An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Pong Luang Por Prohm Wat Chong Kae Pim Roop Muean Nang Sum Rakang Hlang Riab 2514 BE Pim Lek - Berk Pra Naedtr Edition (opening the eyes of the Buddha) - Released at Wat Chong Kae. Blessed also by many other great Masters including Luang Por To of Wat Pradoo Chimplee - this exhibit is extra special, because it has a Roop Tai Photo of Luang Por Prohm, of Wat Chong Kae on rear face. The Roop Tai is not present on standard versions of this amulet.
The presence of a blessed Roop Tai Photo of Luang Por Prohm on the rear face of the amulet, makes this a highly desirable and inimitable item for Bucha, and would be the pride of any true devotee and collector's showcase.
The amulet was released in Both the Chalong Monton Edition in 2514 BE, an d in the Berk Naedtr Edition of 2515 BE. During the Chalong Monton Release Blessing, Luang Por Prohm spent 11 days and 11 Nights empowering this edition. The amulets were also pressed again for the Berk Naedtr Edition, and were Blessed then by Luang Por Prohm at Wat Chong Kae in 2514 BE. It is hard to define which pressing of the two occasions the amulet is, for exactly the same block press was used to press them all, and some of them were kept to release in the other edition of the same year. Both editions hence used the same amulet, for which it is considered one and the same. This is indeed a classic Amulet of immense Metta Maha Niyom Serm Duang Power with Klaew Klaad Evasion of Dangers and Maha Lap Lucky Fortunes.
The front face features the classic image of Luang Por Prohm in meditative posture, which his inimitable tall sitting posture, which is instantly recognizable as being that of Luang Por Prohm. Luang Por Prohm sits within a bell shaped arch.
One can assume that this will have been of of a very few amulets which Luang Por himself will have blessed by hand during the ceremony which can be judged by the fact that a Roop Tai photo is manually attached to the front face, making this a special amulet with extra blessings from the hand of the master.
This is an extremely rare to find amulet, as is the case with all editions and all amulets of the Great Luang Por Prohm, who did not make too many editions of amulets, all of which have become high end Pra Niyom Classics of the Amulet Appreciation Societies and Collector Scene.
In any case, the small number of editions released by Luang Por Prohm, and the fact that he is one of the more prominently revered and sought after amulet Masters, means that between his true devotees and worshippers, and the Collector and Appreciation Societies, his amulets are far and few between to come by.
Story of the Berk Naedtr Edition
In the year 2514 BE around the dates of 23rd and 24th October, the Kana Gammagarn Comittees of various temples were present to discuss the arrangements for the upcoming Annual Kathina Robe Donation Ceremony to the Sangha at the temple of Wat Chong Kae, and the Comittee bestowed the duty of creating and sponsoring Muan Sarn Sacred Powders Amulets to Doctor Som Sukh Kong Urai, in order to have amulets at the ceremony to donate to the Committee Sponsors and Devotees who came to make merits and donations at the Kathina Ceremony.
The edition is called the 'Berk Pra Naedtr', which means 'Open the Eyes of the Buddha'. This refers to the Ceremony of Bringing Buddha Images to Life with the Chanting of the Dhamma Chakra (turning of the wheel of the Dhamma), which is the Buddhist Sutra which was given by Lord Buddha Sakyamuni when he first gave his First Sermon to the 5 Panca Vakee who became his first Monks of the Sangha. The Sermon explains the attainments leadiing to the Enlightenment of the Buddha, and is performed as a Ceremony to Empower Buddha Images and Amulets. With Buddha Images, the finalisation of the chanting is closed with the tracing of the eyes of the Buddha on the statue, which is then considered to mark the moment of the Buddha's Enlightenment and final Awakening, and hence 'Opens the Eyes' of the Buddha.
The amulets were blessed in the Year 2514 BE, by Luang Por Prohm at Wat Chong Kae in the final Buddha Abhiseka Cermeony, which performed the opening of the eyes of the Buddha Ritual on the Large Pra Pratan Buddha Image which had been created for donation to a temple in the Province of Prajinburi, which had not Pra Pratan Buddha image in the Uposatha Shrine Room, and this matter was passed on to Police Captain Gaj Bandit Chodtiyan, who brought the matter Luang Por Prohm at Wat Chong Kae to ask advice about how to get a statue for the Prajinburi Temple.
Luang Por Prohm was in favor of helping in this matter, and donated some Yantra Foils and Takrut to use in the smelting down of sacred Chanuan Metals to mix in with the Buddha Images which were to be created for the temples in need of Buddha Statues of Prajinburi. Luang Por Prohm gave instructions that once the Buddha Images were cast, they should be brought to Wat Chong Kae, so that Luang Por Prohm could perform the opening of the eyes of the Buddha statues.
The Piti Hlor Pra Pratan casting Ceremony of the Buddha Images was performed first at Wat Makasan in Bangkok, along with some editions of Sacred Amulets placed within the ceremony to receive the Blessings. In Buddha Image 2 Meter wide base was cast, and 9 Buddha Images with a Nine inch wide base were also cast, along with 84 Pra Kring Miniature Medicine Buddha Statuettes. 30 Great Master Monks attended the Ceremony to bless the statues and amulets, including some of the Legendary Great Guru Masters of the Time, such as Luang Por To of Wat Pradoo Chimplee, and Luang Por Tiam, of Wat Kasatra.
Once the Casting Ceremony had been performed, all of these statues and amulets were taken to Wat Chong Kae, for Luang Por Prohm to Bless, Empower and perform the Buddha Abhiseka on the Statues.The large Buddha Image was given the name of 'Pra Buddha Chodtigayan'. The Pra Kriing statuettes were given the name of 'Pra Kring Buddha Chodtigayan', and the Muan Sarn Sacred Powders amulets were given the name of "Pra Pong Run Berk Naedtr Buddha Chodtigayan' (Opening the Eyes of Chodtigayan Buddha Statue Edition).
Amulets in this Pantheon;
Pra Pim Somdej Hlang Roop Muean Rakang Yai - this is a 2 sided Pim (model), with the front face being a Somdej Buddha Image, and the rear face being a Roop Muean Image of Luang Por Prohm sitting within a Bell shaped arch). Only 500 of these amulets were made.
Below; Pra Pim Somdej Hlang Roop Muean Rakang Yai Berk Naedtr
Pra Pim Somdej Hlang Roop Muean Rakang Lek - this is a small size 2 sided Pim (model), with the front face being a Somdej Buddha Image, and the rear face being a Roop Muean Image of Luang Por Prohm sitting within a Bell shaped arch). Only 500 of these amulets were made.
Pra Pim Roop Muean Rakang Yai Hlang Riab - This model has only one side to it with the image of Luang Por Prohm sitting inside a Bell shaped arch. The Block Mae Pim Mold Press for this amulet, was also used to press the Chalong Monton edition of 2515 BE
Pra Pim Roop Muean Rakang Lek Hlang Riab - This model has only one side to it with the image of Luang Por Prohm sitting inside a Bell shaped arch. The Block Mae Pim Mold Press for this amulet, was also used to press the Chalong Monton edition of 2515 BE
As to the other models released, they were all pressed from the above bloock press molds, but were then cut around the borders manually to form different shapes, such as the Pra Pim Roop Muean Rakang Dtat Sam Liam (3 sided triangular version with flat cut-off top edge), the Pra Pim Roop Muean Rakang Sum Gor (Thumbnail shaped version), Pra Pim Roop Muean Rakang Gleep Bua (lotus petal shaped version), Pra Pim Roop Muean Rakang Hlang Bia (Cowrie shell shape rear face version) and the Pra Pim Roop Muean Rakang Hlang Bua Noon (bulging lotus flower shaped version).
Luang Por Prohm of Wat Chong Kae is one of the most highly revered Guru Monks of is Era, and his amulets are amongst the most highly preferred with Collectors in the Amulet Appreciation Society. His amulets are mostly hard to find these days, as they have been to the most part collected and kept in the private collections of aficionados and devotees of this Genre of Amulets, and can be considered a rare find to see any amulet of any edition from this Great Master.
