An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Somdej Khee Suea, and ancient amulet of classic fame, released in the year 2484 BE, from one of the Great Guru Masters of the World War II and Indo-China Wartime Era, Luang Por Chaeng (2428 - 2500 BE), of Wat Bang Pang. The Pra Somdej Khee Suea amulet was one of a range of different Buddha images, seated on different animal steeds made by Luang Por Chaeng.
The Buddha riding animals series are considered to be his most popular amulets in present times, followed by the Pra Kring, and his famous Pra Sivali, and the Ganha Chali, which are also only rarely to find in the public auctions, as devotees and collectors have gathered most of the last remaining amulets in circulation.. The Pra Somdej Khee Sadtw Buddha Riding Animals amulets of Luang Por Chaeng are considered to be the perfect alternative to the much more expensive Pra Putta Jao Pratab Sadtw amulets of Luang Por Parn (Wat Bang Nom Kho), and are indeed seen to be equally powerful, but much less expensive.
The front face of the amulet features an image of a Buddha seated in the Samadhi posture meditating on the branch of a tree, above a tiger, who is prowling around in the forest below the Buddha. The amulet is made from Nue Pong Nam Man Oily Herbal Pollens, with Pong Lob Yantra Powders.
Biography of Luang Por Chaeng Sīlapanyā, of Wat Bang Pang
Luang Por Chaeng, Silapanya was born on a Friday on the 18th December 2428 BE. He was ordained in 2440 at the age of 12 as a Samanera Novice Monk, and remained ordained until the age of 20, when he was then ordained up one level to the status of a fully fledged adult Bhikkhu Monk. Luang Por Chaeng was a Pra Gaeji Ajarn Master Monk of the second World Wartime, of great importance in Thai History. He was highly reputed Master of Vipassana Kammathana practice, whose Mastery was heard of far and wide.
Luang Por Chaeng was the second abbot of Wat Bang Pang, in Nontaburi, Bangkok, after his predecessor Luang Por Pra Atigarn Jaroen. His powerful psychic abilities to empower amulets was highly reputed within the Sangha on a National Level, and he was always an invited member of the greatest and most important 'Putta Pisek' (Buddha Abhiseka) blessing ceremonies in History, including the Great HIstorical Ceremony of empowerment of Magical Protective Yantra cloths and 'Suea Yant' Yantra shirts for the Thai Military.
In the times of the second world and Indo-China wars, there were a few great Monks who stood out above all others for their Kong Grapan Chadtri, Klaew Klaad and Maha Ud Magic, whom the Thai Buddhist Folk of all Provinces knew and revered, no matter how remote the village. These great wartime Era Monks of great Magical Power were of course, Luang Por Jong, of Wat Na Tang Nork in Ayuttaya, Luang Por Jad of Wat Bang Grabao Luang Por and the great Luang Por Chaeng, of Wat Bang Pang, Luang Por Juan, and Luang Por Opasi
During the Indochina War, the Thai Military was ordered into battle, and a great ceremony to make Pha Prajiad Sipsee Pan Tong of Luang Por Chaeng, and Yantra Shirts of Luang Por Jad to protect them in the War, was held with a great blessing ritual, empowered by four of thee great monks, Luang Por Jong, Luang Por Chaeng, Luang Por Jad, and Luang Por Chuan.
The famous Pha Yant Prajiad were given to some soldiers to test with three point blank range shots, all of which failed. these Yantra cloths of Luang Por Chaeng, and the Yantra Shirts of Luang Por jad (Wat Bang Grabao) were worn into battle, and became the famous story of the French Military seeing Thai soldiers shot with bullets, who were knocked to the ground by the bullets, and immediately stood up again and went back into battle as if nothing had hit them. The French Military then called the Thai Military 'Taharn Phi' (Ghost Soldiers).
Luang Por Chaeng held the Wicha of a number of Kroo Ba Ajarn, who bestowed him with their lineage secrets, including the Great Luang Por Parn of Wat bang Hia (Wat Klong Dan), ;ph Khai of Wat Cherng Lane, Luang Phu Chay of Wat Panan Cherng,, Pra Kanajarn Say (Luang Por Say), Luang Phu Sukh, of Wat Pak Klong Makham Tao, Luang Por Parn of Wat Bang Nom Kho, and the Great Luang Por Jong of Wat Na Tang Nork.
As Luang Por Chaeng was alive and abbot of Wat Bang Pang, he would receive many devotees each day with numerous requests, none of whom he would refuse. Some would come for Blessings, some for Amulets, and others to heal their Illnesses, and some devotees who had heard of his Magical Prowess, came to beseech the secrets of his Wicha, to become Sorcerors themselves, and help those in their hometowns.
Luang Por Chaeng would bless, distribute amulets, and heal his devotees without exception. As to those devotees who beseeched apprenticeship to learn to cast spells with Kata Akom Incantations, Luang Por Chaeng would always first make the Looksit learn to develop their meditative skill, and to allow them to develop moral fibre and the five precepts. Only then, when they had risen above the base temptations, would he allow them the secrets of the Incantations, their sequences and methods. He would teach his students how to cure ailments and banish curses, and expunge ghosts and spirits from possessed souls.
Luang Por Chaeng had a great respect for Luang Por Parn of Wat Bang Nom Kho, and had received a lot of influence from him in the art of amulet making. So when he would make his amulets, he would often make models which resembled and paid reverence to the famous Pra Pim Pra Putta Jao Pratap Sadtw Buddha riding Animals amulets. He made original designs which resembled those of Wat Bang Nom Kho, with differences in design to distinguish them. This caused his amulets to become very popular, as this was the preferred type of amulet at the time in Central Thailand.
Luang Por Chaeng made a large number of different amulets, ranging from the Buddha riding animals, and other sacred powder amulets in many forms, in small (Pim Lek), medium (Pim Klang) and large (Pim Yai), Monk Coins, the world famous Pha Yant Tong Yantra Flags, Sai Sek blessed sandgrains, the highly preferred and now rare Pra Kring, and Pra Chaiyawat Loi Ongk Statuettes, Pra Prajam Wan (Birthday Buddha amulets), Nang Kwak beckoning lady, Pra Putta Kwak beckoning Buddha, Pra Sam Lia, (triangular amulet), and of course, his famous and extremely popular Pra Sivali metallic Loi Ongk Statuette amulets, which were made in ancient casting methods, in various forms and sizes, for Bucha on the altar as well as for wear as amulets.
His sacred powder amulets were made from a number of different Muan Sarn substance clays, including Puttakun (Yantra Powders), Nuea Din (Earthen Clay), and Pong Nam Man (Oily Herbal Powders). The amulet appreciation society and the aficionados tend to prefer the Pong Nam Man Oily powder models above the other Muan Sarn Sacred Powders, but there is not a very large difference in their price compared to the difference in their rarity.
In the year 2484 BE, Many devotees gathered to officially ask Luang Por Chaeng to make some powerful amulets to protect them during the War. So Luang Por Por Chaeng made a very large release of amulets of different types, with extreme power and effort after many years of preparation.
He empowered them for Kong Grapan Chadtri Klaew Klaad and Maha Ud to protect the Thai Buddhist people, in that time of Wars around South East Asia and the whole World. None of the multitudes of amulets blessed in the ceremony were rented out for money, instead, all were handed out for free to the devotees at the ceremony.
The Buddha riding animal amulets of Luang Por Chaeng are used as a second choice for those who do not possess the funds to obtain a Luang Por Parn Wat Bang Nom Kho model, and are said to be equally powerful protective amulets.
Luang Por Chaeng did not bake the clay in his edition, preferring to make them from an admixture which contained Poon Plueak Hoi (ground seashell), which results in a smoother and lighter colour and texture than Luang Por Parn's clay models. Otherwise, his powder amulets contain the same 5 Sacred Yantra Powders Pong Bpathamang, Pong Puttakun, Pong Ittijae (sometimes called 'Ittajae'), Pong Trinisinghae, and Pong Maharach. Luang Por Chaeng's formula also included Gesorn flower pollens, Sai Sek enchanted sand, Khaw Suk cooked rice (from monks almsbowls)
Luang Por Chaeng passed away peacefully on 26th July 2500 BE at the age of 72 years old, after 52 years in the ordained Sangha. His body was cremated in the year 2501 BE after being moved to Wat Makut Kasatriyaram. A series of 'Rian Khaw Hlaam' four sided Monk coins with the image of Luang Por Chaeng were handed out to the devotees during the cremation ceremony as a sacred memento of Luang Por Chaeng.
His amulets have become a classic preferred sacred religious artifact of the pre 2500 BE Era, and a guaranteed auspicious Buddhist Votive Tablet that can be treasured and revered for generations to come. A truly sacred ancient amulet from one of the most powerful masters of the World War II Era.
Luang Por Chaeng was an important monk present called for the empowerment of amulets in many great ceremonies, particularly notable the Wat Rachabopit Indojin Ceremony of 2481 BE, considered to be the largest Blessing Ceremony of all History., the 25 Centuries of Buddhism Ceremony of 2500 BE (second of three largest ceremonies in History) and his presence was beseeched to assist in empowering the world famous historical edition of Pra Kring Wat Sutat.
