An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Palad Khik Nuea Pong Kru Klong Takian Wat Pradoo Song Tam (Nork Pim) - A highly unusual and extremely rare Palad Khik amulet, of which only a very few were ever found, and which are hardly documented, making them 'Nork Pim' (Unusual Models).
The Palad Khik is made from Nuea Din Pasom Pong Bailan, and possesses all the features present within the Muan Sarn Sacred Powders of the Pra Dtragun Kru Klong Takian Pantheon of amulets of this Hiding Place find.
This Nork Pim Unusual Rare Model belongs to a historically documented amulet find that is renowned for Kong Grapan Chadtri Klaew Klaad Invincibility and Protective Blessings, and Keeping Away Illnesses and Evil Spirits. The Muan Sarn Sacred Powders reveal true age characteristics and the authentic Muan Sarn content of a Kru Klong Takian amulet is highly evident, and easy to recognise
Story of the Pra Kru Klong Takian Amulet Find in Ayuttaya
In the time around the year 2460 BE, people digging around the banks of the Klong Takian canal began to find various kinds of amulets in the various temples of the municipality of Klong Takian, including Wat Klong Takian, Wat Pradoo Song Tam, Wat Koke, Wat Chang, Wat Pichai Each temple seems to have had certain Pim (models), which were particular to the temple, such as the Pra Pid Ta Pichai Kru Klong Takian, found at Wat Pradoo Song Tam.
The amulets were found in a large number of different forms, some in large numbers, other models in very small numbers, which are very rare to encounter, as well as some individual items which did not fit into any general classification (Nork Pim). Some amulets possess a Kring Bead within the amulets, some of which rattle when shaken.
The amulets were found made in Din Phao baked clay, and in Din Pasom Pong Bailan Sacred earths with Black Parchment Grimoire Soot. Some devotees say that this came from the ashes of funerals of Phii Dtaay Hoeng Prai Ghosts, who died on a Saturday and who were born on a Tuesday.
The most famous and highly esteemed of all the Pra Kru Klong Takian amulets, is the Pra Pid Ta Pichai of Wat Pradoo Song Tam, and the Pra Kring Klong Takian Pim Nakprok, of Wat Pradoo Song Tam. The Pra Pid Ta Pichai was found in one sided, two sided and even four sided models. The Pra Kring Klong Takian Prok Po was found in one and two sided models, The One sided models have a sacred Yantra Inscription on the rear face.
Wat Pradoo Song Tam, is an Ancient Temple of the Ayuttaya Era, which has always been a Revered Temple of the great Kings and Royal Personages of the Late Ayuttaya Era, and into the Ratanakosin Era. The amulets which were found in this temple enclave are honed in the architectural artistic style of the Northern Influence, such as the Pra Rod (Lampun), Pra Kong (Lampun), the Pra Ler, and the Pra Liang.
If we examine the various Pim, such as the Pra Prok Po Kring Klong Takian, we can see similarity to the Pra Kong Lampoon amulet, despite a higher arched outer shape, the actual Buddha image has the 'Met Khai Pla' rounded bobble style of Bodhi Leaves cascading over the Buddha, much like the artistic styling of the Pra Kong Lampoon, which is over 700 years Old. This reveals the Northern Lanna Influence on the design of the amulets, and also, through design, hints at the fact that this find of amulets, discovered in the year 2460 BE, is centuries old.
Below; The Famous Pra Kring from the Kru Klong Takian Amulet find
There is also a different belief in the origins of the Kru Klong Takian amulet find, which is the belief that Khrua Rod (Luang Phu Rod), the famous Master of Were-Tiger Transformations made the amulets. Luang Phu Rod was known to have been a part time resident of Wat Pradoo Song Tam in Olden Days, who traveled down on Tudong from the Northern Lanna Regions, to reside at Wat Pradoo Song Tam.
When Ayuttaya fell, Luang Phu Rod is said to have disappeared, until the situation improved, whereupon he returned to Wat Pradoo Song Tam, and remained until his passing. It is believed that Luang Phu Rod created the amulets. This group of believers are of the belief, that Luang Phu Rod created the amulets in the style of the Northern Tradition, to distribute to the soldiers who were fighting the Burmese Invaders, to bring them Kong Grapan Chadtri Klaew Klaad Maha Amnaj Magical Protection.
Whichever of these beliefs is true, what is certain, is that all the Pra Kru Klong Takian amulets, date from before the end of the Ayuttaya Period, and derive from a time when the most powerful Masters walked the forests and wildernesses of Thailand, and the most sacred Blessings, and Powerful Sorcery of that Era, is present within the amulets. One of the most famous and accepted pantheons of the Pra Kru Category of Pra Niyom master-Class amulets in History, and an Eminent Member of the Tamniab Pra Niyom of the Samakom Pra Krueang Thai appreciation societies.
Use the Traditional Thai Buddhist Method for Bucha;
1. Chant Maha Namasakara (3 Times)
2. Chant the Trai Soranakom (3 Times)
3. Chant Kata Aaraatanaa Pra Krueang (3 Times)
Kata Maha Namasakara
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Trai Soranakom
Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Kata Aaraatana Pra Krueang
Puttang Aaraatanaanang
Tammang Aaraatanaanang
Sangkang Aaraatanaanang
Puttang Prasittimae
Tammang Prasittimae
Sangkang Prasittimae
