An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
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The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
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The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
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When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
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Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
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It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
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The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
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‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
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This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
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Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
A very well preserved exhibit of the Pra Somdej Kha Khwai 2504 BE amulet from Luang Por Jong, of Wat Na Tang Nork, blessed in the famous Gampaeng Gaew 2504 BE Buddha Abhiseka, and released for assisting the temple in final blessing at Wat Hor Mok. The Pra Somdej Kha Khwai (crosss legged model), is in Nuea Pong Puttakun, and is in almost original condition due to having been encased very long ago, which has preserved the amulet well. This Votive Tablet is a Pra Niyom amulet that is highly prized by the devotees of Luang Por Jong, preferred for the fact that it is both beautiful and powerful amulet from a great master of the Indo-China Wartime Era, and is much rarer than many other Pra Somdej amulets from Luang Por Jong.
Released in a large Buddha Abhiseka Blessing Ceremony in Year 2504 BE, this Pra Somdej amulet is an exemplary exhibit, and extremely attractive in appearance. Apart from the great Luang Por Jong, a large number of other famous Guru Master Monks of the time were present to assist in empowerment.
The Pra Somdej Kha Khwai was blessed along with other amulets made to help various temples, in the very same ceremony as the legendary Pra Somdej Kampaeng Gaew series of immortal fame, with the powerful magic of the Great Luang Por Jong Wat Na Tang Nork. This classic and most beautiful Buddha amulet was empowered by Luang Por Jong at Wat Hor Mok, in the year 2504 BE.
Luang Por took a large number of the various amulets made back to Wat Na Tang Nork, and began to distribute them to his devotees at his temple. 27 Master Monks were present and assisted in the chanting of prayers and incantations who took turns to take their seats to empower the amulets;
Luang Por Jong (Wat Na Tang Nork), Luang Por Nak (Wat Rakang Kositaram), Luang Por Ngern (Wat Don Yai Horm), Luang Por To (Wat Pradoo Chimplee), Luang Por Nor (Wat Klang Ta Ruea), Luang Phu Ma (Wat Sutat), Luang Por Pae (Wat Pikul Tong), Luang Por Thin (Wat Pa Lelai), Luang Por Gan (Wat Khao Gaew), Luang Por Noi (Wat Dhamma Sala), Luang Por Chuang (Wat Pra Khaw), Luang Por Chom, Wat Dtaluk).
Luang Por Kam Mee (Wat Tham Koo Ha Sawan), Luang Por Pring (Wat Bote Goeng Tanu), Luang Por Mee (Wat Khao Samor Don), Luang Por Chay (Wat Pha Dhamma Sopon), Luang Por Pan, Wat Payakkaram, Luang Por Dam (Wat Sao Thong Tong), Luang Por Say (Wat Laiy), Luang Por Sopit (Wat Ramparam), Luang Por To (Wat Saket), Luang Por Mora from Burma, who was staying at Wat Nikom, Luang Por Go (Wat Lad Sali in Lopburi), Luang Por Gep, (Wat Suan Lamyai, Chainat), Luang Por Tong (Wat Khao Jakkajan), Luang Por Jaran (Wat Ampawan), and Luang Por Khai (Wat Khao Wong, Nakorn Sawan).
After the amulets he distributed depleted, this then caused his devotees, right up to this day, to travel to Lopburi to Wat Ban Kluay to seek this amulet. This is because many devotees experienced Miraculous results from this amulet, and it became yet another famous classic of the pantheon of amulets of Luang Por Jong.
Along with the the Pra Somdej Kha Khwai, the Pra Somdej Buddha Bhumi amulet, the edition was also accompanied by the Pra Somdej Gampaeng Gaew amulet, and the Pra Kring Gaes Gaew amulets, which were also blessed beginning on 25th March, in the same Buddha Abhiseka. They were then empowered for 7 days and nights with meditative empowerment and Chanting.
A classic essential rarity and perfect Buddhanussati Heirloom Amulet with the blessings of Luang Por Jong and 26 other great Masters, for Kong Grapan Chadtri Klaew Klaad Maha Lap Metta Mahaniyom, and Serm Duang Blessings, and a most exemplary showpiece for any collector's showcase.
Luang Por Jong of Wat Na Tang Nork was one of the great Guru Masters of the Ayuttaya Province, in line with the Great Luang Por Parn of Wat Bang Nom Kho, and is one of the Great Masters who assisted the Thai Military with powerful Kong Grapan Chadtri and Klaew Klaad amulets during the Indochina Wars. Luang Por Jong was a Highly Attained Master in both Worldly Deeds of Goodness and Self Renunciation, as well as in the Dhamma Path. His Great Fame and Honorable Status has survived more than half a century, and who is remembered as one of the Greatest Masters of His Time, and as one of the Greatest Masters of the Ayuttaya Lineage.
Luang Por Jong lived from 2415 BE to 2508 BE, and was one of the previous generation of attained Masters, of National and International Fame. Known for his Kong Grapan Chadtri Klaew Klaad protective amulets handed out to soldiers during the Indochina Wars, his Pla Tapian Maha Lap Kaa Khaay amulets are also renowned for their ability to instigate good commerce and prolific sales quotas with sales persons. Luang Por Jong, was a famous Gaeji Ajarn Guru Monk, highly revered for a vast pantheon of different amulets, but if there is one section of that Pantheon that stands out above others for its Kong Grapan Chadtri and Klaew Klaad Magic, it is his Takrut Amulets.
Luang Por Jong made a variety of different Takrut charms, ranging from Takrut Tone Dtakua (Leaden Yantra Foil), Tong Daeng (Copper Foil), Hnang Suea (Tiger Skin), and other combo-Takrut on waist cords or wrapped in cord with lacquer. There is a particular faction of collectors who specialise purely in the collection of Takrut of Luang Por Jong, and this is a category in itself that is accepted for Competition in many Amulet Shows and Competitions.
His Takrut 'Hnaa Phaag Suea'(Tiger forehead skin), are among the more difficult to find amulets, and are very jealously guarded by their owners. This is not strange, considering how so many tales of Miraculous Events arising from the amulets of Luang Por Jong during the Indo-China War have endowed his amulets with Immortal Fame, and the Unwavering Faith of the Devotees who worship them. Yet another Classic and Essential Rarity, for the Devotee who needs true Protective Magick from the Olden days Masters, from a time before Buddhism became Commercial, and when special amulets like this, were still hand made one by one by the Masters.
Luang Por Jong was born with the name 'Jong' into a farmer family in the village of Na Mai, in Bang Sai Municipality, of the Province of Ayuttaya. HIs Father was called my Yord, and his Mother was called Mrs. Khlip. Luang Por Jong had two younger siblings (one brother and one sister). His younger brother was called Nil, and his little sister was called Bplik, who was the youngest of the three. It is not known exactly which date Luang Por Jong was born, for there is no official documentation of his birth. But it is stated in his family lineage, that he was born during the time that King Rama 5 was ruling Siam, on a Thursday of the year of the monkey on the 8th Lunar Phase.
This, when calculated from knowing the Year of Monkey during the Reign of King Rama 5, within Luang Por Jongs childhood, would mean he would have been born on the 6th of March 2415 BE. During his childhood he displayed strong leanings to remain in solitary, and even when his parents would take him to the local Lige theatre shows, he would distance himself from the crowd of spectators and watch from a distance. He was never one to socialise or look for attention. Luang Por Jong was ordained in 2435 BE at Wat Na Tang Nork temple in Ayuttaya, and was given the ordained name of Jong Puttassaro with the Abbot of Wat Na Tang Nork as his Pra Anusawanajarn (Luang Por Po).
Luang Por Po noticed that Luang Por Jong, despite being weak of body and prone to illness, was excellent in his mental capacity and learned the Khom Agkhara Sanskrit perfectly in a very short time. It became noticed by the local devotess and by Ajarn Po himself that Luang Por Jong was showing wisdom and ability in Wicha Akom Sorcery that was far beyond his age.
In no time, Luang Por Jong was given every single facet of the Wicha from his Kroo Ba Ajarn Luang Por Po, and became a Master Sorceror in his own right, and a great Dhamma Practitioner and Teacher to the local Folk. His trajectory followed on from that, and he never stopped advancing, becoming one of the Greatest Sorceror Monks of his Era, until his passing in the year 2508 BE. Luang Por Jong remains one of the most famous Masters of Indochina Wartime Era for his Powerful Kong Grapan Chadtri, Klaew Klaad, Maha Lap, Kaa Khaay and Metta Maha Niyom Magic.
The Pra Somdej Buddha Bhumi (Puttapoom) and Pra Somdej Gampaeng Gaew amulets were never intended to become famous, and were originally intended as a Merit Maker, but their Legendary status happened naturally very quickly, as devotees with the amulet traveled around the country, and discovered immense Maha Sanaeh Metta Maha Niyom attraction, that people would notice the amulet for their individuality and sacredness. In a short period of time after the release, many devotees began to flock to the temple from around the country to ask for amulets, be it the Pra Somdej Buddha Bhumi and Gampaeng Gaew, and the Pra Kring Gaes Gaew amulet.
The 2504 BE Era Pra Somdej amulets of Luang Por Jong, are highly revered for their Muan Sarn Sacred Powders used in their making, with differing admixtures for each different series of amulets, ranging from white Puttakun Powders, Beige-Pink Ittijae, Oily Herbal powders, Sabu Luead red color powders, and Black Powders with larhed quantity of Bailan. The Muan Sarn used for all the different amulets in the 2504 Blessing Ceremony included the following ingredients;
Ancient Sacred Earths from the following temples; Wat Rachaburana in Supanburi, Wat Pra Roop (Supanburi), Wat Mahatat (Lopburi). Earths from the Kru Burial Chamber at the following temples; Wat Hin Dtang, Wat Aranyikaram (Bang Klan), Wat Nakorn Chum (Pijit), Wat Boromatat Thung Sethee (Gampaeng Paetch.
Klai Sima (broken pieces of temple boundary stone) from the following temples; Wat Pha Gaew (Ayuttaya), Wat Chum Gaew (Pathum Tani), Wat Ang Gaew (Samutr Sakorn), Wat Gaew (Lopburi). Earths from seven of the Sangwechaniyasathaan (Buddhist Shrines which mark the sites of Important Events in the Buddha's life, e.g. his Birthplace, the place where he became Enlightened, and the place where he entered Nibbana).
Bodhi Leaves from 7 Bodhi Trees were used, taken from Bodhi trees which were planted using seeds from the original Bodhi Tree in India where the Buddha is said to have become Enlightened. Sand from the Incense Burner Bowls of shrines and temples. Pollens and Flowers from 7 Sacred Buddhist Shrines. A Kampira Grimoire of the Abhidhamma in Khom Sanskrit was burned into powders to mix into the Muan Sarn Sacred Powders, with invocations of empowerment performed over it by seven Adept Sorceror Monks, which were then mixed with Earths from 7 Termite Mounds, Prayer Water from 7 Great Sacred Temples
