Lucky Goat Pae Maha Lap Luang Por Am

When speaking of the Pae Maha Lap lucky goat amulet, there is one name which stands above all others, and that is the name of Luang Por Am, of Wat Nong Grabork, in Ban Kaay Rayong. Luang Por Am was, along with Masters like Luang Por Horm of Wat Sak Hmak, Luang Por Rerm of Wat Juk Gacher, and Luang Por Chaem, considered among the top Masters of the Province, long before even the Great Luang Phu Tim of Wat Laharn Rai acheived his fame. Luang Por Am was the Kroo Ba Ajarn of the Great Luang Por Lat (Wat Nong Grabork), who is famed in his own right for his powerful Pae Maha Lap Hand Carved Goat Amuletsม which he of course mastered under the tutelage of Luang Por Am.

Pae Maha Lap Lucky Goat amulets of LP Am

Pae Maha LapLucky Goat and other carved amulets of LP Am

The male Goat is known for the fact that it is able to keep a whole herd of dozens of females under his ownership, through merciful and protective influence. It is thus believed that who wears the Pae Maha Lap Khao Kwai Gae Sacred buffalo horn Goat amulets of Luang Por Am, will be an owner and controller of great possessions and wealth, with grand entourage.

Below; Luang Por Am, of  Wat Nong Grabork

Luang Por Am

Luang Por Am, or ‘Pra Kroo Taep Sittaa, was one of the Great Masters of the Central-Eastern Provinces during His Era, and the ex abbot of Wat Nong Grabork from 2431 – 2490 BE. He was rrespected and revered all around the Province, and had Great fame around the Nation for his Powerful Wicha. During his lifetime he became known as the top Master for carved Lucky Goat amulets. What is less known, and is of immense interest to investigate the lineage Wicha of the Pae Maha Lap, is the fact that Luang Por Am himself received this Wicha from Luang Por Dtaeng of Wat Ang Sila.

Luang Por Am was abbot of Wat Nong Grabork between the years 2431 to 2490 BE, being a Gaeji Ajarn of around 150 years ago, and was the Kroo Ba Ajarn teacher of many other great names of the time, such as Luang por Rerm of Wat Juk Gacher, and Luang Por Lat of Wat Nong Grabork (his successor and apprentice in magick). The Pae Maha Lap Nuea Khao Kwai Gae of Luang Por Am, is believed to possess the power to absorb Black Magick and protect the wearer/devotee from being affected.

It can be said that the Pae Maha Lap of Luang Por Am, Luang Por Lat, and now Pra Atigarn Surasit Akkawaro, the current abbot (written 2562 BE), are considered the ‘cream of the crop’, by serious devotees of the Pae Maha Lap, along with those other Great Chonburi Masters whose names carry fame for this Wicha such as Luang Phu Tim, uang Por Sakorn, Luang Phu Sin.

The Pae Maha Lap of Luang Por Am, was almost always made by carving a goat from ‘Khao Kwai Fa Pha Dtaay’, which is the horn of a buffalo which died struck by lightning in a field. It is an ancient magical belief that the horn of a lightning-struck bull or buffalo has the power of angelic beings in it, for indeed, the angelic beings of the elemental realms who control the weather, are who control these divine forces of Nature.

After the carving of the shape of the goat, Luang Por Am would then empower the Goats with incantations, and invocations of elemental powers and angelic beings, with Buddhist Blessings on top. Sometimes he would immerse them in aromatic sacred oils to consecrate them, mixed with herbal oils made from herbs and vines and flowers of the forest, with magical, healing, protective, and attraction powers. He would rebless them again and again until he felt the amulets were completely stuffed as full with magic as possible, and unable to insert any more. The magic within the amulets was hence always filled to the brim before distribution.

Pra Kru Ta Gradan Pim Gaes Kot - Nuea Chin Dtakua Trai Pakee Leaden Amulet - Wat Pra Sri Mahatat (Supanburi)

SKU 02659
$85 U.S.
In stock
Product Details

Pra Ta Gradan Yorn Yuk Nuea Chin Dtakua Pim Gaes Yaw Wat Pra Sri Mahatat - Classic Nostalgia Piece, and an Eminent Member of the 'Trai Pakee' (Top 3) Category of Leaden Hiding Place Amulets. This Pim (model), was released from Wat Pra Sri MahaTat in Supanburi, in a Yorn Yuk Edition (Nostalgia Reproduction), using amulets which were made, blessed, empowered and buried in Kru Hiding Chamber some years before.

A classic edition that was hailed in the National press and became a well known edition throughout the Nation, and beyond to other shores. This memorial commemorative edition is a perfect replica of the Centuries old Pra Ta Gradan Kru Sri Sawad Amulet of Trai Pakee fame, and was smelted using various pieces of the original Pra Ta Gradan Kru Sri Sawad, as part of the Sacred Chanuan Muan Sarn ingredients.

The Pra Ta Gradan is a Pra Kru hiding place archeological dig amulet from Wat Klang, Wat Nuea and Wat Tai temples of the Kanjanaburi Region. Made from Nuea Chin (leaden alloys). It is assumed to have been created in the U-Tong Era, and not thought to have been created by Buddhist Monks, rather is believed to be created by the Ruesi (Lersi).

This belief arose, because of 2 gold and silver bound Bai Lan parchment scriptures, from Kampaeng Paetch and Supannburi Provinces, which tell of these amulets being created by the 11 Ruesi Sages. Of these 3 Sages, three of them were renowned for their great power and wisdom; Ruesi Ta Fai, Ruesi Ta Wua and Ruesi Pilaalai

The most famous find of all the Pra Ta Gradan amulets was the Pra Kru Sri Sawad

The Pra Kru Ta Gradan Sri Sawad amulet was discovered when the Kru hiding place broke open at the enpty dilapidated temple in Sri Sawad district in the year 2460 BE. The first amulet was found at Wat Klang, then more turned up at Wat Nuea, and at Wat Tai.

The Pra Kru Ta Gradan is honed in the image of a Lersi hermit sitting in Meditation, with a bound topknot. found in two different 'Pim' (models); Pim Gaes Yaw (long topknot), and Pim Gaes Dtum (short stumpy topknot). Both models have a flat rear face. On the 'Pim Gaes Yaw' longer haired model, the topknot of the bound hair of the hermit will bend to one side in one direction or the other. On the Pim Gaes Dtum, there is only a small stump pointing upwards.

The Pra Kru Tha Gradan is one of the 'Trai Pakee' set of 'Top Three Regions' amulets made from Leaden Alchemical alloy, which are the Pra Ruang Rang Phern, the Pra Hoo Yan, and the Pra Kru Ta Gradan. The Pra Ta Gradan Kru Sri Sawad was said to have been only one of a large number of different amulets found in the hiding chamber by those olden days folk who were alive to witness the opening of the hiding place. There were also some Pra Mahaesuan, Pra Ruang Yern, Pra Paruhnang, Pra Pim U-Tong, and the Pra Yord Tong.

It is believed that it was Ruesi Ta Fai who made the Pra Ta Gradan amulet which he invited the Lord and Ruler of Ta Gradan City. Once they had made the amulets, they were buried in Gru hiding place chambers in various important sacred places around Kanjanaburi, Ta Gradan and Sri Sawat areas.It is also called Pra Gaes Pid Ta Daeng (meaning ' with topknot and closed red eyes - as in 'Ngang Ta Daeng'), meaning 'red eyes', for the red rust on the leaden surface which gives a reddish glint to the amulets face.

The topknot of the image, which is in meditation posture, is long and wound up in a high bundle, like that of a Lersi. The face is typically that of a Lersi. The Lersi would never cut their hair, which is why the image has a long bound topknot rising up from the head.

The Pra Ta Gradan was made with a number of variations of topknot, both short (Gaes Dtum), and long (Gaes Yaw). The 'Gaes Yaw' long topknots, are found to have both straight topknots pointing up, and are called 'Gaes Dtrong', and the slanted ones that lean to one side or the other which are called 'Gaes Kot'. This model is a 'Gaes Kot', because it leans to one side.

The Ta Gradan amulet is one of the Ancient members of the Traipakee family of amulets, and a powerful wielder of Kong Grapan, Maha Amnaj, Maha Ud, and Klaew Klaad magic for invincibility and safety, evasion of dangers and obstacles.

The file marks on the edge of the amulet where the images were hand filed off the 'Chor' tree which they were cast on. This was not an edition made using modern casting machinery, as is the case with all 'Yorn Yuk' amulets, where the creation method adheres to the original ancient methods, to produce perfect replication of olden days methods, and exactly identical results in the finished work.

This Pim is not only an Extremely sacred Consecrated Votive Tablet that deserves and requires Great reverence, it is also an excellent and low priced amulet, perfect for students to begin studying the way in which true Ancient cast Leaden amulets are made, and what the tell-tale signs are.

A Yorn Yuk Nostalgia Piece of an Ancient Masterpiece of Historical Sacred Art, in addition to being a truly Powerful Authentic Amulet of Importance in its own right, for its highly documented status and Sacred Chanuan Muan Sarn, along with a very large Buddha Abhiseka Ceremony with a large number of Great Guru Masters present.

The 'Khai Khaw' white 'froth' 'Sanim Khiaw' (green rust), and 'Sanim Daeng' red 'rust', are clearly visible to appear as 'Roi Raberd' (explosion marks). This is most visible when perusing the surface of the rear face of the amulet. The surface of the leaden amulet is full of pinprick-holes which are a result of the 'roi raberd' exploding elements of Muan Sarn rising up through the surface of the amulet from within.

This amulet is still in the original box from the temple.

Really Ancient 'Kraap Kru' (residue stains) of 'Pra Nuea Chin Dtakua (leaden amulets), appears through the process of the residues rising up from within the amulet, and breaking through the surface. The thicker the residue (Kraap Kru), the more likely the amulet is much older. Thin layers of Kraap Kru Khai Khaw (white froth residue) as opposed to thick layers, mean less aged. Areas of reddish rusty residue are visible called 'Sanim Daeng', meaning 'red rust'. This reddish stain is in some areas to be perceived as having a maroon/brownish tint to it.

The Pra Kru Ta Gradan is one of the red rust category of 'Pra Nuea Chin' (leaden amulets), and is through this classification and its Trai Pakee status, worthy of the title 'Pra Yord Niyom Nuea Chin Sanim Daeng' (Buddha Amulet of the Highest Preferred Class of the red rust leaden amulet category).

There are various categories of 'Pra Nuea Chin' (leaden amulets), including 'Khai Khaw' (white froth), 'Sanim Daeng' (red rust) and 'Sanim Khiaw' (green rust). One of the recognition factors which elevate the Pra Ta Gradan Nuea Chin Dtakua Sanim Daeng from the first hiding place find at Wat Klang, is the fact that those amulets were placed into their burial place with gold leaf pasting, which then flaked into dust and mixed itself into the Khai Khaw froth of the Kraap residue which rose up through the interior of the amulets to form a covering over the amulets. In the finest and most highly prized models, this gold dust is visible within the white froth lending a brown sugar kind of look to the surface residue, with a golden brown yellowy color, interspersed by the snowy white fine powdery Khai Khaw residue.

This amulet is therefore a Classic Ancient Amulet, of Authenticity and High Esteem, with true Kong Grapan Chadtri Klaew Klaad Maha Ud Maha Amnaj Powers, and is an extremely affordable alternative to the Pra Kru Ta Gradan from the Wat Klang, Wat Nuea, and Wat Tai Finds. Its Sacredness and Mark of Authenticity is confirmed through the National News Coverage which this edition received, and the Importance of the Sacred Chanuan ingredients, and the Guru masters who blessed them, as well as the Importance and relevance of the temple of Wat Pra Sri Mahatat. A Classic Amulet, at a Classic Price.

Leaden amulets are amongst the rarest amulets to find, and are mostly highly priced. This sacred Leaden Amulet is of a much Higher sacred Value than its price tag reveals, and is a most recommendable choice for those Devotees who seek an Ancient Sacred Amulet of High Buddhakhun power, for protection, increased status, and auspicious blessings.

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