An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Small rhombus shaped locket 'Chak Khaw' (white front face) with the image of the Great Luang Phu Tim Issarigo of Wat Laharn Rai, Blessed by Luang Phu Tim and various other Great Master Monks of the time in 2517 BE atthe temple of Wat Po Sampant. Extra blessings were given by the great Luang Phu To and Luang Phu Rerm, Luang Por Chern, of Wat Mab Kha, and a host of other Masters of High repute. A most Sacred and now very rare edition which is becoming ever increasingly sought after, and rarer by the day, in the present Era.
This is due to the fact that recent times have seen the complete depletion of other editions of Luang Phu Tim, which were made and released direct from Wat Laharn Rai becoming impossible to find anymore. This exhibit was released along with a series of other amulets for Wat Po Sampant, and is an edition which was made world famous with the inclusion of the Look Om Pong Prai Kumarn Sacred Powder Balls made in the very same edition. One of the last editions to have been officially blessed by Luang Phu Tim before his passing. The Wat Po Sampant edition used a large repository of Pong Prai Kumarn powders of Luang Phu Tim, which made the Look Om series rise to International Fame and Acclaim. The front face of the locket has the image of Luang Phu, with the Khom Agkhara letters 'MA A U', and in Thai 'Issarigo Thera'.
What is less known about this famous edition, is that the amulets were also blessed by other great Guru Monks, who were present along with Luang Phu Tim to assist in the Buddha Abhiseka Ceremony, and included; Luang Phu Tim (Wat Laharn Rai) Luang Phu To ( Wat Pradoo Chimplee), Luang Por Rerm (Wat Juk Gacher, in Bang Lamung), Luang Por Chern (Wat Mab Kha), Luang Phu Sim (Watr Tham Fa Plong), Luang Phu Thin (Wat Pha Lelai), Luang Por Somchai (Wat Khao Sugim), Luang Phu Hin (Wat Rakang Kositaram), Luang Por Ob (Wat Tham Gaew), Luang Por Duang Dee (Wat Ta Jampi), Luang Por Lek (Wat Payong), Luang Por Jamlong (Wat Rach Singkhorn), Luang Phu Kam Saen (Wat Suan Dork), Luang Por Doo Wat Nong Yai, Luang Phu Bunrod (Wat Laharn Rai), Pra Ajarn Hlaay (Wat Na Jomtien), Luang Por Lang (Wat Ampawaram), Luang Por In (Wat Nong Gaet Yai), Luang Por Faem (Wat Aranyigawas)
The lockets were released along with other lockets, including some with the image of his Majesty King Bhumiphol Adulyadej (Rama 9), and various other amulets Look om were released in various versions; 1. With code stamp and with Takrut 2. Without code stamp but with Takrut, 3. With or without code stamp and without Takrut, and also 4. A pink powder version with Takrut was released. All versions are now extremely rare, for the fact that various groups of Devotees from the various Guru Masters present in the ceremony all became fervent collectors of this amulet.
The edition included Nang Paya (with and without Takrut), Lockets, Luang Phu Bun Mee coins, Rian Pra Pratan Buddha Coin, Various Sacred Powder amulets in various forms including Look Om Pong Prai Kumarn, Ruesi, and various forms of Takrut Sam Kasat and Takrut Tone (many of which were coated in Pong Prai Kumarn), Roop Tai photos, Palad Khik, Luang Phu Tim coins, Buddha Chinarat images, Pra Bucha statues, and Palad Khik.
This edition of amulets of Luang Phu Tim has taken on a big increase in popularity during the last decade, and is now no longer to be encountered commonly anywhere in the amulet emporiums, except for the most elite showrooms. We highly recommend it as a sound investment and a last chance to obtain and be the proud owner of an authentic amulet of the Great Luang Phu Tim, with the added blessings of Luang Por Rerm, Luang Por Chern, Luang Phu To, and a host of other Masters, as extra faith instillment.
This Locket of Luang Phu Tim, is hence a highly attractive and rare Sacred Amulet that would be a welcome addition to any Master Class Collector's Showcase, and more importantly, would be a most powerful amulet to possess for Bucha, and receive his Blessings, which History has proved time and time again to be one of the most powerful and famous amulet makers in Thai Amulet History.
History of the Edition
When Luang Por Bun Mee Atha Banyo passed away on the 24th April of the year 2516 BE, Pra Prasit Prasittigo, who was given the charge of adminsitrating the temple instead of the deceased Abbot, and who was a direct apprentice to Luang Phu Tim of Wat Laharn Rai, went to see his Guru at Wat Laharn Rai. Luang Phu Tim then bestowed the Wicha Takrut Tone, giving him the instruction to cut leaden Yantra foils at a length of around 11.7 Cm, and inscribe a series of Khom Agkhara spells onto the leaden Takrut Tone scrolls.
Above; Four Great Masters sitting on Tammaas Thrones performing 'Nang Prok' Jhanic Empowerment over the Edition, From top left in clockwise direction; Luang Phu To, Luang Phu Tim, Luang Por Chern, and Luang Phu Rerm.
Above; Look Om Pong Prai Kumarn and Takrut Tone coated in Pong Prai Kumarn from the Wat Po Sampant Edition.
Luang Phu then gave the formula of Muan sarn Ingredients to make the Pong Prai Kumarn Powders and other powders for amulets, and instructed Pra Prasit Prasittigo to gather and prepare these ingredients for the making of the Look Om, according to the given formula.
Some of the Muan Sarn which was used included; Pong Prai Kumarn Luang Phu Tim, Sincana Cords from Buddha Abhiseka Blessings, and Abhidhamma Funeral Ceremonies, Pong Ittajae, Pong Dtrinisinghae, Pong Bpathamang, Hair from Luang Phu Tim (Gesa), Nam Man Look Prakam Oil, Nam Man Pra jao Taksin Oil, Broken Down Ancient Sacred Amulets from a host of Sacred Temples, and Pong Puttakun Powders from Luang Phu Bun Mee, the recently deceased Abbot of Wat Po Sampant.
These ingredients were then then bound together using the Wicha given by Luang Phu Tim. Because a lot of powder was left after making the limited editions of each kind of Look Om, the remainder of the powders were used to cover the Takrut Tone amulets with Because of the various coarse elements of Muan Sarn, each Look Om and Takrut of the Wat Po Sampant edition may have differing elements visible within the powders, such as Gaesa (hair) of Luang Phu Tim, and Sincana cord threads. The Look Om were covered with a bronze coating, and some were empowered with insertion of Takrut Sariga spell (1 - 3 Takrut per Look Om).
The Look Om have a different appearance in surface texture to the editions released at Wat Laharn Rai and are defined and differentiated easily for their distinction in coloration and surface texture. The Muan Sarn is much drier and harder, and condensed that the batches of Wat Laharn Rai, and are much harder to the touch. They were made in many different sizes, ranging from 0.5 Cm, right up the the size of a Fist, and were blessed on 2 different separate occasions;
1. The first Blessing Ceremony was held at Wat Po Sampant, in 2517 BE with Luang Phu To of Wat Pradoo Chimplee, Luang Phu Tim of Wat Laharn Rai, Luang Phu Sim, of Wat Tham Pha Plong, Luang Phu Kram of Wat Wang Hwaa, Luang Phu Mon, of Wat Nern Ta Mak, Luang Por Rerm of Wat Juk Kacher, and Luang Por Chern of Wat Mab Kha present, amongst a large number of other monks who came to assist in the ceremony.
2. The second empowerment occurred by Pra Luang Por Prasit taking the whle batch from Wat Po Sampant, and depositing them with Luang Phu Tim at Wat Laharn Rai, who empowered the Look Om in solitary every night for a period of 8 Months, whereupon Luang Phu Tim became ill, and was admitted into Hospital, where he was kept in care for a period of 23 days, after which, Luang Phu passed away after return to the Temple at 23:00 hours, on the 16th at the Prayer Room of Wat Laharn Rai.
The Wat Po Sampant edition amulets are amongst the amulets at the temple which received Luang Phu's last 8 months of blessings, and is an immensely important edition, and also the very last edition he empowered right up to his passing, along with some other editions which were also deposited and in stasis at the temple to receive his blessings before release.
Below; Official Thai Language History of the Wat Po Sampant Edition Amulet series of Luang Phu Tim, Wat Laharn Rai.
