An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pha Yant Singh Koo Himapant Lions with Buddha Yantra Sacred Geometry Cloth from Circa 2490 - 2500 BE by Singhburi Master of the Pre 2500 BE Era, Luang Por Suang, of Wat Chee Ba Khaw
The Pha Yant bears the image of a Buddha seated above a pair of Rachasri Singha Himapant Lions. with pillars of Sacred Na flanking the sides of the Yantra cloth. each side bears the pink ink stamp of the temple. Below the Rachasri Himapant Singha Lions is a rhombus shape Yantra spell.
The Pha Yant Singh Koo is useful for Status Increase, Commanding Power, Invincibility and Evasion, and great Success and Prosperity, and is imbued with a host of supplementary spells for Metta Maha Niyom Maha Lap Maha Pokasap and Serm Duang. The Pha Yant measures 14 x 20 inches, and is made from white prajiad cloth with black ink.
Biography of Luang Por Suang Apayō, of Wat Chee Ba Khaw, in Prohmburi Municipality of Singhburi Province
Pra Winayatorn (Luang Por Suang Apayō) was a Pra gaeji Ajarn who possessed Powerful Wityakom Buddha Magic, and who was renowned for his purity and steadfast resilience in the practice of the Vinaya. His practiced leaned towards Vipassana Kammathana Mindfulness and Jhana (Dhyāna) Meditation.
His Jhanic Meditation led him to master very powerful psychic abilities, through the attainment of the Jhana Samabhatti. He was a father figure to his devotees with his great deeds of charity, and earned the belovéd nickname of 'Por Yai' (Big Father). He was also known as the 'Taepa Jao Mueang Singh' meaning 'Angel of the Land of the Tiger' (Singhburi)
Luang Por Suang was born on the 18th of June 2442 BE in Prohmburi, in the Province of Singhburi. He was the son of Mr Heng and mrs. Am Panich. He ordained as a Buddhist Monk at age 26 at Wat Bote temple in Gaes Chaiyo Municipality, just across the river from Wat Chee Ba Khaw. His Upachaya Ordaininig Officer was Luang Por Fueang of Wat Nok (famous creator of the Pra Somdej Wat Nok). Luang Por Suang was given the Dhamma Name of Apayō. After his ordination, Luang Por Suang went to stay at Wat Chee Ba Khaw to perform his practice, and remained there serving the temple and advancing in his attainments, until he became the Abbot of the temple.
Luang Por Suang received his early teachings in Wicha and Kammathana practices from Luang Por Pra Ajarn Dam of Wat Singh, and mastered the Wicha Tam Pra Yant Tong Chim, and the Wicha Sak Yant Butr Lob. After this, Luang Por Dam recommended Luang Por Suang should go to master Wicha Akom with Luang Por Bpaen, of Wat Sao Tong Mai in Ayuttaya.
After this, Luang Por Bpaen sent Luang Por Suang to continue his studies in Vipassana Kammathana, and to learn Wicha Akom further with Luang Por Rit of Wat Ban Suan (now known as Wat Noi), in Sukhothai. Luang Por Rit bestowed Luang Por Suang with the Wicha Tam Hwaen Chin, an ancient Wicha using Alchemical Metallurgy and Incantations to make leaden magic rings, and the Wicha Ya Bpriaw (bitter medicine).
Luang Por Suang was a monk whose personal comportation and self restraint in Vinaya was visibly meritorious. His meditative prowess was excellent, and he was not attached to the world of forms, and possessions. he also was known to have refused titles of eminence and official status increase, which he considered imaginary. He refused the position of Arch-Bishophood of Singhburi Province, preferring to remain a simple monk of Mindfulness Practice. His continued practice led him to become Adept Practitioner of Vipassana Kammathana, Samatha meditation, and Wicha Akom Buddha Magic.
Luang Por Suang was known for various kinds of amulets, for he possessed a plethora of Wicha. His amulets are found in various forms; Pra Lor Boran (cast metal alchemical images), especially his Pra Lila walking Buddha, the Pra Gampaeng Khayeng, the Roop Muean Bai Sema, Pra Somdej Lor, and the Pra Gleep Bua Parort. Roop Tai Ad Grajok Blesséd Photos and Lockets, Pra Pong (various Muan Sarn Sacred Powders amulets), Pra Bucha statues, various kinds of Pha Yant, such as the Pha Yant Singh Koo, Pha Yant Met Mamuang, and Pha Yant Roi Tao, his highly preferred Tanabadtr Khwan Thung Blessed Banknotes, Nang Kwak, Takrut, and the Hwaen Hoo Mung Rings. His amulets are renowned for Kong Grapan Chadtri power
Before Luang Por Suang passed away, he instructed the Sangha of his temple to preserve his corpse in a glass coffin until the posatha shrineroom was finished its construction, if not, the shrineroom would not be completed. After his passing, the Sangha fulfilled his wishes and placed his remains on display in a mausoleum, and devotees came to worship his remains, and made merits enough to finish the completion of the Uposatha Shrineroom within the predicted time.
Luang Por Suang passed away on 10th July in the year 2510 BE at the age of 69 after 45 years in the Sangha as a Buddhist Monk, and was placed in his mausoleum closed within a coffin for 26 years until the 2nd march 2536 BE, when the Sangha Comittee of the temple opened the coffin to inspect Luang Por Suang before cremating his body, and were astounded to find that Luang Por Suang's remains had not deteriorated according to the passage of time.
His body was dry and hard as stone as if calcified, and preserved in its original appearance. The Sangha thus decided not to cremate his remains, and placed his body within a special sarcophagus inside a Mausoleum which was specially built for the placement of his remains, for devotees to pay reverence and pilgrimage to.
Kata Ārātanā Pra Krueang
