Lucky Goat Pae Maha Lap Luang Por Am

When speaking of the Pae Maha Lap lucky goat amulet, there is one name which stands above all others, and that is the name of Luang Por Am, of Wat Nong Grabork, in Ban Kaay Rayong. Luang Por Am was, along with Masters like Luang Por Horm of Wat Sak Hmak, Luang Por Rerm of Wat Juk Gacher, and Luang Por Chaem, considered among the top Masters of the Province, long before even the Great Luang Phu Tim of Wat Laharn Rai acheived his fame. Luang Por Am was the Kroo Ba Ajarn of the Great Luang Por Lat (Wat Nong Grabork), who is famed in his own right for his powerful Pae Maha Lap Hand Carved Goat Amuletsม which he of course mastered under the tutelage of Luang Por Am.

Pae Maha Lap Lucky Goat amulets of LP Am

Pae Maha LapLucky Goat and other carved amulets of LP Am

The male Goat is known for the fact that it is able to keep a whole herd of dozens of females under his ownership, through merciful and protective influence. It is thus believed that who wears the Pae Maha Lap Khao Kwai Gae Sacred buffalo horn Goat amulets of Luang Por Am, will be an owner and controller of great possessions and wealth, with grand entourage.

Below; Luang Por Am, of  Wat Nong Grabork

Luang Por Am

Luang Por Am, or ‘Pra Kroo Taep Sittaa, was one of the Great Masters of the Central-Eastern Provinces during His Era, and the ex abbot of Wat Nong Grabork from 2431 – 2490 BE. He was rrespected and revered all around the Province, and had Great fame around the Nation for his Powerful Wicha. During his lifetime he became known as the top Master for carved Lucky Goat amulets. What is less known, and is of immense interest to investigate the lineage Wicha of the Pae Maha Lap, is the fact that Luang Por Am himself received this Wicha from Luang Por Dtaeng of Wat Ang Sila.

Luang Por Am was abbot of Wat Nong Grabork between the years 2431 to 2490 BE, being a Gaeji Ajarn of around 150 years ago, and was the Kroo Ba Ajarn teacher of many other great names of the time, such as Luang por Rerm of Wat Juk Gacher, and Luang Por Lat of Wat Nong Grabork (his successor and apprentice in magick). The Pae Maha Lap Nuea Khao Kwai Gae of Luang Por Am, is believed to possess the power to absorb Black Magick and protect the wearer/devotee from being affected.

It can be said that the Pae Maha Lap of Luang Por Am, Luang Por Lat, and now Pra Atigarn Surasit Akkawaro, the current abbot (written 2562 BE), are considered the ‘cream of the crop’, by serious devotees of the Pae Maha Lap, along with those other Great Chonburi Masters whose names carry fame for this Wicha such as Luang Phu Tim, uang Por Sakorn, Luang Phu Sin.

The Pae Maha Lap of Luang Por Am, was almost always made by carving a goat from ‘Khao Kwai Fa Pha Dtaay’, which is the horn of a buffalo which died struck by lightning in a field. It is an ancient magical belief that the horn of a lightning-struck bull or buffalo has the power of angelic beings in it, for indeed, the angelic beings of the elemental realms who control the weather, are who control these divine forces of Nature.

After the carving of the shape of the goat, Luang Por Am would then empower the Goats with incantations, and invocations of elemental powers and angelic beings, with Buddhist Blessings on top. Sometimes he would immerse them in aromatic sacred oils to consecrate them, mixed with herbal oils made from herbs and vines and flowers of the forest, with magical, healing, protective, and attraction powers. He would rebless them again and again until he felt the amulets were completely stuffed as full with magic as possible, and unable to insert any more. The magic within the amulets was hence always filled to the brim before distribution.

Pra Nang Kwak Antique Loi Ongk Statuette Hand Painted Sacred Earths 4 Cm High - Luang Por Te Wat Sam Ngam

SKU 03303
$239 U.S.
Out of stock
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Product Details

A very rare antique Sacred Pra Nang Kwak Supawadee Merchant's Daughter Loi Ongk Statuette from the Great Olden Days Master of Kumarn Tong, Pla Tapian and Wicha Nang Kwak, Luang Por Te Kong Tong, deceased abbot of Wat Sam Ngam. The statuette is usable as a mini Bucja statue for altar placement, on the cash till in your place of business, or even for wearing as a portable amulet.

This antique Nang Kwak statuette is typically fashioned in Luang Por Te's Ubiquitous style, with painted colours, and roughly hewn features as was the way in olden days. The Sacred Muan Sarn Clay is made from Sacred Powders and Earths, and Prai oils for which Luang Por Te was so famous, rich in powerful magickal ingredients. The base of the statue has the words 'Kong Tong' embossed, which is a common signature seen on amulets and statues of Luang Por Te..

Luang Por Te was a Great Sorceror Monk of the Second World War Era who had learned powerful Wicha Kumarn Tong from Khmer Sorcerors of the Lay Tradition, and was the direct Wicha inheritance Master apprenticeship holder of Luang Por Ta, of Wat Paniang Dtaek, and Luang Por Chaem, of Wat Ta Gong. He was present on many of the Greatest Blessing Ceremonies of amulets in Great templs around the country, almost always invited for his Powerful Wicha. He was regarded as the world's number one top master of his day for Wicha Kumarn Tong.

Nang Kwak is one of Thailands most commonly seen Deities. Her image is given offerings and prayed to, in order to increase wealth and business prosperity. She is a Deity revered by Merchants in both India and Thailand, by both Brahman, and Buddhists alike. Nang Gwak is the helper of all shop-owners and merchants. She is normally seen placed on a high shelf (normally a wooden or red and gold lintel, called ‘Hing’ in Thai) and offered “Nam Daeng” (a red syrupy drink, often used in Bucha offerings to Deities in Thai Buddhist practice).


Also, Incense, and flower garlands are offered to please Nang Gwak, and bring customers and make sales. Kata Nang Gwak is used when paying devotional merits to Nang Gwak, who is used in the place of business to increase the amount of customers and sales you may ingress. Nang Gwak is a very popular magic cloth Yantra used in most business establishments in Thailand. You can also see Nang Kwak worshiped as a statue .

In the early years, Luang Por Te made mostly 'Krueang Rang' Talismanic Amulets and Occult Charms, such as the Takrut Hnaa Phaag Suea tiger forehead skin scroll spell, See Pheung, and the like. He also became famous for Nang Kwak statues, which were (and still are) immensely popular with merchants and market traders, and shop owners, for their Metta Maha Niyom Maha Sanaeh Maha Lap power to attract customers and admirers, and bring successful business.

But as he came to be abbot of Wat Sam Ngam, he saw there were many robbers and thieves in the province, and so began to make and distribute Kumarn Tong using the Khmer Wicha he has mastered under his Khmer Lersi Guru. He distributed his now so very world famous and legendary Kumarn Tong to the devotees to protect their households and shop stalls, and a miraculous change came to the life of the local folk, as the effect of the Kumarn Tong was excellent.


Robberies and Burglaries reduced to an almost unnoticeable level. But Luang Por Te did not only empower the Kumarn Tong for Protection; The powerful Metta Mahaniyom Maha Sanaeh Maha Lap Magic of the Kumarn Tong also brought the municipality and indeed the province of Nakorn Pathom to increasing prosperity as the local traders and market sellers experienced incredible increase in profits, customers, and even lucky fortuenes with lottery.


Thus it began, that the legend of the Kumarn Tong Luang Por Te was begun. Although Luang Por Te was and continues to remain world famous for his powerful wicha Kumarn Tong, Luang Por also made a vast array of other amulets, almost all of which are popular and considered very powerful by the devotees of this Legendary Master.

He made many types of Takrut (especially famed for the Tiger Forehead Takrut), See Pheung and Nam Man Prai, Sacred Powder amulets, metal coins, occult charms, Pha Yant (Yantra Cloths), and varuious kinds of Bucha statues. His power of Kong Grapan Chadtri, Klaew Klaad, Maha Lap, Kaa Khaay, Maha Pokaap and Maha Amnaj, also enjoys legendary status and world wide fame.

LP Te would make amulets in various manners using different methods, mostly during the Second World War. Every single edition or type of amulet he made was the cause of miraculous events which have become legends that are still told of to this day.

He never really focused much on finding artists or developing any kind of fine Buddhist art out of the amulet design, rather focused entirely on the empowerment and gave little importance, or at least second place, to the elegance of design or features of his own hand made amulets. However the 2505 BE Edition, and the Monk Coins which were designed by Qualified Artisans, reflect a very high standard of Artistry, and are Important works of Miniature Thai Buddhist Art.

His Kumarn Tong and Nang Kwak statues and other amulets, are worshipped by devotees from all continents on the planet, and the large number of people who claim to have had overturning success after making Bucha to his amulets is a further proof of the effectivity of his amulets and of his ability to empower them properly. He was intensely aiming for the highest concentration of Puttakun Power for people to have some portable form of protection to carry with them, and to make Bucha statues for their homes and business establishments. Luang Por Te presided over the temple of Wat Sam Ngam, for many years performing meritorious deeds for the folk of Nakorn Pathom, and was extremely beloved.

Luang Por Te passed away on the 25th December 2524 at the age of 80 years old, 6 months, 10 days. It was his 59th year of Ordination as a Bhikkhu. His remains are currently held on display for his Devotees to worship at the temple of Wat Sam Ngam.

Use the Traditional Thai Buddhist Method for Bucha;

1. Chant Maha Namasakara (3 Times)

2. Chant the Kata Nang Kwak

3. Chant Kata Aaraatanaa Pra Krueang (3 Times)

Kata Maha Namasakara

Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa

Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa

Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa

Trai Soranakom

Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tudtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tudtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tudtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Dtadtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Dtadtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Dtadtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami


Kata Aaraatana Pra Krueang

Puttang Aaraatanaanang

Tammang Aaraatanaanang

Sangkang Aaraatanaanang

Puttang Prasittimae

Tammang Prasittimae

Sangkang Prasittimae

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