An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
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The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
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The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
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When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
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Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
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It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
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The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
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‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
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This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
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Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Luang Por Tuad Pim Tap Reed Yai Wat Chang Hai, in Nuea Din Kakyayaks sacred marsh peat, released in the year 2513 BE, commissioned by Pra Kroo Bai Diga Khaw, who was the succeeding abbot of Wat Chang Hai after the passing of the previous abbot Ajarn Tim, maker of the 2497 first ever edition of LP Tuad amulets.
This Pim (Model) is in excellent pristine condition, with fully detailed features, and contains Visibly Evident Presence of the Original Sacred Muan Sarn and Broken Amulets from first edition 2497 Luang Phu Tuad Wat Chang Hai Amulets, and a host of other Sacred Powders, such as Din Kakyayaks, from the sacred Marsh of Luang Phu Tuad in Yala. The Pim Tao Reed amulets were pressed from one of the original block press used by Luang Phu Tim of Wat Chang Hai. Pra Kroo Bai Diga Khaw, was abbot of Wat Chang Hai, from the years 2512 to 2521 BE, and was the real blood nephew of Ajarn Tim himself.
It s said that the Pra Luang Phu Tuad Pim Tao Reed Yai 2513 BE was actually made and blessed over the preceding years before the passing of, and by Ajarn Tim himself, and that Pra Kroo Bai Diga Khaw released them after his passing in 2513, but there has till now been no documentation surfacing to confirm whether Ajarn Tim himself made them, or Pra Kroo Bai Diga. Our proprietor Ajarn Spencer says the answer lies in the ability to view the Muan Sarn powders and know the age of the amulet through the years of experience of viewing, that an expert possesses. For Ajarn spencer himself, he says the Muan Sarn of the surface of the amulet is of an age that is older than 2513 BE, and is hence probably made by Ajarn Tim himself.
Either way, what is recorded in the temple is that these amulets contain a massive amount of broken amulets of the first edutuion 2497 BE Luang Por Tuad amulets, which made this series considered to be extremely powerful, and that this series has a particularly strong admixture of sacred Muan Sarn Powders, with all the same miraculous properties attributed to the LP Tuad 2497 BE amulet and the power of the Famously Powerful and Rare 'Din Kakyayaks' Magickal Peat Earth remaining from the 2497 BE first ever edition of Luang Phu Tuad amulets present within.
The Pra Luang Phu Tuad 2513 series began with little fame, as it was dfistributed during a time when many traveling vaudeville theater performer were passing through the temple and renting amulets, and they used them as part of their show, which consisted of stabbing one of the artists, but they found out that they were unable to use the knives on their accomplice for the magic trick, when accompanied by the amulet, so they began to sell them to the circus show visitors.
At first, people didn't think they were real Wat Chang Hai amulets, until as we know, 'Time always Tells', and people began experiencing miraculous events, and some devotees went to Wat Chang Hai to confirm and investigate, and the truth came out. The series became then very highly regarded for its Kong Grapan Klaew Klaad and Maha Lap Serm Duang magical porperties, and for the high possibility of the amulet being made and blessed by both Ajarn Tim and Pra Kroo Bai Diga Khaw, two great abbots of Wat Chang Hai, who were also Uncle and nephew.
The fact that the traveling performing artists took the amulets around the whole country, through every province, means that this amulet, despite being rare, when seen, may be found in any province of Thailand, not only the south, because it was distributed through the traveling artist devotees of Wat Chang Hai
Kata Bucha Luang Phu Tuad
Namo Potisadto Aakandtimaaya Idti Pakawaa
Namo Potisadto Aakandtimaaya Idti Pakawaa
Namo Potisadto Aakandtimaaya Idti Pakawaa
