An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
An all time Pra Niyom Classic, the Pra Pim Sum Gor Thaan Sung Kru Wat Ngern Klong Dteuy, Early Ratanakosin Era hiding place amulet (discovered in 2480 BE), from one of the most famous series in the world of Thai Buddhist Amulets; the Kru Wat Ngern Klong Dteuy.
The Pra Kru Wat Ngern Klong Dteuy amulets are composed of Muan Sarn Clay that is almost identical in appearance to the clay found in the Pra Somdej Wat Bang Khun Prohm, and is as favourite study material for students of the amulets of Somdej Dto. Wat Ngern Klong Dteuy amulets are all found to be Buddha Images in different forms or postures, and are highly reputed for their Choke Lap Kaa Khaay power to attract lucky fortunes, and to bring successful Business.
This model is a Pim Sum Gor Thaan Dtia, and has exquisite features, with 'Nuea Graeng' marble-like hardened Muan Sarn clay, and a character that simply exudes the level of refinement that only an amulet of true sacredness, age and pedigree can emit.
The temple of Wat Ngern Klong Dteuy is a temple that cannot be seen anymore, for it is in the present day the location of the National Ports Ministry in Bangkok (Ta Ruea Klong Dteuy). Before the Ministry was built there, the Municipality was the location of Wat Ngern Klong Dteuy, Wat Hnaa Pratat and Wat Tong Lang.
Wat Ngern Klong Dteuy was built in the Ratanakosin Era by a Millionaire family, Mr. and Mrs. Machorn, who were without children or inheritors, and so they spent their wealth on the building of a temple. The temple was at first named 'Wat Hiranya Sivali'. In the year 2480 BE, the Government needed the land back from Wat Ngern Klong Dteuy, Wat Tong Lang and Wat Hnaa Pratat, and served notice on them, and the temples were deconstructed.
Wat Tong Lang and Wat Hnaa Pratat were rebuilt in the ban Kluay district, where both temple administrations were built into one single large temple, and given new name of 'Wat Tat Tong'. Many of you will have seen this temple near the Ekamai monorail station in Bangkok. As to Wat Ngern Klong Dteuy, the temple was moved to be rebuilt at Yan Nava, and was given a new name; 'Wat Phai Ngern'
The discovery of the Pra Kru Wat Ngern (Klong Dteuy)
As the 3 temples were being dismantled before the building of the Port Authorities of Thailand could begin construction, a horde of sacred powder amulets were found within the Chedi Stupa, which had been buried there at some forgotten time in its history,
The Kru Wat Ngern Klong Dteuy amulet series was found in a very large number of different Pim Song (design models); Pim Sangkajjai Mai Mee Hoo, Pim Sangkajjai Mee Hoo (with ears), Pim Hnaa Ruesi, Pim Pra Kong, Pim Samati Hwaek Man, Pim Pha Lelai, Pim Prode Sadtw, Pim Sangkati, Pim Sum Gor Thaan Dtia, Pim Sum Gor Thaan Sung, Pim Leb Mer Samati, Pim Leb Mer Mara Wichai, Pim Pra Pid Ta, Pim Pra Pratan, Pim Pang Nakprok, Pim Mara Wichai Ha Liam, Pim Sum Gor Thaan Koo, Pim Khao Iang, Pim Yern, Pim Um Badtr, Pim Pang Perd Loke, Pim Pid Ta Rasamee, and the Pim Pang Sayasana.
As the amulets were found, they were at first distributed at incredibly cheap prices as they were passed around, as the construction workers would keep finding them and put them into bags, and sell them on the marketplaces and to devotees around the temple.
Then the Indo-China war began, and the 2nd World War came, and some devotees who wore these amulets were involved in miraculous lifesaving incidents which attributed Kong Grapan Chadtri Klaew Klaad power to the amulets, and devotees began to seek the amulets out fervently as a protection against the deadly dangers of wartime.
The prices and rarity of the amulets increased rapidly during the wartime years, and the series became a High End collector's classic, with certain models fetching extremely high prices, for example the Pim Pra Sangkajjai Mee Hoo, being the most highly preferred of all models, and the Pra Sum Gor, also a highly esteemed model.
From examination of the artisanry and the Muan Sarn Sacred Powders, one can conclude that the amulets were created sometime during the Early Ratanakosin Era. It is assumed that the amulets were made by some high ranking official or courtiers, or at least from a wealthy important family lineage.
This is conclusive, because the artisanry and quality of Muan Sarn Sacred Powders are of the finest, and could only have been commissioned by an important influential wealthy sponsor. From the amulets found within the Kru chamber, there seems to be two distinct batches, revealing that the Pra Kru Wat Ngern Klong Dteuy amulets belong to two different batches, made at different times.
It is assumed the first time amulets were made and hidden in the Chedi was during the first few years of existence of the temple, sometime around 2335 BE. The amulets from the first batch are mostly larger amulets, and have very marble-like hardened stony texture, with shiny marbled surface effect. Most if these will have pong gesorn pollen powders risen up to float on the surface of the clay.
Use the Traditional Thai Buddhist Method for Bucha;
1. Chant Maha Namasakara (3 Times)
2. Chant the Trai Soranakom (3 Times)
3. Chant Kata Aaraatanaa Pra Krueang (3 Times)
Below; Pim Sum Gor Thaan Suung/Thaan Dtia Pang Samati
Below; Pim Sangkajjai Mee Hoo
Kata Maha Namasakara
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Trai Soranakom
Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Kata Aaraatana Pra Krueang
Puttang Aaraatanaanang
Tammang Aaraatanaanang
Sangkang Aaraatanaanang
Puttang Prasittimae
Tammang Prasittimae
Sangkang Prasittimae
