An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
A very well kept exhibit of the famously powerful Hua Hwaen Na Bad Dtalord Yuk Klang Mid Era Magic Ring using the Wicha Na Khao Ha of Luang Por Tong Sukh (Wat Tanode Luang), by Luang Por Phaew of Wat Tanode Luang. The Hwaen Hua Na Bad Dtalord, is a Magic Ring of Seductive Influence, Lucky Fortunes and Mercy Charm - The ring measures 2.2 Cm Inner Diameter, and is made from Nuea Tong Daeng Sacred Copper Alloy, with an Albaca Look Namo spell, with Sacred Na in Khom Agkhara inserted in the head of the ring.
Hwaen Hua Na Bad Dtalord Wicha Na Khao Ha was made in various sacred Alchemical Metal Alloys, this one being made from Nuea Tong Daeng Sacred Copper Alchemical Alloy with Na Agkhara Spell in Albaca, and Kata Khom Inscriptions on the sides from Luang Por Phaew of Wat Tanode Luang. One side of the ring has the Khom syllable 'PU', and the other side, the syllable 'TŌ' (PUTTO/BUDDHO).
This exhibit is 'Yuk Klang' meaning 'mid era' which is visible by the features and still radiant tone of the Sacred Copper alloy, which ichanges with the passage of time. The Hwaen Na Bad Dtalord is a Magical Ring of Metta Maha Niyom Maha Sanaeh and Maha Lap Power, to Entice and Entrap Admirers, Lovers and InduceMercifulness in the Hearts of those who approach. The ring is Empowered by Luang Por Phaew of Wat Tanode Luang, who was a Lineage Master and Inheritor of the Wicha of the Great Luang Por Tong Sukh (Wat Tanode Luang), who was his Kroo Ba Ajarn and Predecessor.
Luang Por Phaew learned all of the Wicha with Luang Por Tong Sukh, and was his assistant throughout until the passing of his Kroo Ba Ajarn. The amulets of Luang Por Phaew were made continuing the methods and style of Luang Por Tong Sukh, preserving the Wicha in Continuation. The Hwaen Hua Namo is also evidence of this, for indeed, Luang Por Tong Sukh introduced thiห amulet into the Wicha of Wat Tanode Luang, and Luang Por Phaew continued it.
The ring of Luang Por Phaew differs slightly in the outer and inner sides of the head, being slightly wider inscription. Also, Luang {or Tong Sukh's earlier version is not hollowed on the inner side, but is thick metal with smooth inner surface (the lettering on the sides of the ring are not visible on the inner surface, as is the case with Luang Por Phaew's version).
Luang Por Phaew's amulets are very rare, for he never made any large amounts, and is rarest of all amulets is his first and only ever Edition Guru Monk Coin from 2517 BE, which featured a simple image of Luang Por Phaew on the front face, and Sacred Na and Kata Khom Akom on the rear face.
The edition is notable for Luang Por Phaew's applied method of empowerment which used the 'sadet Glab' method of throwing the amulets into the ocean and calling them back of their own accord. It is said that when the amulets returned through the Mysterious Invocation, one coin was missing. The rumorous legend which arose from this, was that the Naga King of Bodhala had taken one for a memento as the amulets were travelling under the ocean in the slipstream.
Luang Por Phaew was Ordained with the Chāyā (Sangha Name) of Pra Kroo Pawanawacharopas, and was the Abbot of Wat Tanode Luang in Cha-Am, Petchburi. he was born at 7:00am, on the 16th of September 2474 BE, which was a Thursday of the third phase of the 8th Lunar Month in the Year of the Goat. Luang Por Phaew is one of the Highly revered Guru Monks of the Petchburi Province and his amulets are very far and few between to come by.
His Hwaen Hua Namo is a Classic and now very rare amulet indeed. Luang Por Phaew was Ordained at wat Tanode Luang in the year 2494 BE, with Luang Por Tong Sukh as his Upachaya Ordaining Officer. Luang Por Phaew began to study and practice Samatha Kammathāna practice and received the teachings of the Wicha Prung Ya Phaen Boran (Ancient Herbal Medicine) from Luang Por Tong Sukh, and applรed it to use in healing people of ilnesses and ailments.
In the year 2497, he gained his Batchelor's Degree in Dhamma Theory. Luang Por Phaew performed great services to maintain and develop the Temple of Wat Tanode Luang thruoughout his lifetime, such as the building of the Kuti, the Sala Bprian, and the restoration of the old Uposatha Shrineroom (Bote Maha Ud). He then began the building of the new Uposatha Shrine Room, due to the fact that the old one was very small and could not contain enough Monks as the temple grew and more monks came to stay.
Luang Por Phaew was the closest Looksit and direct apprentice to Luang Por Tong Sukh, who was the Abbot of Wat Tanode Luang before Luang Por Phaew, and his Upachaya, and Kroo Ba Ajarn. Luang Por Phaew became the next Abbot after the passing of Luang Por Tong Sukh, and inherited the complete Dtamra of Luang Por Tong Sukh's Wicha in its entirety.
But Luang Por Phaew was a very timid and quiet Monk who tried his best not to gain fame or stand out from the crowd, which resulted in him maintaining a certain boundary to his fame, which remained within the area of Cha-Am and Petchburi Province. But those Devotees of Petchburi, were conscious and reverent of his great abilities, even during the time when Luang Por Tong Sukh was still alive.
It was common knowledge that Luang Por Tong Sukh wold bestow the responsibility of amulet inscriptions and empowerment onto his Looksit Luang Por Phaew for his own editions, and let Luang Por Phaew assist and empower the amulets of Luang Por Tong Sukh, in almost every edition right up until Luang Por Tong Sukh passed away.
After the passing of Luang Por Tong Sukh, Luang Por Phaew thus continued the tradition in precisely the same style and manner as his predecessor, which eventually led to his Increased National Fame.
Luang Por Phaew Passed Away on the 18th of March 2538, at the age of 64 years Old. For this reason, his short trajectory resulted in his pantheon of amulets being smaller and much rarer than many other masters of the same calibre who led longer lives.
