Pra Gleep Bua Amulet with Yant Trinisinghae Luang Phu To Wat Pradoo Chimplee
The Pra Pratan Gleep Bua Hlang Yant Trinisinghae Muan Sarn Sacred Powders amulet, was released after Buddha Abhiseka Blessing Ceremony at Wat Pradoo Chimplee in the year 2521 BE, blessed by the Great Luang Phu To who presided over the Grand Blessing Ceremony. This edition recieved 3 months of immersion in Holy Prayer Water with blessings from Luang Phu To throughout the whole Trimester. This model is rare for being in the much rarer Pong Gesorn Gae ANam Man oily pollens sacred clay.
The amulet was released in two ‘Pim’ (versions); Pim Yai (large, 22,875 amulets made), and Pim Lek (small, 20,805 amulets made). This amulet is in perfect condition, without any flaws or wear and tear, making it very eligible for show in competition.
This amulet is considered to be one of the more easily reachable (affordable) amulets of the Pantheon of Famous Classics, and is very popular amulet with middle and upper middle-class devotees of Luang Phu To, who seek an authentically blessed amulet of esteem and respectable value from this master, but that won’t necessarily cost them the deeds to their house to be able to afford. The Sacred Yant Trinisinghae is Embossed on the rear face of the Amulet for Metta Mahaniyom and Maha Lap Blessings.
The amulet is a Pim Yai large version measuring 3.5 x 2.5 Cm,, and is in pristine condition. The Muan Sarn Sacred Powders are made from Puttakun Yantra Powders of Luang Phu To, with Gesorn Pollens and Incenses. The powerful magic and spellcasting abilities of Luang Phu To are of course one of the major influential factors as to why his amulets have become such priceless Masterpieces, and his special Muan Sarn Sacred Powders are another highly influential aspect of their popularity and fame. The Yant Trinisinghae was often inscribed on Yantra foils for devotees who would bring a foil with them and Luang Phu would inscribe it. The devotees would then take the foil home for Bucha, or roll it into a Takrut to wear as an amulet.
This Yantra was first used on the rear face of an official amulet edition, with the first edition Rian Run Raek Guru Monk Coins. The Yant Trinisinghae is not only powerful for Maha Lap and Serm Duang (improve fate and destiny), but also for being highly effective against Black Magick, Ghosts and Demons.
Luang Phu To is said to have been able to grab the Sincana cord which monks use to attach to amulets in blessing ceremonies, and sense immediately which monks along the line of the Sincana cords had psychic powers, and which ones didn’t. Luang Phu To Wat Pradoo Chimplee performing Nang Prok Meditation for Empowerment of Amulets
Luang Phu To of Wat Pradoo Chimplee, Empowering Amulets
Above; Luang Phu To Wat Pradoo Chimplee performing Nang Prok Meditation for Empowerment of Amulets
This resulted in Luang Phu always choosing the best most powerful Masters to invite to attend his empowerment ceremonies to assist in the Blessing of amulets and Buddha Images. Luang Phu To remains to this day one of the top 10 Guru Masters in the recorded History of Thai Buddhist Amulet making, and most certainly one of the top 5 Monks of recent History, on an equal Par with the Great Luang Phu Tim (Wat Laharn Rai).His amulets belong to the Master-Class status category, and carry immense status in the world of the amulet appreciation society, for their Authentic Sacred Power, and the Purity of the Monk who Blessed them.
The amulets of Luang Phu To are famed and revered by devotees around the country and around the whole world, for the proven history of Metta Mahaniyom Maha Lap Klaew Klaad Kaa Khaay power to bless the devotee with lucky fortunes, safety, success and prosperity. Luang Phu To began to make Muan Sarn Sacred Powders amulets first in the year 2470 BE, using the main ingredient of Pong Lob, which is the residue chalks fallen from the inscription of five rounds of 108 Sacred yantra spells, to create five different concentrates of Sacred Powders.
These five powders are of course known as; Pong Bpathamang, Pong Ittijae, Pong Puttakun, Pong Trinisinghae, and Pong Maharach. It is also known that Luang Phu To would use broken up amulets from Wat Plab, and also broken up pieces of Pra Somdej Wat Rakang Kositaram of the great Somdej Pra Puttajarn (Dto) Prohmrangsri, are known to be present within the Muan Sarn Sacred Powders of Luang Phu To’s amulets.
Other Muan Sarn used for the amulets include Pong Puttakun from Por Tan Klai (Wat Hongs, Thonburi), and of course Luang Phu To would bless the amulets in Nam Montr Prayer Water, using a Clay Holy Water bowl in his Kuti Hut, with a Dragon design on the bowl.
He would immerse the amulets in the holy water bowl, and When devotees would donate flowers to Luang Phu, he float the flowers in the prayer water bowl and use the offering to empower the amulets further. This in fact, is one of the reasons that some amulets have different holy water stains on their surfaces than others, due to the different flowers Luang Phu would immerse in the holy water bowl where the amulets were soaking.
Luang Phu would empower the amulets for the time of the Rainy season retreat (3 months), and repeatedly empower and bless them throughout this time. Some amulets were also released without immersion in prayer water. Of the 28,875 Pim Yai amulets made, 10,000 of them were donated to Princess Julaporn, to distribute as a gift to the people who made merits donating to build the Sirirat Hospital.
The Pra Pratan Gleep Bua Pim Yai and Pim Lek amulets are very popular with Devotees, for they are made from precisely the same Muan Sarn Sacred Powders as was used for the Pra Pid Ta Jumbo 2 Traimas Masterclass edition, which can cost up to even 40 times the price of a Pra Pratan Gleep Bua. It is hence obvious why this amulet is such a popular amulet with the devotee of Luang Phu This Votive Tablet is an Absolute Rarity and Eternal Classic, and extremely sought after spiritual item.The perfect choice for aesthetic beauty, spiritual value, and magic power, and top choice for the Serious Collector.
This beautiful amulet is most definitely a very fine acquisition, as a Sacred Votive Tablet of Pra Niyom Preferred Classic Category, that has been well looked after and maintained in its original state, and is a very well-kept amulet, that is worthy of competition entry for its clear features.
Luang Phu To of Wat Pradoo Chimplee was one of the greatest Masters of the Last Century, and a Highly revered Monk around the whole Kingdom of Thailand. he was Respected and revered by His Majesty Our great King, who was a close friend and companion.
Luang Phu To Wat Pradoo Chimplee
This Great Monk achieved his status through his Great deeds and his great Diligence in his Patipatā (Practice of Purity and Renunciation), and in his Great Attainments in Dhamma Pariyatti and Dhamma Patipatā.
Luang Phu To was born on the 27th March 2429 BE in Ban Klong Bang Noi in Samut Prakarn and passed away on 5th March 2524 BE. His many honourable awards of status reflect his great practice and diligence.
Pra Gleep Bua Amulet Hlang Yant Trinisinghae Luang Phu To Wat Pradoo Chimplee
Pra Khun Phaen Song Pol Nang Sum Ruean Gaew - Buddha seated in crystal arch on lotus dais, in Nuea Wan Maha Sanaeh Herbal Charm Powders with Golden front face. The rear face of the amulet has the rubber ink stamp of the temple of Wat Don Sala embossed.
This amulet is somewhat of a Rarity and was made in small numbers pressed by hand at the temple, from the Great Pra Ajarn Nam, Olden Days Khao Or Master Monk of Wat Don Sala. Released Circa 2510 BE. Powerful Metta Maha Niyom, Maha Sanaeh, Klaew Klaad, Maha Pokasap and Kaa Khaay Magic is imbued.
This edition was made in various different kinds of Muan Sarn Sacred Powders, including Black Mineral Powders, Nuea Wan Maha Sanaeh Herbal Powders, and Nuea Wan Maha Sanaeh with Gold Leaf. Some of the amulets were also smeared with a green herbal tincture by Por Tan Nam, which nobody really knows what it was, or why he did it. It is assumed of course though, that is was some kind of sacred tincture to charge the amulets with power.
The amulet is a Pim Yai (large model, measuring 5 x 3 Cm, and has an elegant undulation to the outer border of the amulet. The rear face reveals the immensely high concentrate of sacred elements and crystalline substances, in the black sacred powder Muan Sarn mixture, which has a coars appearance from the hand mixing and pressing, which is something you do not find hardly at all in modern era amulets, where mass pressing is the norm.
Olden days amulets did not have the same technology as the present day, which of course means that the olden days masters would mix and press the amulets by hand one by one, giving each amulet its own individual empowerment during the pressing.
This of course makes the amulet so very much more special than most of the modern era, and of course are for this reason also of a much higher sacred value as far as the faith of the devotee in the amulet is concerned.
Por Tan Nam of Wat Don Sala (Pattalung), was one of the Great protagonists of the Samnak Dtak Sila Khao Or School of Sorcery, and one of the Greatest Guru Masters of the Southern Thai Provinces of all History. His amulets, and Amulets made in his Image are considered to be Most Sacred with Thai people of the South.
His Role in the History and Legends of the Khao Or Magical tradition, and collaboration with the making of Amulets with this Grand and Large family of Sorceror Monks, who stem from a number of Famous temples within the Khao Or Tradition.
Por Tan Nam Ordained into the Sangha at the age of 20, but after some years disrobed to have a family, and lived as a Lay Master for many years. He learned Wicha with the Great bAjarn Tong Tao of the Dtamnak Dtak Sila Khao Or Southern Academy of Sorcery at Wat Khao Or,, from a very early age before even his first Ordination. When Ajarn Nam became older, in the year 2506, he became gravely ill, and was expected to die.
But one of the Looksit of the Wat Khao or Temple, whilst in trance during a ceremony, is said to have been possessed with the spirit of Ajarn Tong Tao, who communicated that if Por Tan Nam would recover from his illness, he would have to Ordain again. Por Tan Nam heard this news and promised to ordain if he recovered, which he did. He then ordained again in 2506, and became Abbot of Wat Don Sala, until the day of his passing in 2519 BE. His Majesty the King performed the lighting of the Funeral Pyre at the Cremation of Por Tan Nam, lending great Honor to this great Master.
His amulets are as sacred and rare as they are priceless, and are amongst the most esteemed and collected amulets of the High End 'Pra Niyom' Collector Category.
These amulets are part of the famous Pantheon of 'Maha Wan' Herbal Powder base amulets, made by Por Tan Nam between 2510 and 2512 BE which are amongst the most highly regarded and revered amulets of the Historical Pantheon of Wat Don Sala. In those days, Pra Ajarn Nam and the great Ajarn Chum of the Dtamnak Dtak Sila would still use Sacred POwders from Luang Por King (Wat Ban Suan).
The amulets of the 2510 - 2512 BE Era were made after Por Tan Nam's second and final Ordination, and are famous for their content of Ancient Sacred Earthen and Powder Amulets of many Great Olden Days Masters, and the Maha Wan Herbal Powders of Pra Ajarn Nam mixed with his Pong Tang Ha Samrej 5 Sacred Yantra Powders. In these times, Por Tan Nam still mixed his own powders and made his own Yantra Inscriptions
Always chant the Praise to Buddha first three times;
Na Mo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Na Mo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Na Mo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Chant 3 times on your knees with palms placed together, and bowing each time, with each palm to the floor and your outstretched thumbs touching at the tips, this leaves just enough space for the forehead to bow down and touch the floor between your two hands.
Then chant the refuge in the triple gem until entering Nirvana – chant with with hands raised in prayer, and bow after each line is finished;
Refuge;
Puttang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)
Tammang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)
Sankang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)
Tudtiyambpi;
Puttang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)
Tammang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)
Sankang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)
Dtadtiyambpi;
Puttang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)
Tammang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)
Sankang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)
Then you can chant Kata Pra Khun Phaen (3, 5, 7, 9 or 108 times)
Kata Pra Khun Phaen
Su Na Mo Ro Mo Ro Su Na Na Ma Pa Ta Ja Pa Ga Sa Na Maa Mi Hang
Alternatively, You can exchange the "L" of "Su Na Mo Ro" for an "R";
"Su Na Mo Lo Mo Lo Su Na Na Ma Pa Ta Ja Pa Ga Sa Na Maa Mi Hang"
After you finish chanting, take the amulet, and tap your forehead or the crown of your head before leaving the house each day.
