upachaya Ordained him with the ‘Chāyā’ Monks Name of ‘Puttasārō’. In that very same time, Luang Por Ee submitted himself for service and apprenticeship in Wicha to the Great Luang Por Parn, or Wat Bang Hia, the Great Master of Wicha Suea (Tiger Magic). He also received apprenticeship to the two great olden days Master Monks Luang Por Daeng and Luang Por Hmuean.

Wat Sattaheeb is the temple which Luang Por Ee constructed with his own merits in the year 2442 BE, now well over a Century ago, and Luang Por Ee was of course the very first Abbot of the temple when it was built. Luang Por Ee was reputably able in Samatha meditation and Vipassana mindfulness practices. He was adept at entering, remaining in, and departing from the Kasina and Jhanic mindstates at will, and change his inner state of consciousness to dwell in whichever state was appropriate to the practice.

He stood out for his adepthood, which was noticeably superior to that of his peers in the Sangha, for his behaviour was impeccable. This was because of his ability to raise his mind above the powers of the vedhana (emotions), and not let them flood his mind with anger, sadness, stress, suspicions, and all the other manifestations of emotional and mental impediments and hindrances which arise within the psyche of a common unpracticed human being.

He was able to extinguish the negative emotions or afflictive emotions which arise from suffering the cold, the heat, hunger, thirst, aches and pains, and self created mental worries. Luang Por Ee is known to have never complained about anything, or say that he was suffering or displeased about anything. Even if he was ill, he never complained or moaned and groaned, or even told anybody about it. he would always remain in the same peaceful state, with full equilibrium. Luang Por Ee placed great importance on the value of a good education, and built the Rong Rian Ban Na Sattaheeb public school for the local folk of Sattaheeb.

Luang Por Ee created many different amulets and occult talismanic charms during his trajectory, including of course his legendary Palad Khik, which is considered co-leader of the status of top Palad Khik of all time, along with the Palad Khik of Luang Por Hluea. His Takrut are amongst the rarest and most highly favoured talismans, along with his Suea Yant (Yantra Shirts), Rian Kanajarn Monk Coins, Pra Pid Ta, ‘Pra Sam’ (Pra Tri Gaay), and ‘Pra Prohm See Hnaa’ (4 Buddhas in one votive tablet).

In the years 2483 – 2486 BE, Luang Por Ee released many powerful amulets during the Indo-China Wartime Era. He and his amulets received great acclaim for their powers, and attained equal fame with that of Luang Por Jad of Wat Bang Grabao, and Luang Por Jong (Wat Na Tang Nork). His Pra Sam and Pra See three and four sided Buddha amulets in maekapat Alchemical Lek Lai based magical alloy because very famous during the wartime era for Kong Grapan Chadtri Klaew Klaad protective/evasive powers.

In the latter years of his life, Luang Por Ee became afflicted with a large boil infection on his throat. This became noticeable in the year 2489 BE, but Luang Por Ee did not pay much attention to it. He once said in conversation when asked, that the boil had come to take his life. The boil became worse and worse until he was unable to leave the temple.

One day the boil spread to other boils and the sickness began to spread, and the devotees took Luang Por Ee to the hospital to operate. But Luang Por Ee said to his devotees ‘Never mind do not worry, it is my old Karma from the Deer of Hnong Gai Dtia, in a Previous Lifetime i killed a deer by shooting it in its throat. It is now catching up on me as Karma, and it is essential to work it off, and let it run its course’.

He had once told a close devotee that in a previous life, he had hunted deer in Hnong Gai Dtia forests, and shot an arrow into its neck in the spot where Luang Por Ee’s boils were forming. This was the reason Luang Por Ee gave for the boil on his neck, and the reason he accepted it as ‘deserved payback’.

Luang Por Ee believed this to be his Karma, and wished to end it by letting it run its course, and so ignored the idea of medical treatment in hospital. As time passed the ailment became very large, and Luang Por Ee was also weak from old age. Then, on the 20th September 2489 BE, Luang Por Ee called some monks to help him sit up, and then forbade anybody to touch him further. He entered the meditation posture, and began to meditate. And then something surprising happened; a Blackboard used by Luang Por Ee to make inscriptions which had been affixed to the walls of the Kuti and been hanging there for a long time without use, suddenly fell to the floor with a crash, and a mirror also fell at the same moment some meters distant from the Mai Gradan blackboard, and smashed into pieces.

As soon as the monks attending in Luang Por Ee’s Kuti Hut got over the shock, they noticed that Luang Por Ee, had stopped breathing and passed away in meditation at the very moment. The time was 21:05 Pm. The news of his death spread fast, that Luang Por Ee had passed away at the age of 82 years old, and the devotees rushed to the temple to attend and pay final reverences.

Below; Luang Por Ee

Even though Luang Por Ee is long since passed away, his fame remains for his great merits in building the temple of Wat Sattaheeb, and the Ban Na Public School, and his many other charitable deeds both for the Sangha, Buddhism and for the Local Folk, and his Devotees. His deeds are visible as the edifices he built in Sattaheeb, and in the amulets seen worn by his devotees, and those which stand in elevated positions within the great amulet showrooms, competitions, encyclopaedic works and and auction places

 

Ajarn Spencer Littlewood & Sovereign Amulet Agent (SAA) for ancientamulet.com
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Rian Roop Muean 2520 Putta Sema Temple Boundary Edition Amulet and Certificate - Luang Phu Toop Wat Kae Nang Lerng Featured

Pra Sivali Long Rak Pid Tong Hlang Yant Bai Pad 2520 BE – A rare Classic Pim Niyom Amulet from the Great Luang Phu Toop, of Wat Kae Nang Lerng (2441 – 2533 BE). This amulet comes with authenticity certificate from the association of amulets of Siam Thailand. This exhibit is in extremely pristine condition, and has highly detailed relief, and is immensely easy to authenticate with the naked eye, even without its accompanying certificate. The surface sheen of the sacred chanuan metal amulet has an aura that causes the eye to be drawn to the image of Luang Phu Toop

Pra Racha Dhamma Wicāra, or, as common folk know him, ‘Luang Phu Toop’ of Wat Kae Nang Lerng, was a highly revered monk and esteemed acclaimed member of the ten officially recognised makers of Pra Somdej amulets within the legendary Dtamra of Somdej Pra Puttajarn (Dto) Prohmrangsri’s classic methods of creating Pra Somdej amulets.

He was acclaimed by devotees for his powerful Wicha Akom, and was the creator of a vast range of different amulets, all of which are now extremely rare to encounter, and highly prized within his cult inner circle of collectors and devotees.

This Rian Roop Muean Guru Moink Coin amulet is yet another member of LP Toop’s panthheon that are classed as extremely rare, and is an extremely beautiful exhibit, which has been certificated authentic by the Association of amulet of Siam Thailand.

Luang Phu Toop Wat Kae Nang Lerng

He was acclaimed by devotees for his powerful Wicha Akom, and was the creator of a vast range of different amulets, all of which are now extremely rare to encounter, and highly prized within his cult inner circle of collectors and devotees. This Pra Sivali Amulet is one of the rarest items, and is an extremely beautiful exhibit, which has been covered with ‘Rak’ herbal lacquer and pure 96% gold leaf.

Luang Phu Toop was born in Tambon Bang Luang Iang in Ayuttaya, on he 11th of April 2411 BE. His Father was called ‘Dech’ and Mother went under the name of ‘Phong’. Luang Phu Toop lost his parents about the time of hs first birthday, after which he stayed with relatives in Bangkok, who were Lordly Family Lineage, namely Jao Praya Racha Supamidtr, and Tan Phu Hying Plaek. Luang Phu Toop learned Khom Agkhara Script and Pali Sanskrit at an early age as he was still attending school, at the temple close by to his relatives home.

Below; Authenticity Certificate issued by the Association of amulet of Siam Thailand, signed by its president

In the year 2463, Luang Phu Toop ordained at Wat Suntorn Dhamma Dhana (pronounced ‘Wat Suntorn Tamma Tan’ in Thai), popularly known as Wat Kae Nang Lerng. HIs Upachaya Ordaining Officer was tan Jao Kun Tamma Warodom, the Abbot of Wat Benjamabopit. His Pra Gamma Wājājarn was Pra Ariya Muni, the Abbot of Wat Tewarachagunchorn. Pra Kroo Puttaban (Luang Por Naedtr), the Abbot of Wat Sontorn Tamma Tan was his Pra Anusawanajarn Witness.

He received the ‘Chāyā’ (Ordained Monk’s name), of ‘Khema Siri’. Once he was Ordained, Luang Phu Toop studied Kammathāna Vipassanā, and Dhamma, and Putākom (Buddha Magic) with the Great Luang Por Parn of Wat Bang Nom Kho in Ayuttaya for a long time.

After Luang Phu Toop returned back to Bangkok thereafter, he would still return often throughout the years, to continue his studies with Luang Por Parn. As time went on, Luang Phu Toop came to become friends with Luang Por Khant of Wat Nok Grajarp, who introduced him to the ‘Wicha Chueak Kart Aew’ (magical cord belt making), which he mastered under the tutelage of Luang Por Khant.

Luang Phu Toop also went on to master a number of other magical Wicha with the great Luang Por Chaem of Wat Ta Gong in Nakorn Pathom, and with the Legendary Luang Por Ngern of Wat Don Yai Horm, because Luang Por Ngern would often visit wat Ta Gong to see Luang Por Chaem, and so Luang Phu Toop was blessed to receive Wicha from both of these Immensely Powerful Sorceror Monks.

Luang Phu Toop was a very diligent monk who would accept and fulfil all the requests he received from his superiors, and was never lazy or selfish in his behaviour. He became highly respected and beloved by his companions in the Sangha during his early years as a Samanera Novice Monk, and was a shining example to the other Novice Monks, inspiring and driving them to excel in their duties.Luang Phu Toop was responsible for a great deal of helpful activities in assisting the Abbot of Wat Kae Nang Lerng in the development of the temple, and eventually was elected Vice Abbot.

In the year 2471 BE, Luang Phu Toop was elected to become the Abbot of Wat Sontorn Tamma Tan (Wat Kae Nang Lerng), and developed the Temple until it grew to become a Great Temple, as seen today, and in the Year 2477 BE, he was given the Honorable Official Status of Pra Kroo Sanya Badtr. Consequently, in the Year 2495 BE, he was given the Official Status of Pra Racha Kana (Bishop) by Royal Decree.
Luang Phu Toop is known for his many different Amulets which he created, which he began to make in the Year 2482 BE, by co-creating an edition with the Legendary Luang Por Chaem of Wat Ta Gong.

This first edition was the Pra Somdej Sam Chan Buddha on 3 Tiered Dais, The Pra Rod Buddha Amulet, The Pra Pim Nang Kwak Supawadee Amulet. All of these Amulets were created in Nuea Pong Pasom Din Buchaniyasathan (Muan Sarn Sacred Powders mixed with earths from Sacred Shrines), and also in a second Sacred Substance, namely Pong Bailan Long Rak Chab Nuea Nai Si Dork Tao (Black Parchment Powders with Lacquered Surface and Gray Inner Color). All models had deep hand spell inscriptions in the rear face.

Every time Luang Phu Toop created an Edition of Amulets, he would distribute them to devotees who came to the temple and helped out. The Amulets which remained left over afterwards would be then hidden in the base of the Buddha Statue within the Uposatha Shrine Room. The Amulets of Luang Phu Toop include Sacred Powder Amulets, Chueak kart Aew Macic Cord Belts with Takrut. His most famous editions are the 2504 and 2513 Editions. The 2513 Edition saw his first edition Guru Monk Coin released, which is a Highly Preferred Pra Niyom Master Class Amulet. Various other editions were of course beseeched and releasaed over the years to mark different events, such as this 2520 BE installation of the Putta Sema Temple Boundary Monument Memorial edition.

Luang Phu Toop remained as Abbot of Wat Kae Nang Lerng and was highly respected and beloved by the Local Folk, until his final passing on the 29th May 2533, at the age of 92 Years Old

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The lineage of the Wicha Pong Prai Kumarn finds its most potent expression through the lives and works of Luang Pu Tim Issarigo of Wat Laharn Rai and his primary disciple, Luang Por Sakorn Manunyo of Wat Nong Grub. Luang Pu Tim, a master of Rayong Province, became world-renowned for his mastery of Thai Buddhist occultism, specifically the creation of sacred powders and the “Pat Boke” or Fan Waving Art, which is a high-level form of Metta Mahaniyom (mercy and attraction magic). His expertise in crafting Prai Kumarn powder—a substance derived through complex necromantic rituals involving the spirits of children—set a benchmark in the amulet world that remains unsurpassed.

Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim 2505-2515 BE

Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim 2505-2515 BE

Luang Pu Tim’s spiritual path involved rigorous training under several masters, including Luang Por Graat of Wat Chak Gor Pai. Through these studies, he mastered the esoteric arts required to create the Phra Khun Phaen Pong Prai Kumarn amulets, which are now among the most sought-after and expensive artifacts in the Thai amulet market. These amulets are believed to possess extraordinary protective qualities and an immense power to enhance the wearer’s charisma and fortune.

The transmission of this sacred knowledge was not granted lightly. Luang Por Sakorn Manunyo, as the Looksit Aek or prime apprentice, was the individual entrusted with the complete formulas and secret incantations of Luang Pu Tim’s lineage. Luang Por Sakorn’s journey began under Luang Por Pheung of Wat Nong Bua, where he learned the foundations of sacred craftsmanship. However, it was his time at Wat Laharn Rai that defined his destiny.

Luang_Phu_Tim_Isarago__Wat_Laharn_Rai_Rayong

Luang Pu Tim recognized the potential in Luang Por Sakorn and provided him with intensive training in the creation of Pong Prai Kumarn. At Luang Pu Tim’s specific recommendation, Luang Por Sakorn also sought further advanced training with Luang Pu Hin at Wat Nong Sanom to master the Ruesi traditions and mystical sciences, ensuring a well-rounded foundation in the occult arts.

Luang Por Sakorn Wat Nong Grub

The relationship between the two monks was one of deep trust and spiritual inheritance. Luang Por Sakorn was not merely an assistant but a successor who was given the authentic Prai Kumarn powders inherited directly from Luang Pu Tim. This inheritance allowed Luang Por Sakorn to continue the tradition of creating powerful Phra Khun Phaen amulets after Luang Pu Tim’s passing.

Khun Phaen Prai Kumarn LP Sakorn 2546 Wan Dok Thong

Khun Phaen Prai Kumarn LP Sakorn 2546 Wan Dok Thong

Below; Luang Phu Tim Issarigo, or, ‘Pra Kroo Pawanapirat’, was born on the 16th May 2422 Buddhist Era, This was during the time of King Rama 5. Luang Por Tim was born in Ban Hua Tung Ta Budtr in Tambon Lahan, in Ban Kaay Municipality of the Province of Rayong. LP Tim lived to the age of 96 years old, when he passed away on 16th October in the year 2518 BE, with 69 years of ordained life behind him.

 

LP Tim Issarigo

Uncovering the history of the Phra Khun Phaen series reveals that Luang Por Sakorn’s reputation was firmly established in 2530 BE with the release of his first Phra Khun Phaen Pong Prai Kumarn amulets. These were produced in both small and large molds, utilizing the authentic powders from his master.

Pra Khun Phaen Pong Prai Kumarn Long Pim Luang Phu Tim

Pra Khun Phaen Pong Prai Kumarn Long Pim (Block 2 Sao Khad) Luang Phu Tim

These amulets often featured metal Takrut—sacred scrolls inscribed with spells—made of gold, silver, or copper, and were infused with sacred oils and floral essences. The ritual process for creating these powders is incredibly complex, involving the transformation of raw spiritual energy into a stabilized, benevolent force that aids the devotee.

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LP Sakorn Manunyo

The Phra Khun Phaen (Pong Prai Kumarn) – Nong Bua Klee Model, produced between 2543 and 2544 BE, stands as another significant example of Luang Por Sakorn’s mastery. These objects are cherished by collectors not just for their aesthetic value but for the documented miraculous experiences shared by devotees over many decades. The amulets are characterized by a rich texture and a profound spiritual energy that reflects the rigorous consecration methods of the Wat Laharn Rai lineage.

While Luang Por Sakorn is the most famous successor, other monks such as Luang Phu Sin of Wat Laharn Yai, Luang Por Rat of Wat Pha Hwaay, and Pra Ajarn Somkid of Wat Beung Tata also carry forward aspects of Luang Pu Tim’s Wicha. However, it is Luang Por Sakorn who is most widely recognized for maintaining the purity and potency of the original Pong Prai Kumarn formulas.

The study of these masters and their sacred objects provides a look at the intersection of Buddhist philosophy and the ancient Thai occult traditions. The amulets serve as physical vessels for the Wicha, representing a lineage of knowledge passed from teacher to student through years of dedicated practice and spiritual discipline.

Encyclopaedic work of the amulets of the Great Luang Phu Tim Issarigo of Wat Laharn Rai

Much more information on Luang Pu Tim, Luang Por Sakorn, and the intricacies of Pong Prai Kumarn can be found on the websites of Ajarn Spencer Littlewood, who has authored extensive documentation on these subjects. I recommend visiting ancientamulet.com, thailandamulet.net, buddhamagic.net, dharmathai.com, and sak-yant.com for further research into the biographies of these great masters and the catalogs of their sacred amulets.

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Luang Por Tong Sukh Intachoto, who was later bestowed the ecclesiastical title Pra Kroo Pinit Suttakun, was an immensely revered monk of Phetchaburi Province, and abbot of Wat Tanode Luang. He has long been revered by local communities and devotees in nearby regions, particularly among those who place faith in amulets connected with Maha Ud, Klaew Klaad (Pronounced ‘Klew Klaart’), Kong Grapan Chadtri (Pronounced ‘Kong-Grapan-Char-Tree) protection, invulnerability, and danger avoidance.

LP Tong Suk Intachoto

According to historical accounts consistently found across Thai-language sources, Luang Por Tong Sukh was a monk strict in monastic discipline and deeply accomplished in protective esoteric knowledge (wicha). His mastery belonged to a traditional central-Thai lineage emphasizing kong grapan, klaew klaat, and maha ud. He played a significant role in the administration, restoration, and support of Wat Tanode Luang during a period when social conditions were unstable and personal security was a major concern for the local population.

His reputation became especially prominent during the mid-20th century. At that time, his amulets were widely sought by individuals in high-risk professions such as local toughs, gunmen, police officers, and soldiers. This reflects the social realities of the era rather than an endorsement of such lifestyles, and provides historical context for the strong belief in the protective and invulnerable qualities attributed to his sacred objects.

The sacred amulets attributed to Luang Por Tong Sukh, that are consistently recognized in Thai sources can be categorized as follows.

First, coin amulets of Luang Por Tong Sukh. The most important and widely accepted is the second generation coin, created in Buddhist Era 2498 (1955). This coin is regarded as the principal amulet of the Wat Tanode Luang lineage. It was produced in several metals, including copper, silver, and gold. Copper examples are the most commonly encountered and are the most popular in the collector market.

Rian Luang Por Tong Sukh

A key point of classification is the die detail of the vowel “I” above Luang Por Tong Sukh’s name. These are divided into the “I touching the rim” type and the “I floating” type. The “I touching the rim” variety is regarded as the popular block and commands higher demand. The attributed powers repeatedly cited are maha udom, kong krapan, klaew klaat, and good fortune, with many experiential accounts traditionally associated with these coins, especially within Phetchaburi and surrounding provinces.

Takrut Luang Por Tong Sukh Pork Krang

Second, takrud amulets. These include lacquer-coated takrud and takrud associated with protective and Sariga (celestial magpie pronounced ‘Saa-ri-gar) bird Wicha related traditions. They are typically metal sheets inscribed with sacred formulas, rolled into tubes, and coated with lacquer or ritual substances according to established formulas. Their primary attributed qualities are protection, danger avoidance, and charm. Sizes and forms vary depending on the period of creation.

Third, look om and look sakot krang. These are small bead-like charms made from lacquer or herbal mixtures prepared according to traditional methods. They are intended for personal carrying and are believed to provide general protection and safety. These items are usually handmade and do not follow standardized molds.

Fourth, krang-based powder amulets. These are folk-style molded amulets made from powder or lacquer-based materials. Thai sources describe them as having been distributed on specific occasions within the temple or to close disciples, rather than produced in large commercial quantities.

After the passing of Luang Por Tong Sukh, the lineage of his wicha at Wat Tanode Luang continued through his principal disciple, Luang Por Phaeo. Luang Por Phaeo was the prime apprentice (looksīt) of Luang Por Tong Sukh and later became abbot of Wat Tanode Luang. He is widely recognized as the direct inheritor of Luang Por Tong Sukh’s ritual knowledge, protective formulas, and consecration methods, ensuring continuity of the temple’s spiritual lineage rather than a break or reinvention.

Luang Por Phaeo’s role was not merely administrative. Thai sources consistently describe him as actively practicing and transmitting the same core wicha of protection and invulnerability learned directly from his master. This continuity is an important factor in how collectors and devotees understand the posthumous legacy of Luang Por Tong Sukh.

The sacred objects of Luang Por Phaeo of Wat Tanode Luang, as recognized in Thai collector circles, include coin amulets issued during his abbacy, takrud prepared according to the Wat Tanode Luang lineage, and other consecrated objects created for temple construction, merit-making, or specific ceremonial occasions. These items are generally regarded as lineage extensions rather than substitutes for the original-era amulets of Luang Por Tong Sukh and their value and status are assessed accordingly.

Within the Thai amulet market, Luang Por Tong Sukh’s amulets—especially the second generation coin—are firmly established as core items of the Phetchaburi lineage. They are often sought as companion pieces to the first generation coin of Luang Por Daeng of Wat Khao Bandai-It, a contemporary monk from the same regional and temporal sphere of belief.

Market value varies greatly depending on condition, metal, and die type. Coins in original, well-preserved condition and of popular dies command significantly higher value. Price figures commonly cited in Thai sources function as general market references rather than fixed or guaranteed valuations.

Luang Por Tong Sukh (official name: Pra Kroo Pinit Suttakun) of Wat Tanode Luang, was a historically  famous and incredibly highly revered holy sorcerer-monk, whose amulets possess a distinct lineage identity, focused and centered on his famous protective wicha. That lineage continued directly through his prime disciple Luang Por Phaeo, ensuring continuity of ritual mastery and consecration practice at Wat Tanode Luang. The information presented here represents the core body of knowledge consistently shared across Thai language sources and reflects the generally accepted framework within the Thai amulet community.

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Life and Amulets of of Luang Por Jong, Wat Natang Nok

The Epitomy of Compassion and Protective Power  – An Immortal Legend That Never Fades

Luang Por Jong Wat Na Tang Nok

Within the circles of master amulet collectors, it is impossible to omit the name of Luang Por Jong Buddhāsaro of Wat Natang Nok when discussing the great monks of the Indochina War era. He was honored as one of the “Four Heavenly Masters” alongside Luang Por Jād, Luang Por Khong, and Luang Por Ī. Together, they were remembered under the legendary phrase “Jād – Jong – Khong – Ī.” Luang Por Jong’s reputation rested on both his mastery of invulnerability magic (khongkrapan chatri) and his extraordinary aura of loving-kindness, earning him the title “The God of Compassion.” This study therefore seeks to examine his life and influence in detail to deepen understanding of his legacy among experts.

Early Life and Background
Luang Por Jong, formally known as Phra Athikan Jong Buddhāsaro, was born on Thursday, March 6, 1872, in Ban Na Mai, Bang Sai District, Ayutthaya Province, during the early reign of King Rama V (King Chulalongkorn). He was the eldest child of Mr. Yot and Mrs. Klip, with two younger siblings: Mr. Nin and Ms. Plik. Later, Mr. Nin also became ordained and eventually became abbot of Wat Natang Nai.

Luang Por Jong, Ancient Master Monk of Wat Na Tang Nok

As a child, Luang Por Jong’s health was weak. He suffered from chronic parasites, poor eyesight, and partial hearing loss, and was thin and frail. However, unlike most children, he showed a natural inclination towards Buddhism, often visiting temples and engaging in merit-making. At the age of 11, his father arranged for him to be ordained as a novice monk at Wat Natang Nai. Remarkably, after ordination, all his illnesses disappeared. This was seen not only as a miraculous healing but also as evidence of accumulated merit from past lives, revealed through the act of ordination. The event greatly influenced local belief in his spiritual power, becoming the foundation of his later reputation as a miracle-working monk.

In 1892, at age 21, he was ordained as a monk at Wat Natang Nai. His preceptor was Luang Por Sun of Wat Bang Plamo, with Phra Ajahn In, abbot of Wat Natang Nok, serving as his kammawācācariya (reciter of the ordination formula). He also studied with other famous teachers, such as Luang Pu Pan of Wat Phikul Sokhan, who shaped him into a master of sacred Buddhist magic.

Miracles and Legendary Accounts: From Ghost Soldiers to Sacred Sand
Luang Por Jong’s powers became widely recognized during the Indochina War. Amulets blessed by him were distributed to Thai soldiers, leading to extraordinary battlefield experiences. The most famous tale was that of the “ghost soldiers.” Soldiers wearing his protective shirts or carrying his amulets reportedly survived gunfire unharmed; some who were shot down rose again to continue fighting, causing enemy troops to nickname them “ghost soldiers.”

Another well-known story was the legend of the “sacred sand.” During wartime, Luang Por Jong was invited to board an airplane and scatter consecrated sand to protect the land below. Pilots testified to this event, demonstrating the adaptation of traditional magic into modern contexts. These accounts cemented his reputation as a monk whose influence extended into the national history of Thailand.

Roop Tai LP Jong Sacred Blessed Photo

Roop Tai LP Jong Sacred Blessed Photo

Luang Por Jong passed away on February 17, 1965. His death was linked to a cryptic prophecy he once made: “When the lottery draws triple zero, that will be the day of my death.” On the very day of his passing, the winning number was indeed 000, confirming his words and strengthening faith in his supernatural insight.


Catalog of Sacred Objects – Forms, Materials, and Authenticating Marks

Introduction
For collectors, Luang Por Jong’s sacred objects are not merely charms but historical witnesses to miraculous experiences. Because they were directly connected to wartime survival stories, their value has soared; some coins now command prices from hundreds of thousands to millions of baht. With such demand came counterfeits, making knowledge of authentic features—shapes, materials, and flaws—an essential skill for any serious collector.

Rian Sema LP Jong 2485 BE Solid Gold

Rian Sema LP Jong 2485 BE Solid Gold

1. The Classic Coins

  • First-Era “Sema” Coin (1942)
    Created to commemorate a Buddha image casting and prayer hall construction. Two main versions exist: “large face” and “small face.” The most prized are those with the rear inscription “B.E. 2485” (1942) arched along the edge, known as “arched BE.” Made mostly in copper, the rarest pieces retain their original reddish “fire-skin” patina, fetching up to millions of baht. Silver- and gold-plated versions also exist. Authentication requires checking facial details, fine hairlines, overlapping edge lines, and the “pan depression” (a concave surface caused by traditional pressing). Genuine coins also show “protruding rim metal” and gear-like edge cuts from old presses.

  • Six-Cycle “Sema” Coin with Lion Reverse (1944)
    Struck to celebrate his 72nd birthday, often called the “novice face” coin due to its youthful portrait of the master. Thin copper and alpaca were used, and pieces typically display a “pan depression” and filing marks along the rim, proving authenticity.

  • Seven-Cycle Coin with Inscription Reverse (1956)
    Created to fund the construction of a new school building at Wat Natang Nai, initiated by his younger brother, Luang Por Nin. This marked a shift from wartime amulets to educational patronage. Exactly 500 silver and 5,000 copper coins were produced. The coin’s front bears protective mantras including the essence of Buddhist sutras, symbolizing the deep integration of doctrine into the consecration ritual.

2. Esteemed Talismans

  • Takrut (scroll charms): Made in different sets, such as single takrut ton, sets of 4, 12, or 16, and the special Maha Rud takrut. Believers used them differently: worn in front for invulnerability or at the back for escape and avoidance. Materials included copper, lead, and in rare cases tiger forehead skin.

  • Yantra Shirts and Cloths: Particularly popular during wartime, such as the Lion Power shirt and the 16-lotus Lion yantra cloth. They were believed to grant invulnerability, protection, and authority. Red and white versions existed, with long-sleeved examples being the rarest.

  • Other Charms: These included woven fish talismans in silver or gold, the “Rak-Yom” figures for attraction, the Chimphalee flag for prosperity, and consecrated waist cords made by villagers and blessed by him.


Lessons for Modern Collectors

Studying Amulets in the Digital Age: “Sharp Eyes Before Gentle Ears”
Today’s market is flooded with counterfeits, making it dangerous to rely only on hearsay. Collectors speak of fakes as “bullets” ready to strike careless buyers, leading them to be “cheated” or “burned.” To advance in the field, one must develop sharp visual discernment (ta thueng) rather than being easily swayed (hu mai bao). The surest path is to memorize the authentic features of genuine amulets, especially flaws that counterfeiters cannot reproduce, such as edge cuts, protruding rims, and pan depressions.

Rian Sema LP Jong

Summary Table: Popular Coins of Luang Por Jong, Wat Natang Nok

Model Year Features Materials Key Authenticators
First Sema 1942 Large/Small Face, “Arched BE” Copper, Silver, Gilt Sharp portrait, fine hairlines, pan depression, protruding rim
Six-Cycle 1944 Lion reverse, “Novice Face” Copper, Alpaca Youthful face, pan depression, filed rim
Seven-Cycle 1956 Inscription reverse 500 Silver, 5000 Copper Protective mantras on front, detailed script on back

The Beauty of Buddhist Art and the Power of Sacred Merit

The sacred objects of Luang Por Jong are significant not only for their legendary spiritual power, attested to in tales of ghost soldiers and sacred sand, but also for their historical value. They reflect the deep faith of people seeking spiritual refuge in wartime. Studying these amulets is not only about spotting authentic flaws but also about understanding the beliefs, way of life, and history of an era.

Ultimately, according to Buddhist tradition, any amulet—whether priceless or ordinary—becomes truly effective only if the devotee has sincere faith, practices virtue, and remembers the spiritual guidance of their master. Through this, the sacred objects of Luang Por Jong continue to serve as true sources of inspiration and refuge.

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The Sacred Amulets of Luang Por Sakorn: A Comprehensive Guide to the Devotional Legacy of Wat Nong Grub

Introduction

In the pantheon of modern Thai Buddhist masters, Luang Por Sakorn Manunyo of Wat Nong Grub, Rayong Province, occupies a unique position as both a devout spiritualist and a great master of ritual magic and amulet consecration. His contributions to Thai amulet culture are not merely of devotional significance; they reflect a comprehensive mastery of sacred materials, esoteric consecration methods, and a lineage that traces directly back to two of the most revered figures in modern Thai occultism: Luang Por Pheung of Wat Nong Bua, and the legendary Luang Pu Tim of Wat Lahan Rai. This guide endeavors to present a detailed exposition of the amulets and talismanic objects consecrated by Luang Por Sakorn during his lifetime, situating them within their historical, ritual, and collector contexts.

Origins and Mastery

Luang Por Sakorn’s journey into sacred craftsmanship began under the tutelage of Luang Por Pheung and was later refined through intensive study with Luang Pu Tim, a master famed for the creation of Prai Kumarn powder-based amulets. Luang Por Sakorn also underwent further esoteric training under Luang Pu Hin of Wat Nong Sanom, thus solidifying his foundation in the Ruesi traditions and mystical sciences that underpin the creation of powerful amulets. He was not merely a ritual assistant or disciple but was entrusted with specific formulas, powders, and esoteric incantations that had, until then, remained within an exclusive lineage. This trust would culminate in the prolific consecration of sacred objects that today form one of the most respected catalogs in Thai Buddhist amulet history.

The Phra Khun Phaen Series

Luang Por Sakorn’s reputation was cemented with the release of the first Phra Khun Phaen Pong Prai Kumarn amulets in 2530 BE. These were produced in small and large molds, using authentic prai kumarn powder inherited from Luang Pu Tim, infused with oils, sacred floral essence, and enhanced with metal Takrut in gold, silver, or copper. The resulting amulets were rich in texture and profound in spiritual energy. Highly venerated for their reputed efficacy in charm (maha sanaeh), protective metta, and financial fortune, these amulets command high premiums in today’s collector markets.

Subsequent editions of Khun Phaen continued to evolve in both aesthetic form and ritual complexity. The 2538 BE edition commemorated the construction of a new chedi at Wat Nong Grub and involved the integration of additional powders from Luang Pu Tim and Luang Pu Hin. In 2543 BE, to celebrate his 63rd birthday, Luang Por Sakorn introduced Khun Phaen with Nava Loha Takrut, empowered over extended periods of solitary and collective chanting ceremonies. By 2546 BE, the Phapa Samakkhi edition showcased new powder compositions, lacquer finishes, and embedded silver Takrut, with narratives emerging around wearers surviving life-threatening events.

Later editions such as the Khun Phaen Krob Jakawan (2553 BE) and the Tri-Mas edition (2555 BE) featured powders like Jin Dab Mani and meticulously blended sacred herbs. Each of these editions carried subtle differences in mold, coloration, and embedding—details that advanced collectors scrutinize when authenticating specimens.

Phra Pidta and Meditative Forms

Phra Pidta amulets by Luang Por Sakorn represent a synthesis of mystical protection and wealth attraction. The Phra Pidta Maha Lap medallion, released in 2524 BE, depicted the classic closed-eye mudra associated with spiritual introspection and arcane wisdom. The reverse bore yantras believed to ward off misfortune and invite abundance. Revered especially by traders, it became affectionately known as the “Pidta 24.”

He later introduced additional Pidta forms, including versions aligned with Taw Wessuwan—the celestial guardian associated with wealth and guardianship—produced in metal and cloth. These were ritually empowered through multi-day chanting ceremonies, often during auspicious lunar alignments.

Phra Kring and Ritual Bells

Among the most iconic of Luang Por Sakorn’s creations was the Phra Kring Tripitaka series, first released in 2544 BE. These sacred ringing amulets were forged from metal alloys that included melted Chinnabanchorn relics, sacred fragments from Luang Phu Kaew’s amulets, and embedded Takrut scrolls. In select editions, sacred hairs from Luang Por Sakorn, Luang Pu Tim, and other senior monks were sealed within the base, and inscriptions were applied during the three-month Rains Retreat. Considered especially powerful for healing, prosperity, and spiritual grounding, these amulets have achieved near-legendary status among devotees.

Takrut and Cloth Talismans

Takrut charms formed a vital aspect of Luang Por Sakorn’s repertoire. These included the Tone Sao 5 (2550 BE), which was crafted in auspicious Saturday-Fifth configurations, and the Maha Prap series (2540 BE), which was associated with invincibility and aura enhancement. These charms, inscribed in silver, copper, or triple-metal alloys, were often individually consecrated by hand, reflecting the personalization that characterized his work.

Cloth talismans such as the Pha Yant Paddle Banner and the Shuchok Talismans were also significant. The latter, in particular, were hand-drawn with Dvaravati-style yantras and are revered for their household protection properties. One of the most coveted cloth talismans is the Taw Wessuwan yellow Pha Yant, limited to 1,000 pieces, each numbered and stamped by temple authorities.

Medallions and Commemorative Coins

Among his numerous commemorative medallions, the Baramee 53 series (2553 BE) stands out. Oval in shape and bearing Luang Por Sakorn’s meditative image on the obverse and wealth-attracting yantras on the reverse, this series was produced in gold, silver, and various copper alloys. The gold versions were limited to just 99 pieces, and each was individually numbered, adding to their collector appeal.

The Maha Pokasap medallion, created for his 73rd birthday in 2554 BE, depicted Luang Por Sakorn in full-figure and featured the “Unending Wealth” yantra. Like the Baramee 53, this medallion was released in multiple metal grades, from nava loha to copper. A follow-up series in 2555 BE, known as the Tri-Mas Edition, incorporated strands of his sacred hair and blended alloys. Additional rarities include the Sam Kasat medallion (featuring gold, silver, and copper alloys) and the Seema Six-Round commemorative medallions.

Animal-Based Charms and Effigies

Luang Por Sakorn also produced an array of animal-based talismans, designed for protection, authority, and personal magnetism. Among them, the Singha Maha Prap of 2546 BE—a small lion’s head effigy—was embedded with prai kumarn powders and Takrut scrolls, crafted in gilded bronze or sacred alloys. Tiger effigies carved from wood or cast in metal, featuring inscriptions derived from Luang Pu Tim’s own scrolls, were equally venerated.

The Hanuman Maha Prap Trai Chak edition, a highly sought-after and exclusive piece from the 2555 BE collection, boasts a limited run of only 333 consecrated pieces. Each individually crafted effigy was imbued with spiritual significance over the course of nine sacred nights, during which time it was infused with an array of powerful ingredients, including multiple Takrut, relic powders, and as many as 16 distinct forms of Hanuman yantras. These intricate and complex components work in harmony to amplify the metaphysical properties of the effigy, allowing it to serve as a potent symbol of protection, strength, and divine guidance.

In addition to the revered Hanuman Maha Prap Trai Chak edition, the collection also features a range of other effigies, each imbued with its own unique metaphysical purpose. Pigs, such as the majestic Maha Heng, are often associated with the acquisition of wealth and material prosperity, while tortoises are revered for their ability to grant invincibility and protection from harm. Meanwhile, monkeys are believed to possess the power to imbue their owners with charisma and confidence, making them a popular choice among those seeking to enhance their social and professional standing.

Market Impact and Legacy

The veneration of Luang Por Sakorn’s sacred creations has grown exponentially since his passing in 2014. It is not uncommon for entire batches of newly released editions to sell out within hours. Demand is particularly high among collectors in Thailand’s urban centers, as well as in international circles, notably in Malaysia and Singapore. First-edition Khun Phaen amulets have sold for over a hundred thousand baht in some instances, while rare medallions like the Baramee 53 gold coin have achieved auction prices well beyond their initial offering.

Despite this commercialization, the spiritual intent behind each object remains clear. Each amulet was crafted, consecrated, and released not as a commodity but as a sacred extension of Luang Por Sakorn’s enduring compassion, discipline, and spiritual authority. His legacy continues through those who revere his teachings, those who seek his protection, and those who wear or enshrine his sacred works.

Conclusion

Luang Por Sakorn’s amulets represent far more than collectible artifacts; they are embodiments of esoteric knowledge, ritual mastery, and compassionate intent. Each object encapsulates the ethos of Thai Buddhist magical practice—a blending of animist reverence, scriptural fidelity, and meditative empowerment. As such, they remain not only as powerful tools of spiritual protection but as lasting testaments to the life and legacy of one of Thailand’s most respected modern monastics. Whether admired for their craftsmanship, venerated for their mystical potency, or studied for their role in cultural anthropology, the amulets of Luang Por Sakorn will continue to inspire and guide future generations of practitioners and scholars alike.

 

In recent years, devotion to Luang Por Sakorn’s creations has soared, entire batches are swept away in moments, collectors from Bangkok to Malaysia and Singapore vie for a chance to own one, early editions of the thirty’s BE sell for tens of thousands, later models climb in value by the day, Baramee 53 gold coins and seventy-third birthday medallions demand a premium, each object a repository of sacred lineage, ritual power, and the undying presence of a master whose voice endures beyond time

Every amulet he consecrated bore his living touch, each blend of sacred material and script a testament to his lifelong devotion, now immortalized in metal, powder, and cloth, awaiting those who believe, who seek, who carry his legacy in the silent language of faith.

Biography of Luang Por Sakorn

1. Early Life and Family Background
Luang Por Sakorn Manunyo—born Sakorn Paisalee—emerged from humble agrarian roots. He was born on Tuesday, the 9th waning moon of the 3rd lunar month, corresponding to February 3, 1938, into a farming family in Ban Thai Thung, Moo 2, Nong Grub Subdistrict, Ban Khai District, Rayong Province. His parents, Mr. Gu and Mrs. Nid Paisalee, raised two children: an elder sister and Sakorn himself. Educationally, he completed primary school (Grade 4) at Wat Nong Grub before assisting with farm labor. Even in childhood, he displayed a marked inclination towards esoteric arts and herbal medicine, traveling to nearby villages—including Wat Laharn Rai—to study with local masters such as Yoi Lhor and Yoi Tat, both known for working closely with the legendary Luang Pu Tim of Wat Laharn Rai.

2. Ordination and Relationship with Luang Pu Tim
At age 20, on June 4, 1958, Sakorn was ordained as a Buddhist monk at Wat Nong Grub, receiving the Dharma name “Manunyo” under the precept Master Phra Kru Chantaro Thay and Assistant Master Phra Athikana Khiang. He was promptly sent for retreat at Wat Laharn Rai, aligning himself closely with Luang Pu Tim Isarigo, a master renowned for creating “Khun Phaen Pong Prai Kumarn.” Over time, Sakorn earned the special status of principal disciple, receiving full transmission of Luang Pu Tim’s magical formulas and techniques without reservation. Luang Pu Tim reportedly predicted that Sakorn would carry on his legacy after his passing .

3. Esoteric Training and Mastery
Sakorn pursued intensive study under Luang Pu Tim, initially through daily practice: writing protective yantra texts, memorizing incantations, and engaging in extended retreats. He later advanced to study with other prominent masters, including:

  1. Luang Pho Peng Sasano of Wat Laharn Yai
  2. Luang Pu Hin of Wat Nongsanom
  3. Luang Pu Som of Wat Baan Chong (Chonburi)
  4. Luang Pu Sukh (Pa Khlong Makham Thao) for invincibility yantras

Following this, Sakorn also studied with masters such as Luang Pho Khun (Ban Rai), Luang Pho Akom (Phetchabun), Luang Pho Buem (Prasat Kin), plus pilgrimage studies with Burmese and Cambodian adepts .

His rigorous years of study and discipline solidified his mastery in katha (mantras), yantra drawing, herbal concoction creation, relic powder fabrication, sacred metal casting, and ritual consecration.

4. Personal Qualities and Spiritual Reputation
Contemporary accounts describe Sakorn as serious, reserved, and intensely dedicated. He prioritized the ethical and ritual integrity of his practices and maintained laconic responses about miracles. He often expressed that true spiritual power must be recognized through focused practice, not empty displays of miracles. Noteworthy anecdotal accounts include Luang Pu Tim quietly feeding fish by dipping his finger into a pond, afterward attracting a sudden throng of fish—a demonstration of spiritual charisma, subtly supported by Sakorn’s own accounts .

5. Community Leadership and Temple Restoration
In 1965, Sakorn returned to lead Wat Nong Grub as abbot after the death of the previous head priest. He embarked on large-scale restoration efforts to rebuild 200-year-old temple structures that had been destroyed by fire, employing his own skills in woodcarving, bronze sculpting, mural painting, gold leaf application, and lacquer work. In 1981, he was granted the monastic title of Phra Kru Manunyo Dhammawat.

6. Early Amulet Creation
As early as 1965 (B.E. 2508), Sakorn began crafting sacred objects. One of his earliest was a black Pha Larn (palm-leaf powder) votive tablet, created using old Pha Larn powder that was incinerated in a bowl for hardness and later used in a donation ceremony in 1967 (B.E. 2510). The tablet reportedly protected and saved lives . In 1981, he further expanded to create amulets made of Phatthamang (five classes of powder), Itti Je powders, Luang Pu Tim’s relic powder, Luang Pho Peng’s herbs, Phu Mueang’s powder, Phra Khun Si’s Buddhist powders, and various stones and sanctified materials . These early creations laid the foundation for his later famed Khun Phaen masterpieces and sacred coins.


A Comprehensive Re-Analysis

Lineage and Spiritual Heritage

Luang Por Sakorn Manunyo, of Wat Nong Grub, in Rayong Province, represents one of the most significant figures in contemporary Thai Buddhist amulet culture. His position within Thai Buddhist mysticism, is particularly noteworthy ,due to his direct lineage connection to the legendary Luang Pu Tim Issariko, of Wat Laharn Rai. As Looksit Ache (prime apprentice) to Luang Pu Tim, Luang Por Sakorn received the complete transmission of sacred knowledge, that would later define his amulet-making practice.

The spiritual journey of Luang Por Sakorn, began under the guidance of Luang Por Pheung of Wat Nong Bua, who provided his foundational training in sacred craftsmanship. However, it was his subsequent intensive study with Luang Pu Tim, that truly refined his abilities. Luang Pu Tim, renowned worldwide for his mastery of Pong Prai Kumarn (sacred necromantic powders), entrusted Luang Por Sakorn with specific formulas, consecration methods, and esoteric incantations, that had previously remained within an exclusive lineage. Furthermore, at Luang Pu Tim’s recommendation, Luang Por Sakorn pursued additional advanced training with Luang Pu Hin, at Wat Nong Sanom, thereby solidifying his foundation in Ruesi traditions, and mystical sciences.

 

The Phra Khun Phaen Series and Pong Prai Kumarn

The reputation of Luang Por Sakorn, was firmly established with the release of his first Phra Khun Phaen Pong Prai Kumarn amulets, in 2530 BE. These remarkable creations were produced in both small and large molds, utilizing authentic Prai Kumarn powders, directly inherited from Luang Pu Tim. This sacred substance represents one of the most significant aspects of the knowledge transmission between the two masters.

 

The Pong Prai Kumarn powder used in these amulets was not merely a physical substance but a repository of powerful mystical energy, created through complex ritual processes. Luang Por Sakorn enhanced these powders by infusing them with sacred oils and floral essences, additionally incorporating metal Takrut (inscribed scrolls) made of gold, silver, or copper. The resulting amulets possessed a distinctive rich texture and were believed to contain profound spiritual energy.

Among his most celebrated creations was the Phra Khun Phaen (Pong Prai Kumarn) – Nong Bua Klee Model, produced between 2543-2544 BE. According to traditional accounts, Luang Por Sakorn performed exceptionally powerful consecration rituals for these amulets, employing ancient incantations of great intensity. The composition included pure “prai kumarn” powder mixed with herbal essence derived from the “Dork Tong” (Golden Flower herb) and other special sacred substances. Notably, the reverse side of these amulets features an image of Mae Nang Bua Klee, a female deity symbolizing irresistible charm and magnetism.

Ritual Mastery and Consecration Techniques

What distinguishes Luang Por Sakorn’s amulets from many others is not merely their physical composition but the profound ritual knowledge applied in their creation. Having received direct transmission from Luang Pu Tim, Luang Por Sakorn was not simply a ritual assistant but a master who had been entrusted with specific formulas and esoteric practices that had, until then, remained within an exclusive lineage.

The consecration processes employed by Luang Por Sakorn involved complex ritual sequences, often requiring extended periods of meditation, chanting, and the invocation of specific deities and powers. These rituals were not performed for show but represented genuine spiritual practices aimed at imbuing the amulets with specific protective and beneficial qualities.

Moreover, Luang Por Sakorn’s approach to amulet creation reflected the traditional Thai Buddhist magical practice—a sophisticated integration of animist reverence, scriptural fidelity, and meditative empowerment. This holistic approach ensured that his amulets were not merely objects of material value but vessels of spiritual potency.

Legacy and Contemporary Significance

Following the passing of Luang Pu Tim, Luang Por Sakorn emerged as perhaps the most prominent carrier of his teacher’s sacred knowledge. Among Luang Pu Tim’s direct lineage apprentices—including other notable figures such as Luang Phu Sin of Wat Laharn Yai, Luang Por Rat of Wat Pha Hwaay, and Pra Ajarn Somkid of Wat Beung Tata—Luang Por Sakorn is often considered the most significant successor.

The amulets created by Luang Por Sakorn have now become extraordinarily rare and highly valued in collector circles. Their increasing scarcity following his passing has only enhanced their status among devotees and collectors alike. These sacred objects are not merely appreciated for their aesthetic qualities or historical significance but are actively sought for their perceived spiritual benefits and protective powers.

Furthermore, the amulets of Luang Por Sakorn represent an important cultural bridge, connecting contemporary practitioners with ancient traditions of Thai Buddhist mysticism. They embody a living tradition of spiritual practice that continues to influence and inspire devotees throughout Thailand and beyond.

Spiritual Significance Beyond Material Value

The amulets of Luang Por Sakorn transcend their status as collectible artifacts; they represent embodiments of esoteric knowledge, ritual mastery, and compassionate intent. Each object encapsulates the essence of Thai Buddhist magical practice and serves as a tangible connection to the spiritual lineage from which it emerged.

For devotees, these amulets are not merely protective talismans but objects of profound veneration that facilitate a connection with the spiritual power of Luang Por Sakorn himself. They are believed to carry the accumulated merit and spiritual energy of their creator, offering protection, blessing, and guidance to those who possess them with proper respect and faith.

The continued reverence for Luang Por Sakorn’s amulets speaks to their perceived efficacy and the enduring respect for his spiritual authority. His legacy continues through those who venerate his teachings, those who seek his protection, and those who wear or enshrine his sacred works.

The amulets of Luang Por Sakorn of Wat Nong Grub stand as powerful manifestations of Thai Buddhist spiritual practice, representing not only the personal mastery of their creator but also the unbroken lineage of sacred knowledge transmitted from Luang Pu Tim. As objects of both spiritual significance and cultural heritage, they continue to inspire devotion and fascination among practitioners and scholars of Thai Buddhism.

 

For more information about Thai amulets and Buddha Magic, you can visit Ajarn Spencer Littlewood’s websites: thailandamulet.net, buddhamagic.net, ancientamulet.com, and dharmathai.com.

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Luang Por Tuad statue Wat Huay Mongkol

In the heart of Thailand’s rich spiritual history, lies the legend of Luang Por Tuad, also known as “Luang Pu Tuad,” a name that resonates deeply in every corner of the country. Whether referred to as “Luang Phor Tuat” or “Luang Pu Tuat,” this revered monk’s tale continues to capture the imagination of the Thai people.

Born over four centuries ago, towards the end of King Maha Tamaracha’s reign in Krung Sri Ayuttaya, in the humble village of Suan Jantr, Luang Por Tuad’s life began on a Friday in April, during the Buddhist Era 2125 (the Year of the Dragon in the Chinese zodiac).
image of Luang Por Tuad

From a young age, Luang Por Tuad displayed remarkable compassion and generosity despite his impoverished upbringing. He actively engaged in acts of merit, both in the Buddhist temples and in his everyday interactions with others. Notably, he never caused harm to any living beings, be they human or animal. His childhood nickname was “Luang Poo,” which means “Reverend Grandfather” in Thai.

Wat Chang Hai Temple of Luang Phu Tuad

Wat Chang Hai Temple of Luang Phu Tuad


One remarkable tale from his early years involves a gigantic snake that wrapped itself around his hammock while he was just a baby. Rather than causing alarm, this event was seen as a sign of the child’s special destiny. The family offered offerings to the snake, which subsequently departed, leaving behind a multicolored crystal on the baby’s chest. This crystal brought blessings to his family, providing them with newfound prosperity.
image of a Muan Sarn Sacred Powder Luang Por Tuad Pim Tao Reed amulet

At the age of seven, young Luang Por Tuad entered Wat Kuti Luang to begin his studies, focusing on reading, writing, and education. Remarkably, he quickly mastered the Khom script, which employs ancient Khmer characters for Pali texts. By the age of 15, he was ordained as a novice monk, receiving a mystical crystal from his mother that he would carry with him throughout his life. His spiritual journey continued as he studied with Somdej Pra Chinsaen at Wat See Hyong. Later, he ventured to Nakorn Sri Tammarat, where he honed his knowledge under Samnak Pra Mahatera Biya Tassee. While the young monk adopted the ordained name Ramoe Tammigoe, common folks affectionately called him “Jao Sameeram” or “Jao Sameeramoe.”
image of Pra Luang Por Tuad Pim Tao reed amulet from Wat Chang Hai temple
After completing his studies in Nakorn Sri Tammarat, he embarked on a journey to Ayuttaya. However, the voyage was fraught with peril. A fierce storm arose, forcing the boat to drop anchor in Chumporn district. Superstitions among the seamen led them to believe that Luang Por Tuad was the cause of the storm. They asked him to leave the boat and travel to a nearby island on a rescue boat.

As he traveled to shore, Luang Por Tuad dipped his feet into the water, and to everyone’s surprise, the water around his feet sparkled with a glowing light. The water turned out to be sweet, not salty, a sign of his miraculous abilities. The captain, saved by this act, asked Luang Por Tuad to return to the boat, where he was recognized as a “Gaeji Ajarn,” a master Guru teacher.

Upon arriving in Ayuttaya, Luang Por Tuad settled at Wat Kae temple and continued to deepen his knowledge of Dhamma and the Pali language. In a fateful turn of events, the Sri Lankan ruler, Pra Jao Wadtakaminee, sought to take control of Ayuttaya. To achieve his goal peacefully, he devised a plan involving gold coins with Pali inscriptions that contained the entire Abhidharma, an extensive Buddhist scripture.

The King of Ayuttaya was given a challenge: to translate the inscriptions on these coins within seven days. Failure to do so would result in the city falling under the rule of Pra Jao Wadtakaminee. Panic spread throughout the city, as it seemed impossible to complete the task.

A dream brought hope to the king. He dreamt of a white elephant approaching from the West, a symbol of victory. The dream also foretold the arrival of a young monk from the West who would help complete the translation of the 84,000 Abhidharma coins. The king dispatched his servants to find this young monk.

The search led them to Luang Por Tuad, residing at Wat Rachanuwaas. He matched the description from the king’s dream. With great determination, he began the task of translating the coins. The Brahmins accompanying the coins initially doubted the young monk’s abilities, but Luang Por Tuad’s wisdom silenced them. With divine assistance, he successfully completed the translation in a single evening, saving Ayuttaya.

Luang Phu Tuad 2497

Luang Phu Tuad 2497 first edition amulety of Ajarn Tim of Wat Chang Hai


Shortly after this event, a devastating plague swept through Ayuttaya, causing widespread suffering and death due to the lack of medicine. The king, in desperation, called upon Luang Por Tuad for help. Using his magic crystal and chanting incantations, he cured the sick by providing them with blessed water.

The King, grateful for Luang Por Tuad’s assistance, offered him any request he desired. However, Luang Por Tuad, true to his monastic vows, declined and returned to his hometown, where he resided at Wat Puttasingh Banpot Takoe.

Luang Por Tuad Pra Kroo Bai Diga Wat Chang Hai 2513 BE

Luang Por Tuad Pra Kroo Bai Diga Wat Chang Hai 2513 BE.

As Luang Por Tuad continued his humble life, a pirate ship kidnapped him and sailed out to sea. However, the ship mysteriously came to a halt, and Luang Por Tuad’s compassion led to a miraculous event. He provided the pirates with fresh water and then was returned to the shore, much to the relief of the locals who had been anxiously searching for him.

Luang Por Tuad’s return to his hometown brought joy, and he was given the name “Somdej Jao Pakoe.” He devoted himself to restoring the local temple, and with the help of the King, it was revitalized.

The life of Luang Por Tuad is a testament to the enduring power of faith, compassion, and selflessness in Thai history. His legacy lives on, and his name remains revered, a symbol of hope, miracles, and unwavering dedication to the well-being of others.

The legacy of Luang Por Tuad remains a testament to the enduring power of faith, compassion, and selflessness in Thailand’s history. His teachings and actions have left an indelible mark on the nation’s cultural and spiritual tapestry, and his name is revered to this day.

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Phra Kring front and rear

The Mystical Legend of Phra Kring: The Sacred Medicine Buddha

Phra Kring, also known as the Medicine Buddha or Phra Buddha Bhaisajayaguru, stands as a revered figure in the mystical lands of Mahayana Buddhist countries, such as China, Tibet, and Taiwan. Its presence in Thailand’s Theravada tradition can be traced back to the days when Chinese migrants and businessmen ventured into the enchanting Kingdom of Siam. Among their rituals, paying homage to Phra Buddha Bhaisajayaguru became a popular practice, seeking protection and prosperity for their journeys and ventures. As fate would have it, many of these Chinese settlers eventually made Thailand their permanent home.

Pra Kring Prajam Krob Nam Mont Mongkol Gao Luang Por Chaeng

Above; Pra Kring Prajam Krob Nam Mont Mongkol Gao Luang Por Chaeng

As they embarked on long journeys far from their beloved land, they fashioned amulets bearing the likeness of Phra Buddha Bhaisajayaguru, known as “Yau Shi Fwo” or The Medicine Buddha, to accompany them on their travels. Legend has it that the resonating sound of a ball bearing within these amulets echoed the sacred chants of Mahayana, which employ bells. However, the creation of Phra Buddha Bhaisajayaguru amulets differed from the Thai tradition. According to the Mahayana tradition, the amulets were crafted by fusing the history of His Bodhisattvahood and Enlightenment with precious metals. In the Theravada tradition, a mandatory set of yant/takrut and preferably nava loha (9 sacred metals), were employed.

Phra Kring Wat Bovornives Early Era

Phra Kring Wat Bovornives Early Era

The origins of Phra Kring in Thailand date back to the era of King Naresuan and Phra Somdej Panaret in Ayutthaya. The ancient scriptures, known as tamra, which detail the process of creating Phra Kring, state that to forge a truly potent and sacred Phra Kring, an extensive compilation of Yant designs, comprising more than 108 variations in takrut form, must be incorporated. Unfortunately, the tamra was lost during times of war, but it was later entrusted to Somdej Ma of Wat SamPloem, who safeguarded this sacred knowledge for decades. Eventually, Somdej Pavarit of Wat Bovorn inherited this precious wisdom, yet Phra Kring remained relatively unknown until the time of Phra Sangharat Pae, the abbot of Wat Suthat. Driven by his Teacher, Somdej Vanarat Daeng’s miraculous healing, achieved through holy water infused with a piece of Kring Pavarit, Ven. Sangharat Pae became enamored with the extraordinary healing capabilities of Phra Kring. With an unwavering determination, he devoted himself to the research and study of Phra Kring craftsmanship, ultimately leading to the fame and prominence of Phra Kring Wat Suthat.

Phra Sangharat Pae adamantly claimed that Wat Suthat crafted the most exceptional Phra Kring. This proclamation was substantiated by the fact that Wat Suthat Thepwararam, also known as the Temple in the Heavens, stands as one of Thailand’s six most revered temples. The principal Buddha statue of the temple, Phra Sisakayamuni, is positioned at the heart of the city, symbolizing the triumph over demons in alignment with Tamrab Mahapichaisongkram and the profound significance of Pang Marn Vichai Style. It is a realm guarded by celestial beings and benevolent angels. Furthermore, before the end of the year 2536, all the renowned Phra Krings of Wat Suthat were meticulously molded in the presence of the Bot, a sacred and mythical space overseen by Phra Sisakayamuni. It was within this sanctified environment that the Phra Kring amulets acquired their profound ‘Palang Saksit’, or spiritual power. However, in recent times, the practice of molding Phra Krings in such a sacred manner has diminished, and the whereabouts of their current creation remain a closely guarded secret. The enigmatic allure of these sacred objects has only grown with their elusive production.

Below; Phra Kring Wat Sutat Pra Sangkarach Pae

Phra Kring Wat Sutat Pra Sangkarach Pae

The Prominence of Phra Kring Wat Suthat

Driven by the miraculous healing of his Teacher, Somdej Vanarat Daeng, achieved through holy water infused with a piece of Kring Pavarit, Ven. Sangharat Pae became enamored with the extraordinary healing capabilities of Phra Kring. He devoted himself to the research and study of Phra Kring craftsmanship, ultimately leading to the fame and prominence of Phra Kring Wat Suthat. Phra Sangharat Pae adamantly claimed that Wat Suthat crafted the most exceptional Phra Kring. This proclamation was substantiated by the fact that Wat Suthat Thepwararam, also known as the Temple in the Heavens, stands as one of Thailand’s six most revered temples. The principal Buddha statue of the temple, Phra Sisakayamuni, is positioned at the heart of the city, symbolizing the triumph over demons in alignment with Tamrab Mahapichaisongkram and the profound significance of Pang Marn Vichai Style. It is a realm guarded by celestial beings and benevolent angels.

The magic of Phra Kring is found in the presence of the twelve magnificent vows made by Phra Buddha Bhaisajayaguru upon attaining Enlightenment, as recorded in the sacred Medicine Buddha Sutra. Radiating his divine light, he illuminates countless realms, offering the opportunity for all beings to achieve Buddhahood. Through his luminous lapis lazuli radiance, he awakens the dormant minds of sentient beings, guiding them on the path to enlightenment.

Phra Buddha Bhaisajayaguru’s benevolence extends beyond the spiritual realm. He vows to fulfill the material needs of sentient beings, providing them with abundance and prosperity. With unwavering dedication, he dispels heretical views and ignites the flame of true understanding, leading beings onto the path of enlightenment. He compassionately assists those who have faltered in their adherence to the Moral Precepts, especially those incarcerated souls who seek redemption.

Phra Kring Yord Niyom Amulet Encyclopedia

Phra Kring Yord Niyom Amulet Encyclopedia

The Essence of Phra Kring: The Twelve Magnificent Vows

The essence of Phra Kring lies in the embodiment of the twelve magnificent vows made by Phra Buddha Bhaisajayaguru upon attaining Enlightenment, as recorded in the sacred Medicine Buddha Sutra. These vows reflect the Medicine Buddha’s compassionate nature and his commitment to bringing healing, enlightenment, and relief to all sentient beings.

  1. Radiating Divine Light: Phra Buddha Bhaisajayaguru illuminates countless realms with his divine light, offering the opportunity for all beings to achieve Buddhahood.
  2. Awakening Dormant Minds: Through his luminous lapis lazuli radiance, the Medicine Buddha awakens the dormant minds of sentient beings, guiding them on the path to enlightenment.
  3. Material Fulfillment: Phra Buddha Bhaisajayaguru vows to fulfill the material needs of sentient beings, providing them with abundance and prosperity.
  4. Dispelling Heretical Views: With unwavering dedication, the Medicine Buddha dispels heretical views and ignites the flame of true understanding, leading beings onto the path of enlightenment.
  5. Healing Powers: The Medicine Buddha’s healing powers are renowned far and wide. He brings solace to those afflicted by physical ailments, deformities, and illnesses, offering them the hope of restoration and well-being.
  6. Relief from Suffering: Phra Buddha Bhaisajayaguru’s compassionate embrace extends to the destitute and the sick, providing them with relief from suffering and offering a glimmer of hope in their darkest hours.
  7. Guiding Transformation: For women yearning for rebirth as men, the Medicine Buddha guides them on their desired path of transformation.
  8. Healing Mental Disturbances: The mind, often burdened by afflictions and delusions, finds solace in the Medicine Buddha’s presence. With his divine touch, he helps heal mental disturbances, bringing clarity and serenity to troubled souls.
  9. Liberation from Oppression: The oppressed find refuge in the compassionate gaze of Phra Buddha Bhaisajayaguru, as he liberates them from the chains of suffering and injustice.
  10. Alleviating Hunger and Thirst: In the face of insurmountable hunger and thirst, the Medicine Buddha alleviates the unbearable anguish of those afflicted, bestowing upon them nourishment and relief.
  11. Clothing the Destitute: Furthermore, Phra Buddha Bhaisajayaguru extends his compassionate hand to clothe the destitute, shielding them from the biting cold and torment of mosquitoes.
  12. Invocation of Blessings: To invoke the blessings of Phra Buddha Bhaisajayaguru and Phra Kring, one can recite the sacred Katha, a powerful mantra that connects with the divine energy of the Medicine Buddha, bringing forth healing, protection, and spiritual enlightenment.

Medicine Buddha

The Medicine Buddha’s healing powers are renowned far and wide. He brings solace to those afflicted by physical ailments, deformities, and illnesses, offering them the hope of restoration and well-being. His compassionate embrace extends to the destitute and the sick, providing them with relief from suffering and offering a glimmer of hope in their darkest hours. For women yearning for rebirth as men, he guides them on their desired path of transformation.

The mind, often burdened by afflictions and delusions, finds solace in the Medicine Buddha’s presence. With his divine touch, he helps heal mental disturbances, bringing clarity and serenity to troubled souls. The oppressed find refuge in his compassionate gaze, as he liberates them from the chains of suffering and injustice.

In the face of insurmountable hunger and thirst, Phra Buddha Bhaisajayaguru alleviates the unbearable anguish of those afflicted, bestowing upon them nourishment and relief. Furthermore, he extends his compassionate hand to clothe the destitute, shielding them from the biting cold and torment of mosquitoes.

Phra Kring Avalokitesworn Luang Por Kasem Khemago

To invoke the blessings of Phra Buddha Bhaisajayaguru and Phra Kring, one can recite the sacred Katha:

Namo Bhagavate Bhaiśajyaguru Vaidūryaprabharājāya Tathāgatāya Arhate Samyaksambuddhāya Tadyathā: Oṃ Bhaiśajye Bhaiśajye Bhaiśajya-Samudgate Svāhā

These powerful words hold the key to connecting with the divine energy of the Medicine Buddha, bringing forth healing, protection, and spiritual enlightenment.

As the legacy of Phra Kring endures, the mystique surrounding its creation and the profound vows of Phra Buddha Bhaisajayaguru continue to captivate the hearts and minds of devotees. With each passing day, the ancient wisdom of this sacred talisman persists, guiding seekers on their spiritual journey and offering solace to those in need.Bhaiṣajyaguru, also known as the Medicine Buddha, is the leader of a group of eight healing Buddhas. Shakyamuni Buddha, the historical Buddha, is also one of these eight Buddhas.

Phra Kring Sapa Phu Taen Rasadorn 2547

The Everlasting Power of Phra Kring

The essence of Phra Kring lies in its ability to channel the divine energy and blessings of Phra Buddha Bhaisajayaguru. As devotees wear or keep Phra Kring amulets close to them, they believe in the amulet’s power to bring forth healing, protection, and prosperity. The resonance of the sacred vows made by the Medicine Buddha serves as a constant reminder of his boundless compassion and the transformative potential of spiritual enlightenment.

Connecting with Phra Kring’s Blessings

To connect with the blessings of Phra Kring, devotees often recite the sacred Katha, a mantra that invokes the divine energy of Phra Buddha Bhaisajayaguru. The Katha holds the key to establishing a deep spiritual connection and opening oneself to the healing and transformative powers of Phra Kring. By reciting the Katha with sincerity and devotion, one can invite the presence of the Medicine Buddha into their lives and experience the profound impact of his compassionate energy.

 

 

Rian Run Raek Luang Por Hmun

The most highly preferred and rare guru monk coin amulets of the great Master Monk Luang Phu Hmun of Wat Ban Jan, in Sri Saket, the ‘Rian Run Raek’, or, ‘Rian Laekh 1’ amulet, with number 1 code stamp indented into the front surface of the amulet. Although called the ‘Rian Laekh 1’, meaning ‘coin with number 1’ this amulet was also made without the number 1 code stamp in some exhibits, hence, many people prefer to call it the ‘Rian Run Raek’ (first edition coin), of 2452 BE. Only 5000 amuletsa were made in Nuea Tong Daeng, with only another 35 Gammagarn edition versions in solid silver.

1st edition coin amulet Luang Phu Hmun Wat Ban Jan 2528

1st edition coin amulet Luang Phu Hmun Wat Ban Jan 2528

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In truth it is hard to name which coin amulet as Luang Phu Hmun’s first edition, because he released various at various temples, so each temple has a ‘first edition’ amulet which was released and blessed by Luang Phu Hmun, such as the Rian Run Raek Hlang Hanuman released at Wat Ban Jan in 2542, is also referred to as first edition, for its simultaneous release, and the4 fact it was the first and only time that design model was released. Each design has therefore its own ‘first edition’ because often they are made again in later years due to high popularity and demand from devotees in the case of many amulets from many masters. This is a common truth in general in the Thai amulet world.

1st edition coin amulet Luang Phu Hmun Wat Ban Jan 2528 BE Rear Face

The revered and rare guru monk coin amulets of the esteemed Master Monk Luang Phu Hmun, from Wat Ban Jan in Sri Saket, hold great significance. Among these treasures is the distinguished ‘Rian Run Raek’ or ‘Rian Laekh 1’ amulet, bearing a unique number 1 code stamp delicately etched on its front surface. While it is commonly referred to as the ‘Rian Laekh 1,’ denoting a coin with the number 1, it is worth noting that some examples of this amulet were crafted without the number 1 code stamp. Consequently, many enthusiasts prefer to call it the ‘Rian Run Raek,’ signifying the first edition coin, originating from the auspicious year 2452 BE.

Determining which coin amulet truly represents Luang Phu Hmun’s first edition can be a challenge since he released various editions at different temples. Each temple has its own ‘first edition’ amulet, meticulously crafted and blessed by Luang Phu Hmun. For instance, the Rian Run Raek Hlang Hanuman, released at Wat Ban Jan in 2542 BE, is also regarded as a first edition due to its simultaneous release and the fact that it was the initial and sole occasion this specific design model was made available. Each design, therefore, possesses its own distinct ‘first edition’ as they are often reproduced in subsequent years to meet the immense popularity and demand among devoted followers and collectors. This phenomenon is a common reality in the vibrant realm of Thai amulets, embraced and understood by enthusiasts and practitioners alike.

Rian Laekh 1 Luang Phu Hmun Wat Ban Jan 2542 BE Magazine Documentation


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Amulets of Luang Phu Songk Wat Jao Fa Sala Loi

Ya Sen (Ya Soop) of Luang Por Songk:

In the realm of mystical charms and spiritual treasures, there exists a rare and sacred magical charm known as the Ya Sen (Ya Soop). This enchanting muan sarn is sacred tobacco from smoking or chewing, by LP Songk, and used to make amulets, revered by devotees of the esteemed Luang Por Songk. The Ya Soop holds a profound significance in the spiritual realm of Thai Buddhist amulet aficionados. It is a testament to the divine connection between the wearer and Luang Por Songk, a Maha Thera Gaeji Ajarn whose spiritual mastery remains unparalleled.

The Sacred “Ya Soop” Tobacco

Look Om Ya Soop Luang Phu Songk

Look Om Ya Soop Luang Phu Songk Sacred Tobacco

The Ya Sen, also known as “smoking medicine” or “aromatic medicine,” manifests itself in two distinct forms—a spherical encasement of loose tobacco and as one of Luang Por Songk’s sacred cigar stubs. Within the sphere lies the highly sacred Ya Sen, a spiritual conduit that establishes a profound connection with Luang Por Songk through the practice of Gurunussati. The spherical Waterproof Casing of this exhibit classifies it as belonging to the sacred “Look Om” category. However, it is worth noting that the Ya Sen of Luang Por Songk can also be found in the form of his revered cigars.
Luang Por Songk, Master Sorceror Monk of Wat Jao Fa Sala Loi in Chumpon.

The Great Luang Phu Songk was known for his Holy Prayer water and its ability to fend off even the most powerful black magic, and was reputed to be able to take Hnang Kwai buffalo skin (sacred magical substance), and Mitmor knifes into the stomach without any wounds or bleeding, and insert magical objects under the skin of a devotee, just by performing incantations.[/caption]

The Mystical Essence of Spirituality within the Ya Soop

The Ya Soop, or Magic Ya Sen, carries within it the very essence of Luang Por Songk’s spiritual practice and blessings. It possesses a divine potency believed to bring forth luck, protection, and spiritual elevation to those fortunate enough to wear it. The enchantments bestowed upon this sacred tobacco by Luang Por Songk create a powerful aura of positivity, shielding the wearer from negative influences while attracting auspicious energies.

Luang Por Songk’s Divine Influence

Luang Por Songk Chantasaro of Wat Jao Fa Sala Loi was revered not only for his Magic Ya Sen amulets but also for his profound ability to bless and heal through his Holy Prayer Water. His fame as an adept and his popularity as a spiritual guide extended across two regions—the Southern province of Chumphon and the bustling city of Bangkok. Devotees from far and wide flocked to Luang Por Songk’s humble abode, where they encountered a water bowl filled with the sacred Holy Prayer Water. This blessed elixir, infused with the energy of his nightly meditations, possessed extraordinary healing properties.

Mortal Remains (Sri-Ra), of the Great Luang Phu Songk, during the funerary rites.

Mortal Remains (Sri-Ra), of the Great Luang Phu Songk, during the funerary rites.

Those who had the privilege of drinking or using this Holy Prayer Water for their devotional prayers witnessed miraculous transformations within themselves. Countless individuals experienced solace, healing, and blessings, as the divine miracles performed by Luang Por Songk brought them closer to their deepest desires and aspirations.

Biography of Luang Por Songk Chantasaro

Biographical photograph of Luang Por Songk Chantasaro (2432 - 2526 BE)

Biographical photograph of Luang Por Songk Chantasaro (2432 – 2526 BE)

The life journey of Luang Por Songk Chantasaro was one intertwined with spiritual exploration, meditation, and unwavering service to others. Let us delve into some key milestones that shaped the extraordinary life of this revered master.

Birth and Early Years

Luang Por Songk Chantasaro entered this world on a sacred Tuesday, during the first phase of the sixth month in the Lunar Calendar of the year 2433 BE. Born in Swee Township, nestled amidst the fertile lands where his parents toiled as humble farmers, his path was destined for greatness.

Ordination and Forest Wandering

At the tender age of 18, Luang Por Songk embarked upon the path of enlightenment as a Samanera Novice Monk at Wat Swee. For two years, he immersed himself in the study of Dhamma Vinaya, the profound teachings of Buddhism. However, he temporarily disrobed to assist his family on the farm, a testament to his deep-rooted sense of familial duty.
Image of the Great Luang Por Songk Chantasaro in meditative posture. Luang Por Songk was the abbot of Wat Jao Fa Sala Loi Buddhist temple
Yearning to deepen his spiritual practice, at the age of 21, Luang Por Songk returned to Wat Swee seeking permission to re-ordain as a fully fledged Bhikkhu. His soul yearned for solitude, and he embarked on an extensive journey through forests and mountains. Under the guidance of esteemed masters, he delved into the teachings of Buddhism, honing his meditation techniques, and furthering his spiritual growth.

Attaining Adepthood

After years of unwavering dedication, rigorous training, and a relentless pursuit of wisdom, Luang Por Songk achieved the esteemed status of Maha Thera Gaeji Ajarn. His profound insights, exceptional healing powers, and extraordinary psychic abilities earned him the unwavering reverence of the monastic community and the general public alike.
The Great Luang Phu Songk was known for his Holy Prayer water and its ability to fend off even the most powerful black magic, and was reputed to be able to take Hnang Kwai buffalo skin (sacred magical substance), and Mitmor knifes into the stomach without any wounds or bleeding, and insert magical objects under the skin of a devotee, just by performing incantations.

Establishing Wat Jao Fa Sala Loi

Inspired by his spiritual calling, Luang Por Songk established Wat Jao Fa Sala Loi—a sanctuary of peace nestled amidst the serene beauty of Chumphon. This sacred abode became a beacon of hope for spiritual seekers, who sought solace, guidance, and the blessings bestowed by the enlightened master.
Look Om Ya Soop Luang Phu Songk Wat Jao Fa Sala Loi

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Legacy and Passing

Luang Por Songk’s physical presence may have transcended to the realm of eternal bliss in the year 2552 BE, but his spiritual legacy lives on, inspiring and uplifting the lives of countless individuals. His profound teachings continue to guide seekers on their path towards enlightenment, and his benevolent presence is felt by all those who seek his wisdom.
Amulets of Luang Phu Songk, Wat Jao Fa Sala Loi

The magical amulets and blessings of Luang Por Songk continue to bless the lives of those who connect with his enchanted Ya Sen and other amulets many of which were sprayed and blessed in the sacred Holy Prayer Water of Luang Phu Songk. The magic of his divine blessings remains an eternal source of healing, protection, and spiritual elevation to those who revere this Great Khao Or Lineage Buddhist Master.

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LP Chaem Amulet Wat Chalong Pukhet

The Pra Pong Roop Muean Sacred Powder Votive Tablet image of the Great 18th Century Monk, Luang Por Chaem, was released by the Gammagarn Comittee of Wat Chalong, for the Golden Jubilee Celebration Edition in 2539 BE, commemorating the 50th Year of Reign of His Majesty King Bhumipol Adulyadej. This sacred powder amulet is made in Nuea Pong Ittijae and features the classic image of Luang Por Chaem standing with the Bai Pad Yos Royal Fan, which is often used for classic celebratory memorial editions at Wat Chalong.

Pong Roop Muean LP Chaem 2539 BE Wat Chalong

The amulets of Luang Por Chaem of Wat Chalong are held in high regard by Malaysians and Singaporeans who have visited Phuket since the colonial era. These visitors pay reverence to LP Chaem and the lineage masters by visiting the temple of Wat Chalong. His amulets are considered to be miraculous and are sought after by those who believe in the power of sacred objects.

Luang Por Chaem was born in the heart of Phang Nga Province, in the year of the Gun, 1827, during the reign of King Nang Klao. He was to become perhaps Phuket’s most internationally famous master monk from the 18th century to this very day. Officially in his Dhamma Trajectory, he became known as Pra Kru Wisutwongsajarn Yan Muni, but to many, he was simply Luang Por Chaem.

Amulets of LP Chaem

 

He was a man of great piety and discipline, becoming the former abbot of Chaithararam Temple, or Chalong Temple, and was held in high esteem by the people of Phuket. Unfortunately, there is no documented evidence of Luang Por Chaem’s parents’ names, as it was common for country folk in Siam during that era to forgo the registration of birth, death, and even marriage certificates. It was a time when traveling to the closest government office was difficult, especially for those living in the countryside, and as such, these matters were not of great importance to them.

Pong Roop Muean LP Chaem 2539 (Rear Face)

At a young age, his parents sent him to live at Wat Chalong, in the Chalong Subdistrict of Thung Kha District, now Mueang Phuket District. Here, he became a disciple of Father Than Kao Abbot and was ordained as a novice and eventually became a monk, studying Vipassana Kammathana Mindfulness Practice, and Wicha, at Wat Chalong until he became proficient.

Luang Por Chaem was known to be strict in the Dhamma and discipline, commanding the faith and devotion of the villagers in general. As such, he was later appointed as the abbot of Wat Chalong. In the year 2419 BE (1876), a group of Chinese tin miners instigated an uprising in Phuket. Luang Por Chaem’s disciples urged him to flee and hide, but he refused to leave the temple and escape. In a show of support, his disciples joined forces to fight to protect him and asked for Pha Yant Pha Yant Prajiad cloth as a morale booster. Luang Por Chaem complied with the request, and this group went on to win the Battle of the Triads.

Pong Roop Muean LP Chaem 2539 BE Nuea Pong Ittijae

The victory inspired more people to join the fight against the Chinese triads, relying on the Pha Yant Prajiad cloth made by Luang Por Chaem as a source of inspiration. The Chinese triads were eventually chased away from Chalong village, and the following year, there were no more attempts to rob the village.

Due to his merits in suppressing the Triad Rebellion, Luang Por Chaem was granted a portion of the merit by the Phuket Political Department. His Majesty The King graciously appointed Luang Por Chaem to have his ordained name of ‘Pra Kru Sangkha Pha Moke’, of Phuket to be changed, and that he should be awarded the official elevation of status into the High Sangha Priesthood as “Pra Kru Wisutwongsajarn Yan Muni”. He was conferred this name at Wat Chalong Mai (Wat Chaithararam). This means that he was considered to have accumulated spiritual merit, which is believed to bring about positive effects in the afterlife. This merit was likely granted to him as a reward for his contributions to the community and to Buddhism.

In addition to his spiritual merit, Luang Por Chaem was also awarded with various honors and titles for his services. He was granted the title of Phra Kru (monk with royal patronage) by King Chulalongkorn and was later promoted to the rank of Phra Khru Pariyattikhun (senior monk with royal patronage) by King Vajiravudh. He was also appointed as the abbot of Wat Sam Pao in 1907 and served in this position until his death in 1935.

Luang Por Chaem’s legacy lives on in Thailand and beyond. He is remembered for his contributions to Buddhism, his efforts to promote education and social welfare, and his exemplary life as a monk. Many temples and organizations have been named after him, and his teachings continue to inspire people to this day.

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Rian Luang Por Pring Thai Amulet

Presenting a very rare Rian Kanajarn Guru Monk coin amulet, the Rian Roop Khai Nuea Tong Daeng Rom Dam Run Sorng, (second ever edition coin amulet), of the Great Luang Por Pring Intachodto, of Wat Bang Bakork. This exhibit comes already encased in solid gold waterproof casing included in the price. A top Master Class Pra Niyom Category amulet of the High End variety, for serious devcotees and collectors of this great master, whose amulets are among the rarest to encounter.

Rian Luang Por Pring 2514

 

Luang Por Pring Intachodto, was well known to be a ‘Mor Ya’ Traditional Medicine annd Spiritual healing Master. He also had the honor of being Declared a Powerful Adept, by the great Master Monk Luang Phu Sukh, of Wat Pak Klong Makham Tao, and of receiving Kammathāna secrets from the Great Luang Por Parn, of Wat Bang Nom Kho.

A Great Master, whose magic was known in both the 2nd World War and Indo-China wars, as a protective amulet maker of great power. Luang Por Pring was one of the Great Tonburi Masters, whose amulets were highly favored by the miltary and police, and rescue forces, for protective powers during times of war or calamity.

Rear Face Rian Luang Por Pring 2514

The Rian Luang Por Pring is renowned for its Kong Grapan Chadtri and Klaew Klaad powers to save lives in extreme dangerous situations. Luang Por Pring, was one of the various Kroo Ba Ajarn of Grom Luang Chumporn. Even the great Luang Por Parn of Wat Bang Nom Kho came to Wat Bang Bakork to learn the Wicha Look Om from Luang Por Pring. These days the amulets of Luang Por Pring are extremely rare amulets to find anywhere.

 

Encyclopedia of the Amulets of Luang Por Pring

Luang Por Pring made many highly preferred amulets in many froms, ranging from Pra Somdej, Look Om, Buddha Images of various postures and styles,Takrut, and Look Om. LP Pring was famous for his Look Om Maha Gan, and Look Om See Chompoo sacred wishing balls, and many other Muan Sarn Sacred Powders amulets. Of course his most prized amulets with his top devotees are his Monk Coins, for the obvious connection with the Guru, through his image.

But it is perhaps his Look Om which are the most seen and talked about, perhaps because of the fact that many of his other amulets, are now very rare to find in the present day, and less people in general know of their existence, apart from the high-end collectors and devout followers of Luang Por Pring.

Luang Por Pring Intachodto Wat Bang Bakork

The Look Om Luang Por Pring was made mostly in both Gray and Brownish colored Sacred powders, and is an extremely rare and powerful amulet, most highly sought after by devotees of this Genre. In addition, a very small number of Black color, and some of these white colored Look Om are also found in existence, as well as some very rare pink colored models, both of which are most highly preferred of all from this Master along with his grayish ‘Nuea Pong Pasom Toop versions.

Look Om Luang Por Pring

It is assumed that the Wicha he received from making Pra Somdej according to the formula of Somdej Dto, may have influenced this particular mixture of Muan Sarn Sacred Powders used for his Pong Puttakun white versions, which indeed have many aspects which resemble the sacred clay of Pra Somdej Wat Rakang including Pong Bpathamang, Pong Puttakun, Pong Trinisinghae, Pong Ittijae, and Pong Maharach.

It is not every day that one can be lucky enough to encounter a sacred amulet of Luang Por Pring, a Classic Master-Class Kong Grapan Chadtri Klaew Klaad amulet, from a Master Geji Ajarn who carries the status of Kroo Ba Ajarn in Wicha, to the Great Luang Por Parn, of Wat Bang Nom Kho. Powerful Protection from a Niyom Category amulet, of Master-Class Status, of the Great Luang Por Pring.

During the Indojin (Indo-China Wartime) 3rd largest blessing ceremony of amulets in the History of Thai Buddhism at Wat Sutat, LP Pring was invited with a host of other master monks, to bless the world famous Pra Kring amulet, of the great Pra Sangkarach (Pae).

Below; Somdej Pra Sangkarach Pae, of Wat Sutat

Somdej Pra Sangkarach Pae Wat Sutat

All the Bhikkhus who attended the empowerment ritual, inscribed Magical Khom Agkhara Spells onto Sacred Yantra Foils. These sacred plates were smelted and poured into the molds.

When Luang Phor Pring’s Yantra Foil spells were placed inside the smelting furnace to be smelted intosacred ingots along with the other Yantra Foils from other Masters, it is told that it was not possible to get them to melt at that heat. This astonished those who witnessed this, and so Luang Por Pring was asked to assist in helping them to melt.

 

Rear Face Rian Luang Por Pring Wat Bang Bakork 2514

Luang Por Pring performed some special incantations, and cast some spells over the sacred furnace, and slowly but surely, the Yantra Foils began to melt and mix with the other Sacred chanuan metals.

Luang Por Pring’s protective magic was famous since around the 2nd World War and Indo-China Wartimes, when a Japanese Base was built nearby to the temple of Wat Bang Bakork. It was believed that lp Pring has made a protective Kata and Magical Shield around the area to protect the temple and the local inhabitants around it. So at that time, many people moved to live in tyhe surrounding area, in the belief that they would be safe from the bombing which was being performed by the Western Forces during that time of Japanese Occupation in Thailand.

Another story of his legendary magical powers, was the fact that the Great Magician and Looksit of Luang Phu Sukh, and Royal Prince, Admiral Grom Luang Chumporn Udomsak, sought out lpo Pring to beseech magical Wicha from him and his tutelage.

Below; Luang Phu Sukh  Wat Pak Klong Makham Tao

Luang Phu Sukh Wat Pak Klong Makham Tao

The legend tells, that LP Pring initiated him fully,and as a gift of Initiation, presented Grom Luang Chumporn with a Ban Neng (forehead of the skull), imbued with the spirit of the Mae Nak Pra Khanong Hoeng Prai Deva Spirit. The very same Mae Nak Pra Khanong which you can see in a shrine at Pra Khanong in Bangkok, on the Sukhumvit Road to this very day.

Below: Grom Luang Chumporn

Grom Luang Chumporn Udomsak

This is the very same spirit, who was so famously untamable, due to her anger at her unforeseen early death, and great desire to remain with her still living husband, that was bothering many people in the area. When Grom Luang Chumporn took the Ban Neng to the Palace, and various relatives within the Royal Palace witnessed seeing the ghost.

It is said that the great Somdej Pra Puttajarn (Dto) Prohmrangsri performed a ritual to subdue the spirit once and for all, by inscribing the forehead bone and inserting a spell to ‘sakot’ (bind) the spirit once and for all.

It is recorded in the diary of Pra Maha Saeni Wongs Na Ayuttaya, who authored the official documentational biography of Somdej Pra Puttajarn (Dto) Prohmrangsri, that, after the passing of Somdej Dto, the Ban Neng Forehead Bone of the Mae Pra Khanong Hoeng Prai Ghost, was handed down to Somdej Pra Puttajarn Tut, who in turn, gave the Ban Neng to Luang Por Pring. Luang Por Pring then, as already told, passed the Ban Neng on to Grom Luang Chumporn.


Luang Phor Pring was born on the Lunar Precession of 15 Kam (full moon), on a Sunday the fourth of April, in the year 2412 BE. He was hence born in the Chinese Horoscrope astrological year of the horse. He was ordained as a Samanera Novice Monk at a young age, and was educated at Wat Plab Officially known as Wat Rachasitaram), in Tonburi (then still countryside, but now part of Bangkok).

Look Om and other Amulets of Luang Por Pring

He remained ordained as a Samanera, until he reached age 20, in the year 2432. It was here that he began to study and practice Wicha Akom (Buddha Magic), and became adept, for Wat Plab was indeed always one of the main academies of Magical Arts. Wat Plab is known to have been the place where most of the Great master Monks of Olden days we all know and revere went, to develop and test their skills in psychic empowerment. Masters such as Luang Phu Sukh, Luang Por Ngern, Luang Phu To, Somdej Pra Puttajarn (Dto) Prohmrangsri, and the like, all passed the proving grounds of psychic adepthood at Wat Plab.

Side View of Rian Luang Por Pring 2514

It is said that only Great Masters can pass the test of the proving ground of Magic that is Wat Plab, and is part of where the Great Masters obtained their full cotrol of their powers. It was hear by monks close to Luang Por Pring, thaty he secretly learned the Wicha Long Hon (Invisibility spell), and became a Master Adept of Kong Grapan Chadtri Magic, as he was still a young Samanera Novice at Wat Plab.

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He was then ordained on the 1st March in the year 2432 BE to become a fully-fledged Bhikkhu in the Buddha Sasana, at the temple of Wat Tong Noppakun, in Klong Sarn.

After ordination, he received the ‘Chaya’ (Monk’s name), of “Pra Kroo Prasas Sikij Intachodti” and moved to Wat Bang Bakork. After a mere 3 years or so, he was elected to become the Abbot, as at the time there were only a very few monks staying there, and the temple was in need of repair, and advancement, for the temple was in disrepair, and there were many things missing for the necessities of daily life.

Side View of Rear Face Rian Luang Por Pring 2514

Not all his works of development of Wat Bang Bakork are recorded, but one of the well known atainments he made was his restoration of the Uposatha Shrineroom, Kuti Huts for kore Bhikkhus to come and reside, and the many fracilitieds necessary such as refectory, prayer hall, meditation hall, temple bell, Chedi Stupa, and the like.

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In the year 2479 BE, Luang Por Pring was elevated in status and given the Chaya name of ‘Pra Kroo Pra Sasana Sikij, for many of his devotees were Royal Courtiers, and he had a National Following of Devotees, that resounded around the country, for his great deeds and powerful magic. Members of Royal family and their Courtiers would often come to stay and keep precepts and practice meditation under Luang Por Pring. It is not documented as to the year of his passing, as far as our investigations have led to date.

Luang Por Pring was known both for his diligent practice and prowess in the Buddha-Dhamma Vinaya, as well as for ppossessing and developing many Magical Wicha, and methods of empowering different amulets, and the mastery of making powerful Muan Sarn Sacred Powders, and psychic empowerment.


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Luang Phu Mun Puritatto

Rian Lai Ganok Sacred Guru Monk Coin with ‘Ganok’ flamed embellishments around the edges, and the Image of Luang Phu Mun Puritadto, of Wat Pha Sutawas emblazoned. This is a limited series Gammagarn version, with series code stamp, which is seen on the Sangkati sash of the Guru Monk, bearing the Code Met Nga Sesame seed shaped stamp, with a Khom Sanskrit Letter embossed.

Luang Phu Mun Thai amulet

The amulet has the images of an almsbowl, a kettle and a Glod Umbrella, the basic traveling necessities of the Thai Tudong Forest Tradition Lineage of LP Mun. The amulet was released in 2520 BE, and is first edition, after Luang Por Kinaree released his own first edition coin with his own image in the year 2519 BE. This series of amulets were fashioned in the same shape, but with the image of Luang Phu Mun Puritatto, blessed by Lineage Master, and Abbot of Wat Gantasilawas, Luang Por Kinaree Jantiyo, in Grand Buddha Abhisekha ceremony. The ceremony was held directly at Wat Gandtasilawas in Nakorn Phanom, with a host of other great Tudong Masters of the Luang Phu Mun Thai Forest Tradition.

The amulet has the Kata ‘namo Wmudtaanang Namo Wimudtiyaa’ on the rear face below the almsbowl, the Kata of LP Mun, representing the heart of the Tudong Kammathana Practice. The amulet is forged from Nuea Tong Daeng Sacred Copper Brazen Alloy, and was blessed on the 13th April 2520 BE after Traimas three month nightly empowerments at the temple beforehand. The amulet has the words ‘Puritadto’ on the front of the base of the amulet, with Luang Phu Mun seated in meditation above.


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The amulets were released in the year 2513-2514 BE in a very special Buddha Abhiseka, at the temple of Wat Gantasilaram, with a large number of some of the greatest Guru Masters of the time present to empower, from the lineage of Luang Phu Mun

Ajarn Mun Bhuridatta Thera (Thai: มั่น ภูริทตฺโต, rtgs: Ajarn Mun Phurithatto; Lao: ຫຼວງປູ່ມັ່ນ ພູຣິທັຕໂຕ), 1870–1949, was a Thai bhikkhu of Lao descent who is credited, along with his mentor, Ajarn Sao Kantasīlo, with establishing the Thai Forest Tradition or “Kammaṭṭhāna tradition” that subsequently spread throughout Thailand and to several countries abroad. Ajarn Mun was born in Baan Kham Bong, a farming village in Ubon Ratchathani Province, Isan.
Ordained as a monk in 1893, he spent the remainder of his life wandering through Thailand, Burma, and Laos, dwelling for the most part in the forest, engaged in the practice of meditation. He attracted an enormous following of students and, together with his teacher, Sao Kantasīlo (1861–1941), established the Thai Forest Tradition (the kammaṭṭhāna tradition) that subsequently spread throughout Thailand and to several countries abroad. He died at Wat Suddhavasa, Sakon Nakhon Province.

Ajarn Mun was born in Baan Kham Bong, a farming village in Ubon Ratchathani Province, Isan. Ordained as a monk in 1893, he spent the remainder of his life wandering through Thailand, Burma, and Laos, dwelling for the most part in the forest, engaged in the practice of meditation. He attracted an enormous following of students and, together with his teacher, Sao Kantasīlo (1861–1941), established the Thai Forest Tradition (the Kammaṭhāna tradition) that subsequently spread throughout Thailand and to several countries abroad. He died at Wat Pha Sutawas, Sakon Nakhon Province. (Wikipedia)

We would like to share a passage written by Luang Por Thanissaro Bhikkhu (Ajarn Geoffrey de-Graaf), who wrote a most explanatory essay of the role of the Great Ajarn Mun in the revival of the true Buddhist Practice and the Rise of the Thai Tudong Kammathana Forest tradition;

Throughout its history, Buddhism has worked as a civilizing force. Its teachings on karma, for instance — the principle that all intentional actions have consequences — have taught morality and compassion to many societies. But on a deeper level, Buddhism has always straddled the line between civilization and wilderness. The Buddha himself gained Awakening in a forest, gave his first sermon in a forest, and passed away in a forest.

The qualities of mind he needed in order to survive physically and mentally as he went, unarmed, into the wilds, were key to his discovery of the Dhamma. They included resilience, resolve, and alertness; self-honesty and circumspection; steadfastness in the face of loneliness; courage and ingenuity in the face of external dangers; compassion and respect for the other inhabitants of the forest.

These qualities formed the “home culture” of the Dhamma.
Periodically, as Buddhism spread and adapted to different societies, some practitioners felt that the original message of the Dhamma had become diluted. So they returned to the wilderness in order to revive its home culture. Many wilderness traditions are still alive today, especially in the Theravada countries of Sri Lanka and Southeast Asia. There, mendicant ascetic monks continue to wander through the remaining rainforests, in search of Awakening in the same environment where the Buddha found Awakening himself.

Among these wilderness traditions, the one that has attracted the largest number of Western students, and is beginning to take root in the West, is the Kammatthana (Meditation) Forest tradition of Thailand.

The Kammatthana tradition was founded by Ajarn Mun Bhuridatto in the early decades of this century. Ajarn Mun’s mode of practice was solitary and strict. He followed the Vinaya (monastic discipline) faithfully, and also observed many of what are known as the thirteen classic dhutanga (ascetic) practices, such as living off almsfood, wearing robes made of cast-off rags, dwelling in the forest, eating only one meal a day.

Searching out secluded places in the wilds of Thailand and Laos, he avoided the responsibilities of settled monastic life and spent long hours of the day and night in meditation. In spite of his reclusive nature, he attracted a large following of students willing to put up with the hardships of forest life in order to study with him.
He also had his detractors, who accused him of not following traditional Thai Buddhist customs. He usually responded by saying that he wasn’t interested in bending to the customs of any particular society — as they were, by definition, the customs of people with greed, anger, and delusion in their minds. He was more interested in finding and following the Dhamma’s home culture, or what he called the customs of the noble ones: the practices that had enabled the Buddha and his disciples to achieve Awakening in the first place.

This phrase — the customs of the noble ones — comes from an incident in the Buddha’s life: not long after his Awakening, he returned to his home town in order to teach the Dhamma to the family he had left six years earlier. After spending the night in a forest, he went for alms in town at daybreak. His father the king learned of this and immediately went to upbraid him. “This is shameful,” the king said. “No one in the lineage of our family has ever gone begging. It’s against our family customs.”
“Your majesty,” the Buddha replied, “I now belong, not to the lineage of my family, but to the lineage of the noble ones. Theirs are the customs I follow.” Ajarn Mun devoted many years of his life to tracking those customs down. Born in 1870, the son of rice farmers in the northeastern province of Ubon, he was ordained as a monk in the provincial capital in 1892. At the time of his ordination, there were two broad types of Buddhism available in Thailand; Maha Nikkaya and the Dhammayut Movements.

The first can be called Customary Buddhism — the mores and rites handed down over the centuries from teacher to teacher with little, if any, reference to the Pali canon. For the most part, these customs taught monks to live a sedentary life in the village monastery, serving the local villagers as doctors or fortune tellers. Monastic discipline tended to be loose. Occasionally, monks would go on a pilgrimage they called “dhutanga” which bore little resemblance to the classic dhutanga practices. Instead, it was more an undisciplined escape valve for the pressures of sedentary life. Moreover, monks and lay people practiced forms of meditation that deviated from the path of tranquillity and insight outlined in the Pali canon. Their practices, called vichaa aakhom, or incantation knowledge, involved initiations and invocations used for shamanistic purposes, such as protective charms and magical powers. They rarely mentioned nirvana except as an entity to be invoked for shamanic rites. The second type of Buddhism available at the time, was Reform Buddhism, based on the Pali canon and begun in the 1820’s by Prince Mongkut, who later became King Rama IV (and still later was portrayed in the musical The King and I).

Prince Mongkut was ordained as a monk for twenty-seven years before ascending the throne. After studying the canon during his early years as a monk, he grew discouraged by the level of practice he saw around him in Thai monasteries. So he reordained among the Mons — an ethnic group that straddled the Thai-Burmese border and occupied a few villages across the river from Bangkok — and studied Vinaya and the classic dhutanga practices under the guidance of a Mon teacher. Later, his brother, King Rama III, complained that it was disgraceful for member of the royal family to join an ethnic minority, and so built a monastery for the Prince-Monk on the Bangkok side of the river. There, Mongkut attracted a small but strong following of like-minded monks and lay supporters, and in this way the Dhammayut (lit., In Accordance with the Dhamma) movement was born.

In its early years, the Dhammayut movement was an informal grouping devoted to Pali studies, focusing on Vinaya, the classic dhutanga practices, a rationalist interpretation of the Dhamma, and the revival of meditation techniques taught in the Pali canon, such as recollection of the Buddha and mindfulness of the body. None of the movement’s members, however, could prove that the teachings of the Pali canon actually led to enlightenment. Mongkut himself was convinced that the path to nirvana was no longer open, but he felt that a great deal of merit could be made by reviving at least the outward forms of the earliest Buddhist traditions. Formally taking a bodhisattva vow, he dedicated the merit of his efforts to future Buddhahood. Many of his students also took vows, hoping to become disciples of that future Buddha.

Upon disrobing and ascending the throne after his brother’s death in 1851, Rama IV was in a position to impose his reforms on the rest of the Thai Sangha, but chose not to. Instead, he quietly sponsored the building of new Dhammayut centers in the capital and the provinces, which was how — by the time of Ajarn Mun — there came to be a handful of Dhammayut monasteries in Ubon.
Ajarn Mun felt that Customary Buddhism had little to offer and so he joined the Dhammayut order, taking a student of Prince Mongkut as his preceptor. Unlike many who joined the order at the time, he wasn’t interested in the social advancement that would come with academic study and ecclesiastical appointments. Instead, his life on the farm had impressed on him the sufferings inherent in the cycle of life and death, and his single aim was to find a way out of the cycle. As a result, he soon left the scholarly environment of his preceptor’s temple and went to live with a teacher named Ajarn Sao Kantasilo (1861-1941) in a small meditation monastery on the outskirts of town.

Ajarn Sao was unusual in the Dhammayut order in that he had no scholarly interests but was devoted to the practice of meditation. He trained Ajarn Mun in strict discipline and canonical meditation practices, set in the context of the dangers and solitude of the wilderness. He could not guarantee that this practice would lead to the noble attainments, but he believed that it headed in the right direction.
After wandering for several years with Ajarn Sao, Ajarn Mun set off on his own in search of a teacher who could show him for sure the way to the noble attainments. His search took nearly two decades and involved countless hardships as he trekked through the jungles of Laos, central Thailand, and Burma, but he never found the teach
er he sought.

Gradually he realized that he would have to follow the Buddha’s example and take the wilderness itself as his teacher, not simply to conform to the ways of nature — for nature is samsara itself — but to break through to truths transcending them entirely. If he wanted to find the way beyond aging, illness, and death, he would have to learn the lessons of an environment where aging, illness, and death are thrown into sharp relief. At the same time, his encounters with other monks in the forest convinced him that learning the lessons of the wilderness involved more than just mastering the skills of physical survival.

 

He would also have to develop the acuity not to be misled by dead-end sidetracks in his meditation. So, with a strong sense of the immensity of his task, he returned to a mountainous region in central Thailand and settled alone in a cave.
In the long course of his wilderness training, Ajarn Mun learned that — contrary to Reform and Customary beliefs — the path to nirvana was not closed. The true Dhamma was to be found not in old customs or texts but in the well-trained heart and mind. The texts were pointers for training, nothing more or less. The rules of the Vinaya, instead of simply being external customs, played an important role in physical and mental survival. As for the Dhamma texts, practice was not just a matter of confirming what they said. Reading and thinking about the texts could not give an adequate understanding of what they meant — and did not count as showing them true respect. True respect for the texts meant taking them as a challenge: putting their teachings seriously to the test to see if, in fact, they are true. In the course of testing the teachings, the mind would come to many unexpected realizations that were not contained in the texts. These in turn had to be put to the test as well, so that one learned gradually by trial and error to the point of an actual noble attainment. Only then, Ajarn Mun would say, did one understand the Dhamma.

 

This attitude toward the Dhamma parallels what ancient cultures called “warrior knowledge” — the knowledge that comes from developing skills in difficult situations — as opposed to the “scribe knowledge” that people sitting in relative security and ease can write down in words. Of course, warriors need to use words in their training, but they view a text as authoritative only if its teachings are borne out in practice. The Canon itself encourages this attitude when it quotes the Buddha as teaching his aunt, “As for the teachings of which you may know, ‘These teachings lead to dispassion, not to passion; to being unfettered, not to being fettered; to divesting, not to accumulating; to modesty, not to self-aggrandizement; to contentment, not to discontent; to seclusion, not to entanglement; to aroused persistence, not to laziness; to being unburdensome, not to being burdensome’: You may definitely hold, ‘This is the Dhamma, this is the Vinaya, this is the Teacher’s instruction.'”
Thus the ultimate authority in judging a teaching is not whether the teaching can be found in a text. It lies in each person’s relentless honesty in putting the Dhamma to the test and carefully monitoring the results.
When Ajarn Mun had reached the point where he could guarantee that the path to the noble attainments was still open, he returned to the northeast to inform Ajarn Sao and then to continue wandering.

 

Gradually he began to attract a grassroots following. People who met him were impressed by his demeanor and teachings, which were unlike those of any other monks they had known. They believed that he embodied the Dhamma and Vinaya in everything he did and said. As a teacher, he took a warrior’s approach to training his students. Instead of simply imparting verbal knowledge, he put them into situations where they would have to develop the qualities of mind and character needed in surviving the battle with their own defilements. Instead of teaching a single meditation technique, he taught them a full panoply of skills — as one student said, “Everything from washing spittoons on up” — and then sent them into the wilds.
It was after Ajarn Mun’s return to the northeast that a third type of Buddhism emanating from Bangkok — State Buddhism — began to impinge on his life. In an effort to present a united front in the face of imperialist threats from Britain and France, Rama V (1868-1910) wanted to move the country from a loose feudal system to a centralized nation-state. As part of his program, he and his brothers — one of whom was ordained as a monk — enacted religious reforms to prevent the encroachment of Christian missionaries. Having received their education from British tutors, they created a new monastic curriculum that subjected the Dhamma and Vinaya to Victorian notions of reason and utility.

 

Their new version of the Vinaya, for instance, was a compromise between Customary and Reform Buddhism designed to counter Christian attacks that monks were unreliable and lazy. Monks were instructed to give up their wanderings, settle in established monasteries, and accept the new state curriculum. Because the Dhammayut monks were the best educated in Thailand at the time — and had the closest connections to the royal family — they were enlisted to do advance work for the government in outlying regions.
In 1928, a Dhammayut authority unsympathetic to meditation and forest wanderers took charge of religious affairs in the northeast. Trying to domesticate Ajarn Mun’s following, he ordered them to establish monasteries and help propagate the government’s program. Ajarn Mun and a handful of his students left for the north, where they were still free to roam. In the early 1930’s, Ajarn Mun was appointed the abbot of an important monastery in the city of Chieng Mai, but fled the place before dawn of the following day.

He returned to settle in the northeast only in the very last years of his life, after the local ecclesiastical authorities had grown more favorably disposed to his way of practice. He maintained many of his dhutanga practices up to his death in 1949.
It wasn’t until the 1950’s that the movement he founded gained acceptance in Bangkok, and only in the 1970’s did it come into prominence on a nationwide level. This coincided with a widespread loss of confidence in state monks, many of whom were little more than bureaucrats in robes. As a result, Kammatthana monks came to represent, in the eyes of many monastics and lay people, a solid and reliable expression of the Dhamma in a world of fast and furious modernization.
Buddhist history has shown that wilderness traditions go through a very quick life cycle.

 

As one loses its momentum, another often grows up in its place. But with the wholesale destruction of Thailand’s forests in the last few decades, the Kammatthana tradition may be the last great forest tradition that Thailand will produce. Fortunately, we in the West have learned of it in time to gather lessons that will be help in cultivating the customs of the noble ones on Western soil and establishing authentic wilderness traditions of our own.
Perhaps the most important of those lessons concerns the role that the wilderness plays in testing and correcting trends that develop among Buddhists in cities and towns. The story of the Kammatthana tradition gives lie to the facile notion that Buddhism has survived simply by adapting to its host culture. The survival of Buddhism and the survival of the Dhamma are two different things. People like Ajarn Mun — willing to make whatever sacrifices are needed to discover and practice the Dhamma on its own terms — are the ones who have kept the Dhamma alive.

Of course, people have always been free to engage in Buddhist traditions in whatever way they like, but those who have benefited most from that engagement are those who, instead of reshaping Buddhism to fit their preferences, reshape themselves to fit in with the customs and traditions of the noble ones. To find these customs isn’t easy, given the bewildering variety of traditions that Buddhists have spawned over the centuries. To test them, each individual is thrown back on his or her own powers of relentless honesty, integrity, and discernment.

There are no easy guarantees. And perhaps this fact in itself is a measure of the Dhamma’s true worth. Only people of real integrity can truly comprehend it. As Ajarn Lee, one of Ajarn Mun’s students, once said, “If a person isn’t true to the Buddha’s teachings, the Buddha’s teachings won’t be true to that person — and that person won’t be able to know what the Buddha’s true teachings are”.

Source; The Customs of the Noble Ones”, by Thanissaro Bhikkhu. Access to Insight (Legacy Edition), 7 June 2010, http://www.accesstoinsight.org/lib/authors/thaniss… ©1999 Thanissaro Bhikkhu


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Presenting a close up look at a pristinely well preserved and rare Pra Khun Phaen Pong Prai Kumarn, with 6 code stamps on front face, and Pra Somdej indent on rear face, with bronze wanich and sai rae tong kam golden coating. This is a master class Khun Phaen of LP Tim, which won first prize trophy during the August 2561 BE LP Tim amulet competition of the Samakom Luead Ban Kaay Luang Phu Tim amulet association.

Pra Khun Phaen Pong Prai Kumarn Luang Por Tim

This Model is  Pra Khun Phaen pok Pim Niyom Sao Mee Sen, in Pink Prai Kumarn Powders with Sai rae Tong Kam golde  coating, 6 code stamps on front face, amd Pra Somdej coin impression indented into rear face.  this Amulet won first prize trophy during the highly esteemed Amulet competition of the Luead Ban Kaay Lp Tim Amulets association, for its impressive beauty and originality, in the category of Pra Khun Phaen with coin impressions in rear face.

Luang Phu Tim Issarigo, was of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets in his lifetime, amd posthumously, but is also the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders. Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Khun Phaen Pong Prai Kumarn, and Look Om powder balls. As to the classic ‘Rian’ type coin image amulets which have become all time favourites, and eternally, world famous classic amulets of the high end variety. His rian Jaroen Porn, and Rian Nakprok Paed Rorp are amongst the most highly sought after coin amulets of all.


An exquisitely beautiful Pra Khun Phaen Prai Kumarn 2515 BE Pim Yai Niyom Block Tong Hlueang (Block 2) Hlang Dtok Dtaeng Niyom Nuea Chompoo with Khaw Hniaw Suk & Pong Prai Kumarn Ta Bronze Wanich Dtem Ongk, code Sala (crown code stamp), code 3, and quadruple code Pidta embossed on the front face, with the indented image of a Rian Pra Somdej Lor LP Tim embossed into the rear face as an indentation.


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