Lucky Goat Pae Maha Lap Luang Por Am

When speaking of the Pae Maha Lap lucky goat amulet, there is one name which stands above all others, and that is the name of Luang Por Am, of Wat Nong Grabork, in Ban Kaay Rayong. Luang Por Am was, along with Masters like Luang Por Horm of Wat Sak Hmak, Luang Por Rerm of Wat Juk Gacher, and Luang Por Chaem, considered among the top Masters of the Province, long before even the Great Luang Phu Tim of Wat Laharn Rai acheived his fame. Luang Por Am was the Kroo Ba Ajarn of the Great Luang Por Lat (Wat Nong Grabork), who is famed in his own right for his powerful Pae Maha Lap Hand Carved Goat Amuletsม which he of course mastered under the tutelage of Luang Por Am.

Pae Maha Lap Lucky Goat amulets of LP Am

Pae Maha LapLucky Goat and other carved amulets of LP Am

The male Goat is known for the fact that it is able to keep a whole herd of dozens of females under his ownership, through merciful and protective influence. It is thus believed that who wears the Pae Maha Lap Khao Kwai Gae Sacred buffalo horn Goat amulets of Luang Por Am, will be an owner and controller of great possessions and wealth, with grand entourage.

Below; Luang Por Am, of  Wat Nong Grabork

Luang Por Am

Luang Por Am, or ‘Pra Kroo Taep Sittaa, was one of the Great Masters of the Central-Eastern Provinces during His Era, and the ex abbot of Wat Nong Grabork from 2431 – 2490 BE. He was rrespected and revered all around the Province, and had Great fame around the Nation for his Powerful Wicha. During his lifetime he became known as the top Master for carved Lucky Goat amulets. What is less known, and is of immense interest to investigate the lineage Wicha of the Pae Maha Lap, is the fact that Luang Por Am himself received this Wicha from Luang Por Dtaeng of Wat Ang Sila.

Luang Por Am was abbot of Wat Nong Grabork between the years 2431 to 2490 BE, being a Gaeji Ajarn of around 150 years ago, and was the Kroo Ba Ajarn teacher of many other great names of the time, such as Luang por Rerm of Wat Juk Gacher, and Luang Por Lat of Wat Nong Grabork (his successor and apprentice in magick). The Pae Maha Lap Nuea Khao Kwai Gae of Luang Por Am, is believed to possess the power to absorb Black Magick and protect the wearer/devotee from being affected.

It can be said that the Pae Maha Lap of Luang Por Am, Luang Por Lat, and now Pra Atigarn Surasit Akkawaro, the current abbot (written 2562 BE), are considered the ‘cream of the crop’, by serious devotees of the Pae Maha Lap, along with those other Great Chonburi Masters whose names carry fame for this Wicha such as Luang Phu Tim, uang Por Sakorn, Luang Phu Sin.

The Pae Maha Lap of Luang Por Am, was almost always made by carving a goat from ‘Khao Kwai Fa Pha Dtaay’, which is the horn of a buffalo which died struck by lightning in a field. It is an ancient magical belief that the horn of a lightning-struck bull or buffalo has the power of angelic beings in it, for indeed, the angelic beings of the elemental realms who control the weather, are who control these divine forces of Nature.

After the carving of the shape of the goat, Luang Por Am would then empower the Goats with incantations, and invocations of elemental powers and angelic beings, with Buddhist Blessings on top. Sometimes he would immerse them in aromatic sacred oils to consecrate them, mixed with herbal oils made from herbs and vines and flowers of the forest, with magical, healing, protective, and attraction powers. He would rebless them again and again until he felt the amulets were completely stuffed as full with magic as possible, and unable to insert any more. The magic within the amulets was hence always filled to the brim before distribution.

Pra Kru Ta Gradan See Sawad Pim Gaes Yaw Nuea Chin Dtakua Sanim Daeng - Ancient Trai Pakee Leaden Amulet for Status + Protection

SKU 02658
$120 U.S.
Out of stock
Product Details

Pra Ta Gradan Nuea Chin Dtakua Pim Gaes Yaw - Classic member of the 'Trai Pakee' (Top 3) Category of Leaden Hiding Place Amulets.

The Pra Ta Gradan is a Pra Kru hiding place archeological dig amulet from Wat Klang, Wat Nuea and Wat Tai temples of the Kanjanaburi Region. Made from Nuea Chin (leaden alloys). It is assumed to have been created in the U-Tong Era, and not thought to have been created by Buddhist Monks, rather is believed to be created by the Ruesi (Lersi).

This belief arose, because of 2 gold and silver bound Bai Lan parchment scriptures, from Kampaeng Paetch and Supannburi Provinces, which tell of these amulets being created by the 11 Ruesi Sages. Of these 3 Sages, three of them were renowned for their great power and wisdom; Ruesi Ta Fai, Ruesi Ta Wua and Ruesi Pilaalai

The Pra Kru Ta Gradan Sri Sawad amulet was discovered when the Kru hiding place broke open at the enpty delapidated temple in Sri Sawad district in the year 2460 BE. The first amulet was found at Wat Klang, then more turned up at Wat Nuea, and at Wat Tai.

The Pra Kru Ta Gradan is honed in the image of a Lersi hermit sitting in Meditation, with a bound topknot. found in two different 'Pim' (models); Pim Gaes Yaw (long topknot), and Pim Gaes Dtum (short stumpy topknot). Both models have a flat rear face. On the 'Pim Gaes Yaw' longer haired model, the topknot of the bound hair of the hermit will bend to one side in one direction or the other. On the Pim Gaes Dtum, there is only a small stump pointing upwards.

The Pra Kru Tha Gradan is one of the 'Trai Pakee' set of 'Top Three Regions' amulets made from Leaden Alchemical alloy, which are the Pra Ruang Rang Phern, the Pra Hoo Yan, and the Pra Kru Ta Gradan. The Pra Ta Gradan Kru Sri Sawad was said to have been only one of a large number of different amulets found in the hiding chamber by those olden days folk who were alive to witness the opening of the hiding place. There were also some Pra Mahaesuan, Pra Ruang Yern, Pra Paruhnang, Pra Pim U-Tong, and the Pra Yord Tong

It is believed that it was Ruesi Ta Fai who made the Pra Ta Gradan amulet which he invited the Lord and Ruler of Ta Gradan City. Once they had made the amulets, they were buried in Gru hiding place chambers in various important sacred places around Kanjanaburi, Ta Gradan and Sri Sawat areas.

It is also called Pra Gaes Pid Ta Daeng (meaning ' with topknot and closed red eyes - as in 'Ngang Ta Daeng'), meaning 'red eyes', for the red rust on the leaden surface which gives a reddish glint to the amulets face. the topknot of the image, which is in meditation posture, is long and wound up in a high bundle, like that of a Lersi. The face is typically that of a Lersi. The Lersi would never cut their heair, which is why the image has a long bound topknot rising up from the head.The Ta Gradan amulet is one of the Ancient members of the Traipakee family of amulets, and a powerful wielder of Kong Grapan, Maha Amnaj, Maha Ud, and Klaew Klaad magic for invincibility and safety, evasion of dangers and obstacles.

A Yorn Yuk Nostalgia Piece of an Ancient Masterpiece of Historical Sacred Art, in addition to being a truly Powerful Authentic Amulet of Importance in its own right, for it has reached the respectable age of one Century. The 'Khai Khaw' white 'froth' and 'Sanim Daeng' red 'rust', are clearly visible to appear as 'Roi Raberd' (explosion marks). This is most visible when perusing the surface of the rear face of the amulet. However, they are not as deep and thickly coated as we see in the case of the first hiding place find, which reveals at least another couple of centuries of burial.

This is most probably a later edition made sometime during the last Century,Truly Aged 'Nuea Chin Dtakua' (silver-leaden alchemical alloy), does not have 'Kraap Gru' (residue) pasted onto the surface. Really Ancient 'Kraap Gru' (residue stains) of 'Pra Nuea Chin Dtakua (leaden amulets), appears through the process of the residues rising up from within the amulet, and breaking through the surface. The thicker the residue (Kraap Gru), the more likely the amulet is much older. Thin layers of Kraap Gru Khai Khaw (white froth residue) as opposed to thick layers, mean less aged. Areas of reddish rusty residue are visible called 'Sanim Daeng', meaning 'red rust'. This reddish stain is in some areas to be perceived as having a maroon/brownish tint to it.

The Pra Kru Ta Gradan is one of the red rust category of 'Pra Nuea Chin' (leaden amulets), and is through this classification and its Trai Pakee status, worthy of the title 'Pra Yord Niyom Nuea Chin Sanim Daeng' (Buddha Amulet of the Highest Preferred Class of the red rust leaden amulet category).

There are various categories of 'Pra Nuea Chin' (leaden amulets), including 'Khai Khaw' (white froth), 'Sanim daeng' (red rust) and 'Sanim Khiaw' (green rust). One of the recognition factors which elevate the Pra Ta Gradan Nuea Chin Dtakua Sanim Daeng from the first hiding place find at Wat Klang, is the fact that those amulets were placed into their burial place with gold leaf pasting, which then flaked into dust and mixed itself into the Khai Khaw froth of the Kraap residue which rose up through the interior of the amulets to form a covering over the amulets. In the finest and most highly prized models, this gold dust is visible within the white froth lending a brown sugar kind of look to the surface residue, with a golden brown yellowy color, interspersed by the snowy white fine powdery Khai Khaw residue.

This amulet is therefore a Classic Ancient Amulet, of Authenticity and High Esteem, with true Kong Grapan Chadtri Klaew Klaad Maha Ud Maha Amnaj Powers, but for reasons of it coming from a later Era than the first find at Wat Klang, is a much more affordable alternative to the Pra Kru Ta Gradan from the Wat Klang Find.

With amulets of this age and classification, it is mostly never known who made them, or exactly when the amulets were made by. But what we do know about Ancient Amulets of this kind, is that all amulets of those Eras were given the most Sacred and Highly Powerful Blessings and Empowerments, and were made from Truly Sacred Artifacts and Sorcerous Substances, in a time when Buddhist Amulets were not yet commercialised in any fashion, and where their only purpose of creation, was to serve humans and lessen sufferings, protect and increase happiness.

In those days, hundreds of Monks and Lersi would attend the empowerment of amulets, which were made in truly ancient and sacred methods. This amulet is an excellent amulet for those who seek a lower priced entry stage into collecting Great Classics, without breaking the bank to do so. If competing in competitions and prize winning is not your aim, rather, you seek a truly Sacred Amulet of decent age, for protection, then this amulet is a highly recommendable choice.

If what you seek is a competition grade model, then one wold have to enter into a much higher price entry level to begin competing, and this amulet would not be the recommendable choice. In short, this amulet is an Authentic Sacred Amulet Highly Worthy of Bucha, but not necessarily a Recommendable Showpiece to Hope to Brag with in National Competitions, which is the only reason why this amulet is still highly affordable. Leaden amulets are amongst the rarest amulets to find, and are mostly highly priced. This sacred Leaden Amulet is of a much Higher sacred Value than its price tag reveals, and is a most recomendable choice for those Devotees who seek an Ancient Sacred Amulet of High Buddhakhun power, for protection, increased status, and auspicious blessings.

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