An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Sacred early era preferred Pim Niyom (smooth brown tight cord wrap) Bia Gae Cowry shell Talismanic Charm with the most highly preferred and accepted brown cord wrap and herbal lacquer coating, This ia a Pim Matathaan Niyom and 'Doo Ngaay' (easy to recognise as authentic), rare three ringed version (sam huang), from the Early Era of the Great Luang Por Perm, of Wat Klang Bang Gaew. The Bia Gae Jon of Luang Phu Perm is an extremely rare and classic amulet from four generations of abbots ago, from the Great Master Monk of Olden Days,
The amulet comes with Free EMS Registered Express Airmail Shipping Worldwide. This exhibit is a perfect Ongk Kroo for perusal of the authentic aspects of an early era Bia Gae of this Master.
Luang Phu Perm (2429 - 2526 BE) of Wat Klang Bang Gaew, in Nakorn Pathom. This exhibit is especially sacred and desirable for its early era status, classic preferred cord wrap and perfect condition, and for having three instead of two rings per side, which is also a preferred aspect. LP Perm also made other versions with black lacquer, and no lacquer, with the black lacquer ones being more difficult to differentiate between those of himself and those of Pra Ajarn Bai, who was a 'Look Wat' (monk of the same temple), who was also apprenticed to LP Bun with LP Perm, but who did not become abbot, and who also made black lacquered Bia Gae.
However, those in the know, are aware that the Bia Gae of Ajarn Bai are much rounder, and do not have the classic oval shape of his Peer Luang Phu Perm, or his Master Luang Phu Bun. Perhaps this was intentional in order to differentiate the two masters who lived during the same era and performed the same Wicha at the same temple
Luang Phu Perm always preserved the Dtamra of the Pantheon of Wat Klang Bang Gaew amulets, first famously revered for Luang Phu Bun, and then by Luang Phu Perm, and Ajarn Bai, continuing through time to be passed on to Luang Phu Juea, who is also now passed, with the Wicha continuing at Wat Klang Bang Gaew with Luang Por Kong (Sanya).
The Wicha Bia Gae is considered to by synonimous with the temple of Wat Klang Bang Gaew for its long lineage of Master Adepts, and is a member of the top five 'Benjapakee' of all Bia Gae of all Time, along with the Bia Gae of Luang Phu Rod of Wat Nai Rong, Luang Phu Bun (Wat Klang Bang Gaew), Luang Por Pat of Wat Bote (Ang Tong), and Luang Por Kam of Wat Po Bplam.
Luang Phu Perm would always tell his devotees when handing out amulets to them, to be mindful of not being unskilful and commit deeds which lead to regrets, and to always think of the triple gem (Buddha, Dhamma, Sangha). These were his main rules, simple and easy to understand.
An olden days classic Talismanic Charm,, of immense rarity, from the second of the four Great Masters of the Wicha Luang Phu Bun Lineage. An esteemed member of the top 5 Bia Gae of all History.
The amulets of Luang Phu Perm enjoy the same level of appreciation as those of his predecessor and Kroo Ba Ajarn, Luang Phu Bun, and are amongst the most highly sought after, and difficult to find of the Masters of this Great Temple with so many consecutive Generations of Top Master Monks.
Luang Phu Perm was the closest of all monks to Luang Phu Bun himself, being under his tutelage and in his service daily since his early ordination as a Samanera at the age of 8 years old. Luang Phu Perm hence remained also pure of the ways of the world, being a Bhikkhu since childhood, and learning the Wicha of Luang Phu Bun since a very young age.
Luang Por Perm followed the World Famous Dtamra Wicha Saiyasart the Great Luang Phu Bun, of Wat Klang Bang Gaew, inheriting all of the Wicha Bia Gae from Luang Phu Bun, and Mastery of the fomulas of the special and famously powerful Muan Sarn Sacred Powders of Ya Wasana Jinda Manee, and Ya Khamin Sek. The Wicha Luang Phu Bun, and the formulas of these two special Muan Sarn powders, along with a large number of classic Buddhist Amulet models, and of course the Bia Gae Cowrie shell amulet, are special Wicha, for which the temple of Wat Klang Bang Gaew, and the lineage of the four last abbots of the temple are all world famous for.
The Pong Ya Wasana Jinda Manee of Luang Phu Bun has become almost mythological in its fame for the powers it contains, and is one of the main Muan Sarn Sacred Powder substances used in the amulets of all Masters who came before and after Luang Phu Bun at the Temple of Wat Klang Bang Gaew, beginning with Luang Por Bun, Luang Por Perm, Ajarn Bai, Luang Por Juea, and onwards to the present Wicha holder, Luang Por Kong (Sanya).
Below; Bia Gae LP Perm (Black Lacquer Version 3 rings)
The Wicha Pong Ya Wasana Jinda Manee is considered to be synonymous with the temple of Wat Klang Bang Gaew, and it is common knowledge that this is an inheritance from the great Luang Phu Bun. The Pong Ya Wasana Jinda Manee Muan Sarn Powders of Luang Phu Bun (also known as 'Pra Ya Horm') is a very aromatic Sacred Powder, which uses of course the famous 'Ya Wasana.
The word 'Wasana' (meaning Lucky Fortunes), along with Pong Khmain Sek (Enchanted Cumin) is the most famous Muan Sarn of Luang Phu Bun, and has become his Legendary 'Dtamra' (Traditonal Legend of Inheritance Wicha). The Wicha of Ya Wasana Jinda Manee was developed by Luang Phu from an Ancient Teaching through his Kroo Ba Ajarn, and has since his making the Muan Sarn famously powerful, has been inherited as a Wicha of Muan Sarn powder making for the amulets of the Wat Klang Bang Gaew lineage
The Legendary Wicha of Wat Klang Bang Gaew masters, began the legendary lineage sorcery with the Great Luang Phu Bun, followed by Luang Phu Perm, who succeeded Luang Phu Bun as new abbot after his passing, in 2489 BE.
Luang Phu Perm remained abbot of the temple until his passing in the year 2526 BE, and was succeeded by Ajarn Bai, who was then succeeded by the next abbot in this lineage Wicha of Wat Klang Bang Gaew, Luang Phu Juea Bpiyasilo. Luang Phu Juea also passed away some years ago, and has been succeeded by the 4th successor of the Wicha, Luang Por Sanya (Kong).
Below: Bia Gae LP Perm (Brown Cord Version 2 rings)
Luang Phu Perm and indeed all of the abbots of Wat Klang Bang Gaew, were the most famous Masters for the Wicha Bia Gae Cowrie Shell animist charm, which are legendary and extremely rare Pra Niyom category Talismanic amulets, most of which already reside in personal shrines, with their owners and wearers, and in High End Auction Rooms, fetching elevated prices. Their magical power is the major factor in what has brought the amulets of the Wat Klang Bang Gaew lineage all fall into the high end Pra Niyom Category, because of the demand and rarity of their acquisition, and the belief in their magic power.
Wat Klang Bang Gaew is an Ancient Temple in Nakorn Pathom. It is home to a Lineage History of these 4 great Ordained Masters, 3 who have Passed On (Luang Phu Bun, Luang Por Perm & Luang Phu Juea), and the Current Master, Luang Por Kong (Sanya). Luang Por Sanya is proving to continue in the same Trajectory as his Predecessors, and has created a long History of Deeds and released a large Pantheon of Amulets in the Lineage tradition of his Mentors, Luang Phu Bun, Luang Por Perm and Luang Phu Juea.
Below; Magazine entries of exhibits of Bia Gae of LP Perm's 2516 BE Late Era Edition, definable for the stainless steel hoops instead of copper ones.
The Wat Klang Bang Gaew Master Lineage is a fantastic choice for Hunters & Collectors of Fine Master Class Amulets. This is because the Amulets of this Temple, and its Masters, range from the present Day master Luang Por Kong (Sanya), back through Luang Phu Juea, Luang Por Perm, and on, to the Great Luang Phu Bun.
Below; an old magazine entry showing the Bia Gae of LP Perm and evaluating it as 'Hlak Hmeun Dton' meaning 10-15,000 Thai Baht as regular market price. This would be about 3-500$ during the time of print, which was about 15 years ago.
A powerful continued Lineage of Masters have brought Wat Klang Bang Gaew to the Forefront of both the Ancient and the Modern Amulet Scenes, stretching back to the times of Luang Phu Bun, through the Era of Luang Por Perm, Ajarn Bai, and the Great Luang Phu Juea Bpiyasilo, to its present Wicha holder, Luang Por Sanya (Kong).
Kata Aaratanaa Pra Krueang
Puttang Aaraatanaanang
Tammang Aaraatanaanang
Sangkang Aaraatanaanang
Puttang Prasittimae
Tammang Prasittimae
Sangkang Prasittimae
Chant this Kata 3 times whenever you are about to place the amulet neck-chain over your head or put on the amulets, and also when you take them off. The Kata calls upon the power of the Buddha, Dhamma and Sangha to be with you and protect and Guide you
