The Sacred Amulets of Luang Por Sakorn: A Comprehensive Guide to the Devotional Legacy of Wat Nong Grub
Introduction
In the pantheon of modern Thai Buddhist masters, Luang Por Sakorn Manunyo of Wat Nong Grub, Rayong Province, occupies a unique position as both a devout spiritualist and a consummate ritual technician. His contributions to Thai amulet culture are not merely of devotional significance; they reflect a comprehensive mastery of sacred materials, esoteric consecration methods, and a lineage that traces directly back to two of the most revered figures in modern Thai occultism: Luang Por Pheung of Wat Nong Bua, and the legendary Luang Pu Tim of Wat Lahan Rai. This guide endeavors to present a detailed exposition of the amulets and talismanic objects consecrated by Luang Por Sakorn during his lifetime, situating them within their historical, ritual, and collector contexts.
Origins and Mastery
Luang Por Sakorn’s journey into sacred craftsmanship began under the tutelage of Luang Por Pheung and was later refined through intensive study with Luang Pu Tim, a master famed for the creation of Prai Kumarn powder-based amulets. Luang Por Sakorn also underwent further esoteric training under Luang Pu Hin of Wat Nong Sanom, thus solidifying his foundation in the Ruesi traditions and mystical sciences that underpin the creation of powerful amulets. He was not merely a ritual assistant or disciple but was entrusted with specific formulas, powders, and esoteric incantations that had, until then, remained within an exclusive lineage. This trust would culminate in the prolific consecration of sacred objects that today form one of the most respected catalogs in Thai Buddhist amulet history.
The Phra Khun Phaen Series
Luang Por Sakorn’s reputation was cemented with the release of the first Phra Khun Phaen Pong Prai Kumarn amulets in 2530 BE. These were produced in small and large molds, using authentic prai kumarn powder inherited from Luang Pu Tim, infused with oils, sacred floral essence, and enhanced with metal Takrut in gold, silver, or copper. The resulting amulets were rich in texture and profound in spiritual energy. Highly venerated for their reputed efficacy in charm (maha sanaeh), protective metta, and financial fortune, these amulets command high premiums in today’s collector markets.
Subsequent editions of Khun Phaen continued to evolve in both aesthetic form and ritual complexity. The 2538 BE edition commemorated the construction of a new chedi at Wat Nong Grub and involved the integration of additional powders from Luang Pu Tim and Luang Pu Hin. In 2543 BE, to celebrate his 63rd birthday, Luang Por Sakorn introduced Khun Phaen with Nava Loha Takrut, empowered over extended periods of solitary and collective chanting ceremonies. By 2546 BE, the Phapa Samakkhi edition showcased new powder compositions, lacquer finishes, and embedded silver Takrut, with narratives emerging around wearers surviving life-threatening events.
Later editions such as the Khun Phaen Krob Jakawan (2553 BE) and the Tri-Mas edition (2555 BE) featured powders like Jin Dab Mani and meticulously blended sacred herbs. Each of these editions carried subtle differences in mold, coloration, and embedding—details that advanced collectors scrutinize when authenticating specimens.
Phra Pidta and Meditative Forms
Phra Pidta amulets by Luang Por Sakorn represent a synthesis of mystical protection and wealth attraction. The Phra Pidta Maha Lap medallion, released in 2524 BE, depicted the classic closed-eye mudra associated with spiritual introspection and arcane wisdom. The reverse bore yantras believed to ward off misfortune and invite abundance. Revered especially by traders, it became affectionately known as the “Pidta 24.”
He later introduced additional Pidta forms, including versions aligned with Taw Wessuwan—the celestial guardian associated with wealth and guardianship—produced in metal and cloth. These were ritually empowered through multi-day chanting ceremonies, often during auspicious lunar alignments.
Phra Kring and Ritual Bells
Among the most iconic of Luang Por Sakorn’s creations was the Phra Kring Tripitaka series, first released in 2544 BE. These sacred ringing amulets were forged from metal alloys that included melted Chinnabanchorn relics, sacred fragments from Luang Phu Kaew’s amulets, and embedded Takrut scrolls. In select editions, sacred hairs from Luang Por Sakorn, Luang Pu Tim, and other senior monks were sealed within the base, and inscriptions were applied during the three-month Rains Retreat. Considered especially powerful for healing, prosperity, and spiritual grounding, these amulets have achieved near-legendary status among devotees.
Takrut and Cloth Talismans
Takrut charms formed a vital aspect of Luang Por Sakorn’s repertoire. These included the Tone Sao 5 (2550 BE), which was crafted in auspicious Saturday-Fifth configurations, and the Maha Prap series (2540 BE), which was associated with invincibility and aura enhancement. These charms, inscribed in silver, copper, or triple-metal alloys, were often individually consecrated by hand, reflecting the personalization that characterized his work.
Cloth talismans such as the Pha Yant Paddle Banner and the Shuchok Talismans were also significant. The latter, in particular, were hand-drawn with Dvaravati-style yantras and are revered for their household protection properties. One of the most coveted cloth talismans is the Taw Wessuwan yellow Pha Yant, limited to 1,000 pieces, each numbered and stamped by temple authorities.
Medallions and Commemorative Coins
Among his numerous commemorative medallions, the Baramee 53 series (2553 BE) stands out. Oval in shape and bearing Luang Por Sakorn’s meditative image on the obverse and wealth-attracting yantras on the reverse, this series was produced in gold, silver, and various copper alloys. The gold versions were limited to just 99 pieces, and each was individually numbered, adding to their collector appeal.
The Maha Pokasap medallion, created for his 73rd birthday in 2554 BE, depicted Luang Por Sakorn in full-figure and featured the “Unending Wealth” yantra. Like the Baramee 53, this medallion was released in multiple metal grades, from nava loha to copper. A follow-up series in 2555 BE, known as the Tri-Mas Edition, incorporated strands of his sacred hair and blended alloys. Additional rarities include the Sam Kasat medallion (featuring gold, silver, and copper alloys) and the Seema Six-Round commemorative medallions.
Animal-Based Charms and Effigies
Luang Por Sakorn also produced an array of animal-based talismans, designed for protection, authority, and personal magnetism. Among them, the Singha Maha Prap of 2546 BE—a small lion’s head effigy—was embedded with prai kumarn powders and Takrut scrolls, crafted in gilded bronze or sacred alloys. Tiger effigies carved from wood or cast in metal, featuring inscriptions derived from Luang Pu Tim’s own scrolls, were equally venerated.
The Hanuman Maha Prap Trai Chak edition, a highly sought-after and exclusive piece from the 2555 BE collection, boasts a limited run of only 333 consecrated pieces. Each individually crafted effigy was imbued with spiritual significance over the course of nine sacred nights, during which time it was infused with an array of powerful ingredients, including multiple Takrut, relic powders, and as many as 16 distinct forms of Hanuman yantras. These intricate and complex components work in harmony to amplify the metaphysical properties of the effigy, allowing it to serve as a potent symbol of protection, strength, and divine guidance.
In addition to the revered Hanuman Maha Prap Trai Chak edition, the collection also features a range of other effigies, each imbued with its own unique metaphysical purpose. Pigs, such as the majestic Maha Heng, are often associated with the acquisition of wealth and material prosperity, while tortoises are revered for their ability to grant invincibility and protection from harm. Meanwhile, monkeys are believed to possess the power to imbue their owners with charisma and confidence, making them a popular choice among those seeking to enhance their social and professional standing.
Market Impact and Legacy
The veneration of Luang Por Sakorn’s sacred creations has grown exponentially since his passing in 2014. It is not uncommon for entire batches of newly released editions to sell out within hours. Demand is particularly high among collectors in Thailand’s urban centers, as well as in international circles, notably in Malaysia and Singapore. First-edition Khun Phaen amulets have sold for over a hundred thousand baht in some instances, while rare medallions like the Baramee 53 gold coin have achieved auction prices well beyond their initial offering.
Despite this commercialization, the spiritual intent behind each object remains clear. Each amulet was crafted, consecrated, and released not as a commodity but as a sacred extension of Luang Por Sakorn’s enduring compassion, discipline, and spiritual authority. His legacy continues through those who revere his teachings, those who seek his protection, and those who wear or enshrine his sacred works.
Conclusion
Luang Por Sakorn’s amulets represent far more than collectible artifacts; they are embodiments of esoteric knowledge, ritual mastery, and compassionate intent. Each object encapsulates the ethos of Thai Buddhist magical practice—a blending of animist reverence, scriptural fidelity, and meditative empowerment. As such, they remain not only as powerful tools of spiritual protection but as lasting testaments to the life and legacy of one of Thailand’s most respected modern monastics. Whether admired for their craftsmanship, venerated for their mystical potency, or studied for their role in cultural anthropology, the amulets of Luang Por Sakorn will continue to inspire and guide future generations of practitioners and scholars alike.
In recent years, devotion to Luang Por Sakorn’s creations has soared, entire batches are swept away in moments, collectors from Bangkok to Malaysia and Singapore vie for a chance to own one, early editions of the thirty’s BE sell for tens of thousands, later models climb in value by the day, Baramee 53 gold coins and seventy-third birthday medallions demand a premium, each object a repository of sacred lineage, ritual power, and the undying presence of a master whose voice endures beyond time
Every amulet he consecrated bore his living touch, each blend of sacred material and script a testament to his lifelong devotion, now immortalized in metal, powder, and cloth, awaiting those who believe, who seek, who carry his legacy in the silent language of faith.
Biography of Luang Por Sakorn
1. Early Life and Family Background
Luang Por Sakorn Manunyo—born Sakorn Paisalee—emerged from humble agrarian roots. He was born on Tuesday, the 9th waning moon of the 3rd lunar month, corresponding to February 3, 1938, into a farming family in Ban Thai Thung, Moo 2, Nong Grub Subdistrict, Ban Khai District, Rayong Province. His parents, Mr. Gu and Mrs. Nid Paisalee, raised two children: an elder sister and Sakorn himself. Educationally, he completed primary school (Grade 4) at Wat Nong Grub before assisting with farm labor. Even in childhood, he displayed a marked inclination towards esoteric arts and herbal medicine, traveling to nearby villages—including Wat Laharn Rai—to study with local masters such as Yoi Lhor and Yoi Tat, both known for working closely with the legendary Luang Pu Tim of Wat Laharn Rai.
2. Ordination and Relationship with Luang Pu Tim
At age 20, on June 4, 1958, Sakorn was ordained as a Buddhist monk at Wat Nong Grub, receiving the Dharma name “Manunyo” under the precept Master Phra Kru Chantaro Thay and Assistant Master Phra Athikana Khiang. He was promptly sent for retreat at Wat Laharn Rai, aligning himself closely with Luang Pu Tim Isarigo, a master renowned for creating “Khun Phaen Pong Prai Kumarn.” Over time, Sakorn earned the special status of principal disciple, receiving full transmission of Luang Pu Tim’s magical formulas and techniques without reservation. Luang Pu Tim reportedly predicted that Sakorn would carry on his legacy after his passing .
3. Esoteric Training and Mastery
Sakorn pursued intensive study under Luang Pu Tim, initially through daily practice: writing protective yantra texts, memorizing incantations, and engaging in extended retreats. He later advanced to study with other prominent masters, including:
- Luang Pho Peng Sasano of Wat Laharn Yai
- Luang Pu Hin of Wat Nongsanom
- Luang Pu Som of Wat Baan Chong (Chonburi)
- Luang Pu Sukh (Pa Khlong Makham Thao) for invincibility yantras
Following this, Sakorn also studied with masters such as Luang Pho Khun (Ban Rai), Luang Pho Akom (Phetchabun), Luang Pho Buem (Prasat Kin), plus pilgrimage studies with Burmese and Cambodian adepts .
His rigorous years of study and discipline solidified his mastery in katha (mantras), yantra drawing, herbal concoction creation, relic powder fabrication, sacred metal casting, and ritual consecration.
4. Personal Qualities and Spiritual Reputation
Contemporary accounts describe Sakorn as serious, reserved, and intensely dedicated. He prioritized the ethical and ritual integrity of his practices and maintained laconic responses about miracles. He often expressed that true spiritual power must be recognized through focused practice, not empty displays of miracles. Noteworthy anecdotal accounts include Luang Pu Tim quietly feeding fish by dipping his finger into a pond, afterward attracting a sudden throng of fish—a demonstration of spiritual charisma, subtly supported by Sakorn’s own accounts .
5. Community Leadership and Temple Restoration
In 1965, Sakorn returned to lead Wat Nong Grub as abbot after the death of the previous head priest. He embarked on large-scale restoration efforts to rebuild 200-year-old temple structures that had been destroyed by fire, employing his own skills in woodcarving, bronze sculpting, mural painting, gold leaf application, and lacquer work. In 1981, he was granted the monastic title of Phra Kru Manunyo Dhammawat.
6. Early Amulet Creation
As early as 1965 (B.E. 2508), Sakorn began crafting sacred objects. One of his earliest was a black Pha Larn (palm-leaf powder) votive tablet, created using old Pha Larn powder that was incinerated in a bowl for hardness and later used in a donation ceremony in 1967 (B.E. 2510). The tablet reportedly protected and saved lives . In 1981, he further expanded to create amulets made of Phatthamang (five classes of powder), Itti Je powders, Luang Pu Tim’s relic powder, Luang Pho Peng’s herbs, Phu Mueang’s powder, Phra Khun Si’s Buddhist powders, and various stones and sanctified materials . These early creations laid the foundation for his later famed Khun Phaen masterpieces and sacred coins.
A Comprehensive Re-Analysis
Lineage and Spiritual Heritage
Luang Por Sakorn Manunyo, of Wat Nong Grub, in Rayong Province, represents one of the most significant figures in contemporary Thai Buddhist amulet culture. His position within Thai Buddhist mysticism, is particularly noteworthy ,due to his direct lineage connection to the legendary Luang Pu Tim Issariko, of Wat Laharn Rai. As Looksit Ache (prime apprentice) to Luang Pu Tim, Luang Por Sakorn received the complete transmission of sacred knowledge, that would later define his amulet-making practice.
The spiritual journey of Luang Por Sakorn, began under the guidance of Luang Por Pheung of Wat Nong Bua, who provided his foundational training in sacred craftsmanship. However, it was his subsequent intensive study with Luang Pu Tim, that truly refined his abilities. Luang Pu Tim, renowned worldwide for his mastery of Pong Prai Kumarn (sacred necromantic powders), entrusted Luang Por Sakorn with specific formulas, consecration methods, and esoteric incantations, that had previously remained within an exclusive lineage. Furthermore, at Luang Pu Tim’s recommendation, Luang Por Sakorn pursued additional advanced training with Luang Pu Hin, at Wat Nong Sanom, thereby solidifying his foundation in Ruesi traditions, and mystical sciences.
The Phra Khun Phaen Series and Pong Prai Kumarn
The reputation of Luang Por Sakorn, was firmly established with the release of his first Phra Khun Phaen Pong Prai Kumarn amulets, in 2530 BE. These remarkable creations were produced in both small and large molds, utilizing authentic Prai Kumarn powders, directly inherited from Luang Pu Tim. This sacred substance represents one of the most significant aspects of the knowledge transmission between the two masters.
The Pong Prai Kumarn powder used in these amulets was not merely a physical substance but a repository of powerful mystical energy, created through complex ritual processes. Luang Por Sakorn enhanced these powders by infusing them with sacred oils and floral essences, additionally incorporating metal Takrut (inscribed scrolls) made of gold, silver, or copper. The resulting amulets possessed a distinctive rich texture and were believed to contain profound spiritual energy.
Among his most celebrated creations was the Phra Khun Phaen (Pong Prai Kumarn) – Nong Bua Klee Model, produced between 2543-2544 BE. According to traditional accounts, Luang Por Sakorn performed exceptionally powerful consecration rituals for these amulets, employing ancient incantations of great intensity. The composition included pure “prai kumarn” powder mixed with herbal essence derived from the “Dork Tong” (Golden Flower herb) and other special sacred substances. Notably, the reverse side of these amulets features an image of Mae Nang Bua Klee, a female deity symbolizing irresistible charm and magnetism.
Ritual Mastery and Consecration Techniques
What distinguishes Luang Por Sakorn’s amulets from many others is not merely their physical composition but the profound ritual knowledge applied in their creation. Having received direct transmission from Luang Pu Tim, Luang Por Sakorn was not simply a ritual assistant but a master who had been entrusted with specific formulas and esoteric practices that had, until then, remained within an exclusive lineage.
The consecration processes employed by Luang Por Sakorn involved complex ritual sequences, often requiring extended periods of meditation, chanting, and the invocation of specific deities and powers. These rituals were not performed for show but represented genuine spiritual practices aimed at imbuing the amulets with specific protective and beneficial qualities.
Moreover, Luang Por Sakorn’s approach to amulet creation reflected the traditional Thai Buddhist magical practice—a sophisticated integration of animist reverence, scriptural fidelity, and meditative empowerment. This holistic approach ensured that his amulets were not merely objects of material value but vessels of spiritual potency.
Legacy and Contemporary Significance
Following the passing of Luang Pu Tim, Luang Por Sakorn emerged as perhaps the most prominent carrier of his teacher’s sacred knowledge. Among Luang Pu Tim’s direct lineage apprentices—including other notable figures such as Luang Phu Sin of Wat Laharn Yai, Luang Por Rat of Wat Pha Hwaay, and Pra Ajarn Somkid of Wat Beung Tata—Luang Por Sakorn is often considered the most significant successor.
The amulets created by Luang Por Sakorn have now become extraordinarily rare and highly valued in collector circles. Their increasing scarcity following his passing has only enhanced their status among devotees and collectors alike. These sacred objects are not merely appreciated for their aesthetic qualities or historical significance but are actively sought for their perceived spiritual benefits and protective powers.
Furthermore, the amulets of Luang Por Sakorn represent an important cultural bridge, connecting contemporary practitioners with ancient traditions of Thai Buddhist mysticism. They embody a living tradition of spiritual practice that continues to influence and inspire devotees throughout Thailand and beyond.
Spiritual Significance Beyond Material Value
The amulets of Luang Por Sakorn transcend their status as collectible artifacts; they represent embodiments of esoteric knowledge, ritual mastery, and compassionate intent. Each object encapsulates the essence of Thai Buddhist magical practice and serves as a tangible connection to the spiritual lineage from which it emerged.
For devotees, these amulets are not merely protective talismans but objects of profound veneration that facilitate a connection with the spiritual power of Luang Por Sakorn himself. They are believed to carry the accumulated merit and spiritual energy of their creator, offering protection, blessing, and guidance to those who possess them with proper respect and faith.
The continued reverence for Luang Por Sakorn’s amulets speaks to their perceived efficacy and the enduring respect for his spiritual authority. His legacy continues through those who venerate his teachings, those who seek his protection, and those who wear or enshrine his sacred works.
The amulets of Luang Por Sakorn of Wat Nong Grub stand as powerful manifestations of Thai Buddhist spiritual practice, representing not only the personal mastery of their creator but also the unbroken lineage of sacred knowledge transmitted from Luang Pu Tim. As objects of both spiritual significance and cultural heritage, they continue to inspire devotion and fascination among practitioners and scholars of Thai Buddhism.
For more information about Thai amulets and Buddha Magic, you can visit Ajarn Spencer Littlewood’s websites: thailandamulet.net, buddhamagic.net, ancientamulet.com, and dharmathai.com.
A very rare to see Ongk Kroo Masterpiece Model of an early era Pra Khun Phaen Prai Kumarn Pim Song Pol Yai Certificated Authentic, in Nuea Khaw Pasom Pong Prai Kumarn Long Sai Rae Tong, with a total of 21 solid gold Takrut in rear face, by Luang Phu Tim, of Wat Laharn Rai. This exhibit is and Ongk Kroo 'Long Kru' meaning 'stored in a hiding place chamber' (within the Chedi Stupa or other sacred edifices), and hence has 'Kraap Kru' mildew on the surface, which only serves to add to its incredible beauty.
This exhibit is also called by the name of 'Pim Nak Glam', The face of the amulethas a layer of Kraap Kru mildews, from dwelling for years within a hiding place Kru Chamber. This Khun Phaen is a fine exhibit, with highly refined details and features, and worthy of show and is accepted for presentation in many official competitions, such as the Glum Anuraks Pra Krueang Luang Phu Tim Luead Ban Kaay, of Rayong, which is headed by Ajarn Doctor Pisek Sri Sawad, top expert of Luang Phu Tim amulets, and President of the Luead Ban Kaay Amulet appreciation society.
This item comes with free EMS shipping, and A4 size certificate of authenticity from the 11th August 2562 (2018) Luead Ban Kaay LP Tim Amulet association meeting included, and offer of free solid silver casing if desired.
This Pim Song Pol Yai Long Kru was made both with single Takrut Maha Bpraab, and with twin Takrut Koo sariga version, and some with a single go Takrut but it is very rare to see an Ongk Kroo with . This amulet was taken to Doctor Pisek on 11th 2017 by Ajarn Spencer Littlewood, to receive confirmation of authenticity, and was confirmed and categorised by Doctor Ajarn Pisek Sri Sawad, as being a Pim Song Pol Yai Nuea Khaw Long Sai Rae Fak Kru.
The Song Pol Yai models were pressed in the years between 2510 and 2515 BE on a constant basis, and many were buried in Kru chamber for charging up and later removal for distribution.
Ajarn Pisek of the Glum Anuraks Pra Krueang Luang Phu Tim spoke on National TV, to break the News and destroy the Myths about the Pra Khun Phaen Prai Kumarn of Luang Phu Tim. Revealing that the 2515 Pra Khun Phaen critique was created by Monopolists, who only managed to get the 2517 BE edition in their possession, and were unaware of the truth, as well as jealously blocking any editions they did not control, out of greed and prejudice). Luang Phu made other editions throughout the years between 2505 to his passing.
Ajarn Pisek has broken these myths with his work, by revealing that Luang Phu Tim began to make and distribute Pra Khun Phaen in the year 2493 (Year of the Tiger). He then made his second edition in the year 2505 BE, and continuously distributed them throughout until his passing. But that in truth, the old devotees who grew up around Wat Laharn Rai (including Ajarn Pisek), did not wear the 2517 BE so called Pim Niyom edition, rather, that the true preferred edition of the local devotees who were close to Luang Phu, wear and collect the 2515 BE and earlier editions, as their preferred edition.
After the true Looksit and current mythbusters have revealed the truth, the most preferred edition is now becoming the 2514-2515 BE (Khun Paen 15). It is said that those who have tried to fake and ride on the back of Luang Phu, to make their riches with lies and fakery, must have their day of reckining. Luang Phu Tim is said to have gained stream entry and advanced beyond Sotapanna to become Anagami, and this in itself makes the abuse which has occurred over the years, a serious sin against an Arya Sangha, to try to discredit authentic editions which Luang Phu may have created.
In the current Era, many people who have paved their opwn way to fame through lies and obstruction of truth, are now falling like flies, because, lies, will always be destropyed within time, as the truth, always comes out in the end. In the days of the internet, the old devotees and those close to Luang Phu as he made his amulets, have become able to stand up and have their say, and this internet era has served to bring the deceivers to their knees, which is of course the karma received from abusing an Arya Sangha Monk.
This exhibit is Pim Song Pol (Nak Glam) Yai in Nuea Khaw and Prai Kumarn powders, wtih 21 Gold Takrut, and 'Sai Rae' golden coating. The front face of the amulet bears the image of a buddha with muscly arms, which is what gives this particular Pim the nickname of 'Pim Nak Glam Yai' meaning' Muscleman'. 5 of the 21 Takrut are inserted in the front face artound the arch of the Buddha In truth, different collector groups tend to give slightly different nicknames to the various models, but officially, the pim can be classified as 'Pra Khun Phaen Prai Kumarn Pim Song Pol Yai', which is the standard terminology used for this amulet.
Below; A famous Amulet publication (Badtiharn), was one of the first to take the frontline with the official declaration of the discovery of the authenticity of the Pra Khun Phaen Song Pol Yai Pim Nak Glam amulets of Luang Phu Tim. The below exhibits are in Nuea Wan with Takrut Maha Bpraab in Tong Lueang (brass single Takrut), with an Ongk Kroo Niyom preferred version shown on the bottom of the page, bearing the Code number 3 and a drop of Victory candle wax from the Buddha Abhiseka ceremony. Prices began to rise after respected magazined and competitions began to accept and confirm these forgotten editions, as was to be expected.
The 2513 BE Pim Song Pol Yai is notable for a more sturdy appearance, and the slightly fatter fingers and hands compared to the Block Sorng and Block Raek, and the Block Hin Meed Gone.
Since the confirmation of the reality of various previously undiscovered editions of Khun Phaen Luang Phu Tim, and 'coming out' of various Looksit Aek (direct initiates of LP Tim who were involved in the making of the Khun Phaen Prai Kumarn amulets between the years 2505 BE and 2515 BE, the amulet world has been taken by storm, and turned upon its head.
The 2515 BE Block 2 series was the first edition to come to light in this revolution, that was undiscovered by the Samakom Pra and the 'Chang Ga Buay Puttapanich' commercial monopolists (self claimed 'experts'), who forced acceptance of only the 2517 BE edition, and demanded the amulet world should only accept the amulets which they themselves possessed to be classified.
These Monopolists at first made claims that the 2616 BE series was fake, but were soon brought to their knees both by independent groups and publications, as well as the original Looksit Aek who were there ate the time to see them made, came out into the pubic eye to reveal the truth, along with confirmable evidence which they presented, including photographic documentation of themselves collaborating in the presence of Luang Phu Tim, in the years between 2505 and 2515 BE.
One big mistake the Chang Ga Buay Puttapanich and Samakom Pra had made, was to put the name of Ajarn Piarn Wit and the President of the Sukhothai Luang Por Tim Association, and other Ajarns such as Ajarn Maeng, into their catalogues and encyclopaedic publications, as being the Ajarns involved in the making of the Khun Phaen Pong Prai Kumarn amulets of Luang Phu Tim. because after the denial of the 2515 BE edition, and statements that Ajarn Piarn Wit was the maker of a later edition in 2517 BE which Luang Phu did not bless were made.
But then suddenly, Ajarn Piarn Wit came out to speak through this provocation, and provided photographic evidence and official confirmations to show that firstly, Ajarn Piarn Wit was ordained and initiated by Luang Phu Tim in 2514 BE, and assisted in the ,making of the 2515 BE 'Sao Khad Block 2' edition with Luang Phu. he provided many pieces of evidence, and the fact that he was already stated to be the 13th direct initiate of Luang Phu Tim and directly involved in the making of the Khun Phaen Pong Prai Kumarn
Below; Part One of the interview between Talkshow Host Krit Confirms, and Ajarn Piarn Wit, 13th Looksit and direct Khorp Kroo Initiate of Luang Phu Tim, Wat Laharn Rai. The interview in the below video confirms many disputed facts about the Khun Phaen 2515 BE Block 2 series, and many other amulets, which recently came into discussion in the public arena. The Khun Phaen 15 is now one of the most sought after amulets in certain groups of aficionados and its status has entered the Master-Class category of the Tamniab Wadthumongkol Pra Niyom Thai, and the Tamniab Wadthumongkol of Luang Phu Tim Issarigo. Tranlsated with English Subtitles by Ajarn Spencer Littlewood
Above: Video interview conducted by Mor Grit, famous collector of Amulets of Luang Phu Tim, and Talkshow host, inquires with Ajarn Piarn Wit, the 13th direct Initiate of Luang Phu Tim, who ordained with Luang Phu and was one of his close assistants, about the truth of the 2515 BE Block 2 and earlier editions of Pra Khun Phaen, and receives direct confirmation of the facts, authenticating these editions. The beginning of the video shows photographic evidence of Ajarn Piarn Wit as a young man ordained with Luang Phu, as well as serving him as a Lay Practitioner over the years, helping Luang Phu to make amulets, and serving his needs.
The Samakom Pra were dumbfounded when he came out to confirm the edition. In video interview with a famous expert and collector and TV star, he called Ajarn Sukhothai, the official expert who first catalogued all the officially accepted Khun Phaen into their respective series block presses, and named them. In the telephone conversation with Ajarn Sukhothai (who can be considered to be amongst the top 3 officially accepted people in the Know), Ajarn Sukhothai confirmed the existence and authenticity of the 2515 edition, and the previous editions which were made between 2505 BE and 2515 BE.
After this happened, many of the so called top traders and auctioneers who had been trading the 2517 BE editions went into hiding, closing their shops, as their customers came to return their amulets in anger. The state of affairs has now taken on a new face as all the previously unacceprted or never heard of (by the general public) editions have taken the focus of interest, and a furor of collectorship has of course cause an almost instant fast depletion and new range of categories and classifications to come into official existence.
Below: Second from left - Nai Chamaeng - who was the head of the assistant Looksit who helped to make and press the Khun Phaen Pong Prai Kumarn Pim Yai Block raek Pim Niyom, came out and added his confirmation to the fact of the reality of the 2505, 2509, 2510 and 2515 BE editions.
Certification and Competition entry has now become commonplace for the Khun Phaen Block 2 and earlier editions, as collectors gather to form their groups and competitions, and new encyclopaedic catalogs are now in circulation, sealing the doors on what was once a monopoly, but has now become a trap which the monopolists created for themselves. The Block 2 Edition has become one of the hottest prospects of the decade. Now is the time to study and collect, for the near and far future will make the Block 2 Edition as unaffordable as the Block Raek has become in the present day.
It is important to look for the presence of Khaw Hniaw Sukh and Sai Rae Tong Kam/Tong Daeng, as well as Pong Prai Kumarn within all different types and colours of Muan Sarn sacred powders of Khun Phaen LP Tim, after one has perused the 'Pim' (visual design features) as first priority. The Pim (design features) itself is easy to forge with modern cgi, but the Muan Sarn Sacred Clay ingredients can not be affordably replicated in forgeries.
Hence, once one has developed the ability to recognise the edition and block press (pim) with the naked eye and under the eye loupe, the next and more important step, is to examine and confirm the presence of authentic Muan Sarn ingredients within the sacred Clay. The shape and design can be faked, but not the ingredients of the recipe of the clay. Thanks to Ajarn Spencer for this, the first of various documentaries he is making to increase our knowledge and break the popular myths and mistaken beliefs, and teach us to recognise authentic amulets.
The all-time classic Original Wat Laharn Rai Release of the Sacred Pra Khun Phaen Pong Prai Kumarn of the Great Luang Phu Tim of Wat Laharn Rai is one of the most famous amulets of all time, and highly renowned for its true power to bring prosperity and good business, power of attraction and mercy charm to the wearer. We guarantee authenticity with this item, as we do with all amulets in our showroom. The reason this amulet became so world famous and popular, even in the time when Luang PhuTim was still alive, is because everybody who owned one, recounted that business and personal success and prosperity had increased constantly and steadily since wearing the amulet.
This particular exhibit has easily identifiable for as a Pim Song Pol Yai with no visual discrepancies, and the evident presence of authentic Pong Prai Kumarn Luang Phu Tim, and small elements of Khaw Hniaw Sukh blessed sticky rice, which is an essential element to be found present within all Khun Phaen Prai Kumarn amulets from Luang Phu Tim.
The rear face has 16 solid gold Takrut inserted - this Pim featured some other models with differing types or numbers of Takrut. There are also rare versions which have different sacred objects and amulets in the rear face, which are more numerous than has been documented to date.
Since recent years, some of the aged looksit of Luang Phu Tim have revealed many unheard of facts about the Pra Khun Phaen Pong Prai Kumarn of Luang Phu Tim, making public knowledge of the many different Pim and Block presses more widespread
This has broken the tight grip monopoly of the 'Sian Pra Niyom' Experts, and opening up the truth which has been either deliberately hidden, or perhaps merely overlooked, by a few powerful monopolists who have controlled the information available about all the many models which were actually made by Luang Phu Tim.
Below; Pra Khun Phaen Pong Prai Kumarn Block Tong Hlueang (Block Sorng Pim Sum Khad) of the 2515 BE Edition, another until recently unknown, and at first disputed edition.
The Block Tong Hlueang was used to press Pra Khun Phaen Pong Prai Kumarn before the block press was given fine tuning, and then also again after having been filed down and carved to a more detailed and subtly styled detail, with the first pressings being known as 'Long Pim Blockj Tong Hlueang Gon Dtok Dtaeng'. The Block Tong Hlueang press is also known by local devotees of the Era as 'Pim Sum Khad' or 'Pim Sao Khad', and also other names. All of the different names refer to the very same Pim.
Below: rear face features of a Pra Khun Phaen Pong Prai Kumarn Pim Sum Khad (Khun Phaen Block Tong Hlueang/Block 2)
Below; 16 solid gold Takrut in the rear face
Below: examples of Pra Khun Phaen Pong Prai Kumarn from the previous 'Hin Meed Gone' razor sharpening stone block press, which after breaking, was superceded by the Block Tong Hlueang Brass Block Press.
Below: Encyclopaedic Work focusing on the Khun Phaen Pi 15 Pim Yai Sao Khad/Sum Khad amulet
Below is an example of a Block 2 Pim Yai from a famous Amulet Auctioneer Magazine in Nuea Chompoo from some years ago now, which auctioned for 65,000 Thai baht (Roughly 1950$ US)
Below; some more examples of the Pra Khun Phaen Pong Prai Kumarn - these belonging to the Block Hin Meed Gone amulet, in a Samakom Pra amulet appreciation society encyclopedia. The block hin meed gone series preceded the block tong hlueang and was less refined, and was superceded by the block tong hlueang after the block hin meed gone broke. The block tong hlueang was then refined further, separating the two versions of the brass block mold into 'Gorn Dtok Dtaeng' (before refiniement) and 'Hlang Dtok Dtaeng' (after further refinement - most preferred).
The Muan Sarn Sacred Powders of the Khun Phaen Pong Prai Kumarn Luang Phu Tim, are renowned for their power, made from the skullbone of a Hoeng Prai. Luang Phu Tim's Pra Khun Phaen Pong Prai Kumarn, Pim Yai, and Pim Lek amulets are amongst the rarest and most highly sought after amulets in Thailand, and are very difficult to encounter, due to having been made in small number editions, which is nowhere near enough to provide for the masses of devotees around the world who seek such an amulet as this.
One can see a very fluffy and rich texture to the Sai Rae golden coating on the surface of the amulet, in reaction with the Muan Sarn Sacred Powders. It is a part of the amulet appreciation society expert's method of authentication to examine and study the appearance of how the Sai Rae Tong Kam develops in surface texture, tonality and porosity of the surface, as well as the appearance of Luang Phu Tim's famous Pong Prai Kumarn which rises up and through the surface.
We ourselves feel that all of Luang Phu Tim's amulets are equally Sacred and Powerful in their own way, regardless of which edition or which temple he blessed them at, but we do, as do all Amulet Appreciation Fanatics, recognise the categories of preference within the hierarchies of different editions, which is for us one of the more subtle and fascinating parts of the study of high end amulets within the collector scene, and part of the fine art of learning how to recognise and value Sacred Amulets of High Preference and Rarity.
The Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim amulet, has has been one of the most popular amulets in the whole Pantheon of Thai Buddhist Amulets of the last century, and of all time, and is now almost impossible to encounter commonly anywhere in any amulet emporium, except for the most elite showrooms, and at elevated prices.
The Sacredness of the Pra Khun Phaen Pong Prai Kumarn is legendary and unquestioned in Thailand, and its magical power is commonly accepted by all. The Muan Sarn Sacred Powders of the Pra Khun Phaen Pong Prai Kumarn are considered to be amongst the most powerful powders to empower amulets in existence.
This amulet is a wonderful opportunity for devotees who seek the true power of a world class amulet from a world class edition, and a wonderful Ongk Kroo reference study exhibit to peruse under the eye loupe. The amulet is a perfect and authentic study material, to train the eyes as to the appearance of the Muan Sarn and Surface textures of the Classic amulets of Luang Phu Tim Hence, the amulet is also a perfect 'Ongk Kroo' reference study material for students of the Pantheon, and will increase your chances of spotting an essential rarity at the right price, and without danger of risking a fakery. One should always look for greater or lesser content of Khaw Hniaw Suckh white marblish Muan sarn, which comes from the inclusion of steamed blessed stucky rice within the Muan sarn Powders, of whichever material they may be made from.
The making of the Muan Sarn Sacred Pong Prai Kumarn powders Luang Phu Tim, came from the Wicha which Luang Phu had inherited through apprenticeship form one of his high Kroo Ba Ajarn, Kroo Ba Sangkh Tao, who was also his true Uncle. Part of the formula included Pong Prai Maha Phuudt, which was made from the Skull of a male Kumarn who died in the Womb, and who died on a Saturday and was cremated on a Tuesday. This is part of the ancient Khmer Necromantic Formula for Authentic Powerful Prai Occult Magic, as practiced in Ancient Times. It is said that Pra Kroo Sangkh Tao's Wicha Akom was so powerful that when he spat on the floor, the floor would crack where his spit would fall.
Due to the fact that Monks are not allowed to seek and find this Sacred and Extremely Powerful Necromantic Substance, Luang Phu would perform Korb Kroo Initiation for protection against Black Magic and the Phuudtaa Spirit Phantoms, so they could go forth to seek and find the substances to donate to him for the making of the Pong Prai Kumarn.
The Initiated Lay Devotees and Apprentices to his sorcery, would then wait for the news of the right circumstances of death of Kumarn Ghosts, and go out to collect the substances and prepare them as instructed with the Wicha. They would seek the permission of the relatives of the dead, to obtain the substances to enable the ghosts of the deceased to receive merits to free them from their Karmic residues by donation of their mortal remains to be made into amulets.
Below; pages from an encyclopaedic publication from the amulet appreciation society which defines a list of amulets which Luang Phu Tim blessed during his life, and which confirms the Block 2 series to be within his 'Tamniab' pantheon of amulets, and authentically blessed by LP Tim during his lifetime. This is in contrary to false rumors which were spread years ago, which caused the series to be ignored for decades until the information finally surfaced and was brought to light.
As a result, the Block 2 series is not one of the hottest topics of the amulet scene in the present era, and immense furor has arisen, raising the interest of devotees around the nation and further afield in foreign shores. This of course will result in a repeat experience of gradual depletion, as the collectors race to obtain and keep the amulets for their own collections and for Bucha.
They would receive the ceremonial ritual liberation of their souls from Luang Phu Tim, who would speak with the spirits of the dead to receive their acknowledgement for the process of transformation through the Nibbana Sutra, and the Muan Sarn would then be prepared according to the Dtamra Saiyasart of Necromancy, to make the Pong Prai Kumarn.
Luang Phu instructed his apprentices and the relatives of the Funerals to take care not to incinerate the whole skeleton, but to keep the skulls to bring to Luang Phu to use them for the making of the Pong Prai Kumarn. This is one of the reasons why his Pong Prai Kumarn is so powerful, because it does not contain the skeleton bone powders, rather, only those of the skulls.
As a result, Luang Phu Tim's Pong Prai Kumarn has been recorded by experience of devotees to posses the highest Maha Pokasap Power of all Pong Prai Kumarn ever made, with Immense Metta Maha Niyom and Klaew Klaad Power, to induce Mercy Charm, Attract Lucky Fortunes (e.g. Lottery Winnings), and to Protect from Deadly Accidents and Disasters.
The Pra Khun Phaen Pong Prai Kumarn is a preferred choice of both the wise investor and devotee, as well as the perfect choice for those Devotees who seek the immense power of Luang Phu Tim's Legendary Pra Khun Phaen Pong Prai Kumarn
Luang Phu Tim Isarago, is of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders. Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Khun Phaen Pong Prai Kumarn, and Look Om powder balls. As to the classic 'Rian' type coin image amulets which have become all time favourites, and eternally, world famous classic amulets of the high end variety. His rian Jaroen Porn, and Rian Nakprok Paed Rorp are amongst the most highly sought after coin amulets of all
Since his passing, his devotees and apprenticed monks, have now become the world's top living masters for the making of Pra Khun Phaen Pong Pra Kumarn, and literally dozens of encyclopaedic books, have been printed, documenting both this great master monk, and his classic amulets of high esteem.
Buddhist monk coins with his image and others with Buddha images and other deities and imagery are amongst the most highly collected amulets and most expensive of all of the great Luang Phu Tim. He has various direct lineage apprentices, Who are continuing to progress and spread his most powerful and world-famous Wicha.
Of all of these masters, certainly the most famous, preferred and highly respected Looksit, was Luang Por Sakorn, of Wat Nong Grub, who is also now deceased, and whose amulets are fast becoming just as highly sought after. In second place one could possibly estimate the great Luang Phu Sin, of Wat Laharn Yai, and in third place, possibly, Pra Ajarn Somkid, of Wat Beung Tata (Rayong).
Kata Pra Khun Phaen Prai Kumarn Luang Por Tim
Puttang Ārātanānang Tammang Ārātanānang Sangkang Ārātanānang
Na Maedtaa Ja Mahaa Raachaa Taewiraacha Budtra Dtraa Budtra Dtrii Sa Ma Na Praahm Chiitaasaa Taasii Grasadtrii Paab Raacha Idthii Naarii Sappa Aehi Much-Chi Sappang Sappa Grotang Winaasandti Bpiyo Taewa Manussaanang Bpiyo Prahmma Namudt-dtamo Bpiyo Naaka Subannaanang Bpinintriyang Namaa Mihang Wikring Karae
Below you can see an authentic exhibit of one of Luang Phu Tim's Look om Pong Prai Kumarn (small pim lek) in HD video, for comparison of the features and aspects of the Muan Sarn Sacred Pong Prai Kumarn Powders.
