A very rare second edition coin from 2523 BE from the Great legendary Ex-Gangster Sorceror-Monk, Luang Por Tawee Sak (Luang Por Suea Dam), in Nuea Tong Daeng Rom Dam, blackened copper. Luang Por Suea Dam was one of the four most infamous and beloved Gangster Highwaymen of Thai History, along with the Great Suea Bai, Suea Mahesworn, and Suea Fai. Luang Por Suea Dam was the last surviving member of the four great Gangsters in history.

As Luang Por Tawee Sak was still a Gangster in his earlier times, he became the arch enemy, but also somehow friend, through mutual respect for each other’s powerful gunstopper magic, of the great Khun Pantagij Rachadej the great Police Officer who created the legendary editions of Jatukam Ramathep amulets, and who hunted all these ‘invincible’ Gangsters with great fervency.

Rian Run Sorng Luang Por Suea Dam 2523 BE Nuea Tong Daeng Rom Dam Hlang Yant Na

 

“Suea Dam” (LP Tawee Sak) was known as a Robin Hood type Gangster, for he would only rob very rich people, and would give most of the takings to the poor people. He was also known as ‘The Gentleman Thief’ because he used to warn his victims one week before that he was going to rob them (but still always succeeded). The word ‘Dam’ means ‘Black’ and this also has a reason for LP Tawee Sak being known as ‘Suea Dam’ (Black Panther), in his time as a Gangster. Suea Dam used to wear all black, and use two pistols one in each hand like a western gunslinger, which is what gave his this legendary name of ‘Suea Dam’.

 

Rian Run Sorng Luang Por Suea Dam 2523 BE Nuea Tong Daeng Rom Dam Hlang Yant Na

It was said by Suea Dam that he came to join forces and become a Gangster with Suea Mahesworn and Suea Bai, after a meeting, where himself, Suea Mahesworn and Suea Bai’s homes had been robbed by other robbers, knowing they had treasures stashed in there, and decided to form an alliance (cartel), but none of them had any large number of followers, so each of them went their own way to make a name for themselves, and gain fame, reputation and followers. Each of them gathered around 50 or 60 followers in their respective gangs, and remet, giving themself the Cartel name of ‘Sum Suea Dam’ (The Arched Portal of Black Panther).

 

Rian Run Sorng Luang Por Suea Dam 2523 BE Nuea Tong Daeng Rom Dam Hlang Yant Na

The Gang had strict rules never to harm the person they were robbing, even if the victim fought back and harmed the robber, and that it was forbidden to rob rice grain barns, or poor people. Old people were forbidden to be mnolested by gang members, and to not break the precept of adultery with the wivves of others. For a gang member to break the rules would mean to be shot dead by the gang.

Rian Run Sorng Luang Por Suea Dam 2523 BE Nuea Tong Daeng Rom Dam Hlang Yant Na

As time passed, prices were put on the heads of the three great Gangsters, and robbing became ever more difficult, as well as having to hide and disguise themselves from bounty hunters. It came to pass around the years 2495 – 2499 BE, that they had many shootouts with the police, and finally came face to face with Police Sergeant Khun Pant Rachadej, the most famous gangster Killer and Catcher in Thailand, and stood face to face in a gunfight. However, both Khun Pant and Suea Dam had Wicha Akom Sorcery, which was so powerful that neither were able to shoot each other, even at point blank range, as they had decided to have it out with each other and end it once and for all.

 

Rian Run Sorng Luang Por Suea Dam 2523 BE Nuea Tong Daeng Rom Dam Hlang Yant Na

But however they tried, they were both invulnerable, and the meeting and respect for each other, came to make Suea Dam, and the other Gangsters begin to change their ways and attitude to life. For Khun Pant said that if they were to change their ways and become good people, and live honest lives, the police would drop all warrants for them all. Suea Dam and the others stopped their gangsterhood on this day, and of course, Suea Dam became ordained as a Buddhist Monk, and renamed as Luang Por Tawee Sak (popularly always known as Luang Por Suea Dam).

Rian Run Sorng Luang Por Suea Dam 2523 BE Nuea Tong Daeng Rom Dam Hlang Yant Na

ยิงไม่ออก หลวงพ่อทวีศักดิ์ ชุตินธโร เสือดำ

Rian Run Sorng Luang Por Suea Dam 2523 BE Nuea Tong Daeng Rom Dam Hlang Yant Na

<p “=””>Since he ordained, he built up the temple in his charge, made many amulets using his powerful Wicha, inherited from his days as a Gangster, and became a highly revered and respected good hearted monk who attained many achievements for Thai Buddhism during his time, and was abbot of both Wat Sri Nuan Tamma Wimon, as well as Wat Chon Aratanaram in Ayuttaya, and holds his promise to Khun Pant, to remain there until his passing. His famous Takrut Ying Mai Awk Gunstopper amulet became worldwide news, and his devotees consider his amulets extremely powerful authentic magical protection.

Rian Run Sorng Luang Por Suea Dam 2523 BE Nuea Tong Daeng Rom Dam Hlang Yant Na

Rian Run Sorng Luang Por Suea Dam 2523 BE Nuea Tong Daeng Rom Dam Hlang Yant Na

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A very rare and Highly Preferred Pra Niyom class Rian Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U, from Isan Master Monk, Luang Por Phang Jidtakudto, of Wat Kongka Kirikhaet Temple, in Khon Kaen.

The coin is cast with the cameo image of Luang Por Phang Jidtakudto, of Wat Kongka Kirikhaet, seated within a round frame. This edition released and blessed at the temple of Wat Chaiyasathan, in Chiang Mai, to assist in funding the restorations and improvements of the temple.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

The amulets were released after the ceremony, and distributed to devotees from 2520 BE onwards. This is a Pra Niyom amulet of the Tamniab Wadthumongkol (official pantheon), and is a highly desirable acquisition for serious collectors and devotees of Luang Por Phang amulets, and for collectors of Guru Monk Coins.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

Below; some of the other amulets of Luang Por Phang

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

The year of 2519 BE saw Luang Por Phang release a large pantheon of amulets, many of which are now extreme rarities and highly valued in the collector scene, but are very hard to come across due to the fact that Luang Por Phang’s devotees are never prone to letting go of their amulets. The reluctance of devotees to sell has made Luang Por Phang’s amulets one of the more difficult pantheons to collect.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto


Luang Por Phang Jidtakudto was born under the name of ‘Phang Krong Yudti’ on Tuesday 2445 BE in Ban Gudtakasian, in Tambon Khuean, Amper Khuang Nai in Ubon Rachathani. He had two siblings
The young Phang was Ordained into the Sangha at the age of 20 years old in 2465 into the Maha Nikaya sect, and Wat Khueang Klang, Ubon Rachathani.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

His Upachaya was Pra Kroo Luang Por Duan, Pra Ajarn dee was his Gammawājājarn. After his Ordination, Luang Por Phang then studied Dhamma Vinaya with Luang Por Somkuan, . After one year of Ordination, Luang Por Disrobed, and at the age of 23, he married with Miss Jan dee Say Sema, a girl from Ban Daeng Mor, Ubon Rachathani. They remained married for a period of 23 Years, but never had any children, except for taking care of an orphan whose parents had passed away.

As Luang Por Phang reached the age of 43, both Luang Por Phang, and his Wife, ordained, Luang Por Phang becoming a Bhikkhu, and his wife went to Ordain as a Buddhist Nun (Mae Chee).
They gave all of their possessions to their adopted child Miss Noo Pan, who was married with family already.
Luang Por Phang was reordained back into the Maha Nikaya lineage sect, this time at Wat Koo Khad, in Ban Sri Sukh township, in Ubon Rachathani.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

This time Pra Kroo Sri Sydtaporn (Luang Por Dter) was his Upachaya. His Pra Gammawājājarn’s name is undocumented. Luang Por stayed officially at Wat Koo Khad, but in fact also learned to practice Kammathāna Vipassana at Wat Pha Warin Chamrab, with Pra Ajarn Singh and Pra Ajarn Maha Bpin.

When Luang Por Phang reached the age of 47 however, he changed sect lineages to enter into the Tammayut Forest Monk Lineage and was Ordained as a Tammayut Monk at Wat Ban None (also known as Wat Tung) with Pra Maha Orn as his Upachaya and Pra Maha Sai as his Pra Gammawājājārn, and Pra Maha Luang Por Jantr as his Pra Anusāwanājārn.

His Ordination as a Tammayut Monk took place on Wednesday the 23rd of May 2491 BE, marking his third and final Ordination.
Luang Por Phang then continued to practice the Kamathāna Vipassana method with Pra Ajarn Singh, for some years, and finally set out in solitary to practice Tudong (Tudhanka) Forest wandering on his own, to develop in his skills and powers.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

It was then that he was able to find and learn to practice under the tutelage of the Great Pra Ajarn Mun Puritadto, the founder of the Thai Kamathāna Forest Tradition lineage at Wat Ban Namon in Sakon Nakorn. After receiving tutelage from Ajarn Mun, he continued with his solitary Tudong Forest wandering. During his forest
wanderings, he came to stay at Wat Pha Ballanksilatip in Ban Taen, Khon Kaen, and stopped to stay there for one year. Once the rainy season retreat was over, Luang Por Phang then wandered out again and came past the municipality of Manja Kiri in Ban Soke Nam Khun.

The local devotees of the area saw Luang Por Phang was staying in the forest, and beseeched him to stay for a while, asking him to stay and practice at the foot of the Pu Pa Daeng mountain. This place was considered very sacred to the local folk, and there was a water spring where water flowed out all the year round.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

Luang Por Phang saw the place, and was astounded to see that it was the place he had been having visions of in meditation for many years already, and so decided it was destined for him to stay there. Until Luang Por Phang’s appearance, no monk had ever been able to stay iin this place, for its powerful local spirits and magic present, but Luang Por Phang was able to remain there quite easily.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

Luang Por Phang then invited the local devotees to help him to build a temple there. The locals of this area used to call this sacred mountain water source ‘Doon’, and so in those days as the temple was rising up into existence, they called it ‘Wat Doon. Luang Por Phang stayed on building the temple of Wat Doon, occasionally traveling out into the forest on Tudong, and had various miraculous adventures during those journeys he made in solitary into the deep forests, and mastered his Wicha.

He remained faithful to the simple ways of a Bhikkhu and endured the hardships of a Tudong Monk, and was thus a well attained ‘Pra Subattibanno’ (Good Bhikkhu of High Endurance, Renunciation and Purity). The temple of Wat Doon was given the official name as we know it today of Wat Udom Kongka Kirikhaet.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

Other Meritorious Deeds of Luang Por Phang;

In the year 2505 BE Luang Por Phang constructed yet another temple in Ban Jaeng Tab Ma, in Manja Kiri Municipality, Khon Kaen, a small distance away from Wat Udom Kongka Kirikhaet, about 4 Kilometers to the east. This temple was given the name ‘Wat Pha Pattana Kiri’, or commonly known by the local devotees as ‘Wat Ban Jaeng’

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

Another great Meritorious deed of Luang Por Phang, was that he built a road (widening of the road) which was too thin and impossible for the local farmers and other traffic to navigate along without difficulty, withough any need of government funding, and presided over the whole construction process, to lessen the problems of locals of the area, and solve the problem of lack of funds of the local provincial government.

Luang Por Phang also pestered the local Government in the department of public highways to build another road widening and lengthening to bring devotees to the temple (for there was no real road to speak of for devotees to come to the temple), which took him constant efforts writing to the government offices, between the years 2507 BE, and 2523 BE. Finally, the Government assisted to build the road in the year 2523 BE, after his letters to them and requests were finally heard. His patience and persistence won out in the end, to give the locals a road to be able to use for their needs, and to reach the temple without having to cross wild territory

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

In the year 2523 BE, Luang Por Phang sponsored the building of the Pratat Kham Kaen Sirodom Relic Stupa Shrine which stands before the Central Municipal Building of Khon Kaen City, with the assistance and donations of the local devotees, to celebrate two hundred years of the Ratanakosin Era. On the 31st march 2525, Somdej Pra Sangkarach Sakol Maha Sangka Barinayok (Somdej Prayan Sangworn Pra Sangkaracha Royal Head Monk, came to perform the Inauguration of the Pratat relic Shrine for the Local Buddhist Folk to be able to perform Bucha and Revere the shrine.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

 

On the 28th of November, Luang Por Phang was admitted to Hospital and was found to have Cancer of the Gall Bladder. On the 23rd of February 2525, Luang Por was readmitted to the Paet Banya hospital because he felt rather weak, and was suffering internal bleeding, and his heart muscles were having problems pumping his heart.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

On 16th March 2525 Luang Por felt a bit better, and the Comittee of Devotees of Luang Por Phang came to take Luang Por Phang back to the temple, but after a few days of having returned to his temple, he felt ill again, and was unable to eat or drink, or pass water. Then, on the 24th of March 2525, at 16:45 PM, Luang Por Phang finally passed away peacefully, at the age of 80 years Old, which was a very sad occasion for the devotees of this highly beloved Monk, who never sought recognition and always worked hard for the welfare of the devotees and his temple, and to spread the Buddha Dhamma.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

He was known for having always said “I don’t want my name to be known famously’ ‘I don’t want to receive honors or status’ ‘I don’t wish people to speak highly of me’ – But these wishes seem to have been in vain, for indeed, Luang Por Phang, is one of the ost highly revered Monks of Udorn Rachathani, and his Goodness and Generosity, and Tireless Work to help his People, is Legendary, even now long after his passing.

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

The final cremation ceremony to bid farewell to Luang Por Phang was held on Tuesday 24th March 2528 at 16:00 PM with thousands of devoptees from around the counrty who came to attend and pay their last respects to Luang Por Phang Jidtakudto
Satu! May Luang Por Phang and his great Merits, remain in our memory forever, and may his great blessings remain with us, through the Buddhanussati of keeping his memory and reverence to Luang Por Phang in our hearts, with the amulets in his image which we wear and revere, in ‘Putta Bucha’!

Rian Glom Roop Muean 2520 BE Nuea Tong Daeng Dtok Code U Luang Por Phang Jidtakudto

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Ancient Amulet. Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets'). Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days

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The one and only world famous Takrut Tua Lisong Prosperity Attracting Peanut Amulet, with Look Namo Kring inserted ito the base, from Luang Por Boey, of Wat Manaw, 4.2 Cm Length, forged from Nuea Samrit Sacred Bronze based Brazen Magical Alloy, using the Alchemical Metallurgy of the Sorcery Grimoires of Ancient Animist Sorcery, and Imbued with the many Wicha of Luang Por Boey, for Maha Pokasap, Maha Lap, Metta, Klaew Klaad, Kong Grapan, and Kaa Khaay Magic.

A rare sight indeed in this day and age, to find such an item, of which there are only rare occasions to encounter the Takrut Tua Lisong of Luang Por Boey, which is so very hard to find under any circumstances. Highly Favored by business persons and gamblers, and those who seek the magic of invincibility and evasion, and those who seek lucky windfalls in lottery.

Luang Por Boey was highly renowned for his large pantheon of forged Alchemical Metal and Sacred Powder Amulets, which have been documented in many forms, shapes and sizes, as well as his very popular Monk Photos and Coin amulets, & especially his Pra Mahesworn amulets, Kh, un Phaen, Pra Gleep Bua, Pra Leela, Metallic Somdej, and Pra Ngop Nam Oy Buddha Yantra amulets.

Takrut Tua Lisong Nuea Samrit Ud Look Namo 2508 BE 4.2 Cm Peanut Amulet of Prosperity Luang Por Boey Wat Manaw

Takrut Tua Lisong Nuea Samrit Ud Look Namo 2508 BE 4.2 Cm Peanut Amulet of Prosperity Luang Por Boey Wat Manaw

Luang Por Boey of Wat Manaw, was one of the Great Famous Master Sorceror Monks and Alchemy Masters of the Supannburi Province. He was immensely respected and revered by the local devotees, for his highly perfected behavior, speech and merciful nature, and for his dedicated adherence to his Most Diligent Dhamma Practices.

Takrut Tua Lisong Nuea Samrit Ud Look Namo 2508 BE 4.2 Cm Peanut Amulet of Prosperity Luang Por Boey Wat Manaw

Takrut Tua Lisong Nuea Samrit Ud Look Namo 2508 BE 4.2 Cm Peanut Amulet of Prosperity Luang Por Boey Wat Manaw

Luang Por Boey was born in the Village and Municipality of same name; Bang Pla Ma, in Supannburi in the year 2434 BE, a hundred and thirty years ago, at the time of writing (2021). It was obvious since his very early childhood, that he possessed a powerful tendency towards seeking Dhamma, and the Buddhist Faith. Even as a small child, he would often disappear to the temple to listen to the Dhamma Teachings, help the temple with its daily duties such as cleaning, sweeping and other tasks, and to Perform the Morning and Evening Prayer Chants in the Tradition of Thai Buddhist Uposatha.

Takrut Tua Lisong Nuea Samrit Ud Look Namo 2508 BE 4.2 Cm Peanut Amulet of Prosperity Luang Por Boey Wat Manaw

As Luang Por Boey reached the age for Ordination (20 years old) as a Bhikkhu Monk in the Buddha-Sasana (Buddhist Creed),in the year 2454 BE, he was given Ordination Ceremony at Wat Manaw. Once ordained, he performed constant diligent study of the Dhamma Vinaya Buddhist Canon, learning both Pali Sanskrit, and the Ancient Thai-Khom Khmer Sanskrit Script used for Magical Wicha Grimoires, Sacred Yant, and Spell Inscriptions.

After 3 years of study and practice, he traveled to Bangkok, to study and contemplate the Dhamma Vinaya in more depth, to understand in fullness the rules of Ordination, and the perfection of the practice of the 227 rules of renunciation of a Thai Buddhist Monk, and Savaka (Devotee/Listener), of the Buddha. He did this at the Temple of Wat Chee Ba Khaw (Temple of the White Robed Sage – Officially callled ‘Wat Sri Sudaram’), and also was able to receive tutelage and Wicha from the Great Luang Por Parn at Wat Bang Nom Kho for a period of one year.

Takrut Tua Lisong Nuea Samrit Ud Look Namo 2508 BE 4.2 Cm Peanut Amulet of Prosperity Luang Por Boey Wat Manaw

After this, LP Boey returned to Wat Manaw in the year 2467 BE. Luang Por was a Monk who loved his Solitude, and would always rise at 4 am every day, and perform Buddhist Prayer Chantinig until the sun would rise, and then he would go on Bintabat to seek Alms (food offerings), which is only allowed after sunrise, and eating one meal a day before midday, with all offerings mixed into one single mash in the almsbowl with his hand.

When he would return to the temple beladen with food offerings, he would ask all the other Bhikkhus (Monks) of the temple, to fall into line in a queue, and would distribute food to each Bhikkhu personally dishing out each person’s food allocation himself. He never failed to do this each day throughout his life of practice at Wat Manaw.

Luang Por Boey was always extremely dedicated to his duties as a monk of the Temple, and his duty to serve Buddhism, and Spread the Buddha Dhamma to Devotees. He was always adherent to his nightly meditations, and his Kuti hut was always very sparse with no unneeded material possessions apart from the 4 requisites listed in the Vinaya Pitaka, as the four things needed for basic survival, for Monks. No kind of luxuries or cushions, or other forms of worldly comforts were used.

Takrut Tua Lisong Nuea Samrit Ud Look Namo 2508 BE 4.2 Cm Peanut Amulet of Prosperity Luang Por Boey Wat Manaw

The time came when Wat Manao found itself without an Abbot, LP Boey was the first and foremost to be asked to be the new Abbot and Kroo Ba Ajarn of the Temple, but Luang Por Boey staunchly refused the elevated position of Abbot, for his practice was focused upon spreading the teachings of the Buddha, and to help living sentient beings without wish or need of anything in return. His abilities in Puttakom Buddha Magic were second to none, as a result of his unwavering diligence in practice, and disinterest and disattachment from any desires of fame or elevated status, and his powerful daily chanting, meditation, and adherence to his strict practices of a truly ascetic mendicant monk. He would use his Wicha to perform blessings, remove curses, heal, and empower amulets to protect and bring Prosperity, Protection, and good Karma to Devotees. He would make Sacred Yantra on takrut amulets, and Pha Yant Prajiad cloth, with Wicha Kong Grapan Chadtri, and Klaew Klaad, and was a Master of Holy Water Empowerment, which was used to spray devotees, and was renowned for its Sacredness.

Takrut Tua Lisong Nuea Samrit Ud Look Namo 2508 BE 4.2 Cm Peanut Amulet of Prosperity Luang Por Boey Wat Manaw

His many forms of amulets, some in Sacred Muan Sarn Powders, but mostly made using Alchemical Metallurgy, were extremely revered for their immense power and sacred blessing which they brought to the Devotee. He released amulets throughout his life in the Sangha right up to his final editions in the year 2508 BE, which was the year he passed away. His passing brought great sadness to Devotees around the Nation, for the loss of one of the Great Masters of the Olden Days Era, having left this world without yet another Master Guru with Impeccable Practice of Selfless Giving to Others.

In his Early years making amulets, he would most often use sacred treewoods to carve idols and effigies, and Buddhist amulets of various forms, until the year 2473.

Takrut Tua Lisong Nuea Samrit Ud Look Namo 2508 BE 4.2 Cm Peanut Amulet of Prosperity Luang Por Boey Wat Manaw

This was when he began to make his Alchemical Metallurgical amulets, once he had the necessary resources to produce this kind of amulet, wich is so difficult to forge and cast into the desired form, and which has an Alchemical formula that requires a perfectly balanced admixture in order for the smleted ancient artifacts, metallic inscribed ingots, and other sacred metals to fuse into one substance.

Takrut Tua Lisong Nuea Samrit Ud Look Namo 2508 BE 4.2 Cm Peanut Amulet of Prosperity Luang Por Boey Wat Manaw

In the Year 2479, LP Boey made his first edition of amulets in Nuea Din Phao (Baked Sacred Clay), n the Year 2500 BE, he then made a series made from Nuea Chan Hmak Betel-Areca Nut Paste with the image of Luang Por,(Chan Hmak is Betel Leaf and Areca Nut, with Pink Acidic Cement ground from seashells, Chewed by the Guru, considered highly sacred and powerful by Thai Buddhists, for the Guru will perform Incantations and Imbue Prana (Chi) Elemental Forces using Air Element (Breath), to empower the Betel Nut throughout the process of chewing it.

Takrut Tua Lisong Nuea Samrit Ud Look Namo 2508 BE 4.2 Cm Peanut Amulet of Prosperity Luang Por Boey Wat Manaw

The first edition Rian LP Boey Guru Monk Coins were released in the year of his passing, 2508 BE, which was a quadratic coin with cut edges (Rian See Liam Dtat Mum), and the Risn Glom Nang Dtem Ongk round Guru Monk Coin with full Iage of LP Boey on front face, which were released in the Pluk Putta Sima Temple Boundary Post Installation Ceremony.

Later, the Rian Glong Kreung Ongk half Torso Cameo Image round Guru Monk Coin, was released after his passing, during the Funeral Ceremony of Luang Por Boey, and is also very rare and highly regarded by Devotees and Collectors, as being Sacred and Blessed in Spirit by LP Boey during the Funeral Ceremony, as his Spirit Left his Body and Rose up to the Higher Realms, enveloping all those at the Ceremony, and the amulets, with his final blessing in this world.

Takrut Tua Lisong Nuea Samrit Ud Look Namo 2508 BE 4.2 Cm Peanut Amulet of Prosperity Luang Por Boey Wat Manaw

His Devotees still pray to him in the Higher Realms, to bestow his Heavenly Blessings down to Earth upon those who revere him and follow his teachings; To keep the 5 Precepts as best they can, and increase their efforts to reduce selfishness, and develop compassion, generosity, the intent to help others, and equanimity to know to not suffer yourself, when you cannot change a situation that is beyond your control (the 4 Heavenly Abodes).

Takrut Tua Lisong Nuea Samrit Ud Look Namo 2508 BE 4.2 Cm Peanut Amulet of Prosperity Luang Por Boey Wat Manaw

All of the amulets of LP Boey were issued by him, for free during his Ceremonies, and he always refused to ask for any donations or put any price on his amulets, for he only ever made amulets for free distribution, without wishing for anything in return. This is Ironic, for this merely has increased peoples’ belief in the Sacred Powers of LP Boey during his lifetime, and made his amulets so desired and revered, for what could be more enticing, and pure, than an amulet from a monk who never ever made an edition to raise funds. And who only ever distributed ‘Pra Jaek’ (Free Amulets), to his Devotees.

There are so many different forms of amulet made by LP Boey during his trajectory, that it is not possible to list them all, but to mention some of the rarer Pim, one could mention the Pim Sum Gor, Pim Prok Po Bodhi Tree Buddha, Pim Leela Wandering Arahant, Pim Khun Phaen Jakr Narai (Vishnu Chakra on Rear face), Pi Pra Paruhnang, PraMahesworn, Pra Nang Paya, Pra Somdej Lor, Pra Gleeb Bua, and many other Pim, as well as his famous final edition Tua Lisong Peanut of Prosperity and Protection Animist Charms of 2508 BE.

Takrut Tua Lisong Nuea Samrit Ud Look Namo 2508 BE 4.2 Cm Peanut Amulet of Prosperity Luang Por Boey Wat Manaw

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Hwaen Arahang Nuea Tong Daeng Long Ya Tong Chart 2495 BE 1.7 Cm Ring of Protection Luang Por Jong Wat Na Tang Nork

Hwaen Arahang Nuea Tong Daeng Long Ya Tong Chart 2495 BE by Luang Por Jong Puttasaro of Wat Na Tang Nork

The study of sacred amulets within Theravada Buddhism, particularly in Thailand, constitutes a complex intersection of art history, religious practice, folk belief, and the occult sciences. These artifacts, far from being mere decorative items, serve as tangible conduits of spiritual power, imbued with blessings and protective energies by revered monastic masters. This monograph presents a detailed examination of a particularly significant artifact: the Hwaen Arahang Nuea Tong Daeng Long Ya Tong Chart, consecrated in 2495 BE by the esteemed Luang Por Jong Puttasaro of Wat Na Tang Nork. This small, alchemical copper alloy ring, distinguished by its Ra Rachawadee Trairongs tricolored enamels and the inscribed Khom Letter ‘A’, epitomizes the profound craftsmanship and spiritual potency characteristic of amulets from the pre-commercial era. Its creation reflects a period when master monks meticulously crafted each piece, imbuing it with layers of protective and auspicious wicha, making it a rarity highly sought after by devotees seeking authentic protective magick.

Hwaen Arahang Long Ya Tong Chart Amulet Front View

1. Introduction and Theological Importance

The Hwaen Arahang, or ‘Arahang Ring,’ derives its theological significance directly from the Sanskrit term ‘Arahant’ (Pāli: Arahang), which denotes one who is worthy of veneration and has attained enlightenment by eradicating all defilements. In Theravada Buddhist cosmology, the ‘Arahang’ epithet is primarily reserved for the Buddha himself, signifying the highest state of spiritual purity and liberation. The inscription of the Khom Letter ‘A’ on this amulet, therefore, is not a mere symbolic gesture but a direct invocation of the Buddha’s supreme qualities. This letter, drawn from the ancient Khom (Khmer) script historically used for sacred texts and yantra designs in Thailand, represents the primal sound and essence of the ‘Arahang’ quality, serving as a mnemonic for the practitioner to recall the Buddha’s perfect virtues.

The theological importance of such an amulet rests on the Theravada principle of ‘Buddhanussati,’ or recollection of the Buddha. By wearing an object imbued with the essence of the Buddha’s enlightenment, devotees seek to internalize these qualities, drawing upon the protective and auspicious energies generated by such profound spiritual association. The amulet is understood to radiate a field of metta (loving-kindness) and karuna (compassion), while simultaneously providing strong defensive attributes against malevolent forces and physical dangers. This ring is thus not merely a charm but a spiritual implement intended to foster a continuous connection with the Dhamma and Sangha, thereby fortifying the practitioner’s spiritual journey. The integration of traditional Buddhist epithets with master-blessed amulets illustrates a practical application of Buddhist philosophy within daily life, emphasizing protection and well-being as foundational elements for spiritual cultivation.

Furthermore, the protective efficacy of the Hwaen Arahang is rooted in its association with ancient Thai Buddhist occultism, specifically the tradition of Kong Grapan Chadtri and Klaew Klaad magic. Kong Grapan Chadtri refers to invulnerability against weapons and physical harm, while Klaew Klaad denotes evasion of danger and accidents. These protective wicha are not merely superstitious beliefs but are understood within the framework of traditional Thai Buddhist practice as extensions of the spiritual power accumulated by enlightened masters through rigorous meditation and adherence to the Vinaya. The ‘Arahang’ inscription, acting as a powerful mantra, is believed to align the wearer with the unshakeable nature of the Buddha’s enlightenment, thereby manifesting these protective qualities. The choice of a ring format further symbolizes a perpetual circle of protection, encompassing the wearer in a continuous aura of safety and spiritual well-being.

Hwaen Arahang Long Ya Tong Chart Amulet Side View

The Master and Lineage

Luang Por Jong Puttasaro (2415 BE – 2508 BE) stands as a monumental figure in the pantheon of Thai monastic masters, particularly revered for his contributions to the spiritual and protective well-being of the Thai people during a tumultuous period. Born ‘Jong’ into a farming family in Na Mai, Bang Sai Municipality, Ayuttaya Province, his early life, though lacking precise birth documentation, is calculated to have commenced on the 6th of March 2415 BE, a Thursday in the year of the monkey, during the reign of King Rama 5. His parents were named Mr. Yord and Mrs. Khlip, and he had two younger siblings, Nil and Bplik. From an early age, Luang Por Jong exhibited a distinct predisposition for solitude, often distancing himself from crowds, even at communal events such as local Lige theatre shows. This early inclination towards quiet introspection foreshadowed his later profound spiritual journey and mastery.

Luang Por Jong’s monastic life began with his ordination in 2435 BE at Wat Na Tang Nork temple in Ayuttaya. Upon ordination, he received the monastic name Jong Puttasaro. His Pra Anusawanajarn, the venerable Abbot of Wat Na Tang Nork, Luang Por Po, quickly recognized Luang Por Jong’s extraordinary intellectual and spiritual faculties. Despite a physical constitution described as weak and prone to illness, Luang Por Jong displayed an exceptional mental acuity, mastering the intricate Khom Agkhara Sanskrit script with remarkable speed. This rapid acquisition of an ancient and complex script, crucial for traditional Thai Buddhist esotericism (Wicha Akom Sorcery), indicated a spiritual aptitude far beyond his chronological age. Luang Por Po, discerning Luang Por Jong’s innate wisdom and potential, diligently imparted every facet of his personal Wicha to his prodigious student.

Portrait of Luang Por Jong of Wat Na Tang Nork

Luang Por Jong’s trajectory following this tutelage was one of continuous spiritual advancement. He evolved into a Master Sorceror in his own right, simultaneously becoming a revered Dhamma Practitioner and a compassionate teacher to the local populace. His fame extended across Thailand and beyond, solidifying his reputation as one of the greatest Sorceror Monks of his era until his passing in 2508 BE. His profound wisdom and potent spiritual abilities placed him in the esteemed lineage of great Ayuttaya Province gurus, alongside figures like Luang Por Parn of Wat Bang Nom Kho. This association underscores his standing within a tradition of highly attained masters renowned for their mastery of sacred sciences and compassionate service.

A significant aspect of Luang Por Jong’s legacy is his pivotal role during the Indochina Wars. He actively assisted the Thai Military by consecrating and distributing powerful amulets, specifically designed to confer Kong Grapan Chadtri (invulnerability) and Klaew Klaad (evasion of danger) upon soldiers facing combat. His Takrut (scroll amulets) and Suea Yant (Yantra shirts) became legendary for their efficacy in protecting combatants, cementing his status as a national protector. Beyond these protective charms, Luang Por Jong was also widely celebrated for his Pla Tapian Maha Lap Kaa Khaay amulets, crafted in the form of gold-silver fish. These artifacts were renowned globally for their ability to instigate good commerce, prolific sales quotas, and general prosperity (Maha Pokasap). His comprehensive mastery encompassed not only defensive magic but also Metta Maha Niyom (loving-kindness and charm) and Maha Lap (great fortune), making his amulets versatile tools for well-being in all aspects of life.

Luang Por Jong’s attainments spanned both worldly deeds of goodness and self-renunciation, alongside deep understanding and practice of the Dhamma Path. His fame and honorable status have endured for more than half a century, remembering him as one of the greatest masters of his time and a paramount figure in the Ayuttaya lineage. His dedication to crafting each amulet by hand, a practice from an era before the commercialization of Buddhist artifacts, underscores his profound commitment to quality and spiritual integrity. His amulets, including the Hwaen Arahang, Pra Somdej, other Sacred Powder Votive Tablets, and Powerful Takrut, remain rare and highly valued treasures for devotees seeking genuine protective and auspicious blessings from an olden-days master.

Luang Por Jong Empowering Amulets ImageAlchemical Composition and Sacred Powders

The Hwaen Arahang Nuea Tong Daeng Long Ya Tong Chart is characterized by its material composition: a sacred alchemical copper alloy, known in Thai as ‘Nuea Tong Daeng.’ The term ‘alchemical’ is crucial, as it signifies more than mere metallurgy. In traditional Thai amulet creation, the base metals are often combined with various potent substances—known collectively as ‘muan sarn’—and consecrated through specific alchemical processes, which are themselves forms of Wicha Akom. While the raw description specifically mentions ‘Sacred Alchemical Copper alloy,’ implying a refined and spiritually charged metal, the practice of combining metals with powders and other sacred elements is deeply embedded in the tradition.

Copper (ทองแดง, *tong daeng*) holds significant symbolic and energetic value within Thai occult traditions. It is often associated with the planet Mars and is believed to possess inherent properties conducive to protection, strength, and vitality. When transmuted through alchemical processes (*len rae pleng yaa*), which may involve ritual heating, cooling, and the incorporation of various mineral or botanical additives, the copper alloy is thought to acquire enhanced spiritual properties, making it a more potent vessel for the master’s blessings. The exact composition of Luang Por Jong’s alchemical copper alloy for the Hwaen Arahang would have been a closely guarded secret, passed down through his lineage, potentially involving specific metal ratios, lead-tin alloys, or even fragments of older, consecrated amulets to imbue the new material with residual power.

Hwaen Arahang Long Ya Tong Chart Amulet Detailed Surface

The decorative aspect of the ring, the ‘Long Ya Tong Chart,’ refers to the Ra Rachawadee Trairongs Tricolored enamels. ‘Long Ya’ (ลงยา) is the traditional Thai term for enamel work. ‘Tong Chart’ (ธงชาติ) directly translates to ‘national flag,’ referencing the patriotic red, white, and blue colors of the Thai flag. These colors are not arbitrary; they symbolize Nation (red), Religion (white), and Monarchy (blue) – the three pillars of Thai identity. The application of these specific colors onto the amulet, particularly during an era that encompassed the Indochina Wars, implicitly links the spiritual protection of the amulet to the safeguarding of the nation and its core institutions. This aesthetic choice transforms the amulet from a personal protective charm into a miniature emblem of national and religious unity, resonating with collective cultural and spiritual values.

While specific sacred powders (*muan sarn*) are not explicitly detailed for this particular ring, it is important to understand the general context of such materials in amulets by masters like Luang Por Jong. Typically, amulet rings and votive tablets of this period would incorporate sacred earths from auspicious sites, powdered incense from venerated Buddha images, herbal remedies, and even residual ash from burnt sacred scriptures. These components are painstakingly collected, consecrated, and often ground with specific invocations (Kata) to infuse them with spiritual energy. Although the Hwaen Arahang is a metal ring, the concept of ‘sacred alchemical copper alloy’ suggests that the metal itself underwent a transformation akin to the preparation of muan sarn, absorbing spiritual potency through ritualistic manipulation. The inherent hardness and durability of metal also contribute to the symbolic permanence of its protective power, making it a robust vessel for spiritual blessings.

Sacred Empowerment and Wicha

The empowerment of the Hwaen Arahang ring by Luang Por Jong Puttasaro in 2495 BE stems from his profound mastery of ‘Wicha Akom Sorcery,’ a complex system of sacred knowledge, magical formulas, and meditative practices integral to traditional Thai Buddhist esotericism. Luang Por Jong inherited this comprehensive Wicha from his guru, Luang Por Po of Wat Na Tang Nork, demonstrating exceptional aptitude in a discipline that demands rigorous mental discipline, spiritual purity, and extensive scriptural knowledge, particularly of the Khom Agkhara Sanskrit script.

The core of the Hwaen Arahang’s empowerment lies in the Khom Letter ‘A’ (อ), representing ‘Arahang.’ This single letter functions as a powerful *mantra* (Kata) and *buddha-nidana* (a foundational principle or essence of the Buddha). Reciting or meditating upon ‘Arahang’ invokes the ultimate purity and liberation of the Buddha, creating a resonant field of spiritual energy. Luang Por Jong, through his meditative attainments, would have imbued each ring with this profound spiritual vibration, linking the physical object to the metaphysical essence of Buddhahood. This process, often involving deep jhanic states, concentrates spiritual power into the amulet, activating its latent protective and auspicious properties.

Hwaen Arahang Long Ya Tong Chart Amulet Close Up of Khom Letter A

The Wicha employed by Luang Por Jong encompassed a range of magical formulas, primarily focused on Kong Grapan Chadtri (invulnerability and steadfastness) and Klaew Klaad (evasion of danger). These wicha are not merely chants but involve complex visualizations, breath control techniques, and specific consecration rituals performed over extended periods. For the Hwaen Arahang, the intention would have been to create a portable shield of spiritual protection. The master would have meticulously etched or inscribed sacred Yantra (geometric designs and scriptural verses) onto the base metal, possibly on the interior or exterior surfaces before enameling, further reinforcing the amulet’s protective matrix. Each stroke of the inscription and each chant during the blessing ceremony would have contributed to building this energetic shield.

Beyond defensive magic, Luang Por Jong was also highly proficient in Maha Lap (great fortune), Kaa Khaay (good business), and Metta Maha Niyom (loving-kindness and charm) magic. While the Hwaen Arahang is primarily a protective ring, the comprehensive nature of Luang Por Jong’s Wicha suggests that elements of these auspicious blessings would also be present. A master of his caliber would typically empower his creations with a holistic array of positive energies, ensuring not only safety but also general well-being and prosperity for the wearer. The use of specific Kata, tailored for different magical effects, would have been integrated into the final blessing ceremonies, ensuring the ring’s multifaceted efficacy. The continuous presence of the master’s meditative energy and purity of intention throughout the creation and blessing process is considered paramount in generating the amulet’s potency, distinguishing genuinely powerful amulets from mere commercial productions.

The ‘Olden days Masters’ distinction highlights a critical aspect of this amulet’s spiritual integrity. In Luang Por Jong’s era, the creation of amulets was a direct extension of a monk’s ascetic practice and spiritual attainments. Each piece was often handmade, imbued with individual blessings through prolonged meditation and ritual, contrasting sharply with later, more industrialized production methods. This dedication ensures that the Hwaen Arahang is not merely a product, but a sacred artifact carrying the direct spiritual imprint of a highly attained master, making its power genuinely potent and enduring.

How to Pray to Thai Amulets

Iconographical and Aesthetic Appreciation

The Hwaen Arahang Nuea Tong Daeng Long Ya Tong Chart, consecrated by Luang Por Jong in 2495 BE, presents a nuanced blend of functional design, symbolic iconography, and traditional aesthetic values. Its physical attributes reflect the practical needs of its intended wearers, primarily children or individuals with small fingers, indicated by its diminutive size, measuring approximately 1.7 Cm (or reportedly 2 Cm) in inner diameter. This small scale does not diminish its spiritual significance but rather highlights its role as a personal, unobtrusive protective talisman, designed for continuous wear.

The primary iconographical feature of the ring is the Khom Letter ‘A’ (อ) inscribed upon its surface. This script, deeply rooted in Southeast Asian Buddhist and Hindu traditions, serves as a powerful yantra. The ‘A’ represents ‘Arahang,’ symbolizing the Buddha’s supreme state of enlightenment and purity. The simplicity of this single letter belies its profound spiritual weight, acting as a concise visual mantra that encapsulates the essence of the Buddha’s virtues. Its clear depiction on the copper alloy, possibly engraved or stamped before the enamel application, ensures its legibility and central focus within the ring’s design. The use of Khom script further links the amulet to ancient esoteric traditions, suggesting a lineage of knowledge and power that predates modern influences.

Hwaen Arahang Long Ya Tong Chart Amulet Angled View

Aesthetically, the ring is distinguished by its ‘Ra Rachawadee Trairongs Tricolored enamels.’ ‘Rachawadee’ refers to a royal or exquisite style of ornamentation, often associated with fine craftsmanship. The ‘Trairongs’ (three colors) are specifically red, white, and blue, corresponding to the colors of the Thai national flag. This tri-colored enamel provides a vibrant contrast to the underlying copper alloy, enhancing the visual appeal of the ring while subtly embedding nationalistic symbolism. The deliberate choice of these colors for an amulet created during the Indochina Wars reinforces the notion of protective blessings extended not only to the individual but also to the nation, its religion, and its monarchy. The application of enamel, a technique requiring considerable skill, indicates a dedication to aesthetic quality alongside spiritual potency. The enameling process protects the underlying metal and inscription, ensuring the longevity and continued legibility of the sacred Khom ‘A’.

The alchemical copper alloy (Nuea Tong Daeng) itself contributes to the ring’s aesthetic. Copper, when exposed to the elements over time, develops a distinctive patination, ranging from deep reddish-brown to greenish hues. This natural aging process adds a layer of character and authenticity to the amulet, signaling its antiquity and long-term spiritual use. The texture and weight of the copper alloy, combined with the smooth, glossy surface of the enamel, create a tactile and visual experience that is both substantial and refined. The rings of this era, being largely handmade, often exhibit minor variations in form and finish, which are prized by collectors as marks of individual craftsmanship rather than imperfections. These slight irregularities speak to the artisanal nature of their creation, further distinguishing them from mass-produced items.

Hwaen Arahang Long Ya Tong Chart Amulet Profile

Ritual Practice and Worship

The ritual practice and worship associated with the Hwaen Arahang Nuea Tong Daeng Long Ya Tong Chart are deeply rooted in Theravada Buddhist traditions, yet they also incorporate elements of folk belief and specific instructions often provided by the consecrating master. For an amulet such as this, imbued with the protective and auspicious Wicha of Luang Por Jong, a devotee’s interaction typically begins with a posture of respect and reverence, known as ‘Bucha’ (บูชา). This involves acknowledging the spiritual power residing within the amulet and expressing gratitude to the Triple Gem (Buddha, Dhamma, Sangha) and to the master who consecrated it.

Standard Bucha practices for amulets often involve placing the ring on a higher altar or shrine when not worn, ensuring it is treated with utmost respect. It should never be placed in low or impure locations. When wearing the ring, devotees traditionally ensure it is worn on the finger in a manner that faces outward, symbolically projecting its protective energy. The small size of the Hwaen Arahang, suitable for children or a lady’s small finger, implies its role as a continuous, personal talisman, intended to be worn daily rather than intermittently.

Hwaen Arahang Long Ya Tong Chart Amulet Detail

Chanting Kata, or sacred incantations, is a fundamental aspect of activating and maintaining the amulet’s power. While specific Kata for the Hwaen Arahang itself might be transmitted orally or through written instructions by Luang Por Jong’s lineage, general protective Kata are commonly employed. The most direct invocation for this amulet would involve the repetition of ‘Arahang’ or the full ‘Namo Tassa Bhagavato Arahato Sammā Sambuddhassa’ (Homage to the Exalted One, the Worthy One, the Perfectly Self-Enlightened One). Regular chanting reinforces the spiritual connection between the devotee, the amulet, and the Buddha’s virtues, thereby strengthening the protective field. Devotees may also recite the ‘Phra Kata Chinabanchorn,’ a powerful all-purpose protective mantra widely used in Thailand, or specific Kata for Kong Grapan Chadtri and Klaew Klaad, to align with the ring’s primary protective attributes.

Rules of conduct for devotees owning such an amulet emphasize ethical living and adherence to Buddhist precepts. This includes maintaining the Five Precepts (Pancha Sila) – abstaining from killing, stealing, sexual misconduct, false speech, and intoxicants – as these moral foundations are believed to preserve and enhance the amulet’s spiritual efficacy. The purity of the wearer’s mind and actions is considered crucial, as incongruence between behavior and the amulet’s sacred nature can diminish its power. Devotees are also typically advised to avoid wearing amulets during acts considered impure or disrespectful, although practical considerations for daily wear often mean such rings are worn continuously, with the understanding that reverence is primarily a state of mind and intention.

Ultimately, the Hwaen Arahang functions as a constant reminder of the Dhamma and the virtues of the Buddha, fostering a mindful approach to life. It serves not only as a source of external protection but also as an internal catalyst for developing positive qualities. The belief is that true protection originates from one’s own virtuous actions and merits, with the amulet serving as a supportive aid and a beacon of spiritual presence. The ongoing veneration of Luang Por Jong and the enduring power of his amulets attest to the deep cultural and spiritual value placed on such artifacts within Thai society, preserving a tangible link to a rich tradition of monastic mastery and sacred art.

Hwaen Arahang Long Ya Tong Chart Amulet Top View

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Singh Sam Khwan Nga Gae Pim Lek Carved Ivory Lion 2460 BE 2nd Prize Winner & Certificate Luang Por Derm

A Certificated Authentic 2nd Prize Winner amulet, in Competition of  The Amulet Society of Siam Thailand 2018 Competition Meeting, and a Pristinely well kept exhibit of an Ancient Classic of the Great LP Derm, the ‘Singh Sam Khwan Pim Lek’ (small size) Hand Carved Ivory Amulet with Singha Himapant Lion . This exhibit was most clearly carved for triple gift blessings empowerment by one of LP Derm’s artisans, in early era, for blessing by the Great Olden Days Master of World Class Legendary Status; Luang Por Derm Puttasaro, of Wat Nong Po.

Singh Sam Khwan Nga Gae Pim Detail 1

Estimated made around 2460 BE, this immensely detailed and decoratively carved amulet, is both imbued with the natural Power of Maha Amnaj instilled by mother nature believed to dwell within all Teeth and Tusks, of Tigers and Wild Boars and Jungle Predators, as well as within all the bones of such creatures, as well as being empowered with the Wicha Singh and Wicha Rachasri of Luang Por Derm. Considered a very powerful protection and power amulet.

Singh Sam Khwan Nga Gae Pim Detail 2

Singh Sam Khwan Nga Gae Pim Detail 3

Comes with free Express Air shipping included. The classic Singh Sam Khwan of Luang Por Derm is an immensely rare amulet to find, especially in such pristine condition as this exhibit, preserved within waterproof casing which we have already provided included in the price with this item, as it compliments and increases the beauty, and is of course the relevant kind of casing for an amulet of this calibre, price range and beauty. The amulet should never be worn below the waist line.

This item is a Master Class amulet that is not only revered and sought after for its Magical powers, but also for its immense beauty and status as a work of Minature Buddhist Antique Arts. This exhibit is a well known accepted preferred ‘Niyom’ class model, and stands out from others for its incredibly beautiful artisanry and design, and detail in the carved relief, as well as for its character and ease of recognition through the visibly natural aging process which has given the amulet its beautiful Patina.

Below; TSecond Prize Winning A4 Certificate, and complimentary box with series number and third prize ribbon sticker from the Association of Amulets of Siam Thailand, which comes with 2nd Prize Status and amulet Certificate No. 2576.

Singh Sam Khwan Nga Gae Pim Detail 4

Luang Por Derm was famous for many amulets, but the Singh, and Rachasri Lion amulets, along with his Nang Kwak, Roop Lor statuettes, and Mitmor knives, has become synonimous with his name. Luang Por made carved Singha Lions in various forms, and many other kinds of carved amulets, as well as a host of other types of blessed items be they Pha Yant, Hand carved Loi Ongk mini statuettes, Photographs, Takrut, and sacred powder amulets.

Singh Sam Khwan Nga Gae Pim Detail 5

A most original miniature hand carved ivory amulet of the finest artisanry, with truly exquisitely fashioned decorative embellishments, that is an immense Rarity to come across, from the early times where Devotees would flock to the temple of Wat Nong Po, to beseech Luang Por Derm to bless amulets.

Singh Sam Khwan Nga Gae Pim Detail 6

Below; some examples of the various carved Singha amulets found within the official pantheon of LP Derm, which makes this a definite preferred item for devotees and collectors of the carved ivory and other amulets of LP Derm.

Singh Sam Khwan Nga Gae Pim Detail 7

The Pantheon of amulets of Luang Por Derm can be placed into two main categories, namely those which were made as official edition at the temple, and those which were made by artisan devotees, who brought them to Luang Por Derm to bless. For this reason, we see so many hand carved pieces of fine miniature Buddhist imagery within the grand pantheon of amulets of Luang Por Derm, made from various sacred substances, ranging from Ivory, Metal, Bone, and Carved Sacred Wood.

Singh Sam Khwan Nga Gae Pim Detail 8

Luang Por Derm was Born on Wednesday 6 February 2403 BE and Died on Tuesday 22 June 2494 BE. He was one of the Greatest Masters of Thai Buddhist History, whose amulets, and famous ‘Mitmor’ ritual spirit knives are legendary around the whole wide world, for their authentic power, and Master Class Status.

Singh Sam Khwan Nga Gae Pim Detail 9

Luang Por Derm’s Carved Ivory, Boar Tusk and TigerTeeth amulets are amongst the most highly desired and collected items. The Wicha of Luang Por Derm is continued to this day through his Looksit of the various Master Lineages. His carved ivory, and wooden amulets are vary rare items, and highly individual in appearance, for they were made by individual Artisans who were Initiated and had received the Wicha, and ‘Korb Kroo’ Ritual Empowerment as permission from Luang Por Derm himself.

Only such Lineage Master Initiates were allowed to perform carving or knife forging for Luang Por Derm, and even to this day after his passing, all the Posthumous Editions of amulets which derive from Masters who are Initiates of Luang Por Derm, must use only amulets and Artisanry which has been made by an Initiated Artisan.

Singh Sam Khwan Nga Gae Pim Detail 10

This great Master and Abbot of Wat Nong Po, is believed to have been chosen to be born on Earth in the village of Nong Po, to lighten the sufferings of Buddhist People, and to bestow them with Blessings to lead them on their way towards Happiness, and Alleviate their Sufferings, and Poverty. Legend tells that Luang Por Derm is believed to have been born once before with the same parents in Nong Po Village, but he died at an early age. The mother and father were so sad, and at the burial, it is said that they took a ritual knife, and made some marks on the feet of the corpse of the child.

They prayed for the child to be reborn with them, and that if this miracle would truly happen, that the newborn return of the child, would be marked on the feet with these marks. It is said that when Luang Por Derm was born, that he had the very same lines marking his feet, exactly where his parents had made marks on the feet of their deceased son. It is hence believed that this was the first Miracle of Luang Por Derm.

Singh Sam Khwan Nga Gae Pim Detail 11

Luang Por Derm did not study much at school during his childhood, but after he ordained into the Sangha as a Buddhist Monk, he gave intense efforts and great interest to learn Bariyatti Dhamma (Theoretical Dhamma) with Luang Por Chom the then Abbot of Wat Nong Po at that time. He never stopped practicing and studying the various aspects of Dhamma Practice, Vinaya, Wicha Akom (Sorcery) and Lekh Yant Agkhara Khom, which He studied with Nai Pan Choo Pan, who was an Adept Sorceror who was resident within the enclave of Wat Nong Po Temple.

Nai Pan was a direct looksit of Luang Por Tao of Wat Nong Po who was an ancient Master Sorceror and Abbot of Wat Nong Po. He studied for seven years with this Master Sorceror, until his passing, and recorded the facts for posterity.

Singh Sam Khwan Nga Gae Pim Detail 12

When his teacher Nai Pan passed away, Luang Por Derm then continued to practice and study Wicha with Luang Por Mee, at Wat Bang Bon, another temple of the district in Nakorn Sawan, where he remained for a period of 2 Years. He also learned Tripitaka with Luang Por Num of Wat Khao Tong.

He also learned with Ajarn Yaem (a Lay Master who was Genius at both Dhamma Sermon Giving, and Wicha Akom). Luang Por Derm learned how to Preach Dharma, until he became an expert Preacher of Dhamma, and became recognised for his Immense Ability to interpret the difficult Dhamma Lessons and simplify them to explain to the Local Folk. Devotees would beseech him from all around the Province to come and Preach Dhamma to them.

Singh Sam Khwan Nga Gae Pim Detail 13

Luang Por spent many years performing Preachings. until one day he stopped, and said that every time he wold go to tell others how to practice, and they wold give donations, that he thought it would be better to stop, and focus on teaching himself. he would send his apprentices who had learned well from him in his stead, and retired from this practice sometime around his eleventh year of ordination.

Singh Sam Khwan Nga Gae Pim Detail 14

He then focused on developing Vipassana Kammathana methods of self transformation, and dedicated himself extrememly diligently to develop the causes of enlightenment (Arahantship). He became famous for his ability to sit erect for many many hours, beyond the ability of other Masters. It was here that Luang Por’s ability in Wicha Akom began to ascend to a very high level, and his magical abilities began to take form and become extremely powerful.The fruits of his practice and studies which began with Nai Pan, and the many Kroo Ba Ajarn who had passed Wicha on to him flourished.

Luang Por still continued throughout this time to study with many other Masters, most of whose names are not known, for Luang Por Derm never really told others about his secret Masters, nor did he brag about the things he had learned and the places he went too learn them. It is however known that Luang Por did learn intensive Wicha Akom Saiyawaet with Luang Por Saban and Luang Por Taes of Wat Sap Tale, and Luang Por Wat Khao Nor.

Singh Sam Khwan Nga Gae Pim Detail 15

The amulets of Luang Por Derm are far and few between to be found. For indeed the many devotees of Luang Por Derm, are never prone to part with their amulets, which are highly revered as Buddhanussati Remembrance of the Great Master, and considered irreplaceable for their Great Magical Power to Protect from Danger, Evade Hardships, and Nurture Success in Life’s Undertakings. An item such as this is something that is not seen very often in the present era. It is the hope and dream of all true devotees of LP Derm, to possess a carved Ivory Singha such as this, of the Great Master LP Derm, for its immense fame and popularity for Maha Amnaj Kong Grapan, Klaew Klaad and Serm Yos Power.

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Kata Pluk Suea

Kata Suea - Invocation of Tiger Spirit

Kata Suea & Kata Rachasri – Invocation of Tiger/Lion Spirit (Chanting Tutorials) is included as an mp4 for download after purchase of this amulet.

Kata Paya Rachasri (Use for all kinds of Himapant Lion Deities)

Kata Paya Rachasri Chanting Tutorial

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Kata Ārātanā Mitmor Luang Por Derm Wat Nong Po

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All Tiger Image or Tiger Related Amulets - Khiaw Suea, Takrut Hnang Suea, Nam Man Suea, Tiger Face Lersi...

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Hwaen Pirod Long Rak Chart Lacquer Coated Yant Cloth & Corpse Cord Warrior Ring of Fire Luang Por Muang Wat Ban Tuan

An early era and extremely beautiful Hwaen Pirod Long Rak Chart thick laquer coated Yantra Cloth and Corpse Cord Warrior Ring of Protection from the Great Luang Por Muang Pf Wat Ban Tuan. The Hwaen Pirod of LP Muang is a world famous Hwaen Pirod Ancient Warriors Ring of ancient lore, made from Corpse Cloth Yantra Sinjana Cords with Lacquer Ancient Amulet. An immensely rare and sought after amulet of Luang Por Muang, of Wat Ban Tuan.

Hwaen Pirod Long Rak Chart Detail 1

Hwaen Pirod Long Rak Chart Detail 2Free EMS Registered Airmail Worldwide is included with this amulet. Estimated Circa 2450 BE or earlier. Luang Por Muang Jantasaro of Wat Ban Tuan, Amper Ban Tuan, Kanjanaburi Province, is an Old Gaeji Ajarn Guru Monk of Great Fame who was in his Heyday during the First World War. He was around in the same era as the Great Luang Por Ngern of Wat Bang Klan, and was a very famous and revered Master during those days.

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His most famous and sought after ancient amulets were and are now more than ever, his Rian Pum Luang Por Muang (differing faces Hnaa Hnum and Hnaa gae/Young Old Face) of 2460 and also his Waen Pirod Warrior Rings of Protection, which are even more extremely rare to find these days. Even during the time he was still alive, is Waen Pirod were a most sought after item, and anybody who owned one would be unable to convince to part with it.

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Nowadays, his Waen Pirod are amongst some of the rarest items to be found in Thai Amulet collectorship, in the ‘Krueang Rang’ (Occult Talismans) Category of Amulets. Serious Collectors and Devotees of Essentially Rare amulets and Talismans in the Thai Collector scene are known to be very fervent about wanting to own a Waen Pirod of Luang Por Muang, which are so difficult to find, as to make them the dream of many a collector.

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Most ‘Sian Pra’ (expert collectors and traders) will not sell their Waen Pirod, but will only place it in competition or on show for admiration, but hardly ever are prepared to part with them for any price.

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This is because those in the know, are aware that Luang Por Muang did not make so many of these rings, for the fact that his method of making them adhered to the Ancient Wicha and that this meant, that the extremely complex methods used limited the amount he was able to make. So he never made that many, and would also not hand them out easily to just anybody, because he never made them in any mass quantities

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In those days, Guru masters would not allow their devotees to assist in making mass productions, and so each amulet would pass only through the hands of the master and be self made and self empowered (this rule of course, does not apply to the case of smelted coins of course, and is specifically true for talismans, Takrut and similar hand made amulets). Luang Por did not make them for fundraising or other reasons, and would only make them for special reasons in special circumstances, for specific persons or reasons.

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Their magic power is also unquestioned, for the way that Luang Por Muang would perform his Ritual Method of creating and empowering these rings of power in the ancient traditional method of applied Wicha (Sorcery).

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He would use ‘Pha Hor Sop Dtaay Hoeng’ (cloth used to wrap Hoeng Prai corpses who died in sudden circumstances – a prerequisite for Prai Necromantic Sorcery power to be at its most powerful) cloth for their making. He use the full and complete ‘Dtamra’ (formula of legend) of the Wicha used during the Ancient Ayuttaya period, which he had received passed down to him from his lineage Masters, which was used by the first Kings of Thailand (Pra Naresuan Maharaj).

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Once he has made and bound the rings into their shape and form, he would then perform Invocations, and Ritual Methods of Empowerment, and then throw the rings into the blazing ritual fire. If the ring would burn, then he would destroy it and not use it, for this would mean that not enough Samadhi Meditative Concentration had been applied, and would begin again and make a new ring. Only the rings which did not burn in the fire, would be used. Those rings which proved through the fire test that they possessed true power, would be taken and covered in herbal lacquer to make them last for centuries (Pirod means burning flame, hence ‘Waen Pirod’ means Flaming Ring – and is fireproof).

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Luang Por would use a reddish lacquer similar to Chinese lacquer which was used in those days, but which turns black in time. He would dip the rings many times to get a thick coating, but this kind of lacquer would slowly crack and form small openings as the years passed by, which is part of the immense beauty and attraction of the Waen Pirod of Luang Por Muang.

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To authenticate and know what a real Hwaen Pirod (for indeed such a sought after item has many forgeries around) one should know to examinig the lacquer and see the slight cracks and the beige brownish sinjana cord and corpse cloth within that is visible through the cracks of the lacquer. One should also notice small areas of reddish tints where the original red lacquer color still resonates through the darkened lacquer surface.

Kata Pra Pirod for wearing and removal of the Magic Warrior Ring of  Protection and Power

Kata Waen Pirod

Om Pra Pirod Khord Pra Pinai

(Chant 9 Times when placing the ring on or hanging it on your neckchain for wearing)

Om Pra Pinai Klaay Pra Pirod

(Chant 9 times when removing the ring, or taking of your neck-chain or pendant holder)

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Luang Por Muang’s famous Waen Pirod is reputed to have many magical powers, among them are said to be invincibility and safety in dangerous situations, as well as in the olden days, as people would have to enter the deep jungle, that the ring will protect against all sorts of dangerous animals, ghosts and demons, and poisonous beats such as cobras, scorpions and hunting animals such as the tiger.

Hwaen Pirod Long Rak Chart Detail 17

Demons and Prai Hian Ghosts will not dare to approach. Maha Ud (Gun-Stopper), and protection agains all sorts of weaponry. This is a truly ancient amulet, and is is roughty one century old.

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Charms & Talismans

Thai Buddhist, Animist, and Occult Charms and Talismans, authentically blessed by the great Monks and Lay Masters of Old, and Present Day

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Takrut Hnang Hnaa Bpaag Suea Tiger Forehead Spell 2475 BE  1.5 Inches Luang Phu Nak Wat Arun

A classic Pra Niyom Category amulet that is extremely rare to encounter, and highly renowned for its Maha Amnaj, Klaew Klaad, and Kong Grapan Magic, the world famous Takrut Hnaa Bpaag Suea Tiger Takrut, of Luang Phu Nak (Pra Pimontam), of Wat Arun Rachaworaram. As a point of interest, Wat Arun is also known as the Temple of the Dawn, also known as ‘Wat Jaeng’, because both ‘Arun’ and ‘Jaeng’, mean ‘the Dawn’). Luang Phu Nak was a Guru Master-Monk of immense Status in the eyes of the community, with Great Merits to his name, and was renowned for his powerful mind and meditative ability.

Takrut Hnang Hnaa Bpaag Suea Tiger Forehead Spell 2475 Be 15 Inches Luang Phu Nak Wat Arun Detail 1

Takrut Hnang Hnaa Bpaag Suea Tiger Forehead Spell 2475 Be 15 Inches Luang Phu Nak Wat Arun Detail 2Free Express Airmail Registered Shipping Worldwide is included with this amulet. He was said to be both full of Spiritual Merit, but also highly endowed with Wicha powerful Magical abilities, which arise as side effects of the diligent practice of a meditative Monk of high purity of mind.

He is considered to be the Master of all Tiger Forehead scroll Takrut of all history (arguably comparable by some, with the Takrut of LP Jong of Wat Na Tang Nork, LP Parn of Wat Bang Hia, and LP Bun of Wat Klang Bang Gaew).

Takrut Hnang Hnaa Bpaag Suea Tiger Forehead Spell 2475 Be 15 Inches Luang Phu Nak Wat Arun Detail 3

 

It is It is said that in olden days during Luang Phu Nak’s time, his devotees would notice how when they passed a cowshed, even the Buffaloes would cower in fear at their sensing of the Magic of the fearsome Tiger emitted by the Takrut Hnaa Bpaag Suea of LP Nak. They would run to escape, as if a real tiger was hunting them.

Takrut Hnang Hnaa Bpaag Suea Tiger Forehead Spell 2475 Be 15 Inches Luang Phu Nak Wat Arun Detail 4

Luang Phu Nak was extremely famous for various amulets, especially his Takrut, and above all, his Takrut Hnaa Bpaag Suea Tiger Forehead skin spell composed of Sinjana cord wrapped and lacquer covered skin of the forehead of a Suea Kroeng Tiger.

Takrut Hnang Hnaa Bpaag Suea Tiger Forehead Spell 2475 Be 15 Inches Luang Phu Nak Wat Arun Detail 5

The Takrut Hnaa Bpaag Suea of Luang Phu Nak, is believed to posses immense Kong Grapan Chadtri Invincibility Magic of the Ancient Warriors, Maha Ud Gunstopper Magic, and Klaew Klaad Evasive Magic to Evade Death by Accidents, as well as powerful Anti Black Magic, and Metta Maha Niyom mercy Charm, with Maha Amnaj Commanding Power and Superiority Magic.

 

Kata Suea - Invocation of Tiger Spirit

Takrut Hnang Hnaa Bpaag Suea Tiger Forehead Spell 2475 Be 15 Inches Luang Phu Nak Wat Arun Detail 6

Biography of Luang Phu Nak (Wat Arun)
Luang Phu Nak was born on the 3rd of January 2415 BE, in Ban Bang Poon, in the province of Pathum Thani. His father was named Mr. Nuan, and his mother was named Mrs. Luean.

Takrut Hnang Hnaa Bpaag Suea Tiger Forehead Spell 2475 Be 15 Inches Luang Phu Nak Wat Arun Detail 7

Takrut Hnang Hnaa Bpaag Suea Tiger Forehead Spell 2475 Be 15 Inches Luang Phu Nak Wat Arun Detail 8

When he was a young boy, he was sent to be educated by Pra Ajarn Kroo Forn, until he reached the age of 12 years old. At age 12, he was ordained as a Samanera Novice Monk at Wat Sarapat Chang. Pra Atigarn Hwang Tamma Chodti was his Upachaya Ordaining Officer Monk, who thereafter taught the young Samanera, who was to become the Great Gaeji Ajarn LP Nak, in the Dhamma Vinaya, until he came of age.

Takrut Hnang Hnaa Bpaag Suea Tiger Forehead Spell 2475 Be 15 Inches Luang Phu Nak Wat Arun Detail 9

Luang Phu Nak was then reordained as a fully fledged Bhikkhu, through Pra Atigarn Hwang taking Luang Phu Nak to Luang Por Pra Tamma Warodom (Luang Por Daeng), of Wat Sutat in Bangkok (Royal Decree Monk and Abbot of the Temple at that time. This was the year of the Dragon in 2435 BE, when LP Nak was Ordained as a fully fledged adult Bhikkhun(Buddhist Monk) at the Great Temple of Wat Sutat.

Takrut Hnang Hnaa Bpaag Suea Tiger Forehead Spell 2475 Be 15 Inches Luang Phu Nak Wat Arun Detail 10

He was Ordained by Somdej pra Wanaratana (LP Daeng) as Upachaya, and Pra Kroo Tamma Saree (Luang Por Hwang), of Wat Tian Thawaay in Pathum Thani as his ‘Koo Suad’ (Prompter, for one must memorize 45 minutes worth of Pali Language Chanting to Ordain, and cannot use the book to assist you, and therefore need a Prompting Officer to assist when you forget your lines). He was given the ‘Chaayaa’ (Monk’s name), of ‘Sumananaakoe’ (Companion of the Nagas), and in fact, his common name of Luang Phu Nak, means ‘Reverend Grandfather Naga’ .

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Once he was fully Ordained, he began to study the Dhamma Pariyatti (Theoretical Dhamma) in the Samnak of Somdej Pra Wanaratana (LP Daeng), his first Kroo ba Ajarn. He also studied at the Samnak Praya Dhamma Breechaa Tim, and became Genial in his knowledge of this aspect of the study of the teachings of the Buddhist Canon.

Takrut Hnang Hnaa Bpaag Suea Tiger Forehead Spell 2475 Be 15 Inches Luang Phu Nak Wat Arun Detail 12

In the Year 2433 he translated the Pariyatti Dhamma from Pali to Thai reaching the level of Prayoke 4 9 (four paragraphs), in O-Level/College Degree Grammatical Accuracy (no mean feat at such an early stage).
In the Year 2437, he translated the Pariyatti Dhamma from Pali to Thai reaching the level of Prayoke 6 University Entry level degree of Grammatical Accuracy, which was for Monks of that Era an Immensely Grand Achievement and proof of immense mental Intelligence. In the Year 2441, he translated the Pariyatti Dhamma from Pali to Thai reaching the level of Prayoke 7 in Grammatical Accuracy.

Takrut Hnang Hnaa Bpaag Suea Tiger Forehead Spell 2475 Be 15 Inches Luang Phu Nak Wat Arun Detail 13

In the Year 2442, Luang Phu nak was awarded the status of Pra Racha Kana Tee Pra Racha Kana Kroo Sompoche (Royally Comissioned Advisor to the Abbot and Sangha Comittee) of Somdej Pra Wanaratana Luang Por Daeng. In the Year 2461 BE he was elevated to status of Pra Racha Kana Chan Rach Pra Racha Suree. In the Year 2464 BE, he was Royally Beseeched to become the Abbot of Wat Arun Racha Woraram, and Awarded status of Pra Upachaya (Able to Ordain others – a status given only to those monks who can recite the 1 hour long Patimokkha from memory).

Takrut Hnang Hnaa Bpaag Suea Tiger Forehead Spell 2475 Be 15 Inches Luang Phu Nak Wat Arun Detail 14

In the Year 2467 BE, he was awarded the Royal Name and Status of Pra Tama Dilok. In the Year 2476, Luang Phu Nak was awarded the Name ‘Pra Upasika Kunupamajarn’ as a mark of national respect. In the Year 2482, he was raised once again in status to have the title of ‘Pra Racha Kana Chan Hiranyabadtr Pra Pimon Tam’.

Takrut Hnang Hnaa Bpaag Suea Tiger Forehead Spell 2475 Be 15 Inches Luang Phu Nak Wat Arun Detail 15

Luang Phu Nak was hence a Genius in both the Pariyatti Dhamma (knowwledge of all the teachings of the Buddha), as well as the Practical side of Vipassana Kammathana Internal Undirected and Directed Mindfulness Practices, and Samatha Meditation, and Jhanic Kasina directed Meditations. He was also highly learned in the Wicha Puttasart and Saiyasart Buddha magic and Occult Sorcery, and was seen to possess the ability to empower amulets through his Vipassana Kammathana practices.

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He learned most of his initial Wicha from Luang Por Hwang of Wat Tian Thawaay, who is the Master who initiated Luang Phu Nak into the secrets of the Wicha Takrut Hnang Hnaa Bpaag Suea, and the Wicha Long Yant Pha Prajiad Daeng (red Yantra Cloth Sacred Geometry magic), which was the most famous Wicha of Luang Por Hwang. There were many stories of guns refusing to fire upon those who wore these amulets, which only served to increase the faith of the devotees in the power of Maha Ud Kong Grapan Chadtri maha Amnaj within the Takrut Hnang Hnaa Bpaag Suea tiger forehead skin Yantra scroll spell, and the red Pha Yant Prajiad Yantra cloth.

Takrut Hnang Hnaa Bpaag Suea Tiger Forehead Spell 2475 Be 15 Inches Luang Phu Nak Wat Arun Detail 17

In the year 2475 BE, Luang Phu Nak reached the age of 60, and the Sangha and Devotees, decided to make some Roop Tai Ad Grajok Khaw Hlaam Dtat(glass sealed photos in rhombus shape), as an official edition of amulets, to protect and increase the wealth and wellness of the local devotees and those near and far. In truth, Luang Phu Nak himself never issued the order or intention to make any amulets in his own image, and told the Devotees and the Committee that, if they were to do so, he didn’t want anything to do with it, and that they should go and see Pra Ajarn Pa of Wat Rakang, to ask him for advice and assistance in the making of the amulets.

Takrut Hnang Hnaa Bpaag Suea Tiger Forehead Spell 2475 Be 15 Inches Luang Phu Nak Wat Arun Detail 18

Pra Ajarn Pa hence assisted, and issued them in the year 2471 BE. Once the amulets were made and blessed at Wat Rakang, the Devotees took the batch of amulets to Luang Phu Nak, who then performed empowerment over them, for distribution during the 50th ordained anniversary (60th Birth year) of Luang Phu Nak. Before the Ceremony of release and final Putta Pisek Blessing Ceremony, Luang Phu Nak made some hand made inscribed Takrut Hnaa Bpaag Suea Tiger Forehead Skins, bound and lacquered with gold leaf (some with, some not).

Takrut Hnang Hnaa Bpaag Suea Tiger Forehead Spell 2475 Be 15 Inches Luang Phu Nak Wat Arun Detail 19

He only made a limited number, for handing out to his closest Devotees, which is one reason why the takrut Hnaa Bpaag Suea Luang Phu Nak is so rare to find, and therefefore, also highly valued. Luang Phu Nak would not hand these Takrut out frivolously, and would choose carefully who he gave one to, and would only issue them in small numbers. This was because the Wicha Takrut Hnaa Bpaag Suea he had inherited from Luang Por Hwang of Wat Tian Thawaay, required the Takrut to be made and completed on occasions of 5th Lunar Saturdays only, which are rare, and therefore made it impossible to make his Takrut in any large numbers.

The Devotees of the time would go to buy Tiger skin from the Jao Grom Ber shop in fromt of Wat Sam Plerm, as in those days, hunters and collectors of animal hides, bone, teeth and the like would take their wares to sell through this shop. (hides and parts, many of which are now prohibited to sell, but which in those days was common to see on the market). Luang Phu Nak would usually make his Takrut somewhere between 1 to 2 Inches long, which allowed for only a few Takrut to be made from one forehead skin, which was why his Takrut were rarely seen over 2 Inches long.

Takrut Hnang Hnaa Bpaag Suea Tiger Forehead Spell 2475 Be 15 Inches Luang Phu Nak Wat Arun Detail 20

He would first immerse the forehead skin in holy water to soften the dry skin, and then scrape off the fur, to leave bare skin, and then use the skin to wrap into Takrut scrolls, which he would inscribe and empower with Wicha Maha Ud. He would also then once the skin was soft through immersion, inscribe further Khom Agkhara Sanskrit spells, to invoke the spirit of the tiger, using the Wicha Akarn 32, and the Wicha Hnun Taat 4, to reanimate the power and spirit within the tiger forehead. Luang Phu would then tie the wrapped Hnaa Bpaag Suea hide scroll with holy Sinjana cords, to prevent the scrolls from unwinding as they dried over the decades. The Takrut are seen to be lacquered, many with flakes of gold leaf visible. Most will have the Sinjana cord wrapping, but there are also some exhibits which do not have the Sinjana cord binding too (rarer).

Takrut Hnang Hnaa Bpaag Suea Tiger Forehead Spell 2475 Be 15 Inches Luang Phu Nak Wat Arun Detail 21

Once the Takrut had been made on a 5th Lunar Saturday, Luang Phu would then keep them to empower in his Kuti hut until the next 5th Lunar Saturday occurred (however long that may be). And then, he would give a final Buddha Abhiseka empowerment and blessing to the Takrut, and issue them to his devotees thereafter one at a time during visits. The Takrut Hnaa Bpaag Suea of Luang Phu Nak Wat Arun, os a very rare amulet to behold in this day and age, and is one of the most preferred Maha Ud Kong Grapan amulets of all time.

Takrut Hnang Hnaa Bpaag Suea Tiger Forehead Spell 2475 Be 15 Inches Luang Phu Nak Wat Arun Detail 22

Pra Pimon Tam Luang Phu Nak passed away in the year 2485 BE during the reign of his Majesty King Rama 5 at the age of 72 years and 6 months. Luang Phu Nak remains perhaps the most well remembered and respected, and revered monk of Wat Arun in the minds of Thai people of the last Century.

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Takrut Sangwal Luang Por Derm Wat Nong Po

Takrut Sangwal Hok Dork Wicha Pla Tapian composed of five hand inscribed Takrut Tone Tong Daeng, bound as a cord , from LP Derm Wat Nong Po, with highly unusual folded origami Takrut Foil Yantra spells in the form of Tapian Fish for good business and wealth, connecting the Takrut, and Metallic Met Prakam Rosary beads interspersed.

An Immense rarity to see from the Great Luang Por Derm of Wat Nong Po.The discoloration of the copper of the Takrut, the connecting segments, and the worn look of the cord from passage of time, reveals the authenticity, and true age of the amulet. This exhibit easily reaches the Era of Luang Por Derm’s Early-Mid Era, and is truly ancient.

Takrut Sangwal Luang Por Derm Detail 1

Free Fed-Ex/DHL Worldwide Registered Express Airmail Shipping is included with this amulet. This is an amulet that will not have been made in mass, and is hand inscribed, and blessed by Luang Por Derm. Luang Por Derm blessed and empowered a great many different kinds of Talismanic Charms, and was very famous for his carved wood and ivory, and tooth amulets, for example his world famous ‘Singh Sam Khwan’ carved Himapant Lion amulets. This Sangwal takrut is one of the rarest items to encounter, especially in such beautiful condition, balanced composition, and honed with such fine artisanry. The Sangwal takrut Luang Por Derm is found in various forms, often with Pla Tapian Lucky Barbfish Attached, or other animist charms.

Takrut Sangwal Luang Por Derm Detail 2

Luang Por Derm began to release these Takrut necklaces in the year 2457 BE, after he was nominated for a raise iin status. One thing to note about these Takrut, is that Luang Por Derm would adhere to the principle of ‘if the takrut are in Tong Daeng Copper, then all components of the takrut were also in copper. If silver, then all components should be in silver’. Meaning, that authentic Sangwal Takrut Luang Por Derm will have the Takrut and the connecting yantra foils made from the same material.

This exhibit has a 5 Takrut in Sacred Copper, with the hand inscription of the 5 Dhyani Buddha Yantra spell by Luang Por Derm. This Takrut is from mere naked eyesight easily authenticated for its obvious maker The Takrut are empowered to bring Protection, Evade Dangers, Commanding Power, Anti Black Magick, Good Karma, Increase Status, Remove Obstacles, and the Pla Tapian Entice Financial Business and Professional Success, Job Promotion, and Wage Rises.

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About Pla Tapian

Pla Tapian is a Sacred Fish that appears in Vedic legends. Pla Tapian are seen as very lucky fish and are related to a story about the Sacred bird Nok Garawaek, in a story where the Ruesi in the Deva world sent a Garawaek bird to retrieve a magical tome from a Pla Tapian fish. Pla Tapian have been used as lucky charms since centures by both Thai and Chinese people.

Kata Pla Tapian

Sappae Chanaa Pahu Chanaa Prahma Sivang Namaa Mi Hang Ehi Jidtang Biyang Ma Ma

This is a great and also very widespread Kata to be used for Metta Mahaniyom and Choke Laap purposes. It is Brahmin Origin and calls upon Lord Brahma and Lord Shiva to make all people wish to come and buy goods from you, as well as bring great fortunes luck and popularity to you. Takrut and Yant Pla Tapian is also an invoked spell that invites the presence of the Tapian fish (a legendary Bodhisattva like entity from Vedic legend) to be present in the Yant.

Kata for chanting when making food offerings to the Pla Tapian;

Sappae Chanaa Pahu Chanaa Biyaa Yandti Aakaj ChaeyaAakaj Chaahi Aehi Aehi Jadt Dtang Bpiyang Ma Ma

The Great Luang Por Derm was Born on Wednesday 6 February 2403 BE and Died on Tuesday 22 June 2494 BE. He was one of the Greatest Masters of Thai Buddhist History, whose amulets, and famous ‘Mitmor’ ritual spirit knives are legendary around the whole wide world, for their authentic power, and Master Class Status. The Wicha of Luang Por Derm is continued to this day through his Looksit of the various Master Lineages.

Takrut Sangwal Luang Por Derm Detail 4

 

HIs carved ivory, and wooden amulets are rare items, for they were made by individual Artisans who were Initiated and had received the Wicha, and ‘Korb Kroo’ Ritual Empowerment as permission from Luang Por Derm himself. Only such Lineage Master Initiates were allowed to perform carving or knife forging for Luang Por Derm, and even to this day after his passing, all the Posthumous Editions of amulets which derive from Masters who are Initiates of Luang Por Derm, must use only amulets and Artisanry which has been made by an Initiated Artisan.

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This great Master and Abbot of Wat Nong Po, is believed to have chosen to be born on Earth in the village of Nong Po, to lighten the sufferings of Buddhist People, and to bestow them with Blessings to lead them on their way towards Happiness, and Alleviate their Sufferings, and Poverty. Legend tells that Luang Por Derm is believed to have been born once before with the same parents in Nong Po Village, but he died at an early age. The mother and father were so sad, and at the burial, it is said that they took a ritual knife, and made some marks on the feet of the corpse of the child.

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They prayed for the child to be reborn with them, and that if this miracle would truly happen, that the newborn return of the child, would be marked on the feet with these marks. It is said that when Luang Por Derm was born, that he had the very same lines marking his feet, exactly where his parents had made marks on the feet of their deceased son. It is hence believed that this was the first Miracle of Luang Por Derm.

Takrut Sangwal Luang Por Derm Detail 7

Luang Por Derm did not study much at school during his childhood, but after he ordained into the Sangha as a Buddhist Monk, he gave intense efforts and great interest to learn Bariyatti Dhamma (Theoretical Dhamma) with Luang Por Chom the then Abbot of Wat Nong Po at that time. He never stopped practicing and studying the various aspects of Dhamma Practice, Vinaya, Wicha Akom (Sorcery) and Lekh Yant Agkhara Khom, which He studied with Nai Pan Choo Pan, who was an Adept Sorceror who was resident within the enclave of Wat Nong Po Temple.

Takrut Sangwal Luang Por Derm Detail 8

 

Nai Pan was a direct looksit of Luang Por Tao of Wat Nong Po who was an ancient Master Sorceror and Abbot of Wat Nong Po. He studied for seven years with this Master Sorceror, until his passing.. When his teacher Nai Pan passed away, Luang Por Derm then continued to practice and study Wicha with Luang Por Mee at Wat Bang Bon, another temple of the district in Nakorn Sawan, where he remained for a period of 2 Years. He also learned Tripitaka with Luang Por Num of Wat Khao Tong.

 

He also learned with Ajarn Yaem (a Lay Master who was Genius at both Dhamma Sermon Giving, and Wicha Akom). Luang Por Derm learned how to Preach Dharma, until he became an expert Preacher of Dhamma, and became recognized for his Immense Ability to interpret the difficult Dhamma Lessons and simplify them to explain to the Local Folk. Devotees would beseech him from all around the Province to come and Preach Dhamma to them.

Below; Hand Folded Origami Style Yantra Foil with Inscriptions are used as one of the connecting segments of the six Takrut Tone Tong Daeng on the Sangwal Necklace.

Takrut Sangwal Luang Por Derm Detail 9

 

Luang Por spent many years performing Preachings. until one day he stopped, and said that every time he would go to tell others how to practice, and they wold give donations, that he thought it would be better to stop, and focus on teaching himself. he would send his apprentices who had learned well from him in his stead, and retired from this practice sometime around his eleventh year of ordination. he then focused on developing Vipassana Kammathana methods of self transformation, and dedicated himself extrememly diligently to develop the causes of enlightenment (Arahantship). he became famous for his ability to sit erect for many many hours, beyond the ability of other Masters.

Takrut Sangwal Luang Por Derm Detail 10

 

It was here that Luang Por’s ability in Wicha Akom began to ascend to a very high level, and his magical abilities began to take form and become extremely powerful.The fruits of his practice and studies which began with Nai Pan, and the many Kroo Ba Ajarn who had passed Wicha on to him flourished.

Below; The Sacred Inscriptions of Luang Por Derm are visible on the Takrut

 

Takrut Sangwal Luang Por Derm Detail 11

Luang Por still continued throughout this time to study with many other Masters, most of whose names are not known, for Luang Por Derm never really told others about his secret Masters, nor did he brag about the things he had learned and the places he went too learื them. It is however known that Luang Por did learn intensive Wicha Akom Saiyawaet with Luang Por Saban and Luang Por Taes of Wat Sap Tale, and Luang Por Wat Khao Nor.

Takrut Sangwal Luang Por Derm Detail 12

The amulets of Luang Por Derm are far and few between to be found, for indeed the many devotees of Luang Por derm, are never prone to part with their amulets, which are highly revered as Buddhanussati Remembrance of the Great Master, and considered irreplaceabble for their Great Magical Power to Protect from Danger, Evade Hardships, and Nurture Success in LIfe’s Undertakings.

Takrut Sangwal Luang Por Derm Detail 13


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Masterpiece of Wat Phra Yat: Phra Pru Nang Pok Pho (2495 BE)

In the sacred lineage of Ayutthaya master monks, Wat Phra Yat stands as a beacon of alchemical wisdom and spiritual protection. Today, we unveil a truly exceptional artifact that challenges common misconceptions and offers a glimpse into the personal mastery of Luang Phor An Khantaro: the Phra Pru Nang (Pok Pho) Trial-Press Amulet of 1952 (B.E. 2495).

Phra Pru Nang Front Face

The exquisite front face of the Phra Pru Nang Pok Pho – Wat Phra Yat

The Lineage of Wat Phra Yat: From Master to Disciple

To grasp the significance of this amulet, one must understand the spiritual heritage of Wat Phra Yat. It begins with Luang Phor Klan Thammathoti, the foremost master of Ayutthaya and a legend of both Vipassana meditation and the occult sciences. His fishhook-type 1926 coins remain among the most sought-after in Thailand, known for their powers of invulnerability and protection.

His top disciple, Luang Phor An Khantaro, inherited the entirety of this sacred knowledge. In 1952, Luang Phor An decided to perpetuate the temple’s traditions by creating a new series of amulets. The miracle of this series lies in the base materials: sacred powders and fragments of broken 400-year-old Khun Paen amulets from the ancient Wat Yai Chai Mongkhon hoard.

Phra Pru Nang Rear Face

The rear face revealing the hand-inscribed Yantra and sacred additions.

Deciphering the Mystery: The “Trial-Press” Rarity

Collectors often believe that all of Luang Phor An’s 1952 series must be glazed. However, the truth known only to advanced specialists is that a “trial-press” (testing the mold) was always conducted before the final glazing. Some of these test pieces turned out so exceptionally sharp and perfect that the master set them aside to be specially consecrated and given to his closest disciples.

This uncoated specimen is one such rarity. It represents “original purity” that mass-produced glazed pieces cannot match. Under magnification, the clay body reveals a dense texture with natural oxidation patterns from the firing process, interspersed with white and orange sacred powder particles from the Wat Yai Chai Mongkhon hoard.

Sacred Details Close-up

The Three Sacred Elements on the Reverse

What elevates this piece to a one-of-a-kind masterpiece are the three elements on its back:

  1. Hand-Inscribed “Thao” Yantra: The master Yantra of the Wat Phra Yat line. The inscription is fluid, deep, and weighted, matching the specific curves passed down from Luang Phor Klan.
  2. Victory Candle Wax (Hyod Tian Chai): The orange-yellow stain is wax from the large candles used in the consecration ceremony, which has fully absorbed the power of the prayers and seals the sacred energy.
  3. Monk’s Robe Fragment (Jivara): Affixing a piece of the master monk’s robe is considered the highest form of blessing, representing purity, moral discipline, and an ultimate safeguard for the wearer.
Macro Detail

Conclusion: A Worthy Possession

Possessing this amulet means holding a “Chronicle of Sacred Art.” It documents the trial-press process and the personal benevolence of Luang Phor An. The owner is blessed by the lineage of Wat Phra Yat, gaining protection, immense charm, and prosperity in all endeavors.

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Wat Prayat, or, 'Wat Prayatikaram' was built during the Ayuttaya Era and was earlier known as 'Wat Pob Yaat', which means 'The Temple of Meeting with Relatives'. Wat Prayat became nationally famous temple through the merits and amulets of two great Abbots, namely the Great Luang Por Glan, and his antecedent Luang Por An.

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Bia Gae Aathan Mee Khorb Tao Ruean Hum Luang Phu Kam Wat Po Bplam Featured

Bia Gae Cowry Shell Animist Charm with Turtle Casing from the Great Luang Phu Kam, of Wat Po Bplam

A very rare and beautiful example of the turtle shape encased version of the Bia Gae Aathan, of the Great Luang Phu Kam, of Wat Po Bplam. The Bia Gae of Luang Phu Kam of Wat Po Bplam, in Ang Tong Province, is counted as one of the five ‘Benjapakee’ Bia Gae of all time, along with the other 4 being the Bia Gae of LP Rod (Wat Nai Roeng), LP Bun (Wat Klang Bang Gaew), Luang Por Perm (Wat Klang Bang Kaew) and Luang Por Pak (Wat Bote). It is believed by devotees, that the Bia Gae of Luang Phu Kam, have immense power to ward off demons, ghosts and evil eye spells, as well as dissovle curses, and protect against poisonous beasts, and jungle fevers. They are said to also possess Maha Ud Gunstopper magic, and Metta Maha Niyom Mercy Charm, that recalls good luck into one’s life. This particular exhibit is encased within the form of the Paya Tao Ruean Turtle

In the early era of his Bia Gae making, Luang Phu Kam would be able to get his ‘Bia’ cowrie shells from the local area around the temple, but after the year 2493 BE, as his Bia Gae became increasingly famous and renowned for their power, it became necessary to send devotees to places by the ocean, in order to find enough cowrie shells to satisfy the needs of devotees. As to the Channaroeng and Krang Pastes used to seal the Bia Gae, it was taken from stingless beesnests found in the forest. or taken from Jom Pluak giant termite nests which were found in the vicinity around the temple.

As the needs of devotees rose, there was not enough Muan Sarn available from these sources of magical ingredients, and Luang Phu Kam was forced to have to seek farther afield for the sacred ingredients necessary to continue making Bia Gae amulets in the numbers needed for his devotees.

The Bia Gae of Luang Phu Kam differ from those of other masters in their making method; Luang Pu Kam would smelt sacred leaden alloy in a pot until it liquified, and then pour it into the interior of bamboo sticks about one foot in length. The bamboo was then sealed with simple cloth, and the bamboo was quicly shaken and agitated. This would cause the cooling leaden sacred alloy to form into small pellets. These leaden pellets were then used to ‘feed’ the Parort Mercurial Metal. This caused the Mercury to make a different sound when shaking the Bia Gae, more like a rattle than a soft ‘thud’ from the mercury sliding around within interior of the Bia shell.

Luang Phu Kam would then take the Mercurial Alchemical substance and use Incantations to make the Parort Mercurial alloy flow into the Bia Gae shells. To do this, he would place the Bia Gae on a large tray, and use Ya Kaa grass to beat the tray whilst chanting Kata incantations, until the Parort Mercury would flow into the Bia shells of their own accord. Then they would be sealed with Chanaroeng, and a Takrut foil with Khom Agkhara inscriptions.

There are some special models, enclosed within a metallic casing, some oval with decorative borders, others shaped like a turtle. Very few special models (Dtua Kroo) were made, whereas most of them would be left bare, or cord wrapped with the shell poking out visibly. In the case of his Bia Gae that are not enclosed within metallic frames, the copper Takrut Tong Daeng is visibly affixed to the Channaroeng Paste which closes the mouth of the Bia shell. It is said that some devotees once removed the Parort Mercury, and that it was seen to glow with an aura, like neon light.

Once Luang Phu had finished the creation and primary empowerment process, he would take the Bia Gae into his Kuti hut and perform further solo empowerments in privacy.One can recognize the early, mid and later eras of Bia Gae, from the difference in Channaroeng paste found in the seal of the BIa.

Early era amulets will have Channaroeng paste from the stingless bee or the giant termite nests around the temple. Mid era ramulets have Channaroeng paste with Ya Ruea, a herbal paste often used by fishermen and sailors to seal their wooden boats against leakage with. The third and later era, is seen to be made from Ya Ruea mixed with Pong Ittijae Yantra powders.

Devotees would often take the Bia Gae of Luang Phu Kam to be specially framed at an artisan, and framed with gold, silver or other brazen metal type frames. The Artisans would always stamp the enclosure of the Bia Gae frame with the Thai letters ‘Hor Mor Ngor’ (หมง), or sometimes the word ‘Kam’ (คำ), or ‘Heng’ (เฮง). In the case of exhibits which have the word ‘Heng’ stamped on the frame, this was the name of the Artisan. In the case of exhibits that have the letters ‘Hor Mor Ngor’ (หมง), this was and still is the code stamp of the firm of the Hor Mor Ngor Artisans, who to this day still use the same Hor Mor Ngor stamp to encase amulets with custom metal frames.

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ABOUT PAYA TAO RUEAN

The Paya Tao Ruean, as far as amulets are concerned, is associated with the powers of luck, long life, good health, good fortune , kong grapan and klaew klaad. Long life is insinuated due to the long lifespan of the Turtle. Metta, because of the Turtle’s pleasant and non-agressive disposition. The Tao Ruean Magic imbues the elemental qualities of both Water and Earth, due to the amphibian reptilian nature of this creature. The Paya Tao Ruean Turtle is indeed a significant part of Thai folklore and Buddhist beliefs. The turtle is considered sacred and holds a special place in Thai culture. While I cannot confirm every detail of the story you mentioned, I can provide information based on the general understanding of the Tao Ruean Turtle in Thai mythology and Buddhism. The Tao Ruean Turtle is believed to be an embodiment of Lord Buddha in one of his past lives. According to the story you mentioned from the ‘Ha Roi Chati’ (500 Lives of Buddha), the turtle lived on a desert island atop a mountain, where he dedicated his life to practicing purity and morality.

In the tale, when sailors were shipwrecked on the turtle’s island and faced starvation, they resorted to desperate measures, including attempting to eat inedible Areca nuts. Eventually, they turned to cannibalism, with one of them dying and the others contemplating killing each other for survival. Moved by compassion, the Tao Ruean Turtle decided to sacrifice himself by offering his own body as food to save the starving sailors. His act of selflessness and mercy is considered a profound demonstration of the Buddhist virtue of compassion. The turtle’s noble deed allowed the sailors to safely return to port and survive. As a gesture of gratitude and reverence, people began creating replicas of turtles, either made from clay, metal, or carved from wood, to serve as objects of worship and remembrance. These turtle representations are often placed in homes, temples, or sacred spaces as a way to pay respect to the Tao Ruean Turtle and to remind individuals to cultivate compassion and uphold moral values. They are also believed to provide protection from dangers and bring blessings such as long life.

The story of the Paya Tao Ruean Turtle exemplifies the Buddhist teachings of compassion, selflessness, and the potential for spiritual growth and enlightenment through virtuous actions. It has become an integral part of Thai cultural and religious traditions, inspiring people to emulate the turtle’s virtues in their own lives.

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Rian Roop Muean 2520 Putta Sema Temple Boundary Edition Amulet and Certificate - Luang Phu Toop Wat Kae Nang Lerng Featured

Pra Sivali Long Rak Pid Tong Hlang Yant Bai Pad 2520 BE – A rare Classic Pim Niyom Amulet from the Great Luang Phu Toop, of Wat Kae Nang Lerng (2441 – 2533 BE). This amulet comes with authenticity certificate from the association of amulets of Siam Thailand. This exhibit is in extremely pristine condition, and has highly detailed relief, and is immensely easy to authenticate with the naked eye, even without its accompanying certificate. The surface sheen of the sacred chanuan metal amulet has an aura that causes the eye to be drawn to the image of Luang Phu Toop

Pra Racha Dhamma Wicāra, or, as common folk know him, ‘Luang Phu Toop’ of Wat Kae Nang Lerng, was a highly revered monk and esteemed acclaimed member of the ten officially recognised makers of Pra Somdej amulets within the legendary Dtamra of Somdej Pra Puttajarn (Dto) Prohmrangsri’s classic methods of creating Pra Somdej amulets.

He was acclaimed by devotees for his powerful Wicha Akom, and was the creator of a vast range of different amulets, all of which are now extremely rare to encounter, and highly prized within his cult inner circle of collectors and devotees.

This Rian Roop Muean Guru Moink Coin amulet is yet another member of LP Toop’s panthheon that are classed as extremely rare, and is an extremely beautiful exhibit, which has been certificated authentic by the Association of amulet of Siam Thailand.

Luang Phu Toop Wat Kae Nang Lerng

He was acclaimed by devotees for his powerful Wicha Akom, and was the creator of a vast range of different amulets, all of which are now extremely rare to encounter, and highly prized within his cult inner circle of collectors and devotees. This Pra Sivali Amulet is one of the rarest items, and is an extremely beautiful exhibit, which has been covered with ‘Rak’ herbal lacquer and pure 96% gold leaf.

Luang Phu Toop was born in Tambon Bang Luang Iang in Ayuttaya, on he 11th of April 2411 BE. His Father was called ‘Dech’ and Mother went under the name of ‘Phong’. Luang Phu Toop lost his parents about the time of hs first birthday, after which he stayed with relatives in Bangkok, who were Lordly Family Lineage, namely Jao Praya Racha Supamidtr, and Tan Phu Hying Plaek. Luang Phu Toop learned Khom Agkhara Script and Pali Sanskrit at an early age as he was still attending school, at the temple close by to his relatives home.

Below; Authenticity Certificate issued by the Association of amulet of Siam Thailand, signed by its president

In the year 2463, Luang Phu Toop ordained at Wat Suntorn Dhamma Dhana (pronounced ‘Wat Suntorn Tamma Tan’ in Thai), popularly known as Wat Kae Nang Lerng. HIs Upachaya Ordaining Officer was tan Jao Kun Tamma Warodom, the Abbot of Wat Benjamabopit. His Pra Gamma Wājājarn was Pra Ariya Muni, the Abbot of Wat Tewarachagunchorn. Pra Kroo Puttaban (Luang Por Naedtr), the Abbot of Wat Sontorn Tamma Tan was his Pra Anusawanajarn Witness.

He received the ‘Chāyā’ (Ordained Monk’s name), of ‘Khema Siri’. Once he was Ordained, Luang Phu Toop studied Kammathāna Vipassanā, and Dhamma, and Putākom (Buddha Magic) with the Great Luang Por Parn of Wat Bang Nom Kho in Ayuttaya for a long time.

After Luang Phu Toop returned back to Bangkok thereafter, he would still return often throughout the years, to continue his studies with Luang Por Parn. As time went on, Luang Phu Toop came to become friends with Luang Por Khant of Wat Nok Grajarp, who introduced him to the ‘Wicha Chueak Kart Aew’ (magical cord belt making), which he mastered under the tutelage of Luang Por Khant.

Luang Phu Toop also went on to master a number of other magical Wicha with the great Luang Por Chaem of Wat Ta Gong in Nakorn Pathom, and with the Legendary Luang Por Ngern of Wat Don Yai Horm, because Luang Por Ngern would often visit wat Ta Gong to see Luang Por Chaem, and so Luang Phu Toop was blessed to receive Wicha from both of these Immensely Powerful Sorceror Monks.

Luang Phu Toop was a very diligent monk who would accept and fulfil all the requests he received from his superiors, and was never lazy or selfish in his behaviour. He became highly respected and beloved by his companions in the Sangha during his early years as a Samanera Novice Monk, and was a shining example to the other Novice Monks, inspiring and driving them to excel in their duties.Luang Phu Toop was responsible for a great deal of helpful activities in assisting the Abbot of Wat Kae Nang Lerng in the development of the temple, and eventually was elected Vice Abbot.

In the year 2471 BE, Luang Phu Toop was elected to become the Abbot of Wat Sontorn Tamma Tan (Wat Kae Nang Lerng), and developed the Temple until it grew to become a Great Temple, as seen today, and in the Year 2477 BE, he was given the Honorable Official Status of Pra Kroo Sanya Badtr. Consequently, in the Year 2495 BE, he was given the Official Status of Pra Racha Kana (Bishop) by Royal Decree.
Luang Phu Toop is known for his many different Amulets which he created, which he began to make in the Year 2482 BE, by co-creating an edition with the Legendary Luang Por Chaem of Wat Ta Gong.

This first edition was the Pra Somdej Sam Chan Buddha on 3 Tiered Dais, The Pra Rod Buddha Amulet, The Pra Pim Nang Kwak Supawadee Amulet. All of these Amulets were created in Nuea Pong Pasom Din Buchaniyasathan (Muan Sarn Sacred Powders mixed with earths from Sacred Shrines), and also in a second Sacred Substance, namely Pong Bailan Long Rak Chab Nuea Nai Si Dork Tao (Black Parchment Powders with Lacquered Surface and Gray Inner Color). All models had deep hand spell inscriptions in the rear face.

Every time Luang Phu Toop created an Edition of Amulets, he would distribute them to devotees who came to the temple and helped out. The Amulets which remained left over afterwards would be then hidden in the base of the Buddha Statue within the Uposatha Shrine Room. The Amulets of Luang Phu Toop include Sacred Powder Amulets, Chueak kart Aew Macic Cord Belts with Takrut. His most famous editions are the 2504 and 2513 Editions. The 2513 Edition saw his first edition Guru Monk Coin released, which is a Highly Preferred Pra Niyom Master Class Amulet. Various other editions were of course beseeched and releasaed over the years to mark different events, such as this 2520 BE installation of the Putta Sema Temple Boundary Monument Memorial edition.

Luang Phu Toop remained as Abbot of Wat Kae Nang Lerng and was highly respected and beloved by the Local Folk, until his final passing on the 29th May 2533, at the age of 92 Years Old

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Hun Payont Dtamrap Ajarn Loi Hyaa San Mad Daay Khiaw Akom Ajarn Bee Saman Jaeng Jaroen Featured

A classic Necromantic Golem Ghost Soldier of the Lay Sorceror Ajarn Bee, The Hun Payong Sacred Whickerman Goilem Ghost, spellbound in sitting position, casting spells in meditation. This is an amulet that is immensely rare, and is an immortally famous Animist Spirit Charm amulet; The World Famous Hun Payont Hyaa San Mad Daay Daeng Akom Dtua Nang Raay Mont (Spellcasting Meditating Version) of Ajarn Bee, the first prime apprentice in Wicha Hun Payont to the great Ajarn Loi Po Ngern, the legendary Ayuttaya Lay Master and direct lineage continuance of the Wicha of Luang Por Glan of Wat Prayatigaram (Ayuttaya).

Ajarn Bee (or also known as Ajarn Bee Saman Jaeng Jaroen), was the closest and top apprentice in magical wicha to Ajarn Loi, who was and is considered the number one Master of Hun Payont Magic, and whose amulets reach into the thousands of dollars these days for large versions (both Ajarn Loi and Ajarn Bee are known to have made giant versions as house guardians).Ajarn Bee was born a local of Ayuttaya, and was the son of farmers.

His father was a close acquaintaance and friend of Ajarn Loi Po Ngern, annd through this, Ajarn Bee was able to be accepted as an apprentice in Magic to Ajarn Loi, through the great friendship he had with Ajarn Bee’s father.
Ajarn Bee was left to stay with and study under Ajarn Loi, and he spent the time learning Wicha, and when not, helping to watch and guard over Ajarn Loi’s boat. The boat was parked on the riverside next to Wat Panan Cherng Temple (Wat Jeen).

Because Ajarn Bee had great curiosity and interest if magic was real or not, he would secretly hide and listen to Ajarn Loi performing invocations and incantations, and watch his perform rituals and the making of Hun Payon. He kept observing and learning and absorbing the methods for a good ten years or so.

Ajarn Bee Mastered many ways of making different Hun Payont with different forms of magical powers, such as Hun Payont Raksa Roke for healing illnesses, removing black maguic and demonic possessions, Hun Payont Wicha Maha Sanaeh for Power of Attraction, and for Kong Grapan Maha Ud Klaew Klaad, Kaa Khaay Business Sales, Siang Choke Gambling Luck, and Metta Mercy Charm.

Ajarn Bee once hid and spied on Ajarn Loi in his evening practices, and saw him perform a ritual by casting spells into a piece of Pha Khaw Ma cloth, to enchant it into becoming a snake, which slithered off. He watched and learned the Wicha Sek Nam Mont Klord Look Ngaay Sacred Water Blessing for easy giving of birth.

Ajarn Loi’s Wicha Nam Mont Klord Lok Ngaay became famous when an older lady who went by the name of Yaay, who was pregnant and afraid of problematic birth, came to ask for a holy water blessing for this purpose. Ajarn Loi was playing chess at the time, so he got up and took the drinking water jug from beside where he was playing, performed incantations and blew into the jug, and gave it to the lady. The lady took the jug and left thinking “this cannot be sacred water, he was using it for drinking at the chess game”, and she upturned the jug to pour the water out onto the floor.

To her surprise and amazement, the water did not come out of the upturned jug, defying the laws of gravity. Mrs. Yaay then ran back to Ajarn Loi and got on her knees to beg forgiveness for her lack of faith. This then increased the legend of the magic of Ajarn Loi and his lineage apprentices, for this powerful Wicha that could empower any inanimate object, be it seen as sacred, or ordinary. Only a truly powerful Mage can achieve this kind of spellcasting, which is the mark of the Adept Sorceror.

Ajarn Bee was initiated with the Korn Kroo Ritual by Ajarn Loi Himself directly one on one (making Ajarn Bee a Looksit Aek first/prime apprentice).He is in the present day (written in 2020), the most popular living Laymaster for Hun Payont.

This version is medium size, measuring 3 x 2.5 Cm in casing, and is in pristine condition. The Hun Payont of Ajarn Bee are highly preferred, and considered the perfect affordable alternative to the Hun Payont of his predecessor, the Great Ajarn Loi Po Ngern (lovingly known as ‘Mor Loi’).Ajarn Bee immerses his Hun Payont in Nam Man Nga Sek and Nam Man Prai for extra empowerment imbued within the amulets, as part of the empowerment.

The Hun Payont Ajarn Bee (or also known as Ajarn Bee Saman Jaeng Jaroen), was the closest and top apprentice in magical wicha to Ajarn Loi, who was and is considered the number one Master of Hun Payont Magic, and whose amulets reach into the thousands of dollars these days for large versions (both Ajarn Loi and Ajarn Bee are known to have made giant versions as house guardians).Ajarn Bee was born a local of Ayuttaya, and was the son of farmers.His father was a close acquaintaance and friend of Ajarn Loi Po Ngern, annd through this, Ajarn Bee was able to be accepted as an apprentice in Magic to Ajarn Loi, through the great friendship he had with Ahjarn Bee’s father.

Ajarn Bee was left to stay with and study under Ajarn Loi, and he spent the time learning Wicha, and when not, helping to watch and guard over Ajarn Loi’s boat. The boat was parked on the riverside next to Wat Panan Cherng Temple (Wat Jeen).

Because Ajarn Bee had great curiosity and interest if magic was real or not, he would secretly hide and listen to Ajarn Loi performing invocations and incantations, and watch his perform rituals and the making of Hun Payon. He kept observing and learning and absorbing the methods for a good ten years or so.

Ajarn Bee Mastered many ways of making different Hun Payont with different forms of magical powers, such as Hun Payont Raksa Roke for healing illnesses, removing black magic and demonic possessions, Hun Payont Wicha Maha Sanaeh for Power of Attraction, and for Kong Grapan Maha Ud Klaew Klaad, Kaa Khaay Business Sales, Siang Choke Gambling Luck, and Metta Mercy Charm.

Below Pic; Ajarn Bee cutting herbs from his garden which are used for Healing Ailments, and for making Hun Payont, and Sacred Oils

Ajarn Bee once hid and spied on Ajarn Loi in his evening practices, and saw him perform a ritual by casting spells into a piece of Pha Khaw Ma cloth, to enchant it into becoming a snake, which slithered off. He watched and learned the Wicha Sek Nam Mont Klord Look Ngaay Sacred Water Blessing for easy giving of birth.

Below : 10 armed version of one of Ajarn Bee’s Hun Payont amulets. 12 armed versions were also made.

Ajarn Loi’s Wicha Nam Mont Klord Lok Ngaay became famous when an older lady who went by the name of Yaay, who was pregnant and afraid of problematic birth, came to ask for a holy water blessing for this purpose. Ajarn Loi was playing chess at the time, so he got up and took the drinking water jug frombeside where he was playing, performed incantations and blew into the jug, and gave it to the lady. The lady took the jug and left thinking “this cannot be sacred water, he was using it for drinking at the chess game”, and she upturned the jug to pour the water out onto the floor.

To her surprise and amazement, the water did not come out of the upturned jug, defying the laws of gravity. Mrs. Yaay then ran back to Ajarn Loi and got on her knees to beg forgiveness for her lack of faith. This then increased the legend of the magic of Ajarn Loi and his lineage apprentices, for this powerful Wicha that could empower any inanimate object, be it seen as sacred, or ordinary. Only a truly powerful Mage can achieve this kind of spellcasting, which is the mark of the Adept Sorceror.

Ajarn Bee was initiated with the Korn Kroo Ritual by Ajarn Loi Himself directly one on one (making Ajarn Bee a Looksit Aek first/prime apprentice).He is in the present day (written in 2020), the most popular living Laymaster for Hun Payont.

The Hun Payont of both Ajarn Loi and Ajarn Bee, are said to be the top Hun Payont amulets of all time, and are the most sought after and desired items by devotees of this kind of amulet.
and Indeed the Khun Phaen and other amulets of these masters are also in extreme demand and highly popular with South East Asians around the Subcontinent.

The Hun Payont of Ajarn Bee’s Master, Ajarn Loi, afe almost impossible to find in the present day, and can cost thousands of dollars. Unfortunately, the amulets of this great olden days Master, inheritor of the Wicha of Luang Por Glan Wat Prayat, and Luang Por Bpaen of Wat Sao Tong Mai, are so very hard to find in the present era because of their great popularity even during the time he was alive. Ajarn Loi made Hun Payont before the year 2500 BE, after which his apprentice, Ajarn Bee continued the tradition.

Bucha by offering a glass of liquor to empower with extra psychic strength, or to smear a small drop of consecrated oils once in a while for Bucha, and strengthening the power of the Hun Payont, and its emanating magic.

Bio : Ajarn Loi Po Ngern

Ajarn Loi was born in the month of February 2454 BE, in Nakorn Sawan, but later moved to live in Bang Prahan in Ayuttaya. He became a Novice Monk when he came of age, and the apprentice of Luang Por Glan of Wat Prayat. After the passing of LP Glan, Ajarn Loi continued his practice of Magic with Luang Por Bpaen of Wat Sao Tong Mai in Ayuttaya. Ajarn Loi learned many Wicha with Luang Por Bpaen, who was not only well versed in Wicha Saiyasart, but was also Adept in Artisanry of the Chang Sip Moo Fine Arts level of prowess. He thus taught Ajarn Loi all of his Wicha, and methods of weaving the spellbound Hun Payont, Takrut and other amulets in the finest fashion.

 

One must say that Ajarn Loi’s Hun Payont, and other amulets all attract the eye with their fine artisanry and filigrain attention to detail and ritual accuracy. LP Bpaen was alsop the Kroo Ba Ajarn of Luang Por Suang of Wat Chee Ba Khaw, who was also a close friend of Ajarn Loi. After the passing of LP Bpaen, Pra Ajarn Loi moved to stay at Wat Panan Cherng. Ajarn Loi knew many methods of Astrological Foretelling, Spiritual healing, and Powerful Amulets and Spells.

Below, an early era Hun Payont of Ajarn Loi – very old estimated circa 2480 BE

Because of this, he soon became the object of jealousy from the other monks, which he could sense strongly that he was making them feel inferior. So he moved away to not cause any inauspiciousness, and disrobed to become a Lay Master, and moved to stay at Wat Jeen temple. He later moved to Wat Suwandaoraram, where he remained practicing his path, and serving his devotees up to the day of his passing.

Below; amulets of Ajarn Loi

The Hun Payont (or ‘Hun Payont’), is an ancient reanimated Golem effigy, with far back reaching roots. Its name comes from the word ‘Payont’ which means an effigy that has been brought to life by Sorcerous Magick. Hun Payont may be made in various forms, such as the form of a Human, or some other Magickal creature, or animal, depending on the needs of the user and intended uses of the Adept who makes them.

 

Hun Payont are made from various substances, such as the Hun Hyaa Saan (Hay/Straw), Hun Gan Bai Mai an (leaves), Hun Thao Wan (magical vines), Mai Phai (bamboo), Hun Dtakua (mercurial lead), Hun Khee Pheung (wax), Bai Mai Ta (leaves), Hun Gae Salak (carved wood), Hun Daay (cord wrap), Hun Pha (cloth bound), Hun Din (molded clay), Hun Din Phao (baked clay), Hun Hin (carved stone), Hun Krabueang (ceramic), Hun Poon (cement), Hun Ngern/Tong (silver or gold), Hun Loha (metallic), Hun Mai (wood), Hun Hin (stone), Hun Nga Gae (Ivory), Graduk (bone), and so on.

The Hun Payont, is an amulet that is found to date back to the times of the Kassapa Buddha. The Kassapa Buddha, is said to have made a Payont effigy, to protect his Relics, before he himself passed into Nibbana. 200 Years Later, King Asoka opened a shrine, to remove and preserve the relics, but the shrine was inhabited by a Hun Payont. King Asoka was forced to invoke and summon the God Indra, who manifested as a Brahman, and performed Incantations, enabling King Asoka to enter and remove the Saririkadhatu Relics.

In the world of Sorcery, all lineages believe in the existence of different kinds of spirits, which can imbued within effigies or controlled, or beseeched to perform a multitude of tasks. There are many Animist and Necromantic amulets which use different types of spirits which are Hoeng Prai Ghosts, Devas, Bhuta, Kumarn Tong, Rak Yom, In Jantr, Phu Some, In Gaew, Mae Takian, Ma Hoeng Prai, and many others such as Yaksa Monsters, to inhabit an effigy. Great Adepts are the only ones able to create Hun Payont Golem Effigies, which are then brought to life with Necromancy and imbued with any of a number of kinds of spirits, depending on the nature and needs of the devotee, or the intentions of the master.

 

All Hun Payont Golems, must be empowered by an Adept, who has Mastered the Wicha Akarn Sam Sip Sorng; 32 invocations of the 32 elements within a living being, to make the effigy able to displace itself (move around), and to emit Magical powers, protecting wealth and possessions within its enclave. If intruders enter, the Hun Payont will create illusions that drive the thieves away, and will also scare away all kinds of demons and ghosts that enter the household to cause any havoc. Hun Payont are very protective of the belonging within the home and for this reason excellent guards.

 

The Hun Payont is used by those who believe, in the household, place of business, and even carried as an amulet or placed in one’s vehicle, to keep away alll dangers and inauspicious events and malicious entities. Hun Payont should be rewarded or appeased through Bucha with the Piti Gruad Nam Water Pouring Ceremony, in the same way as seen by Thai Buddhists after giving alms to the Monks, except that it is you who makes the prayer.

 

Alternatively, one can also use sacred or aromatic oils for consecration, or even liquor if wish to use for powerful Magic for Gambling and other matters of high risk. This is done, by laying down the amulet flat, and putting a few small drops of liquor or Prai/Aromatic Oil through the small hole drilled into the center of the window of the front of the casing, to fall onto the Hun Payont.

Kata Riak Hun Payont (Summoning Spell)

Om Na Ma Pa Ta Jaedta Phuudto Maha Phuudtang Hun Payondtang Nimidtang Gang Ruubpang Bpiyang Ma Ma Aehi Aehi Na Mo Put Taa Ya (chant 7 Times)

Kata Pluk Huan Payont (Invoke)

So Sa A Ni So Sa A Ni Sa A Ni So A So A So Ni Ni Sa A So Ni So A So A Ni Yo Sa A A Ni So Sa Sa Ma Su

 

Kata Khor Porn Hun Payont (ask for blessings)

Bprasitti Kātā Sitti Gammang Sitti Garisang

Kata Hun Payont Ajarn Loi

Om Pluk Mahaa Pluk Guu Ja Pluk Por Hun Payont Duay Ahang Tugang Na Ma Pa Ta

Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets

Ancient Amulet. Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets'). Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days

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Pra Pid Ta Maekasit Pim Hoo Gradtay with Certificate Hand Inscriptions - Luang Phu Nak Wat Huay Jorakhae Featured

Officially Certificated Pra Pid Ta (Pid Tawarn) Hoo Gradtay (rabbit eared) model of the sacred Maekasit alchemical metal amulet of the great Luang Phu Nak, of Wat Huay Jorakhae. Th Pid Ta Maekasit is a highly revered amulet created by the late great Thai monk Luang Phor Nak of Wat Huay Jorakhae temple in Nakhon Pathom, Thailand. The Pra Pid Ta, also known as “the closed-eye Buddha,” is a representation of the Lord Buddha in deep meditation, entering the state of Nirodha, and is believed to bring blessings of protection, good luck, and wealth to the wearer.

This item includes a free download of the Ebook “Pra Pid Ta Loha Ebook (printable version 212 MB)” and a 3 megabyte Light mobile version to carry on mobile phone for fast scrolling.

The Pra Pid Ta amulet created by Luang Phu Nak was made usually in Nuea Maekasit alcemical metal, but also in sacred loha chanuan bronze and other brazen metal mixtures (less often seen). I is said that Luang Phu Nak himself, was a great master of alchemical metallurgy, and the Wicha Pra Pid Ta. It found in medium and small sizes (Pim Lek & Pim Yai) and has various models sch as the Pra Pid Ta Hoo Gradtay ‘Rabbit Ears’ model.

It is believed that the Pra Pid Ta amulet of Luang Phu Nak has the power to protect its wearer from harm, bring good luck, and attract wealth and prosperity. Some of the Pra Pid Ta of LP Nak possess hand inscriptions scraped onto the surface of the metal, with Khom Agkhara and Sacred Yant.

Pra Pid Ta amulet represents a meditating Buddha entering into the state of Nirodha. Nirodha is the third of the Buddha’s Four Noble Truths and refers to the attainment of the cessation of suffering. The image of a meditating Buddha is representative of the amulet’s ability to bring peace and block out all forms of inauspicious events and bad luck, protect against all dangers and black magic. The amulet is believed to have the power to block out negative energy and to protect the wearer from harm due to the reputation of the creator and his spiritual energy.

LP Nak was a well-known Thai Buddhist monk and the abbot of Wat Huay Jorakhae temple in Nakhon Pathom, Thailand. He was well-known for his spiritual teachings and wisdom, as well as his ability to craft powerful amulets. His reputation as a powerful spiritual leader, combined with his ability to craft powerful amulets, ensures that his legacy lives on, and his amulets are highly sought after. He died in 1959, but his teachings and amulets are still revered and respected by many Thais and people all over the world.

Many people in Thailand and around the world believe that the Pra Pid Ta amulet of Luang Phu Nak is particularly powerful for Kong Grapan/Klaew Klaad Protection Magic, due to the reputation his Pid Ta developed over the years as many stories of lifesaving miracles were recounted by devotees who wore the Pid Ta of Luang Phu Nak. Luang Phu Nak was known for his deeply spiritual teachings, and his ability to create very powerful amulets, and many people believe that his amulets possess his spiritual mind energy even after his passing. The Pra Pid Ta amulet of Luang Phu Nak is also highly sought after by collectors and those interested in Thai Buddhism and culture. Many people consider it a valuable possession and it is often passed down from generation to generation as a family heirloom amulet.

The Pra Pid Ta amulet of Luang Phu Nak is a highly revered and powerful amulet created by the late Thai monk Luang Phor Nak of Wat Huay Jorakhae temple in Nakhon Pathom, Thailand. It is believed to bring blessings of protection, good luck, and wealth to the wearer, and is highly sought after by collectors and those interested in Thai Buddhism and culture. The reputation of Luang Phu Nak as a powerful spiritual leader, and his ability to create powerful amulets, makes this amulet particularly valuable and powerful.

LP Nak, was a Thai Buddhist monk who lived in the 19th- 20th century. He was the abbot of Wat Huay Jorakhae temple in Nakhon Pathom, Thailand. He was born in 2358 BE (1884) and passed away in 2452 BE (1972). LP Nak was known for his great compassion and spiritual wisdom, and was a great giver of spiritual teachings, as well as his skill in creating powerful amulets. He was highly respected by the local community and by other monks in Thailand. He was also known for his generosity and mercy, and his dedication to helping others.

During his tenure as abbot, he worked to strengthen the spiritual community at Wat Huay Jorakhae and to provide guidance and support to the local population. In addition to his work as an abbot, LP Nak was known for his skill in creating powerful amulets. He was able to create amulets using various materials, including clay, metal, and even human bone. His amulets were believed to possess spiritual power and provide protection to the wearer. They were often inscribed with sacred texts or mantras, and were highly sought after by the local population and by collectors. LP Nak’s amulets are very highly valued in the present day, and many people in Thailand and around the world believe that they possess spiritual power. His amulets are often passed down from generation to generation as a family heirloom, and are considered a valuable possession.

LP Nak may have passed away long ago, but his legacy continues to be felt in Thailand and around the world. He is remembered as a wise and compassionate spiritual leader, and his amulets are still highly sought after by aficionados, faithful devotees, collectors, and those interested in Thai Buddhism and Thai culture. To this very day, the lineage of abbots of Wat Huay Jorakhae still make and release Pra Pid Ta amulets of the Wicha passed down to them through a constant succession in the magical lineage of LP Nak.

The Pra Pid Ta amulet of Luang Phu Nak, is believed to be particularly powerful because it is believed to possess the magical energy of the monk who created it. As LP Nak is considered a highly respected and powerful spiritual leader, it is believed that his Pid Ta amulets will always possess his spiritual energy even after his passing, without ever fading. Thew Pid Ta Maekasit amulet, is considered the most famous and powerful amulet created by LP Nak.

Background Info on Pra Pid Ta

Since very early times in Thailand, Pra Pid Ta amulets, as well as Pra Pid Ta in the shape of Pha Yant and Bucha sculptures, have been made as objects of adoration and protection. Using the Buddhist sculpture and art that was accessible at the time, the artisans of that era developed a variety of styles and interpretations. Various Buddhas, Bodhisattvas, or Deities are fashioned into the posture of Pra Pid ta, or Pid Tawarn (meaning “closing the orifices”), to create the Pid ta posture (‘Pid Ta’ means “covering the eyes”). Pid Tawarn can seal 7, or 9 orifices (the number 7 is referred to as Pra Pid Sadtatawarn, while the number 9 is known as Pra Pid Navatawarn). The Pra Pid Ta amulet, also known as “the closed-eye Buddha,” is believed to bring blessings of protection, good luck, and wealth to the wearer.

The Pra Pid Ta amulet, represents a meditating monk entering into the state of Nirodha. Nirodha is the third of the Buddha’s Four Noble Truths and it refers to the attainment of the cessation of suffering. In Buddhist teachings, Nirodha is understood as the state of being where all mental defilements, such as ignorance, greed, and hatred, have been completely eliminated. This state is reached through the practice of meditation and the cultivation of wisdom, and it is considered the ultimate goal of Buddhism.

The third of the four noble truths, according to Buddhist tradition is defined as Nirodha Sacca (also spelt Nirodha Sacca in Pali; Nirodha Satya in Sanskrit). Sacca denotes “truth” or “reality,” whereas Nirodha means cessation or extinction. Therefore, the translation of nirodha sacca is generally “truth of cessation” or “truth of the cessation of suffering.” It explicitly refers to the cessation of Dukkha (suffering) and its causes; the resultant experience is defined as nirvana. Nirodha can indicate a variety of things, such as release, cessation, extinction, the end of dukkha, and “control or restraint.” The cessation of all unsatisfactory experiences and their causes in a way that prevents them from occurring again is what Nirodha Sacca means. It is their elimination, complete absence, cessation, and ceasing from existing.

The Pra Pid Ta image, is that of a meditating Buddha entering Nirodha, is representative of the amulet’s ability to bring peace, and block out all forms of inauspicious events and bad luck. It is believed that by wearing the Pra Pid Ta amulet, the wearer will be protected against all dangers and black magic. The amulet is believed to have the power to block out negative energy, and to protect the wearer from harm. The Pra Pid Ta Maekasit alchemical metal Norodha Buddha amulet, is a most famous amulet for self protection, with Kong Grapan Chadtri, Klaew Klaad, Metta, Maha Pokasap, and Maha Lap Magic.

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Kata Pra Pid Ta

Namo Puttassa Kawambadtissa Namo Tammassa Kawambadtissa Namo Sangkassa Kawambadtissa Sukha Sukha Warang Na Mo Puttaaya Ma A U Tugkhang Anijjang Anatta Jewa

The Pra Pid Ta is one of the Great All Time Classics of Thai Amulets. Signifying the Buddha Entering Nirodha, this douses out all Sufferings. Some Pidta are for Maha Lap (Riches and Luck) and some are to remove debt (Plod Nee) and some are for Protection (Kong Grapan/Klaew Klaad, Maha Ud). Some people believe the Pid ta to be e bringer of 'Blind Luck' and Gambling Fortunes.

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Look Om Jindamanee Nuea Chompoo Pra Palad Parn Wat Tukata Circa 2460 BE (Kroo Ba Ajarn of Luang Phu Bun) Featured

A rare small version of the immortal Look Om Jinda Manee Montr, in Nuea Chompoo Pink Tone, of Pra Palad Parn, of Wat Tukata, (Nakorn Pathom). This exhibit is made in Luang Por Pra Palad Parn’s World Famous Jinda Manee Powders, in small Pim Lek size (Circa 1.2 cm), in perfect condition, and a very fine exhibit of this Great Master.

Pra Palad Parn, was an Adept at Muan Sarn Sacred Powders and the Wicha JInda Maha Mani Montr.He was also Kroo Ba Ajarn of such World Famous Top Masters as the Great Luang Phu Bun of Wat Klang Bang Gaew.

The Look Om of Pra Palad Parn, is considered by many to be among the Top 5 Look Om of all time, undisputedly by most aficionados. However, we must add, that for us, the ‘top 5, top 10’ are human opinionated concepts, and are matter of opinion and general trending thought more than a measure of magical power.

Hence, one may see different publications name different top master amulets Pra Palad Parn was the Kroo Ba Ajarn of the Great Luang Phu Bun of Wat Klang Bang Gaew, who received and perpetuated the famous Wicha Jinda Manee Montr, which he received from Pra Palad Parn, and passe down the lineage further at Wat Klang Bang Gaew to give to Luang Por Perm, Ajarn Bai, Luang Phu Juea, and Luang Por Kong (Sanya) thoughout the ages.

Pra Palad Parn was a Master of the Wicha Jinda Manee Montr, and known for his power of Metta Maha Niyom, and was reputedly able to call crows and vultures to land on his arm and stroke their heads, as well as being able to call the fish up to the surface of the water in the Kong Bang Gaew river. He would call the animals and fish, to appear during the Kathina robe offering ceremony, which Thai Buddhists perform every year, to donate robes to the Monks.

 

The Look Om of Pra Palad Parn, are considered one of the top 5 Look Om of all time, along with the Look Om Yant Grao Patch of Luang Por Parn (Wat Bang Nom Kho), Look Om Maha Gan of Luang Por Kong (Wat Bang Gaporm), Look Om Jet Paya Chang Sarn of Luang Por Ding (Wat Bang Wua), and the Look Om of Luang Por Pring (Wat Bang Bakork). One of the most difficult Look Om amulets of all to find in the present day.

Below; A study and synopsis, of the Look Om Muan Sarn Sacred Powder Ball amulets of Pra Palad Parn, of Wat Tukata, in Nakorn Pathom, with Information about both Pra Palad Parn, and authentication factors of the Look Om, Narrated by Ajarn Spencer Littlewood.

Look Om Sacred Powder Balls, Look Gaew Sarapat Neuk wishing Crystal Balls, and Look Sakot Power Bead Talismanic Amulets

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Pra Pong Supan Pim Hnaa Gae Kru Wat Pra Sri Ratana Mahatat 700+Year Old Ancient Benjapakee Amulet and Authenticity Certificate Featured

A Truly Ancient Septa-Centenarian Pra Kru Amulet (over 700 years old in origin), the Pra Pong Supan Pim Hnaa Gae, in Nuea Din, with certificate of authenticity, this exhibit is in a dark colored sacred baked earthen clay. An all time ‘top 5’ classic amulet of the Benjapakee Family. A Master-Class status amulet of the High End Category of Pra Kru Hiding Place Ancient Amulets. The Pra Pong Supan amulet is known for its powerful Puttakun Metta Maha Niyom Merciful Blessings and Kong Grapan Klaew Klaad Protective Power.

This amulet comes with A4 size certificate of authenticity included. The Pra Pong Supan Kru Wat Pra Sri Mahatat is the Number One Amulet of all Time for the Province of Supanburi, and an eminent member of the top 5 Benjapakee Amulets of Historical Fame and Legend. The Pra Pong Supan of the highest preference is the Pra Pong Supan Nuea Din Phao baked clay amulet, made from sacred earths of the Supanburi Province, which were mixed with sacred magical herbal powders and bound into clay with holy water.

The amulets are seen to have been baked for a long time slowly, until the clay became hard, but smooth and dense like marble, which is a texture that modern ‘Nak Niyom Pra’ amulet aficionados call ‘Nuea Neuk Num Seung Jad’, which means ‘soft and smooth to the touch with highly refined features’.

There were also a very small amount (one potful) of leaden Pong Supan amulets found, which were found residing on the upper section of one pot, and are known as the Pong Supan Yord Tho, and are the rarest and most sought after of all Pra Pong Supan of the Kru Wat Pra Sri Mahatat.

Below : The extremely rare leaden version Pra Pong Supan Yord Tho Amulet, of which only very few were ever found

We shall be covering the documentation of the Pim Yord Tho in a different article on the pages of our website.


 

The method of baking the amulets resulted in a very hard and resilient amulet that does not break easily, which has contributed to its preservation over many centuries. The features of the Pra bordered edges and outer frame of the various models (Pim) of the Pra Pong Supan Amulet are highly varied, and cannot be said to fit any rigid form.

Some have four or five sided edges, some are completely cut to shape, some have wider edges, and others thinner edges, some are even others uneven. Some may be tapered, whereas others have the tapered top cut off flat.

The Pim is notable for its beautiful color tone to the surface of the Muan Sarn Sacred clay, accumulated over centuries,. This exhibit displays the presence of a very rich Muan Sarn admixture, and the surface sheen and detailed relief of the Buddha Image, combine to render an outstanding example of a Master-Class Pra Pong Supan amulet. The ears are elongated, with anomalous forms (‘Dtamni’), that reveal the authenticity of the amulet, through the inimitable idiosyncrasies of the block press, which are ever present despite the individuality of each amulet.

 

One thing most Pra Pong Supan have in common is that most often one finds the presence of thumb or fingerprint line markings, or thumb indents on the rear face. Another classic and essential feature of the Pra Pong Supan Wat Pra Sri Ratana Mahatat is that due to being buried under the earth for centuries, the Kraap Kru earth residues which are seen stuck to the surface of the amulets within the deeper recesses such as the armpits and ridges between finer detailed features.


Below : Encyclopaedic work documenting the ancient find of the Kru Wat Pra Sri Ratana Mahatat amulets

These residues are completely affixed and one and the same with the clay, and cannot be removed by simply scratching it off with a fingernail.
The Pra Pong Supan is a perfect choice of Amulet for Ladies or Children, but is also a very preferred and popular amulet for Males to wear. We have before us a Sacred Amulet whose Religious Value is of course that of a True sacred Amulet from the Master Class Category.

The Pra Pong Supan amulet is an image of the Buddha seated in the Mara Wichai posture of conquering the Demon Mara in the style of the U-Tong Periodic Era. The Buddha Image is seated on a single tiered dais, with a large head, graceful arms and protruding chest. There are various Pim (Models) of Pra Pong Supan, ranging from the Pim Hnaa Gae, Hnaa Num, Hnaa Klang, and other lesser known forms. Some very rare versions in black Nuea Bailan Powders are also found, but only very rarely

The Pim Hnaa Gae (old face) has one single type of face model but still has many different appearances, because of the various stages of heat during the baking process, which caused some amulets to experience shrinkage or curvature, or other anomalous reshaping during the process. Some may even have similar triangular appearance to the Pra Nang Paya, another Benjapakee amulet of Immortal fame. Various other amulets were also found including the Pra Mahesworn, Pra Ta Maprang, Pra Patum Mas, Pra Pim Lila (many versions), Pra Nakprok (small and large), and the Pra Sum Rakang.

The Pra Pong Supan and Benjapakee Class Amulets are truly world class amulets that receives the esteem and faithful reverence of all Thai Buddhist People of all social strata, and which is considered part of the Cultural and Historical heritage of the History of Siam.

 

 

They are amongst the most difficult of all amulets to find at any price, and are mostly already worn since generations by the same family members as handed down family heirlooms of their ancestors. The rest lie in the hands of the lucky, and of course the high end collector showrooms of Thailand’s Amulet Societies and Non Profit heritage Associations, as well as the museums of the state and of major temples.

Above; Macro Closeup of the Sacred Clay and the Kraap Kru earthen substance affixed to the muan sarn from centuries of burial within the hiding chamber. It is said that in the year 1265 BE, the Ruesi Hermit Pilalai decided to make a series of powerful amulets with truly effective powers. At that time the ruler of the Kingdom Pra Sri Tanmasokea Racha was a faithful devotee to the four great Ruesi Sages, who brought a large collection of magical herbs, minerals and summoned the angelic beings of the celestial realms to assist with the empowerment ceremony on the immaterial planes.

The great Pra Maha Thera Bpiya Dtassasisri Saributra was present to preside over the blessing ceremony, and assist with empowerment and the hand molding and pressing of the Pra Pong Supan. The muan sarn sacred clay was given the name of ‘Nuea Rae Sangkwanorn’.

Below : An example of a Pra Pong Supan amulet that has been treated with red Chinese Lacquer by a devotee

The great Pra Maha Thera Bpiya Dtassasisri Saributra was present to assist with empowerment and the hand molding and pressing of the Pra Pong Supan. The amulets were blessed during three whole months of rainy retreat (Traimas Blessing) as was traditional in ancient times and is still the practice to this very day. Once the Traimas empowerment was completed, the amulets were buried within the Chedi Stupas of Supanburi

example of Pra Pong Supan that has been treated with red Chinese Lacquer

The rediscovery of the Kru

In the year 2456 BE, a Tudong Monk was passing through and asked for the whereabouts of the temple of Wat Pra Sri Radtana Maha Tat. He asked a young boy named Pin, who pointed him in the right direction. The boy Pin heard later that this Forest Wanderer monk had hired some Chiinese-Thai devotees to dig up some holes in the temple, and that a horde of treasures were found along with a large repository of hiding place amulets (Pra Kru).

The Monk himself found a solid golden bowl which he took for preservation, but left all the rest of the contents of the Kkru within the Chedi. However, many of the Chinese devotees who were working on the opening of the Kru did take a large number of amulets rainging from the Pra Pong Supan to the Pra Gampeng Sork.

Once the authorities and Sangha Office heard of this, they ordered the Chedi Stupa to be hermetically sealed to prevent further theft of National heritage treasures.

Later the same year Praya Suntorn Buri (Also knownn as ‘Ee Gan Suudt’), who was the Minister of the Province of Supanburi invited his Majesty Pra Mongkut Glao Jao Yuu Hua to come and open the Kru Chamber. Once the chamber was opened, many ingots of solid gold and silver with Khom Agkhara inscriptions were found, and a large repository of amulets. The King was given a large number of the Pra Pong Supan and other amulets to his Majesty.

In olden days when the Pra Pong Supan was still very common and easy to find, many of the bullfighting arena players would like to grind up broken Pong Supan amulets and mix the powders into the hay they would give their fighting bulls to eat. This was seen to make the bull who ate hay with Pra Pong Supan powders fight more fiercely, evade the horns of its opponent and be impenetrable when taking a hit.

A very hardly known but ancient traditional way to Bucha Pra Pong Supan Amulets, is to immerse the amulet in perfume and chant Puttakun Tammakun Sangkakun 108 Times, then chant the Kata Pahung 3 times. The perfume can then be used to smear on oneself for Mercy Charm and Protection. If one wishes to empower further, one can chant the following Kata;

Ka Dtae Lig Gae Garanang Mahaa Chayyang Mangkalang Na Ma Pa Ta Gi Ri Mi Dt Gu Ru Mu Tu Gae Rae Mae Tae Ga Ra Ma Ta

Pra Kru

'Pra Kru', or, 'Pra Gru' or even sometimes called 'Pra Kroo, are various kinds of amulets, made from various materials (lead, clay, sacred powder), which are buried, or stashed in a hiding place to gather power, and also in the case of Buddha Images or Buddhist Imagery, to preserve the faith and the knowledge of the existence of a Buddha, far into the Future. The hiding place, can be one of a number of different places, for example a Chedi Stupa, or with the 'Look Nimit' Arahant ball buried under the Uposadha, or under the Dais of the Buddha in the Uposadha, or under the earth in a Sacred place.

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Kanha Jali Pim Lek Hua Gleung Niyom 2491 Blessings by Luang Por Chaeng, Luang Por Jong, Luang Por Chuan, and Luang Por Phueak, Featured

Kanha Jali Loi Ongk Sattuette,’Pim Hua Gleung Niyom’ (preferred pointed head model), in smaller Pim Lek version, released 2491 BE with Blessings by Luang Por Chaeng, Luang Por Jong, Luang Por Chuan, and Luang Por Phueak, of Wat Molee. The Kanha-Jali amulet (Ganha-Chali), is in the form of Prince Jali and Princess Kanha as children, embracing each other shoulder to shoulder.

The image radiates the potent energy of Metta Maha Niyom Mercy Charm. Kanha and Jali were born to the Royal Prince Vessantara (a previous life of the Buddha), and their story, is to reveal the profound generosity and sacrifices made by the Buddha, on the path to enlightenment.This amulet, is usually catalogued within the pantheon of amulets of LP Chaeng, despite the collaborative ceremony.

The story of Prince Vessantara’s last incarnation plays a significant role in the Wicha for this amulet, Thai Buddhism. In this tale, Jali and Kanha, were the son and daughter of Prince Vessantara and Queen Maddi. Eventually, the generous Prince Vessantara gives away his children to the Brahmin Jujaka as part of his ultimate act of generosity before attaining Buddhahood.

In the tale of Vessantara, part of Buddhism’s revered Jataka stories, Kanha and Jali play a central role in their father’s pursuit of Dhāna Paramī—the tenth and culminating perfection required for attaining Buddhahood. Their father faced the challenging decision of giving away his own family to the greedy Beggar Jujaka, (‘Choo Chok‘ in Thai). Jujaka, a Brahmin from a distant village, heard tales of Prince Vessantara’s unparalleled generosity and selflessness.

Jataka tales are especially important in Theravada Buddhism, more than other traditions.

Intrigued by these stories, he set off to find the prince and test the limits of his benevolence. As Jujaka arrived at the secluded wilderness where Vessantara resided with his wife Maddi and their two children, Jali and Kanha, he marveled at the austere surroundings. Approaching Vessantara with humility, Jujaka revealed his desire, “O benevolent prince, I have traveled far seeking a gift from someone as virtuous as you. Grant me the extraordinary boon of receiving your children, Jali and Kanha, into my care.” The words hung in the air, creating an undeniable tension.

Kanha Jali Vessantara's children

Vessantara, torn between his commitment to unconditional giving and the natural instincts of a father, hesitated. Maddi, sensing the internal struggle, clutched their children protectively. The surrounding forest seemed to hold its breath as Vessantara grappled with the monumental decision.Finally, after a heavy pause, Vessantara spoke with a heavy heart, “Brahmin, I am bound by my principles of generosity.

Prince Vessantara gives away the State Elephant to the Brahmans

Prince Vessantara gives away the State Elephant to the Brahmans

If this is your earnest request, I shall fulfill it, though it pains me deeply.” The weight of his words echoed through the wilderness. As Jujaka took custody of Jali and Kanha, the atmosphere shifted from serenity to sorrow. Maddi, with tearful eyes, whispered words of reassurance to her children.

Vessantara, suppressing his emotional turmoil, maintained composure, realizing that this act of unparalleled sacrifice was a crucial step on his path toward enlightenment. Jujaka, with the children in tow, disappeared into the depths of the forest, leaving behind a somber silence. The echoes of Vessantara’s sacrifice lingered, setting the stage for the unfolding of a profound narrative on the virtues of selfless giving and the spiritual journey toward Buddhahood.

As Kanha and Jali questioned their father’s choice, Prince Vessantara explained the profound purpose behind this act of supreme generosity. Giving away one’s own family represented the final and most challenging step in achieving the perfection of Dhāna Paramī. Kanha and Jali, understanding the greater purpose, willingly accepted their fate as slaves to Jujaka, supporting their father in completing this ultimate act of selflessness.

The Kanha Jali Loi Ongk Statuette, infused with Metta Maha Niyom, stands as a powerful reminder of the unwavering spirit of generosity and compassion that defined Prince Vessantara’s journey towards enlightenment.

This sacred amulet, mostly attributed within the pantheon of amulets of Luang Por Chaeng, was actually blessed by various Great Monks in unison. Originally commissioned by Pra Luang Por Kloy, the abbot of Wat Bang Kra Nok, Nonthaburi Province.

The first model was released in the year 2491 BE. During the consecration ceremony, Pra Kloy, along with other respected monks, invoked blessings, making it a powerful and sought-after amulet. The Kanha Jali is renowned for its remarkable efficacy, believed to bring prosperity, charm, and success to its bearer. The amulet is imbued with a Magical Kata Spell which contains the sacred chant: Chaalee Ganhaa Maa Laew Hrueyang Sangkadtang Lokawituu. This Kata is to invoke blessings and communication between the amulet and its wearer, and should be used when performing Bucha or asking for blessings, and daily to empower the amulet before wearing.

Devotees who have experienced success often choose to encase the amulet in gold. It is believed that successful ventures and accomplishments are likely when this practice is followed. This statuette is not only a treasured amulet with historical and religious significance, but also a symbol of compassion, generosity, and the pursuit of enlightenment in the story of Prince Vessantara.

Here is a Basic Breakdown of the Thai Jataka Tale;

1. Prince Vessantara, known for his extreme generosity, gives away everything he owns, including a magical white elephant that brings rain.

2. The kingdom suffers without the elephant, and Vessantara is banished with his wife, Maddi, and their children, Kanha (daughter) and Jali (son).

3. A cunning beggar named Jujaka demands Vessantara’s children as slaves.Despite the pain, Vessantara, determined to practice perfect generosity, gives his children away. The children are eventually rescued by the king, Vessantara’s father, who recognizes them.

4. The story emphasizes the importance of generosity in Buddhism, even if it comes at a great personal cost.

5. There are many variations of the tale depending on the region. In Thailand, for instance, the story of Vessantara is a popular festival (Jataka tales are especially important in Theravada Buddhism).

6. Prince Vessantara, known for his extreme generosity, gives away everything he owns, including a magical white elephant that brings rain.

7. The kingdom suffers without the elephant, and Vessantara is banished with his wife, Maddi, and their children, Kanha (daughter) and Jali (son).

8. A cunning beggar named Jujaka demands Vessantara’s children as slaves. Despite the pain, Vessantara, determined to practice perfect generosity, gives his children away. The children are eventually rescued by the king, Vessantara’s father, who recognizes them. The story emphasizes the importance of generosity in Buddhism, even if it comes at a great personal cost. There are many variations of the tale depending on the region. In Thailand, for instance, the story of Vessantara is a popular festival.

The Vessantara Jataka, considered one of the most significant stories in Thai Buddhist literature, narrates the final and tenth life of Prince Vessantara before his incarnation as Siddhartha Gautama, who would later become the Buddha. The tale emphasizes the perfection of generosity and self-sacrifice. Here is a summary:

Key Events:

Vessantara’s Generosity: Prince Vessantara was known for his extreme generosity, which led him to give away anything asked of him. His charitable acts gained immense popularity and admiration.

The Gift of White Elephant: Vessantara’s father, King Sanjaya, became concerned about the prince’s habit of giving away possessions. To prevent potential issues, Vessantara gave away a magical white elephant meant for royal rain ceremonies. This act angered the people, leading to his exile.


Life in the Wilderness:
Vessantara, along with his wife Maddi and their two children, Jali and Kanha, lived in the wilderness, where he continued to practice generosity. However, circumstances led to their separation.

Jujaka’s Request: The family encountered a Brahmin named Jujaka, who, learning about Vessantara’s generosity, approached him requesting the gift of his children. Vessantara, upholding his commitment to give anything asked, reluctantly agreed.

Suffering and Return: The children, Jali and Kanha, were taken by Jujaka, leading to immense suffering for the family. Eventually, the hardships and divine intervention revealed Vessantara’s true identity. The family was reunited, and Vessantara returned to his kingdom.

Moral of the Story: The Vessantara Jataka illustrates the perfection of generosity (Dāna) as an essential quality on the path to enlightenment. Vessantara’s unwavering commitment to giving, even at the cost of personal sacrifice and the well-being of his family, underscores the selfless nature of true generosity. The tale teaches that the journey towards Buddhahood involves overcoming attachments, practicing unconditional giving, and embodying compassion for all beings. The moral encourages individuals to cultivate the virtue of generosity as a means to attain spiritual enlightenment and benefit others.

Luang Por Chaeng

Luang Por Chaeng, Silapanya, born on December 18, 2428 BE, was ordained as a Samanera Novice Monk at 12 and became a fully ordained Bhikkhu Monk at 20. A notable figure in Thai history, he served as the second abbot of Wat Bang Pang in Nontaburi, Bangkok, succeeding Luang Por Pra Atigarn Jaroen. Renowned as a Pra Gaeji Ajarn Master Monk during the Second World War, Luang Por Chaeng was a highly respected exponent of Vipassana Kammathana practice, attracting devotees nationwide. His expertise extended to empowering amulets, making him a sought-after participant in significant Buddha Abhiseka ceremonies, including those for the Thai Military’s magical protective items. In the era of the second world and Indo-China wars, Luang Por Chaeng, along with other revered monks, stood out for their magical prowess. Notable among them were Luang Por Jong of Wat Na Tang Nork, Luang Por Jad of Wat Bang Grabao, and Luang Por Opasi.

During the Indochina War, a ceremony was conducted to empower protective items for the Thai Military, including Pha Prajiad Sipsee Pan Tong by Luang Por Chaeng. The consecrated items, worn by soldiers, became legendary for rendering them impervious to bullets, earning the Thai Military the moniker ‘Taharn Phi’ (Ghost Soldiers) by the French Military. Luang Por Chaeng inherited Wicha from esteemed Kroo Ba Ajarn, such as Luang Por Parn of Wat Bang Nom Kho, Ph Khai of Wat Cherng Lane, Luang Phu Chay of Wat Panan Cherng, Pra Kanajarn Say (Luang Por Say), Luang Phu Sukh of Wat Pak Klong Makham Tao, and Luang Por Jong of Wat Na Tang Nork. Devotees sought Luang Por Chaeng for blessings, amulets, and healing. He welcomed all requests and, for those aspiring to learn his Wicha, emphasized moral development and meditative skills before revealing the secrets of incantations.

With influence from Luang Por Parn, Luang Por Chaeng’s amulets, particularly the Buddha riding animal models, gained popularity. He crafted a variety of amulets, including Monk Coins, Pha Yant Tong Yantra Flags, Sai Sek blessed sandgrains, Pra Kring, Pra Chaiyawat Loi Ongk Statuettes, and Pra Sivali metallic Loi Ongk Statuettes.

In 2484 BE, Luang Por Chaeng released powerful amulets to protect devotees during wartime. These amulets became a world famous historic edition, and were distributed for free during a large ceremony attended by numerous devotees. Luang Por Chaeng passed away peacefully on July 26 (some say 22nd), 2500 BE, at the age of 72. His legacy endures through his teachings and the amulets he created, cherished by those seeking protection and blessings in Thai Buddhism.

Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets

Ancient Amulet. Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets'). Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days

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Suea Morb Nga Gae Crouching Tiger for Mercy Charm Protection Power and Invincibility Ajarn Heng Praiwan Featured

A very ancient and beautifully carved Animist Charm in Sacred Ivory (highly Aged), of the Suea Morb Elephant-Lion, from the great ex Monk and Lay Master-Sorcerer, Ajarn Heng Praiwan

The Sacred Ivory shows its age through the crevices formed over time, and the agéd yellow patina which has evolved through many decades of contact with the skin. The Suea Morb is known for its power of Mercy Charm (attraction), and to evade Bad Karma and Deadly Accidents, as well as to be in constant readiness to pounce when opportunity for success knocks.

The Suea Morb in ancient ivory is an animist charm believed to be extremely powerful in its effect to attract the auspicious, and deflect the inauspicious. The Tiger is one of the most powerful creatures, and adept hunters on earth, and do not really have any predators above them in the food chain (except Humans!). Hence, the Lion and Tiger are seen as Kings of the Forest, and enjoy a life without having to fear too many dangers.

Free EMS / DHL / FedEx Express Shipping and the option of free solid silver Waterproof Casing is included with this item. An extremely rare to see, and exquisitely beautiful Ancient Ivory Carving, that is among the very rare amulets to encounter by Olden days Lay Master Ajarn Heng Praiwan. A Powerful and Highly Sought After amulet by high-end talismanic amulet, as well as an important historical and cultural religious artifact.

The Suea Morb, as all amulets of Ajarn Heng (due to his empowerment method), can not only protect from dangers, black magic and ill fate, but is also known to be a Wicha for invoking Great Mercy Charm (Metta Maha Niyom), to bring Great Preference to You above Others. The amulet is designed to Attract Helpfulness, Popularity and Success, Imbue power and influence (Serm Yos), Command over Others (Maha Amnaj) & clear the way of difficulties, whilst making all ventures successful.

An excellent choice for those increased ‘Dtaba Decha’ (Recieve Honors, Glory, Respect and Promotion, Dominion and influence), The Sacred Ivory shows its age through the crevices formed over time, and the agéd yellow patina which has evolved through many decades of contact with the skin. The Suea Morb differs from other Wicha Suea, in that, apart from increased Maha Amnaj, and Imposing Influence, protection and Invincibility, it is also known for immense power of Metta Mahaniyom.

If asking for assistance from the amulet, please do not be too greedy each time you pray to the amulet for things, rather set yourself reasonable goals. If you find the right balance, you will experience safe evasion from dangers and immunity to Black Magic, a constant rise in success and status, and standard of living. The Suea Morb can also use its Metta to assist in bringing Victory in Legal Battles, if you are in defense, or pleading of a Court Hearing, in order to receive merciful treatment.

This Hand carved amulet of Ajarn Heng Praiwan, was one of only two we could find over a long period of searching (4 years), and can be considered to be an eternal rarity, which is always sadly more in demand than available. We try to find them as fervently as possible, but even we end up losing the battle often. This is of course, due to the massive imbalance of availability, against demand, and the immense rarity, and small quantity of amulets made by this master.

Tigers, Lions, and other Big Cat type Himapant Animal Deities (such as the Suea Maha Amnaj, Paya Kochasri, Kilen, and Singha), especially when carved from Ivory, are naturally imbued with the Sorcerous Powers of Maha Amnaj (commanding power and influence), Serm Yos Status Increase for positions of command, Gae Aathan Anti Black Magic, and opportunities of promotion, and Metta Mahaniyom Mercy Charm, to lull your Subjects and Charm them into Obedience. Maha Pokasap treasure Accumulation and Cornucopia of Requisites is also Imbued. These powers are said to be present within the ivory itself, even without empowerment, and that people wore ivory in ancient times for this purpose, and over time, developed artistic designs to shape them into animals and other objects of reverence, Deities and the like, to add spiritual significance.

Below: an example of one of the various Roop Tai Kroo Ba Ajarn Ajarn Heng which were released during his Era

 

Ajarn Heng Praiwan was a great Lay Master and Adept Necromancer of olden days, of the Ayuttaya Province. Ajarn Heng was born in the year 2428 BE, and was ordained as a Buddhist Monk when he came of age, at Wat Suwan in Ayuttaya. During his ordained years, he studied many ancient magical Wicha of the grimoires of Wat Pradoo Rong Tam, which was a great library of ancient magical grimoires, perhaps the largest in the country. He became extremely able in the inscription of Khom Agkhara Sanskrit Spells, Kata Incantations, and Sacred Yant, and became very well known as a great Master of Sak Yant Thai Temple Tattoos.

Ajarn Heng Praiwan, studied the Wicha Grimoire of the Dtamra Radtana Mala, until attaining full Adept Mastery, after which he disrobed for a time, to help his parents. After which, he ordained again once more, at Wat Prayatigaram in Ayuttaya, with the Great LP Glan Tammachodti, Abbot of Wat Prayat, as his Upachaya Ordaining Monk. He spent a long period of time learning and mastering the full Dtamra of the Wicha of Luang Por Glan, after which he disrobed again, and became a lay-sorcerer until the end of his days, when he passed away at the age of 75, in the year 2502 BE.

It is said that Ajarn Heng’s father, was either a police officer, or a prison officer, and sent Ajarn Heng to Penang, and Singapore, to be educated. But Ajarn Heng did not finish his schooling, and left, because of his immense fascination and interest in the study of Saiyasart, & the Dtamra Saiyawaet Grimoires, of Thai Buddhist, Animist, and Necromantic Occult Practices. He even traveled to the South of Thailand to learn the most ancient Magical Practices of the Southern Khao or Sorcery Lineages.

After his time practicing and mastering the Southern Lineage Magical Practices, Ajarn Heng returned to his home Province of Ayuttaya, in Central Thailand. Ajarn Heng was now a Master of the Wicha of Luang Por Glan, and the Southern Wicha of Sorcery which dates back to the Sri Vichai Era of Siam. The Wicha Mastered in Entirety of Wat Pradoo, whgich Ajarn heng has undertook, came from the time when King Naresuan Maharach, ordered the Wicha Saiyasart Grimoire texts to be inscribed and stored at Wat Pradoo Roeng Tam.

The inscriptions were begin and finished between the years 2133 – 2148 BE. It was King Pra Mahesuan Maharach, who united the city Kingdoms of Siam and Unified the country into one Land, namely ‘Siam’, or ‘Thailand’, and made the city of Ayuttaya the first capital of the Kingdom (Later to be moved to Bangkok, for logistical and geo-political reasons).

Ajarn Heng began to serve the public and accept devotees, at first by only performing Sak Yant Tattoos, and became known as one of the Top Sak yant Masters in the Country of his Time. Another later Kroo Ba Ajarn and Friend in Dhamma, Luang Phu Si, of Wat Sakae in Ayuttaya (Temple of LP Doo), once told that during the time of King Rama the 3rd, during a time of military dispute, around the year 2475 BE, many regiments of Thai soldiers, of both high and lower standing went to Ajarn Heng for his protective Yant, due to the miraculous powers attributed to them, all one the same day. On this occasion, Ajarn Heng constructed the ritual place at Wat Hantra Temple. Ajarn Heng invited a host of powerful Monks with Psychic Powers to assist in the ceremony of Blessings.

In this occasion (around 2476 BE),Ajarn Heng had to work very hard to gather a large number of Master Monks to come and perform the Suad Nam Puttamont Chanting Ritual, and this was a very had task in those days in Ayuttaya, to travel around and fine enough top masters who knew the chanting of the Nam Pra Puttamont and the Putta Pisek (Buddha Abhiseka) ceremonie. He was assisted in this task, by the great Luang Phu See of Wat Sakae.

Ajarn Heng Praiwan and amulets

But on this occasion, Luang Phu Si could not attend as well, because he was busy with Dhamma Duties at Wat Liab. But, after this Ceremony, Ajarn Heng would always invite Luang Phu Si to attend all of his subsequent Blessing Ceremonies, and assist with empowerment.

Ajarn Heng was a relatively wealth person with two houses and land stakes, one in the countryside in Tung Hantra, and one in Bangkok. And so, he would have devotees seek him out in Bangkok and in Hantra, for Sak Yant Tattoos, and his powerful Takrut amulets. It became popular to get high class artisans to carve his amulets, as well as village people would carve animist charms from ivory, wood, and sometimes, necromantic Ban Neng skullbones, which are of course, along with his famous metallic, and inimitably designed Takrut Maha Jakkapat Metallic Scroll Spells, the most highly valued, rare, and sought after by devotees of the great anbcient Ayuttaya Lay Sorcerer. Finally, Ajarn Heng moved to stay in Suan Malee, until the Wars in Asia Broke Out, whereupon he left the Capital, and returned to his home Province of Ayuttaya.

 

During this time, there were many Gangsters and Highwaymen, and a lot of need for Sak Yant Tattoos for Kong Grapan Chadtri and Klaew Klaad protective Magic, and Ajarn Heng became a highly acclaimed master, renowned for his Yant Gao Yord (A Wicha Obtained from the Great LP Hrun). Ajarn Heng was able to receive additional Wicha from the famous temple of study of Sorcery, Wat Sam Jeen, as well as receiving Wicha from the great Luang Phu Tong, of Wat Rat Ayotaya, and Luang Phu Kam Wibun.

Ajarn Heng’s Kong Grapan magic was so famous, that it became popular for police and military to get his tattoos, but also that they did not like the fact that so many Gangsters had them too, and were impossible to shoot dead. His Takrut Jappapattirach was also both infamous, and those who wore one were feared to be invincible. There was once a time when Ajarn Heng was parked in a boat on the banks of the river at Wat Cherng Lane Temple, where the Police came, and had to forbid Ajarn Heng from tattooing more, because the area was overflowing with Gangs of Highwaymen, and his tattoos were making it impossible for the police to catch them.

Ajarn Heng was known to have been highly able himself with Buddhist Arts, and Carvings, in wood, ivory, bone, and skull Ban Neng, as well as being highly famed perhaps most of al, for his famous Takrut, and Carved Ban Neng. It is even said, that the Great Artist Kroo Hem Waechakorn said of Ajarn Heng that “If there is anyone who can draw the four faced Brahma Image better than anyone, it is Ajarn Heng Praiwan”. Ajarn Heng was extremely adept in Wicha Hanuman for Invincibility, Kong Grapan, Victory, and Loyalty, which were very popular of course with all devotees, be they Police, Civil Servants, Ganster Mafias, Triads, or Military. Ajarn Heng made so many different forms of carved amulets and animist charms, that it is very hard to catalogue all of them, but if one is to say ‘which amulets are the most well known?’ One would say perhaps his carved Ivory amulets and Necromantic Ban Neng, and his famous Rian See Hnaa 4 faced Brahma coin.

 

Charms & Talismans

Thai Buddhist, Animist, and Occult Charms and Talismans, authentically blessed by the great Monks and Lay Masters of Old, and Present Day

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Pra Roop Muean Luang Por Thuat Nuea Krang LP Tong Sukh Wat Tanode Luang Featured

A very rare exhibit that is hardly ever encountered in the rpesent day, the Pra Pim Tao Rit Luang Por Thuat Wat Chang Hai, of Luang Por Tong Sukh. This amulet is renowned for its Extremely rich Nuea Krang Sacred Stingless Beepaste, and Putsa Paste Magical Muan Sarn, this amulet is most certainly a ‘Dtua Kroo’ (‘Teacher Model’ instantly recognizable and hence usable as reference of authenticity) This exhibit of the Pra Luang Por Tuad Pim Tao Rit in Nuea Krang, and a very beautiful early era amulet of Luang Por Tong Sukh,of Wat Tanode Luang. The amulet is in Nuea Pong Pasom Krang Kluk Rak, resinous sacred muan sarn, visibly aged, compliant with Krang or Lacquer from this Era. One of the most highly renowned and powerful amulets of the Great Master of Olden days, Luang Por Tong Sukh, of Wat Tanode Luang, in Petchburi.

Luang Por Tong Sukh was born in 2420 BE, and lived 80 years, until his passing in 2500 BE. He was, and remains in History, as one of the top masters of all time of the Petchburi region. whose powers of Kong Grapan Chadtri Klaew Klaad and Maha Amnaj were legendary. He made a number of different varieties of amulets, many of which are found in the high end Tamniab Wadthu Mongkol Pra Niyom (official catalogues of preferred amulets of the National Amulet Appreciation Societies).

 

Free Registered Air Parcel Shipping Worldwide

Free Registered Air Parcel Shipping Worldwide is Included with this Amulet, along with the offer of free Waterproof Casing if desired. Many of his amulets are eminent figureheads of the Pra Niyom Master Class category of amulets, and are extremely rare items to find.

Luang Por Tong Sukh was the Kroo Ba Ajarn of many other Great Monks of the following Generation, who are now famous names in their own right, beginning of course with the most obvious, Luang Por Phaew, Abbot of Wat Tanode Luang. It was Luang Por Phaew who inherited his Magical Wicha and also the Administration of the temple of Wat Tanode Luang as its Abbot. The Nuea Krang amulets of Luang Por Tong Sukh Wat Tanode Luang, are often found to be made from the famous Krang Putsa Magical Resinous Paste of the great Master Sorceror Monk of Wat Tanode Luang. Among the amulets with most preferred and holding renowned fame are the Takrut Pork Krang, the Look Om Nuea Krang, Pra Roop Muean LP Tong Sukh, and Pra Roop Muean Luang Por Tuad. Sometimes one may see a Sacred Guru Monk Coin of LP Tong Sukh with Krang paste on the rear face too (very rare indeed). Other amulets include of course Pra Rian Momk Coins, and his world-famous Hua Hwaen Na Bad Dtalord Magic Ring.

Luang Por Tong Sukh was also the Kroo Ba Ajarn of many of the Top Masters of the Era which followed him, including the Great Luang Por Jang, and of course of Luang Por Phaew, the abbot who succeeded him. The amulets of Luang Por Tong Sukh are incredibly rare, and carry a relatively high price-tag, enough to demand faith in his amulets, but still affordable to any serious collector who seeks an amulet of the calibre of Luang Por Tong Sukh.

The list of great masters who studied and practiced under Luang Por Tong Sukh were;

Luang Por Un (Wat Tan Gong – now Deceased), Luang Por Huan (Wat Nikom Wachiraram – now Deceased), Luang Por Yid (Wat Nong Jork – now Deceased), Luang Por Jantr (Wat Mareuka Tayawan – now Deceased), Luang Por Nim Mangkalo (Wat Khao Noi – now Deceased), Luang Por Yorn (Wat Tanode Luang – now Deceased), Luang Por Phaew (Wat Tanode Luang – now Deceased), Luang Por Thaem Silangwaro (Wat Chang Taeng Grajat), Luang Por Heng (Wat Huay Sai Dtai, and Pra Ajarn Ji, of Wat Nong Hwaa

Amulets :

The most famously powerful and highly sought after amulets of Luang Por Tong Sukh in his lifetime were;

1. His Sak Yant tattoos. His Look Om Nuea Krang Ying Mai Ork Gunstopper Sacred Powder Ball ‘Bonbon Amulet’. One of the rarest kinds of Look Om of all to be found in the Pra Niyom Category of amulets. Reputed to have saved the lives of many devotees through gunstopper magic.

Below : Luang Por Tong Sukh and his famous Krang Putsa sacred resinous Substance

2. The first and second edition Rian Kanajarn Luang Por Tong Sukh Monk Coin, renowned for Kong Grapan Chadtri Maha Ud Klaew Klaad Protective Miracles, with extra power to protect against poisonous beasts in a spell written on the rear face.

Below : 1st edition monk coin Luang Por Tong Sukh

 

Below : 2nd edition monk coin Luang Por Tong Sukh

Rian Luang Por Tong Sukh

3. The Hwaen Hua Na Bad Talord Gan Asurapit Luang Por Tong Sukh Magic Ring of Protection, with special ability to defend against all Poisons, Venomous or Wild Animals. highkly renowned for its rare power to guard against wild beasts and poisonous plants and animals. Extremely rare to encounter. This Wicha continued to be famous with Luang Por Phaew, who inherited the Wicha from Luang Por Tong Sukh, and whose Hwaen Hua Na Bad Dtalord rings are almost equally famous, but much more affordable.

Below; Hwaen Hua Na Bad Dtalord Luang Por Tong Sukh

4. The Takrut amulets of Luang Por Tong Sukh are various, and serve different purposes, ranging from the Takrut Jet Dork (7 scrolls on a cord) for Multiple Blessings, the Takrut Sam Kasat (triple Takrut with bronze, silver and brass concentric scrolls) , for Kong Grapan Chadtri, the Takrut Klord Ngaay, for easy childbirth without pain, and the Takrut Sariga for Mercy Charm and Prosperous Business.

Below; Various types of Takrut from Luang Por Tong Sukh

Miracles

One of the more famous folk tales about the miraculous powers of Luang Por Tong Sukh, is the story of the ability to inscribe Sacvred Yantra Spells on the surface of material objects with his Psychic Powers; One time Luang Por was at Wat Ta Kham, and soime devotees came to beseech him for some ‘Ya Dtom’ Healing Potion from him. To make this potion, Luang Por required some Bai Magaa leaves, which needed to also be pre-inscribed with the Yant Pra Jao Ha Pra Ongk (Na-Mo-Put-Yaa-Ya). So Luang Por Tong Sukh sent his Samanera Novice apprentice monks out to collect some, and help him inscribe them all before boiling the potion.

Luang Pu Thuat amulet LP Tong Sukh

Luang Por asked the Samaneras to help him inscribe the Yant on each leaf of the Magaa tree. But the Samaneras were taking a long time to inscribe the yantra on each single bai magaa leaf, and so Luang Por exclaimed ‘This is going to take all day, bring all the leaves over to me in a pile on top of each other and i’ll finish the job’

Luang Por Tong Sukh Wat Tanode Luang

The Samanera carried the leaves to Luang Por and gave him a pile of about 20 leaves in his hand. Luang Por then inscribed the top leaf performing incantations, and lo and behold, as he gave the pile back to the Samanera, every single leaf was inscribed with the Yant Pra Jao Ha Pra Ongk!!

 

Important Ceremonies

Luang Por Tong Sukh was present to empower amulets in some of the most important and powerful blessing ceremonies in the History of Thai Buddhism, invited by a high ranking official of government to attend to bless with his powers, in the ceremonies of Wat Rachabopit for the 2495 BE Mongkol Gao edition and the Pra Kring Yord Hmud with 18 other Great Masters. Luang Por Tong Sukh also attended the Ceremony to bless the Military and distribute amulets in the Great Indo-China war ceremony. Luang Por Tong Sukh was also one of the many Masters present to empower the large series of amulets blessed in the celebration of 2500 years of Buddhism, the ‘Yee Sip Haa Satawat’ 25 Centuries Edition

Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets

Ancient Amulet. Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets'). Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days

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