Bia Gae Aathan Mee Khorb Tao Ruean Hum Luang Phu Kam Wat Po Bplam Featured

Bia Gae Cowry Shell Animist Charm with Turtle Casing from the Great Luang Phu Kam, of Wat Po Bplam

A very rare and beautiful example of the turtle shape encased version of the Bia Gae Aathan, of the Great Luang Phu Kam, of Wat Po Bplam. The Bia Gae of Luang Phu Kam of Wat Po Bplam, in Ang Tong Province, is counted as one of the five ‘Benjapakee’ Bia Gae of all time, along with the other 4 being the Bia Gae of LP Rod (Wat Nai Roeng), LP Bun (Wat Klang Bang Gaew), Luang Por Perm (Wat Klang Bang Kaew) and Luang Por Pak (Wat Bote). It is believed by devotees, that the Bia Gae of Luang Phu Kam, have immense power to ward off demons, ghosts and evil eye spells, as well as dissovle curses, and protect against poisonous beasts, and jungle fevers. They are said to also possess Maha Ud Gunstopper magic, and Metta Maha Niyom Mercy Charm, that recalls good luck into one’s life. This particular exhibit is encased within the form of the Paya Tao Ruean Turtle

In the early era of his Bia Gae making, Luang Phu Kam would be able to get his ‘Bia’ cowrie shells from the local area around the temple, but after the year 2493 BE, as his Bia Gae became increasingly famous and renowned for their power, it became necessary to send devotees to places by the ocean, in order to find enough cowrie shells to satisfy the needs of devotees. As to the Channaroeng and Krang Pastes used to seal the Bia Gae, it was taken from stingless beesnests found in the forest. or taken from Jom Pluak giant termite nests which were found in the vicinity around the temple.

As the needs of devotees rose, there was not enough Muan Sarn available from these sources of magical ingredients, and Luang Phu Kam was forced to have to seek farther afield for the sacred ingredients necessary to continue making Bia Gae amulets in the numbers needed for his devotees.

The Bia Gae of Luang Phu Kam differ from those of other masters in their making method; Luang Pu Kam would smelt sacred leaden alloy in a pot until it liquified, and then pour it into the interior of bamboo sticks about one foot in length. The bamboo was then sealed with simple cloth, and the bamboo was quicly shaken and agitated. This would cause the cooling leaden sacred alloy to form into small pellets. These leaden pellets were then used to ‘feed’ the Parort Mercurial Metal. This caused the Mercury to make a different sound when shaking the Bia Gae, more like a rattle than a soft ‘thud’ from the mercury sliding around within interior of the Bia shell.

Luang Phu Kam would then take the Mercurial Alchemical substance and use Incantations to make the Parort Mercurial alloy flow into the Bia Gae shells. To do this, he would place the Bia Gae on a large tray, and use Ya Kaa grass to beat the tray whilst chanting Kata incantations, until the Parort Mercury would flow into the Bia shells of their own accord. Then they would be sealed with Chanaroeng, and a Takrut foil with Khom Agkhara inscriptions.

There are some special models, enclosed within a metallic casing, some oval with decorative borders, others shaped like a turtle. Very few special models (Dtua Kroo) were made, whereas most of them would be left bare, or cord wrapped with the shell poking out visibly. In the case of his Bia Gae that are not enclosed within metallic frames, the copper Takrut Tong Daeng is visibly affixed to the Channaroeng Paste which closes the mouth of the Bia shell. It is said that some devotees once removed the Parort Mercury, and that it was seen to glow with an aura, like neon light.

Once Luang Phu had finished the creation and primary empowerment process, he would take the Bia Gae into his Kuti hut and perform further solo empowerments in privacy.One can recognize the early, mid and later eras of Bia Gae, from the difference in Channaroeng paste found in the seal of the BIa.

Early era amulets will have Channaroeng paste from the stingless bee or the giant termite nests around the temple. Mid era ramulets have Channaroeng paste with Ya Ruea, a herbal paste often used by fishermen and sailors to seal their wooden boats against leakage with. The third and later era, is seen to be made from Ya Ruea mixed with Pong Ittijae Yantra powders.

Devotees would often take the Bia Gae of Luang Phu Kam to be specially framed at an artisan, and framed with gold, silver or other brazen metal type frames. The Artisans would always stamp the enclosure of the Bia Gae frame with the Thai letters ‘Hor Mor Ngor’ (หมง), or sometimes the word ‘Kam’ (คำ), or ‘Heng’ (เฮง). In the case of exhibits which have the word ‘Heng’ stamped on the frame, this was the name of the Artisan. In the case of exhibits that have the letters ‘Hor Mor Ngor’ (หมง), this was and still is the code stamp of the firm of the Hor Mor Ngor Artisans, who to this day still use the same Hor Mor Ngor stamp to encase amulets with custom metal frames.

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ABOUT PAYA TAO RUEAN

The Paya Tao Ruean, as far as amulets are concerned, is associated with the powers of luck, long life, good health, good fortune , kong grapan and klaew klaad. Long life is insinuated due to the long lifespan of the Turtle. Metta, because of the Turtle’s pleasant and non-agressive disposition. The Tao Ruean Magic imbues the elemental qualities of both Water and Earth, due to the amphibian reptilian nature of this creature. The Paya Tao Ruean Turtle is indeed a significant part of Thai folklore and Buddhist beliefs. The turtle is considered sacred and holds a special place in Thai culture. While I cannot confirm every detail of the story you mentioned, I can provide information based on the general understanding of the Tao Ruean Turtle in Thai mythology and Buddhism. The Tao Ruean Turtle is believed to be an embodiment of Lord Buddha in one of his past lives. According to the story you mentioned from the ‘Ha Roi Chati’ (500 Lives of Buddha), the turtle lived on a desert island atop a mountain, where he dedicated his life to practicing purity and morality.

In the tale, when sailors were shipwrecked on the turtle’s island and faced starvation, they resorted to desperate measures, including attempting to eat inedible Areca nuts. Eventually, they turned to cannibalism, with one of them dying and the others contemplating killing each other for survival. Moved by compassion, the Tao Ruean Turtle decided to sacrifice himself by offering his own body as food to save the starving sailors. His act of selflessness and mercy is considered a profound demonstration of the Buddhist virtue of compassion. The turtle’s noble deed allowed the sailors to safely return to port and survive. As a gesture of gratitude and reverence, people began creating replicas of turtles, either made from clay, metal, or carved from wood, to serve as objects of worship and remembrance. These turtle representations are often placed in homes, temples, or sacred spaces as a way to pay respect to the Tao Ruean Turtle and to remind individuals to cultivate compassion and uphold moral values. They are also believed to provide protection from dangers and bring blessings such as long life.

The story of the Paya Tao Ruean Turtle exemplifies the Buddhist teachings of compassion, selflessness, and the potential for spiritual growth and enlightenment through virtuous actions. It has become an integral part of Thai cultural and religious traditions, inspiring people to emulate the turtle’s virtues in their own lives.

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The Commonly called “Palad Khik carved wooden phallic amulet in Nuea Mai Paya Ngiw Dam, is extremely aged, from the mid-late era of the great Luang Por Ee, of Wat Sattahip, is one of the rarest and most highly valued Palad Khik Worldwide, and a Top Preferred Masterclass Talismanic amulet (Circa 2480). Luang Por Ee amulets are now nearly impossible to come by. He is well-known for his Monk Coins (posthumous editions) 2473, 2485 (still alive), and 2504, 2511, and 2515, but also his Palad Khik amulets, Hmak Tui, Takrut, and Pid Tawarn amulets. His Palad Khik and Pidta, as well as his Magical Wicha, are used to create carved wooden, natural substance-based, and Alchemical metal amulets.

Palad Khik LP Ee

Many people believe his amulets are among the most powerful of all Palad Khik. This Palad Khik is a perfectly preserved exhibit from LP Ee’s mid-late era, powerfully blessed amulet in sacred black Ngiw tree-wood, from one of the Greatest Masters in Thai Amulet History, that can only be described as an Ultra-Powerful, and highly desirable ancient amulet of LP Ee.
Luang Por Ee was a Chonburi Region Gaeji Ajarn Guru Monk and one of the Great Olden Days Masters of Thai Buddhist History. His amulets are both rare and popular among Thai Buddhists, particularly in Central Thailand.

Wat Sattahip is the temple that Luang Por Ee built with his own hands in the year 2442 BE, which is now well over a Century ago, and Luang Por Ee was the temple’s first Abbot when it was built. Luang Por Ee was well-known for his abilities in Samatha meditation and Vipassana mindfulness practices. He could enter, continue to remain in, and leave the Kasina and Jhanic mind states at will, as well as change his inner state of consciousness, to dwell in whichever state was appropriate for the practice.

Palad Khik LP Ee Wat Sattahip

Palad Khik LP Ee Wat Sattahip


He stood out for his skill, which was noticeably superior to that of his Sangha peers, and for his impeccable behavior. This was due to his ability to elevate his mind above the vedhana (emotions) and not allow them to flood his mind with anger, sadness, stress, suspicions, and all the other manifestations of emotional and mental impediments and hindrances that arise within the psyche of an ordinary unpracticed human being. He was able to extinguish negative emotions or afflictive emotions due to cold, heat, hunger, thirst, aches and pains, and self-created mental worries. Luang Por Ee is known to have never complained about anything or expressed dissatisfaction with anything. Even while he was sick, he never complained, moaned, or groaned, or even told anybody. He would always remain in the same peaceful, state of balance. Luang Por Ee acknowledged the value of a good education and built the Rong Rian Ban Na Sattaheeb public school for the citizens of Sattaheeb.

Throughout his vocation, Luang Por Ee produced numerous amulets and occult talismanic charms, including his legendary Palad Khik, which is considered co-leader of the status of top Palad Khik of all time, along with the Palad Khik of Luang Por Hluea. His Takrut, along with his Suea Yant (Yantra Shirts), Rian Kanajarn Monk Coins, Pra Pid Ta, ‘Pra Sam’ (Pra Tri Gaay), and ‘Pra Prohm See Hnaa’, are among the rarest and most pursued talismans (4 Buddhas in one votive tablet).


Rian Sema Glab Kala Ta Diaw Luang Por Noi Pantheon of Amulets

Pra Rahu Om Jantr Nuea Kala Ta Diaw – Pim Sema Kwam world famous preferred master-class amulet, from Luang Por Noi Kantachodto – Wat Srisa Tong (Nakorn Chaisri)

The Pra Rahu Kala Ta Diaw of Luang Por Noi, of Wat Srisa Tong, in Huay Tago, Nakorn Chaysri, is most certainly the most famous of all one eyed coconut carved Rahu Amulets in Thai Amulet History. The only other Master who has come close to equalling his fame and mastery of the Pra Rahu Kala Ta Diaw amulet, is the great Kroo Ba Nanta, of Wat Tung Man Dtai, in Lampang, whose Pra Rahu are also extremely favored and sought after.

Phra Rahu Luang Por Noi

Phra Rahu Pim Sema Glab Ongk Kroo Luang Por Noi – a Perfect Showcase exhibit of this world famous and extremely rare and valuable Thai Buddhist Amulet of Luang Por Noi, of Wat Sri Sa Tong

The Pra Rahu Kala Ta Diaw of Luang Phu Noi, are the most prestigious of all in the eyes of the Pra Niyom Collector Community. This model is considered to be from the earlier time of Luang Por Noi’s Era due to its slightly larger size and curvature, because his later models were flatter and slightly smaller. The amulets themselves were made by Artisans who were devoted Looksit of Luang Por Noi, who were mostly immigrants from Vientiane, in Laos, who moved to Thailand during the early Ratanakosin Period of Thai History.

As the earthen foundations of the temple of Wat Srisa Tong were being dug for the building of the temple, a golden Buddha Head was discovered, and because of this, the Temple was first given the name ‘Wat Hua Tong’ which means ‘Temple of the Golden Head’.

The word ‘Hua’ means ‘head’ in colloquial Thai, but for referring to a Sacred Image of a Deity or a Buddha (or a Monk), the word ‘Srisa’, which also means ‘Head’, in high speech, is preferred. So the name was then changed later to ‘Wat Srisa Tong’

Below; the ancient natural aging features of the surface of the rear face of the 1 eyed coconut shell carving is highly evident and visible, even to the naked eye, along with the inimitable, and instantly recognizable hand made Lanna spell Inscriptions of this Great Laoatian Magical Lineage Master Monk.

Pra Rahu Kala Ta Diaw Pim Sema Glab Luang Por Noi Rear Face

Pra Rahu Kala Ta Diaw Pim Sema Glab Luang Por Noi. The Rear Face Shows Hand Made Spell Inscriptions in Agkhara Lanna Magical Script, from Luang Por Noi’s own hand. This exhibit is a perfect Ongk Kroo for reference, study, and is highly eligible for competition entry, and likely to win a prize if so.

The first Abbot of the temple was Luang Por Dto, who was one of the Laoatian people who had immigrated from Vientiane. Luang Por Dtrai developed the temple continually. The Lao people who built the temple had many artisan who knew that Luang Por Dtrai had powerful Wicha Akom and the sectrets of the Laoatian Wicha Pra Rahu Om Jantr, and so they carved Rahu Amulets from one eyed coconut shells using the traditional Lao Artistic style, to give to Luang Por Dtrai for empowerment.

Pra Rahu Pim Sema Glab Luang Por Noi display of classic flat edge, evealing the origins and maker

The classic flat edge of the coconut shell carving, reveals the origins and maker, for it was only Luang Por Noi, who applied the Wicha of long term soaking in sacred oils and coconut oil, to soften the highly rounded shell of the Kala Ta Diaw 1 eyed coconut, so that it could be hammered flat, in order to allow his Master Artisans to perform the finest level of carving possible, and to differentiate his Pra Rahu Kala Ta Diaw from those of other masters. Not all his Pra Rahu are found to be so thin and flat as this one, nor do all have such fine carvings, which makes this exhibit a 100% certainty, and an Ongk Kroo Reference Exhibit of Master-Class Status

Luang Por would then would distribute them back to the devotees for protection and Serm Duang (improve fate and destiny).As the Lao artisans began to develop their skills and experience repeatedly carving the coconut shells, the design became ever more finely tuned and increasing in beauty, but due to the fact that there were a large number of artisans all making these carvings, the designs would be varied both in appearance of features, and in the quality and amount of detail.

Kata Chanting to Bucha Pra Rahu Thai amulets and Bucha statues (4 different Versions)

Suad Pra Kata Bucha Pra Rahu
12 repetitons of the Kata Bucha Pra Rahu are to be Chanted;

Idtipiso Pakawaa Pra Rahuu Sataewaa Samaa Winyaana Idtipiso Pakawaa Putta Sangmi

Over the years, Wat Srisa Tong grew constantly throughout the lineage of Abbots, from a small temple into a large impressive temple over the years. After his passing, he was succeeded by the new Abbot, Luang Por Dtan, who was succeeded by Luang Por Lee, who was then succeeded by Luang Por Tong, after which came Luang Por Choi, and then cam the fifth Abbot, Luang Por Noi Kantachodto. It was the second Abbot, Luang Por Lee, who inherited and continued the Wicha Pra Rahu Om Jantr in the Lao tradition from Luang Por Dtrai.

Edge of Pra Rahu amulet Luang Por Noi (rear view0

The Edge of Pra Rahu Kala Ta Diaw Pim Sema Glab amulet of Luang Por Noi (rear shows the extreme diligent effort to flattedn the ubiquitously curved coconut shell into such a fine flat piece of shell, to enable the highest level of artisanry and detail possible in the carvings of the details of the Pra Rahu Asura Deva, and the Hand Made Spell Inscriptions of Luang Por Noi

Luang Por Noi was also one of the Lao People of Srisa Tong municipality in Nakorn Chaysri, who during his time as a Buddhist Monk before becoming Abbot, was practicing at Wat Srisa Tong, and learned the Wicha of Luang Por Dtrai from Luang Por Lee, and ascended later to become the next Master Adept, which was supported by a strong foundation in the Wicha Pra Rahu Om Jantr from Luang Por Noi’s Father, who was also a Laymaster of Lao Sorcery too, and who made carved Rahu amulets and empowered them. So Luang Por Noi got to learn this Wicha from his Father from a very early age, and this made him the perfect apprentice for Luang Por Lee to pass on his Wicha of the Pra Rahu Om Jantr Kala Ta Diaw.

Phra Rahu Kala Ta Diaw Pim Sema Glab lower edge view – Luang Por Noi Wat Srisa Tong

Luang Por Noi was born with the Laity Name of Navarat, meaning ‘nine jewels’, and brought the Wicha Pra Rahu Om Jantr Gae Kala Ta Diaw begun by Luang Por Dtrai,passed to him through Luang Por Lee, to World Fame, through his higher development of the artistic features of the artisanry and design of the carved coconut shell images. Luang Por Noi did this by raising a more stringent rule for the magical requirements in allowing only coconuts with one single eye to be used for the carving of the Rahu image.

Luang Por Noi constantly refined his instructions to the Lao Artisans of Srisa Tong to increase the level of fine detail and subtlety of their carved Rahu images, up to the point where the amulet finally possessed a standard recognisable appearance that could be easily recognisable as being from Luang Por Noi of Wat Srisa Tong. However, this took many years, for which the earlier models are much more varied in appearance than the later models, as they were still very varied in early times due to the different handiwork of each artisan, until they were taught to adhere to a rigid formula.

Phra Rahu Kala Ta Diaw Pim Sema Glab lower edge view - Luang Por Noi Wat Srisa Tong

Luang Por Noi continued to develop and improve the temple of Wat Srisa Tong and the township around the temple to a great extent, and became extremely revered for his meritorious attainments. The Pra Rahu Kala Ta Diaw of all Thai temples are derived from the Original Laoatian Wicha, which entered into practice in Thailand through the Lao Immigrants, and which was developed to a much more advanced and higher level of artistic impression through the lineage of Abbots of Wat Srisa Tong more than any other temple in Thailand, most of which derived their Wicha from Wat Srisa Tong. The Thai tradition of Pra Rahu Om Jantr Coconut Shell Amulets has not only inherited just the design and creation methods used by Wat Srisa Tong, but also the Ceremonial Empowerments and Ritual Methods involved with their creation have also been inherited.

The development of the carved artisanry at the beginning in the times of Luang Por Dtrai and Luang Por Lee, and the early time of Luang Por Noi, first developed in multiple directions because some images would be square, triangular, or circular, and even in the shape of a lotus petal were seen in rare occasions.

Rear Face Phra Rahu Kala Ta Diaw Pim Sema Glab - Nuea Kala Ta Diaw - Luang Por Noi, Wat Srisa Tong Master-Class Amulet

This depended on each artisan and the piece of coconut shell he had to work with. The Lao artisans would then bring the finished work to Luang Por Noi for empowerment. It was here that Luang Por Noi began to apply the next development in the refinement of his most classic and highly recognisable Pra Rahu amulets, by enforcing his master-stroke. The master-stroke, was to teach the Artisans to use oil absorption to soften the coconut shells, and be able to flatten the piece being worked with.

Luang Por Noi Wat Srisa Tong

They would then to cut a standard shape frame. The flatness achieved from the now malleable coconut shell, with the added softness achieved through the oil soaking, allowing the Artisan to engrave the details in a much more refined fashion with a higher level of detail.

It was here that Luang Por Noi introduced a single universal design which has become the classic reference standard of Pra Rahu Amulets by Luang Por Noi; the ‘Sema Kwam’ shape. The word ‘Sema’, means the Lotus Petal.Teardrop shaped Temple Monastic Border Monument Image, and the word ‘Kwam’ means ‘upside down’. This is hence similar in shape to the standard ‘Pim Sema’ shaped coin amulets seen in Thai Amulets, but is reversed to point downwards.

pra Rahu Om Jantr Kala Ta Diaw Luang Por Noi

This then became the only model to be carved from then onwards, and despite many other shapes and sizes of authentic Pra Rahu Luang Por Noi amulets being made previously, the Sema Kwam model became the standard accepted model recognised for its inimitable appearance and ease of recognition.

Rian Sema Glab Kala Ta Diaw Luang Por Noi Pantheon of Amulets 2

And so it came to be, that Luang Por Noi’s most collected preferred Pra Rahu amulet is the Pra Rahu Kala Ta Diaw Pim Sema Kwam.

Pra Rahu Luang Por Noi Amulet

It was only rarely that Luang Por would be able to make and empower Pra Rahu Om Jantr Kala Ta Diaw amulets, because he would only empower them exclusively during the Lunar or Solar Eclipses, depending if the Rahu amulet in question would be empowered for the Yant Suriya Bprapa Solar Eclipse spell, or the Jantra Bprapa Lunar Eclipse spell. Some years there would be no release of Rahu kala Ta diaw if there were no eclipses occurring in the sky.

Rian Sema Glab Kala Ta Diaw Luang Por Noi Pantheon of Amulets 4

Biography of Luang Por Noi

Luang Por Noi was born on the 14th of February 2435, is father was called Nai Ma Nawa Radt, his mother was called Nang Mee Nawa Radt. Luang Por Noi was the youngest of five children. HIs father was a doctor of traditional medicine, and was also an adept lay sorceror. The locals called his father ‘Por Hmor’ which is a colloquial name for a witch doctor or shaman sorceror. Luang Por Noi’s father was famed in the area for having had run-ins with dangerous gangsters from other districts, whose guns and weaponry were rendered useless when trying to kill him, because of his Sorcery Wicha.

Rian Sema Glab Kala Ta Diaw Luang Por Noi Pantheon of Amulets 1
Pra Rahu Luang Por Noi Amulet Rear Face

Luang Por Noi was ordained as a Buddhist Monk (Bhikkhu) at the age of 21 at Wat Kae with Pra Ajarn Yiw (Abbot of Wat Kae) as his Upachaya Ordaining Officer, and Pra Piksu Mun of Wat Klang Koo Wiang as his Anusawanajarn.

Rian Sema Glab Kala Ta Diaw Luang Por Noi Pantheon of Amulets 3

Luang Por Noi recieved the Ordained Dhamma name of ‘Kantachodto’. Luang Por Noi stayed for a little while at Wat Kae, whereafter he moved to stay at Wat Srisa Tong. At the time, Luang Por Lee was the Abbot of Wat Srisa Tong, and Luang Por Noi got the chance to study Saiyasart (Sorcery) with Luang Por Lee, in particular, the Mastery of the Wicha Pra Rahu Om Jantr, and the Wicha Wua Tanu.