Luang Phu Mun Puritatto

Rian Lai Ganok Sacred Guru Monk Coin with ‘Ganok’ flamed embellishments around the edges, and the Image of Luang Phu Mun Puritadto, of Wat Pha Sutawas emblazoned. This is a limited series Gammagarn version, with series code stamp, which is seen on the Sangkati sash of the Guru Monk, bearing the Code Met Nga Sesame seed shaped stamp, with a Khom Sanskrit Letter embossed.

Luang Phu Mun Thai amulet

The amulet has the images of an almsbowl, a kettle and a Glod Umbrella, the basic traveling necessities of the Thai Tudong Forest Tradition Lineage of LP Mun. The amulet was released in 2520 BE, and is first edition, after Luang Por Kinaree released his own first edition coin with his own image in the year 2519 BE. This series of amulets were fashioned in the same shape, but with the image of Luang Phu Mun Puritatto, blessed by Lineage Master, and Abbot of Wat Gantasilawas, Luang Por Kinaree Jantiyo, in Grand Buddha Abhisekha ceremony. The ceremony was held directly at Wat Gandtasilawas in Nakorn Phanom, with a host of other great Tudong Masters of the Luang Phu Mun Thai Forest Tradition.

The amulet has the Kata ‘namo Wmudtaanang Namo Wimudtiyaa’ on the rear face below the almsbowl, the Kata of LP Mun, representing the heart of the Tudong Kammathana Practice. The amulet is forged from Nuea Tong Daeng Sacred Copper Brazen Alloy, and was blessed on the 13th April 2520 BE after Traimas three month nightly empowerments at the temple beforehand. The amulet has the words ‘Puritadto’ on the front of the base of the amulet, with Luang Phu Mun seated in meditation above.


The amulets were released in the year 2513-2514 BE in a very special Buddha Abhiseka, at the temple of Wat Gantasilaram, with a large number of some of the greatest Guru Masters of the time present to empower, from the lineage of Luang Phu Mun

Ajarn Mun Bhuridatta Thera (Thai: มั่น ภูริทตฺโต, rtgs: Ajarn Mun Phurithatto; Lao: ຫຼວງປູ່ມັ່ນ ພູຣິທັຕໂຕ), 1870–1949, was a Thai bhikkhu of Lao descent who is credited, along with his mentor, Ajarn Sao Kantasīlo, with establishing the Thai Forest Tradition or “Kammaṭṭhāna tradition” that subsequently spread throughout Thailand and to several countries abroad. Ajarn Mun was born in Baan Kham Bong, a farming village in Ubon Ratchathani Province, Isan.
Ordained as a monk in 1893, he spent the remainder of his life wandering through Thailand, Burma, and Laos, dwelling for the most part in the forest, engaged in the practice of meditation. He attracted an enormous following of students and, together with his teacher, Sao Kantasīlo (1861–1941), established the Thai Forest Tradition (the kammaṭṭhāna tradition) that subsequently spread throughout Thailand and to several countries abroad. He died at Wat Suddhavasa, Sakon Nakhon Province.

Ajarn Mun was born in Baan Kham Bong, a farming village in Ubon Ratchathani Province, Isan. Ordained as a monk in 1893, he spent the remainder of his life wandering through Thailand, Burma, and Laos, dwelling for the most part in the forest, engaged in the practice of meditation. He attracted an enormous following of students and, together with his teacher, Sao Kantasīlo (1861–1941), established the Thai Forest Tradition (the Kammaṭhāna tradition) that subsequently spread throughout Thailand and to several countries abroad. He died at Wat Pha Sutawas, Sakon Nakhon Province. (Wikipedia)

We would like to share a passage written by Luang Por Thanissaro Bhikkhu (Ajarn Geoffrey de-Graaf), who wrote a most explanatory essay of the role of the Great Ajarn Mun in the revival of the true Buddhist Practice and the Rise of the Thai Tudong Kammathana Forest tradition;

Throughout its history, Buddhism has worked as a civilizing force. Its teachings on karma, for instance — the principle that all intentional actions have consequences — have taught morality and compassion to many societies. But on a deeper level, Buddhism has always straddled the line between civilization and wilderness. The Buddha himself gained Awakening in a forest, gave his first sermon in a forest, and passed away in a forest.

The qualities of mind he needed in order to survive physically and mentally as he went, unarmed, into the wilds, were key to his discovery of the Dhamma. They included resilience, resolve, and alertness; self-honesty and circumspection; steadfastness in the face of loneliness; courage and ingenuity in the face of external dangers; compassion and respect for the other inhabitants of the forest.

These qualities formed the “home culture” of the Dhamma.
Periodically, as Buddhism spread and adapted to different societies, some practitioners felt that the original message of the Dhamma had become diluted. So they returned to the wilderness in order to revive its home culture. Many wilderness traditions are still alive today, especially in the Theravada countries of Sri Lanka and Southeast Asia. There, mendicant ascetic monks continue to wander through the remaining rainforests, in search of Awakening in the same environment where the Buddha found Awakening himself.

Among these wilderness traditions, the one that has attracted the largest number of Western students, and is beginning to take root in the West, is the Kammatthana (Meditation) Forest tradition of Thailand.

The Kammatthana tradition was founded by Ajarn Mun Bhuridatto in the early decades of this century. Ajarn Mun’s mode of practice was solitary and strict. He followed the Vinaya (monastic discipline) faithfully, and also observed many of what are known as the thirteen classic dhutanga (ascetic) practices, such as living off almsfood, wearing robes made of cast-off rags, dwelling in the forest, eating only one meal a day.

Searching out secluded places in the wilds of Thailand and Laos, he avoided the responsibilities of settled monastic life and spent long hours of the day and night in meditation. In spite of his reclusive nature, he attracted a large following of students willing to put up with the hardships of forest life in order to study with him.
He also had his detractors, who accused him of not following traditional Thai Buddhist customs. He usually responded by saying that he wasn’t interested in bending to the customs of any particular society — as they were, by definition, the customs of people with greed, anger, and delusion in their minds. He was more interested in finding and following the Dhamma’s home culture, or what he called the customs of the noble ones: the practices that had enabled the Buddha and his disciples to achieve Awakening in the first place.

This phrase — the customs of the noble ones — comes from an incident in the Buddha’s life: not long after his Awakening, he returned to his home town in order to teach the Dhamma to the family he had left six years earlier. After spending the night in a forest, he went for alms in town at daybreak. His father the king learned of this and immediately went to upbraid him. “This is shameful,” the king said. “No one in the lineage of our family has ever gone begging. It’s against our family customs.”
“Your majesty,” the Buddha replied, “I now belong, not to the lineage of my family, but to the lineage of the noble ones. Theirs are the customs I follow.” Ajarn Mun devoted many years of his life to tracking those customs down. Born in 1870, the son of rice farmers in the northeastern province of Ubon, he was ordained as a monk in the provincial capital in 1892. At the time of his ordination, there were two broad types of Buddhism available in Thailand; Maha Nikkaya and the Dhammayut Movements.

The first can be called Customary Buddhism — the mores and rites handed down over the centuries from teacher to teacher with little, if any, reference to the Pali canon. For the most part, these customs taught monks to live a sedentary life in the village monastery, serving the local villagers as doctors or fortune tellers. Monastic discipline tended to be loose. Occasionally, monks would go on a pilgrimage they called “dhutanga” which bore little resemblance to the classic dhutanga practices. Instead, it was more an undisciplined escape valve for the pressures of sedentary life. Moreover, monks and lay people practiced forms of meditation that deviated from the path of tranquillity and insight outlined in the Pali canon. Their practices, called vichaa aakhom, or incantation knowledge, involved initiations and invocations used for shamanistic purposes, such as protective charms and magical powers. They rarely mentioned nirvana except as an entity to be invoked for shamanic rites. The second type of Buddhism available at the time, was Reform Buddhism, based on the Pali canon and begun in the 1820’s by Prince Mongkut, who later became King Rama IV (and still later was portrayed in the musical The King and I).

Prince Mongkut was ordained as a monk for twenty-seven years before ascending the throne. After studying the canon during his early years as a monk, he grew discouraged by the level of practice he saw around him in Thai monasteries. So he reordained among the Mons — an ethnic group that straddled the Thai-Burmese border and occupied a few villages across the river from Bangkok — and studied Vinaya and the classic dhutanga practices under the guidance of a Mon teacher. Later, his brother, King Rama III, complained that it was disgraceful for member of the royal family to join an ethnic minority, and so built a monastery for the Prince-Monk on the Bangkok side of the river. There, Mongkut attracted a small but strong following of like-minded monks and lay supporters, and in this way the Dhammayut (lit., In Accordance with the Dhamma) movement was born.

In its early years, the Dhammayut movement was an informal grouping devoted to Pali studies, focusing on Vinaya, the classic dhutanga practices, a rationalist interpretation of the Dhamma, and the revival of meditation techniques taught in the Pali canon, such as recollection of the Buddha and mindfulness of the body. None of the movement’s members, however, could prove that the teachings of the Pali canon actually led to enlightenment. Mongkut himself was convinced that the path to nirvana was no longer open, but he felt that a great deal of merit could be made by reviving at least the outward forms of the earliest Buddhist traditions. Formally taking a bodhisattva vow, he dedicated the merit of his efforts to future Buddhahood. Many of his students also took vows, hoping to become disciples of that future Buddha.

Upon disrobing and ascending the throne after his brother’s death in 1851, Rama IV was in a position to impose his reforms on the rest of the Thai Sangha, but chose not to. Instead, he quietly sponsored the building of new Dhammayut centers in the capital and the provinces, which was how — by the time of Ajarn Mun — there came to be a handful of Dhammayut monasteries in Ubon.
Ajarn Mun felt that Customary Buddhism had little to offer and so he joined the Dhammayut order, taking a student of Prince Mongkut as his preceptor. Unlike many who joined the order at the time, he wasn’t interested in the social advancement that would come with academic study and ecclesiastical appointments. Instead, his life on the farm had impressed on him the sufferings inherent in the cycle of life and death, and his single aim was to find a way out of the cycle. As a result, he soon left the scholarly environment of his preceptor’s temple and went to live with a teacher named Ajarn Sao Kantasilo (1861-1941) in a small meditation monastery on the outskirts of town.

Ajarn Sao was unusual in the Dhammayut order in that he had no scholarly interests but was devoted to the practice of meditation. He trained Ajarn Mun in strict discipline and canonical meditation practices, set in the context of the dangers and solitude of the wilderness. He could not guarantee that this practice would lead to the noble attainments, but he believed that it headed in the right direction.
After wandering for several years with Ajarn Sao, Ajarn Mun set off on his own in search of a teacher who could show him for sure the way to the noble attainments. His search took nearly two decades and involved countless hardships as he trekked through the jungles of Laos, central Thailand, and Burma, but he never found the teach
er he sought.

Gradually he realized that he would have to follow the Buddha’s example and take the wilderness itself as his teacher, not simply to conform to the ways of nature — for nature is samsara itself — but to break through to truths transcending them entirely. If he wanted to find the way beyond aging, illness, and death, he would have to learn the lessons of an environment where aging, illness, and death are thrown into sharp relief. At the same time, his encounters with other monks in the forest convinced him that learning the lessons of the wilderness involved more than just mastering the skills of physical survival.

 

He would also have to develop the acuity not to be misled by dead-end sidetracks in his meditation. So, with a strong sense of the immensity of his task, he returned to a mountainous region in central Thailand and settled alone in a cave.
In the long course of his wilderness training, Ajarn Mun learned that — contrary to Reform and Customary beliefs — the path to nirvana was not closed. The true Dhamma was to be found not in old customs or texts but in the well-trained heart and mind. The texts were pointers for training, nothing more or less. The rules of the Vinaya, instead of simply being external customs, played an important role in physical and mental survival. As for the Dhamma texts, practice was not just a matter of confirming what they said. Reading and thinking about the texts could not give an adequate understanding of what they meant — and did not count as showing them true respect. True respect for the texts meant taking them as a challenge: putting their teachings seriously to the test to see if, in fact, they are true. In the course of testing the teachings, the mind would come to many unexpected realizations that were not contained in the texts. These in turn had to be put to the test as well, so that one learned gradually by trial and error to the point of an actual noble attainment. Only then, Ajarn Mun would say, did one understand the Dhamma.

 

This attitude toward the Dhamma parallels what ancient cultures called “warrior knowledge” — the knowledge that comes from developing skills in difficult situations — as opposed to the “scribe knowledge” that people sitting in relative security and ease can write down in words. Of course, warriors need to use words in their training, but they view a text as authoritative only if its teachings are borne out in practice. The Canon itself encourages this attitude when it quotes the Buddha as teaching his aunt, “As for the teachings of which you may know, ‘These teachings lead to dispassion, not to passion; to being unfettered, not to being fettered; to divesting, not to accumulating; to modesty, not to self-aggrandizement; to contentment, not to discontent; to seclusion, not to entanglement; to aroused persistence, not to laziness; to being unburdensome, not to being burdensome’: You may definitely hold, ‘This is the Dhamma, this is the Vinaya, this is the Teacher’s instruction.'”
Thus the ultimate authority in judging a teaching is not whether the teaching can be found in a text. It lies in each person’s relentless honesty in putting the Dhamma to the test and carefully monitoring the results.
When Ajarn Mun had reached the point where he could guarantee that the path to the noble attainments was still open, he returned to the northeast to inform Ajarn Sao and then to continue wandering.

 

Gradually he began to attract a grassroots following. People who met him were impressed by his demeanor and teachings, which were unlike those of any other monks they had known. They believed that he embodied the Dhamma and Vinaya in everything he did and said. As a teacher, he took a warrior’s approach to training his students. Instead of simply imparting verbal knowledge, he put them into situations where they would have to develop the qualities of mind and character needed in surviving the battle with their own defilements. Instead of teaching a single meditation technique, he taught them a full panoply of skills — as one student said, “Everything from washing spittoons on up” — and then sent them into the wilds.
It was after Ajarn Mun’s return to the northeast that a third type of Buddhism emanating from Bangkok — State Buddhism — began to impinge on his life. In an effort to present a united front in the face of imperialist threats from Britain and France, Rama V (1868-1910) wanted to move the country from a loose feudal system to a centralized nation-state. As part of his program, he and his brothers — one of whom was ordained as a monk — enacted religious reforms to prevent the encroachment of Christian missionaries. Having received their education from British tutors, they created a new monastic curriculum that subjected the Dhamma and Vinaya to Victorian notions of reason and utility.

 

Their new version of the Vinaya, for instance, was a compromise between Customary and Reform Buddhism designed to counter Christian attacks that monks were unreliable and lazy. Monks were instructed to give up their wanderings, settle in established monasteries, and accept the new state curriculum. Because the Dhammayut monks were the best educated in Thailand at the time — and had the closest connections to the royal family — they were enlisted to do advance work for the government in outlying regions.
In 1928, a Dhammayut authority unsympathetic to meditation and forest wanderers took charge of religious affairs in the northeast. Trying to domesticate Ajarn Mun’s following, he ordered them to establish monasteries and help propagate the government’s program. Ajarn Mun and a handful of his students left for the north, where they were still free to roam. In the early 1930’s, Ajarn Mun was appointed the abbot of an important monastery in the city of Chieng Mai, but fled the place before dawn of the following day.

He returned to settle in the northeast only in the very last years of his life, after the local ecclesiastical authorities had grown more favorably disposed to his way of practice. He maintained many of his dhutanga practices up to his death in 1949.
It wasn’t until the 1950’s that the movement he founded gained acceptance in Bangkok, and only in the 1970’s did it come into prominence on a nationwide level. This coincided with a widespread loss of confidence in state monks, many of whom were little more than bureaucrats in robes. As a result, Kammatthana monks came to represent, in the eyes of many monastics and lay people, a solid and reliable expression of the Dhamma in a world of fast and furious modernization.
Buddhist history has shown that wilderness traditions go through a very quick life cycle.

 

As one loses its momentum, another often grows up in its place. But with the wholesale destruction of Thailand’s forests in the last few decades, the Kammatthana tradition may be the last great forest tradition that Thailand will produce. Fortunately, we in the West have learned of it in time to gather lessons that will be help in cultivating the customs of the noble ones on Western soil and establishing authentic wilderness traditions of our own.
Perhaps the most important of those lessons concerns the role that the wilderness plays in testing and correcting trends that develop among Buddhists in cities and towns. The story of the Kammatthana tradition gives lie to the facile notion that Buddhism has survived simply by adapting to its host culture. The survival of Buddhism and the survival of the Dhamma are two different things. People like Ajarn Mun — willing to make whatever sacrifices are needed to discover and practice the Dhamma on its own terms — are the ones who have kept the Dhamma alive.

Of course, people have always been free to engage in Buddhist traditions in whatever way they like, but those who have benefited most from that engagement are those who, instead of reshaping Buddhism to fit their preferences, reshape themselves to fit in with the customs and traditions of the noble ones. To find these customs isn’t easy, given the bewildering variety of traditions that Buddhists have spawned over the centuries. To test them, each individual is thrown back on his or her own powers of relentless honesty, integrity, and discernment.

There are no easy guarantees. And perhaps this fact in itself is a measure of the Dhamma’s true worth. Only people of real integrity can truly comprehend it. As Ajarn Lee, one of Ajarn Mun’s students, once said, “If a person isn’t true to the Buddha’s teachings, the Buddha’s teachings won’t be true to that person — and that person won’t be able to know what the Buddha’s true teachings are”.

Source; The Customs of the Noble Ones”, by Thanissaro Bhikkhu. Access to Insight (Legacy Edition), 7 June 2010, http://www.accesstoinsight.org/lib/authors/thaniss… ©1999 Thanissaro Bhikkhu


Pra Putta Mongkol Maha Lap Amulets Mae

The Pra Somdej Mongkol Maha Lap amulet series of 2499 BE, was released at Wat Sarnath, in Rayong, to fund the creation and installment of the Pra Putto Pas Chinarat Jom Muni Buddha statue, which was made at Wat Sapmant Wongs, in Bangkok, and donated to be installed at Wat Sarnath, as the Pra Pratan main Central Buddha image within the Uposatha shrine room.

Below; a rare version of Pra Somdej Nakprok Mongkol Maha Lap Nuea Pong Maha Solos Daeng 2499 BE Mae Chee Bun Ruean Wat Awut
in Nuea Daeng

Somdej Mongkol Maha Lap Pim Prok Po Mae Chee Bun Ruean

Somdej Mongkol Maha Lap Pim Prok Po Mae Chee Bun Ruean Wat Awut.

The amulets were made in various powders, white nuea solos, brown nuea wan, and red nuea wan sabu luead, as well as nuea bailan and other admixtures. Some received the inscription of the Yant Putto, or the Yant Dto Rasamee, of Mae Chee Bun Ruean, and others were left with ‘Hlang Riab’ ‘smooth faced’ rear sides. All versions contain the famous pong Maha Solos Maha Lap (Pong Guubose), which is legendary for its powers

This amulet comes with the existing Stainless Steel Casing – The alternative of Free Waterproof Casing is also an Optional Offer with this Amulet, if you wish to encase with Waterproof Casing at no extra cost. Free Registered Airmail Shipping Worldwide is offered included with this amulet, as is the case with all amulets in Ancient Amulet Store.


There was never a ceremony to invite the Devas so majestic as the ceremony performed by Mae Chee Bun Ruean, which included not only the ubiquitous incenses, puffed rice, flower garlands in 7 different colors, but also a total of 375 Kinds of Food Offerings! The Benja and 9 Saewadta Chadtras offered, 5 sork high (‘sork’being a Thai form of measurement, meaning ‘5 elbows’, slightly over 2 Feet per ‘sork’). Five Golden and Silver Bai Sri were place in offering, also 5 sork high in stature.

The chanting ceremonyn to bless the holy water with the assistance of the attendiing Devas, was then mixed with the sacred powders used for the muan sarn clays of the amulets. Many great and psychically attained monks were invited to empower and bless the sacred ingredients for the amulets, and the amulets themself after their pressing;

1. Pra Prohm Muni (LP Phin Suwajo), of Wat Bovornives Vora Viharn, 2. Pra Worawaet Kunajarn (LP MIan Bpappasaro), of Wat Pra Chetupon Wimon Manghalaram, 3. Pra Maha Racha Manghalajarn, 4. Pra Kroo Winaiton (LP Fueang Yana Bpaheebpo), 5. Pra Sa-Ard Apiwattano, of Wat Sampant Wongs, 6. Pra Kroo Nor, of Wat Klang Ta Ruea, in Ayuttaya, 7. Pra Ajarn Bung, of Wat Mai Nong Sen, and 8. Pra Luang Por Chorp Sammajaree, of Wat Awut Wigasitaram in Thonburi, as well as the prior and later blessings and empowerments made by Mae Chee Bun Ruean Herself.
In Addition, during the Deva Abhiseka, the Ruesi Yogi Ajarn Rerb (Ajarn Chern Jantr Paetch), who was a very powerful and famous Ruesi of the Era, assisted in empowering the amulets.

Then a second empowerment session was performed, with the amulets pressed and placed covered with 7 layers of 7 green and 7 white cloths covering them, placed upon an altar in the center of the shrine room.

Many people in the amulet world have been interested in knowing what was used in the making of the sacred powder admixtures, and so we find it impportant to document and list them in this article, for posterity and study;
1. Sacred Powders from a Host of Great Masters of that Era and Previous Eras, through the lineage of each Master who donated and empowered the powders.

2. Powders from Wat Chetupon, Wat Sri Totsataep, Wat Sampant Wongs(Wat Sampantawongs).

3. Broken powdered pieces of ancient sacred amulets.

4. Powdered up herbal ingredients with magical properties, ground up to make a brownish herbal powder.

5. Earths from 7 Prosperous Ports, and the banks of 7 Sacred Lakes. 6. Powders made from taking ancient Kampir Grimoires of Sorcery (Sacred in themself), of both the Bailan Beige Parchmnent variety, and the Samut Khoi black Parchment variety of Grimoire, and burn them and grind into powders, with 5 repetitions of admixture, adding powders from previous editions of amulets.

6. Earths from sacred Pilgrimage Places of the Life of the Buddha in India, brought back to be used for the admixture, to bring Sacred Buddhakhun Power to the amulets, with earths from the important places of the Buddha’s Life, such as the Buddha’s birth, earths from around the Bodhi Tree where the Buddha’s Enlightenment occurred, the place where he gave his first sermon in Varanasi (the Dhamma Chakra), and earths from the place of the Buddha’s Passing into Nibbana.

7. Earths from important places where the Buddha performed great Sermon, or Important Events in his Life occurred, and which are to this day, all sacred places and shrines to the Buddha.

8. Pong Poon Khaw Hin Rachaburi powders.

9. Sacred Talcs invoked with Negative Space inscribed Yantra Spells.

10. Nam Oy Sugarcane Juice.

The amulets are made from a Muan Sarn Sacred Powders composed of a large variety of sacred clay earths, herbal pollens and powders, and Puttakun powder. Herbs and Sacred ingredients with all sorts of different blessings and powers were added to give a complete range of blessings.

All these Muan Sarn ingredients were ground into fine powders, and separated into different admixtures, and mixed with holy water from the first Buddha Abhiseka and Deva Abhiseka Blessing Ceremony. The amulets were pressed as the Pra Somdej Pra Putta Mongkol Maha Lap (Buddha Manghala), Pra Nakprok, Pra Putto, and other forms such as various kinds of Pra Somdej, Nang Kwak, and other amulets.

Above and beyond this, the amulet is a Sacred Artifact of Buddhanussati, an authentic Sacred Buddha Image Votive Tablet, blessed and made in 2499 by Kun Mae Chee Bun Ruean, in two ceremonies held at Wat Sampantwongs and Wat Sarnath, both Mae Chee Bun Ruean Lineage Temples.

The amulets were handed out to devotees during a later ceremony who came to donate and support the installation of the Putta Sima temple boundary of Wat Sarnath, and many of the amulets were of course held for burial within shrine rooms and Chedi Stupas of choice, for later distribution, or accidental rediscovery long into the future.

This is a common practice with amulets, where they are placed in a hiding place chamber (Kru), or buried under the ground or under the floor of sacred places, as a way of preserving the fact that there was once a Buddha who walked upon this earth. Hiding Place amulets are also stored in Kru Chambers as a repository to use for fundraising by removing a number and distributing them to devotees who donate to the temple (Note; The placement and removal of amulets from Kru for providing a method of creating fundraisers only became a practice during the last century, after Buddhist amulets became a source of fundraising).

According to the written documentation of Luang Phu Tet Nitesago, the Pong Solos powders made by Mae Chee Bun Ruean to make the amulets, were made using the Wicha Prohmasat (Brahma Sastra), which invokes High Brahmas and Ariya Sangha (Enlughtened Beings), of the Sutawas celestial level, to empower the powders. They were made to distribute to devotees, and fund the installation of the Pra Putto Chinarach Jom Muni Buddha statue of Wat Sarnath.

The amulets have become very famed for their miraculous powers, due to many stories of miraculous events connected with devotees and the amulets. Mae Chee Bun Ruean invoked the spiritual Connections of the angelic beings of the Buddhist, Christian and Islamic Faiths to imbue their blessings, to protect people of all religions, who keep the precepts of goodness and abstention from evil acts. The real name of the powders is ‘Pong Maha Prohm Ariya Bodhisattva Phuu Bpen Jao’ (Powders of the Enlightened Brahmas who are Lords of their Existence’).

This was because of Ajarn Seng, who taught and revealed that all three religions, speak of the same one Super-consciousness or ‘God’ (Buddha-hood for Buddhists), but which different cultures over time split and adapted into their own social structures, and changed them according to their needs, but that all three are derived from the same fact that enlightened beings gave teachings to unenlightened humans, and were worshiped for it as messiahs, prophets, or gods, and became founders of these religions.

The great Luang Por Lee is said to have found the 2499 BE Somdej Mongkol Maha Lap so powerful that he basked for some of the broken ones to be given to him to mix into the sacred clay of his famous sacred Pra Bai Po Jak amulets of the 2500 BE 25 Centuries of Buddhism Mega Nationwide Amulet Ceremony.

Pra Bai Po Jakr LP Lee Wat Asokaram

Pra Bai Po Jakr LP Lee Wat Asokaram

According to the Pra Tamma Khant, all Somdej amulets must be made in numbers of 84,000, but it is rumored that the Pra Putta Mongkol maha lap amulets were made in much less numbers, which is an unconfirmed rumor, and would be dubious considering Mae Chee Bun Ruean’s tendency to be a stickler for proper ritual and adhere to the dtamrta of the Wicha.

The Pra Putta Mongkol Maha Lap amulet is often used as a substitute for the Pra Pong Solos of Luang Phu Tim (much more difficult to find and much more expensive). Luang Phu Tim himself was also invited to perform Nang Prok meditative empowerment on thje amulets, as he was 70 years old. Considered one of the best amulets of the 2500 BE Era of Thai Buddhist Amulets.

Pra Somdej Putta Mongkol Maha Lap various sizes in white Pong Solos Powders.

Pra Somdej Putta Mongkol Maha Lap various sizes in white Pong Solos Powders.

Anothjer version of the Pra Somdej Putta Mongkol Maha Lap Nuea Solos

Another version of the Pra Somdej Putta Mongkol Maha Lap Nuea Solos


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One of the rarest and most highly revered and sought after Palad Khik of all Time, the Palad Khik Gae Nuea Mai Paya Ngiw Dam Dong Jarn Mer, of Luang Por Fak, of Wat Nikom Prachasan. Hand carved from sacred Deva inhabited black Ngiw treewood. The Palad Khik of Luang Por Fak is considered amongst the top five Palad Khik of all time, and carries Supreme Eminence in the Thai Collector Scene of the Krueang Rang Category, and for all Devotees of Palad Khik amulets.

Palad Khik Mai Ngiw Dam Dong LP Fak with Hand Spell Inscriptions

Palad Khik Mai Ngiw Dam Dong LP Fak with Hand Spell Inscriptions

Little is known of his Biography or Life before ordination, but it is known that he was the apprentice in Wicha to the great Luang Por Soke (also top 5 Palad Khik Master), and was the4 Kroo Ba Ajarn who taught the Wicha Palad Khik to the Great Luang Por Yid, of Wat Nong Jork. This Palad Khik from Luang Por Fak is in Pristine condition and exquisitely carved in the classic uniquitious curved shape which has come to be a trademark with the Palad Khik of Luang Por Fak.

A hole is drilled through the base of the Palad Khick for threading a cord through and attaching to a waistcord belt, or can alternatively be encased in waterproof casing with pendant hoop for wearing on a neckchain or belt as preferred.

Hole drilled in base of Palad Khik Mai Ngiw Dam Dong LP Fak

Hole drilled in base of Palad Khik Mai Ngiw Dam Dong LP Fak, for threading a cord for attachment to a belt or neckchain  – Hand spell inscriptions can be seen on the surface of the sacred black Paya Ngiw Dam Dong Treewood.

The back of the Palad Khik has three holes where special Muan Sarn is inserted. The body of the the Palad Khik is formed in the clasic curved shape which has become known to be ubiquitous with the Palad Khik of this Master. This exhibit is extremely rare for the hand inscription of the Yant Dan Dta (Yant Dto) on the head of the Palad Khik, which is said to be found on only very rarely.

The Palad Khik of Luang Por Fak are highly renowned for Kong Grapan Chadtri (Invincibility), Klaew Klaad (Evasion of Deadly Accidents), Metta Maha Niyom n(Mercy Charm), Kaa Khaay (Selling Power), and Lai Phuudt Phii Pisaj (Chase Demons and Ghosts Away).

3 Muan Sarn Inserts in the Palad Khik Mai Ngiw Dam Dong LP Fak

3 Muan Sarn Inserts in the Palad Khik Mai Ngiw Dam Dong LP Fak

The Palad Khik is empowered with the Kata; NA HI HA HU JA CHA DAN DTA
And the Kata Hua Jai Taw Waes Suwan “WAE SA PU SA”, and the Kata Hua Jai Ittijae for Metta Maha Sanaeh “I TA KA MA”, as well as the Kata Hua Jai Metta Karaniya Sutta “AE DTANG SA DTING”, topped off with the Hua Jai Maha Ud “UT TANG AD TO”.

 

11 Kinds of Blessings are included within the Magic of the Palad Khik’s Wicha; 1. Sleep peacefully, 2. Awaken with Happiness, 3. Protection against all Deadly Weaponry, 4. Immunity to Poisons, 5. Mercy Charm, 6. Good Business and Wealth Increase, 7. Convincing Speech, 8. Ward off Evil Spirits and Ghosts, 9. Improve Karma, 10. Protect Household and Property, 11. Increase Popularity & Chances of Promotion.

Palad Khik Mai Ngiw Dam Dong LP Fak

Palad Khik Mai Ngiw Dam Dong LP Fak

The Palad Khik is an Ancient Wicha, whose development can be traced right back to the Vedic Brahman Occult practices of Thousands of Years ago. Palad Khik amulets must be empowered by the repetition of incantations, which Thais call ‘Kata Bucha’, derived from the Devanagari ‘ghata poojah’. The incantations depend on the creator’s lineage in each school of traditional non-Buddhist animist magic.

Kata Bucha Palad Khik

Ganha Neha Na Ma Pa Ta

or

Ja Pa Ga Sa Na Mo Put Taa Ya Gan Ha Nae Ha Na Ma Pa Ta

or

Om Siwaling Sabbha Metta Sabbha Pokaa Sabbha Laapo Sabbha Tanaa, Sabbha Yasa, Sabbha Pranee Sabbha Mangalaani Bhavantume.

 

or

Om Laluay Mahaa Laluay Samsip Sorng Hee Hae Hom Lorm Dtorm Kuay Khor Hai Guu Ram Ruay Pro Hua Kuay An Nii Da Daa Di Dii Duu Dii Hee Maa Kuay Maa Burut Maa Dii Sadtrii Mii Maa Swaa Home

 

chant any one, or all of the Kata 3 times holding the Palad Khik before wearing


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Rian Glom Lek 2505 BE Por Tan Klai Wajasit (2)

Presenting a tiny but powerful and rare classic amulet from one of the Great Khao Or Masters of the 20th Century, Rian Glom Lek Hlang Chedi 2505 BE Nuea Tong Daeng Miniature Guru Monk Coin Por Tan Klai Wajasit

This Sacred amulet of the Great Khao Or Master of Nakorn Sri Tammarat, Master of Wat San Khan and Wat Pratat Noi, is a very rare amulet from Por Tan Klai’s 2505 BE Blessing Ceremony Edition, and is considered a ‘Jaek mae Krua’ type amulet (meaning ‘give to the kitchen maids and temple helpers’), which is suitable not only for men, but due to its miniature size, a perfect amulet for ladies or children to wear.

Rian Glom Lek 2505 BE Por Tan Klai Wajasit

Rian Glom Lek 2505 BE Por Tan Klai Wajasit Wat Suan Khan

The 2505 BE edition of amulets of Por Tan Klai, is a highly preferred edition, which saw his famous ‘Rian Glom’ round Monk coin amulet with Chakra released, The Rian Glom Lek Hlang Chedi, and the Roop Tai Por Tan Klai Guru Monk Blesséd Photographamulets such as look om chan hmak and ya sen tobacco balls, and sacred powder amulets of various models.


A very rare and highly prized amulet for the devotees of Por Tan Klai to associate with his image and pray to him with a blessed image of the Guru, and the Chedi Relic Stupa on rear face for Buddhanussati and Marananussati. A powerful and Sacred amulet which has passed through the hands of the Guru and been blessed by him.

Por Tan Klai was one of the Top Guru Master Monks of the Last Century, and is considered one of the Four Great Masters of the Previous Generation of Lineage Masters of the Khao Or Southern Sorcery Lineage.

Kata Bucha Por Tan Klai

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A Powerful Gurunussati Type Amulet, the Sacred Roop Tai Ad Grajok ‘mirror press’ version Olden Days Photograph of, the Great Guru Master Luang Por Opasi, Legendary Miracle Monk of of Asrom Bang Mot released in the year 2507 BE.

Roop Tai (Photos) were and still are one of the most direct ways in which a Devotee can connect with and revere to receive blessings from a chosen Guru master, and are a highly favored type of Sacred Amulet with Thai Buddhist People. Original Photos blessed by the olden days masters are of course also very rare and original. This photograph is double sided (Ad Grajok), and features the image of Luang Por Opasi standing on a pedestal with his hands raised in prayer, during the Ngan Piti Song Nam Luang Por Opasi bathing ceremony of 2507 BE at Asrom Bang Mot.

Roop Tai (Photos) were and still are one of the most direct ways in which a Devotee can connect with and revere to receive blessings from a chosen Guru master, and are a highly favored type of Sacred Amulet with Thai Buddhist People. Original Photos blessed by the olden days masters are of course also very rare and original.

Luang Por Opasi was born in 2441 BE, in Nakorn Sri Tammarat, but was taken and placed in charge of the Sangkaracha at the Royal Temple of Wat Bowornives in Bangkok, where he remained studying and was finally ordained as a full Bhikkhu, in 2461 BE at the age of 20, at Wat Bovornives.

He was ordained by the Sangkaracha Monk himself, as his Upachaya (Ordaining Officer). He studied Pali and Dhamma to reach the academic level of Prayoke 5, and then turned to study and practice Wicha Akom (Buddha Magic and Sorcery). He continued on there to attain his completion of Dhamma Studies and develop all facets of his practice, and finally, after 20 years serving at Wat Bowornives, he decided to begin Tudong Solitary Forest Wandering.

He spent the next 20 years wandering and learning Wicha with various Guru Masters throughout this time. One of the masters he spent the most time with to absorb the methods of empowerment and formulas, was Luang Por Gop, of Wat Khao Sariga in Nakorn Nayok. He spent a long time with this Master in order to develop the special abilities of Dtecho Kasin (Fire Kasina), and to stare at the flames and meditate to vanquish the restless mind, and to overcome material attachment.

Part of this practice, was to burn any possessions or material offerings given in the fire, and to watch them burn, until the Kilesa (selfish instinct and desires and attachments) cease to arise within the heart. After mastering his own heart, he returned to Wat Bowornives. But after some time, with his practice of burning all thing he was given, except the four requisites of food, medicine, clothing and lodging necessities, began to cause devotees to begin to travel from far and wide to pay reverence to Luang Por Opasi at Wat Bowornives, and this seemed unfitting to Luang Por Opasi, who did not wish to attract attention

Below; front cover of Amulets of LP Opasi Encyclopaedic Catalog

Amulets of LP Opasi Encyclopaedic Catalog

So he decided it was time to leave Wat Bowornives, and travel on Tudong to go stay at Bang Mot, but this was to no avail, because the devotees just followed after him to Bang Mot, and slowly but surely he was receiving many devotees again. The local folk of Bang Mot had also become very faifhtful devotees of Luang Por Opasi, and had built a small Samnak Songk (name of a Buddhist Forest Ashram before it becomes officially a registered temple) for Luang Por to reside in permanently.

From then on, Luang Por remained at Asrom Bang Mot, and developed it into a fully fledged temple, with his fold of devotees ranging from the poorest farmer, to the richest noble, all of whome came to give alms and watch those gifts which were not of the 4 requisites be burned in Luang Por Opasi’s fire. Everybody who came to have material possessions burned in the fire, would experience great wealthy fortunes thereafter, and the legend of Luang Por Opasi’s Powers began to circulate.

Luang Por Opasi was also very famous for his ability to appear in more than one place at the same time, and be seen by witnesses in both places. There is a Legend of a visit to India where Luang Por Opasi was supposed to appear, and he sent his two apprentice monks to travel ahead, saying he would appear there later.

In 2499 BE (1955), LP Opasi and two of his disciples where invited to a Buddhist gathering in India to be held from October 28. LP Opasi called to his two disciples to leave before him and that he would join them later. He also told them that he will not be on the spot before October 31 and to warn the organizers of his delay and the date of its arrival. October 31 many of his disciples went to the airport to wish LP Opasi a happy voyage, but it did not come, a few days later the death of LP Opasi was announced.

In fact, in the evening, LP Opasi warned his monks that he was going to remain in meditation several days and to not disturb him under any circumstance, then he went in his Kuti. He stayed there until a anxious monk decides to go and see whether LP Opasi were well or not, he enters the Kuti to find LP Opasi in a state having all the aspect of death.

During this time, in India, the two disciples of LP Opasi attended the Buddhist gathering in company of LP Opasi. Luang Por Opasi spoke with many other Buddhists dignitaries and gave even a state education in front of several hundreds of people, even photos of this occasion has being taken. LP Opasi said goodbye to its two disciples, and told them that he was going to return to Thailand only by separate means of transport.

Luang Por Opasi Mendicant Monk

When they arrived the disciples had a hard time believing the news of LP Opasis Passing Away, everyone believed that they had become insane when they said to have spent the last days in his company… Only the testimony of several other monks present and the photographs in India of LP Opasi proved the veracity of their incredible history.

 

Each year the coffin of LP Opasi is opened, his body has not decomposed and his finger nails and hair is cut. This is a common thing regarding monks that have become enlightened, The body will not decompose or if the body is burned the bones will turn to stone or diamond.

(extra info: The great master of Sak Yant Luang Por Phern (Wat Bang Pra) was a student of Luang Por Opasi)

Luang Por Opasi Kata for Chanting;

Ithisukhathoe Arahang Puttoe Namoe Puttaaya Bpatawee Kongkaa Phrapoom Taewaa Khamaamihang

Prakam 108 Met Nuea Mai Saksit Dtid Rian Kroo Ba Gaew 2520 BE – a Sacred wooden bead Blessėd Rosary with Guru Monk coin, from the great Lanna Monk, Kroo Ba Gaew Sutto, of Wat Doi Mokkhala, in Chiang Mai. Serm Duang (Good Karma) Maha Mongkol (Auspicious Blessings), Klaew Klaad (Evade Dangers), Maha Lap (Lucky Fortunes)

The rosary has a 2520 BE Rian Roop Muean Guru Monk Coin with the image of Kroo Ba Gaew gazing sideways on the front face, and a Sacred Nam Tao Yantra with Khom Agkhara on the rear face. A highly recommendable item for Buddhanussati and Gurunussati, Meditation, Prayer Counting, Protection and Mercy Charm. Wear as a necklace with amulet of the Guru. and use for counting your prayers and Kata Chants.

Luang Phu Kroo Ba Gaew was trained in his early ordination under the lineage of Luang Phu Mun Puritatto, and is one of the great Kroo Ba Ajarn of the Northern Lanna Region, who was a very close companion of the Great Luang Phu Hwaen Sujjino, of Wat Doi Mae Pang.

 

Luang Phu Kroo Ba Gaew has somewhat of a mysterious past, because his biography was never officially documented, and Kroo Ba Gaew himself was not prone to talk about himself very much. This of course common with High Arya Sangha who have practiced and attained inner peace, and is in itself a sign of great attainments. Sadly however, this results in little being known about his early life as a monk in the lineage of Luang Phu Mun, leaving us with only a partial knowledge of his Biography.

 

But the miracles of this Great Monk have been told and retold over many decades, and by word of mouth, Kroo Ba Gaew became a Great Kroo Ba Ajarn of the region, on the merits of Miracles made. It is said, that once during the time Kroo Ba Gaew was still living, a Naga Serpent came up from the underworld near the temple, and was run over by a truck as it slithered across the road, and was hurt. The Naga crawled up to the temple and called Luang Phu Kroo Ba Gaew to come out and heal him with holy water.

Another famous legend is the tale of the three Buddha images in the Mae Nam Ping river, which were embedded in the stream. Luang Phu Kroo Ba Gaew performed a ceremony to invite them to rise up from the waters to perform miracles for humanity, and come to reside at the temple.

 

The statues rose up from the depths and were able to be transported to the temple, where they reside to this day. It is said these Buddhas can make the rain fall in the proper season to make the crops grow, which is a matter of life and death from many farming communities in the region. The Buddhas are hence extremely sacred for the local devotees, and Kroo Ba Gaew’s miracle of calling them, is perhaps his most famous legend.

 

Luang Phu Kroo Ba Gaew’s amulets are extremely rare, because he never ever really focused on making amulets of many kinds. he would only release mainly Buddhist amulets such as his monk coins, and ‘Roop Tai’ blessėd monk photos, and items of reverence and practice such as the Prakam Saksit Blessėd Rosary. Devotees of Kroo Ba Gaew like to wear his rosaries with one of his coin amulets attached for prayer and protection of the Guru. HIs devotees are very reluctant to part with their amulets of Luang Phu Kroo Ba Gaew, for they believe them to possess very powerful protection, and bring auspicious blessings.

 

The Wongarn Pra Krueang Lanna Northern Amulet Appreciation Society have registered the pantheon of amulets of Kroo Ba Gaew as residing within the Dtamrap Pra Krueang Lanna Yord Niyom ‘Top List of Most Preferred Amulets of the Lanna Region’.

Use the Traditional Thai Buddhist Method for Bucha;

1. Chant Maha Namasakara (3 Times)

2. Chant the Trai Soranakom (3 Times)

3. Chant Kata Aaraatanaa Pra Krueang (3 Times)

Kata Maha Namasakara

Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa

Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa

Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa

 

Trai Soranakom

Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tudtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tudtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tudtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Dtadtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Dtadtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Dtadtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

 

Kata Aaraatana Pra Krueang

Puttang Aaraatanaanang

Tammang Aaraatanaanang

Sangkang Aaraatanaanang

Puttang Prasittimae

Tammang Prasittimae

Sangkang Prasittimae

 

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Rian Mangorn Koo Luang Phu Hmun Wat Ban Jan

A pristinely kept and extremely rare Rian Mangorn Koo Nuea Nava Loha Pim Pised Dtok Sorng Code Ma Wat Pha Nong Lom Run Sao Ha Maha Sethee 5th Lunar Saturday Blessing Ceremony Edition Guru Monk Coin, released in 2543 BE, to raise funds for the Kuti Songk Monks Huts and improve the facilities at the temple of Wat Pha Nong Lom.

Rian Mangorn Koo Nava Loha Solid Gold Casing LP Moon

Rian Mangorn Koo Nava Loha Solid Gold Casing LP Moon

This model of Rian Mangorn Koo twin dragons Monk Coin is a very rare Pim Pised (Niyom preferred) and differs from the majority of Rian Mangorn Koo Wat Pha Nong Lom Edition coins in Nava Loha, because of the double code MA stamp. Most coins of the Nava Loha series made for Wat Pha Nong Lom have only a single code Ma Stamp (on the Sangkati chest sash of the robe of Luang Phu), and only the Pim Pised special models received double code stamps. Only very few (unknown number) were distributed with double code stamp, making this not only a sacred, powerful master class amulet, but also a rare collectors piece.

Rian Mangorn Koo Solid Gold Casing Nava Loaha Code Ma x 2 LP Hmun Wat Ban Jan

Rian Mangorn Koo Solid Gold Casing Nava Loha 2543 BE Code Ma x 2 LP Hmun Wat Ban Jan

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The Rian Mangorn Koo of Luang Phu Hmun is, as are all of his amulets, known for the power of Jaroen Lap Wealth Increasement, and Lucky Fortunes, as well as for their Miraculous Protective Powers. Those born in the year of the dragon love to Bucha this amulet especially, for the obvious reason of the double dragon guardians.

Rian Mangorn Koo Magazine Entry featuring single code Ma Tong Daeng Version

Rian Mangorn Koo Magazine Entry featuring single code Ma Tong Daeng Version

For those with lower budgets, who seek power above collectability and rarity, we recommend to seek the Rian Mangorn Nuea Tong Daeng or Nava Loha single Code Ma, of the same edition, which carries a lower price than this special Nava Loha Pim Pised Gammagarn double code collectors edition model.

Rian Mangorn Koo Magazine Entry featuring the rare double code Ma Nava Loha Version

Rian Mangorn Koo Magazine Entry featuring the rare double code Ma Nava Loha Version

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Pra Khun Phaen Song Pol Yai Fak Kru No 1000 Luang Phu Tim

Khun Phaen Prai Kumarn Pim Song Pol Yai Takrut Koo No.1000 with Authenticity Certificate Silver Casing Luang Phu Tim. This amulet is one of a batch which was placed in Kru Burial Chamber (Hence ‘Pra Kroo’), and has Kraap Kru midlew, adding to its beauty and sacredness. The Song Pol Yai is said to possess powerful Serm Yos Magic to increase chances of promotion of status.

This amulet (Official registry number #1000) comes with certificate of authenticity from the November Amulet competition of the Luead Ban Kaay Luang Phu Tim amulet association, which we will send with the amulet for you to keep, This Pim Song Pol Yai Long Kru was made both with single Takrut Maha Bpraab, and with twin Takrut Koo Sariga version. This exhibit has a Takrut sariga Koo twin Takrut inserted in rear face.

A most exquisitely beautiful Pra Khun Phaen Prai Kumarn Pim Song Pol Yai (Fak Kru – hidden in burial chamber), in Nuea Khaw Hniaw Sukh Pasom Pong Prai Kumarn Long Sai Rae Tong, with twin Takrut Koo Sariga in rear face, by Luang Phu Tim, of Wat Laharn Rai. This Pra Khun Phaen has been authenticated and issued with Certificate of Authenticity from the Samakom Pra Krieang Luang Phu Tim Luead Ban Kaay Amulet Association of Rayong, with signature of its President Dr. Pisek.

This exhibit has Kraap Kru from dwelling for years within a hiding place Kru Chamber, with highly refined details and features, and worthy of show and is accepted for presentation in many official competitions, such as the Glum Anuraks Pra Krueang Luang Phu Tim Luead Ban Kaay, of Rayong, which is headed by Ajarn Doctor Pisek Sri Sawad, top expert of Luang Phu Tim amulets, and President of the Luead Ban Kaay Amulet appreciation society.


Roop Lor Mae Chee Bun Ruean 2521 BE Dtok Code Niyom With Casing Blessed by Luang Phu To at Wat Awut

An extremely rare limited edition Pim Niyom amulet that is seldomly seen, the Sacred Roop Lor Loi Ongk Statuette in Nuea Rae Maekasit alchemical meta alloy, with the image of the Great Thai Buddhist Nun, Mae Chee Bun Ruean, of Wat Awut and Wat Sarnath.

Mae Chee Bun Ruean was famous for her ‘Pra Putto Noi’ amulet, Thung Khiaw Hniaw Sap treasure pouches, and Khaw Dtok Pra Ruang Sacred Elements. Her amulets and those in her image enjoy immense reverence with Buddhist Folk of every Province in Thailand, for her great healing powers and her Merits made for Buddism, and her meditative prowess and teachings.

Mae Chee Bun Ruean Amulet Loi Ongk Statuette Wat Awut

Mae Chee Bun Ruean Amulet Loi Ongk Statuette Wat Awut

The Roop Lor is made from Nuea Maekasit, a special magical alloy forged using metallurgy and alchemy, and was blessed in 2521 BE at Wat Awut, with the Great Luang Phu To of Wat Pradoo Chimplee presiding over the Blessing ceremony and empowerment.

It is worthy for students of amulets to note, than a later edition of the Roop Lor Mae Chee Bun Ruean was also famously released in the year 2532 BE with Luang Phu Buddha Thanawaro performing blessings. the 2521 BE and 2532 BE editions asre noticeably different by the fact that the later 2532 BE edition had Muan Sarn Sacred Powders filling in the base of the Loi Ongk Statuette.

Close Ups of the Mae Chee Bun Ruean Loi Ongk Statuette

Close Ups of the Mae Chee Bun Ruean Loi Ongk Statuette

Nuea Maekasit is obtained by Alchemically smelting Iron Artifacts, with Mercury as the main base Magical ingredient, and performing Elemental Invocations until the structure of the metal changes, and becomes a sacred Metal of Alchemical Nature. Alchemy and Metallurgy are combined here as one facet of the various aspects of empowerment of the amulet. The Maekasit and Maekapat Sacred Alchemical Metals are not only especially apt for channelling Magical Forces.

This is only possible with metals which will usually not smelt, by the use of Incantation and Meditative Prowess, as well as Metallurgical expertise and experience in this Wicha, because the turning point must be held at a precise temperature, along with the proper incantations, which must be performed simultaneously as the separate substances melt and are forged into one substance. The resulting alchemical alloy may take on any of a number of colour tones, depending on the formula of Kaya Siddhi substances used, and the nature of the Magic. Colours can range from matt black, silvered, rusty red, to bluebottle blue and greenbottle green, silver, and even golden and purple, much like Lek Lai Kaya Siddhi Adamantine Substance.

Mae Chee Bun Ruean is perhaps the most famous of Thai Buddhist Nuns, which is underlined by the fact that a Buddhist Nun made such great impression and influence in the Thai Buddhist religion is a statement in itself of her great merits to propagate and preserve the Buddha’s teachings, and to lead her devotees towards the true path of practice.

The Roop lor is made from cast alchemical iron alloy with blackened finish, with series edition code stamp on the rear side of the image, and is hence a preferred pim, which devotees prefer above those versions with no code stamp.


Who was Mae Chee Bun Ruean?


Kun Mae Chee Bun Ruean was a Buddhist Nun whose purity of practice was so exemplary that she became a Buddhist master in her own right in Thailands Theravada tradition, which is highly unusual and a difficult task to acheive, in a Tradition where women are not permitted to ordain as a Bhikkhuni, and must remain in white as a Karavasa Holder of Precepts.

Mae Chee Bun Ruean Thai Buddhist Nun

Despite these disadvantages, her great practice, Metta (Compassion) and her teachings, and Charitable Works for Buddhism, brought her to become the most highly beloved Buddhist Nun in the History of Thai Buddhism. She was known to practice and listen to the Dhamma mostly at Wat Sampant Wongs in Bangkok.

Her most famous amulet is of course the ‘Pra Putto Noi’ amulet, which was made in various kinds of sacred powder clay. The most popular model being the ‘Pim Jumbo’ large size model, in its white powder version.

Pra Putto Noi Mae Chee Bun Ruean

Pra Putto Noi Mae Chee Bun Ruean

The Pra Putto Noi was created in the year 2494 BE, with the Mae Chee Bun Ruean as the Organiser of the raising of the funds for their making and the Charitable Acts which were planned from the funds. The Pra Putto Noi amulet in its Pim Niyom model, if in pristine state, can fetch tens of thousands of dollars in the high end auction rooms of the Sian Pra Niyom.

Luckily there were many models, and some are still affordable in this time, but they are very far and few to discover for collection. The devotees who wear her amulets walk confidently in faith of the Metta Maha Niyom and Serm Duang Klaew Klaad Powers, and healing effects of the amulets of Kun mae Chee Bun Ruean. Devotees would rub the powders ointment onto giant centipede and snake bites and infected wounds, to heal them.

Her amulets are said to heal illnesses and to improve Karma. They are believed to be full of Puttakun Power to bring auspicious blessings and prosperity, because of Mae Chee Bun Ruean’s life of charitable acts, and her practice of great generosity. They are full of Metta Maha Niyom from Mae Chee Bun Ruean’s Equal treatment and Loving Compassion for all of her devotees regardless of their social or financial status. All were treated with the same Metta.

Her purity is believed to have made the amulets she created to be so powerful, and caused her Pra Putto Noi and other amulets to be extremely sought after amulets. She blessed the amulets in 2494 BE, with a ceremonial prayer for the Welfare of the Temple of Wat Awut, in Thonburi. The aim of the funds raised from the edition was to construct the Pra Putto Paas Chinarat Jom Muni, as the ‘Pra Pratan’ Main presiding Buddha Image of the Uposatha Shrineroom at Wat Sarnath Dhammaram temple, in Rayong.

She bestowed permission to Pra Ajarn Sanguan Kosago, the Abbot of Wat Awut Wikasitaram, who had already collaborated in the making of the Pra Putto Noi Amulets which were previously distributed during the Tord Pha Pha robe donation ceremony. Ma Chee Bun ruean also made extra batches to donate to the Monks at Wat Sampant Wongs, for them to give to their devotees who came to make merits.

Apart from the Pra Putto Noi amulet, Kun Mae Chee Bun Ruean made various other amulets which are also in extremely high regard for their Sacredness, such as the Pra Chaiyawat Putto Brass Votive Tablet of 2499 BE, and the Rian Pra Putto Jom Muni coin of the Pra Putto Yai Statue Installation Ceremony of 2499 BE.

Mae Chee Bun Ruean

Another very popular ‘Krueang Rang’ Talismanic Charm of Mae Chee Bun Ruean was the ‘Thung Hniaw Sap” treasure glue purse (lucky purse to attract treasures and money like glue sticks to paper), made in 2497 BE. The treasure purse was made in various colours; white, blue, yellow, pink, red, black, and with various styles and designs. Som were made from sack cloth, others from fine cloths, some were large others small purses. The closures of the purses were also varied, ranging from zip to string closures.

 

Mae Chee Bun Ruean empowered the Thung Khiaw Hniaw Sap treasure attractor purses at the temple of the Buddha Footprint at Wat Pra Puttabat, in Sra Buri, where they were blessed in a large Buddha Abhiseka ceremony and released in early 2488 BE. Some purses actually had something inside of them, and others didn’t. The purses are reputed for their Maha Pokasap power to increase wealth and professional success, but have also gained a reputation for powerful healing and protection powers too.

 

Kata Bucha

Na Chā Lī Dti Chimpalī Ja Mahā Thērō Suwana Mā Mā Pō Chana Mā Mā Pōka Mā Mā Mahā Lāpō Mā Mā Sappē Chanā Pahū Chanā Pawandtumē

The Kata is said to have been transmitted to Mae Chee Bun Ruean in Meditation from the God Indra, to pay reverence to the Chimplee Arahant (Pra Sivali), in order to bring Maha Lap Lucky Fortunes, Maha Choke, Lucky Windfalls, and Maha Pokasap Treasures.

For Auspicious Blessings, the Kata should be chanted on any Sunday that falls on the 6th day of the month, any Monday falling on the 15th of any Month, Tuesdays which fall on the 8th day of any Month, Wednesdays which fall on the 17th of any Month, Thursdays which fall on the 19th of any Month, Fridays which fall on the 12th day of any Month , and Saturdays which fall on the 10th day of any Month.


Rian Luang Phu Hmun Ngern Ngern Tong

Rian Hmun Ngern Hmun Tong Prakam 18 Met Pim Niyom Lai Mai Mee Pod Block Hnaa Bow Lek Code Ma Nuea Tong Daeng Rom Dam Luang Phu Hmun Tidtasilō Special Limited Edition 2542 BE Edition Pra Niyom class amulet of the Great Luang Phu Hmun (Moon), with code ‘Ma’ stamp, in Bow Lek Block Hnaa Block press Preferred model. The front face of the coin features the image of Luang Phu Hmun Tidtasīlō in ‘Kreung Ongk’ Cameo Bust/Half Torso), with a Bow Ribbon underneath. The ‘Ma’ code stamp in Khom Agkhara is embossed into the face of the amulet to the side of Luang Phu’s right shoulder.

This Pim (model) is a Pim Niyom Lai Mai Mee Pod (no mole on the shoulder) preferred model, and is a Pim Bow Lek (small bow), which is defined and differentiated from the Pim Bow Yai, by the fact that the flares of the ribbon are smaller and do not touch the edges of the borders of the coin, as is the case in the Pim Bow Yai. The Block Prakam 19 Met Pim were pressed using the Block Hnaa (thick block press), whereas the Block Prakam 18 Met were pressed using both the Block Hnaa thick block press and the Block Bang thin block press.

Rian Luang Phu Hmun Ngern Ngern Tong Nuea Tong Daeng

 

The Rian Roop Muean Hmun Ngern Hmun Tong Luang Phu Hmun amulet, is one of the top Guru Monk Coins of the pantheon of this Great Master Monk, featured in encyclopaedic catalogues of his Pra Niyom (Preferred Class) amulets. The Rian Hmun Ngern Hmun Tong is a ‘Rian Glom‘ round style shape Guru Monk Coin amulet, measuring 3 Cm in Diameter. The amulet is in Nuea Tong Daeng Rom Dam. The rear face bears a treasure sack with the words ‘Hmun Ngern Hmun Tong 999 Larn’ meaning ‘multiply silver and gold to become 999 millions’

The Rian Hmun Ngern Hmun Tong of Luang Phu Hmun was made in various Design Block Presses, and in thicker and thinner version Block Presses. Firstly we should list the Rian Hmun Ngern Hmun Tong Prakam 19 Met (nineteen rosary beads visible on the monk’s robe), and the Rian Hmun Ngern Hmun Tong Prakam 18 Met (eighteen rosary beads on the monk’s robe).

Luang Phu Hmun Wat Ban Jan

The Rian Hmun Ngern Hmun Tong Block Hnaa 18 Met is a top preferred amulet of Luang Phu Hmun Tidtasīlō, which was blessed in the Pra Kring Jaroen Lap Edition Blessing Ceremony, and which gained great fame due to a multitude of reports of miraculous successes and life saving miracles from devotees who wore the amulet, making it one of the great popular amulets of all time of Luang Phu Hmun, for miraculous powers.

This series of amulets were placed for blessing in the same Buddha Abhiseka Ceremony held for the ‘Jaroen Lap’ edition, with not only Luang Phu Hmun present to perform empowerment and blessings, but also a number of other Great Master Monks.

The Piti Tae Tong Casting was performed on the 30th October 2542 BE, The Buddha Abhiseka Blessing for the amulets was performed on the 31st October in the year 2542 BE at Wat Ban Jan with Meditative Empowerment.

Below; 18 rosary beads visible make this Pim a Pim prakam 18 Met model

Rian Luang Phu Hmun Ngern Ngern Tong Prakam 18 Met

Close Up detail of the 18 Rosary beads of the Rian Luang Phu Hmun Ngern Ngern Tong Pim Prakam 18 Met Lai Mai Mee Pod Niyom Preferred master Class Amulet

The Edition included the following amulets;

Roop Lor Loi Ongk Tong Hlueang Rom Dam – Loi Ongk Statuette in Sacred Brass with blackened finish

Pra Pong Roop Muean Nang Dtang – Muan Sarn Sacred Powders amulet

Pra Pong Pid Ta – Muan Sarn Sacred Powders amulet

Rian Hmun Ngern Hmun Tong Guru Monk Coin (Made in Nuea Ngern and Nuea Tong Daeng/Tong Daeng Rom Dam Prakam 19 Met, with a very few made attached to 7 coloured cord with Takrut, and in Nuea Tong daeng/Tong Daeng Rom Dam 18 Met). Very few solid gold coins were made to order, with 500 coins madse in Nuea Ngern (silver), and 10,000 coins were made in Nuea Tong Daeng (plus a few extra made for attachment to 7 coloured cord with Takrut which were not counted).

Thung Pokasap Jaroen Lap 999 Larn Treasure Purse

Pra Somdej Hlang Yant Hmeuk Run Raek – First edition Somdej Muan Sarn Sacred Powders amulet with ink stamp on rear face

Rian Arm Narai Song Krut Guru Monk Shield Coin amulet with Vishnu Avatar Riding Garuda Bird on rear face. Of a total of 10,000 amulets pressed and cast, 2000 of them were given the special code ‘Ma’ limited edition stamp for special release after a second blessing ceremony at Wat Nong Lom. 7500 Coins were given the code ‘Na’ stamp and released at Wat Sutat temple, and a further 500 coins were not given any code stamp at all (for release directly at Wat Ban Jan).

Below; news article about the Jaroen Lap edition (105 years Luang Phu Hmun), with the Rian Narai Song Krut visibly included.

Below; Cover of Encyclopaedic Catalog of the Amulets of Luang Phu Hmun, and below it, the inclusion of various Pim of the his amazing Amulets gracing its pages, including the Rian Hmun Ngern Hmun Tong, and the Rian Arm Hlang Narai.

Rian Hmun Ngern Hmun Tong 18 Met Luang Phu Hmun Nuea Tong Daeng

Rian Hmun Ngern Hmun Tong 18 Met Luang Phu Hmun Nuea Tong Daeng

Rian Hmun Ngern Hmun Tong 19 Met Luang Phu Hmun Nuea Tong Daeng

Luang Phu Hmun was a Maha Thaera Guru Monk of great age and who recieved Great reverence and Respect from the people of Tambon Jan for his Diligence and Purity in practicing the Vinaya as a Buddhist Monk. His predictions and instructions for ceremonial empowerment of amulets after his physical death, have been followed to the letter since his passing, for he gave special instructions to inform as to when and how he would return with his spiritual presence to empower amulets posthumously.

His Miracle Powers are Legendary, with so many stories of Miraculous events related to this Monk, who has seen the Reign of Five Kings in his Lifetime. Luang Phu Hmun’s amulets are now very hard to come across.

Below; Jaroen Lap Amulets of Luang Phu Hmun in the news

His amulets are becoming very rare, and prices have risen constantly since his passing, snapped up by the inner circle of devotees and collectors, who know about the attainments of this Monk, and that there are severe reasons to believe that he may have been an Arahant. His amulets are eminent members in the annals of the Classics.

Kam Ārātanā Buchā Luang Phu Hmun Tidtasīlō

Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa

Luang Phu Hmun Tidtasīlō Ma A U Luang Phu Hmun Tidtasīlō U A Ma

Kata Bucha Luang Phu Hmun

Dtua Gū Lūk Pra Putta Ongk Krū Sit Tudong Ong Āj Mai Bpramāt Krū Pob Roi Gom Dū Jer Krū Grāb Hwai

The word ‘Hmun’ means to turn and increase (revolve). Luang Phu Hmun always foretold that those who Bucha his amulets, would turn their luck and fortunes around, and increase their Business Success. He also foretold that those who Bucha his amulets will be protected from ‘Dtaay Hoeng (premature deadly accidents), and that the Devas will Protect the wearer of his amulets.



Rian Hmun Ngern Hmun Tong Wat Ban Jan 2560 BE

Rian Hmun Ngern Hmun Tong Wat Ban Jan 2560 BE

Luang Phu Hmun is renowned for having stated some Mysterious things;

Dtua Gū Bpen 1 Bor Bpen 2 Nai Phaen Din Nī (there is only one of me in this land)

Dtua Gū Bpen Hlek (i am made of iron)

Dtab Gū Bpen Tong Daeng (my liver is made of copper)

Phao Dtua Gū Bor Mī Hmai (in cremation, my body will not burn).

Bucha to Luang Phu Hmun should be performed on a Thursday, and should include offerings of; 16 Incense stick, 2 candles (lit), white flowers, or one puang malai garland. Hmak Plū Betel-Areca Nut with chewing paste (5 or 16 portions), a glass of sweet drink such as fizzy drinks, one roasted catfish, some rice or sticky rice, or fermented rice, or even steamed rice pudding.

 

This amulet is an extreme rarity and is in pristine condition and highly eligible for show in competition. Considered extremely powerful protection and prosperity magic from this legendary miracle monk, and one of the most well known amulets of his pantheon. A true Pra Niyom amulet of Master Class, for devotees and aficionados of Luang Phu Hmun Tidtasīlo’s amulets, to treasure and wear with confidence of safety and good fortune.




Pra Gleep Bua Amulet with Yant Trinisinghae Luang Phu To Wat Pradoo Chimplee

The Pra Pratan Gleep Bua Hlang Yant Trinisinghae Muan Sarn Sacred Powders amulet, was released after Buddha Abhiseka Blessing Ceremony at Wat Pradoo Chimplee in the year 2521 BE, blessed by the Great Luang Phu To who presided over the Grand Blessing Ceremony. This edition recieved 3 months of immersion in Holy Prayer Water with blessings from Luang Phu To throughout the whole Trimester. This model is rare for being in the much rarer Pong Gesorn Gae ANam Man oily pollens sacred clay.

The amulet was released in two ‘Pim’ (versions); Pim Yai (large, 22,875 amulets made), and Pim Lek (small, 20,805 amulets made). This amulet is in perfect condition, without any flaws or wear and tear, making it very eligible for show in competition.

This amulet is considered to be one of the more easily reachable (affordable) amulets of the Pantheon of Famous Classics, and is very popular amulet with middle and upper middle-class devotees of Luang Phu To, who seek an authentically blessed amulet of esteem and respectable value from this master, but that won’t necessarily cost them the deeds to their house to be able to afford.  The Sacred Yant Trinisinghae is Embossed on the rear face of the Amulet for Metta Mahaniyom and Maha Lap Blessings.

The amulet is a Pim Yai large version measuring 3.5 x 2.5 Cm,, and is in pristine condition. The Muan Sarn Sacred Powders are made from Puttakun Yantra Powders of Luang Phu To, with Gesorn Pollens and Incenses. The powerful magic and spellcasting abilities of Luang Phu To are of course one of the major influential factors as to why his amulets have become such priceless Masterpieces, and his special Muan Sarn Sacred Powders are another highly influential aspect of their popularity and fame. The Yant Trinisinghae was often inscribed on Yantra foils for devotees who would bring a foil with them and Luang Phu would inscribe it. The devotees would then take the foil home for Bucha, or roll it into a Takrut to wear as an amulet.

This Yantra was first used on the rear face of an official amulet edition, with the first edition Rian Run Raek Guru Monk Coins. The Yant Trinisinghae is not only powerful for Maha Lap and Serm Duang (improve fate and destiny), but also for being highly effective against Black Magick, Ghosts and Demons.

Luang Phu To is said to have been able to grab the Sincana cord which monks use to attach to amulets in blessing ceremonies, and sense immediately which monks along the line of the Sincana cords had psychic powers, and which ones didn’t. Luang Phu To Wat Pradoo Chimplee performing Nang Prok Meditation for Empowerment of Amulets

Luang Phu To of Wat Pradoo Chimplee, Empowering Amulets

Luang Phu To of Wat Pradoo Chimplee, Empowering Amulets

Above; Luang Phu To Wat Pradoo Chimplee performing Nang Prok Meditation for Empowerment of Amulets

This resulted in Luang Phu always choosing the best most powerful Masters to invite to attend his empowerment ceremonies to assist in the Blessing of amulets and Buddha Images. Luang Phu To remains to this day one of the top 10 Guru Masters in the recorded History of Thai Buddhist Amulet making, and most certainly one of the top 5 Monks of recent History, on an equal Par with the Great Luang Phu Tim (Wat Laharn Rai).His amulets belong to the Master-Class status category, and carry immense status in the world of the amulet appreciation society, for their Authentic Sacred Power, and the Purity of the Monk who Blessed them.

The amulets of Luang Phu To are famed and revered by devotees around the country and around the whole world, for the proven history of Metta Mahaniyom Maha Lap Klaew Klaad Kaa Khaay power to bless the devotee with lucky fortunes, safety, success and prosperity. Luang Phu To began to make Muan Sarn Sacred Powders amulets first in the year 2470 BE, using the main ingredient of Pong Lob, which is the residue chalks fallen from the inscription of five rounds of 108 Sacred yantra spells, to create five different concentrates of Sacred Powders.

These five powders are of course known as; Pong Bpathamang, Pong Ittijae, Pong Puttakun, Pong Trinisinghae, and Pong Maharach. It is also known that Luang Phu To would use broken up amulets from Wat Plab, and also broken up pieces of Pra Somdej Wat Rakang Kositaram of the great Somdej Pra Puttajarn (Dto) Prohmrangsri, are known to be present within the Muan Sarn Sacred Powders of Luang Phu To’s amulets.

Other Muan Sarn used for the amulets include Pong Puttakun from Por Tan Klai (Wat Hongs, Thonburi), and of course Luang Phu To would bless the amulets in Nam Montr Prayer Water, using a Clay Holy Water bowl in his Kuti Hut, with a Dragon design on the bowl.

He would immerse the amulets in the holy water bowl, and When devotees would donate flowers to Luang Phu, he float the flowers in the prayer water bowl and use the offering to empower the amulets further. This in fact, is one of the reasons that some amulets have different holy water stains on their surfaces than others, due to the different flowers Luang Phu would immerse in the holy water bowl where the amulets were soaking.

Luang Phu would empower the amulets for the time of the Rainy season retreat (3 months), and repeatedly empower and bless them throughout this time. Some amulets were also released without immersion in prayer water. Of the 28,875 Pim Yai amulets made, 10,000 of them were donated to Princess Julaporn, to distribute as a gift to the people who made merits donating to build the Sirirat Hospital.

The Pra Pratan Gleep Bua Pim Yai and Pim Lek amulets are very popular with Devotees, for they are made from precisely the same Muan Sarn Sacred Powders as was used for the Pra Pid Ta Jumbo 2 Traimas Masterclass edition, which can cost up to even 40 times the price of a Pra Pratan Gleep Bua. It is hence obvious why this amulet is such a popular amulet with the devotee of Luang Phu This Votive Tablet is an Absolute Rarity and Eternal Classic, and extremely sought after spiritual item.The perfect choice for aesthetic beauty, spiritual value, and magic power, and top choice for the Serious Collector.

This beautiful amulet is most definitely a very fine acquisition, as a Sacred Votive Tablet of Pra Niyom Preferred Classic Category, that has been well looked after and maintained in its original state, and is a very well-kept amulet, that is worthy of competition entry for its clear features.

Luang Phu To of Wat Pradoo Chimplee was one of the greatest Masters of the Last Century, and a Highly revered Monk around the whole Kingdom of Thailand. he was Respected and revered by His Majesty Our great King, who was a close friend and companion.

Luang Phu To Wat Pradoo Chimplee
This Great Monk achieved his status through his Great deeds and his great Diligence in his Patipatā (Practice of Purity and Renunciation), and in his Great Attainments in Dhamma Pariyatti and Dhamma Patipatā.

Luang Phu To was born on the 27th March 2429 BE in Ban Klong Bang Noi in Samut Prakarn and passed away on 5th March 2524 BE. His many honourable awards of status reflect his great practice and diligence.

Pra Gleep Bua Amulet Hlang Yant Trinisinghae Luang Phu To Wat Pradoo Chimplee

Pra Gleep Bua Amulet Hlang Yant Trinisinghae Luang Phu To Wat Pradoo Chimplee

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Pra Prajam Wan Amulet Luang Phu To Wat Pradoo Chimplee Traimas Edition Bailan Powders

Ancient Amulet Classics  amulet blog series presents The Pra Pim Pra Put Prajam Wan Hlang Yant Trinisinghae Birthday Buddha amulet for your study. The Pra Pong Pim pra Prajam Wan Hlang Yant Trinisinghaem is one more sacred and rare Pim of the pantheon of amulets of Luang Phu To (Wat Pradoo Chimplee), which is very seldom seen, and was part of the 2521 – 2523 BE three year Traimas empowerment ceremony, which came to be Luang Phu To’s most famous blessing ceremony, and which spurned some of the most preferred classic Pra Niyom category amulets within the scene.

The Pra Pim Pra Put Prajam Wan amulet was created by Luang Phu To in the shape of a Bodhi Leaf, inspired by the time he went to India and meditated under the Bodhi tree where the Buddha is said to have become enlightened. only 10,412 amulets were made in two different kinds of Muan Sarn Sacred Powders; Nuea Bailan, and Nuea Gesorn.

Pra Prajam Wan Luang Phu To Wat Pradoo Chimplee Traimas Nuea Bailan

Pra Prajam Wan Luang Phu To Wat Pradoo Chimplee Traimas Nuea Bailan

This amulet is shaped in the form of a Bodhi Leaf, and pressed from Black Bailan Powders, mixed with Gesorn Pollens, and has the image of a Buddha in Meditation on the front face (Thursday Buddha), with the sacred Yant Trinisinghae on the rear face, which is reputed to be one of the most powerful sacred Yantra spells in the Dtamra Yant 108.

Luang Por To, of Wat Pradoo Chimplee, was a Master who gained the respect and reverence of the Royal Family, and especially his Majesty King Bhumipol Adulyadej (Rama 9), and whose attaimnents both in the academic field of Pariyatti and of the on hands practice of Patipatā, were exceptional.

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His powers and blessings were, and still are considered amongst the most powerful, along with the other greats such as Luang Phu Sukh ( Wat Pak Klong Makham Tao), Luang Por Vheun (Wat Mab Kha) Luang Por Parn (Wat Bang Nom Kho), Luang Phu Tim (Wat Laharn Rai), Luang Por Jong (Wat Na Tang Nork) and so many others.

The Amulets of Luang Phu To (Wat Pradoo Chimplee)

The Amulets of Luang Phu To (Wat Pradoo Chimplee)