An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Sangkajjai Nuea Pong Bailan See Tao (Gray Bailan Parchment Powders) with Solid Gold frame, and Waterproof Casing - released in 2521 BE and blessed byLuang Phu To, at Wat Pradoo Chimplee. The Pra Sangkajjai amulet was made in various versions, and in two major design models; one with hands over face (Pra Sangkajjai Pid Ta), and one with hands on lap in Meditation.
6000 amulets were released in this most classic and extremely rare edition, some were made with the insertion of a Takrut spell, and others without Takrut. making the amulet an Essential Rarity for all devotees and Collection holders of the Pantheon of amulets of Luang Phu To.
Luang Phu To of Wat Pradoo Chimplee was one of the greatest Masters of the Last Century, and a Highly revered Monk around the whole Kingdom of Thailand. he was Respected and revered by His Majesty Our great King, who was a close friend and companion.
This Great Monk achieved his status through his Great deeds and his great Diligence in his Patipatā (Practice of Purity and Renunciation), and in his Great Attainments in Dhamma Pariyatti and Dhamma Patipatā.
Luang Phu To was born on the 27th March 2429 BE in Ban Klong Bang Noi in Samut Prakarn and passed away on 5th March 2524 BE.
His many honorable awards of status reflect his great practice and diligence, since beginning to studdy the Dhamma Vinaya at Wat Pradoo as a Samanera Novice monk, through to become the Bishop of the Ta Pra Municipality (2463 BE), to becoming awarded the charge of being the Pra Kroo Sangka Wichit for the Abbot of Wat Maha Tat in 2457 BE. In 2463 BE, Luang Phu To became ascended to the status of Pra Kroo Sanya Badtr Chan Dtri (Third Level, tantamount to Batchelor of Arts in Dhamma).
In 2497 BE, Luang Phu then became promoted to Pra Kroo Sana Badtr Chan Toe (Second Level, tantamount to a Doctorate in Dhamma), of Royal Category. In the year 2500 BE, Luang Phu was then given the additional status of Upachaya Ordaining Officer. In the year 2506 BE, Luang Phu attained the status of Pra Kroo Sanya Badtr Chan Ek (tantamount to a Masters Degree in Dhamma). In 2516 Luang Phu became Pra Racha Kana (Royal Appointment Sangha Comittee) and head officer of the General Affairs of Vipassana Practice. In 2521, Luang Phu To received the status of Pra Racha Kana Chan Rach (tantamount to being an Archbishop of the Royal Decree).
His Blessings are believed to possess the most powerful protective power, and to increase success and prosperity. His amulets are both highly revered for their sacred Power of Protection and Prosperity, but also as a connection and Buddhanissati reminder of the Great Guru master, tto beseech his blessings through the amulet. One of the most highly sought after Pra Niyom Category Amulets, which is seen to grace the pages of any and every important amulet encyclopedia, and the highly prized and jealously guarded talisman of the high end collector and devotee.
Pra Sangkajjai represents one of the Pra Sidtisawok Aedtakka (One of the Buddha’s the most admired and praised practitioners). The Buddha praised him for his ability to put long complex teachings into short understandable formulas. He has a golden tinted skin complexion, and was originally so similar in appearance and stature to the Lord Buddha, that sometimes people would mistake him for the Buddha if seen from a distance.
For this reason, he used his mind powers to force his body to grow fatter and not so handsome as before, in order to not confuse others if he was the Buddha or not. The ancient masters would often use the visual symbolism of Pra Sangkajjai’s features to create statues in this image, which has served as an important preserver of the Faith over the Centuries, and a very old form of Buddha image dating back to the early times of Buddhism.
Pra Maha Sangkajjai was originally called ‘Ganjana’, which means ‘Gold’ in Pali. He was the son of a Brahman called Bpurohidtgajjayana Kodtra in the City of Usenni. He studied and completed the Traiwaet (Tri Veda). After his father passed away, he inherited the title of Bpurohidt (advisor to the King). This happened in the time of the King Jantabajjodti
Pra Sangkajjai had 7 close companions who cam,e with himn to attend the Buddhas teachings at Wat Weluwanaram, and after listening to the Dhamma, becamse Arahants instantly and asked to ordain. In the Turasutra it is mentioned that Pra Sangkajjai lived to the age of 120 years old.
Pra Sangkajjai Amulets. The making of amulets in the image of Pra Sangkajjai have been made since ancient times by many different Temples and Samnak.
The Sangkajjai amulet has always been a very preferred amulet and believed ot have great power, for the insertion of the ‘Puttakun’ qualities of the Sangkajjai Buddha of Metta Mahaniyom and Maha Sanaeh and forcing these powers to become a Sacred Na spell within the image of the amulet. Sangkajjai amulets are also sometimes made as Pid Ta amulet posture too, as a mix of wealth increase, and protection from harm amulet.
The confusion between images of Pra Sri Arya Maedtrai and Pra Sangkajjai Buddhas
There is sometimes a little confusion between these two Buddhas, because some artistic interpretations of Maitreya (called ‘Pra Sri Arya Maedtrai’ in Thai) depict this Buddha as a plump sitting buddha with Bald head. This causes people to think it is the Sangkajjai Buddha.
The way to tell the difference is that the Sangkajjai Buddha will have curly balls on his head (representing the curly hairs), and the plump image of Maitreya has a shaved head.
Origins of the name Sangkajjai
Pra Sangkajjai was not called this from the beginning, but came from Thailand, when in the Radtanakosin Era, whilsst digging to place the central pillar of a temple shrineroom that was being built for a temple in Tonburi, and they found a Gajjaiyana Buddha and a Conch shell (Conches are called ‘Sangkh’ in Thai).
This temple was then called afterwards ‘Wat Sangkh Grajay’ (temple of scattered conch). It is assumed then, that the namke of this amulet came from the name of the temple, and that a double word play or ‘Chinese Whispers’ style distortion of the name occured and Gave the Ganjana Buddha the name of the temple it was found in.
Kata Pra Pakawambodee
Tamma Jaggang Bpatang Sudt Dtawaa Puch Chidt Dtawaa Adt Dtang Bpatang
Sandtigae Arahaa Laapo Logaanang Hidtagaranaa Pandtae Pawam
Bpadtinaama Dtisulokae Subpaagadto Prahma Budt Dto Mahaa Thaero
Araho Chaedtago Muni Bpidt Dti Thaero Samo Inta Kantappaa Asuraa Taewaa
Saggo Prahmaa Pi Bpuchidto
Na Mo Put Tas Sa Kawam Bpadtissa
Na Mo Tammassa Kawam Bpadtissa
Na Mo Sangkassa Kawam Bpadtissa
Sukhaa Sukha Warang Tammang Tammajagga Bpawarang Warang
The Kata for Pra Pid Ta are varied, both short and long. One of the best known ones is the Kata Pra Jao Ha Praongk (five Dhyani Buddhas) as well as the fivefold encoding of Namoputtaya of Na Metta;
“Na Metta Mo Karunaa Put Pranee Taa Yin Dee Ya En Doo – Krai Hen Hnaa Goo Rak Goo Khad Goo Midai“
The above Kata is Maha Saneh Choke Laap – luck and fortune, and charming power.
Kata Hua Jai Bucha Pra Sangkajjai
Arahandti Gajjaayana Thaero Mahaa Poko Pawandtumae.
This Kata calls luck and fortune and brings wealth, and other great treasures.
Full Version of Kata Bucha Pra Sangkajjai
Gajjaiyana Ja Mahaa Thaero Putto Puttaanang Puttadtang Puttanja Putta Sapaa Sidtang Puttadtang Samanubpadt-dto Puttachodtang Namaa Mihang Bpiyo Taewa Manussaanang Bpiyo Prahma Namudtamo Bpiyo Naaka Subannaanang Bpiyinsiyang Namaa Mihang Sappae Chanaa Pahuu Chanaa Bpuriso Chanaa Idthii Chanaa Raachaa Paakinii Jidt-dtang Aakajchaahi Bpiyang Ma Ma
Chanting this Kata is Good for increasing popularity, business sales and promoted status. In addition, Sangkajjai amulets have the special abstract magical quality of increasing your common sense, mindfulness and wisdom is also present within this amulet. This particular aspect of the Sangkajjai magic is what is called a ‘Prisnatam’ (mysterious phenomenon).
Kata Pra Sangkajjai
