An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Khun Phaen Song Pol Nang Sum Ruean Gaew - Buddha seated in crystal arch on lotus dais, in Nuea Rae Dam Black Powders with Lek Lai and Sacred Minerals.
This amulet is somewhat of a Rarity and was made in small numbers pressed by hand at the temple, from the Great Pra Ajarn Nam, Olden Days Khao Or Master Monk of Wat Don Sala. Released Circa 2510 BE. Powerful Metta Maha Niyom, Maha Lap, Klaew Klaad, Maha Sanaeh and Kaa Khaay Magic is imbued.
This edition was made in various different kinds of Muan Sarn Sacred Powders, including Black Mineral Powders, Nuea Wan herbal Powders, and Nuea Wan with Gold Leaf. Some of the amulets were also smeared with a green herbal tincture by Por Tan Nam, which nobody really knows what it was, or why he did it. It is assumed of course though, that is was some kind of sacred tincture to charge the amulets with power.
The amulet is a Pim Yai (large model, measuring 5 x 3 Cm, and has an elegant undulation to the outer border of the amulet. The rear face reveals the immensely high concentrate of sacred elements and crystalline substances, in the black sacred powder Muan Sarn mixture, which has a coars appearance from the hand mixing and pressing, which is something you do not find hardly at all in modern era amulets, where mass pressing is the norm.
Olden days amulets did not have the same technology as the present day, which of course means that the olden days masters would mix and press the amulets by hand one by one, giving each amulet its own individual empowerment during the pressing.
This of course makes the amulet so very much more special than most of the modern era, and of course are for this reason also of a much higher sacred value as far as the faith of the devotee in the amulet is concerned.
Por Tan Nam of Wat Don Sala (Pattalung), was one of the Great protagonists of the Samnak Dtak Sila Khao Or School of Sorcery, and one of the Greatest Guru Masters of the Southern Thai Provinces of all History. His amulets, and Amulets made in his Image are considered to be Most Sacred with Thai people of the South.
His Role in the History and Legends of the Khao Or Magical tradition, and collaboration with the making of Amulets with this Grand and Large family of Sorceror Monks, who stem from a number of Famous temples within the Khao Or Tradition.
Por Tan Nam Ordained into the Sangha at the age of 20, but after some years disrobed to have a family, and lived as a Lay Master for many years. He learned Wicha with the Great bAjarn Tong Tao of the Dtamnak Dtak Sila Khao Or Southern Academy of Sorcery at Wat Khao Or,, from a very early age before even his first Ordination. When Ajarn Nam became older, in the year 2506, he became gavely ill, and was expected to die, but one of the Looksit of the Wat Khao or Temple, whilst in trance during a ceremony, is said to have been possessed with the spirit of Ajarn Tong Tao, who communicated that if Por Tan Nam would recover from his illness, he would have to Ordain again. Por Tan Nam heard this news and promised to ordain if he recovered, which he did. He then ordained again in 2506, and became Abbot of Wat Don Sala, until the day of his passing in 2519 BE. His Majesty the King performed the lighting of the Funeral Pyre at the Cremation of Por Tan Nam, lending great Honor to this great Master.
His amulets are as sacred and rare as they are priceless, and are amongst the most esteemed and collected amulets of the High End 'Pra Niyom' Collector Category.
These amulets are part of the famous Pantheon of 'Maha Wan' Herbal Powder base amulets, made by Por Tan Nam between 2510 and 2512 BE which are amongst the most highly regarded and revered amulets of the Historical Pantheon of Wat Don Sala. In those days, Pra Ajarn Nam and the great Ajarn Chum of the Dtamnak Dtak Sila would still use Sacred POwders from Luang Por King (Wat Ban Suan).
The amulets of the 2510 - 2512 BE Era were made after Por Tan Nam's second and final Ordination, and are famous for their content of Ancient Sacred Earthen and Powder Amulets of many Great Olden Days Masters, and the Maha Wan Herbal Powders of Pra Ajarn Nam mixed with his Pong Tang Ha Samrej 5 Sacred Yantra Powders. In these times, Por Tan Nam still mixed bis own powders and made his own Yantra Inscriptions
Always chant the Praise to Buddha first three times;
Na Mo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Na Mo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Na Mo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Chant 3 times on your knees with palms placed together, and bowing each time, with each palm to the floor and your outstretched thumbs touching at the tips, this leaves just enough space for the forehead to bow down and touch the floor between your two hands.
Then chant the refuge in the triple gem until entering Nirvana – chant with with hands raised in prayer, and bow after each line is finished;
Refuge;
Puttang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)
Tammang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)
Sankang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)
Tudtiyambpi;
Puttang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)
Tammang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)
Sankang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)
Dtadtiyambpi;
Puttang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)
Tammang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)
Sankang Cheewidtang Yaawanippaanang Saranang Kyajchaami (bow once)
Then you can chant Kata Pra Khun Phaen (3, 5, 7, 9 or 108 times)
Kata Pra Khun Phaen
Su Na Mo Ro Mo Ro Su Na Na Ma Pa Ta Ja Pa Ga Sa Na Maa Mi Hang
Alternatively, You can exchange the "L" of "Su Na Mo Ro" for an "R";
"Su Na Mo Lo Mo Lo Su Na Na Ma Pa Ta Ja Pa Ga Sa Na Maa Mi Hang"
After you finish chanting, take the amulet, and tap your forehead or the crown of your head before leaving the house each day.
