An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Sum Gor Chud 2 - Luang Phu Tim (Wat Laharn Rai) - 'Nuea Pong Pasom Jinda Manee' - This Pra Sum Gor blessed by the Great Luang Phu Tim, was released in aid of the Dhamma, due to needed funds for the temple of Wat Pai Lom, in Amper Ban Kay (Rayong) close to the temple of Luang Phu Tim.
It was the case with this great master, as is the case with almost all of his surviving apprentice masters such as Luang Por Sakorn, and Luang Phu Sin that, The masters would not release Amulets at his own great temple, but would agree to release Amulets for smaller temples around the area and in other areas, to help in their development for the cause of Buddhism.
For this reason, most of his famous amulets were released at a large variety of different temples and for many different funding projects which is part of what makes this great master, and his apprenticed masters who are still still alive today, so great, and meritorious.
This classic ancient amulet from one of thai amulet history's greatest, and most sought after Guru Masters. Pra Sum Gor is one of the 'Top Five' Benjapakee Classic Amulets of the five Major regions of Thailand.
It is a classic hiding place amulet of the clay variety, featuring one of the top five 'Benjapakee' regional models of amulet. The Pra Sum Gor, is a sacred Buddha image, which has been produced by the greatest masters since hundreds of years, dating back to the times of the Kampaeng Paetch Epoch.
This classic amulet is a Second prize winner, in the national amulet contest of Pattaya amulet appreciation society. The amulet comes with the second prize certificate included.
Luang Phu Tim Isarago, is of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders.
Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Khun Phaen Pong Prai Kumarn, and Look Om powder balls. As to the classic 'Rian mage amulets which have become all time favourites, and eternally, world famous classic amulets of the high end variety.
Above; Luang Phu Tim Isarago
Since his passing, his devotees and apprenticed monks, have now become the world's top living masters for the making of Pra Khun Phaen Pong Pra Kumarn, and literally dozens of encyclopaedia think books, have been printed, documenting both this great master monk, and his classic amulets of high esteem.
Buddhist monk coins with his image and others with Buddha images and other deities and imagery are amongst the most highly collected amulets and most expensive of all of the great Luang Phu Tim.
He has various direct lineage apprentices, Who are continuing to progress and spread his most powerful and world-famous Wicha. Of all of these masters, perhaps the most famous, preferred, is Luang Por Sakorn, of Wat Nong Grub.
In second place one could possibly estimate the great Luang Phu Sin, of Wat Laharn Yai, and in third place, possibly, Pra Ajarn Somkid, of Wat Beung Tata (Rayong).
The amulet received second prize in a major competition and has a certificate included with the amulet confirming authenticity and second prize-winning status from the 'Chom Rom Pra Krueang Pattaya' amulet appreciation society. The amulet received the prize for its clarity of distinction, and ease of recognition as well as for its individual unique features.
The Legend of the Pra Sum Gor
The grand mythical legend of this Pra Sum Gor amulet of the Kampaeng Paetch era, comes from the tale of the great Monk Somdej Pra Puttajarn (Dto) Prohmrangsri, of Wat Rakang Kositaram, finding these Amulets. This event occurred, as he once visited his relatives in the province of Kampaeng Paetch, and in the temple where he was staying, saw a very ancient scripture in Thai- Khmer Sanskrit (Pasa Khom).
Please click on below image to view a large high-resolution view of Pra Sum Gor Second prize winning amulet with certificate.
He read the scripture, and found information which told of three stupa ('chedi', or 'stoop', in Thai) which were in the forest to the west of the temple. And so on expedition was set to search for those stupors. They were found and the ruling minister of the area as permission to demolish them and put them together into one larger stupa.
This was agreed upon, and when the world began to dismantle the stupas, for rebuilding into a larger new version, the amulets were found. Somdej Pra Puttajarn (Dto) Prohmrangsri then studied the silver template which was also found, with inscriptions, which recounted the story of the amulets making, and how they should be revered.
The amulets were given to one of the provincial rulers of ancient Siam, as he was ill in the city of Nakorn Chaysri, as a present from a Lersi Hermit. The amulets had Buddha Relic mixed in with their substance and were hidden within the stupa spires.
Apart from being one of the group of the top five classic Amulets of thai history, this amulet also has a connection with one of the other members of this elite top five list of the most esteemed amulets in the history of thai amulet collection and making. the amulet we speak of, is of course the world famous, 'Pra Somdej Wat Rakang Kositaram' of Somdej Pra Puttajarn (Dto) Prohmrangsri (Wat Rakang Kositaram).
The reason for this connection, is, the fact that Somdej Pra Puttajarn (Dto) Prohmrangsri Took many of these ancient clay Kampaeng Paetch amulets, and mix them in with the sacred powder is used for the making of the 84,000 pressings, of the world famous, and inimitable Pra Somdej Wat Rakang Kositaram.
Above; Certificated prizewinner amulets in our showcase, including this Pra Sum Gor.
True experts of this amulet, always search for fragments, and molecular pigment traces of the Kampaeng Paetch clay substance within the white sacred powder of Pra Somdej Wat Rakang amulets, as well as for authenticating them, through knowing their true composition, regarding the Muan Sarn Sacred Powders.
It is said, that the famous Pra Sum Gor, was made by a Lersi Hermit, many people say, was the famous Pra Lersi Dta Fai. The truth is, that we can only listen to the legends, because the makers of this amulet lie so far into the past, and all we have to go with, is information which was taken from the Silver metallic template of inscriptions found by Somdej Pra Puttajarn (Dto) Prohmrangsri.
One needs to study ancient history of the Siamese kingdom and pre-Siamese kingdoms, in order to understand the airport from which the original form of this amulet comes. The city of Kampaeng Paetch, was an area which was completely ruled and inhabited by people of the Khmer Khom Empire. Then, during the period where Sukhothai Kingdom was rising, The type people settled in the area and all the time as the kingdom became greater they drove out the Khmer people and build a large wall around the city. 'Kampaeng' means, in fact, wall.
What we can be certain of, whoever it is maker was, is that the Pra Sum Gor Benjapakee Amulets is a truly ancient amulet of historical eminence and classic proportion, and a member of the elite Benjapakee club of five sacred types of amulet representing the most important and eminent amulets of all thai amulet history.
The Hermit Por Gae Ta Fai is also reputed to have had a part in the creation of the Pra Sum Gor Amulet; The legend tells that when this amulet was in the making, there were four different Lersi presiding over it’s creation, Namely; Pra Lersi Pilaalay Pra Lersi Ta Fai, Pra Lersi Narod, and Pra Lersi Gaiyagote.
This Amulet is counted as one of the five “Pra Benjapakee” amulets which are reputed to have an age of not less than one thousand years. Because of the documented evidence appearing in various historical recordings related to the creation of these amulets, and the fact that all of the aforementioned amulets date back to more that one thousand years ago, it can be assumed that Por Gae Lersi Ta Fai really existed, and that he lived at least one thousand years ago, if not more than that. Because of the ability of the Lersi to live for hundreds of years, it cannot be known how far back his appearances go… Many Thais recount that Por Gae was around 2000 Years ago, meaning that this Lersi Hermit may have been able to extend his lifespan for up to one thousand years, if the accounts relating to the creation of the aforementioned amulets are true.
