Lucky Goat Pae Maha Lap Luang Por Am

When speaking of the Pae Maha Lap lucky goat amulet, there is one name which stands above all others, and that is the name of Luang Por Am, of Wat Nong Grabork, in Ban Kaay Rayong. Luang Por Am was, along with Masters like Luang Por Horm of Wat Sak Hmak, Luang Por Rerm of Wat Juk Gacher, and Luang Por Chaem, considered among the top Masters of the Province, long before even the Great Luang Phu Tim of Wat Laharn Rai acheived his fame. Luang Por Am was the Kroo Ba Ajarn of the Great Luang Por Lat (Wat Nong Grabork), who is famed in his own right for his powerful Pae Maha Lap Hand Carved Goat Amuletsม which he of course mastered under the tutelage of Luang Por Am.

Pae Maha Lap Lucky Goat amulets of LP Am

Pae Maha LapLucky Goat and other carved amulets of LP Am

The male Goat is known for the fact that it is able to keep a whole herd of dozens of females under his ownership, through merciful and protective influence. It is thus believed that who wears the Pae Maha Lap Khao Kwai Gae Sacred buffalo horn Goat amulets of Luang Por Am, will be an owner and controller of great possessions and wealth, with grand entourage.

Below; Luang Por Am, of  Wat Nong Grabork

Luang Por Am

Luang Por Am, or ‘Pra Kroo Taep Sittaa, was one of the Great Masters of the Central-Eastern Provinces during His Era, and the ex abbot of Wat Nong Grabork from 2431 – 2490 BE. He was rrespected and revered all around the Province, and had Great fame around the Nation for his Powerful Wicha. During his lifetime he became known as the top Master for carved Lucky Goat amulets. What is less known, and is of immense interest to investigate the lineage Wicha of the Pae Maha Lap, is the fact that Luang Por Am himself received this Wicha from Luang Por Dtaeng of Wat Ang Sila.

Luang Por Am was abbot of Wat Nong Grabork between the years 2431 to 2490 BE, being a Gaeji Ajarn of around 150 years ago, and was the Kroo Ba Ajarn teacher of many other great names of the time, such as Luang por Rerm of Wat Juk Gacher, and Luang Por Lat of Wat Nong Grabork (his successor and apprentice in magick). The Pae Maha Lap Nuea Khao Kwai Gae of Luang Por Am, is believed to possess the power to absorb Black Magick and protect the wearer/devotee from being affected.

It can be said that the Pae Maha Lap of Luang Por Am, Luang Por Lat, and now Pra Atigarn Surasit Akkawaro, the current abbot (written 2562 BE), are considered the ‘cream of the crop’, by serious devotees of the Pae Maha Lap, along with those other Great Chonburi Masters whose names carry fame for this Wicha such as Luang Phu Tim, uang Por Sakorn, Luang Phu Sin.

The Pae Maha Lap of Luang Por Am, was almost always made by carving a goat from ‘Khao Kwai Fa Pha Dtaay’, which is the horn of a buffalo which died struck by lightning in a field. It is an ancient magical belief that the horn of a lightning-struck bull or buffalo has the power of angelic beings in it, for indeed, the angelic beings of the elemental realms who control the weather, are who control these divine forces of Nature.

After the carving of the shape of the goat, Luang Por Am would then empower the Goats with incantations, and invocations of elemental powers and angelic beings, with Buddhist Blessings on top. Sometimes he would immerse them in aromatic sacred oils to consecrate them, mixed with herbal oils made from herbs and vines and flowers of the forest, with magical, healing, protective, and attraction powers. He would rebless them again and again until he felt the amulets were completely stuffed as full with magic as possible, and unable to insert any more. The magic within the amulets was hence always filled to the brim before distribution.

Pra Luang Por Ngern Pim Khee Ta Pern Dtaek - Broken Gun Edition 2528 BE - Wat Kongkaram (Wat Bang Klan)

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$120 U.S.
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Product Details

Pra Luang Por Ngern Run Pern Dtaek - Nuea Loha - Pim Khee Ta - Released in 2528 BE, and one of the most popular editions of Luang Por Ngern Amulets

The 2528 BE Pern Dtaek Edition has become a Nationally famous edition and is fervently sought after for its great beauty and similarity to the first edition Pra Luang Por Ngern. It is also highly favored for the fact that the edition was personally blessed and empowered by the great Luang Por Ngern himself of Wat Bang Klan, the Highly sacred Chanuan Muan Sarn Ingredients used for the Casting, and for its repeatedly proven Miraculous Powers.

Pra Luang Por Ngern Pim Khee Ta 2528 BE

The edition came to be made through a series of seemingly random events, which brought thid classic and truly powerful edition of amulets into existence;

Luang Por Jae became the new Abbot of Wat Bang Klan Nuea, since Luang Por Ngern has split the temple into two temples of Wat bang Klan Nuea and Wat Bang Klan Tai, and then had moved to a new temple to begin developing and restoring it through his meritorious ability to attract devotees and fund the construction of Buddhist temples.

Luang Por Jae was the adept at the actual creation of amulets, and very expert in the mixing of Sacred Powders and Herbal Magic, as well as the casting and forging of Alchemical and Sacred Metals. In contrast, Luang Por Ngern himself was the Adept Sorceror with the ability to empower amulets and physical objects with Buddhakun Magical Power, attained through his long life of Tudong, Meditation, and Vipassanā Practice.

And so the combination came into being, of Luang Por Jae, a Master Artisan Guru Monk for the design and formulation of the alchemical metals, with Luang Por Ngern, a Guru Tudong Gaeji Ajarn Master Monk of Meditation, with Psychic Powers, to empower them.

And so then, in the year 2528 Luang Por Jae eas eandering through a nearby temple less than a kilometer away from Wat Bang Klan, and stumbled upon some old Buddha Statues half buried, mostly damaged.

After digging to see what else was underneath, a number of ancient Deity Statues and original Luang Por Ngern Pim Niyom and Pim Khee Ta amulets, and some Rian Job Pim Yai and Pim Lek triangular metal Luang Por Ngern 1st edition coin amulets were also found, but they were all broken and in damaged state.

There were many statues from the Ratanakosin Era too, which were covered with green malachite. The amulets and other artifacts were dug out of the Kru Burial chamber and Luang Por Jae then took them back with him to the temple of Wat Bang Klan.

On the day the amulets were to be cast, a strange thing happened, that when they went to raise the chanuan metallic base ingredients to the place of the casting ceremony, they were unable to lift the container, despite the fact it had been easy to carry there in the first place.

No matter ow they tried, the container would not budge left or right or up or down. So Luang Por Chuea then prayed to Luang Por Ngern, and it was then possible to lift the chanuan to be cast.

As the metals were mixed into the smelting oven, and heated to the melting temperature, a strange thing happened once more; The metals refused to melt. So Luang Por Chuea once more performed a ceremony to pray to Luang Por Ngern, after which the metals suddenly began to melt.

This now extremely famous and sought after 'Gunstopper' edition of Pra Luang Por Ngern amulets carries an extremely sacred history to it, and also a Miraculous Occurence which has brought this series of Luang Por Ngern amulets back into the Public Eye, more than a Quarter Century after it was released.

A devotee who was wearing one of the amulets was hit by a ten ton truck on the highway and his car was completely wrecked and crushed like a concertina. The wearer of the amulet was however completely unharmed. Below you can see the Thai Language Newspaper clipping which recounted the event. It turned out that the person was completely unharmed, and that he was wearing a Pra Luang Por Ngern Pern Dtaek amulet.

The Pra Luang Por Ngern Pern Dtaek series is made from a most sacred Chanuan Muan Sarn Metal, made exclusively from old first edition Luang Por Ngern Pim Khee Ta, Naa Yim, Niyom, Job Lek and Job Yai amulets smelted together with Ancient Deity Statues and Buddha Statues. Its appearance is classic and one of the most beautiful of the editions of its era.

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