An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
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The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
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The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
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When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
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Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
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It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
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The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
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‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
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This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
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Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
A third prize winning competition Master Class amulet with certification pristinely well carved piece of Sacred Artisanry and Master-Class Pra Niyom Classic of authenticity, great beauty, and true power, the Paya Kochasri hand carved Old Ivory Ancient Amulet from the Great Olden Days Guru master of Nakorn Sawan Province, Luang Por Heng, of Wat Khao Din (2402 - 2485 BE). The amulet is made from carved Ivory, and is carved in the image of a Kochasri Himapant Lion with Elephant Head, which represents various aspects of Maha Amnaj, Metta, Klaew Klaad, and Maha Pokasap Cornucopia Magic.
Free EMS Shipping is Included with this item. The Kochasri Lion itself, especially when carved from Ivory, is naturally imbued with the Sorcerous Powers of Maha Amnaj (commanding power and influence), Serm Yos Status Increase for positions of command, and opportunities of promotion, and Metta Mahaniyom Mercy Charm to lull your Subjects and Charm them into Obedience. Maha Pokasap treasure Accumulation and Cornucopia of Requisites is also Imbued.
Below: Certificate of authenticity with Third Prize Winner Ribbon from the 25th July 2018 Comnpetition Meeting of the Association of Amulets of Siam Thailand
Luang Por Heng
Luang Por Heng, of Wat Khao Din, was born in Ban Maha Po, Nakorn Sawan, as the son of Mr Sangkh, and Mrs. Biam. he was given the name 'Heng' which is an auspicious word, because of the meaning in Chinese (and Thai Colloquial), being 'Good Luck', or 'Good Fortune'.
Even as a child, he was always showing Mercy and Compassion to animals, and liked to do good deeds to alleviate their suffering. It was sometimes even a problem, when his Father sent him to watch over the farm fields. The birds would come to steal the rice, but the young Heng would not chase them away or shoot at them, because he considered it an act of Generosity to the Birds, to let them eat.
The young boy Heng loved to educate himself, and would often travel to see Luang Por Tap at Wat Maha Po temple, to learn various Wicha with him, including the Wicha Paet Boran Traditional Medicine, Wicha Akom, and the Wicha Kochasart. The Kocha Sastra (Kochasart), is an ancient Wicha found in the Wicha Dtrai Taep of the Brahman Hindu Faith.
The Wicha Kochasart is related to Elephant Magic, and is Used for Protecting the Kingdom. The Dtamra is found to be split into two major Kampira Grimoires, as separate categories;
1. Dtamra Kochalaks - which deals with Invocation of the Tendencies and Character Powers of the Elephant, both the good and the bad parts, the merciful and the destructive.
2. Dtamra Kocha Gam - this Dtamra deals with Kata Waetmont Incantations to invoke various powers or magical effects, for various purposes, such as catching elephant, controlling an elephant, healing of ailments, or banishing evil curses and forest spirits, in order to protect elephants.
The Wicha of the Dtamra Kochasart tells of the Chang Mongkol which was created from the lotus which rose from the navel of Pra Narai Vishnu Avatar, when he gave birth to the Golden Kumarn, which he gave to Shiva at the beginning of Time. The elephant was split into four families of Magical Elephants, each with its own special qualities.
- The first elephant was made by the God Brahma, and was endowed with the power to bring success and prosperity and Glorious Achievements to the Nation and its People.
- The second elephant family was made by the God Shiva, and was endowed with the power to bring great Achievements of Powerful Status and Influence to the Kingdom or Nation, and fill its Coffers with Wealth.
- The third elephant was made by the God Vishnu himself, and was endowed with the power to bring Victory against all Enemies and Opponents, and will cause the Rains to fall at the proper time and season, without drought or flooding, and the harvest to be plentiful and ripe.
- The fourth elephant was made by the God of Fire, Agni, which was endowed with the Power to bring Plentiful Resources to the Nation, and Protect the Land and its Ruler from all forms of danger and disasters.
This was just one of the many powerful Wicha which Luang Por Heng learned to Master from a young age under his first Kroo Ba Ajarn long before he Ordained. Once the young boy Heng reached the age of 12 years old, his parents took him to be ordained as a Samanera Novice Monk at Wat Maha Po, where he remained and intensified his study and practice as an Ordained member of the Buddhist Sangha. After 4 years, he disrobed again, to help his parents on the farm. When he came of age, he reordained as a fully fledged Bhikkhu in the year 2423, once more at the temple of Wat Maha Po. Pra Kroo Gim, the abbot, was his Upachaya Ordaining Officer.
After his ordination, he studied the Dhamma Vinaya Buddhist Canon, Horasart (Astrology), and Wityakom (Occult Sciences), with ever increasing fervency, under the supervision of Luang Por Gim as Kroo Ba Ajarn. Wat Maha Po (Dtai) had one of the largest Bibliotheques of Kampira (Grimoires of Sorcery), and was an excellent place for Luang Por Heng to expand and develop his knowledge in Wityakom Occult Sciences. In addition, the Uposatha Shrineroom was imbued with Maha Ud, perfect for empowerment of amulets and talismans, and was very sacred, over 300 years Old. Luang Por Heng found himself in the perfect environment for developing his now Adept Skills.
Wat Maha Po Dtai lay on the banks of the rive Mae Ping, which meant that many Tudong Forest monks would pass by on their travels, to stay and practice (and teach their secrets). And so Luang Por Heng was able to access and receive Wicha from a large number of great Tudong Monks over the years, until one day, he decided to go on Tudong himself.
Luang Por Heng wandered in solitary through the wilderness, forests and caves of Thailand, Burma, Laos and Cambodia many times repeatedly over many years. He slept in the forest, the caves, the delapidated cemeteries, and meditated to develop his resilience of mind, and the powers which accompany such resilience developed their strength and intensity.
His mastery of the many Animist Wicha such as the Kochasart, allowed him to understand and intuit the true nature of animals, and he became able to call the spirits of dead animals to enter into carved or molded effigies, and inhabit them with their powers.
Below; Hand Written Spells in Khom Agkhara are visibly inscribed on the base of the Paya Kochasri Amulet
During his years of diligent Tudong Practice in the deep Jungles, he learned about the Magical foces within ivory, imbued with the four Magical Properties of the Dtamra Kochasart, and the Chang Mongkol of the Gods Brahma, Shiva, Vishnu and Agni. he mastered the knowledge through intuition and meditation, that this Elephant Magic within the Ivory has two branches of influence;
- Nga Gam Jad is the Ivory from a Bull Elephant who was in Mating Season Anger and attacked a tree breaking his tusk on the tree
- Nga Gam Jaay is ivory from an elephant who fought with another Bull for the leadership of the troupe, and broke his Tusk in the fight, in the depths of the Jungle.
Luang Por Heng would always collect and gather all the Magical ivory he found in the forests and Jungles during his years of Tudong, which had fallen from the two scenarios of Elephants in Rage, to use their powerful substance later, to shape into animist charms and talismans. Mostly his amulets are carved into the form of Suea (Tigers) Kochasri (elephant Head Lion Himapant Animal), Hmuu Pha (Wild Boar), and his own image. A few other forms are also found on rare occasions.
Luang Por Heng passed away in 2485 at the age of 83, after 63 years iin the Ordained Sangha, leaving his pantheon of Krueang Rang for us, the Devotees and Aficionados, to appreciate, and be protected and prosper through their blessings.
Luang Por heng possesed a special ability for Wicha using his magical ivory, and bone collected in the forests, and his immensely advanced and long trajectory in Buddhist Sorcery, making his amulets and talismans amongst the most highly sort after in this Genre. It is not possible to speak of ivory tiger amulets without mention of Luang Por Heng, who stands at the pinnacle of the Genre, along with the Great Luang Por Parn, Luang Por Derm, Luang Por Say and Luang Por Nok. His carved Ivory amulets are the most highly sought after, and considered to be powerful Kong Grapan Chadtri Klaew Klaad Protective amulets, with added Metta Mahaniyom, Maha Pokasap, and Maha Amnaj (commanding power and influence).
You can use the Kata Paya Rachasri for Kochasri and other Singha Type Himapant Lion Deities.
