An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Pid Tawarn Maha Ud Kring Kong Grapan Chadtri Klaew Klaad amulet with Kring Bead rattle within, the most famous amulet of Luang Por Yui, of Wat Bang Kapi. This model is a 'Run Sam' 3rd Edition amulet - a classic protection amulet of historical fame, with legendary powers. The Pra Pid Ta Luang Por Yui is from a Brass based sacred alloy and formed in a Loi Ongk Statuette of Pra Pid Tawarn Gao, which represents a Nirodha Buddha closing all nine orifices, to enter the state of Nirodha Samabhatti, and douse all of the physical sense organs.
The front face has 3 pairs of hands. The first pair of hands cover the eyes and nose and mouth. The second pair of hands covers the ears, and the third pair of hands covers the genitals. Another pair of arms with hands is on the rear face, covering the anal orifice. The Tahi Numeral 3 (๓), is embossed in the center of the rear face,
The sides of the amulet reveal the use of a saw and file to cut the amulets, which was the method of casting and cutting of that era, and is a trademark of the amulet. Considered equally powerful to the first edition Pidta amulets of Luang Por Yui and those of the other Masters of the Indo-China wartime era The amulet is extremely popular for the fact that it has equal power to many amulets of a much higher price range
Historical
The Pra Pid Ta of Wat Bang Kapi began its history during the Indo China Wartime Era, and were made by Luang ta Yui, of Wat Bang Kapi (officially called 'Wat Utaiyaram'). Wat Bang Kapi was assumedly constructed during the Early Ratanakosin Era. The amulets of Wat Bang Kapi have been since olden days a preferred and well talked of amulet within the amulet societies and collector groups, and have always been a popular amulet of devotees pf Buddha Magic and fanatic collectors alike.
The famous triangular shaped Pra Kru Nuea Dtakua Sanim Daeng Red Rusted Leaden Hiding Place amulet was another specially revered and sought after amulet of Wat Bang Kapi with aficionados, and is often said to resemble the Pra Pim Wat Sam Plerm, and Pra Pid Ta amulets, and are highly renowned for Buddhakun Power.
Luang Por Yui was one of various Masters of the time who were producing protective amulets for the Military who were going into battlefronts, such as Luang Por Jad, Luang Por Pring, and Luang Por Derm (Wat Nong Po). During this time of Indo-China wars the amulets of famous masters were in circulation and gained great fame, but the Pra Pid Ta of Luang Por Yui, despite being made by a Monk who was at the time not so famous, gained legendary reputation, from the experiences of those who wore it.
This of course led to Luang Por Yui becoming as famous as the other Great Names of the Time. The Kong Grapan Chadtri Klaew Klaad Power of the Pra Pid Ta Luang Por Yui of Wat Bang Kapi became extremely heard of around south east Asia. The amulet is known for its inimitable shape and form, and is more highly regarded for its magical power, than for its artistic design, which remained faithful to simplistic design, but effective empowerment.
At the time of the making of the Pra Pid Ta Wat Bang Kapi amulets, Luang Ta Yui was despite his age still only a 'Look Wat' common monk of the temple with no status whatsoever. This was because he preferred to wander in the forests on solitary Tudong practice, more than academic 'head stuff' in the Universities. he was a hands on practitioner, not a theologian. He believed in practice more than discussion, and actions more than words.
He wandered as far as the Jungles of Burma and back, which in those days was incredibly difficult task to achieve on foot. Only Adept Monks can withstand the ordeals of the deep Jungle, with fevers, poisonous plants and creatures, and dangerous predators roaming around. Any Monk who was not Adept would not survive such an expedition.
Luang Ta Yui wanted to play his part in helping the Nation, by making Pra Pid Ta amulets to distribute to the military who were serving on the battlefronts. He began by collecting enough Sacred Brass Chanuan metals, of various kinds (Fa Badtr almsbowl lid, Khan Water Bowls, and Ancient Tho Rice Pots), and other artifacts of brazen metal.
Luang Ta Yui then smelted all the sacred artifact metals into one sacred alchemical alloy with his own hands, and cast the metal into ingots, upon which he inscribed Khom Agkhara and Sacred Yant spells and performed incantations throughout the whole process. His Pra Pid Ta Ud Kring amulets became a household name and legendary amulet of high repute for its lifesaving miracles recounted by soldiers, navy and airmen during their times in battle.
Kata Pra Pid Ta
