Bia Gae Aathan Mee Khorb Tao Ruean Hum Luang Phu Kam Wat Po Bplam Featured

Bia Gae Cowry Shell Animist Charm with Turtle Casing from the Great Luang Phu Kam, of Wat Po Bplam

A very rare and beautiful example of the turtle shape encased version of the Bia Gae Aathan, of the Great Luang Phu Kam, of Wat Po Bplam. The Bia Gae of Luang Phu Kam of Wat Po Bplam, in Ang Tong Province, is counted as one of the five ‘Benjapakee’ Bia Gae of all time, along with the other 4 being the Bia Gae of LP Rod (Wat Nai Roeng), LP Bun (Wat Klang Bang Gaew), Luang Por Perm (Wat Klang Bang Kaew) and Luang Por Pak (Wat Bote). It is believed by devotees, that the Bia Gae of Luang Phu Kam, have immense power to ward off demons, ghosts and evil eye spells, as well as dissovle curses, and protect against poisonous beasts, and jungle fevers. They are said to also possess Maha Ud Gunstopper magic, and Metta Maha Niyom Mercy Charm, that recalls good luck into one’s life. This particular exhibit is encased within the form of the Paya Tao Ruean Turtle

In the early era of his Bia Gae making, Luang Phu Kam would be able to get his ‘Bia’ cowrie shells from the local area around the temple, but after the year 2493 BE, as his Bia Gae became increasingly famous and renowned for their power, it became necessary to send devotees to places by the ocean, in order to find enough cowrie shells to satisfy the needs of devotees. As to the Channaroeng and Krang Pastes used to seal the Bia Gae, it was taken from stingless beesnests found in the forest. or taken from Jom Pluak giant termite nests which were found in the vicinity around the temple.

As the needs of devotees rose, there was not enough Muan Sarn available from these sources of magical ingredients, and Luang Phu Kam was forced to have to seek farther afield for the sacred ingredients necessary to continue making Bia Gae amulets in the numbers needed for his devotees.

The Bia Gae of Luang Phu Kam differ from those of other masters in their making method; Luang Pu Kam would smelt sacred leaden alloy in a pot until it liquified, and then pour it into the interior of bamboo sticks about one foot in length. The bamboo was then sealed with simple cloth, and the bamboo was quicly shaken and agitated. This would cause the cooling leaden sacred alloy to form into small pellets. These leaden pellets were then used to ‘feed’ the Parort Mercurial Metal. This caused the Mercury to make a different sound when shaking the Bia Gae, more like a rattle than a soft ‘thud’ from the mercury sliding around within interior of the Bia shell.

Luang Phu Kam would then take the Mercurial Alchemical substance and use Incantations to make the Parort Mercurial alloy flow into the Bia Gae shells. To do this, he would place the Bia Gae on a large tray, and use Ya Kaa grass to beat the tray whilst chanting Kata incantations, until the Parort Mercury would flow into the Bia shells of their own accord. Then they would be sealed with Chanaroeng, and a Takrut foil with Khom Agkhara inscriptions.

There are some special models, enclosed within a metallic casing, some oval with decorative borders, others shaped like a turtle. Very few special models (Dtua Kroo) were made, whereas most of them would be left bare, or cord wrapped with the shell poking out visibly. In the case of his Bia Gae that are not enclosed within metallic frames, the copper Takrut Tong Daeng is visibly affixed to the Channaroeng Paste which closes the mouth of the Bia shell. It is said that some devotees once removed the Parort Mercury, and that it was seen to glow with an aura, like neon light.

Once Luang Phu had finished the creation and primary empowerment process, he would take the Bia Gae into his Kuti hut and perform further solo empowerments in privacy.One can recognize the early, mid and later eras of Bia Gae, from the difference in Channaroeng paste found in the seal of the BIa.

Early era amulets will have Channaroeng paste from the stingless bee or the giant termite nests around the temple. Mid era ramulets have Channaroeng paste with Ya Ruea, a herbal paste often used by fishermen and sailors to seal their wooden boats against leakage with. The third and later era, is seen to be made from Ya Ruea mixed with Pong Ittijae Yantra powders.

Devotees would often take the Bia Gae of Luang Phu Kam to be specially framed at an artisan, and framed with gold, silver or other brazen metal type frames. The Artisans would always stamp the enclosure of the Bia Gae frame with the Thai letters ‘Hor Mor Ngor’ (หมง), or sometimes the word ‘Kam’ (คำ), or ‘Heng’ (เฮง). In the case of exhibits which have the word ‘Heng’ stamped on the frame, this was the name of the Artisan. In the case of exhibits that have the letters ‘Hor Mor Ngor’ (หมง), this was and still is the code stamp of the firm of the Hor Mor Ngor Artisans, who to this day still use the same Hor Mor Ngor stamp to encase amulets with custom metal frames.

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ABOUT PAYA TAO RUEAN

The Paya Tao Ruean, as far as amulets are concerned, is associated with the powers of luck, long life, good health, good fortune , kong grapan and klaew klaad. Long life is insinuated due to the long lifespan of the Turtle. Metta, because of the Turtle’s pleasant and non-agressive disposition. The Tao Ruean Magic imbues the elemental qualities of both Water and Earth, due to the amphibian reptilian nature of this creature. The Paya Tao Ruean Turtle is indeed a significant part of Thai folklore and Buddhist beliefs. The turtle is considered sacred and holds a special place in Thai culture. While I cannot confirm every detail of the story you mentioned, I can provide information based on the general understanding of the Tao Ruean Turtle in Thai mythology and Buddhism. The Tao Ruean Turtle is believed to be an embodiment of Lord Buddha in one of his past lives. According to the story you mentioned from the ‘Ha Roi Chati’ (500 Lives of Buddha), the turtle lived on a desert island atop a mountain, where he dedicated his life to practicing purity and morality.

In the tale, when sailors were shipwrecked on the turtle’s island and faced starvation, they resorted to desperate measures, including attempting to eat inedible Areca nuts. Eventually, they turned to cannibalism, with one of them dying and the others contemplating killing each other for survival. Moved by compassion, the Tao Ruean Turtle decided to sacrifice himself by offering his own body as food to save the starving sailors. His act of selflessness and mercy is considered a profound demonstration of the Buddhist virtue of compassion. The turtle’s noble deed allowed the sailors to safely return to port and survive. As a gesture of gratitude and reverence, people began creating replicas of turtles, either made from clay, metal, or carved from wood, to serve as objects of worship and remembrance. These turtle representations are often placed in homes, temples, or sacred spaces as a way to pay respect to the Tao Ruean Turtle and to remind individuals to cultivate compassion and uphold moral values. They are also believed to provide protection from dangers and bring blessings such as long life.

The story of the Paya Tao Ruean Turtle exemplifies the Buddhist teachings of compassion, selflessness, and the potential for spiritual growth and enlightenment through virtuous actions. It has become an integral part of Thai cultural and religious traditions, inspiring people to emulate the turtle’s virtues in their own lives.

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Rian Roop Muean 2520 Putta Sema Temple Boundary Edition Amulet and Certificate - Luang Phu Toop Wat Kae Nang Lerng Featured

Pra Sivali Long Rak Pid Tong Hlang Yant Bai Pad 2520 BE – A rare Classic Pim Niyom Amulet from the Great Luang Phu Toop, of Wat Kae Nang Lerng (2441 – 2533 BE). This amulet comes with authenticity certificate from the association of amulets of Siam Thailand. This exhibit is in extremely pristine condition, and has highly detailed relief, and is immensely easy to authenticate with the naked eye, even without its accompanying certificate. The surface sheen of the sacred chanuan metal amulet has an aura that causes the eye to be drawn to the image of Luang Phu Toop

Pra Racha Dhamma Wicāra, or, as common folk know him, ‘Luang Phu Toop’ of Wat Kae Nang Lerng, was a highly revered monk and esteemed acclaimed member of the ten officially recognised makers of Pra Somdej amulets within the legendary Dtamra of Somdej Pra Puttajarn (Dto) Prohmrangsri’s classic methods of creating Pra Somdej amulets.

He was acclaimed by devotees for his powerful Wicha Akom, and was the creator of a vast range of different amulets, all of which are now extremely rare to encounter, and highly prized within his cult inner circle of collectors and devotees.

This Rian Roop Muean Guru Moink Coin amulet is yet another member of LP Toop’s panthheon that are classed as extremely rare, and is an extremely beautiful exhibit, which has been certificated authentic by the Association of amulet of Siam Thailand.

Luang Phu Toop Wat Kae Nang Lerng

He was acclaimed by devotees for his powerful Wicha Akom, and was the creator of a vast range of different amulets, all of which are now extremely rare to encounter, and highly prized within his cult inner circle of collectors and devotees. This Pra Sivali Amulet is one of the rarest items, and is an extremely beautiful exhibit, which has been covered with ‘Rak’ herbal lacquer and pure 96% gold leaf.

Luang Phu Toop was born in Tambon Bang Luang Iang in Ayuttaya, on he 11th of April 2411 BE. His Father was called ‘Dech’ and Mother went under the name of ‘Phong’. Luang Phu Toop lost his parents about the time of hs first birthday, after which he stayed with relatives in Bangkok, who were Lordly Family Lineage, namely Jao Praya Racha Supamidtr, and Tan Phu Hying Plaek. Luang Phu Toop learned Khom Agkhara Script and Pali Sanskrit at an early age as he was still attending school, at the temple close by to his relatives home.

Below; Authenticity Certificate issued by the Association of amulet of Siam Thailand, signed by its president

In the year 2463, Luang Phu Toop ordained at Wat Suntorn Dhamma Dhana (pronounced ‘Wat Suntorn Tamma Tan’ in Thai), popularly known as Wat Kae Nang Lerng. HIs Upachaya Ordaining Officer was tan Jao Kun Tamma Warodom, the Abbot of Wat Benjamabopit. His Pra Gamma Wājājarn was Pra Ariya Muni, the Abbot of Wat Tewarachagunchorn. Pra Kroo Puttaban (Luang Por Naedtr), the Abbot of Wat Sontorn Tamma Tan was his Pra Anusawanajarn Witness.

He received the ‘Chāyā’ (Ordained Monk’s name), of ‘Khema Siri’. Once he was Ordained, Luang Phu Toop studied Kammathāna Vipassanā, and Dhamma, and Putākom (Buddha Magic) with the Great Luang Por Parn of Wat Bang Nom Kho in Ayuttaya for a long time.

After Luang Phu Toop returned back to Bangkok thereafter, he would still return often throughout the years, to continue his studies with Luang Por Parn. As time went on, Luang Phu Toop came to become friends with Luang Por Khant of Wat Nok Grajarp, who introduced him to the ‘Wicha Chueak Kart Aew’ (magical cord belt making), which he mastered under the tutelage of Luang Por Khant.

Luang Phu Toop also went on to master a number of other magical Wicha with the great Luang Por Chaem of Wat Ta Gong in Nakorn Pathom, and with the Legendary Luang Por Ngern of Wat Don Yai Horm, because Luang Por Ngern would often visit wat Ta Gong to see Luang Por Chaem, and so Luang Phu Toop was blessed to receive Wicha from both of these Immensely Powerful Sorceror Monks.

Luang Phu Toop was a very diligent monk who would accept and fulfil all the requests he received from his superiors, and was never lazy or selfish in his behaviour. He became highly respected and beloved by his companions in the Sangha during his early years as a Samanera Novice Monk, and was a shining example to the other Novice Monks, inspiring and driving them to excel in their duties.Luang Phu Toop was responsible for a great deal of helpful activities in assisting the Abbot of Wat Kae Nang Lerng in the development of the temple, and eventually was elected Vice Abbot.

In the year 2471 BE, Luang Phu Toop was elected to become the Abbot of Wat Sontorn Tamma Tan (Wat Kae Nang Lerng), and developed the Temple until it grew to become a Great Temple, as seen today, and in the Year 2477 BE, he was given the Honorable Official Status of Pra Kroo Sanya Badtr. Consequently, in the Year 2495 BE, he was given the Official Status of Pra Racha Kana (Bishop) by Royal Decree.
Luang Phu Toop is known for his many different Amulets which he created, which he began to make in the Year 2482 BE, by co-creating an edition with the Legendary Luang Por Chaem of Wat Ta Gong.

This first edition was the Pra Somdej Sam Chan Buddha on 3 Tiered Dais, The Pra Rod Buddha Amulet, The Pra Pim Nang Kwak Supawadee Amulet. All of these Amulets were created in Nuea Pong Pasom Din Buchaniyasathan (Muan Sarn Sacred Powders mixed with earths from Sacred Shrines), and also in a second Sacred Substance, namely Pong Bailan Long Rak Chab Nuea Nai Si Dork Tao (Black Parchment Powders with Lacquered Surface and Gray Inner Color). All models had deep hand spell inscriptions in the rear face.

Every time Luang Phu Toop created an Edition of Amulets, he would distribute them to devotees who came to the temple and helped out. The Amulets which remained left over afterwards would be then hidden in the base of the Buddha Statue within the Uposatha Shrine Room. The Amulets of Luang Phu Toop include Sacred Powder Amulets, Chueak kart Aew Macic Cord Belts with Takrut. His most famous editions are the 2504 and 2513 Editions. The 2513 Edition saw his first edition Guru Monk Coin released, which is a Highly Preferred Pra Niyom Master Class Amulet. Various other editions were of course beseeched and releasaed over the years to mark different events, such as this 2520 BE installation of the Putta Sema Temple Boundary Monument Memorial edition.

Luang Phu Toop remained as Abbot of Wat Kae Nang Lerng and was highly respected and beloved by the Local Folk, until his final passing on the 29th May 2533, at the age of 92 Years Old

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Hun Payont Dtamrap Ajarn Loi Hyaa San Mad Daay Khiaw Akom Ajarn Bee Saman Jaeng Jaroen Featured

A classic Necromantic Golem Ghost Soldier of the Lay Sorceror Ajarn Bee, The Hun Payong Sacred Whickerman Goilem Ghost, spellbound in sitting position, casting spells in meditation. This is an amulet that is immensely rare, and is an immortally famous Animist Spirit Charm amulet; The World Famous Hun Payont Hyaa San Mad Daay Daeng Akom Dtua Nang Raay Mont (Spellcasting Meditating Version) of Ajarn Bee, the first prime apprentice in Wicha Hun Payont to the great Ajarn Loi Po Ngern, the legendary Ayuttaya Lay Master and direct lineage continuance of the Wicha of Luang Por Glan of Wat Prayatigaram (Ayuttaya).

Ajarn Bee (or also known as Ajarn Bee Saman Jaeng Jaroen), was the closest and top apprentice in magical wicha to Ajarn Loi, who was and is considered the number one Master of Hun Payont Magic, and whose amulets reach into the thousands of dollars these days for large versions (both Ajarn Loi and Ajarn Bee are known to have made giant versions as house guardians).Ajarn Bee was born a local of Ayuttaya, and was the son of farmers.

His father was a close acquaintaance and friend of Ajarn Loi Po Ngern, annd through this, Ajarn Bee was able to be accepted as an apprentice in Magic to Ajarn Loi, through the great friendship he had with Ajarn Bee’s father.
Ajarn Bee was left to stay with and study under Ajarn Loi, and he spent the time learning Wicha, and when not, helping to watch and guard over Ajarn Loi’s boat. The boat was parked on the riverside next to Wat Panan Cherng Temple (Wat Jeen).

Because Ajarn Bee had great curiosity and interest if magic was real or not, he would secretly hide and listen to Ajarn Loi performing invocations and incantations, and watch his perform rituals and the making of Hun Payon. He kept observing and learning and absorbing the methods for a good ten years or so.

Ajarn Bee Mastered many ways of making different Hun Payont with different forms of magical powers, such as Hun Payont Raksa Roke for healing illnesses, removing black maguic and demonic possessions, Hun Payont Wicha Maha Sanaeh for Power of Attraction, and for Kong Grapan Maha Ud Klaew Klaad, Kaa Khaay Business Sales, Siang Choke Gambling Luck, and Metta Mercy Charm.

Ajarn Bee once hid and spied on Ajarn Loi in his evening practices, and saw him perform a ritual by casting spells into a piece of Pha Khaw Ma cloth, to enchant it into becoming a snake, which slithered off. He watched and learned the Wicha Sek Nam Mont Klord Look Ngaay Sacred Water Blessing for easy giving of birth.

Ajarn Loi’s Wicha Nam Mont Klord Lok Ngaay became famous when an older lady who went by the name of Yaay, who was pregnant and afraid of problematic birth, came to ask for a holy water blessing for this purpose. Ajarn Loi was playing chess at the time, so he got up and took the drinking water jug from beside where he was playing, performed incantations and blew into the jug, and gave it to the lady. The lady took the jug and left thinking “this cannot be sacred water, he was using it for drinking at the chess game”, and she upturned the jug to pour the water out onto the floor.

To her surprise and amazement, the water did not come out of the upturned jug, defying the laws of gravity. Mrs. Yaay then ran back to Ajarn Loi and got on her knees to beg forgiveness for her lack of faith. This then increased the legend of the magic of Ajarn Loi and his lineage apprentices, for this powerful Wicha that could empower any inanimate object, be it seen as sacred, or ordinary. Only a truly powerful Mage can achieve this kind of spellcasting, which is the mark of the Adept Sorceror.

Ajarn Bee was initiated with the Korn Kroo Ritual by Ajarn Loi Himself directly one on one (making Ajarn Bee a Looksit Aek first/prime apprentice).He is in the present day (written in 2020), the most popular living Laymaster for Hun Payont.

This version is medium size, measuring 3 x 2.5 Cm in casing, and is in pristine condition. The Hun Payont of Ajarn Bee are highly preferred, and considered the perfect affordable alternative to the Hun Payont of his predecessor, the Great Ajarn Loi Po Ngern (lovingly known as ‘Mor Loi’).Ajarn Bee immerses his Hun Payont in Nam Man Nga Sek and Nam Man Prai for extra empowerment imbued within the amulets, as part of the empowerment.

The Hun Payont Ajarn Bee (or also known as Ajarn Bee Saman Jaeng Jaroen), was the closest and top apprentice in magical wicha to Ajarn Loi, who was and is considered the number one Master of Hun Payont Magic, and whose amulets reach into the thousands of dollars these days for large versions (both Ajarn Loi and Ajarn Bee are known to have made giant versions as house guardians).Ajarn Bee was born a local of Ayuttaya, and was the son of farmers.His father was a close acquaintaance and friend of Ajarn Loi Po Ngern, annd through this, Ajarn Bee was able to be accepted as an apprentice in Magic to Ajarn Loi, through the great friendship he had with Ahjarn Bee’s father.

Ajarn Bee was left to stay with and study under Ajarn Loi, and he spent the time learning Wicha, and when not, helping to watch and guard over Ajarn Loi’s boat. The boat was parked on the riverside next to Wat Panan Cherng Temple (Wat Jeen).

Because Ajarn Bee had great curiosity and interest if magic was real or not, he would secretly hide and listen to Ajarn Loi performing invocations and incantations, and watch his perform rituals and the making of Hun Payon. He kept observing and learning and absorbing the methods for a good ten years or so.

Ajarn Bee Mastered many ways of making different Hun Payont with different forms of magical powers, such as Hun Payont Raksa Roke for healing illnesses, removing black magic and demonic possessions, Hun Payont Wicha Maha Sanaeh for Power of Attraction, and for Kong Grapan Maha Ud Klaew Klaad, Kaa Khaay Business Sales, Siang Choke Gambling Luck, and Metta Mercy Charm.

Below Pic; Ajarn Bee cutting herbs from his garden which are used for Healing Ailments, and for making Hun Payont, and Sacred Oils

Ajarn Bee once hid and spied on Ajarn Loi in his evening practices, and saw him perform a ritual by casting spells into a piece of Pha Khaw Ma cloth, to enchant it into becoming a snake, which slithered off. He watched and learned the Wicha Sek Nam Mont Klord Look Ngaay Sacred Water Blessing for easy giving of birth.

Below : 10 armed version of one of Ajarn Bee’s Hun Payont amulets. 12 armed versions were also made.

Ajarn Loi’s Wicha Nam Mont Klord Lok Ngaay became famous when an older lady who went by the name of Yaay, who was pregnant and afraid of problematic birth, came to ask for a holy water blessing for this purpose. Ajarn Loi was playing chess at the time, so he got up and took the drinking water jug frombeside where he was playing, performed incantations and blew into the jug, and gave it to the lady. The lady took the jug and left thinking “this cannot be sacred water, he was using it for drinking at the chess game”, and she upturned the jug to pour the water out onto the floor.

To her surprise and amazement, the water did not come out of the upturned jug, defying the laws of gravity. Mrs. Yaay then ran back to Ajarn Loi and got on her knees to beg forgiveness for her lack of faith. This then increased the legend of the magic of Ajarn Loi and his lineage apprentices, for this powerful Wicha that could empower any inanimate object, be it seen as sacred, or ordinary. Only a truly powerful Mage can achieve this kind of spellcasting, which is the mark of the Adept Sorceror.

Ajarn Bee was initiated with the Korn Kroo Ritual by Ajarn Loi Himself directly one on one (making Ajarn Bee a Looksit Aek first/prime apprentice).He is in the present day (written in 2020), the most popular living Laymaster for Hun Payont.

The Hun Payont of both Ajarn Loi and Ajarn Bee, are said to be the top Hun Payont amulets of all time, and are the most sought after and desired items by devotees of this kind of amulet.
and Indeed the Khun Phaen and other amulets of these masters are also in extreme demand and highly popular with South East Asians around the Subcontinent.

The Hun Payont of Ajarn Bee’s Master, Ajarn Loi, afe almost impossible to find in the present day, and can cost thousands of dollars. Unfortunately, the amulets of this great olden days Master, inheritor of the Wicha of Luang Por Glan Wat Prayat, and Luang Por Bpaen of Wat Sao Tong Mai, are so very hard to find in the present era because of their great popularity even during the time he was alive. Ajarn Loi made Hun Payont before the year 2500 BE, after which his apprentice, Ajarn Bee continued the tradition.

Bucha by offering a glass of liquor to empower with extra psychic strength, or to smear a small drop of consecrated oils once in a while for Bucha, and strengthening the power of the Hun Payont, and its emanating magic.

Bio : Ajarn Loi Po Ngern

Ajarn Loi was born in the month of February 2454 BE, in Nakorn Sawan, but later moved to live in Bang Prahan in Ayuttaya. He became a Novice Monk when he came of age, and the apprentice of Luang Por Glan of Wat Prayat. After the passing of LP Glan, Ajarn Loi continued his practice of Magic with Luang Por Bpaen of Wat Sao Tong Mai in Ayuttaya. Ajarn Loi learned many Wicha with Luang Por Bpaen, who was not only well versed in Wicha Saiyasart, but was also Adept in Artisanry of the Chang Sip Moo Fine Arts level of prowess. He thus taught Ajarn Loi all of his Wicha, and methods of weaving the spellbound Hun Payont, Takrut and other amulets in the finest fashion.

 

One must say that Ajarn Loi’s Hun Payont, and other amulets all attract the eye with their fine artisanry and filigrain attention to detail and ritual accuracy. LP Bpaen was alsop the Kroo Ba Ajarn of Luang Por Suang of Wat Chee Ba Khaw, who was also a close friend of Ajarn Loi. After the passing of LP Bpaen, Pra Ajarn Loi moved to stay at Wat Panan Cherng. Ajarn Loi knew many methods of Astrological Foretelling, Spiritual healing, and Powerful Amulets and Spells.

Below, an early era Hun Payont of Ajarn Loi – very old estimated circa 2480 BE

Because of this, he soon became the object of jealousy from the other monks, which he could sense strongly that he was making them feel inferior. So he moved away to not cause any inauspiciousness, and disrobed to become a Lay Master, and moved to stay at Wat Jeen temple. He later moved to Wat Suwandaoraram, where he remained practicing his path, and serving his devotees up to the day of his passing.

Below; amulets of Ajarn Loi

The Hun Payont (or ‘Hun Payont’), is an ancient reanimated Golem effigy, with far back reaching roots. Its name comes from the word ‘Payont’ which means an effigy that has been brought to life by Sorcerous Magick. Hun Payont may be made in various forms, such as the form of a Human, or some other Magickal creature, or animal, depending on the needs of the user and intended uses of the Adept who makes them.

 

Hun Payont are made from various substances, such as the Hun Hyaa Saan (Hay/Straw), Hun Gan Bai Mai an (leaves), Hun Thao Wan (magical vines), Mai Phai (bamboo), Hun Dtakua (mercurial lead), Hun Khee Pheung (wax), Bai Mai Ta (leaves), Hun Gae Salak (carved wood), Hun Daay (cord wrap), Hun Pha (cloth bound), Hun Din (molded clay), Hun Din Phao (baked clay), Hun Hin (carved stone), Hun Krabueang (ceramic), Hun Poon (cement), Hun Ngern/Tong (silver or gold), Hun Loha (metallic), Hun Mai (wood), Hun Hin (stone), Hun Nga Gae (Ivory), Graduk (bone), and so on.

The Hun Payont, is an amulet that is found to date back to the times of the Kassapa Buddha. The Kassapa Buddha, is said to have made a Payont effigy, to protect his Relics, before he himself passed into Nibbana. 200 Years Later, King Asoka opened a shrine, to remove and preserve the relics, but the shrine was inhabited by a Hun Payont. King Asoka was forced to invoke and summon the God Indra, who manifested as a Brahman, and performed Incantations, enabling King Asoka to enter and remove the Saririkadhatu Relics.

In the world of Sorcery, all lineages believe in the existence of different kinds of spirits, which can imbued within effigies or controlled, or beseeched to perform a multitude of tasks. There are many Animist and Necromantic amulets which use different types of spirits which are Hoeng Prai Ghosts, Devas, Bhuta, Kumarn Tong, Rak Yom, In Jantr, Phu Some, In Gaew, Mae Takian, Ma Hoeng Prai, and many others such as Yaksa Monsters, to inhabit an effigy. Great Adepts are the only ones able to create Hun Payont Golem Effigies, which are then brought to life with Necromancy and imbued with any of a number of kinds of spirits, depending on the nature and needs of the devotee, or the intentions of the master.

 

All Hun Payont Golems, must be empowered by an Adept, who has Mastered the Wicha Akarn Sam Sip Sorng; 32 invocations of the 32 elements within a living being, to make the effigy able to displace itself (move around), and to emit Magical powers, protecting wealth and possessions within its enclave. If intruders enter, the Hun Payont will create illusions that drive the thieves away, and will also scare away all kinds of demons and ghosts that enter the household to cause any havoc. Hun Payont are very protective of the belonging within the home and for this reason excellent guards.

 

The Hun Payont is used by those who believe, in the household, place of business, and even carried as an amulet or placed in one’s vehicle, to keep away alll dangers and inauspicious events and malicious entities. Hun Payont should be rewarded or appeased through Bucha with the Piti Gruad Nam Water Pouring Ceremony, in the same way as seen by Thai Buddhists after giving alms to the Monks, except that it is you who makes the prayer.

 

Alternatively, one can also use sacred or aromatic oils for consecration, or even liquor if wish to use for powerful Magic for Gambling and other matters of high risk. This is done, by laying down the amulet flat, and putting a few small drops of liquor or Prai/Aromatic Oil through the small hole drilled into the center of the window of the front of the casing, to fall onto the Hun Payont.

Kata Riak Hun Payont (Summoning Spell)

Om Na Ma Pa Ta Jaedta Phuudto Maha Phuudtang Hun Payondtang Nimidtang Gang Ruubpang Bpiyang Ma Ma Aehi Aehi Na Mo Put Taa Ya (chant 7 Times)

Kata Pluk Huan Payont (Invoke)

So Sa A Ni So Sa A Ni Sa A Ni So A So A So Ni Ni Sa A So Ni So A So A Ni Yo Sa A A Ni So Sa Sa Ma Su

 

Kata Khor Porn Hun Payont (ask for blessings)

Bprasitti Kātā Sitti Gammang Sitti Garisang

Kata Hun Payont Ajarn Loi

Om Pluk Mahaa Pluk Guu Ja Pluk Por Hun Payont Duay Ahang Tugang Na Ma Pa Ta

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Ancient Amulet - Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets') Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days

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Pra Pid Ta Maekasit Pim Hoo Gradtay with Certificate Hand Inscriptions - Luang Phu Nak Wat Huay Jorakhae Featured

Officially Certificated Pra Pid Ta (Pid Tawarn) Hoo Gradtay (rabbit eared) model of the sacred Maekasit alchemical metal amulet of the great Luang Phu Nak, of Wat Huay Jorakhae. Th Pid Ta Maekasit is a highly revered amulet created by the late great Thai monk Luang Phor Nak of Wat Huay Jorakhae temple in Nakhon Pathom, Thailand. The Pra Pid Ta, also known as “the closed-eye Buddha,” is a representation of the Lord Buddha in deep meditation, entering the state of Nirodha, and is believed to bring blessings of protection, good luck, and wealth to the wearer.

This item includes a free download of the Ebook “Pra Pid Ta Loha Ebook (printable version 212 MB)” and a 3 megabyte Light mobile version to carry on mobile phone for fast scrolling.

The Pra Pid Ta amulet created by Luang Phu Nak was made usually in Nuea Maekasit alcemical metal, but also in sacred loha chanuan bronze and other brazen metal mixtures (less often seen). I is said that Luang Phu Nak himself, was a great master of alchemical metallurgy, and the Wicha Pra Pid Ta. It found in medium and small sizes (Pim Lek & Pim Yai) and has various models sch as the Pra Pid Ta Hoo Gradtay ‘Rabbit Ears’ model.

It is believed that the Pra Pid Ta amulet of Luang Phu Nak has the power to protect its wearer from harm, bring good luck, and attract wealth and prosperity. Some of the Pra Pid Ta of LP Nak possess hand inscriptions scraped onto the surface of the metal, with Khom Agkhara and Sacred Yant.

Pra Pid Ta amulet represents a meditating Buddha entering into the state of Nirodha. Nirodha is the third of the Buddha’s Four Noble Truths and refers to the attainment of the cessation of suffering. The image of a meditating Buddha is representative of the amulet’s ability to bring peace and block out all forms of inauspicious events and bad luck, protect against all dangers and black magic. The amulet is believed to have the power to block out negative energy and to protect the wearer from harm due to the reputation of the creator and his spiritual energy.

LP Nak was a well-known Thai Buddhist monk and the abbot of Wat Huay Jorakhae temple in Nakhon Pathom, Thailand. He was well-known for his spiritual teachings and wisdom, as well as his ability to craft powerful amulets. His reputation as a powerful spiritual leader, combined with his ability to craft powerful amulets, ensures that his legacy lives on, and his amulets are highly sought after. He died in 1959, but his teachings and amulets are still revered and respected by many Thais and people all over the world.

Many people in Thailand and around the world believe that the Pra Pid Ta amulet of Luang Phu Nak is particularly powerful for Kong Grapan/Klaew Klaad Protection Magic, due to the reputation his Pid Ta developed over the years as many stories of lifesaving miracles were recounted by devotees who wore the Pid Ta of Luang Phu Nak. Luang Phu Nak was known for his deeply spiritual teachings, and his ability to create very powerful amulets, and many people believe that his amulets possess his spiritual mind energy even after his passing. The Pra Pid Ta amulet of Luang Phu Nak is also highly sought after by collectors and those interested in Thai Buddhism and culture. Many people consider it a valuable possession and it is often passed down from generation to generation as a family heirloom amulet.

The Pra Pid Ta amulet of Luang Phu Nak is a highly revered and powerful amulet created by the late Thai monk Luang Phor Nak of Wat Huay Jorakhae temple in Nakhon Pathom, Thailand. It is believed to bring blessings of protection, good luck, and wealth to the wearer, and is highly sought after by collectors and those interested in Thai Buddhism and culture. The reputation of Luang Phu Nak as a powerful spiritual leader, and his ability to create powerful amulets, makes this amulet particularly valuable and powerful.

LP Nak, was a Thai Buddhist monk who lived in the 19th- 20th century. He was the abbot of Wat Huay Jorakhae temple in Nakhon Pathom, Thailand. He was born in 2358 BE (1884) and passed away in 2452 BE (1972). LP Nak was known for his great compassion and spiritual wisdom, and was a great giver of spiritual teachings, as well as his skill in creating powerful amulets. He was highly respected by the local community and by other monks in Thailand. He was also known for his generosity and mercy, and his dedication to helping others.

During his tenure as abbot, he worked to strengthen the spiritual community at Wat Huay Jorakhae and to provide guidance and support to the local population. In addition to his work as an abbot, LP Nak was known for his skill in creating powerful amulets. He was able to create amulets using various materials, including clay, metal, and even human bone. His amulets were believed to possess spiritual power and provide protection to the wearer. They were often inscribed with sacred texts or mantras, and were highly sought after by the local population and by collectors. LP Nak’s amulets are very highly valued in the present day, and many people in Thailand and around the world believe that they possess spiritual power. His amulets are often passed down from generation to generation as a family heirloom, and are considered a valuable possession.

LP Nak may have passed away long ago, but his legacy continues to be felt in Thailand and around the world. He is remembered as a wise and compassionate spiritual leader, and his amulets are still highly sought after by aficionados, faithful devotees, collectors, and those interested in Thai Buddhism and Thai culture. To this very day, the lineage of abbots of Wat Huay Jorakhae still make and release Pra Pid Ta amulets of the Wicha passed down to them through a constant succession in the magical lineage of LP Nak.

The Pra Pid Ta amulet of Luang Phu Nak, is believed to be particularly powerful because it is believed to possess the magical energy of the monk who created it. As LP Nak is considered a highly respected and powerful spiritual leader, it is believed that his Pid Ta amulets will always possess his spiritual energy even after his passing, without ever fading. Thew Pid Ta Maekasit amulet, is considered the most famous and powerful amulet created by LP Nak.

Background Info on Pra Pid Ta

Since very early times in Thailand, Pra Pid Ta amulets, as well as Pra Pid Ta in the shape of Pha Yant and Bucha sculptures, have been made as objects of adoration and protection. Using the Buddhist sculpture and art that was accessible at the time, the artisans of that era developed a variety of styles and interpretations. Various Buddhas, Bodhisattvas, or Deities are fashioned into the posture of Pra Pid ta, or Pid Tawarn (meaning “closing the orifices”), to create the Pid ta posture (‘Pid Ta’ means “covering the eyes”). Pid Tawarn can seal 7, or 9 orifices (the number 7 is referred to as Pra Pid Sadtatawarn, while the number 9 is known as Pra Pid Navatawarn). The Pra Pid Ta amulet, also known as “the closed-eye Buddha,” is believed to bring blessings of protection, good luck, and wealth to the wearer.

The Pra Pid Ta amulet, represents a meditating monk entering into the state of Nirodha. Nirodha is the third of the Buddha’s Four Noble Truths and it refers to the attainment of the cessation of suffering. In Buddhist teachings, Nirodha is understood as the state of being where all mental defilements, such as ignorance, greed, and hatred, have been completely eliminated. This state is reached through the practice of meditation and the cultivation of wisdom, and it is considered the ultimate goal of Buddhism.

The third of the four noble truths, according to Buddhist tradition is defined as Nirodha Sacca (also spelt Nirodha Sacca in Pali; Nirodha Satya in Sanskrit). Sacca denotes “truth” or “reality,” whereas Nirodha means cessation or extinction. Therefore, the translation of nirodha sacca is generally “truth of cessation” or “truth of the cessation of suffering.” It explicitly refers to the cessation of Dukkha (suffering) and its causes; the resultant experience is defined as nirvana. Nirodha can indicate a variety of things, such as release, cessation, extinction, the end of dukkha, and “control or restraint.” The cessation of all unsatisfactory experiences and their causes in a way that prevents them from occurring again is what Nirodha Sacca means. It is their elimination, complete absence, cessation, and ceasing from existing.

The Pra Pid Ta image, is that of a meditating Buddha entering Nirodha, is representative of the amulet’s ability to bring peace, and block out all forms of inauspicious events and bad luck. It is believed that by wearing the Pra Pid Ta amulet, the wearer will be protected against all dangers and black magic. The amulet is believed to have the power to block out negative energy, and to protect the wearer from harm. The Pra Pid Ta Maekasit alchemical metal Norodha Buddha amulet, is a most famous amulet for self protection, with Kong Grapan Chadtri, Klaew Klaad, Metta, Maha Pokasap, and Maha Lap Magic.

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Kata Pra Pid Ta

Namo Puttassa Kawambadtissa Namo Tammassa Kawambadtissa Namo Sangkassa Kawambadtissa Sukha Sukha Warang Na Mo Puttaaya Ma A U Tugkhang Anijjang Anatta Jewa

The Pra Pid Ta is one of the Great All Time Classics of Thai Amulets. Signifying the Buddha Entering Nirodha, this douses out all Sufferings. Some Pidta are for Maha Lap (Riches and Luck) and some are to remove debt (Plod Nee) and some are for Protection (Kong Grapan/Klaew Klaad, Maha Ud). Some people believe the Pid ta to be e bringer of 'Blind Luck' and Gambling Fortunes.

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Look Om Jindamanee Nuea Chompoo Pra Palad Parn Wat Tukata Circa 2460 BE (Kroo Ba Ajarn of Luang Phu Bun) Featured

A rare small version of the immortal Look Om Jinda Manee Montr, in Nuea Chompoo Pink Tone, of Pra Palad Parn, of Wat Tukata, (Nakorn Pathom). This exhibit is made in Luang Por Pra Palad Parn’s World Famous Jinda Manee Powders, in small Pim Lek size (Circa 1.2 cm), in perfect condition, and a very fine exhibit of this Great Master.

Pra Palad Parn, was an Adept at Muan Sarn Sacred Powders and the Wicha JInda Maha Mani Montr.He was also Kroo Ba Ajarn of such World Famous Top Masters as the Great Luang Phu Bun of Wat Klang Bang Gaew.

The Look Om of Pra Palad Parn, is considered by many to be among the Top 5 Look Om of all time, undisputedly by most aficionados. However, we must add, that for us, the ‘top 5, top 10’ are human opinionated concepts, and are matter of opinion and general trending thought more than a measure of magical power.

Hence, one may see different publications name different top master amulets Pra Palad Parn was the Kroo Ba Ajarn of the Great Luang Phu Bun of Wat Klang Bang Gaew, who received and perpetuated the famous Wicha Jinda Manee Montr, which he received from Pra Palad Parn, and passe down the lineage further at Wat Klang Bang Gaew to give to Luang Por Perm, Ajarn Bai, Luang Phu Juea, and Luang Por Kong (Sanya) thoughout the ages.

Pra Palad Parn was a Master of the Wicha Jinda Manee Montr, and known for his power of Metta Maha Niyom, and was reputedly able to call crows and vultures to land on his arm and stroke their heads, as well as being able to call the fish up to the surface of the water in the Kong Bang Gaew river. He would call the animals and fish, to appear during the Kathina robe offering ceremony, which Thai Buddhists perform every year, to donate robes to the Monks.

 

The Look Om of Pra Palad Parn, are considered one of the top 5 Look Om of all time, along with the Look Om Yant Grao Patch of Luang Por Parn (Wat Bang Nom Kho), Look Om Maha Gan of Luang Por Kong (Wat Bang Gaporm), Look Om Jet Paya Chang Sarn of Luang Por Ding (Wat Bang Wua), and the Look Om of Luang Por Pring (Wat Bang Bakork). One of the most difficult Look Om amulets of all to find in the present day.

Below; A study and synopsis, of the Look Om Muan Sarn Sacred Powder Ball amulets of Pra Palad Parn, of Wat Tukata, in Nakorn Pathom, with Information about both Pra Palad Parn, and authentication factors of the Look Om, Narrated by Ajarn Spencer Littlewood.

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Pra Pong Supan Pim Hnaa Gae Kru Wat Pra Sri Ratana Mahatat 700+Year Old Ancient Benjapakee Amulet and Authenticity Certificate Featured

A Truly Ancient Septa-Centenarian Pra Kru Amulet (over 700 years old in origin), the Pra Pong Supan Pim Hnaa Gae, in Nuea Din, with certificate of authenticity, this exhibit is in a dark colored sacred baked earthen clay. An all time ‘top 5’ classic amulet of the Benjapakee Family. A Master-Class status amulet of the High End Category of Pra Kru Hiding Place Ancient Amulets. The Pra Pong Supan amulet is known for its powerful Puttakun Metta Maha Niyom Merciful Blessings and Kong Grapan Klaew Klaad Protective Power.

This amulet comes with A4 size certificate of authenticity included. The Pra Pong Supan Kru Wat Pra Sri Mahatat is the Number One Amulet of all Time for the Province of Supanburi, and an eminent member of the top 5 Benjapakee Amulets of Historical Fame and Legend. The Pra Pong Supan of the highest preference is the Pra Pong Supan Nuea Din Phao baked clay amulet, made from sacred earths of the Supanburi Province, which were mixed with sacred magical herbal powders and bound into clay with holy water.

The amulets are seen to have been baked for a long time slowly, until the clay became hard, but smooth and dense like marble, which is a texture that modern ‘Nak Niyom Pra’ amulet aficionados call ‘Nuea Neuk Num Seung Jad’, which means ‘soft and smooth to the touch with highly refined features’.

There were also a very small amount (one potful) of leaden Pong Supan amulets found, which were found residing on the upper section of one pot, and are known as the Pong Supan Yord Tho, and are the rarest and most sought after of all Pra Pong Supan of the Kru Wat Pra Sri Mahatat.

Below : The extremely rare leaden version Pra Pong Supan Yord Tho Amulet, of which only very few were ever found

We shall be covering the documentation of the Pim Yord Tho in a different article on the pages of our website.


 

The method of baking the amulets resulted in a very hard and resilient amulet that does not break easily, which has contributed to its preservation over many centuries. The features of the Pra bordered edges and outer frame of the various models (Pim) of the Pra Pong Supan Amulet are highly varied, and cannot be said to fit any rigid form.

Some have four or five sided edges, some are completely cut to shape, some have wider edges, and others thinner edges, some are even others uneven. Some may be tapered, whereas others have the tapered top cut off flat.

The Pim is notable for its beautiful color tone to the surface of the Muan Sarn Sacred clay, accumulated over centuries,. This exhibit displays the presence of a very rich Muan Sarn admixture, and the surface sheen and detailed relief of the Buddha Image, combine to render an outstanding example of a Master-Class Pra Pong Supan amulet. The ears are elongated, with anomalous forms (‘Dtamni’), that reveal the authenticity of the amulet, through the inimitable idiosyncrasies of the block press, which are ever present despite the individuality of each amulet.

 

One thing most Pra Pong Supan have in common is that most often one finds the presence of thumb or fingerprint line markings, or thumb indents on the rear face. Another classic and essential feature of the Pra Pong Supan Wat Pra Sri Ratana Mahatat is that due to being buried under the earth for centuries, the Kraap Kru earth residues which are seen stuck to the surface of the amulets within the deeper recesses such as the armpits and ridges between finer detailed features.


Below : Encyclopaedic work documenting the ancient find of the Kru Wat Pra Sri Ratana Mahatat amulets

These residues are completely affixed and one and the same with the clay, and cannot be removed by simply scratching it off with a fingernail.
The Pra Pong Supan is a perfect choice of Amulet for Ladies or Children, but is also a very preferred and popular amulet for Males to wear. We have before us a Sacred Amulet whose Religious Value is of course that of a True sacred Amulet from the Master Class Category.

The Pra Pong Supan amulet is an image of the Buddha seated in the Mara Wichai posture of conquering the Demon Mara in the style of the U-Tong Periodic Era. The Buddha Image is seated on a single tiered dais, with a large head, graceful arms and protruding chest. There are various Pim (Models) of Pra Pong Supan, ranging from the Pim Hnaa Gae, Hnaa Num, Hnaa Klang, and other lesser known forms. Some very rare versions in black Nuea Bailan Powders are also found, but only very rarely

The Pim Hnaa Gae (old face) has one single type of face model but still has many different appearances, because of the various stages of heat during the baking process, which caused some amulets to experience shrinkage or curvature, or other anomalous reshaping during the process. Some may even have similar triangular appearance to the Pra Nang Paya, another Benjapakee amulet of Immortal fame. Various other amulets were also found including the Pra Mahesworn, Pra Ta Maprang, Pra Patum Mas, Pra Pim Lila (many versions), Pra Nakprok (small and large), and the Pra Sum Rakang.

The Pra Pong Supan and Benjapakee Class Amulets are truly world class amulets that receives the esteem and faithful reverence of all Thai Buddhist People of all social strata, and which is considered part of the Cultural and Historical heritage of the History of Siam.

 

 

They are amongst the most difficult of all amulets to find at any price, and are mostly already worn since generations by the same family members as handed down family heirlooms of their ancestors. The rest lie in the hands of the lucky, and of course the high end collector showrooms of Thailand’s Amulet Societies and Non Profit heritage Associations, as well as the museums of the state and of major temples.

Above; Macro Closeup of the Sacred Clay and the Kraap Kru earthen substance affixed to the muan sarn from centuries of burial within the hiding chamber. It is said that in the year 1265 BE, the Ruesi Hermit Pilalai decided to make a series of powerful amulets with truly effective powers. At that time the ruler of the Kingdom Pra Sri Tanmasokea Racha was a faithful devotee to the four great Ruesi Sages, who brought a large collection of magical herbs, minerals and summoned the angelic beings of the celestial realms to assist with the empowerment ceremony on the immaterial planes.

The great Pra Maha Thera Bpiya Dtassasisri Saributra was present to preside over the blessing ceremony, and assist with empowerment and the hand molding and pressing of the Pra Pong Supan. The muan sarn sacred clay was given the name of ‘Nuea Rae Sangkwanorn’.

Below : An example of a Pra Pong Supan amulet that has been treated with red Chinese Lacquer by a devotee

The great Pra Maha Thera Bpiya Dtassasisri Saributra was present to assist with empowerment and the hand molding and pressing of the Pra Pong Supan. The amulets were blessed during three whole months of rainy retreat (Traimas Blessing) as was traditional in ancient times and is still the practice to this very day. Once the Traimas empowerment was completed, the amulets were buried within the Chedi Stupas of Supanburi

example of Pra Pong Supan that has been treated with red Chinese Lacquer

The rediscovery of the Kru

In the year 2456 BE, a Tudong Monk was passing through and asked for the whereabouts of the temple of Wat Pra Sri Radtana Maha Tat. He asked a young boy named Pin, who pointed him in the right direction. The boy Pin heard later that this Forest Wanderer monk had hired some Chiinese-Thai devotees to dig up some holes in the temple, and that a horde of treasures were found along with a large repository of hiding place amulets (Pra Kru).

The Monk himself found a solid golden bowl which he took for preservation, but left all the rest of the contents of the Kkru within the Chedi. However, many of the Chinese devotees who were working on the opening of the Kru did take a large number of amulets rainging from the Pra Pong Supan to the Pra Gampeng Sork.

Once the authorities and Sangha Office heard of this, they ordered the Chedi Stupa to be hermetically sealed to prevent further theft of National heritage treasures.

Later the same year Praya Suntorn Buri (Also knownn as ‘Ee Gan Suudt’), who was the Minister of the Province of Supanburi invited his Majesty Pra Mongkut Glao Jao Yuu Hua to come and open the Kru Chamber. Once the chamber was opened, many ingots of solid gold and silver with Khom Agkhara inscriptions were found, and a large repository of amulets. The King was given a large number of the Pra Pong Supan and other amulets to his Majesty.

In olden days when the Pra Pong Supan was still very common and easy to find, many of the bullfighting arena players would like to grind up broken Pong Supan amulets and mix the powders into the hay they would give their fighting bulls to eat. This was seen to make the bull who ate hay with Pra Pong Supan powders fight more fiercely, evade the horns of its opponent and be impenetrable when taking a hit.

A very hardly known but ancient traditional way to Bucha Pra Pong Supan Amulets, is to immerse the amulet in perfume and chant Puttakun Tammakun Sangkakun 108 Times, then chant the Kata Pahung 3 times. The perfume can then be used to smear on oneself for Mercy Charm and Protection. If one wishes to empower further, one can chant the following Kata;

Ka Dtae Lig Gae Garanang Mahaa Chayyang Mangkalang Na Ma Pa Ta Gi Ri Mi Dt Gu Ru Mu Tu Gae Rae Mae Tae Ga Ra Ma Ta

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Kanha Jali Pim Lek Hua Gleung Niyom 2491 Blessings by Luang Por Chaeng, Luang Por Jong, Luang Por Chuan, and Luang Por Phueak, Featured

Kanha Jali Loi Ongk Sattuette,’Pim Hua Gleung Niyom’ (preferred pointed head model), in smaller Pim Lek version, released 2491 BE with Blessings by Luang Por Chaeng, Luang Por Jong, Luang Por Chuan, and Luang Por Phueak, of Wat Molee. The Kanha-Jali amulet (Ganha-Chali), is in the form of Prince Jali and Princess Kanha as children, embracing each other shoulder to shoulder.

The image radiates the potent energy of Metta Maha Niyom Mercy Charm. Kanha and Jali were born to the Royal Prince Vessantara (a previous life of the Buddha), and their story, is to reveal the profound generosity and sacrifices made by the Buddha, on the path to enlightenment.This amulet, is usually catalogued within the pantheon of amulets of LP Chaeng, despite the collaborative ceremony.

The story of Prince Vessantara’s last incarnation plays a significant role in the Wicha for this amulet, Thai Buddhism. In this tale, Jali and Kanha, were the son and daughter of Prince Vessantara and Queen Maddi. Eventually, the generous Prince Vessantara gives away his children to the Brahmin Jujaka as part of his ultimate act of generosity before attaining Buddhahood.

In the tale of Vessantara, part of Buddhism’s revered Jataka stories, Kanha and Jali play a central role in their father’s pursuit of Dhāna Paramī—the tenth and culminating perfection required for attaining Buddhahood. Their father faced the challenging decision of giving away his own family to the greedy Beggar Jujaka, (‘Choo Chok‘ in Thai). Jujaka, a Brahmin from a distant village, heard tales of Prince Vessantara’s unparalleled generosity and selflessness.

Jataka tales are especially important in Theravada Buddhism, more than other traditions.

Intrigued by these stories, he set off to find the prince and test the limits of his benevolence. As Jujaka arrived at the secluded wilderness where Vessantara resided with his wife Maddi and their two children, Jali and Kanha, he marveled at the austere surroundings. Approaching Vessantara with humility, Jujaka revealed his desire, “O benevolent prince, I have traveled far seeking a gift from someone as virtuous as you. Grant me the extraordinary boon of receiving your children, Jali and Kanha, into my care.” The words hung in the air, creating an undeniable tension.

Kanha Jali Vessantara's children

Vessantara, torn between his commitment to unconditional giving and the natural instincts of a father, hesitated. Maddi, sensing the internal struggle, clutched their children protectively. The surrounding forest seemed to hold its breath as Vessantara grappled with the monumental decision.Finally, after a heavy pause, Vessantara spoke with a heavy heart, “Brahmin, I am bound by my principles of generosity.

Prince Vessantara gives away the State Elephant to the Brahmans

Prince Vessantara gives away the State Elephant to the Brahmans

If this is your earnest request, I shall fulfill it, though it pains me deeply.” The weight of his words echoed through the wilderness. As Jujaka took custody of Jali and Kanha, the atmosphere shifted from serenity to sorrow. Maddi, with tearful eyes, whispered words of reassurance to her children.

Vessantara, suppressing his emotional turmoil, maintained composure, realizing that this act of unparalleled sacrifice was a crucial step on his path toward enlightenment. Jujaka, with the children in tow, disappeared into the depths of the forest, leaving behind a somber silence. The echoes of Vessantara’s sacrifice lingered, setting the stage for the unfolding of a profound narrative on the virtues of selfless giving and the spiritual journey toward Buddhahood.

As Kanha and Jali questioned their father’s choice, Prince Vessantara explained the profound purpose behind this act of supreme generosity. Giving away one’s own family represented the final and most challenging step in achieving the perfection of Dhāna Paramī. Kanha and Jali, understanding the greater purpose, willingly accepted their fate as slaves to Jujaka, supporting their father in completing this ultimate act of selflessness.

The Kanha Jali Loi Ongk Statuette, infused with Metta Maha Niyom, stands as a powerful reminder of the unwavering spirit of generosity and compassion that defined Prince Vessantara’s journey towards enlightenment.

This sacred amulet, mostly attributed within the pantheon of amulets of Luang Por Chaeng, was actually blessed by various Great Monks in unison. Originally commissioned by Pra Luang Por Kloy, the abbot of Wat Bang Kra Nok, Nonthaburi Province.

The first model was released in the year 2491 BE. During the consecration ceremony, Pra Kloy, along with other respected monks, invoked blessings, making it a powerful and sought-after amulet. The Kanha Jali is renowned for its remarkable efficacy, believed to bring prosperity, charm, and success to its bearer. The amulet is imbued with a Magical Kata Spell which contains the sacred chant: Chaalee Ganhaa Maa Laew Hrueyang Sangkadtang Lokawituu. This Kata is to invoke blessings and communication between the amulet and its wearer, and should be used when performing Bucha or asking for blessings, and daily to empower the amulet before wearing.

Devotees who have experienced success often choose to encase the amulet in gold. It is believed that successful ventures and accomplishments are likely when this practice is followed. This statuette is not only a treasured amulet with historical and religious significance, but also a symbol of compassion, generosity, and the pursuit of enlightenment in the story of Prince Vessantara.

Here is a Basic Breakdown of the Thai Jataka Tale;

1. Prince Vessantara, known for his extreme generosity, gives away everything he owns, including a magical white elephant that brings rain.

2. The kingdom suffers without the elephant, and Vessantara is banished with his wife, Maddi, and their children, Kanha (daughter) and Jali (son).

3. A cunning beggar named Jujaka demands Vessantara’s children as slaves.Despite the pain, Vessantara, determined to practice perfect generosity, gives his children away. The children are eventually rescued by the king, Vessantara’s father, who recognizes them.

4. The story emphasizes the importance of generosity in Buddhism, even if it comes at a great personal cost.

5. There are many variations of the tale depending on the region. In Thailand, for instance, the story of Vessantara is a popular festival (Jataka tales are especially important in Theravada Buddhism).

6. Prince Vessantara, known for his extreme generosity, gives away everything he owns, including a magical white elephant that brings rain.

7. The kingdom suffers without the elephant, and Vessantara is banished with his wife, Maddi, and their children, Kanha (daughter) and Jali (son).

8. A cunning beggar named Jujaka demands Vessantara’s children as slaves. Despite the pain, Vessantara, determined to practice perfect generosity, gives his children away. The children are eventually rescued by the king, Vessantara’s father, who recognizes them. The story emphasizes the importance of generosity in Buddhism, even if it comes at a great personal cost. There are many variations of the tale depending on the region. In Thailand, for instance, the story of Vessantara is a popular festival.

The Vessantara Jataka, considered one of the most significant stories in Thai Buddhist literature, narrates the final and tenth life of Prince Vessantara before his incarnation as Siddhartha Gautama, who would later become the Buddha. The tale emphasizes the perfection of generosity and self-sacrifice. Here is a summary:

Key Events:

Vessantara’s Generosity: Prince Vessantara was known for his extreme generosity, which led him to give away anything asked of him. His charitable acts gained immense popularity and admiration.

The Gift of White Elephant: Vessantara’s father, King Sanjaya, became concerned about the prince’s habit of giving away possessions. To prevent potential issues, Vessantara gave away a magical white elephant meant for royal rain ceremonies. This act angered the people, leading to his exile.


Life in the Wilderness:
Vessantara, along with his wife Maddi and their two children, Jali and Kanha, lived in the wilderness, where he continued to practice generosity. However, circumstances led to their separation.

Jujaka’s Request: The family encountered a Brahmin named Jujaka, who, learning about Vessantara’s generosity, approached him requesting the gift of his children. Vessantara, upholding his commitment to give anything asked, reluctantly agreed.

Suffering and Return: The children, Jali and Kanha, were taken by Jujaka, leading to immense suffering for the family. Eventually, the hardships and divine intervention revealed Vessantara’s true identity. The family was reunited, and Vessantara returned to his kingdom.

Moral of the Story: The Vessantara Jataka illustrates the perfection of generosity (Dāna) as an essential quality on the path to enlightenment. Vessantara’s unwavering commitment to giving, even at the cost of personal sacrifice and the well-being of his family, underscores the selfless nature of true generosity. The tale teaches that the journey towards Buddhahood involves overcoming attachments, practicing unconditional giving, and embodying compassion for all beings. The moral encourages individuals to cultivate the virtue of generosity as a means to attain spiritual enlightenment and benefit others.

Luang Por Chaeng

Luang Por Chaeng, Silapanya, born on December 18, 2428 BE, was ordained as a Samanera Novice Monk at 12 and became a fully ordained Bhikkhu Monk at 20. A notable figure in Thai history, he served as the second abbot of Wat Bang Pang in Nontaburi, Bangkok, succeeding Luang Por Pra Atigarn Jaroen. Renowned as a Pra Gaeji Ajarn Master Monk during the Second World War, Luang Por Chaeng was a highly respected exponent of Vipassana Kammathana practice, attracting devotees nationwide. His expertise extended to empowering amulets, making him a sought-after participant in significant Buddha Abhiseka ceremonies, including those for the Thai Military’s magical protective items. In the era of the second world and Indo-China wars, Luang Por Chaeng, along with other revered monks, stood out for their magical prowess. Notable among them were Luang Por Jong of Wat Na Tang Nork, Luang Por Jad of Wat Bang Grabao, and Luang Por Opasi.

During the Indochina War, a ceremony was conducted to empower protective items for the Thai Military, including Pha Prajiad Sipsee Pan Tong by Luang Por Chaeng. The consecrated items, worn by soldiers, became legendary for rendering them impervious to bullets, earning the Thai Military the moniker ‘Taharn Phi’ (Ghost Soldiers) by the French Military. Luang Por Chaeng inherited Wicha from esteemed Kroo Ba Ajarn, such as Luang Por Parn of Wat Bang Nom Kho, Ph Khai of Wat Cherng Lane, Luang Phu Chay of Wat Panan Cherng, Pra Kanajarn Say (Luang Por Say), Luang Phu Sukh of Wat Pak Klong Makham Tao, and Luang Por Jong of Wat Na Tang Nork. Devotees sought Luang Por Chaeng for blessings, amulets, and healing. He welcomed all requests and, for those aspiring to learn his Wicha, emphasized moral development and meditative skills before revealing the secrets of incantations.

With influence from Luang Por Parn, Luang Por Chaeng’s amulets, particularly the Buddha riding animal models, gained popularity. He crafted a variety of amulets, including Monk Coins, Pha Yant Tong Yantra Flags, Sai Sek blessed sandgrains, Pra Kring, Pra Chaiyawat Loi Ongk Statuettes, and Pra Sivali metallic Loi Ongk Statuettes.

In 2484 BE, Luang Por Chaeng released powerful amulets to protect devotees during wartime. These amulets became a world famous historic edition, and were distributed for free during a large ceremony attended by numerous devotees. Luang Por Chaeng passed away peacefully on July 26 (some say 22nd), 2500 BE, at the age of 72. His legacy endures through his teachings and the amulets he created, cherished by those seeking protection and blessings in Thai Buddhism.

Amulets from the Masters of Central Region of Thailand

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Suea Morb Nga Gae Crouching Tiger for Mercy Charm Protection Power and Invincibility Ajarn Heng Praiwan Featured

A very ancient and beautifully carved Animist Charm in Sacred Ivory (highly Aged), of the Suea Morb Elephant-Lion, from the great ex Monk and Lay Master-Sorcerer, Ajarn Heng Praiwan

The Sacred Ivory shows its age through the crevices formed over time, and the agéd yellow patina which has evolved through many decades of contact with the skin. The Suea Morb is known for its power of Mercy Charm (attraction), and to evade Bad Karma and Deadly Accidents, as well as to be in constant readiness to pounce when opportunity for success knocks.

The Suea Morb in ancient ivory is an animist charm believed to be extremely powerful in its effect to attract the auspicious, and deflect the inauspicious. The Tiger is one of the most powerful creatures, and adept hunters on earth, and do not really have any predators above them in the food chain (except Humans!). Hence, the Lion and Tiger are seen as Kings of the Forest, and enjoy a life without having to fear too many dangers.

Free EMS / DHL / FedEx Express Shipping and the option of free solid silver Waterproof Casing is included with this item. An extremely rare to see, and exquisitely beautiful Ancient Ivory Carving, that is among the very rare amulets to encounter by Olden days Lay Master Ajarn Heng Praiwan. A Powerful and Highly Sought After amulet by high-end talismanic amulet, as well as an important historical and cultural religious artifact.

The Suea Morb, as all amulets of Ajarn Heng (due to his empowerment method), can not only protect from dangers, black magic and ill fate, but is also known to be a Wicha for invoking Great Mercy Charm (Metta Maha Niyom), to bring Great Preference to You above Others. The amulet is designed to Attract Helpfulness, Popularity and Success, Imbue power and influence (Serm Yos), Command over Others (Maha Amnaj) & clear the way of difficulties, whilst making all ventures successful.

An excellent choice for those increased ‘Dtaba Decha’ (Recieve Honors, Glory, Respect and Promotion, Dominion and influence), The Sacred Ivory shows its age through the crevices formed over time, and the agéd yellow patina which has evolved through many decades of contact with the skin. The Suea Morb differs from other Wicha Suea, in that, apart from increased Maha Amnaj, and Imposing Influence, protection and Invincibility, it is also known for immense power of Metta Mahaniyom.

If asking for assistance from the amulet, please do not be too greedy each time you pray to the amulet for things, rather set yourself reasonable goals. If you find the right balance, you will experience safe evasion from dangers and immunity to Black Magic, a constant rise in success and status, and standard of living. The Suea Morb can also use its Metta to assist in bringing Victory in Legal Battles, if you are in defense, or pleading of a Court Hearing, in order to receive merciful treatment.

This Hand carved amulet of Ajarn Heng Praiwan, was one of only two we could find over a long period of searching (4 years), and can be considered to be an eternal rarity, which is always sadly more in demand than available. We try to find them as fervently as possible, but even we end up losing the battle often. This is of course, due to the massive imbalance of availability, against demand, and the immense rarity, and small quantity of amulets made by this master.

Tigers, Lions, and other Big Cat type Himapant Animal Deities (such as the Suea Maha Amnaj, Paya Kochasri, Kilen, and Singha), especially when carved from Ivory, are naturally imbued with the Sorcerous Powers of Maha Amnaj (commanding power and influence), Serm Yos Status Increase for positions of command, Gae Aathan Anti Black Magic, and opportunities of promotion, and Metta Mahaniyom Mercy Charm, to lull your Subjects and Charm them into Obedience. Maha Pokasap treasure Accumulation and Cornucopia of Requisites is also Imbued. These powers are said to be present within the ivory itself, even without empowerment, and that people wore ivory in ancient times for this purpose, and over time, developed artistic designs to shape them into animals and other objects of reverence, Deities and the like, to add spiritual significance.

Below: an example of one of the various Roop Tai Kroo Ba Ajarn Ajarn Heng which were released during his Era

 

Ajarn Heng Praiwan was a great Lay Master and Adept Necromancer of olden days, of the Ayuttaya Province. Ajarn Heng was born in the year 2428 BE, and was ordained as a Buddhist Monk when he came of age, at Wat Suwan in Ayuttaya. During his ordained years, he studied many ancient magical Wicha of the grimoires of Wat Pradoo Rong Tam, which was a great library of ancient magical grimoires, perhaps the largest in the country. He became extremely able in the inscription of Khom Agkhara Sanskrit Spells, Kata Incantations, and Sacred Yant, and became very well known as a great Master of Sak Yant Thai Temple Tattoos.

Ajarn Heng Praiwan, studied the Wicha Grimoire of the Dtamra Radtana Mala, until attaining full Adept Mastery, after which he disrobed for a time, to help his parents. After which, he ordained again once more, at Wat Prayatigaram in Ayuttaya, with the Great LP Glan Tammachodti, Abbot of Wat Prayat, as his Upachaya Ordaining Monk. He spent a long period of time learning and mastering the full Dtamra of the Wicha of Luang Por Glan, after which he disrobed again, and became a lay-sorcerer until the end of his days, when he passed away at the age of 75, in the year 2502 BE.

It is said that Ajarn Heng’s father, was either a police officer, or a prison officer, and sent Ajarn Heng to Penang, and Singapore, to be educated. But Ajarn Heng did not finish his schooling, and left, because of his immense fascination and interest in the study of Saiyasart, & the Dtamra Saiyawaet Grimoires, of Thai Buddhist, Animist, and Necromantic Occult Practices. He even traveled to the South of Thailand to learn the most ancient Magical Practices of the Southern Khao or Sorcery Lineages.

After his time practicing and mastering the Southern Lineage Magical Practices, Ajarn Heng returned to his home Province of Ayuttaya, in Central Thailand. Ajarn Heng was now a Master of the Wicha of Luang Por Glan, and the Southern Wicha of Sorcery which dates back to the Sri Vichai Era of Siam. The Wicha Mastered in Entirety of Wat Pradoo, whgich Ajarn heng has undertook, came from the time when King Naresuan Maharach, ordered the Wicha Saiyasart Grimoire texts to be inscribed and stored at Wat Pradoo Roeng Tam.

The inscriptions were begin and finished between the years 2133 – 2148 BE. It was King Pra Mahesuan Maharach, who united the city Kingdoms of Siam and Unified the country into one Land, namely ‘Siam’, or ‘Thailand’, and made the city of Ayuttaya the first capital of the Kingdom (Later to be moved to Bangkok, for logistical and geo-political reasons).

Ajarn Heng began to serve the public and accept devotees, at first by only performing Sak Yant Tattoos, and became known as one of the Top Sak yant Masters in the Country of his Time. Another later Kroo Ba Ajarn and Friend in Dhamma, Luang Phu Si, of Wat Sakae in Ayuttaya (Temple of LP Doo), once told that during the time of King Rama the 3rd, during a time of military dispute, around the year 2475 BE, many regiments of Thai soldiers, of both high and lower standing went to Ajarn Heng for his protective Yant, due to the miraculous powers attributed to them, all one the same day. On this occasion, Ajarn Heng constructed the ritual place at Wat Hantra Temple. Ajarn Heng invited a host of powerful Monks with Psychic Powers to assist in the ceremony of Blessings.

In this occasion (around 2476 BE),Ajarn Heng had to work very hard to gather a large number of Master Monks to come and perform the Suad Nam Puttamont Chanting Ritual, and this was a very had task in those days in Ayuttaya, to travel around and fine enough top masters who knew the chanting of the Nam Pra Puttamont and the Putta Pisek (Buddha Abhiseka) ceremonie. He was assisted in this task, by the great Luang Phu See of Wat Sakae.

Ajarn Heng Praiwan and amulets

But on this occasion, Luang Phu Si could not attend as well, because he was busy with Dhamma Duties at Wat Liab. But, after this Ceremony, Ajarn Heng would always invite Luang Phu Si to attend all of his subsequent Blessing Ceremonies, and assist with empowerment.

Ajarn Heng was a relatively wealth person with two houses and land stakes, one in the countryside in Tung Hantra, and one in Bangkok. And so, he would have devotees seek him out in Bangkok and in Hantra, for Sak Yant Tattoos, and his powerful Takrut amulets. It became popular to get high class artisans to carve his amulets, as well as village people would carve animist charms from ivory, wood, and sometimes, necromantic Ban Neng skullbones, which are of course, along with his famous metallic, and inimitably designed Takrut Maha Jakkapat Metallic Scroll Spells, the most highly valued, rare, and sought after by devotees of the great anbcient Ayuttaya Lay Sorcerer. Finally, Ajarn Heng moved to stay in Suan Malee, until the Wars in Asia Broke Out, whereupon he left the Capital, and returned to his home Province of Ayuttaya.

 

During this time, there were many Gangsters and Highwaymen, and a lot of need for Sak Yant Tattoos for Kong Grapan Chadtri and Klaew Klaad protective Magic, and Ajarn Heng became a highly acclaimed master, renowned for his Yant Gao Yord (A Wicha Obtained from the Great LP Hrun). Ajarn Heng was able to receive additional Wicha from the famous temple of study of Sorcery, Wat Sam Jeen, as well as receiving Wicha from the great Luang Phu Tong, of Wat Rat Ayotaya, and Luang Phu Kam Wibun.

Ajarn Heng’s Kong Grapan magic was so famous, that it became popular for police and military to get his tattoos, but also that they did not like the fact that so many Gangsters had them too, and were impossible to shoot dead. His Takrut Jappapattirach was also both infamous, and those who wore one were feared to be invincible. There was once a time when Ajarn Heng was parked in a boat on the banks of the river at Wat Cherng Lane Temple, where the Police came, and had to forbid Ajarn Heng from tattooing more, because the area was overflowing with Gangs of Highwaymen, and his tattoos were making it impossible for the police to catch them.

Ajarn Heng was known to have been highly able himself with Buddhist Arts, and Carvings, in wood, ivory, bone, and skull Ban Neng, as well as being highly famed perhaps most of al, for his famous Takrut, and Carved Ban Neng. It is even said, that the Great Artist Kroo Hem Waechakorn said of Ajarn Heng that “If there is anyone who can draw the four faced Brahma Image better than anyone, it is Ajarn Heng Praiwan”. Ajarn Heng was extremely adept in Wicha Hanuman for Invincibility, Kong Grapan, Victory, and Loyalty, which were very popular of course with all devotees, be they Police, Civil Servants, Ganster Mafias, Triads, or Military. Ajarn Heng made so many different forms of carved amulets and animist charms, that it is very hard to catalogue all of them, but if one is to say ‘which amulets are the most well known?’ One would say perhaps his carved Ivory amulets and Necromantic Ban Neng, and his famous Rian See Hnaa 4 faced Brahma coin.

 

Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets

Ancient Amulet - Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets') Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days

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Pra Roop Muean Luang Por Thuat Nuea Krang LP Tong Sukh Wat Tanode Luang Featured

A very rare exhibit that is hardly ever encountered in the rpesent day, the Pra Pim Tao Rit Luang Por Thuat Wat Chang Hai, of Luang Por Tong Sukh. This amulet is renowned for its Extremely rich Nuea Krang Sacred Stingless Beepaste, and Putsa Paste Magical Muan Sarn, this amulet is most certainly a ‘Dtua Kroo’ (‘Teacher Model’ instantly recognizable and hence usable as reference of authenticity) This exhibit of the Pra Luang Por Tuad Pim Tao Rit in Nuea Krang, and a very beautiful early era amulet of Luang Por Tong Sukh,of Wat Tanode Luang. The amulet is in Nuea Pong Pasom Krang Kluk Rak, resinous sacred muan sarn, visibly aged, compliant with Krang or Lacquer from this Era. One of the most highly renowned and powerful amulets of the Great Master of Olden days, Luang Por Tong Sukh, of Wat Tanode Luang, in Petchburi.

Luang Por Tong Sukh was born in 2420 BE, and lived 80 years, until his passing in 2500 BE. He was, and remains in History, as one of the top masters of all time of the Petchburi region. whose powers of Kong Grapan Chadtri Klaew Klaad and Maha Amnaj were legendary. He made a number of different varieties of amulets, many of which are found in the high end Tamniab Wadthu Mongkol Pra Niyom (official catalogues of preferred amulets of the National Amulet Appreciation Societies).

 

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Free Registered Air Parcel Shipping Worldwide is Included with this Amulet, along with the offer of free Waterproof Casing if desired. Many of his amulets are eminent figureheads of the Pra Niyom Master Class category of amulets, and are extremely rare items to find.

Luang Por Tong Sukh was the Kroo Ba Ajarn of many other Great Monks of the following Generation, who are now famous names in their own right, beginning of course with the most obvious, Luang Por Phaew, Abbot of Wat Tanode Luang. It was Luang Por Phaew who inherited his Magical Wicha and also the Administration of the temple of Wat Tanode Luang as its Abbot. The Nuea Krang amulets of Luang Por Tong Sukh Wat Tanode Luang, are often found to be made from the famous Krang Putsa Magical Resinous Paste of the great Master Sorceror Monk of Wat Tanode Luang. Among the amulets with most preferred and holding renowned fame are the Takrut Pork Krang, the Look Om Nuea Krang, Pra Roop Muean LP Tong Sukh, and Pra Roop Muean Luang Por Tuad. Sometimes one may see a Sacred Guru Monk Coin of LP Tong Sukh with Krang paste on the rear face too (very rare indeed). Other amulets include of course Pra Rian Momk Coins, and his world-famous Hua Hwaen Na Bad Dtalord Magic Ring.

Luang Por Tong Sukh was also the Kroo Ba Ajarn of many of the Top Masters of the Era which followed him, including the Great Luang Por Jang, and of course of Luang Por Phaew, the abbot who succeeded him. The amulets of Luang Por Tong Sukh are incredibly rare, and carry a relatively high price-tag, enough to demand faith in his amulets, but still affordable to any serious collector who seeks an amulet of the calibre of Luang Por Tong Sukh.

The list of great masters who studied and practiced under Luang Por Tong Sukh were;

Luang Por Un (Wat Tan Gong – now Deceased), Luang Por Huan (Wat Nikom Wachiraram – now Deceased), Luang Por Yid (Wat Nong Jork – now Deceased), Luang Por Jantr (Wat Mareuka Tayawan – now Deceased), Luang Por Nim Mangkalo (Wat Khao Noi – now Deceased), Luang Por Yorn (Wat Tanode Luang – now Deceased), Luang Por Phaew (Wat Tanode Luang – now Deceased), Luang Por Thaem Silangwaro (Wat Chang Taeng Grajat), Luang Por Heng (Wat Huay Sai Dtai, and Pra Ajarn Ji, of Wat Nong Hwaa

Amulets :

The most famously powerful and highly sought after amulets of Luang Por Tong Sukh in his lifetime were;

1. His Sak Yant tattoos. His Look Om Nuea Krang Ying Mai Ork Gunstopper Sacred Powder Ball ‘Bonbon Amulet’. One of the rarest kinds of Look Om of all to be found in the Pra Niyom Category of amulets. Reputed to have saved the lives of many devotees through gunstopper magic.

Below : Luang Por Tong Sukh and his famous Krang Putsa sacred resinous Substance

2. The first and second edition Rian Kanajarn Luang Por Tong Sukh Monk Coin, renowned for Kong Grapan Chadtri Maha Ud Klaew Klaad Protective Miracles, with extra power to protect against poisonous beasts in a spell written on the rear face.

Below : 1st edition monk coin Luang Por Tong Sukh

 

Below : 2nd edition monk coin Luang Por Tong Sukh

Rian Luang Por Tong Sukh

3. The Hwaen Hua Na Bad Talord Gan Asurapit Luang Por Tong Sukh Magic Ring of Protection, with special ability to defend against all Poisons, Venomous or Wild Animals. highkly renowned for its rare power to guard against wild beasts and poisonous plants and animals. Extremely rare to encounter. This Wicha continued to be famous with Luang Por Phaew, who inherited the Wicha from Luang Por Tong Sukh, and whose Hwaen Hua Na Bad Dtalord rings are almost equally famous, but much more affordable.

Below; Hwaen Hua Na Bad Dtalord Luang Por Tong Sukh

4. The Takrut amulets of Luang Por Tong Sukh are various, and serve different purposes, ranging from the Takrut Jet Dork (7 scrolls on a cord) for Multiple Blessings, the Takrut Sam Kasat (triple Takrut with bronze, silver and brass concentric scrolls) , for Kong Grapan Chadtri, the Takrut Klord Ngaay, for easy childbirth without pain, and the Takrut Sariga for Mercy Charm and Prosperous Business.

Below; Various types of Takrut from Luang Por Tong Sukh

Miracles

One of the more famous folk tales about the miraculous powers of Luang Por Tong Sukh, is the story of the ability to inscribe Sacvred Yantra Spells on the surface of material objects with his Psychic Powers; One time Luang Por was at Wat Ta Kham, and soime devotees came to beseech him for some ‘Ya Dtom’ Healing Potion from him. To make this potion, Luang Por required some Bai Magaa leaves, which needed to also be pre-inscribed with the Yant Pra Jao Ha Pra Ongk (Na-Mo-Put-Yaa-Ya). So Luang Por Tong Sukh sent his Samanera Novice apprentice monks out to collect some, and help him inscribe them all before boiling the potion.

Luang Pu Thuat amulet LP Tong Sukh

Luang Por asked the Samaneras to help him inscribe the Yant on each leaf of the Magaa tree. But the Samaneras were taking a long time to inscribe the yantra on each single bai magaa leaf, and so Luang Por exclaimed ‘This is going to take all day, bring all the leaves over to me in a pile on top of each other and i’ll finish the job’

Luang Por Tong Sukh Wat Tanode Luang

The Samanera carried the leaves to Luang Por and gave him a pile of about 20 leaves in his hand. Luang Por then inscribed the top leaf performing incantations, and lo and behold, as he gave the pile back to the Samanera, every single leaf was inscribed with the Yant Pra Jao Ha Pra Ongk!!

 

Important Ceremonies

Luang Por Tong Sukh was present to empower amulets in some of the most important and powerful blessing ceremonies in the History of Thai Buddhism, invited by a high ranking official of government to attend to bless with his powers, in the ceremonies of Wat Rachabopit for the 2495 BE Mongkol Gao edition and the Pra Kring Yord Hmud with 18 other Great Masters. Luang Por Tong Sukh also attended the Ceremony to bless the Military and distribute amulets in the Great Indo-China war ceremony. Luang Por Tong Sukh was also one of the many Masters present to empower the large series of amulets blessed in the celebration of 2500 years of Buddhism, the ‘Yee Sip Haa Satawat’ 25 Centuries Edition

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Takrut Tone Ying Mai Ork Pork Nuea Krang 2 x 1.2 Cm Luang Por Tong Sukh 2470 BE
Takrut Tone Ying Mai Ork Pork Nuea Krang 2 x 1.2 Cm Luang Por Tong Sukh 2470 BE
Takrut Tone Ying Mai Ork Pork Nuea Krang 2 x 1.2 Cm Luang Por Tong Sukh 2470 BE
Small Version of Luang Por Tong Sukh's Legendary Takrut Pork Krang Amulet, that is extremely rare to find in this size.
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Palad Khik Hua Chamot Dtua Kroo Jumbo 10 Inches Ud Kring Fang Mukh Ploi Sek Lin Takrut Luang Por Pina Wat Sanom Lao Featured

Palad Khik Hua Chamot Dtua Kroo 10 Inch Jumbo Size Luang Por Pina

Special Jumbo‑size, 10‑inch‑long Dtua Kroo version of the all‑time classic *Civet‑Head Palad Khik* from LP Pina, this remarkable piece boasts a striking green gemstone emerald for its eyes, adding a vivid, almost hypnotic depth to its gaze. The intricate design features a Kring Met Gan Fa Pha bead rattle embedded within the body, while a delicate sea‑pearl is carefully set into the belly, creating a subtle play of light and texture. Hand‑inscribed gold‑leaf blessings adorn the surface, each stroke conveying reverence and craftsmanship.

Surrounding the Palad Khik are a horde of Khom Agkhara spell inscriptions—Sacred Na, Yant Hua Jai Na, and Ok Dtaek—each etched with meticulous detail, suggesting ancient protective charms. Weighing in at 360 grams, the heavy wood construction gives the piece a substantial, grounded presence, while a Chueak Kart Aew cord belt, once attached, hints at its ceremonial use or display. The overall effect is a richly layered artifact that blends artistry, symbolism, and tactile allure into a single, commanding object.

When speaking internationally, we behold here a very large and pristine example of one of the Most Famous Palad Khik amulets of all time, and one of the rarest and most sought after; The Palad Khik Hua Chamot Mai Gae carved wooden Palad Khik of Luang Por Pina (Wat Sanom Lao), with gemstone eyes, Met Gan Fa Pha rattle inserted within the body, pearl insert, and golden Takrut spell as the tongue

The Yant Hua Jao Na Ok Dtaek is inscribed on the shaft, with gold leaf blessing.. The Palad Khik is as is Ubiquitous with Luang Por PIna, empowered with hand inscriptions of the Sacred Yant Na Ok Dtaek, and the invocation of the four elements.

These amulets are highly regarded for their power to invoke the power to attract others, treasured possessions, and ward off black magick. They are also full of Metta Mahaniyom, Maha Lap Klaew Klaad and Maha Pokasap Powers as well as the obvious Power of Serm Duang ability to improve fate and destiny.

Free EMS Registered Airmail Worldwide is included with this amulet The Palad Khik is in truth symbolic of the Shiva Lingam; The belief in the Shiva Lingam, or ‘Leungk’ (Thai pronunciation) phallic energy of the Palad Khik, is derived from the Brahman influence which has been inflected on Thai Theravada Buddhism, since both belief systems came to Siam more than one or two thousand years ago. It is believed that the Palad Khik Lingam energy is the source of all life forms in the Universe. This is the root of the act of reverence (Bucha/Poojah) to the Palad Khik as a Shiva Lingam, which honors Shiva as the Lord of the World.

In India, not only is the Shiva Lingam worshiped, bit there exists also a
cult which reveres the female sex organ, which is called the ‘Yoni’(Vulva, female counterpart). The same thought is applied as that used to revere the Palad Khik Shiva Lingam, that is to say, that all created things must spring out of the Yoni instead of the Lingam.

Below; hand scratched etchings of Luang PorPina’s Famous Sacred Na Inscription on the shaft of the Palad Khik, conceal a Kring Bead inserted within the interior of the Palad Khik

The practice of making Palad Khik as a portable amulet, for ‘Bucha Siwalingk’ (praying to Shiva Lingam phallic Deity), entered Siam with the influence of the Khom race, whose language and alphabet the Thais absorbed and adapted into their own personalized fashion.

Some have said that the integration of Pre-Buddhist beliefs and traditions, into the Thai Theravada Buddhist practice of the common Folk, such as worshiping amulets like the Palad Khik, is not in contradiction to the practice of Buddhism and presents no obstacles. In fact it is believed that since Buddhism sprang out of the roots of
Brahman Cosmology, and that the people of Siam adopted Pre-Buddhist
Brahman traditions and incorporated them, that this is even a benefit to
the preservation of ancient knowledge, and of Thai history and
tradition. Most of these ceremonies do not come into any kind of dispute
with Buddhist thought. In fact, Buddhist Thought bases itself on many
concepts found in Hinduism, and in Thailand, the two Belief Systems can
hardly be separated.

This amulet is ‘Doo Ngaay’ (easy to see it is real), for its clearly recognisable from its inscriptions and appearance. It is hence considered Ongk Kroo (usable as a teacher), as a reference model for further study to increase the powers of recognition of authenticity of the top preferred Palad Khik amulets of Luang Por Pina. However, the Pantheon of amulets of LP Pina is one of the more difficult genres to study, for many were hand made, each individual, and only a small percentage of all the amulets he made has been officially documented to date.

This is for its easily recognisable features, which allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognize Luang Por’s famous amulets, as well as the effects of aging over the years (especially important with Sacred Powder amulets)

Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion. Below you can see another Sacred Amulet from this Master, the Famous Pra Pim Tao Wua Luang Por Pina.

It is said that Luang Por Pina was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs, and also can be beseeched and prayed to, for wish fulfillment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets, which have been recounted around the country over the years, which have also brought his name to the ears of people around the world.

Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.

But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.

The remains of Luang Por Pina in meditation posture

Above Pic; The corpse of Luang Por Pina which was found in meditation posture, dead since over 12 Hours, but was still warm, and not stiff, to the immense surprise of those who found him. The surprise was because a corpse that is dead for over 12 hours, should be stiff as a board and cold.. his body was not mummified or given any special treatment according to his wishes and placed in his mausoleum.

How to Bucha Palad Khik

Below; Golden Brass Takrut spell as tongue of the Chamot Civet Cat, is visibly inserted into the mouth of the Palad Khik Hua Chamot of Luang Por Pina, revealing an attention to detail and adherence to the Ancient Wicha of Empowerment of the Palad Khik Hua Chamot, that is both impressive, and faith instilling in its certain magical power.

Kata Luang Por Pina

Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

 

Then chant the Kata for Luang Por Pina (3 times);

Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi

Kata Pluk Khong (Call the power within the amulet)

Puttang Gandtang Saranang Haa

Puttang Gandtang Saranang Hae

Puttaaa Namo Ya

 

Kata Pra Som Hwang (Fulfilment of Wishes)

Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)

Nadtae Sudtae

The last repetition, change the words to

Mahaa Sudtae Nachaa

As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;

Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa

 

If you wish to know more about another famous amulet of Luang Por Pina, then you can listen to the three quarter of an hour talk and explanation of the Sacred Daw Aathan along with a short Biography of Luang Por Pina, recounted and narrated by Amulet Expert Ajarn Spencer Littlewood in the below Podcast. In the podcast, You will be amazed to learn about the very deep meanings contained within the Daw Aathan Hnun Duang Lucky Star amulets of Luang Por Pina.

Please Enjoy the Biography, and Explanation of another very famous Amulet of Luang Por Pina, revealed; Perd Dtamnan Daw Athan Hnun Duang, and increase your knowledge of the amulets of Luang Por Pina.

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Khun Phaen Nang Kumarn Tong Hlang Riab Nuea Khaw - Luang Por Guay Wat Kositaram Featured

A very rare occult amulet and variation of Khun Phaen model from the pantheon of Luang Por Guay, of Wat Kositaram, the Khun Phaen Nang Kumarn Tong Votive Tablet with Necromantic Hoeng Prai Child-Ghost below the throne of Khun Phaen, with this rare model being the ‘Hlang Riab’ smooth backed model, in Nuea Aathan Powerful Sacred Earths, Funereal Ashes, Ground Bones, with Pong Wosed Yantra Powders.

This exhibit is from the 2513 ‘Run Prasopgarn’ edition from the great Master Luang Por Guay, and is along with all his amulets, highly reputed for its very powerful magic. The Khun Phaen Hlang Kumarn Tong edition came to be known as the ‘Run Prasopgarn’ (Proved Powerful by Experience Edition), as it was given to many devotees who came to get Sak Yant Tattoos from Luang Por Guay. They would come to get four Hanuman tattoos (one on the back, chest, and each arm).

 

Most of Luang Por Guay’s Looksit were Nak Leng (Gangsters) and Suea (Mafia Bosses and Villains), and would be entering into deadly situations on a daily basis. And so the amulets of LP Guay had more than their share of chances to test their power, and it was this extremely high quota of lifesaviing miracles experienced by his devotees who wore his amulets, that brought the Khun Phaen Hlang Kumarn Tong Run Prasobgarn, and other amulets to such great favor.The front face features the image of a Buddha in the Mara Vichai Subduing Mara posture, with one hand touching the earth, calling the Dharani earth Goddess as Witness to his Merits.

 

The Buddha has elongated ears, and is seated within a crystalline arch. Below the Buddha is a Kumarn Tong Golden Child Ghost Deva. The rear face of the amulet isflat surface (Hpang Riab) one of two versions, the other having the image of a Kumarn Tong, seated with hands on his legs, with a plump well-fed stomach, and a happy mood of prosperous living.

 

Kata Hua Jai Khun Phaen

Su Na Mo Ro Mo Ro Su Na Na Ma Pa Ta Ja Pa Ga Sa Na Maa Mi Hang

 

How to Worship Kumarn Tong

Kata to call the Kumarn Tong (Kata Riak Gumarn Tong)

Aehi Kumaaro Aehi Kumaaree Aehi Rak Yom Aehi Prai Tong Bpiyang Ma Ma Bpudt-Dtang Wasaayadti Aaragkhaana Bpajjayo Rao Rak Yom Kumarn Tong Jong Maa Aehi Ma Ma

Alternative Version;

Om Pani jijeruni Pantang Aehi Ma Ma

When you go places or enter and leave buildings you should speak to the Kumarn in your heart to accompany you. When you eat, you should speak in your heart that the Kumarn should come to eat with you. Make a separate offering do not give from your own plate.

The Kumarn will call friends. customers and riches to you, lovers and admirers, and will chase away enemies and protect you and your household and family. When bringing the Kumarn into the home for the first time, you should tell the Kumarn that the people in the house are friends and that the Kumarn should accept and look after them too.

Kata for giving the Name to the Kuman (chant when giving him his name).

Naamaanang Samaa So Yudt Dta Tho Yudt Dta Tha” “In the Name of the Kroo Ba Ajarn – I name you (Name which you wish to give your Kuman Tong”.

Say this 3 times, and the next day chant only once. You must always remember his name and must introduce him to all people in the house, and ask him to also protect and lend prosperity to them all.

KATA FOR EMPOWERMENT OF KUMARN TONG

Aehi Gumaarang Udti Uni Na Ang Idti Putto

KATA FOR CALLING THE KUMARN TO EAT.

Jadturapuudtaanang Ahang Waayang Ammahaara Kumaarang Kumarn Tong Maa Rap Pochanaa Aakajchaahi Dtiwadtabpo Aakajchaaya Maa Look Maa

Kata Pluk Kumarn Tong

Na Ma Pa Ta Gumaara Phuudti Bpadti Ruu Bpang Naama Dtae Laapo Namo Hoemi (Chant 3 Times to Awaken the Kumarn)

Kata Perm Rit Kumarn Tong (Charge Up Power)

Dtaadta Paya Bpudt-Dta Aehi Jidt-Dtang Bpiyang Ma Ma

Kata Atithaan Kumarn Tong (Ask For Wishes To Be Granted)

(Maha Namasakara x 3 first)

Ja Pa Ga Sa Jid-Dta Mahaa Jidt-Dtang Bpiyang Ma Ma

 

Kata Gamgab Kumarn Tong (To Command the Kumarn on a Mission)

Gumaarang Bpadt Sandtang Plaay Yanaa Mahaa Su Wi Sae Tha Itti Rit Mutu Dtaanang Sud Suu Sang Mahaa Chanaa Dti

Kata Adtithaan Khor Lap

(Use to make wishes and ask for Lucky Blessings, or to win the Hearts of Others).

Aehi Jidt-Dtang Jidt-Dta Pantang Pakinimae Jidt-Dtang Pantang Bpiyang Ma Ma

Luang Por Guay Chudtintaro

Luang Por Guay’s amulets have reached the highest level of respect and collectorship in their history now, and are considered to have noticeable effects that are felt be everybody who owns and wears one of his amulets. The stories of confirmation of their power are more than can be counted, and his Great Patipata (practice), and Exceedingly Powerful applied methods of Sorcery, are a large part of what attributes to their power.

His amulets are now extremely rare to find because those who already own any will never wish to part with them again, and they are hence becoming one of the rarest kind of amulets to find these days. Usuallly this happens because of speculation by the collector scene, but in the case of Luang Por Guay’s amulets, it has happened primarily for their Sacred Value, much much more than for their collectorship and artistic value, which is of course also extremely high.

Luang Por Guay is famous for his immensely diligent and complex manner of empowering (Pluk Sek) amulets, which involved daily empowerments at various times of day namely at dawn, morning, midday, afternoon, evening and midnight. In addition, he would perform empowerments during the various ‘Reuks’ (Astrological Influential moments), to bring total coverage of protection and fortuitous blessings to all who might wear and Bucha his amulets.

This ritual involved the Adept knowledge of the ‘Reuks Mongkol’ Buddhist Auspicious alignments, the ‘Reuks Jone’ (Gangster Alignments), Inauspicious Alignments, and the ‘Reuks Bun Paya Marn’ Demonic Influential Alignments. This means that it did not matter who wore his amulets, Good people would wear them, Gangsters would wear them, anybody could wear them without loss of magical effect. Luang Por Guay was born on 2nd of November 2448 in the year of the snake. Luang Por Guay was already was already able to read the Dhammapada and Pali Prayers long before he ordained at the age of seven, having learned from Luang Por Khuad. Luang Por Guay was Ordained on the 5th of June 2467 at 15:17 pm.

He was aged 20 years old. Luang Por Guay was famous for his Mastery of many different Wicha, including the Wicha of Tattooing Sak Yant. Every single edition of amulets he ever made are now rare classics and highly revered for their Magical Power. On the 1st September 2491, Luang Por Guay was elected Abbot of Wat Ban Kae which was celebrated with delight by the local devotees.

Luang Por Guay saw that the folk of Ban Kae were very poor and many people did not have enough to eat, and thus took up the practice of only eating one meal a day instead of the two before midday which are normally allowed for a Maha Nikaya Buddhist monk, in support of the people and to consume less. He would help the poor and needy and heal the sick, give Buddha amulets to those who needed some confidence and something to help them fight on in life, and try his best to improve the life of local Folk in general. He was very loved for this by the local Folk. Luang Por was not a monk who liked to build things or develop, he liked simplicity and stillness.

Even his Kuti was old ‘Song Thai’ (Thai style wooden house), that he had given the temple lay committee and some Looksit the task of building it to save money, and only hired special craftsmen for the most difficult pieces of the building. The temple thus only had old rickety Kuti huts and no fancy buildings except for the Uposadha shrine room, the Kuti Chudtintaro (memorial Kuti hut for LP Guay), and the Sala Tam Bun building. Luang Por Guay passed away, on the 12 April 2522 at the age of 75 years old. He passed on in peaceful recline.

The year before he died, he fell ill, and was carried to Paya Tai hospital for examination. The examining Doctor concluded that Luang Por Guay was suffering from food deficiency since over 30 years, and gave him some protein supplements for a period of a whole month, which turned out to still not be enough for his physical needs.

But when Luang Por returned to the temple, he continued his habit of eating only one meal a day without paying attention to the warnings. It seemed that since his return from hospital though, that his casting of magic spells and empowerment of amulets had become even more effervescent and intense. He seemed very strong physically as far as outside appearances went. In the year 2522, Luang Por wrote down two notes in his calendar; Pra Luang Por Guay marked the day he would become ill with blue pen, and the day he died was marked in red pen.

The days were the 11th March, and the 11th April 2522 BE. Luang Por had written the Pra Kata Namo Dta Bord, and the words “I Pra Guay Na Dtandto Namo Dtandti Dtandti Dtandto Namo Dtan Dtan – will die on the 11th April at 7:55”. As the 11th came nearer, Luang Por Guay fell ill, but it was not possible to detect any fever or recognizable illness – he could not eat, and would even spit his rice out and refuse any more, instead grabbing a piece of Tkgrut Foil, and inscribing spells.

In the night he would hold the Sai Sincana cord and empower amulets. He would inscribe lottery numbers on the palm of his hand, and sometimes show to Looksit with Choke Lap who came to pay last respects. In the night he would hold the Sai Sincana cord and empower amulets. He would inscribe lottery numbers on the palm of his hand, and sometimes show to Looksit with Choke Lap who came to pay last respects. As the tenth arrived, everybody came to await his passing, but on the 11th he was still alive. Some of the temple committee suggested that his Kuti was full of magic and even images of the Kroo, perhaps no Deities could enter to take him.

So they moved Luang Por Guay to the chanting room, where he opened his eyes in farewell for the last time, placed his hands together, and then, something amazing happened; The temple bell fell down from where it was hanging, and crashed to the floor ringing out loud with a resounding echo. The Looksit then realised that Luang Por Guay had passed on in this moment, and tuned to look at the time. It was exactly 7:55 am on the 12th April. The 12th of April every year is the date for paying reverence to Luang Por Guay at Wat Kositaram, where Looksit gather each year to pray to Luang Por Guay and ask for his blessings to continue to protect them and improve their lives.

Luang Por Guay (2448–2522 B.E.)

Biographical Timeline

Event Date
Birth 2 Nov 2448 (Chainat)
Ordination 5 Jun 2467 (age 20)
Abbotship (Wat Ban Kae) 1 Sep 2491
Death 12 Apr 2522 (07:55)

Key Practices

  • Asceticism: Ate once daily to align with community poverty
  • Empowerment Rigor: Six daily Pluk Sek rituals synchronized to astrological phases
  • Terminal Vigor: Magical output intensified during final illness despite clinical malnutrition

Posthumous Veneration
Annual ceremonies at Wat Kositaram on April 12 commemorate:

  • His precise death prediction (noted in red ink)
  • The temple bell’s self-ringing at his passing

Legacy Significance

Luang Por Guay’s amulets remain scarce because:

  1. Functional Efficacy: Wearers retain them for verified protective benefits
  2. Ritual Investment: Multi-temporal enchantment protocols exceed standard consecration practices
  3. Biospheric Resonance: The monk’s life-death continuum reflects localized Buddhist engagement with materiality and transcendence

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Bia Gae Hum Dtakua Long Rak Daeng Hand Spell Inscription Luang Pu Tong 1st Master of Wat Klang Bang Gaew Circa 2395 2418 Featured

A truly rare, certificated authentic, and the most ancient, top class close to Bicentennial amulet (almost 200 years), and a ‘first lineage-master’ amulet, estimated made between the years 2395 and 2418 BE (Pre 1797 C.E.), and individually personalized exhibit, covered with red lacquer from the Originating Master of the Wicha Bia Gae of Wat Klang Bang Gaew, a certificated authentic antique ancient exhibit of the Bia Gae of Luang Pu Tong, of Wat Klang Bang Gaew, the Master who transmitted the Wicha further on to the Great Olden days master and his first apprentice, Luang Pu Bun. The Bia Gae of Luang Pu Bun are in themselves considered top 5 Bia Gae, but one must consider the fact that hardly anybody except the niche collector, devotee of LP Tong and the Lineage Masters of Wat Klang Bang Gaew.

LP Bun, his apprentice, is much morer well-heard of both in Thai and Foreign circles. LP Bun Had two main Kroo Ba Ajarn, namely Pra Palad Tong (the creator of this most ancient amulet), who taught LP Bun Wicha Bia Gae, as one of two mentors, the other, was the Great Pra Palad Parn, who taught the great LP Bun the Wicha Jinda Mani Mont, for Ya Wasana Jinda Mani powders), covered in red ancient herbal lacquer, and inscribed with hand made Khom spell inscriptions, of the immortally famous Bia Gae Cowrie Shell Alchemical Mercury filled Talismanic Amulet of the Master of this Wicha, the Great Luang Phu Bun, of Wat Klang Bang Gaew.

The Bia Gae being perhaps one of the early era and known to be powerful, is an extremely Rare Amulet of the Pra Niyom Master-Class of the Pantheon of Luang Phu Bun, of Wat Klang Bang Gaew, in Nakorn Pathom, especially for its highly recognised inscription visible through the gold leaf. The Bia Gae is a Cowrie Shell Animist Charm for Healing, Prevention of Poverty, and solution to all problematic obstacles in life, including Black Magick Curse Protection, Wealth Increase to Ward off Poverty, and Good Health.

The Bia Gæ (sometimes written “Bia Kae”) is a traditional Thai protective amulet made from a copper‑plated “shell” (the bia). It is created by a line of senior monks from Wat Klang Bang Gaew (formerly Wat Kongkaram). The craft has been handed down for many generations, beginning with Luang Pu Thong, the teacher of Luang Pu Bun, and continuing through Luang Pu Perm, Luang Pu Bai, Lu Pu Juea, and then Pra Ajarn (Kong) Sanya. Because the method is preserved in a small, secretive lineage, authentic Bia‑Gæ from this temple are now extremely rare and command high prices.


2. The Lineage of Masters

 

Monk (Thai name) Position Approx. Period Notes
Luang Pu Tong (Wat Klang Bang Gaew) First known master of the craft Early 20th c. Teacher of Luang Pu Bun
Luang Pu Bun (Wat Klang Bang Gaew) Main exponent, popularized the amulet Mid‑20th c. Produced many Bia‑Gæ for laypeople
Luang Pu Perm (Wat Klang Bang Gaew) Continued Luang Pu Bun’s method Late 20th c. Same potency as his predecessor
Luang Pu Bai (Wat Klang Bang Gaew) Received the technique from Luang Pu Perm Late 20th c.–early 21st c. Served as the bridge to the current master
Luang Pu Juea (Wat Klang Bang Gaew) Current holder of the secret method Present day Works together with Luang Pu Perm when filling the amulet

Only these three monks (Luang Pu Bun, Luang Pu Pherm, and Luang Pu Juea) are known to have received the full transmission. Their Bia‑Gæ are now highly prized by collectors and devotees.


3. Materials & Requirements (as explained by Luang Pu Bun)

  1. One Tael (≈ 1 lb) of elemental mercury – considered a sacred substance.
  2. A “shell” (ho bia) – a small, hollow copper‑plated container.
  3. 32 tiny “fangs” (sui) – the number must be counted precisely.
  4. A flat lead sheet – sometimes a piece of red cloth is added.
  5. A tray, incense, candles and flowers – for the offering ceremony.

The seeker who wishes to obtain a Bia‑Gæ must bring all of the above items to the monk after the monk has completed the morning or evening ubosot (ordination hall) rites.

 


4. The Ritual Process (as performed by Luang Pu Bun)

  1. Consecration of the mercury – the monk invokes the Buddha‑Veda and blesses the mercury.
  2. Filling the shell – the blessed mercury is poured into the ho bia, then the 32 fangs are inserted and the opening is sealed with the lead sheet (or the red cloth).
  3. Further chanting – the monk recites additional Pali verses while the amulet is still in the temple.
  4. Encasing in lead – the sealed shell is wrapped in a thin layer of lead together with Buddha images from the temple, then returned to the monk for a second inscription of sacred numerals (the yantra).
  5. Final consecration – the amulet receives one more blessing and the monk writes the final akhar (protective characters).
  6. Delivery to the devotee – the finished Bia‑Gæ is handed back to the requester. The owner may then have a monk thread the amulet with a cord of his choosing (often rope, silk, or rattan); the cord is believed to increase durability.


5. Continuation after Luang Pu Bun

When Luang Pu Bun passed away, his disciple Luang Pu Pherm inherited the complete procedure and produced Bia‑Gæ using the same formula, preserving the same level of potency.
Later, as Luang Pu Pherm grew older, he passed the knowledge to Luang Pu Bai, who became the next “master of the Bia‑Gæ”.
Today, Luang Pu Juea works closely with Luang Pu Pherm; when the mercury is poured into the shell, Luang Pu Juea applies the lead covering and performs the final inscription and blessing.


6. Purpose & Buddhist Merit of the Bia‑Gæ

  • Protection from spirits, demons, and sorcery (khwan‑phii, khui‑phii).
  • Shield against “forest fever”, poisonous herbs, and harmful substances (e.g., insect venom, poisonous plants).
  • Neutralises black magic, curses, and malicious intent from both human and supernatural sources.
  • Strengthens the wearer’s mental clarity and guards against ignorance and delusion.

Because the mercury is regarded as a sacred element in Thai esoteric tradition, the amulet is said to carry strong Buddhist merit (puñña). Practitioners use it for personal safety, health, and success in business, politics, or any competitive field.

 


7. Suggested Use & Prayers

  1. Preparation – set a small altar with holy water, a Buddha‑image or Phra Phuttha (e.g., Phra Phuttha Rakhsa), red flowers, incense, candles, and a offering of rice, sweet foods, and medicinal herbs.
  2. Recitation – chant the Three Refuges and Five Precepts, then invoke the Buddha‑Veda while placing the Bia‑Gæ on the altar.
  3. Specific petitions (examples from oral tradition):
    • For protection against disease, poison, and poison‑induced madness.
    • To ward off evil spirits that cause hallucinations, nightmares, or disturbances.
    • To secure success in battles (literal or metaphorical), politics, business, or examinations.
    • To protect families, especially children and the elderly, from harmful influences.

The amulet can be worn around the neck, carried in a pocket, or placed in a vehicle, home, or workplace. Many believers keep several Bia‑Gæ and position them according to the direction of potential threats (e.g., front for overt enemies, rear for hidden foes, right side for royal patrons, left side for feminine influences, etc.).

 


8. Historical Background of Wat Klang Bang Gaew

  • Original name: Wat Kongkaram (Temple of the “Kongka” Tree).
  • Architectural evidence: The ubosot, viharn, and stone Buddha images suggest an Ayutthaya‑period origin, later restored repeatedly during the early Rattanakosin era.
  • Artistic highlights: Early‑Rattanakosin wall paintings inside the ubosot display high craftsmanship.

Literary reference: In Sunthorn Phu’s Nirat Phra Phuttha, the poet describes the temple’s splendor:

“ถึงบางแก้วมองเขม้นไม่เห็นแก้ว
เห็นแต่แนวคงคาพฤกษาสลอน
มีวัดหนึ่งโตใหญ่ใกล้สาคร
สง่างอนช่อฟ้าศาลาตะพาน
คูเบื้องบนอาวาสก็ลาดเลื่อน
ต้นตะเคียนร่มรกปกวิหาร”

(Translation: “When looking toward Bang Gaew one sees no glass, only the tangled roots of the sacred Kongkha tree; a great temple stands near the Saraburi river, its lofty spires touching the sky, and the monk’s dwelling rests beneath a steep cliff, protected by the shade of takian trees.”)

  • Renaming: In 1922 (B.E. 2465), during the tenure of Luang Pu Boon, the Supreme Patriarch Somdet Pra Wachirayan Voras, recognizing the temple’s location at the mouth of the Khlong Bang Gaew, officially renamed it Wat Klang Bang Gaew (Middle Bang Kaeo Temple).
  • Neighbouring temples: It shares borders with Wat Mai Suphadit (south) and Wat Tuk Tata (west).


9. List of Abbots (as far as records allow)

  1. “The Master of the Building” – name unknown; early patron who erected the first shrine.
  2. Pra Palad Thong – died ~1915 CE (B.E. 2458); served roughly 40 years.
  3. Pra Atikarn Jaeng (called “Luang Pho Gae”) – died ~1925 CE (B.E. 2468).
  4. Pra Phuttawittī Nayok (Luang Pu Boon Khan‑tcho‑ti) – abbot 1886–1935 (B.E. 2429‑2480), 49 years.
  5. Pra Palad Loh – acting abbot for 4 years (mid‑1930s).
  6. Pra Phuttawittī Nayok (Pherm Punyawatsano) – abbot 1939–1973 (B.E. 2482‑2526), 44 years.
  7. Pra Palad Bai (Kun Wiro) – acting abbot until 1973 (B.E. 2526).
  8. Pra Kru Sirichai Kanarak – current abbot (as of 2025).


10. Buddhist Merit & Modern Appeal

The Bia‑Gæ from Wat Klang Bang Gaew is reputed for:

  • Great “metta” (loving‑kindness) and “karuṇa” (protective) merit – believed to bring safety, health, wealth, and career advancement.
  • Strong “kamma” (karma) power, making it popular among businesspeople, government officials, military personnel (especially those serving in the three Southern border provinces), teachers, doctors, entertainers, athletes, and ordinary folk who seek any competitive edge.

Because authentic pieces are scarce, their market price is high, but many devotees consider the investment worthwhile for the long‑term spiritual and material protection they provide.

 


11. Concluding Note

The Bia‑Gæ of Wat Klang Bang Gaew embodies a living tradition that intertwines Thai esoteric Buddhism, local folk belief, and a carefully guarded monastic lineage. Its creation involves a precise combination of sacred materials, ritual chanting, and the hands of monks who have inherited a secret method for over a century. Whether viewed as a religious talisman, a cultural artifact, or a collector’s item, the amulet continues to hold a respected place in Thai spiritual practice today.

In truth, the Bia Gae helps health in more than just its Sacred Healing magic, for it also Prevents Poverty, allowing us to afford the necessary medicines and healthy lifestyle. Good health can also only be maintained, when one has all the necessary requisites, and in this day and age, money is a daily requisite, and one cannot have good health if attacked by black magick, or sorcerous curses. To use and ensure the effectivity of the Bia, it should be carried with you always and you should speak to it within your heart and connect with it, until you feel one with it. Then you should be able to feel the vibrations, protective or passive stance it takes when others approach. Bia Gae can be used as a magical ritual tool, to make Holy Prayer Water and use the water to wash wounds, and even drink. This is also a good remedy against ‘Ya Sang’ – Black magic curses which have been applied by putting magic into someone’s food, a kind of spiritual ‘blood poisoning’. Hence, the Bia Gae works against all obstacles which can slow down your progress.

The Bia is at best worn on a waist cord and slid around for different purposes, rather like the Takrut Maha Ruud; Wearing the Bia Gae to the front (on a waist cord or necklace) will protect if entering into battle, war or conflicts. To escape from, evade and protect against Enemies or those who Pursue You, wear the Bia Gae facing to the Back. For Metta and Mercy from Superiors, Job interviews, or Legal cases, wear to the right flank. For Maha Sanaeh Charm and Enchantment to charm Lovers and be convincing in Business Talks, wear the Bia Gae to the left flank.

Free Express Shipping Worldwide is Included with this amulet. Luang Phu Bun was one of the Top Master Guru Monks of Thai Buddhist History in both Patipata (Dhamma Practice), as well as for his Magical Prowess in Amulet making, Puttasart, and Saiyasart (Occult Sorcery and Buddha Magic). Luang Phu Bun’s amulets, grace the pages of almost every famous catalog and amulet magazine in the High End Collector Publications, and are among the highest priced ranging from many hundreds of dollars for the most commonly found amulets, to hundreds of thousands of dollars for his rarest amulets.
A Centenarian Amulet of Immense Value for the Sacred Powerful Blessings of the Great LP Bun, and Rarity as an Ancient Amulet of Master-Class Status, as well as for being a masterpiece of antique magical heritage and Buddhist Historic importance.

Apart from Parort Mercurial Alloy, a highly unknown fact is that the Wicha Bia Gae of Wat Klang Bang Gaew, uses a very Special Herbal and Magically Empowered Ingredient, Nuea Khee Nok Khao Bplao (Thick Billed Green Turtle Dove Faeces – considered to have Magical Properties), and Nuea Wan (Herbal Extracts and Pollens).

The famous Pong Ya Wasana Jinda Manee, and Pong Khamin Sek Muan Sarn Powders (also known as ‘Pra Ya Horm’), carry legendary status for their immensely powerful magical properties. These are two very Sacred Powders within the Dtamra, with Pong Khamin Sek
having a pungent aroma, with Powers of Protection and Wealth Increase, and the legendary Pong Ya Wasana Jinda Manee having an aromatic Sacred
Powder, which uses of course the famous ‘Ya Wasana (‘Wasana’ meaning Lucky Fortunes). Ya Wasana Jinda Manee, and Khamin Sek Sacred Cumin powders, are the most famous Muan Sarn of all.

Kata Bia Gae

Kata Bucha Chanting for Bia Gae Amulets

Suggested Use and Prayers

  1. Set up a small altar with holy water, a Buddha image or Phra Phuttha (e.g., Phra Phuttha Rakhsa), red flowers, incense, candles, and an offering of rice, sweet foods and medicinal herbs.
  2. Recite the Three Refuges and the Five Precepts, then invoke the Buddha‑Veda while placing the Bia‑Kæ on the altar.
  3. Specific petitions (derived from oral tradition) may include:
    • Protection from disease, poison and madness.
    • Defense against evil spirits that cause hallucinations, nightmares or disturbances.
    • Success in battles (literal or metaphorical), politics, commerce or examinations.
    • Safeguarding families—especially children and the elderly—from harmful influences.

The amulet can be worn around the neck, kept in a pocket, or placed in a vehicle, home or workplace. Many believers keep several Bia Gæ, and position them according to the direction of possible threats (e.g., front for overt enemies, rear for hidden foes, right side for royal patrons, left side for feminine influences, etc.).

 

Charms & Talismans

Thai Buddhist, Animist, and Occult Charms and Talismans, authentically blessed by the great Monks and Lay Masters of Old, and Present Day

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Somdej Long Rak Chart Pim Gaes Talu Sum Block Chang Luang Wijarn with Authenticity Certificate Somdej Dto Prohmrangsri Wat Rakang Kositaram Featured

A most Exquisite and Officially Certificated Authentic Pra Somdej Wat Rakang Pim Gae Talu Sum Block Chang Luang Wijarn of Somdej Pra Puttajarn (Khrua Dto) Prohmrangsri, the Great Master of Wat Rakang, with Red Lacquered Surface, and all the classic features of an Ongk Kroo Model of this All Time. This particular exhibit is Extremely attractive to the eye, with its perfect balance of lacquer and open surface. The Pra Somdej Wat Rakang Kositaram of Somdej Pra Puttajarn (Dto) Prohmrangsri is the No. 1 Pra Somdej amulet of all time, and the most eminent member of the five regional top amulets within the Benjapakee Pantheon of Classic Thai Buddhist Amulets. On can also say it is perhaps the most famous of all Thai Amulets.

A Master Class ancient amulet of the Benjapakee Immortal Classic Family, the Pra Somdej Wat Rakang Pim Chang Luang Wijarn, with Rak Chart (ancient red lacquer), of the great Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram, this model is an extremely attractive Pim Niyom model of the ‘Chang Sip Moo’ Artisan Chang Luang Wijarn. This amulet comes with free solid silver casing if desired and selected in the encasement options (Please note; the custom casing can take from 3 – 10 days to custom encase). Bespoke Silver Frame casing is always enhanced with waterproof acrylic sealed windows to protect the amulet from the weather). You can order solid gold casing at extra price if desired too and we will invoice you according to current spot prices.

Pra Somdej Wat Rakang Pim Chang Luang Wijarn with Rak Chart

The Legacy of Somdet Phra Phutthācāriya (Toh) and the Sacred Somdet Amulet: “Kesa Thalu Sum” (Topknot Piercing the Arch)

Among the pantheon of Thai sacred amulets (phra khrueang), none is more revered than the Phra Somdet Wat Rakang—especially the archetype known as “Phim Yai Kesa Thalu Sum” (พิมพ์ใหญ่เกศทะลุซุ้ม), often translated as the Large Mold – Topknot Piercing the Arch. This particular design is believed to be among the most spiritually potent and artistically refined sacred objects created under the auspices of Somdet Phra Phutthācāriya (Toh) Phrommarangsi (Somdet To), the legendary monk of the Rattanakosin era (1788–1872), known as an Arahant-like figure and master of sacred sciences (saiyasāt).

The Pra Somdej Wat Rakang Comes with A4 Size Plasticized Authenticity Certificate issued by the Association of Amulets of Siam Thailand, and comes with Free Express shipping, and Free Solid Silver Casing Included in the price. Please choose the free silver casing option to take advantage of this free offer. Free express registered shipping is worldwide and included automatically.

Below, A4 sized certificate of authenticity of this Pra Somdej Wat Rakang Long Rak Chart Pim Gaes Talu Sum Block Chang Luang Wijarn, The Artisan Chang Luang Wijarn was the Kroo Ba Ajarn (teacher) of all the other artisans of the Chang Sip Moo artisans, including the great Chang Luang Sittigarn and Chang Luang Wijit.

A4 Certificate of Authenticity for Pra Somdej Wat Rakang

Understanding the Term “Gaes (Kesa) Talu Sum”

In Thai Buddhist amulet vocabulary, “kesa” (เกศ) refers to the flame-like ushṇīṣa or “topknot” on the head of the Buddha image. “Thalu” (ทะลุ) means “to pierce” or “go through,” and “sum” (ซุ้ม) is the ornate arched frame or halo encasing the Buddha’s seated image. So, Kesa Thalu Sum implies that the topknot reaches upward and pierces through the apex of the arch, a rare and desirable stylistic detail that only appears in a select few authentic master molds (phim ong krū – พิมพ์องค์ครู) from Somdet Toh’s era.

Below, is an 11 minute long video with full views and 12 x Macro closeups of the Muan Sarn Powders, wth Narrative from Ajarn Spencer Littlewood to enlighten the student on the various aspects of authenticity of a different exhibit which was also a lacquered version, and displays similar characteristics to this exhibit, with highly informative narrative by Ajarn Spencer, explaining various aspects of the studt, perusal and inspection of this tyupe of amulet, and some revelatory information about the amulet itself and the history of its making, and the Sacred Muan Sarn Content. This helps the student to understand and increase their expertise in recognising authentic Pra Somdej Wat Rakang Kositaram amulets of this model and type.

Who Was Chāng Luang Wichān (ช่างหลวงวิจารณ์)?

The iconic Kesa Thalu Sum mold is widely attributed to the craftsmanship of Chāng Luang Wichān Wijit Sittikān (ช่างหลวงวิจารณ์ วิจิตร สิทธิการ), a royal artisan of the Chang Sip Mū (ช่างสิบหมู่)—the Ten Royal Craft Guilds of Siam. These were elite artisans directly serving the Chakri dynasty, skilled in sculpture, lacquer work, gold-smithing, and iconography. Wichān was said to have personally carved molds under the commission or guidance of Somdet Toh himself, resulting in highly refined, geometrically perfect, and spiritually resonant Buddhist images.

Somdej School 1

His mold—known as the Wichān Block—exemplifies regal aesthetics fused with spiritual subtlety. When found on authentic Wat Rakang specimens, it often features:

  • A perfectly symmetrical arch (sum) enclosing the Buddha image
  • The kesa (topknot) extending straight upward, piercing the arch
  • Subtle curvature of the seated Buddha’s silhouette
  • Triple base lines (samchan) with precise spacing
  • Signs of aged lacquer (rak chāt chīn) from the original red Chinese lacquer finishing
Pra Somdej Wat Rakang Gaes Talu Sum showing ancient red lacquer

The Wichān Block vs. Other Blocks

In the study of Somdet amulets, experienced phra sen (พระเซียน – amulet masters) distinguish between various molds (phim) based on micro-details and matrix analysis. Three major molds compared at the elite level are:

  1. Wichān Block (บล็อกช่างหลวงวิจารณ์) – Characterized by its “Kesa Thalu Sum,” fine lines, and sophisticated surface.
  2. Sīao Noi Block (บล็อกเสี่ยวน้อย) – Slightly more primitive in depth but very ancient in clay composition. This block is often less crisp but bears classic signs of age and high energy (sāk sit).
  3. Wang Nā Block (บล็อกวังหน้า) – Possibly produced by artisans from the Front Palace (Wang Nā) under royal patronage, with a broader face and deeper relief.

A truly ancient amulet made Circa 2390 – 2396 BE. The rear face of this exhibit is inimitable and has immensely beautiful markings, of a classic Pra Somdej Wat Rakang. Various exhibits display different textures on the rear faces, for they were laid on various surfaces to sun dry, ranging from marble stone, wood, metal, and other surfaces, resulting in textures ranging from stone-like fossilized effect, granular, crackled, to the fine scratches on the rear face of some, which come from laying them to dry on mai gradan wooden boards.

Rear face of Pra Somdej Wat Rakang showing shrinkage and drying over two centuries

In truth, no two Pra Somdej Wat Rakang are the same, and each amulet has its own individual character, which is of course one of the many aspects which form part of what makes the Pra Somdej Wat Rakang the title holder of the ‘King of Thai Amulets‘.

“Gaes Talu Sum” as One of Many Pīm within Dtamrā

While “Gaes Talu Sum” (เกศทะลุซุ้ม) refers to a distinct style, it is only one recognized Pīm (พิมพ์) among many listed in the classic reference Dtamrā Phra Somdej Wat Rakang. These canonical molds include:

  • Gaes Talu Sum
  • Phim Yai (Large block, plain arch)
  • Phim Sam Chan (Three-base lines)
  • Phim Paa Singha (Lion-cloth border)
  • …and others.

The Wichān Block belongs specifically to the Gaes Talu Sum group and is often called a Pīm Ong Krū (พิมพ์องค์ครู – ‘teacher mold’), signifying its canonical status as an original master mold.

Front face of Pra Somdej Wat Rakang Gaes Talu Sum block Chang Luang Wijarn

The Chang Sip Mū (ช่างสิบหมู่): Ten Royal Artisans of Siam

The Chang Sip Mū (Chāng Sip Mū)—literally “Ten-Craft Guild”—was an elite corps of artisans instituted under King Rama I of Siam. These ten crafts included:

  1. Carving (chāng chākā) – wood and stone
  2. Gilding (chāng phliap) – gold leaf application
  3. Casting (chāng lom) – metals
  4. Engraving (chāng tschāt)
  5. Drawing & Painting (chāng phithāng)
  6. Lacquerwork (chāng rō rät)
  7. Sculpture (chāng chāt)
  8. Manufacture of Buddha images (chāng phra pinyo)
  9. Stucco & inlay (chāng phaeng)
  10. Hidden relief and finishing (chāng lath)

These artisans were established to revive and preserve sacred craftsmanship such as Buddha-image iconography, temple decoration, and monastic utensils. Chāng Luang Wichān—a Chāng Luang rank artisan—expertly blended multiple crafts, especially casting, engraving, and lacquerwork, to produce master molds like the Wichān Block.

Three Eras of Phra Somdej Production at Wat Rakang Kositaram

According to Dtamrā Phra Somdej Wat Rakang (ตำราพระสมเด็จวัดระฆัง), production under Somdet Pra Phutthācāriya (Toh) Phrommarangsi is traditionally divided into three eras:

Pra Somdej Wat Rakang study of 3 Eras 2355 - 2408 BE

1. Yuk Ton (ยุคต้น / Early Era, c. 1860s)

  • Mix: Fine limestone crushed to powder, phong itthi (powerful clay blend)
  • Pīm: Coarse molds with less defined lines
  • Ritual: Solo empowerment with Phra Trisaranāgata paritta
  • Marks: No lacquer finish; rough, sandy texture

2. Yuk Klang (ยุคกลาง / Middle Era, c. 1870s–1880s)

  • Mix: Addition of phong pārisaṇḍa powders, remnants of old monk’s robes
  • Pīm: Molds refined by Chang Sip Mū, including the Wichān block
  • Ritual: Multi-stage consecration with Jinapañjara and Mahā Meṭṭhā chants
  • Marks: Early signs of Rak Jeen Borān—thin lacquer coat, slight red tint

3. Yuk Plāi (ยุคปลาย / Late Era, c. 1890s until Somdet Toh’s passing in 1872)

  • Mix: Highly refined batches with small shell inclusions
  • Pīm: Final mold-state perfected; deep relief, crisp lines
  • Ritual: Full-scale empowerment ceremonies attended by royal court
  • Marks: Visible Rak Jeen Borān with Hān (micro-cracks) and color patina

The amulet comes with the A4 size certificate of authenticity as a Pra Somdej Wat Rakang Long Rak Pid Tong of Somdej Pra Puttajarn (Dto) Prohmrangsri, with definition of the preferred artisan as authentic issued from the Pra Tae Mueang Siam Amulet Association.

Macro close up of Muan Sarn sacred powders in Pra Somdej Wat Rakang

An Immortal Classic and one of the most famous Thai Buddhist Amulets of all time, as well as being amongst the top preferred amulets of the serious devotee and wealthy collector of the accepted amulets of Somdej Pra Puttajarn (Dto) Prohmrangsri, of Wat Rakang Kositaram, whose Pra Somdej are the number one amulets of all time, be they from Wat Rakang, Wat Bang Khun Prohm,or Wat Gaes Chaiyo.

Pra Somdej Wat Rakang showing Rak Jeen Boran ancient red lacquer

Made almost 2 centuries ago, the Pra Somdej Wat Rakang can be considered the number one amulet of all time in Thailand for its historical fame and legendary, and thae reputation of its maker to be the number 1 in all Thai History for Pra Somdej Amulets.

Pra Somdej Wat Rakang Somdej Toh Pim Yai

Rak Jeen Borān (ลงรักชาดจีนโบราณ): Ancient Red Lacquer

Rak Jeen Borān is a thin red lacquer derived from ancient Chinese formulas. It was popularly applied to selected pīm in the Yok Klang and Yok Plāi eras. Artisans would:

  • Dip the cured amulet in lacquer bath
  • Allow it to settle into fine cracks
  • Let it cure naturally under temple shade

Visually, it leaves a warmreddish hue, especially in recessed areas and seen as a micro hairline cracks (“hān”). The lacquer gave spiritual seal and aesthetic refinement—only a portion of issued amulets received this treatment, based on batch size and ritual occasion.

Detail of Pra Somdej Wat Rakang Gaes Talu Sum

The Pra Somdej Amulets of Somdej Dto, are officially recognized as coming from one (or all) of four Royal temples Classed as three, because Wat Bang Khun Prohm Nai and Wat Intra Wiharn Bang Khun Prohm, are both located within the same temple boundary). Namely; Wat Intra Wiharn (Bang Khun Prohm Nai), Wat Gaes Chaiyo, Wat Mai Bang Khun Prom, and of course last but not least, Wat Rakang Kositaram. Most of these amulets are given a Puttapisek blessing ceremony in the temple where they were made, but then travel to at least two or three of the other temples to be laid under the ‘Pra Pratan’ (main Buddha statue in the shrine), and absorb the prayers of the Sangha (Monks), for further sacredness and power.

Classic features of Pra Somdej Wat Rakang Gaes Talu Sum

The Pra Somdej amulet, is one of the ‘Benja Pakee’ official set of five national amulets of Thailand seen as the most sacred, desirable and representative of every region of Thailand. In recent decades various Kru hiding place finds have been discovered in temples where Somdej Dto built statues and traveled, such as the Kru Wat Kanlayanamit, and Kru Wat Sadter finds.

Side profile showing thickness and texture of Pra Somdej Wat Rakang

This amulet comes with its certificate of authenticity in form of a A4 sized plastified certificate photo of the Chomrom Pra Tae Mueang Siam Amulet Appreciation society of Siam Thailand, and complimentary box with authenticity confirmation sticker. We offer free Solid Silver, Stainless Steel, or Waterproof Casing with this amulet (or gold at extra price), whichever you prefer. Free Express Shipping is also included in the price

Masterpiece model of Pra Somdej Wat Rakang Gaes Talu Sum

The rear face shows the presence of all the classic features and Muan Sarn ingredients of a true Pra Somdej Wat Rakang of Somdej Dto, with a beautiful lined pattern resulting from shrinkage and drying over almost two centuries of ageing, and which has added to the character and increases the ease of authentication. This kind of rear face pattern is highly preferred among aficionados and serious devotee-collectors, for its classic aged appearance.

Rear markings and texture of Pra Somdej Wat Rakang

The contents of the Muan Sarn Sacred Clay reveal the necessary aspects and content expected from an authentic Pra Somdej Wat Rakang. The design of the front face is exquisite, as were all the block presses carved for Somdej Dto by the artisan Luang Wijarn, one of the royal artisans of the Chang Sip Moo group of artisans.

Pra Somdej Wat Rakang is one of the classic Pra Somdej amulets of Somdej Dto available, along with Pra Somdej Wat Gaes Chaiyo, and the Pra Somdej Wat Bang Khun Prohm amulet as far as popularity, beauty, sacredness of Puttapisek ceremony and price range.

Beautiful example of Pra Somdej Wat Rakang Gaes Talu Sum

The Pra Somdej Wat Rakang amulet is the Keystone and Master amulet (Ongk Kroo) for all other Pra Somdej amulets. It is an image in the likeness of the Buddha sitting on a Dais, which was essentially created by Somdej Pra Puttajarn (Dto) Prohmrangsri, of Wat Rakang Kositaram. There are various different ‘Pim’ (models) with varying design features.

Pra Somdej Wat Rakang considered the King of Thai Amulets

The Pra Somdej Wat Rakang, are considered to have extremely powerful Buddha magic in them due to the richness of sacred powders and powerful blessings contained within from great master Somdej Dto. Its general appearance is that of an oblong about 2.4 cm wide up to 4 cm high (varies between these sizes), made from white sacred powders mixed together.

Pra Somdej Wat Rakang with powerful Buddha magic

The Pra Somdej Wat Rakang Kositaram Pim Gaes Talu Sum is Similar to the Pra Somdej Pim Pra Pratan, but has the ‘Pra Gaes’ Topknot piercing the arch at the top of the amulet. The Pim Jarod Sum touches the arch or approaches it.

Pra Somdej Wat Rakang showing the topknot piercing the arch

The main Ingredients of the amulets (Muan Sarn Samkan) were made from a base of sea shells, dried rice left from alms round, the five sacred magic powders of Somdej Dto, and ‘Nam Man Dtang Iw’ (special oil for mixing). Nam Man Dtang Iw, or Tung Oil in English, is a preferred oil for mixing and curing amulets with, for it is superior to any other oil as far as water resistance is concerned (one reason why Pra Somdej amulets can be soaked in water without going soft). The oil is much more resistant to mold than its derivatives, such as linseed oil.

Main ingredients and Muan Sarn of Pra Somdej Wat Rakang

The Dtamra must be made by creating exactly 84,000 amulets, equal to the number of Suttas of the Tripitaka. There are different Pim Song (shapes and sizes) of Pra Somdej Wat Rakang, but those which are officially recognized and listed by the ‘wongarn Pra Krueang’ as far as Somdej Wat Rakang amulets are concerned, basically consist of the following officially recognised Pim of Pra Somdej amulets; Pim Pra Pratan, Pim Yai Niyom, Pim Chedi, Pim Prok Po, Pim Gaes Bua Dtum, Pim Gaes Talu Sum, and Pim Thaan Saem.

Pra Somdej Wat Rakang created according to the Dtamra

Somdej Wat Rakang amulets have various surface textures, categorized as ‘Nuea Laiad’ (fine texture cement mixture), ‘Nuea Hyaab” (rough textured cement mixture), ‘Nuea Gae Nam Man Dtang Iw’ (old looking textured cement mixture), otherwise known as ‘Nuea Sangkhayaa’, and ‘Nuea Gae Bpoon’ (old cement mixture).The basic structure of the design of the classic Somdej, (and almost all Somdej amulets from other temples too), is that of the Lord Buddha sitting inside a Bell (the word ‘Rakang’ means ‘Bell’ – ‘Wat Rakang’ means ‘Temple of the Bell’).

Surface texture of Pra Somdej Wat Rakang

This is the primary importance of the Somdej amulet in the sense that Somdej from most temples depict the Buddha sitting within a bell which is represented by the arch. The arched structure in amulets is called a ‘Sum’. Although these rules do not necessarily always apply (there are a lot of Somdej which are in circulation which are most certainly authentic, but which are not preferred in the collector scene)

Buddha sitting inside a bell shape arch in Pra Somdej Wat Rakang

There are many less preferred editions which do not fulfill these standard rules of recognition, which is of course one of the reasons why some Somdej Wat Rakang amulets are able to sell for high prices and enter competition, get certificated etc, and why some are not, despite their most probable authenticity.

The difference in the various mixtures made for each ‘Pim’ have led to differing textures and appearances in the Pra Somdej collections, which provides for a varied and fascinating niche interest, which one can verily spend a whole lifetime studying and accumulating experience and knowledge about this, the King of all amulets.

Varieties of Pra Somdej Wat Rakang amulets
Spiritual heritage and royal craftsmanship of Pra Somdej Wat Rakang

The Gaes Talu Sum amulet, especially in its Wichān Block manifestation, is more than a religious token. It is a national archetype—an object that embodies spiritual lineage, royal patronage, and artisanal mastery.

To possess such an amulet is to inherit a sacred narrative written not only in clay and lacquer but also in karmic resonance. It is to hold, in one’s palm, a silent sermon from Somdet Phra Phutthācāriya (Toh)—a sermon of stillness, protection, and profound metaphysical elegance.

In the global context of sacred objects, few artifacts match the complexity, beauty, and theological depth of the Phim Yai Gaes Talu Sum. And none so fully encapsulates the unity of Thai spiritual identity, Buddhist doctrine, and royal craftsmanship as the Somdet amulet of Wat Rakang Kositaram.

Written by Ajarn Spencer Littlewood
ancientamulet.com


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Khiaw Hmoo Dtan Suea Palad Carved Boars Tusk Tiger Amulet Spell Inscriptions by Luang Por Sawai Wat Bridaram Featured

Sacred solid Wild Boar’s Tooth carved Palad Khik with Tiger and Sariga Yantra spell Inscriptions, and Carved Tiger on the hilt from Luang Por Sawai, of Wat Bridaram. The Carved Talismanic Animist Charms with their famous and instantly recognisable Hand Inscriptions of Luang Por Sawai, are amongst the most highly sought after and preferred amulets of Luang Por’s Pantheon, and are very rare to encounter.

This exhibit is carved from a Wild Boars Tusk into the shape of a Palad Khik Lingam with a Tiger seated on the hilt of the Lingam. The tusk is not just any old Boars Tusk, rather, ‘Khiaw’ Dtan’. Khiaw Dtan is a tusk that has no hollow inner, which is very rare anomaly, and seen to be powerful magic especially for Kong Grapan Chadtri and Maha Amnaj.

 

Luang Por Sawai was known for strict observance of sila, sustained Vipassana practice, and a calm, grounded presence. Accounts from Thai-language sources describe him as a monk who learned from a large number of teachers across both meditation and wicha lineages. He is often described as having studied under more than twenty teachers over the course of his life, reflecting the traditional Thai pattern of direct transmission rather than a single linear lineage. This breadth of instruction is frequently cited by devotees as the reason his consecrated objects were regarded as especially complete in both metta and protective qualities.

Periods of Tudong practice form part of his remembered life. These forest-wandering years are described as times when he practiced meditation in remote areas, traveling through undeveloped land, forests, and rural regions, enduring physical hardship and isolation as part of ascetic training. Such practice is traditionally associated with confronting fear, cultivating endurance, and refining mental stability. In local recollection, these years shaped his character and reinforced his reputation for inner strength and quiet authority.

This talismanic charm amulet is imbued with a multitude of different types of Magic which complete the powers needed for almost all walks of life, with the Wicha Suea Tiger Magic, fyued with the Wicha Sariga Celestial Magpie and the Wicha Palad Khik.

Thai amulet circles consistently list LP Sawai as a monk whose amulets emphasize metta, protection, and authority. Among the most discussed are carved talismans made from wild boar tusk, particularly the Khiaw Gae carved with tiger imagery. These objects are traditionally associated with Kong Grapan and Maha Amnaj qualities and are valued for their material, hand carving, and the presence of sacred inscriptions attributed to his hand.

He is also associated with metal Buddha-image amulets, including Pra Kring types and Pra Pidta forms, as well as commemorative medallions issued by Wat Bridaram during different periods. Later in his life, Takrut scroll amulets are recorded, described as emphasizing metta and social harmony. Palad khik and other traditional charms, carved from bone, ivory, or wood, also circulate under his name and are regarded as part of the temple’s ritual output rather than mass production

Kata Bucha Nok Sariga

Kata Bucha Nok Sariga (Golden Tongued Celestial Magpie) is chanted to invoke immense Metta Mahaniyom (loving-kindness) and Maha Sanaeh (seductive charm), primarily for improving business, speech, and persuasion. The most common short mantra is:

“Wanna Wannaa Saligaayo Puttang Siro Waa Ha”.

The shaft of the Palad Khik has inscriptions of the Yant Suea Tiger Wicha, for Maha Pokasap Maha Amnaj Maha Ud Kong Grapan Chadtri Klaew Klaad, and the Head of the Palad Khik has the Inscription of the Yant Sariga Celestial Magpie spell, for Metta Maha Niyom Maha Sanaeh Jerajaa Kaa Khaay Magic.

Kroo Sathidt Chodtikun (Luang Por Sawai Thidtawanno), was an elder monk of the pre 2500 BE generation of Guru Masters, who was born in 2464 BE in Ayuttaya, and became the abot of Wat Bridaram in Nakorn Pathom. His father’s name was ‘Suea’ (meaning ‘Tiger’) and his Mother’s name was ‘Yim’ (meaning ‘Smile’). Luang Por Sawai became known as one of the Great masters of Nakorn Pathom Province, but indeed is highly revered by Devotees in Ayuttaya too, for he was born there.

Luang Por Sawai passed away during Loi Kratong period, on the 11th November, in the year 2543 BE. He was known for his powerful Kong Grapan Chadtri Klaew Klaad Maha Amnaj (Commanding Power & Dominion) carved hand inscribed talismans. Luang Por Sawai’ possesses great fame for this kind of ‘Krueang Rang’ Talisman is legendary.

Below; another classic example of Palad Khik Luang Por sawai with his inimitable inscriptions, including the Sariga Birds on the head of the Palad Khik, for your comparison, and to reveal the signature details of the hand inscriptions which Luang Por Sawai used for his Carved Talismanic Charms.

All of his carved talismans are equally popular, be it the carved Khiaw Moo Dtan solid Boar Tooth, Palad Khik carved from tooth, ivory, bone, wood and coral, or his other animist charms. His Muan Sarn Sacred Powders amulets are manyfold and also highly revered, and well documented in encyclopaedic works.

 

Above; The tip of the tusk has Luang Por Sawai’s highly recognisable Sariga Birds engraved into the head of the Palad Khik

Luang Por Sawai’s Patipatā (practice and diligence), was highly regarded by devotees all around Thailand, for his great Purity and Meritorious Behaviour and Charitable Acts became heard of far and wide. The power of his amulets and the stories of success, is of course an additional factor involved in the cause of Luang Por Sawai becoming such a popular and famous Master for his Talismanic Charms.

 

Luang Por Sawai is highly renowned for his Mastery of the Yant Maha Gamnerd Narai ‘Birth of Vishnu’ Spell, which is said to be amongst the most powerful and Universally Effective Magic Spells in the Dtamra Saiyawaet of Vedic and Khmer Sorcery

Kata Bucha Luang Por Sawai of Wat Bridaram.

Use for Bucha to Luang Por Sawai, and his amulets, and especially those with the image of tiger will have great benefits from this Kata also. Those who are familiar with Tiger Wicha amulets will notice the presence of certain phrases which are invovations or praises to the Payakka Tiger. This is part of Luang Por Sawai’s Wicha, and even his own father was named ‘Tiger’, and the Tiger Wicha is one of the various Animist Talismanic Spells he mastered during his lifetime. The Kata works for any amulet of Luang Por Sawai or for paying Reverence to Luang Por Sawai himself (Bucha).

Luang Por Sawai was a Gaeji Ajarn Master of the Nakorn Pathom Province, which is the land where the Dhavaradi Period of Buddhism arose, and is known as the ‘Daen Sri Dhavaradi’. Nakorn Pathom is the location of the Great Pathom Chedi first Stupa which is said to commemorate the Buddha’s first place of resting when his alleged journey to Siam took place. Thai Buddhist legend states that the Buddha did visit what was then still Suvarnabhumi before the Chakri Kingdom of Siam arose, and that he stopped to rest where the Great Chedi Stupa of Nakorn Pathom now stands. This Chedi is the oldest Chedi well over 1000 years old, and was built to commemorate the Buddha’s first resting place in Siam.

 

His famous Palad Khik, Khiaw Moo, and of course his final edition Takrut Bailan 100 Pi are amongst the many world famously powerful (and beautiful!) amulets of his pantheon to be accepted and highly regarded by the amulet appreciation societies of Thailand. The amulets of Luang Por Sawai are seen to grace the pages of encyclopaedic volumes of amulet aficionado societies, and has enjoyed a place of high status in national amulet magazines over the last few decades.

 

This Palad Khik is carved from a piece of natural Tusk, and has been inscribed with a mass of sacred Khom agkhara spell inscriptions, and Yant. The true ancient formula of inscriptions of the Dtamra Palad Khik are most impressively inscribed on the surface of the most difficult to fashion tusk. The Yant Suea Phaen ‘Leaping Tiger Yantra” is inscribed with immense detail, and a host of Khom Agkhara Inscriptions embellishing its power, with Invocations of Tiger Magic.

 

The invocations and awakening and turning of the four elements were performed, the heart Mantra to awaken the Palad Khik (Kata Hua Jai Jone – Heart of the Gangster Kata), and the Akarn 32 Incantation to reanimate it and bring it to life, with the spirit of the Magic of the Suea (tiger), Sariga (Celestial Magpie), and the Lingam of Shiva Wicha Palad Khik.

 

The Palad Khik is an Ancient Wicha, whose development can be traced right back to the Vedic Brahman Occult practices of Thousands of Years ago. Palad Khik amulets must be empowered by the repetition of incantations, which Thais call ‘Kata Bucha’. Kata Bucha are derived from the Devanagari word ‘ghata poojah’.

Luang Por Sawai

The incantations for Palad Khik depend on the creator’s lineage in each school of traditional Animist magic, but in truth, one can use any or all of the many different Kata given for Palad Khik..

Kata Bucha Palad Khik

Ganha Nē Ha – Na Ma Pa Ta

or

Ja Pa Ga Sa – Na Mo Put Taa Ya – Gan Ha Nē Ha Na – Ma Pa Ta – Om Siwaling – Sabbha Metta – Sabbha Pokaa – Sabbha Laapo – Sabbha Tanaa – Sabbha Yasa – Sabbha Pranee – Sabbha Mangalaani Bhavantume – Om Laluay Mahaa Laluay Samsip Sorng Hee Hae Hom Lorm Dtorm Kuay Khor Hai Guu Ram Ruay Pro Hua Kuay An Nii Da Daa Di Dii Duu Dii Hee Maa Kuay Maa Burut Maa Dii Sadtrii Mii Maa Swaa Home

 

Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets

Ancient Amulet - Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets') Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days

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Pid Ta Hlang Baeb Nuea Pong Puttakun Early Era Amulet Luang Phu Kaew Wat Kruea Wan Featured

The Pra Pid Ta Hlang Baeb of LP Kaew, Wat Kruea Wan temple, in white powders, is a very rare model, and a truly remarkable and classic exhibit, widely regarded as the number one amulet of the esteemed monk, Luang Por Kaew, of Wat Kruea Wan (formerly of Wat Pak Tale). This ancient amulet, created and empowered by the Great Ancient Sorceror-Monk of Olden Days, Luang Por Kaew, is a a legendary amulet that has attested to his exceptional skills and mastery in the art of amulet-making. The Pra Pid Ta is made from a unique blend of sacred powders, known as Nuea Pong Wised, composed of 5 special magical Yantra Powders (Bpathamang, Puttakun, Trinisinghae, Ittijae, Maharach).

.One particularly striking feature of this amulet is the concave indented Pid Ta on its rear face, which is a hallmark of Luang Por Kaew’s work. This intricate detail, along with the slender arms and perfectly detailed relief of the Buddha image, creates a sense of depth and character that is truly captivating. Luang Por Kaew created this masterpiece during his time as a monk in Chonburi Province, around the year 2365 BE. This was a significant period in Thai history, as Pra Jao Thaksin Maharaj was leading the effort to restore Siam to freedom from invaders. The Pra Pid Ta Hlang Baeb Wat Kruea Wan is not only a beautiful and well-preserved example of Luang Por Kaew’s work, but also a tangible piece of Thai history that speaks to the enduring power and significance of Buddhist amulets

The amulet radiates a captivating glow, enhanced by the unique ‘Nuea Graeng’ marbling effect. This is a result of the sacred Muan Sarn powders, which contract and dry over time, creating distinctive surface cracks. This particular Buddha image showcases intricate details, a slender build, and a high level of craftsmanship, making it a fine specimen of the Pra Pid Ta Luang Phu Kaew. The amulet’s powerful sacred clay composition is known for its Kong Grapan, Klaew Klaad, Metta Mahaniyom, and Maha Lap properties, attributed to the esteemed monk known for his world-class mastery.

An all time Pra Niyom High End Classic Ancient Amulet, renowned for its power and status from Luang Phu Gaew, who first began his legendary of Wat Pak Tale in Petchburi (Later moved to Wat Kruea Wan in Chonburi). The Pra Pid Ta of Luang Phu Gaew of ancient fame comes with free express shipping. The Pra Pid Ta of Luang Phu Gaew is widely regarded as the number one Pidta amulet of all time by devotees of the Chonburi Lineage Master Amulet Collector Scene, as well as by those who are devoted to the Petchburi Masters. This amulet is a true Master Class piece, and its rarity is such that it is incredibly difficult to encounter in the present era.

Free Express Shipping is included with this item. Apart from being so highly regarded for their powerful Metta Maha Niyom and Maha Lap, of the highest power of all Pid Ta, the Pid Ta of Luang Phu Gaew are considered to be the top Pra Pid Ta amulet in Thailand, which carries one of the highest prices within its Genre.

The Pra Pid Ta Luang Phu Gaew is a truly exceptional amulet, one that is held in the highest regard by collectors and devotees of Thai amulets. Its reputation is such that when it changes ownership, it is often considered “news” within the amulet community. This is true whether the amulet was crafted during Luang Phu’s time at Wat Pak Tale, or after he moved to Wat Kruea Wan.

This truly ancient amulet is one of the extremely rare amulets of the Pra Niyom Master Class category of Both Petchburi and Chonburi Masters, and has a cult collectorship following in the Wongarn Pra Niyom Sai Chonburi and Sai Petchburi (Chonburi and Petchburi Province High End Collector Scene). The exclusivity factor of this amulet is indescribably high, and coming from the both Chonburi and Petchburi Provincial Collector scene only serves to evidentiate it as a High Class and Ultra rare Pra Niyom Master Class Amulet of ancient times. One of the reasons for the Pra Pid Ta’s enduring popularity is the powerful and protective qualities it is believed to possess. The amulet is said to offer Kong Grapan (protection against sharp objects), Klaew Klaad (protection against deadly accidents), Metta Mahaniyom (charm and popularity), and Maha Lap (luck and prosperity) to the wearer. These qualities, combined with the amulet’s undeniable rarity and historical significance, make it a true collector’s item.

 

The Pra Pid ta Luang Phu Kaew, is known for its power being made from Luang Phu Kaew’s ancient and powerful sacred Muan Sarn. There is a famous tale of the Billionaire Chawapon Rerm Wanich, buying a number of Pra Pid Ta Pim Lek Hlang Riab (plain rear face small model) amulets of Luang Phu Kaew, for a sum of 10 million Baht each (about 350,000$US)!

It is said that the only thing harder to find than the Pid Ta of Luang Phu Kaew, is the Photo of Luang Phu Gaew himself. However, despite these true stories, that some millionaires pay immensely high prices for such amulets, the standard price which true collectors and aficionados consider to be universal ranges between the 1000$ for a less well kept or lesser preferred model with or without certificate, to 11000$ for a top class prizewinner.

 

Luang Phu Gaew was one of a group of Master Monks who all possessed and practiced the Wicha of making Pra Pid Ta, all of whom are famous names, such as Luang Phu Jeen of Wat Ta Lad, Luang Phu Pu (2351 -2361 BE), Luang Porn Daeng of Wat Ang Sila, and the great Luang Por Plord of Wat Pak Tale, who was the premiere apprentice to Luang Phu Gaew, and famous in his own right for his famous Look Om amulets which he made with the remaining powders inherited from Luang Phu Kaew, as well as adding powders of his other Kroo Ba Ajarn such as Luang Por Tong Sukh’s powders of Luang Phu Iam (Wat Sapan Sung).

 

Luang Phu Gaew was born sometime between 2337. This is known by devotees who met and worshiped Luang Phu Gaew as he appeared on Tudong wandering in Khao Bandai it district of Petchburi, to escape being asked to become abbot of Wat Pak Tale, as the current abbot had just passed away, and he preferred the forest wandering and meditation, to administration of the worldly aspects of running a temple. Luang Phu Gaew wandered onwards until he came to rest at Khao Luang Temple, and saw it was in total disarray.

He thus rounded up devotees to help and slowly restored the temple to original condition, and the local devotees begged him to be the abbot of Wat Khao Luang. But in the eyes of Luang Phu Kaew, this was tantamount to chasing him away, as he was not inclined to accept limitations on the practices and austerities of Tudong. So Luang Phu Gaew wandered off again and disappeared into the forests on Tudong.

Later after some years of disappearance and no documentation of his life during those years, he later appeared in Chonburi and built the temple at Wat Kruea Wan, where he stayed till the end of his life, and became the great Master of Wicha Pra Pid Ta of the Chonburi Province who is considered the top number one master of all, despite the absence of a full biography and a lack of knowledge about the full details of his life. His Wicha was passed to great Masters who he was associated with all of whom became Top Masters of Historical Fame in their own Right, with some of the greatest names being his apprentices.

 

Below : one of the only photos we have in existence to date of Luang Phu Gaew, which has the date R.S. (Ratanakosin Year) 124 (2449 BE), and his age being 55 years old in this picture.

Luang Phu Gaew Wat Nai Pak Tale (Later Moved to Wat Kruea Wan)

Even the world famous Payak Kampant, Sian pra Maestro of the Thai Amulet Society, who released a book with 108 biographies and pictures of Great Master Monks, was not able to include the Biography and Picture of Luang Phu Kaew, due to the rarity. The Muan Sarn of the amulet, with all the aspects of an ‘Ongk Kroo’ (teacher model to accustom the eyes to the true authentic sacred powder content).

 

The rear face features the image of the Pra Pid Ta Ongk Pra Buddha embossed in concave. The Muan Sarn of the amulet is clear and easy to appreciate with the eye with no need of an eye loupe or magnifying glass to authenticate. This level of pristine clarity in an amulet of this age and status is so very rare to encounter indeed, making this exhibit a definite ‘Ongk Kroo Masterpiece Version’

 

This particular exhibit displays all the features necessary for prize winning competition entry, and already possesses a certificate of authenticity from the Samakom Song Pra Tae Mueang Siam.

The front face of the amulet glows with a truly seductive aura of beauty and its surface texture of ;Nuea Graeng’ marbled effect of the Muan Sarn sacred powders, which are the result of the contraction of the different particles within the sacred clay mixture of the amulet, as time passes and the amulets dries, and shrinkage causes small surface cracks to appear. This renders a truly beautiful example of the Pra Pid Ta Luang Phu Kaew. The features of the Buddha Image with its slender arms and its perfectly detailed relief, full of depth and character, leave the eyes unstrained when authenticating and appreciating its subtle features, and evident age. True beauty in subtlety, with a sacred muan sarn powder content that assures the wearer of high Puttakun Power and effective Kong Grapan, Klaew Klaad, Metta Mahaniyom, and Maha Lap effect. We behold before us a Master Class authenticated amulet from one of the greatest olden days master sorceror monk, of world class status.

Luang Phu Gaew (Wat Pak Tale/Wat Kruea Wan)

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Rian Tong Daeng Jaroen Porn Lang (Rare Model) 2517 BE Code 9 Gammagarn and Certificate Luang Phu Tim Featured

An absolutely pristinely well-kept perfect exhibit and an immense rarity: the Pra Rian Jaroen Porn Lang Nuea Tong Daeng Pim Niyom Luang Phu Tim (much, much harder to find than the Pim Jaroen Porn Lang) – A n authentic and certificated amulet, confirmed by both Ajarn Spencer,as well as certficated by the Siam Amulet Original Society as Authentic. Anciet Amulet proudly presents a pristine exhibit of Luang Phu Tim’s eternal classic Guru Monk Coin. Only 247 of these Jaroen Porn Langcoins were made compared to the 343 Jaroen Porn Bon cpims im Nuea Tomg Daeng Sacred Copper alloy. This Pim is one of two rare Pim, the Aksorn Leuk (deep engraving lettering o rear face and front face edges) and the Aksorn Dtern (shallow engravings) this Pim is ‘Aksorn Leuk’.

The Rian Jaroen Porn Lang, in Nuea Tong Daeng, this one being a Pim Code Gao (Code ๙), ‘Jaek Gammagarn’, in Nuea Tong Daeng (Sacred Copper), with Thai Number 9 Numeral code stamp, and the (T for ‘Tim’) code stamp. Only very few Gammagarn Jaroen Porn amulets were made in the ‘Jaroen Porn Lang’ series. This edition was released in 2517 BE and handed out during the ceremony (Jaek Gammagarn). Free Express Shipping is offered Worldwide Included in the Price for this Amulet.

The amulet comes with its complimentary box, and A4 size Certificate of Second Prize Winner and Authenticity included, and the offer of free solid silver, stainless steel, or waterproof casing if desired. The Pim Jor Gradok Coin is also known as the ‘Block Prasobgarn’ for the many stories of miraculous events retold by devotees who have worn and revered this amulet.

This rare Pim Jor Gradok Gammagarn Prizewinning coin amulet is a wonderful opportunity for devotees who seek the true power of a world class amulet from a world class edition, and also a wonderful Ongk Kroo reference study exhibit to peruse under the eye loupe. The amulet is a perfect and authentic study material, to train the eyes as to the appearance of the Muan Sarn and Surface textures of the Classic amulets of Luang Phu Tim Hence, the amulet is also a perfect ‘Ongk Kroo’ reference study material for students of the Pantheon, and will increase your chances of spotting an essential rarity at the right price, and without danger of risking a fakery.

The Rain Jaroen Porn amulet is one of the master Class members of the Pantheon of amulets of Luang Phu Tim, and was made in two different versions, the Rian Jaroen Porn Lang (words ‘Jaroen Porn’ written above Luang Phu Tim), and the Rain Jaroen Porn Lang (words ‘Jaroen Porn’ written below Luang Phu Tim). Various variations were made using different sacred metals, and differing code stamps and block presses, which makes for a complex documentation, which left the Samakom Pra denying some now universally accepted models, due to the difficulty in documentation. As the decades have passed and various investigative authors have gathered and compiled a more complete encyclopedic work of the pantheon, it is much easier to define and pinpoint which series and block press each amulet comes from.

Below; Encyclopaedic Documentation of the Rian Jaroen Porn Bon Nuea Tong Daeng Jaek Gammagarn Pim Jor Gradok in the Dton Rak Pra Editorial

Luang Phu Tim Issarigo, is of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders.

Below; Rian Jaroen Porn Lang Pim Jor Gradok Jaek Gammagarn Nuea Tong Daeng in the Dton Rak Pra Editorial

Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Pong Prai Kumarn amulets, and Look Om powder balls. As to the classic ‘Rian’ type coin image amulets which have become all time favourites, and eternally, world famous classic amulets of the high end variety.

His Rian Jaroen Porn, (both Jaroen Porn Lang and Jaroen Porn Lang versions), his Rian Huang Chueam, Rian Traimas, Rian Sema, Rian Pra Jao Thaksin, and Rian Nakprok are amongst the most highly sought after coin amulets of all.

Above; Rian Jaroen Porn Nuea Tong Daeng Pim Code 9 Jaek Gammagarn

This amulet is hence not only one of the world’s most highly sought after and famous amulets, renowned for its sacred power, it is also a second prizewinner in its category, with certificate, making this an extremely desirable acquisition for any true devotee of Luang Phu, or collector of the amulets of Luang Phu Tim.

An amulet with a past, a present, and an eternal future of fame and legend, with decades of confirmed miraculous power coming from the devotees who pray to and wear this amulet.

The Rian Jaroen Porn Pantheon

A total of 17,820 coins were made in all the diffferent versions, which can be divided up and categorised in the following manner

1. Rian Jaroen Porn Lang Nuea Tong Kam Solid Gold coins of which 16 were made. each individual amulet has its number from 1 – 16 embossed on the rear face. The secret code Thai letter t ท is hidden in the space between Luang Phu Tims right arm and his torso. The surface of the coin to the side of Luang Phu’s left arm has the Khom Agkhara syllable ‘SA’ inscribed on each coin, for ‘Samrej’ (meaning ‘success in one’s endeavors)

2. Rian Jaroen Porn Nuea Ngern (solid silver) coins, made in both Jaroen Porn Bon, and Jaroen Porn Lang versions (words ‘Jaroen Porn’ being either above or below Luang Phu Tim’s image). A total of only 343 coins were made in silver. This was because after pressing 237 coins using the Jaroen Porn Lang (words below Luang Phu) block press, the block press broke. So they repaired the block press buy filing off the ‘Jaroen Porn’ from below Luang Phu’s image and redesigning new letters above his image instead (Jaroen Porn Bon). They then pressed the remaining 72 coins to complete the series of 343 coins. The Jaroen Porn Lang coin is hence much rarer to find than the Jaroen Porn Bon in copper, but inversely so in solid silver, for only 72 of the 343 coins made in silver were given the ‘Jaroen Porn Bon’ design version. Each coin had its own individual series number from 1 – 343 stamped on the rear face, between the letters ‘Na Ma Pa Ta’ and the words ‘Wat Laharn Rai’. The Thai letter ท T is stamped underneath the leg of the dais upon which Luang Phu Tim sits on the left side of the coin in silver versions.

3. Rian Jaroen Porn Nuea Nava Loha (Nine Sacred Metals), of which 1,166 coins were made, with the words ‘Jaroen Porn’ being situated above the image of Luang Phu Tim, which means all Nava Loha versions are found only in Jaroen Porn Bon version with the words above Luang Phu’s head. the series code numbers 1 – 1,166 were individually stamped on each coin below the image of Luang Phu Tim, with the code stamp Thai letter ท T stamped on his Sangkati robe sash on the chest.

4. Rian Jaroen Porn Bon and Jaroen Porn Lang in Nuea Tong Daeng, of which 15, 895 coins were made in various models and versions. 9000 were made in Jaroen Porn Bon version, and 6895 were made in Jaroen Porn Lang version. These amulets were pressed with two different block presses which resulted in the Pim Aksorn Leuk (deep lettering relief), and Pim Aksorn Dtern (shallow relief lettering). I addition a very few Pim ๙(9) Gammagarn versions were made with the Thai 9 cipher embossed as a series code stamp to differentiate, which were handed out to special sponsors.

5. Special Gammagarn Amulets – Rian Jaroen Porn Bon and Jaroen Porn Lang Jaek Gammagarn (Circa 800 coins made), in Nuea Tong Daeng, Galai Tong and other substances. These were handed out during the ceremony to devotees, and were hence undocumented in complete detail.

Kata Bucha Luang Phu Tim Issarigo

(chant to the Triple Gem first (Namo Tassa) 3 times)

Idti Sukadto Arahang Putto Namo Puttaaya — Ma A U Tugkhang Anijjang Anadtaa Putto Putto

Luang Phu Tim (Wat Laharn Rai)

Luang Phu Tim - Wat Laharn Rai

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Rahu Om Jantr Wicha Lanna Nuea Kala Ta Diaw Long Rak Chart Jeen Boran Circa 2465 BE Kroo Ba Nanta Wat Tung Man Dtai Featured

One of a the very rare ancient amulets of this Great Lanna Master, the Pra Rahu Kala Ta Diaw one eyed coconut shell carving, in classical ‘swallowing the moon/sun’ eclipse shape (Pim Rahu Om Jantr/Suriya), in ‘Nok Hook’ (Owl face) style, with an ancient and exquisitely filigrain inscriptions of Lanna Agkhara spell inscriptions, In rare One Eyed Coconut Shell, coated with ‘Rak Chart Jeen Boran’ ancient Chinese herbal Lacquer.

Hand carved by one of the preferred Master Looksit Artisans of the Guru, and hand inscribed with the Wicha Pra Rahu by Olden days Lanna Master Guru Monk Kroo Ba Nanta Nanto Bhikku, of Wat Tung Man Dtai, in Lampang. Kroo Ba Nanta was the Kroo Ba Ajarn of Kroo Ba Lerd, of Wat Tung Man Dtai. This amulet comes with a coput of the ebook “The First Book of Thai Lanna Sorcery”, written by myself (Ajarn Spencer Littlewood), as a gift, for it contains the Biography and amulets of Kroo Ba Nanta covered within its pages. 🙂

 

KATA PRA RAHU KAM DUANG

The rear surface texture reveals true ageing of a centenarian+ amulet, and the age of the inscriptions of Kroo Ba on the Yant Duang Sacred Geometry Spells inscribed within the central section of the amulet, shout out the word ‘ancient’

 

free shipping worldwide

Free Registered Air Parcel shipping Worldwide is included with this amulet. The Pra Rahu of Kroo Ba Nanta is a very rare thing to come by, and is highly revered by Business Owners and those who are in High Administrative Positions, as well as those who seek to turn their fate around. Kroo Ba Nanta was one of the Greatest Lanna Masters in Living memory, before whose time, little is known of the names of the Masters who lived, so long ago was his Era.

Because of this, and his constant absence on forest Tudong wandering,, it is not known when Kroo Ba Nanta began making Rahu Amulets, nor how many he made, except that old people who lived during his time, say that he had made them as long as they could remember. Many different shapes and forms can be found, but the trained eye can recognize his inscriptions, and the natural ageing process of the coconut shell, ivory, wood or sacred powders used to make the amulet.

The earliest actual evidence of his making the Rahu amulets was found inscribed on a Kala ta Diaw Rahu Image from Kroo ba Nanta with the year 2456 BE, which is considered to be one of his earlier one eyed coconut shell carvings.The amulet measures 5 x 4 Cm, and is made from one eyed albino coconut shell. Kroo Ba Nanta Nanto Bhikkhu was considered the older of the 2 Greatest Masters of the Wicha Pra Rahu of that particular Era, the other most famous Master being of course Luang Por Noi, of Wat Srisa Tong.

Kroo Ba Nanta was born in 2415 BE, and was indeed the older of these two Great Guru masters of Wicha, both of whom were famous for the Pra Rahu, and also the Wua Tanu Sacred Arrow Bull animist charm.Many people believe that Kroo Ba Nanta was the Kroo Ba Ajarn of Luang Por Noi, but this is in fact a myth. Each of these Masters had their own personal Trajectories and their amulets differ in style and empowerment methods.

 

 

It would be more accurate to not compare the two, and to see that Kroo Ba Nanta and Luang Por Noi are equally Meritorious in their Mastery, and were perhaps the greatest Adepts of Wicha Pra Rahu in living memory.

Kroo Ba Nanta was an Upachaya Monk (entitled to ordain people as monks, which is one of the highest statuses), and was responsible for having built many important Buddhist Edifices in Lampang, Chiang Rai, Payao, and surrounding provinces, including Uposatha Shrine Rooms for temples, Chedi Stupas (22 in all), Kuti Huts, and 26 Vihara Shrines.

 

 

It is said that during the times of great difficulty of the Monk Kroo ba Srivichai, as Kroo ba Srivichai was placed under house arrest, that Kroo Ba Nanta made a Pra Rahu Kala Ta Diaw Amulet to pray to for the release of Kroo Ba Srivichai, and that he was released shortly after this.

 

If you feel that your Fate and Horoscope is not Auspicious, then it could be that Pra Rahu is interfering. You can solve this problem by making Bucha offerings to Pra Rahu every Wednesday; Light 10 black incense sticks (‘Toop’ in Thai), and five types of black offerings (e.g. black sticky rice, black jelly grass drink, black semolina or sago pudding and the like).

 

 

12 repetitons of the Kata Bucha Pra Rahu are to be Chanted;

Idtipiso Pakawaa Pra Rahuu Sataewaa Samaa Winyaana Idtipiso Pakawaa Putta Sangmi

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Kata Surya Buppaa (to be chanted in the daylight)

Gusaedto Ma Ma Gusaedto-dto Laalaa Ma Ma Dtolaamo Tolaamo Ma Ma Tolaamo Ma Ma Tolaamodtang Haegudti Ma Ma Haegudti

 

 

Kata Jantra Bupaa (to be chanted in the night time)

Yadt-thadtang Ma Ma Dtangthaya Dtawadtang Mamadtang Wadtidtang Saegaa Ma Ma Gaasaegang Gaadtiyang Ma Ma Gaadtiyang Ma Ma Yadtigaa

When you begin to Bucha Rahu Deity, you should make the first ever session in the evening of a Wednesday (any time from 7 pm onwards). After you have done this once, you can make Bucha in the daytime if you wish, but the first time you must include the food offerings of black foods as well as the black incense. The second time onwards, only the incense is necessary in the daytime, if it is a lot of trouble to get the food offerings.

 

 

Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets

Ancient Amulet - Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets') Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days

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Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang Featured

Special 2nd edition Rian Kanajarn (guru monk coin amulet), of the Great Master Luang Por Tong Sukh, of Wat Tanode Luang in Petchburi. The coin amulet is in Nuea Tong Daeng, and has Nuea Krang Pasted onto the rear face, which was done with a very few Gammagarn amulets, where Luang Por Tong Sukh pasted the stingless bee paste onto the rear face. The rear face is covered in visibly authentic aged Nuea Krang stingless bee paste, a rare and powerful magical Muan Sarn, for which the amulets of masters of the era of LP Tong Sukh, LP Iam and the like have always been so well known for.

Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang

Both the Rian Pra Kroo Tong Sukh, and the Takrut Nuea Krang of LP Tong Sukh, are among the most highly renowned and powerful amulets of all of the Great Masters of Olden days, on a par with the Takrut of other top masters of the time such as LP Iam, Luang Phu Sukh, and Luang Por Glan. Luang Por Tong Sukh, of Wat Tanode Luang, in Petchburi was one of the most popular masters for Kong Grapan, Maha Ud, and Klaew Klaad, and was very popular with Gangsters and Highwaymen, of which there were many in the Province of Petchburi, for the gun-stopper powers of his magic.

Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang

This second-generation coin amulet is highly sought after among Thai amulet collectors, especially in Phetchaburi Province and neighboring areas.

Year of creation: Buddhist Era 2498 (1955)
Attributed powers: Widely renowned for Maha Udom (invulnerability against weapons), Kong Krapan Chatri (physical invincibility), protection from danger and accidents, and good fortune.
Material: Produced in multiple materials, including copper and gold.
Die types: Can be broadly classified by the form of the vowel “I” above the name Luang Por Thongsuk, as follows:

“I” touching the rim / attached (most popular die)

“I” floating / not touching (early die)

Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang

Popularity: Historically very popular among local toughs and gunmen in Phetchaburi, which led to strong demand for this amulet as a companion piece to Luang Por Daeng of Wat Khao Bandai-It, first generation.

Rental / market prices:
The rental value of Luang Por Thongsuk, Wat Ton Luang, Generation 2 varies significantly depending on condition, material, and die popularity.

Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang

Luang Por Tong Sukh was born in 2420 BE, and lived until his passing in the year 2500 BE, after his appearance to assist in the Grand 25 Centuries of Buddhism Blessing Ceremony, which was the third largest in the History of Thai Buddhist Amulets. Luang Por Tong Sukh was, and remains in History, as one of the Top Petchburi Masters of All Time, whose powers of Kong Grapan Chadtri Klaew Klaad and Maha Amnaj were legendary.

Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang

Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang

This amulet comes with free registered express shipping worldwide , along with sending our ubiquitous free gift of another sacred amulet of high esteem, as we always do with all orders.

Luang Por Tong Sukh’s amulets are both extremely rare, and hold extremely high status and eminence with all amulet societies and devotees around the Nation. Luang Por Tong Sukh’s amulets hold especially high popularity in the world of the Serious Devotee and Collector Thai Buddhist Amulets and Talismanic Charms, mostly because of their Magical Power.

Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang

He made a number of different varieties of amulets, many of which are found in the high end Tamniab Wadthumkongkol Pra Niyom (official catalogues of preferred amulets of the National Amulet Appreciation Societies).

Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang

Many of his amulets are eminent figureheads of the Pra Niyom Master Class category of amulets, and are extremely rare items to find. Luang Por Tong Sukh was the Kroo Ba Ajarn of many other Great Monks of the following Generation, who are now famous names in their own right, beginning of course with the most obvious, Luang Por Phaew, Abbot of Wat tanode Luang. It was Luang Por Phaew who inherited his Magical Wicha and also the Administration of the temple of Wat Tanode Luang as its Abbot. The Look Om Nuea Krang Luang Por Tong Sukh Wat Tanode Luang, is made from the famous Krang Putsa Magical Resinous Paste of the great Master Sorceror Monk of Wat Tanode Luang.

Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang

Luang Por Tong Sukh was also the Kroo Ba Ajarn of many of the Top Masters of the Era which followed him, including the Great Luang Por Jang, and of course of Luang Por Phaew, the abbot who succeeded him. The amulets of Luang Por Tong Sukh are incredibly rare, and carry a relatively high price-tag, enough to demand faith in his amulets, but still affordable to any serious collector who seeks an amulet of the caliber of Luang Por Tong Sukh.

Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang

The list of great masters who studied and practiced under Luang Por Tong Sukh were;

Luang Por Un (Wat Tan Gong – now Deceased), Luang Por Huan (Wat Nikom Wachiraram – now Deceased), Luang Por Yid (Wat Nong Jork – now Deceased), Luang Por Jantr (Wat Mareuka Tayawan – now Deceased), Luang Por Nim Mangkalo (Wat Khao Noi – now Deceased), Luang Por Yorn (Wat Tanode Luang – now Deceased), Luang Por Phaew (Wat Tanode Luang – now Deceased), Luang Por Thaem Silangwaro (Wat Chang Taeng Grajat), Luang Por Heng (Wat Huay Sai Dtai, and Pra Ajarn Ji, of Wat Nong Hwaa

Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang

Amulets :

The most famously powerful and highly sought after amulets of Luang Por Tong Sukh in his lifetime were;

1. His Sak Yant tattoos. His Look Om Nuea Krang Ying Mai Ork Gunstopper Sacred Powder Ball ‘Bonbon Amulet’. One of the rarest kinds of Look Om of all to be found in the Pra Niyom Category of amulets. Reputed to have saved the lives of many devotees through gunstopper magic.

Below : Luang Por Tong Sukh and his famous Krang sacred resinous Substance

Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang

 

2. The first and second edition Rian Kanajarn Luang Por Tong Sukh Monk Coin, renowned for Kong Grapan Chadtri Maha Ud Klaew Klaad Protective Miracles, with extra power to protect against poisonous beasts in a spell written on the rear face.

Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang

Below : 1st edition monk coin Luang Por Tong Sukh

Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang

Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang

Below: 2nd edition monk coin Luang Por Tong Sukh

Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang

3. The Hwaen Hua Na Bad Talord Gan Asurapit Luang Por Tong Sukh Magic Ring of Protection, with special ability to defend against all Poisons, Venomous or Wild Animals. highkly renowned for its rare power to guard against wild beasts and poisonous plants and animals. Extremely rare to encounter. This Wicha continued to be famous with Luang Por Phaew, who inherited the Wicha from Luang Por Tong Sukh, and whose Hwaen Hua Na Bad Dtalord rings are almost equally famous, but much more affordable.

Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang

Below; Hwaen Hua Na Bad Dtalord Luang Por Tong Sukh

Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang

4. The Takrut amulets of Luang Por Tong Sukh are various, and serve different purposes, ranging from the Takrut Jet Dork (7 scrolls on a cord) for Multiple Blessings, the Takrut Sam Kasat (triple Takrut with bronze, silver and brass concentric scrolls) , for Kong Grapan Chadtri, the Takrut Klord Ngaay, for easy childbirth without pain, and the Takrut Sariga for Mercy Charm and Prosperous Business.

Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang

Below : Various types of Takrut from Luang Por Tong Sukh

Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang

Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang

Miracles

One of the more famous folk tales about the miraculous powers of Luang Por Tong Sukh, is the story of the ability to inscribe Sacred Yantra Spells on the surface of material objects with his Psychic Powers; One time Luang Por was at Wat Ta Kham, and some devotees came to beseech him for some ‘Ya Dtom’ Healing Potion from him. To make this potion, Luang Por required some Bai Magaa leaves, which needed to also be pre-inscribed with the Yant Pra Jao Ha Pra Ongk (Na-Mo-Put-Yaa-Ya). So Luang Por Tong Sukh sent his Samanera Novice apprentice monks out to collect some, and help him inscribe them all before boiling the potion.

Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang

Luang Por asked the Samaneras to help him inscribe the Yant on each leaf of the Magaa tree. But the Samaneras were taking a long time to inscribe the yantra on each single bai magaa leaf, and so Luang Por exclaimed ‘This is going to take all day, bring all the leaves over to me in a pile on top of each other and i’ll finish the job’

Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang

The Samanera carried the leaves to Luang Por and gave him a pile of about 20 leaves in his hand. Luang Por then inscribed the top leaf performing incantations, and lo and behold, as he gave the pile back to the Samanera, every single leaf was inscribed with the Yant Pra Jao Ha Pra Ongk!

Rian Run Sorng Hlang Krang 2nd Edition Coin with Krang Paste on Rear Face 2498 BE Luang Por Tong Sukh Wat Tanode Luang

Important Ceremonies

Luang Por Tong Sukh was present to empower amulets in hundreds of ceremonies, and was always present in all of the most important and powerful blessing ceremonies in the History of Thai Buddhism, invited by a high ranking official of government to attend to bless with his powers, in the ceremonies of Wat Rachabopit for the 2495 BE Mongkol Gao edition and the Pra Kring Yord Hmud with 18 other Great Masters, and also attended the Ceremony to bless the Military and distribute amulets in the Great Indo-China war ceremony. Luang Por Tong Sukh was also one of the many Masters present to empower the large series of amulets blessed in the celebration of 2500 years of Buddhism, the ‘Yee Sip Haa Satawat’ 25 Centuries Edition.

 

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Takrut Tone Ying Mai Ork Pork Nuea Krang 2 x 1.2 Cm Luang Por Tong Sukh 2470 BE
Takrut Tone Ying Mai Ork Pork Nuea Krang 2 x 1.2 Cm Luang Por Tong Sukh 2470 BE
Takrut Tone Ying Mai Ork Pork Nuea Krang 2 x 1.2 Cm Luang Por Tong Sukh 2470 BE
Small Version of Luang Por Tong Sukh's Legendary Takrut Pork Krang Amulet, that is extremely rare to find in this size.
SKU 04228
$135
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