An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Pid Ta Pim Nak Glam Hlang Yant Grabong Khwai Sacred Powder Nirodha Buddha Votive Tablet with Cross Barrels Yantra on rear Face, Pim Niyom Early Era amulet, from the Great Luang Phu Jao Khun Sri, of Wat Ang Sila, in Chonburi.
This very rare and classic amulet of the Master-Class, was made in 2500 BE. The rear face has the Yant Look Om Yantra, or otherwise called 'Yant Grabong Khwai', which means 'Yantra with two crossed clubs' embossed on it. The Yant is also sometimes called 'Grabork Khwai' which means 'crossed tubes' or can even mean 'two crossed gun barrels'.
The amulet is made from very sacred ingredients, and contains sacred powders from the Great Luang Por Gaew (Famous Maker of the world famous 'Pra Pid Ta Hlang Baeb' amulet). A Large size Somdej, hand pressed in the manner of the Era it was made in, over half a Century ago.
An absolute Classic, a Prizewinner, and an Extremely Essential Rarity of the amulets of Wat Ang Sila, and perhaps Jao Kun Sri's Heritage for Classic Buddhist Amulet Devotees of Future Generations to Wonder At its Sacred and Historical Value, Miracle Power, and Immense Beauty. The rear face of the amulet bears the Sacred Yant Grabong Khwai, with Wicha Pra Jao Ha Pra Ongk 5 Dhyani Buddha Invocation.
Below; Tan Jao Khun Sri - Wat Ang Sila
Pra Wisutti Samajarn, or, 'Tan Jao Khun Sri', is the deceased ex Abbot of Wat Ang Sila, and Archbishop of Chonburi Province. Luang Phu Sri was a very highly revered Monk of the Province, renowned for his Wityakom Buddha Magic.
Tamniab Wadthumongkol
The Pantheon of Pra Pid Ta Amulets of Luang Phu Sri
Luang Phu Sri of Wat Ang Sila, in Sri Racha, Chonburi, made his first edition of his famous Pra Pid Ta amulets in the year 2500 BE, along with the Paetchaleek 2nd edition series amulets. He made 5 different Pim (design models) in this first edition of Pra Pid Ta;
1. Pra Pid Ta Hlang Baeb Lacquered Sacred Powder Nirodha Buddha with indented mirror image in rear face. Only a very few of this model were made, which gave this model the name of 'Run Long Pim' (Blueprint Block press). 'Long Pim' means that it was the first block press made for Luang Phu Sri to examine and comment, and give insights, before the pressing of the official edition. Luang Phu Sri decided that this pressing could be redesigned again for the official issue, and so this first press 'Long Pim' models were only made in very few numbers, and not included in the official release.
2. Pra Pid Ta Hlang Yant Grabong Khwai Nirodha Buddha with 'Crossed Clubs' Yantra on rear face. The block press of this model broke after 2 days, once more causing this Pim to be pressed in very limited numbers.
3. Pra Pid Ta Hlang I A - Niroda Buddha with "I" and "A" Agkhara on rear face. This block press also broke after a few days, and the next Pim model was made with a new block press in continuation.
4. Pra Pid Ta Hlang Riab - Nirodha Buddha amulet with smooth rear face. This model had no symbolism on the rear face, after the block press for the Pra Pid Ta Hlang Yant I-A broke.
5. Pra Pid Ta Pim Mae Krua (also called 'Pim Jiw' - this was a small Pim for distribution the the female laity.
A second series was then pressed around 2505-2506 BE, with the following models (Pim);
1. Pra Pid Ta Nak Glam Yai Hlang Yant Grabong Khwai - large size Nirodha Buddha with Crossbar Yantra on year face.
2. Pra Pid Ta Pim Nak Glam Klang Hlang Yant Grabong Khwai - medium size model Nirodha Buddha with Crossbar Yantra on year face. Some exhibits were painted with coloured laquers, or gold leaf, and others were left without any coating.
3. Pra Pid Ta Pim Nak Glam Lek - small size model Nirodha Buddha with Crossbar Yantra on year face. Some exhibits were painted with coloured laquers, or gold leaf, and others were left without any coating.
Luang Phu Sri's third edition was released around 2507 BE, and known as the 'Run Surapon' Edition, and had two different Pim;
1. Pra Pid Ta Pim Surapon Yai - Pim Niyom preferred amulet of Master Class - large size model Nirodha Buddha with Crossbar Yantra on year face.
2. Pra Pid Ta Pim Surapon Lek - small size model Nirodha Buddha with Crossbar Yantra on year face.
All three editions are Pim Niyom preferred amulets of the Masster Class Category of Chonburi Masters, and are much more highly valued and sought after than later editions of this Master, for all the first three editions were made during the early era of Luang Phu Sri's trajectory.
The Pid Ta Hlang Baeb and other amulets of the first edition is the most highly favoured of all along with the Paetchaleek 2 Edition amulets, for they both contain the same Special Muan Sarn Sacred Powders which made these amulets so powerful. The first edition series are also the most difficult to find (extremely difficult), and are amongst the hardest to find amulets.
