An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Somdej Gaes Chaiyo Pim Hok Chan (6 Tiered Dais) Ok Rong (fully split center torso)- 2531 BE Historical memorial Edition.
The Pra Somdej Wat Gaes Chaiyo Edition of 2531 BE is known as the 'Run Prawatisat' meaning 'Historical Edition' and marked yet another commemorative special edition to preserve the Dtamra Pra Somdej begun by the Great Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram more than a Century and a half before.
This edition is a very highly preffered edition, due to its extremely Auspicious and Sacred relation to successful completion of the Gold Coating of the Giant Buddha Statue (Somdej Pra Maha Putta Pimp Luang Por Dto), which was built by Somdej Pra Puttajarn (Dto) Prohmrangsri during his lifetime.
Somdej Pra Puttajarn (Dto) Prohmrangsri Built the large Buddha statue of Luang Por Pra Maha Puttapimp, more than 100 years ago, and it was covered in lacquer, and Solid Gold.
Then, many years later,in the year 2470,The then abbot of Wat Gaes Chaiyo wanted to renew and restore the Buddha Statue, by re-lacquering and re-covering the image with a new gold coating.
He had all the lacquer and gold removed from the statue and intended to raise funds to recover it with a new coat of gold. But he sadly passed away, before he could complete his mission.
From then onwards until the time of this edition, the statue remained without a new covering of gold. Nobody had attained the merit or devotion to perform this task, until the year 2531 BE, when the current abbot of the temple at that time, 'Pra Wisit Nimmaanagarn (Luang Por Chalaem Jantawanno), began the task of covering the Luang Por Pra Maha Putta Pimp with gold.
It is said that this happened because a Miracle occured; It is believed, that Luang Por Pra Maha Putta Pimp sent a wave of communication to Dr. Thalerng Hlao Jinda, a faithful devotee of Wat Gaes Chaiyo, and caused him to go and tell the abbot and complain to him, that the statue had still not been recovered with gold since a long time.
So, the abbot and Dr. Thalerng, along with many State Officials, Wealthy Merchant Devotees and the help of the Faithful Common Folk of Chaiyo Municipality, Began the work and performed the ceremony of 'Long Rak Pid Tong' (lacquer and gold covering)of the Buddha statue. Before this began, they had to remove all the old fragments of gold and herbal lacquer which were still remaining stuck on the statue from the original coating from Somdej Pra Puttajarn (Dto) Prohmrangsri.
As this gold and powder residues were being removed, the abbot of Wat Gaes Chaiyo had a Nimitta vision of Somdej Pra Puttajarn (Dto) Prohmrangsri, who appeared to him and said, that these residual gold and powder fragments, should be taken to make Pra Somdej amulets and released to the devotees. The gold was to be used for the solid gold versions, and the powders and broken lacquer fragments should be used for the Sacred Powders of the Pra Somdej.
The abbot then discussed this with the Gammagarn comittee* of the temple of Wat Gaes Chaiyo, who agreed to create and release the Historical 'Prawatisat' edition. They chose the name of 'Historical' (Prawatisat), for the edition, for the obvious reason that this was the first and only time in History, that powders from the Giant Luang Por Pra Maha Putta Pimp (Luang Por Dto) statue were to be used for the sacred powders of the amulets. This is hence the only edition of Pra Somdej Wat Gaes Chaiyo amulets in the whole history of Wat gaes Chaiyo which possess pieces of the Buddha Statue of Luang Por Dto Pra Maha Putta Pimp within their Sacred Muan Sarn Ingredients.
This is considered hence to be a very sacred edition with very high Buddhakhun Magical Power to transform your life with Miraculously, thorugh the Sacred Muan sarn within the amulets, which are considered to be extremely sacred and Powerful through this connection with the Luang Por Pra Maha Putta Pim Statue of Luang Por Somdej Dto Prohmrangsri. Two fallen pieces of the statue were mixed in to the amulets from. two occasions (in 2521, when some repairs were made, and this occasion in 2531).
The abbot of Wat Gaes then prayed to Luang Por Pra Maha Putta PImp, that if and when the designs block presses for the edition were completed, that the statue should show a further miracle by shedding some pieces of itself, for further usage as Sacred Muan Sarn for the making of the amulets. It appeared then, that just before the statue reparations were completed, the statue unexplainably shed 47 more pieces of fragments of itself, which were subsequently also added to the Muan Sarn for the amulets.
The Sacred Buddha Abhisekha (Opening of the Eyes of the Buddha) was held and performed on the 20th of October 2531 BE (the tenth phase of the 11th Monbth of the Lunar Calendar), with 108 great Master Monks invited to perform the Chanting of the Dhamma Chakra, including Somdej Prayan sangworn (Sangkaracha R.I.P.) nthe Abbot of Wat Bovornives, the Royal Palace, and Head Monk of the Thai Buddhist Sangha also present, to perform the lighting of the 'Tian Chai' Victory Candle.
Important Note from Ajarn Spencer, for Understanding how to MAKE MERIT, and how to NOT MAKE MERIT with the Sangha;
* "Gammagarn Comittee", means the appointed Lay Personell, who undertake the worldly takss and money raising affairs and banking accounts of Buddhist teples, for indeed, it is not allowed for Monks of Purity to possess or control large amounts of funds through their own personal control without transparency or supervision from the Official Organism of the Buddhist Sangha.
This is not evident in smaller temples, for which reason we sometimes also see the problems which have been seen to arise in modern times, where monks of lesser purity and impure intentions have laundered teple funds and donations of the faithful devotees for their own personal uses, (and abuse). For this reason, we also recommend that you do not ever just donate money to Buddhist Monks, without passing them first to an official body for administration, and that any requests for donations from monks or temple abbots if you visit any smaller temples, should be responded with a request to see the Gammagarn comittee and donate it with reciepts of the donation signed from such a comittee office. This is the best way to protect and nurture the Buddha Sasana.
